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1
Sheng, Fan. "Research on the Application of Architectural Decoration Materials in Interior Design." E3S Web of Conferences 512 (2024): 01003. http://dx.doi.org/10.1051/e3sconf/202451201003.
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As an important part of the interior design, the architectural decoration materials can effectively improve the effect of the interior design, and make the interior design to meet people’s aesthetic needs. Based on this, the study analyzes the application of architectural decorative materials in interior design. Firstly, the paper introduces the common types of architectural decorative materials, such as metal materials, non-metallic materials, composite materials, etc. Secondly, analyzes the artistic attributes and characteristics of decorative materials; finally, analyzes the specific application of architectural decorative materials in interior design.
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Koroleva, Olga. "Mythical Guardians, or The Special Aesthetics of Chinese Roofs." Oriental Courier, no. 4 (2023): 247. http://dx.doi.org/10.18254/s268684310029199-6.
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The history and development of traditional Chinese architecture goes back thousands of years. Still, the beauty of architectural forms amazes the imagination with the complexity of their designs, elegance, variety of decoration and materials from which they are made. The paper focuses on the decorating of roof-ridges, which have a special design. The type of adornments directly depended on the type of roof-ridges. The ornate statues of dragons, a celestial being and ten mythical ridge beasts are placed on the roof-ridges of the palace halls. They were meant to display the power of the imperial family and represent all kinds of magic things. Although the original purpose of these decorative elements was practical, under the influence of folk beliefs it also became symbolic. As a result, they have formed a special and unique aesthetics of roof adornments.
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Yang, Yan. "Application of Mirror Materials in Wood Furniture Manufacturing Process Based on Big Data Analysis." Mathematical Problems in Engineering 2022 (May 18, 2022): 1–8. http://dx.doi.org/10.1155/2022/8283152.
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With the development of the national economy, the interior decoration work has received extensive attention, and the traditional decoration methods have been unable to meet its actual work needs. The application of mirror materials in interior decoration can not only enrich the technical methods of interior decoration, but also improve the decoration quality and comfort, so as to meet people’s growing decoration needs, achieving the purpose of promoting the sound development of interior decoration. Mirror material is one of the decorative materials widely used in modern indoor environment. It not only has decoration, but also can expand space. In recent years, the advent of the era of big data has promoted the reform of the design industry. Using big data thinking to assist the innovative design of furniture products will also become an important trend in the development of the furniture industry. According to the characteristics of customer demand in the era of big data, this paper designs and develops a set of customer demand analysis system based on big data by using cloud computing and big data mining technology. By collecting the behavior data of users when using products, this paper combines the mirror material with the manufacturing process of wooden furniture. The mining algorithm is applied to find out the improvement goal and direction of wood furniture manufacturing process based on mirror material, so as to enhance the competitiveness of furniture enterprises. The method proposed in this paper can obtain the furniture design elements according to the functional zoning and theme information and input the furniture design elements and zoning elements into the design element matching evaluation model to obtain the design matching element information.
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Chen, Chao. "Study of New Environmentally Friendly Materials in Interior Design." Applied Mechanics and Materials 484-485 (January 2014): 47–51. http://dx.doi.org/10.4028/www.scientific.net/amm.484-485.47.
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With the development and accelerating of economy and social civilization, in the interior decorating and design, the pursuit of personal and environmental friendly trend has gradually emerged, but the traditional building materials and design materials often have safety problems of different degree. The green environmental protection materials can also meet the two requirements mentioned above. This paper mainly analyzes the causes and characteristics of interior decoration design using environmentally friendly materials, understands several kinds of environmentally friendly materials available in interior decoration design, and analyses specific direction for practical application.
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Suhestin, Haryati Dwi, and Tiwi Bina Affanti. "Penciptaan Hiasan Dinding melalui Teknik Batik Kombinasi Trapunto." TEXTURE : Art and Culture Journal 5, no. 1 (August 19, 2022): 56–61. http://dx.doi.org/10.33153/texture.v5i1.2878.
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The creation of wall hangings is motivated to meet the needs of aesthetic elements in spaces that have the function of helping to build the atmosphere in a room. The reason for visual selection by processing the natural nuance is because the scenery in the natural nuance has the ability to give the impression of comfort and serenity to its inhabitants. The results of the creation of this Final Project are as follows: Creation of visual design by processing the theme of the natural atmosphere through batik techniques and trapunto techniques for wall decoration totaling eight (8) visual designs. The overall visual design processes the elements contained in the natural atmosphere along with the stories in them which are illustrated through a decorative styling, using a two-size 110x80cm and 80x0cm philip berkolin cotton fabric that is done with Remasol staining.
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Xu, Wei, and Yongqiang Zhang. "Evaluation of Sustainable Environment-Friendly Interior Decoration Design from the Perspective of Low-Carbon Economy." Mathematical Problems in Engineering 2022 (May 9, 2022): 1–7. http://dx.doi.org/10.1155/2022/5156039.
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With the rapid development of economic and social productivity, the living standards of our people have been continuously improved. As human society enters industrialization and urbanization, in order to meet the increasing needs of life, people have higher and higher requirements for the environmental quality of their lives. People spend nearly 90% of their time indoors. Therefore, the environmental quality of indoor spaces has become an issue that cannot be ignored. The interior space environment of the building is closely related to everyone’s life. However, when people decorate their rooms luxuriously and warmly, the subsequent interior decoration sequelae are also seriously affecting people’s health. The pollution caused by indoor decoration is serious, whether it is the use of decoration materials or improper indoor design that will cause indoor air pollution. Based on building materials and interior design, this paper systematically analyzes the pollutants in the fully decorated interior space and proposes that from the perspective of low-carbon economy, interior space design should be based on the ecological environment, and the focus of the design is on the rational use of nature. Resources and decoration methods should start from the application of natural colors and natural materials and organically combine green materials and green decoration designs to create a more comfortable, healthy, safe, and environmentally friendly indoor space environment.
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Sun, Chunyan. "Designing Decorative Flower Patterns for Clothing Using Genetic Algorithm." Mobile Information Systems 2022 (August 17, 2022): 1–8. http://dx.doi.org/10.1155/2022/5823849.
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This paper aims to incorporate artistic vocabulary from intangible cultural heritage into historical clothing designs, particularly beautiful pattern designs. It is based on a profound understanding of the concept of immaterial cultural heritage and the mastery of its traditional skills to meet the public’s needs in terms of clothing and flowers. Technology, culture, and intangible cultural legacies can all be passed down and incorporated into the design. It is using interactive evolutionary computing to investigate the intangible cultural heritage elements of designing novel decorative flower patterns for clothing. Due to the rapid advancement of digital technology, computers are now used more frequently in the design of patterns and clothing. The goal is to improve the production of artistic trends and decrease the use of manual and traditional methods. This study uses interactive genetic algorithms to examine the current state of intangible cultural heritage elements in building designs for decorative flower patterns for clothing. The application of genetic algorithms to the design of clothing with flowers as decorative patterns is the main focus of this paper. The genetic algorithm is described, followed by an analysis of its fundamental structure. Then, the characteristics of the clothing flower decorative pattern are determined, the genetic algorithm model is applied to the design of the decorative flower patterns for clothing, and the hierarchical structure of heredity, variation, and interaction is provided. Finally, the genetic algorithm is applied to the large-scale generation and mutation optimization of designing decorative flower patterns for clothing after analyzing its application in clothing flower decorative pattern technology. The idea presented in this paper can self-reproduce and optimize, resulting in the nonartificial generation and optimization of designing decorative flower patterns for clothing.
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Biryulov, Yury. "Lviv school of design of the environment 1919-1944: Theoretical principles and their implementation." Bulletin of Lviv National Academy of Arts 49, no. 49 (December 29, 2022): 97–105. http://dx.doi.org/10.37131/2524-0943-2022-49-8.
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Formulation of the problem. Teaching the design of the environment, as well as practical achievements in this field of artistic creativity of teachers, students and graduates of Lviv National akademy of arts, have a thorough basis. Lviv school design of interiors has a long history, and the chair of design of the envi- ronment of Lviv National akademy of arts is the heir to the traditions and achievements of several gen- erations of Lviv artists. It is important to reveal the process of formation in Lviv artistic design educa- tion, the theoretical foundations of the artistic or- ganization of the subject environment surrounding a person, to identify and compare historical levels in the development of works, their technological and stylistic changes in time, investigate the relationship between different artistic techniques and options design at different stages. Analysis of recent research and publications. Important is the study of Alexander Noha on the theme of the Lviv design school. In his book 2001 “Ukrainian art-industrial ceramics in Galicia (1840- 1940)” is considered a period of birth and develop- ment of industrial design in Lviv [16]. Architecture and design of public spaces in the structure of historical residential building of Lviv on the verge of the XIX-XX centuries became the object of scientific research in articles and in the candidate’s thesis Olga Lysenko [12]. A number of works of design of the Lviv Art déco 1920-1930’s was analyzed by Anna Bantsekova in the catalog of the exhibition in 2001 “Art déco in Lviv” [5]. Marta Makovetska in article 2016 trailed trends in the decoration of premises (especially furniture) in the Ukrainian folk style in Lviv of interwar time [13]. The analysis of the source base revealed that to date no comprehensive study of the development of the Lviv school of subject-spatial environment de- sign has been carried out. This problem requires a multifaceted and synthetic approach. The purpose of the article: to consider the form- ing factors, the theoretical principles of the Lviv design of the environment and their practical im- plementation in 1872-1944, introduce new facts to scientific space, surnames of artists and their works. Study Results. For the first time there is a com- prehensive scientific study of the stylistic evolution of the Lviv design of the subject-spatial environment – from the neo-styles of historicism to secession (art nouveau), art déco and functionalism. The universal essence of the secession provided it gradually, but continuously growing coverage of various types of creativity and became one of the main formative fac- tors of a subject-spatial design in the capital of Gali- cia at the beginning of the twentieth century. If the art déco to some extent continued decorative trends of secession, then functionalism has shown the de- sire for a new approach to organizing the design space. The artists began to refuse abundant decor in favor of a clear constructive basis and restrained coloring, to emphasize the compositional-rhythmic construction of geometric volumes and planes. The article reveals the formative factors of the de- sign of the environment, illuminates the regularities of the emergence and establishment of artistic and design education and practical activities in this area of the creativity. The emergence of theoretical prin- ciples of artistic design in Lviv is shown, starting with articles and public speeches of Julian Zachariewicz. The history of Lviv design of the environment is sys- tematized, in many aspects the works of individual artists of different nationalities are analyzed, their previously unknown works, which are introduced into scientific circulation for the first time, are re- vealed. In particular, the creative work in the field of design of W. Sadłowski, A. Zachariewicz, I. Levynsky and his followers, T. Obmiński, M. Olszewski, T. Wró- bel, Z. Sperber is studied. Getting to know the achievements of leading European art centers, Lviv design school has main- tained its independence and originality. The pecu- liarity of its representatives was the complexity of the polyethnic structure, the multilayer of the top- ics and motives (the sources of which were diverse aspects of national life and the tradition of everyday life) and in the use of the treasury of regional cul- tural achievements. Thus, numerous exhibitions of Ukrainian manufacturers of the period 1919-1939 showed a high level of Ukrainian designer opinion and active searches for national identity on the basis of traditional folk material culture and in the direc- tion of the formal system of art déco. Conclusions. The analysis of creativity of artists of the Lviv school design of the environment showed Юрій Бірюльов 105 Львівська школа дизайну середовища 1919–1944 рр.: теоретичні засади та їх втілення its artistic integrity, revealed a large socio-cultural and artistic significance of objects of subject-spa- tial design of the period of 1872-1944.The historical change of styles in the design of public and residen- tial interiors of Lviv, the formative factors of design, the achievements of teachers and graduates of the Artistic and industrial school are considered. Until re- cently, the existing idea of the Lviv art of design was significantly supplemented, and new facts and works were introduced into scientific circulation.
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Khan, Romana Yasmin, Ren Honggu, Moazzam Abbas, Zhang Jinjao, Yuchen Liu, Yang Xinran, Wang Fang, and Misbah Ul Islam. "Globalization and Diversification of Interior Decoration Styles and Their Impact on Pakistani Handicrafts." Journal of Visual Art and Design 15, no. 1 (August 27, 2023): 44–67. http://dx.doi.org/10.5614/j.vad.2023.15.1.4.
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With the gradual advancement of globalization, cultural values and traditional decorative practices as well as people’s lifestyles have changed through digital awareness. This has seriously affected the interior decoration industry and brought challenges to the local handicraft industry. Pakistan’s traditional handicraft is famous in the world, but the flow of imported machine-made products in Pakistan has led to a decline of Pakistan’s handicraft industry. This research investigated which factors are involved in home decoration and to see if these factors are advantageous for the handicraft industry or not. The use of handicraft decoration objects varies among people when they design their houses. Thus, study conducted a survey, which found several factors that Pakistani people emphasize in relation to home decoration. Currently, these factors do not benefit the handicraft industry as people pursue a modern lifestyle and they consider handicraft objects without innovation and design outdated. Interior decoration is seen as a major aspect of traditional Pakistani life and culture, with distinct cultural characteristics. Inspired by the latest way of thinking, an interior design first exists as a concept and is then realized through careful planning. It is meant to evoke a specific mood through the strategic use of color, space, and style. In Pakistan, home accessories are generally and strongly influenced by the current fashion in the end market, with many changes brought about by consumers’ purchasing patterns, designers’ and decorators’ styles, and economic conditions. Keeping up with constantly changing trends is the main challenge faced by the traditional handicraft industry sector. In many cases, craftspeople are disconnected from the end market, which is a challenge for them to be able to profit from their work.
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Na, Wei. "Chinese Traditional Costumes of Class Consciousness." Advanced Materials Research 821-822 (September 2013): 746–49. http://dx.doi.org/10.4028/www.scientific.net/amr.821-822.746.
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The artifacts design and usage have been evolving since preliminary civilization period from to satisfy pure physical needs gradually to also meet psychological needs. As the evolution result, some artifacts are designed and produced not only with practical or decorative value, but also with purpose to demonstrate the consciousness of rank difference. This article, from social class consciousness perspective, with the analysis on decoration methods, clothing color and materials, demonstrates the explicit and implicit class ideological connotation in Chinese traditional dress. The dress color and pattern are strictly defined for and associated with social classes, where any violation is prohibited. As a conclusion, most artifacts especially Chinese traditional dresses which clearly represent all social classes are the intended product by ruling class.
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Studziżba-Kubalska, Beata. "Józef Mehoffer’s competition design for the polychrome decoration of the Franciscan Church in Kraków, 1894. An attempt to reconstruct the artist’s decorative concept." Sacrum et Decorum 15 (2022): 39–78. http://dx.doi.org/10.15584/setde.2022.15.3.
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Józef Mehoffer’s competition design for the painting decoration of the Franciscan Church in Kraków in 1894 has not yet been found. This article is an attempt to reconstruct the artist’s decorative concept on the basis of the surviving sketches for the project, as well as notes drawn and written in a sketchbook from 1893–1894. The artist, who was in Paris in February 1894, heard about the competition from Tadeusz Stryjeński. The project he sent to the jury in May 1894 did not meet the formal requirements; it was too sketch-like and unpolished and was not accepted. Mehoffer began work on it with detailed studies of sources and iconography, documented by his drawings and notes in his sketchbook. These bear witness to his technical dependence on Jan Matejko and the painters of the historicist school. The artist’s meticulous approach in this respect was perhaps one of the reasons why the project was not completed within the three-month deadline set by the jury. A stylistic analysis of Mehoffer’s sketches for the decoration of the Franciscan Church leads to the conclusion that they were created under the influence of Matejko’s polychrome decoration of the presbytery of St Mary’s Church in Kraków, as well as other sacral decoration of the second half of the 19 th century, associated with the current of academic historicism – an important model for the Polish artist was undoubtedly the polychrome decoration of the chapels of Notre Dame Cathedral in Paris – by Eugène Viollet-le-Duc and Maurice Ouradou. Mehoffer owed much of his inspiration for the iconography of his design, in which the dominant motifs were depictions of 13 th -century Polish saints, nuns, female rulers and Piast princes, to Matejko’s work, "The Defeat of Legnica – The Rebirth of Poland. 1241", 1888. The overall vision for the decoration of the Franciscan Church, which he did not include in the competition design but described in his notes, went beyond historicism. It demonstrates the artist’s sensitivity to the new trends in art at the turn of the 20 th century, and the fact that he was already aware of the profound changes taking place in the style of monumental painting and in the perception of its function.
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Aravecchia, Nicola. "Geometric painting in late-antique Egypt: the ceiling of a 4th-c. church at Amheida (Dakhla Oasis)." Journal of Roman Archaeology 33 (2020): 449–66. http://dx.doi.org/10.1017/s1047759420001117.
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As part of an investigation of the use of geometric painting on ceilings in late-antique Egypt, this article will focus on the evidence found in a 4th-c. A.D. church at the polis of Trimithis (Amheida), located in the Dakhla Oasis of Egypt‘s Western Desert. Excavation in 2012-13 as part of a project directed by R. S. Bagnall highlighted the church‘s rôle for both cult and burials. Thousands of fragments of painted plaster, part of the church‘s collapsed flat ceiling, revealed a wide array of interlocked geometrical shapes in vivid colors, creating a visually dramatic contrast with the church‘s seemingly white walls. The polychrome decoration was probably meant to replicate the effect of a coffered ceiling. Similar geometric schemes are found elsewhere in the Western Desert in both domestic and funerary contexts, and there is evidence of other Egyptian Early Christian churches that had flat ceilings, but a flat roof with painted geometric decoration in the context of an Early Christian church is thus far unattested elsewhere in Egypt. This article will highlight the popularity and longevity of this decorative style in Egypt throughout the Roman period and well into late antiquity and will point to similarities between this type of ceiling decoration and Alexandrian models of the Ptolemaic period, as well as mosaic designs found throughout Mediterranean lands.
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Wang, Yan Xia, and Jin Xia Cheng. "The Application of Computer-Aided Design in Architectural Decoration Design." Applied Mechanics and Materials 519-520 (February 2014): 919–22. http://dx.doi.org/10.4028/www.scientific.net/amm.519-520.919.
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The method of traditional architectural decoration design can not meet the requirtments of modern industrlization for the disadvantages of excessive consumption on time and human resources as well as the inclination to high error rate . Computer aided technology, as an efficient auxiliary tool, while, facilitate the design of construction blueprint with the ability of powerful data processing and storaging, which achieve the realization of overcome of the disvantages amentioned before.
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Gyasi, Isaac, Dickson Adom, Christopher Effah Oppong, and Abraham Ekow Asmah. "IKKente: Fusion of Ikat Technique into Asante Traditional Kente Weaving." Textile & Leather Review 6 (November 14, 2023): 686–700. http://dx.doi.org/10.31881/tlr.2023.092.
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The Asante Kente is unquestionably the most popular and best-known of all African textiles. It has attracted the attention of many for centuries due to its uniqueness. The aesthetic appeal of Kente has been significantly improved over the years as a result of variations in design and production techniques. However, its design and production could be further improved and enhanced for the Asante Traditional Kente weaving industry to meet contemporary standards and market demands. Hence, this study sought to innovatively incorporate the Ikat technique – a patchy yarn dyeing decorative technique into the Asante traditional Kente weaving. The researchers utilized the studio-based research design under the qualitative research approach. The procedural steps in the Double Helix of Praxis-Exergesis Model which consisted of exploration, production, and evaluation, were adopted for the study. Personal interview was the principal data collection instrument used in collecting data from 12 purposefully sampled traditional Asante Kente weavers from six different communities in the Ashanti region of Ghana. The findings of the study revealed the possibility of fusing the two cloth production techniques to produce one common cloth that was named IKKente. The study recommends that this yarn decoration method should be encouraged among dyers and weavers to boost the local weaving industry in Ghana.
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Li, Xu. "Application Performance of Decoration Materials on Architectural Design." Applied Mechanics and Materials 584-586 (July 2014): 1050–53. http://dx.doi.org/10.4028/www.scientific.net/amm.584-586.1050.
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This paper describes the basic properties of decoration materials such as texture, color, texture, shape and other construction materials, focuses on the analysis of its use in decoration, protection, space partition, emphasis its selection and use on particular attribute space, emotion ,regional and environmental protection , the combination with the character of architectural features and the harmony of artistic styles.Based on this, the designer can make a space design which can meet customer demand through the depth understanding of the various properties of the materials.
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Arnóth, Ádám. "Belső gazdaság : A Rumbach Sebestyén utcai zsinagóga felújítása." Metszet 11, no. 5 (2020): 18–25. http://dx.doi.org/10.33268/met.2020.5.1.
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Restoration Architect: Tamás KŐNIG DLA and Péter WAGNER DLA Originally designed in the Moorish Revival style by Otto Wagner in 1873, this synagogue served as a place of worship for the more conservative members of Budapest's Jewish community. WWII damage left the building in a ruinous state, although repairs to the structure did occur, restoration in earnest did not start until 2007. The subsequent works have restored this place of worship to its former splendor and function. Attention payed to the original design, the Torah Ark and unusual use of Moorish decorative elements have helped demonstrate why this building is one of Budapest's significant historic monuments.
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Zhang, Ming Li, and Wei Ping Hu. "Study on Application of Characteristics of the Decorating Material in the Interior Space Design." Advanced Materials Research 418-420 (December 2011): 2245–49. http://dx.doi.org/10.4028/www.scientific.net/amr.418-420.2245.
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In the Interior Space Design, the Decorating Material Is the Materialized Carrier of the Interior Space Design, and Designers Can Enrich and Beautify the Space Environment by Applying them. the Paper Mainly Makes Discussion on how to Meet the Functional and Aesthetic Demands of the Space by Applying the Decorating Material Characteristics.
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Yu, Tian Tian, and Wei Ping Hu. "Study on Application of Membrane Materials in Home Decoration Design." Advanced Materials Research 430-432 (January 2012): 1551–53. http://dx.doi.org/10.4028/www.scientific.net/amr.430-432.1551.
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the application of membrane materials in construction and interior design did not attract much attention until the application of membrane in Water Cube. By applying new building materials to home decoration design, we can make interior design more brilliant and meet high-end pursuits. Membrane materials are lightweight, tensile, pliable and highly resistant to UV and chemicals. They have long useful life, self-cleaning ability, translucence and high melting point. The application of these materials will make villa design refreshing. Besides meeting people’s needs for a comfortable living, they are also more environment-friendly.
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Rezes, Gábor, and Ferenc Szigeti. "Covering Elevator Doors and Decorative Elements with a Protective Film." Műszaki Tudományos Közlemények 19 (2023): 44–50. http://dx.doi.org/10.33894/mtk-2023.19.07.
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In today's world, in order to maintain competitiveness, all companies strive to meet deadlines and sell their products to their customers in the best possible quality. Also, they want to produce these products as cheaply as possible. This is no different in the elevator industry. At Wittur Hungária Kft., we produce thousands of elevator doors or their decorative elements every year, which must be provided with a protective film on a painted or structured surface, thus ensuring that the customer receives the quality product they expect. The main reason for the design of the machine is to speed up and automate the foiling process, while increasing productivity and reducing costs. Therefore, we set out to design a machine with which we can make the work of the workers easier and faster, since this operation is currently carried out manually, and we also ensure a consistent quality with the least possible human intervention.
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Gao, Shan, and Li Ping Hu. "Research on Design of Artistic Style of Automotive Interior Fabric." Advanced Materials Research 332-334 (September 2011): 200–204. http://dx.doi.org/10.4028/www.scientific.net/amr.332-334.200.
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With the development of the automotive market, automotive interior fabric design becomes an important category of textile design. The design of automotive interior fabric in our country is more focused on the design and research of comfort, safety, health and other functional aspects. At the same time, the artistic and personalized decorative design hasn’t been paid enough attention .The material quality, the color and pattern design of the automotive interior fabric play an important role in shaping the style of overall vehicle interior environment. The diverse styles of the automotive interior fabric design have an important practical significance for the car companies to create distinctive products and meet the needs of different consumers.
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Cheng, Jin Xia, and Jin Fa Huang. "Exploration of Offbeat Funny Design on Daily Ceramic Products." Advanced Materials Research 712-715 (June 2013): 2847–51. http://dx.doi.org/10.4028/www.scientific.net/amr.712-715.2847.
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With the propose to meet the common characteristics of the forthcoming 80s and 90s groups, the offbeat funny design of daily ceramic product takes maverick and personal style as the main idea to explore ceramic product design, through unearthly design conceptual analysis, investigate offbeat shape, function, decoration and other aspects, in order to enrich the daily ceramic product creative and market, and final to satisfy the new era of mainstream groups aesthetic and consumption demands.
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Pesetskaya, Aleksandra A. "The Mari wedding robes as a group’s identity marker (based on the materials of the Russian Museum of Ethnography)." Finno-Ugric World 11, no. 4 (March 23, 2020): 451–65. http://dx.doi.org/10.15507/2076-2577.011.2019.04.451-465.
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Introduction. In traditional culture, wedding clothing is distinguished by its multifunctionality and attractiveness, as it is meant to reflect significant social changes. In a Mari wedding clothing, robes have always played a particular role of an indicator of belonging to the community. The robe’s design and decorative features played a role of a marker. Materials and Methods. The research is based on the collections of the Russian Museum of Ethnography, which has an archive of wedding caftans of the Hill and Meadow Mari, as well as a great deal of written and field sources (2010 – 2018). Results and Discussion. The article differentiates male’s and female’s wedding caftans, underlines their basic local distinctive decor features. The colour serves as the main criterion. Apart from that, there are some distinctive features in the caftans’ back part and breast area. The article singles out highly and least decorated parts of the wedding caftan, takes a look at various materials served as a basis for decoration of the most important areas of the item. The paper highlights the most “alteration-proof” parts of the caftan and underlines the features of the wedding clothing. Conclusion. A study of this clothing item is of great significance in terms of the research of changes in the Mari traditional ceremonial clothes, because as field research in the region has proved, the color of the wedding caftan keeps on varying depending on local customs and remains to be a criterion of the group’s identity.
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Rosmanizan, Ida, and Fethma M. Nor. "Design and Fabrication of Plastic Compressor Machine for Plastic Waste." Journal of Applied Science, Engineering and Technology 1, no. 2 (December 31, 2021): 68. http://dx.doi.org/10.47355/aset.v1i2.19.
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This project work is on design and fabrication of a plastic compressor machine to compress plastic waste. The objective of this project is to help to reduce plastic waste mostly from domestically usage and turn into a paving brick that can be uses as decoration in a mini garden or walkway. This plastic compressor machine works using a modified old conventional oven to melt shredded plastic waste in a mould and let the melted plastic cooled and turned to a paving brick. The temperature to melt the shredded plastic waste of 450 grams is 250 degrees Celsius in 1 hour. The machine fabricated using recycled materials, which makes it cheap, easy to maintain and affordable.
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Chuanmei, Hu. "The New Structure Design and Simulation of Anti-electric Shock Multijacks Socket." Open Electrical & Electronic Engineering Journal 9, no. 1 (September 30, 2015): 427–31. http://dx.doi.org/10.2174/1874129001509010427.
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The design to meet consumer demand for safe, durable, attractive appearance and easy to use of socket, is an improvement and innovation in appearance and structure of the multi-jacks socket from anti-electric shock, multifunctional, intelligent, environmental protection and others. The new multi-jacks socket has the properties of anti-electric shock, automatically incorporating wires, jacks different direction, beautiful appearance, and it can be the decoration of home space.
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Wu, Shuang, and Sangyun Han. "System Evaluation of Artificial Intelligence and Virtual Reality Technology in the Interactive Design of Interior Decoration." Applied Sciences 13, no. 10 (May 20, 2023): 6272. http://dx.doi.org/10.3390/app13106272.
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Applying artificial intelligence (AI) and virtual reality (VR) technology to interior decoration design can effectively shorten the time of communication between customers and the designers, the design time, and the distance between designers, customers, and the space to be designed, which meet contemporary needs. This paper aimed to study how to analyze and design an interactive interior decoration design system based on AI and VR technology. This paper also used the fuzzy comprehensive evaluation (FCE) method to comprehensively verify and evaluate the designed system. According to the system verification experiment in this paper, the sensitivities of the left, right, front, and rear operating handles for 50 times were 99.38%, 99.36%, 99.49%, and 99.21%, respectively. In addition, when the number of users simultaneously using the system was 60, the system’s stability, security, response time, and stuck time were 98.72%, 98.40%, 0.834 s, and 0.322 s, respectively. Based on a series of evaluative tests, the interactive design system for interior decoration presented in this paper is feasible and worthy of further promotion and application. The system designed in this article has reference value for the academic community and boasts certain innovative aspects.
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Maydanets-Barhylevych, Olena. "Formation and Development of the Kyiv School of Art Textiles: Traditions and Innovations." Almanac "Culture and Contemporaneity", no. 1 (August 31, 2021): 158–65. http://dx.doi.org/10.32461/2226-0285.1.2021.238613.
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The purpose of the article is to outline – based on analyzing the development of the Kyiv School of Decorative Arts in context of the historical and artistic process of the XXth to XXIst centuries – the main principles of specialization Art Textiles on the ground of the Mykhaylo Boychuk Kyiv State Academy of Decorative and Applied Arts and Design. The methodology consists of applying an art history approach to historical and artistic analyses of works of artistic textiles, as well as the systematic consideration of peculiarities of the Kyiv School of Decorative Arts. The scientific novelty lies in the substantiation of a phenomenon of the Kyiv School of Art Textiles, creative-pedagogical and scientific-methodological means in teaching students, themes of diploma theses as an important component in preserving ethnic memory, and national-cultural identity. Conclusions. The results of the study highlight the features of the artistic language of the Kyiv School of Textiles, the specifics of scientific and pedagogical methods used in the Academy, as well as the creative guidelines of the teaching staff. Defined are prospective trends of development and strengthening of the Department of Art Textiles and Costume Modelling, principles of comprehending the conventional art and its transformation into the newest stylistic forms to meet today’s requirements. The scientific research gives an idea of the current state of decorative art and artistic textiles, and the creative contribution of the scientific and pedagogical staff of the ATCM Department in the context of the integration of Ukrainian art into the European cultural space.
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Cheng, Jiaxia. "A comparative Study of Chinese Traditional Folk Paper-cut Art Desigh and Modern Graphic Design Based on Visual Communication." Tobacco Regulatory Science 7, no. 5 (September 30, 2021): 1028–35. http://dx.doi.org/10.18001/trs.7.5.20.
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Paper-cut, as a traditional folk art, has become a treasure of Chinese folk art in its long history of development. Paper-cut gives people artistic enjoyment visually with its unique creative techniques, full composition and vivid and interesting patterns. Methods: Traditional folk paper-cut art records the folk customs of the Chinese nation and embodies the temperament and national style of the Chinese nation. Its unique way of thinking and expression provide unique creative ideas and rich visual art resources for modern graphic design. Chinese folk paper-cut is an organic combination of decoration and practicality. Results: It can not only show the rich and colorful folk life, but also meet the aesthetic needs of a variety of situations. How to combine rich traditional culture and art with graphic design concepts and the spirit of the times to design works with national style, so as to better integrate folk paper-cut art with graphic design, is the pursuit of graphic designers. Conclusion: Based on visual communication design, this paper discusses the comparison and integration between traditional Chinese folk paper-cut art design and modern graphic design.
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Cao, Qing Song, Jian Li, and Ji Hui Zhou. "The Design of Display System for Elevator Enclosure Based on STC11L60XE." Applied Mechanics and Materials 241-244 (December 2012): 2179–83. http://dx.doi.org/10.4028/www.scientific.net/amm.241-244.2179.
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In order to meet the requirement of magnificent appearance and humanization of the elevator car's decoration, this paper designs a elevator car's display system based on the STC11L60XE. This system is consisted of control module, display module, DS1302 clock module and SJA1000 transceiver module. The control module collects data from the DS1302, uses SJA1000 to receive and analyse data from the elevator motherboard, then drives LCD controller to display information of time and elevator running state. The actual tests in elevator shows that the system has a normal and stable display and can achieve reservation functions.
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Wang, Qi. "A Disquisition on the Idea and Approaches to Green Design Based on Sustainable Development." Advanced Materials Research 538-541 (June 2012): 2978–81. http://dx.doi.org/10.4028/www.scientific.net/amr.538-541.2978.
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In recent years, green design has become a trend of modern design in regard to product, packaging and material which represents a totally new idea, that is, design is not only meant to decorate, beautify and perfect environment, it is supposed to take up the role of social responsibility and moral value. This paper explores the idea of green design and the approaches applied in modern design, suggesting that green design is not only a new way of product design, while it also meets the need of times and sustainable development.
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Huang, Yun Xiang, Ke Tian Li, and Zhe Hao Tan. "Design and Analysis of the Dismountable Frame Structure for Vacuum Container." Applied Mechanics and Materials 200 (October 2012): 27–31. http://dx.doi.org/10.4028/www.scientific.net/amm.200.27.
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Painting is one of the most important processes in decorating industrial product. But the vacuum container is the key of vacuum painting equipment. This paper analyzes the principle of dismountable vacuum container’s structure and establishes its basic physical model and simulates its environment load by the finite element software, then analyzes the important component and obtains the index of reliability and safety of dismountable vacuum container. According to the classic theory of elastic thin plate, the accuracy of the results of finite element analysis is proved. Then the further optimization design and the further finite element analysis are utilized to optimize the important component of vacuum container, finally the results meet the requirements.
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Liang, Lijuan, and Yafei Fan. "Design and Implementation of Swastika Forms in Tenon and Tenon Structure Furniture." Advances in Multimedia 2022 (July 16, 2022): 1–10. http://dx.doi.org/10.1155/2022/8964898.
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With mortise and tenon structure furniture as the design carrier, the cultural connotation of traditional symbols is absorbed and new ideas for the inheritance and development of traditional culture in modern life are explored. Starting from the analysis of the modeling characteristics, decorative characteristics, and allegorical connotations of the swastika, its feature elements is summarized, the keywords of the design elements are screened, applications and extensions on this basis are designed, the basic model of furniture products is established, then the tenon and tenon forms that meet the strength requirements and material requirements according to the model are screened, the overall construction of tenon and tenon structure furniture products is completed, and the physical production of the products is guided. Combining the swastika form with the tenon structure bookcase design, the traditional symbolic feature elements are effectively integrated into the design of the tenon structure furniture, which verifies the feasibility and effectiveness of the method and provides a reference for the design research of related tenon and tenon products.
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Triana, Agus, and Sri Marwati. "TRUCKS AS INSPIRATION FOR BABY BED CREATION." ARTISTIC : International Journal of Creation and Innovation 1, no. 2 (December 29, 2020): 56–71. http://dx.doi.org/10.33153/artistic.v1i2.3302.
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Baby bed is one type of furniture which the existence is very necessary to meet the needs of the community, especially in family groups who have children / babies. The idea of creating the work is divided into two problem formulations, namely, how to design a baby bed in the form of a truck with decorative elements of Punakawan and how to visualize the design into works of art. The approach used is Dewitt H. Parker's aesthetic theory. The method of creation includes 3 stages, namely: the exploration stage, the design stage, and the embodiment stage. The baby bed produced in this artistic research is a work that has functional and aesthetic values with reference to the character of Punakawan. The symbolic value contains the exemplary teachings of Punakawan become a substance in this baby bed artwork. These baby beds are created creatively and innovatively for the renewal of baby bed shapes.
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Gui, Qiao Ling, Feng Su, Rui Bo Hu, and Xiao Yan Liu. "Innovative Use of Wood Materials in Modern Home Design." Applied Mechanics and Materials 204-208 (October 2012): 4156–60. http://dx.doi.org/10.4028/www.scientific.net/amm.204-208.4156.
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Under the premise of human-oriented design philosophy and sustainable development, wood is widely used in home decoration industry both home and abroad. The applications of wood not only meet the needs of different people’s requirement in style but have played a basic role in tracing the origin of the ecological and environmental protection as well. The innovative thinking of the usage of wood in home design brings its unique material properties into play and reflects its humane features and returning-to-nature eco-consciousness. This paper is to elaborate utilizing wood into its utmost property. Through introducing the innovative use of the combination among wood, new materials and modern technology, the paper advocates to maximize the practical value, aesthetic value and the technical beauty of the timber so as to bring about the needs of many usages of wood.
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Wei, ZhanGuo, and ZhuoXian Zhou. "Based on the Structural Mechanics of Dump Truck Chassis Frame of Design Improvement." Open Mechanical Engineering Journal 8, no. 1 (December 31, 2014): 668–74. http://dx.doi.org/10.2174/1874155x01408010668.
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EQ3090 dump truck in the basis of EQ1090 modification and become, the chassis choose EQ1090 chassis. The modification of the main frame, including the main frame of the drilling and welding, the main frame of extension design, main frame of reinforcing plate design. Auxiliary frame modified, include the auxiliary frame of the cross section shape and size, reinforcing plate decorate, deputy frame front shape and installation location, rail and beam connection design, auxiliary frame and the main frame connection design, and finally, the auxiliary frame in intensity. The refit vehicle meet the using performance and achieve the anticipated goal.
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Chanzhar, Anastasiia. "Transposition of Folk Decorative Painting in the Modern Urban Environment in Ukraine." Demiurge: Ideas, Technologies, Perspectives of Design 5, no. 1 (May 27, 2022): 94–105. http://dx.doi.org/10.31866/2617-7951.5.1.2022.257484.
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The aim of the article is to explore sources that highlight the importance of aesthetic design of the city, to analyze the current state of folk decorative painting in the urban environment in Ukraine, in particular, its changes and transformations, as well as the use of folk painting in murals in particular technological aspects. Research methodology. The following research methods were used to achieve the goal and solve the tasks: analytical (to study the scientific literature and sources), deductive (to summarize based on the above statements), inductive (to summarize empirical data based on logical assumptions from specific to general), as well as empirical research methods – comparison and generalization. The scientific novelty of the article is the study of the aesthetic design of the city in general and the use of Ukrainian decorative painting in the context of creating a modern image based on national identity. It is important to conduct a comparative analysis of the murals already available in the urban space, which are based on elements of Petrykivka and Samchykivka paintings, as well as the art of Maria Primachenko. Based on the analysis and identification of the degree of harmony of murals with the environment, it was found out what guidelines designers should follow in the future to create a harmonious space of the city. Conclusions. In Ukraine, along with the popularization of murals, there is an active introduction of folk techniques and elements that meet the requirements of the time, return to national traditions and the process of awareness of national self-identification. As a result of the analysis of examples of application of a national decorative list in aesthetic registration of the city we come to a conclusion that not all of them present successful transposition of traditions into modern design. Ukrainian painting in its original form look organic in the environment in which it had originated, namely in the interior and exterior of rural houses, because it has a visual continuation of the motifs of nature. Therefore, the graffiti that depicts transformed elements of folk painting and a synthesis of traditions with modern trends look best in an urban environment. In addition, the study identified a problem of inconsistency between certain murals and the environment in which they are placed, resulting in a disharmonious effect. Therefore, in transposing folk decorative painting into the urban space, it is important to take into account the environment, in which it is planned to apply the painting, in particular, the composition of the urban landscape from different angles, as well as its colors in general.
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Nochebuena, Maria Cristina Valerdi, Jorge Sosa Oliver, and Julia Judith Mundo Hernández. "Art Déco en la arquitectura Colonia Hipódromo Condesa, Cd. de México–Ciudad de Puebla: estudio comparativo." Sztuka Ameryki Łacińskiej 2 (2012): 165–85. http://dx.doi.org/10.15804/sal201208.
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Art Deco was the largest decorative style of the 1920’s and perfect expression of extravagant Paris during that decade. It emerged as a force opposing the historicist academic trend, both in architectural and industrial design that expanded globally and despite the opinions and being ignored by researchers and architecture historians. This paper aims to show through comparative photographic coincidences and discrepancies in two different geographic locations in Mexico, and the features demonstrated in Art Deco style in architecture as a response to meet the needs of architectural spaces, emphasizing housing (among others) for the middle class that developed in that historical moment, as a result of questioning about what strategy would meet its formal characteristics. Formally structured according to the following content: Introduction, background, Art Deco architecture in Mexico, in the Colonia Hipordromo-Condesa and in the city of Puebla concluding with the photographic comparison showing the similarities regarding this style.
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Mutalova, B. I., N. Z. Tolipova, K. D. Abdullaeva, D. F. Omonova, and Sh S. Kadabaeva. "Ways to restore the landscape of city transport areas." E3S Web of Conferences 480 (2024): 02008. http://dx.doi.org/10.1051/e3sconf/202448002008.
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Architectural and landscape reconstruction of the city territory and its separate parts in areas of conflict, including former industry, transport, changing the ecological situation in areas that do not meet ecological requirements, using different approaches in the reconstruction of these areas, with increasing the components of nature, are the main measures of change its content is explained. In the article, greening and beautification works in the regions, when using decorative plants in climatic and construction zones, selection of plants based on the analysis of bioecological characteristics, the use of the method of “adaptation - introduction” of the components of nature to the structure of the transport area, the design of the landscape environment of the cities of Uzbekistan issues of complex organization are analyzed. It is also recommended that the transformation of the slopes of the railway planters into cascading - floor-by-floor compositions using linear plantings of plants will open up new possibilities in the design of hills sloping down to city streets.
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Hao, Pei Pei, and Jin Wook Lee. "Study on the Application of Patterns of Xuzhou Paper-cut in Cultural and Creative Product Design." Korean Institute of Smart Media 12, no. 11 (December 31, 2023): 211–21. http://dx.doi.org/10.30693/smj.2023.12.11.211.
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In the context of integration of culture and tourism, the effective application of folk art in cultural creative products is of great significance to the development of local cultural industry. Xuzhou paper-cutting is the only world-class intangible cultural heritage project in the northern Jiangsu region of China. Its high humanistic value and artistic characteristics are widely used in modern art design. The application of cultural and creative products relative to paper-cutting in Xuzhou mainly focuses on two-dimensional decorative and ornamental products, which is short of diversity in form and not practical. In addition, it doesn’t meet the aesthetic needs of living of modern people. This article studies paper-cut works by Wang Guiying and proposes principles for the design of cultural and creative products relative to paper-cutting by analyzing the typical “goose” pattern in Wang’s paper cutting handcrafts. By exploring the application value of Xuzhou paper-cutting in cultural and creative product design and demonstrating the feasibility of the design principles via visiting experts, this article hopes to provide some reference for the modern inheritance and innovative development of paper-cutting culture.
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Liu, Dan. "Design of Digital Museum System Based on Optimized Virtual Reality Technology." International Journal of Communication Networks and Information Security (IJCNIS) 15, no. 1 (June 6, 2023): 194–203. http://dx.doi.org/10.17762/ijcnis.v15i1.5885.
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Although China's cultural characteristics were diverse, its museum supply is limited. Traditional institutions would be unable to meet the people's needs for culture dissemination, historic preservation, cultural exchange, and science and research in history's era of the internet. By utilizing VR Technology in the field of furniture decorating, a new viewpoint and method for the development of a virtual museum are unveiled. Using optimum VR Technology in museum exhibition design based on the ideas of architecture, atmospheric art, light settings, coloring style, and ecological design, humans may be presented with natural and cultural heritages. The advancement of completely separate HTML text languages, QuickTime Virtual Reality innovation, Interactive Virtual Model-based Linguistic, three-dimensional (3D) applications, and data interaction systems for the exhibition has done result from an inquiry into virtual reality's history, definition, application, and present state. Ultimately, the planned work's effectiveness is analyzed and compared to other related projects to maximize its efficacy. Using the Origins software, the results of this study are shown.
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Zhang, Dong Xu, Da Ping Liu, Xin Ru Wei, and Meng Xiao. "Research of Chinese Buddhist Temples Space Design." Advanced Materials Research 311-313 (August 2011): 1569–72. http://dx.doi.org/10.4028/www.scientific.net/amr.311-313.1569.
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The number of the religious architecture makes up 70 percent of the total of existing traditional buildings in China, in which the largest proportion is the Chinese Buddhist architecture, this paper has been studied in this kind of building. Firstly, the religious background and development history of the Chinese Buddhist architecture is introduced, and this paper puts forward that this architectural form was affected by the ancient folk houses. Compared to Buddhist architecture in other countries, they are majestic in shape and beautiful elaborate in decoration, the whole form and nature landscape melt into one another. Secondly, religious spaces are analyzed, including the location of Buddhist temple, the overall layout and the single building. Most temples were built on the hill, and the Buddhist hall is the center of architectural complex. Single building is very similar, and its position is attached to its status in spatial sequence. Thirdly, the design concept of Buddhist architecture was discovered. It was pointed out that Chinese traditional philosophy, i.e. the view of the nature, determines the space composition inside and outside of Chinese Buddhist architecture. At last, the paper summed up the design of Buddhist architecture and gave a prospect about the way of its future development.
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Kao, Shih Feng, Yu Shiang Wu, Chi Jan Huang, and Tsung Min Kuo. "Performance Tests of Surface Burning for Firestop Materials." Advanced Materials Research 194-196 (February 2011): 809–12. http://dx.doi.org/10.4028/www.scientific.net/amr.194-196.809.
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To prevent improper design and construction of fire compartments through-penetration in buildings, and in order to reinforce public building safety management, all beams, pillars, ceilings, floors, doors, walls, and interior decorative materials must have fireproof properties. Moreover, cable conduits, water pipes, and air ducts located in through-penetration sites within buildings should be properly designed to block the spread of smoke and hot air, thus, reducing losses due to fire disasters. This study used common firestop materials, such as firestop sheets, mineral wool, and two-pack fire barrier foam to conduct 10-min surface burning tests on individual substrates. The flame spread distance and smoke per minute were measured and recorded in order to calculate the Flame Spread Index (FSI) and Smoke Developed Index (SDI). The results showed that all three firestop materials meet with the ASTM E84 Class A.
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Li, Zhong Long, Hong Lin Wu, Xiao Di Zhu, Hong Jiang Gu, Zhen Yu Liu, and Tao Yin. "Modified Damage Assessment and Repair Design for Underpass Bridge Based on Fire Effect." Key Engineering Materials 574 (September 2013): 67–76. http://dx.doi.org/10.4028/www.scientific.net/kem.574.67.
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Due to the fire effect, a frame underpass bridge had suffered a huge damage in Changjiang road in Harbin in the direction to Acheng. One span of the bridge was burned in large area, parts of which were burned badly. Many adjacent beams turned black at bottom of roofs; parts decoration of side wall were damaged to some extent. As a result, both directions of the traffic were disrupted, causing traffic jams. To make sure of repairing and restoring the traffic during the shortest period, Harbin municipal committee established the Changjiang road rescue headquarters. Under the precondition of utmost to save money and ensure that the repaired underpasses technology standards meet the design requirements, the research group were about to use steel plate or carbon fiber sheet as the reinforcing material, after detecting and identifying the bridge damage. Through a comprehensive consideration for the ascension of normal section bearing capacity of two reinforcing materials, pasting carbon fiber sheet was adopted to complete repair reinforcement scheme.
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NALÇACIGİL, Emre, and Ahmet Fatih ÖZYILMAZ. "A Research on Marketing and Consumer Habits in Konya Jewelry Sector." ISPEC International Journal of Social Sciences & Humanities 4, no. 4 (September 5, 2020): 350–86. http://dx.doi.org/10.46291/ispecijsshvol4iss4pp350-386.
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More than 50 percent of the world's gold production and more than 90 percent in our country are used in jewelry making. Gold, which has been used for decoration and investment instrument for centuries, continues to be demanded by the people of our country in order to both decorate and saving with a habit stemming from our traditions. Turkey’s jewelry sector, which is in the top 5 in the world gold demand and ranked 2nd in gold jewelry exports, currently has 5500 jewelry shops, 20 large jewelry production complexes, 100 wholesale jewelry stores, 40 thousand jewelry shops and 250 thousand employees work in this sector. Jewelry sector has produced for many years with manual labor. Today, the sector has to keep up with the transition to technology-intensive production in order to operate in the world markets and to meet the increasing export demand. The problems of the sector, which has come to a certain place in the world markets and strives for first place, are dealing with greater attention than before. After 1990, the sector was put into a reform process. Necessary institutions for the development of the sector have been put into operation. On the other hand, the development of this industry; While it manifests itself in issues such as branding, product design, technological innovations, marketing strategies, deficiencies in legal regulations damage especially the small-scale jewelry traders. In this study, luxury consumption and hedonic shopping habits are examined by searching literature. In this respect, the phenomenon of consumption was first examined in detail. In the second part, the jewelry sector was explained in all aspects, and then a research was conducted on the consumer habits and the state of the sector with the support of the Konya Jewelers Association.
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Arora, Rohini. "EMBROIDERED CHOLIES OF PAHARI REGION: A TECHNICAL STUDY." ShodhKosh: Journal of Visual and Performing Arts 3, no. 1 (February 8, 2022): 41–61. http://dx.doi.org/10.29121/shodhkosh.v3.i1.2022.68.
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Pahari embroidery was practised in different parts in undivided Punjab and Himachal Pradesh. The surface ornamentation of these articles with respect to design, raw material and technique were beautifully adapted according to their utility. The popular product in embroidery is Chamba rumals locally known as dhaknu or chabbu. In addition, equally fascinating embroidery was seen on household products which were meant for personal use and decoration in single sided stitches. The most startling are cholies from Himachal Pradesh in terms of their construction and designs. The cholies from given museums were studied namely Bhuri Singh Museum, Chamba; Government Museum and Art Gallery, Chandigarh National Museum, New Delhi and personal collection. Evidently they are characterized by selective treatment given to them in terms of construction, materials, stitches, adaptation of designs and motifs. Apart from embroidery miniature paintings also indicated the relevance of traditional costumes in socio cultural traditions. Interestingly two different kinds are observed in cholies according to their construction. Likewise on basis of designs and motifs two different styles in embroidery are seen i.e. free hand curved designs and geometrical designs. The documentation of these designs is done by redrawing the traditional motifs with help of miniature artist Shri Prixit Sharma, Chamba. The stitches are also classified as filling, outline and finishing used in single sided embroidery. Conspicuously these minute variations lend special features to choli blouses and distinguish them from other form of embroideries from the pahari region.
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Huang, Yi Yun, Ling Zhang, and Xiao Hong Han. "Application on the Stratified Air Conditioning System with Low Velocity in the Main Hall of the Temple." Advanced Materials Research 280 (July 2011): 141–46. http://dx.doi.org/10.4028/www.scientific.net/amr.280.141.
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This paper presents a design scheme of the stratified air conditioning system, in accordance with the temple hall’s large space and function characteristics. The indoor stratified air conditioning environment is formed by the low velocity air supply of fan coil units embedded below the Buddha statue. The interface of stratified air is only 1.7m high, because the large amount of air unavoidably penetrates the room due to the prohibition of closing the door. From the tested results, the design not only meet the temple hall’s operational requirements for decoration and the open front door, but also greatly reduces the energy consumption of the air conditioning at the cost of the comfortable feeling of air conditioning. In this work, some suggestions are also given in order to further improve the comfort and lower the energy use.
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Hill, Marguerite. ""Lions and wyvens and dolphins, oh my!": Jessie Mitchell Elmslie's Arts and Crafts furniture." Architectural History Aotearoa 20 (December 4, 2023): 58–68. http://dx.doi.org/10.26686/aha.v20.8713.
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Jessie Mitchell Elmslie was in her early twenties when she carved an intricate and highly decorative oak and kauri sideboard. The 2.5 metre high sideboard is dripping with Arts and Crafts iconography, including wyverns, lions and a Green Man with a flowing beard. Elmslie also incorporated copper tooling into her design, with beaten copper handles and repousse heraldic dolphins. Elmslie's father, Dr Rev John Elmslie, was the minister at St Paul's Presbyterian Church in Christchurch and one of his parishioners taught Elmslie to carve. She produced at least two large pieces of furniture during the 1890s: the sideboard now in the collection of Canterbury Museum and a walnut settle in the collection of Te Papa Tongarewa Museum of New Zealand.Woodcarving became popular with New Zealand women during the late nineteenth and early twentieth centuries. The Arts and Crafts movement, along with the establishment of art and design schools from the 1870s, meant that women were able to engage in practices formerly reserved for men. This paper will look at Elmslie and her work in the context of Arts and Crafts practice in New Zealand and consider the work of another talented carver, Evelyn Vaile.
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Indreswati, Indreswati, and Yance Dahlianti. "EFEKTIFITAS PEMBERIAN SUSU KEDELAI DAN AIR KELAPA MUDA PADA IBU BERSALIN TERHADAP LAMA KALA 1 FASE AKTIF." Maternal Child Health Care 2, no. 1 (March 1, 2020): 218. http://dx.doi.org/10.32883/mchc.v2i1.1035.
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<p><em>Persalinan merupakan proses alami dan membahagiakan bagi setiap wanita, namun setiap persalinan dapat berkembang menjadi patologis dan meningkatkan resiko AKI dan AKB, salah bentuk patologis persalinan yaitu partus lama yang dipengaruhi oleh berbagai faktor. Penelitian ini bertujuan untuk mengetahui Efektivitas Pemberian Susu Kedelai dan Air Kelapa Muda pada Ibu Bersalin Terhadap Lama Kala I Fase Aktif di Wilayah Kerja Puskesmas Muara Labuh. Jenis penelitian ini adalah quasy eksperimen dengan pendekatan control time series design. Populasi pada penelitian ini adalah seluruh ibu bersalin pada bulan </em><em>Januari 2020 </em><em>yang ada di wilayah kerja Puskesmas Muara Labuh yaitu sebanyak 17 orang. Pengambilan sampel menggunakan teknik purposive sampling dengan besaran sampel sebanyak 16 orang. Pengumpulan data menggunakan lembar observasi, analisis data meliputi analisis univariat dan analisis bivariat menggunakan uji t-independen test. Hasil penelitian menunjukkan bahwa rata-rata lama persalinan pada kelompok intervensi susu kedelai adalah 583,75<span style="text-decoration: underline;">+</span>53,100 menit dan kelompok intervensi air kelapa muda adalah 677,625<span style="text-decoration: underline;">+</span>78,13 menit. Terdapat perbedaan rata- rata lama kala 1 fase aktif antara kelompok intervensi susu kedelai dan air kelapa muda dengan beda rata-rata 93,87 menit dan p = 0,015. Dimana lama kala I persalinan lebih pendek pada kelompok intervensi susu kedelai. Dapat disimpulkan bahwa pemberian susu kedelai lebih efektif mempercepat lama kala I persalinan. Untuk itu diharapkan ada tindakan berkesinambungan dari petugas kesehatan untuk mengembangkan intervensi yang efektif terhadap kelancaran proses persalinan pada ibu bersalin.</em></p>
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Romyanond, Busakorn. "Design for Self – Directed Learning Spaces in University Case Study at Thammasat University, Rangsit, Thailand." Journal of Architectural/Planning Research and Studies (JARS) 12, no. 1 (October 30, 2015): 15–28. http://dx.doi.org/10.56261/jars.v12i1.42172.
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This research aims to study essential design criteria for effective self-directed learning spaces in the university in compliance with a human-centered design concept which gives priority to the requirement of physical functioning as well as psychological environment. The research focuses on conceptual designs and requirements of the college students to come up with guidelines to the effective interior architecture design of the self-directed learning spaces. It is conducted through a review of existing researches and theories along with data received from a survey with a random sample of 100 students enrolling at Thammasat University, Rangsit campus. The information on students’ behaviors, needs, activities and their individual preference in relation to the environmental factors that contribute to their satisfaction are collected from the survey feedback. The findings have been analyzed and used as guidelines and requirements to the design of the mentioned self-directed learning spaces on the campus. The survey feedback identifies that environmental factors that the students believe to support effective learning range in a top-down priority order ranging from flexible space, not overcrowding, tranquility, appropriate temperature , comfort furniture design, and lighting respectively which can be achieved through good design. Cleanliness and tidiness is only a factor relating to operations manage-ment. Regarding the interior style, the majority of students prefer a modern look with colorful decoration slightly above casual atmosphere resembling a coffeehouse or home while least students choose a formal style as corporate like interior. Privacy is one of the most important factors given as students choose enclosed meeting room over open meeting room. For furniture selections, students choose tables and chairs over sofa or lounge seats. Meanwhile, most students prefer ergonomics office chair with caster or upholstered seats. For work tables, they choose workstation with a large monitor that accommodates a large group of students working together although it may not offer good privacy. Most students prefer space and furniture for group working; however, territory and privacy are equally important factors.
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Theunissen, Karin. "Flows from early Modernism into the Interior Streets of Venturi, Rauch and Scott Brown." Architectural Research Quarterly 14, no. 1 (March 2010): 53–62. http://dx.doi.org/10.1017/s1359135510000576.
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In 1972 the famous diagram of the ‘Decorated Shed’ was introduced into the architectural discourse; it implied a definition of ‘architecture as shelter with decoration on it’ [1]. The diagram was part of urban research into the commercial environment of Las Vegas that was interpreted by the researchers – Robert Venturi, Denise Scott Brown and Steven Izenour – as ‘a new type of urban form’ that they meant ‘to understand’ in order ‘to begin to evolve techniques for its handling’. Yet the critique on this and other research and designs by Venturi, Rauch and Scott Brown focused essentially on questions of form and more specifically of the image of architecture.
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Ricciotti, Laura, Alessio Occhicone, Stefania Manzi, Andrea Saccani, Claudio Ferone, Oreste Tarallo, and Giuseppina Roviello. "Sustainable Materials Based on Geopolymer–Polyvinyl Acetate Composites for Art and Design Applications." Polymers 14, no. 24 (December 13, 2022): 5461. http://dx.doi.org/10.3390/polym14245461.
Full textAbstract:
The recent introduction of the Next Generation EU packages on the circular economy and the Italian Ecological Transition Plan has further boosted the research of effective routes to design materials with low energy and low environmental impact, in all areas of research, including art and design and cultural heritage. In this work, we describe for the first time the preparation and characterization of a new sustainable adhesive material to be used in the art and design sector, consisting of a geopolymer-based composite with polyvinyl acetate (PVAc), both considered more environmentally acceptable than the analogous inorganic or polymeric materials currently used in this sector. The key idea has been the development of organic–inorganic composites by reacting low molecular weight polymers with the geopolymer precursor to obtain a material with reduced brittleness and enhanced adhesion with common substrates. Structural, morphological, and mechanical studies pointed out the consistent microstructure of the composite materials if compared to the neat geopolymer, showing lower density (up to 15%), improved flexural strength (up to 30%), similar water absorption and a relevant toughening effect (up to 40%). Moreover, the easy pourability in complex shapes and the excellent adhesion of these materials to common substrates suggest their use as materials for restoration, rehabilitation of monuments, and decorative and architectural intervention. The organic–inorganic nature of these new materials also makes them easily recognizable from the support on which they are used, favoring, in line with the dictates of good restoration practices, their possible complete removal. For all these reasons, these new materials could represent promising candidates to overcome the limits related to the creative industry for what concerns the selection of environmentally friendly materials to meet design requirements with low environmental impacts.