Academic literature on the topic 'Descriptiones y viajes'
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Journal articles on the topic "Descriptiones y viajes"
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Zygmunt, Karolina. "El descubrimiento de la fauna exótica en los relatos de viajes: de las descripciones medievales a las imitaciones en la novela histórica contemporánea." Lectura y Signo, no. 11 (December 20, 2016): 59. http://dx.doi.org/10.18002/lys.v0i11.4753.
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<p>El objetivo de este artículo es analizar los rasgos fundamentales de la descripción medieval de algunos<br />animales exóticos y compararla con la descripción de estos mismos animales en la novela histórica. Del<br />cotejo entre textos medievales y actuales se intentará extraer conclusiones en torno al aprovechamiento,<br />a modo de herramientas, que hacen los escritores contemporáneos al mimetizar casi literalmente esas<br />descripciones medievalizantes de animales exóticos. Su objetivo sería obligar al lector moderno a tomar<br />una posición de lectura, produciendo efectos de identificación (con la poética del relato medieval) y a la<br />vez distanciamiento (respecto a las formas narrativas actuales).</p><p><br />Palabras clave: animales exóticos, bestiario, descriptio, relatos medievales de viaje, novela histórica.</p><p><br />The aim of this article is to discuss the fundamental characteristics of the medieval description of several<br />exotic animals, and to compare it with descriptions of these animals in the contemporary historical<br />novel. From the comparison between medieval and contemporary works, conclusions about the tools<br />used by contemporary writers will be extracted. In particular, it will be shown how they benefit from<br />the imitation, almost literal, of the medieval-style descriptions of exotic animals. The intention of this<br />method, would be to constrain the modern reader to a reading perspective, by producing identification<br />effects (with the medieval poetics) as well as distancing (with respect to the current narrative forms).</p><p><br />Key Words: exotic animals, bestiary, descriptio, medieval travel narrative, historical novel</p>
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Roumier, Julia. "Un mundo de colores: fuerza y significado del cromatismo en los relatos de viajes hispánicos a finales de la Edad Media." Epos : Revista de filología, no. 29 (January 1, 2013): 117. http://dx.doi.org/10.5944/epos.29.2013.15185.
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Se suele subrayar la parquedad de las menciones de colores presentes en los textos medievales. Incluso una especialista de los relatos de viajes medievales franceses llegó a calificarlos de «mundos en blanco y negro». Sin embargo los relatos de viajes hispánicos medievales suelen aludir al cromatismo de numerosos objetos. ¿En qué medida el arte descriptivo de los relatos de viajes descansa en las menciones cromáticas y qué funciones cumplen éstas? ¿Cómo proceden los autores para comunicar al lector las impresiones visuales? ¿qué sensaciones intentan compartir? Más allá del simbolismo, la materialidad de los colores parece un elemento clave que corresponde al interés propio de los Occidentales medievales por las riquezas de los territorios lejanos y los elementos lujosos que las más veces se caracterizaban por unos colores intensos y expresivos.Il est couramment admis que la littérature médiévale n’abonde pas en adjectifs de couleurs. Au sujet des récits de voyages, Christiane Deluz a, par conséquent, parlé d’un monde en noir et blanc, affirmant que les couleurs en sont pratiquement absentes. La nature des descriptions que l’on trouve dans les récits de voyages médiévaux occidentaux tiendrait, selon elle, davantage du croquis ou du plan schématique que du tableau polychrome et détaillé. Il nous semble toutefois que cette affirmation doive être considérablement nuancée en ce qui concerne les récits de voyages médiévaux hispaniques dans lesquels ces précisions jouent un rôle particulièrement important. Au-delà du symbolisme, la matérialité des couleurs est un élément clé qui correspond à l›intérêt des occidentaux du Moyen Âge pour les richesses des territoires lointains.
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Vaishya, Jeetendra, Anis Ansari, Nawal Dubey, and Saurabh Sachan. "Note on Synedrella Vialis A. Gray (Asteraceae)." Indian Journal of Forestry 37, no. 3 (September 1, 2014): 313–16. http://dx.doi.org/10.54207/bsmps1000-2014-uvw1r8.
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Vásconez, Rita Sulema Lara, Flor Quinchuela, and Jenry Ernesto López Romero. "Te Acercamos El Mundo Por Que Tus Sueños Viajan Con Nosotros. Estudio De Caso: Implementación De Una Agencia De Viajes Y Operadora De Turismo En La Ciudad De Riobamba Provincia De Chimborazo." European Scientific Journal, ESJ 12, no. 17 (June 29, 2016): 349. http://dx.doi.org/10.19044/esj.2016.v12n17p349.
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The study of the facility permitted to determine that the implementation of the travel agency and the operator of tourism Sumak TourismRio in the city of Riobamba, in Chimborazo Province is possible or viable. Techiques of documentary and local investigations were used. In order to accomplish this investigation, a fundamental point of reference, the commercial viability of the project, was taken, which is based on the study of the market. This study was done considering the analysis of the demand. For this an instrument of investigation that in this case was the inquest guide was applied, which permitted the direct collection of information. On the other hand an analysis of the competition considering the local investigation was made considering the tourism organizations (travel agencies and operators of tourism) of the city of Riobamba which offer tourist products of similar characters. Furthermore the projection of the future demand and future competition, using the method of combined increment whose mathematatic method is: Cn=Co(1+i) . Also the unsatisfacatory existence, that is the confrontation of these factors considering un a difference. It is valid review the importance of the analysis of the demand, since it contributes to the definition of the description of the tourist. Considering all the information collected, the following was defined: the universe of the study shows different requirements in reference to tourist packets that the company offers, which permits economic benefits and by this means activate the economy of the city. Finally, it was shown that the sale of tourist packets Will permit the capitalization of the organization, producing a positive financial profit, since the investment produced will be recuperated in the first year of operation, producing an internal profit of 1,493%, an actual net amount of $2,625610.27(dollars) and a cost benefit of $104.19.
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Catalano, Bárbara. "Turismo, viajes y lazos sociales: el caso de los turistas VFA en la ciudad de Buenos Aires." Pasos. Revista de Turismo y Patrimonio Cultural 19, no. 1 (2021): 177–88. http://dx.doi.org/10.25145/j.pasos.2021.19.011.
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This paper addresses the sector of VFR tourism: visiting friends and relatives (VFR). The hypoth‑ esis is that tourism based on social ties facilitates integration in terms of social interaction and social iden‑ tification in the destination, in this case the city of Buenos Aires. The concept itself of VFR tourism is dealt with together with a description and attempted characterisation of the exact movement of this type of tour‑ ism over the last few years as a result of migratory movements with emphasis on social ties and practices. The emphasis is on the degree of social integration and identification occurring in this type of tourism. The methodology used is qualitative, based on semi‑structured interviews of key agents and is complemented with statistics designed to give fuller access to the comprehension of the context.
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Castro Hernández, Pablo. "La representación del espacio en los libros de viajes medievales: geografía mítica, sagrada y maravillosa (ss. XIII-XV)." Cuadernos del CEMyR, no. 30 (2022): 149–75. http://dx.doi.org/10.25145/j.cemyr.2022.30.05.
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In this paper we analyze the representation of space in medieval travel books, examining the mythical, sacred and wonderful geography. First, we study the concept of space in the Middle Ages, reviewing the symbolism and perceptions that are forged with their society. Second, we analyze the mythical, sacred, and wonderful elements in the description of the geography of European travellers, considering their discourses and narrative intentions. Finally, the travellers describe the space as symbolic constructions in which real and imaginary perceptions merge. Therefore, travellers transmit geographic, historical, and religious knowledge, which is significant as an expression of their memory and cultural identity, and with which they define their representation of the world.
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Galán, A., and R. Moreno. "Platinum in the Eighteenth Century." Platinum Metals Review 36, no. 1 (January 1, 1992): 40–47. http://dx.doi.org/10.1595/003214092x3614047.
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It is generally accepted that the first description of “platina” to appear in Europe was by a young Spanish naval officer, Antonio de Ulloa, whose famous work “Relación del Viaje a la América Meridional” was published in 1748. Important though this was, of even greater significance was the fact that the primary metallurgy of platinum must have been established much earlier, enabling it to be extracted, purified and manufactured. These processes appear to have been kept secret from other European countries, and until recently their details had not been deduced. Now manuscripts discovered in the Colombian Archives enable known methods of purification to be linked to the description of the primitive manufacturing process.
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Jones, Jordan. "Chamas reveladoras: O fogo de Santelmo e outros fenômenos naturais na literatura portuguesa de viagens." e-Letras com Vida: Revista de Estudos Globais — Humanidades, Ciências e Artes 07 (2021): 156–68. http://dx.doi.org/10.53943/elcv.0221_11.
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In this text, I analyze the descriptions and interpretations of various natural phenomena that appear in the Portuguese travel literature from of the 16th and 17th centuries: waterspouts, St. Elmo’s fire, bioluminescence, and lunar halos. This text employs D. João de Castro’s Roteiro de Lisboa a Goa as an outline, comparing Castro’s descriptions to those in Os Lusíadas, História trágico-marítima, and Antonio Pigaphetta’s The first voyage round the world, among others. By analyzing these historical and literary sources, I intend to show that the tone used in describing the natural phenomena can be a clear indication of each author’s purpose in his text — a microcosm of the approach adopted and of the arguments created by the author, reflecting his political or social outlook in sixteenth or seventeenth-century Portugal.
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Camargo, Katia Aily Franco de. "Tradução Etnogr´´afica: a Viagem e sua Escrita." Cadernos de Tradução 41, no. 1 (January 15, 2021): 46–65. http://dx.doi.org/10.5007/2175-7968.2021.e68065.
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O presente artigo tem por objetivo apresentar uma proposta de análise do papel da linguagem/cultura na construção da(s) identidade(s) de um autor-viajante e, também, da identidade do outro. Acredita-se que tal proposta possa ser aplicada à literatura de viajante de uma maneira geral. De caráter eminentemente bibliográfico, tal proposta está baseada na descrição etnográfica enquanto realidade social apreendida a partir do “ver” (Laplantine, La description 1-128; Ferreira, Tradução etnográfica 55-91) e na relação desta com a tradução; nas três categorias de tradução propostas por Jakobson, a saber, intralingual, interlingual e inter-semiótica (63-72); e nas categorias de classificação de itens culturalmente marcados (ICE) elaboradas por Javier Franco (52-78). Como resultado, espera-se que tal proposta seja capaz de identificar as influências na construção da identidade do viajante e de seu “semelhante” estrangeiro.
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Sánchez-Martínez, Manuel Andrés, and Gustavo Adolfo Londoño. "NESTING BIOLOGY OF THE OCHRE‐BREASTED TANAGER (CHLOROTHRAUPIS STOLZMANNI) IN TATAMÁ NATIONAL NATURAL PARK, COLOMBIA." Ornitología Neotropical 28 (April 6, 2017): 37–41. http://dx.doi.org/10.58843/ornneo.v28i0.104.
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ABSTRACT ∙ Information on the nesting of the Ochre‐breasted Tanager (Chlorothraupis stolzmanni) is limited, only brief nest and egg descriptions are available. This study was based on two nests monitored between February and June 2014, in Tatamá National Park, Colombia. Both nests consisted of a bulky and deep cup and were placed on epiphytes that grew on tree branches or on tree ferns. Two white eggs with reddish‐brown spots concentrated at the larger end were found in each nest. The parents spent 68.8 ± 15.4% of their daytime incubating, and conducted 4.6 ± 0.5 off‐bout trips per day (N = 8 days) that lasted 44.6 ± 5.1 min (N = 36 off‐bouts). Overall, our results showed that C. stolzmanni had a small clutch size and low nest attentiveness typical of related species and other tropical passerines. However, further studies are needed to better understand factors that might contribute to similarities and differences in the nesting behavior among Chlorothraupis species.RESUMEN ∙ Biología de anidación del Guayabero Ocre (Chlorothraupis stolzmanni) en el Parque Nacional Natural Tatamá, Colombia La información acerca del anidamiento Guayabero Ocre (Chlorothraupis stolzmanni) es limitada, sólo existe una breve descripción del nido y los huevos. Este estudio está basado en dos nidos monitoreados entre febrero a junio durante 2014, dentro del Parque Nacional Natural Tatamá, Colombia. Estos nidos fueron copas voluminosas y profundas construidas entre epífitas que crecen sobre ramas de árboles y helechos arborescentes. En cada nido se encontraron dos huevos blancos con manchas color marrón rojizo, concentradas hacia el extremo más ancho. Durante la incubación, los padres realizaron 4,6 ± 0,5 (N = 8 días) viajes fuera del nido, los cuales tardaron 44,6 ± 5,1 min (N = 36 viajes). El porcentaje de atención al nido fue de 68,8 ± 15,4%. En general, nuestros resultados mostraron que C. stolzmanni presenta un pequeño tamaño de nidada y una baja atención al nido, típico de sus especies cercanas y otros passeriformes tropicales. Sin embargo, son necesarios más estudios que ayuden a comprender mejor los factores que contribuyen a las similitudes y diferencias del comportamiento de anidación entre las especies del genero Chlorothraupis.
Dissertations / Theses on the topic "Descriptiones y viajes"
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Batista, Eduardo Luis Araújo de Oliveira. "Poética da representação cultural = relações entre viagem e tradução na literatura brasileira." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270248.
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Orientador: Francisco Foot HardmanTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: Esta tese defende a relação complementar entre as práticas da literatura de viagem e da tradução, vistas como importantes divulgadores da imagem de uma literatura e de uma cultura além de suas fronteiras linguísticas e nacionais. Defendemos ainda a importância de ambas as atividades na formação da literatura nacional brasileira, por meio da atuação de importantes mediadores entre nossa nação e os centros culturais com os quais o Brasil dialogou ao longo de sua história. Para tal, abordamos a trajetória de quatro viajantes tradutores de diferentes origens nacionais e momentos históricos, proporcionando um breve panorama de nossas relações culturais com o estrangeiro. Foram selecionados para objeto de nosso estudo: o francês Ferdinand Denis, que esteve no Brasil em 1816; o inglês Sir Richard Burton, que viveu no país entre 1865-69 como cônsul britânico; o franco-suíço Blaise Cendrars, que visitou o país por três vezes, na década de 1920; e a norte-americana Elizabeth Bishop, poeta que viveu no Brasil entre 1951 e 1971. Cada um deles desenvolveu sua trajetória própria, divulgando suas imagens do Brasil no exterior, e atuando em diferentes níveis como influência junto a nossos escritores. Denis foi figura chave na origem do movimento romântico no Brasil, autor da primeira história literária a separar a literatura brasileira da portuguesa. Burton foi o pioneiro na tradução de nossa literatura para a língua inglesa. Cendrars atuou junto aos nossos escritores modernistas da primeira geração no desenvolvimento de uma arte moderna nacional brasileira. E Bishop foi uma das introdutoras da literatura moderna brasileira na língua inglesa. Reunidas, as trajetórias desses quatro viajantes-tradutores refazem um longo e importante período de nossa história cultural, mostrando de que forma a presença estrangeira tem participado no desenvolvimento de nossa literatura e cultura nacionais
Abstract: This thesis advocates a complementary relationship between the practices of travel literature and translation, seen as important disseminators of the image of a literature and culture beyond their national and linguistic boundaries. We also support the importance of both activities in the formation of Brazilian national literature, through the action of important mediators between our nation and the community centers with which Brazil conversed throughout its history. For this, we examined the course of four travelers translators from different national origins and historical moments, providing a brief overview of our cultural relations with foreign countries. We have selected as the subject of our study: the Frenchman Ferdinand Denis, who was in Brazil in 1816, the Englishman Sir Richard Burton, who lived in the country between 1865-69 as British consul, the French-Swiss Blaise Cendrars, who visited the country for three times in the 1920s, and American Elizabeth Bishop, poet who lived in Brazil between 1951 and 1971. Each developed its own trajectory, spreading their own images of Brazil around the world, and acting at different levels to influence our writers. Denis was a key figure in the rise of the Romantic movement in Brazil, the first author of a literary history to separate Brazilian literature from the Portuguese. Burton was a pioneer in translating our literature into English. Cendrars worked with our first generation of modernist writers in developing a national Brazilian modern art. And Bishop was the introducer of modern Brazilian literature in English. Together, the trajectories of these four travelers-translators remake a long and important period of our cultural history, showing how the foreign presence have participated in the development of our national literature and culture
Doutorado
Historia e Historiografia Literaria
Doutor em Teoria e História Literária
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Ould, Cadi Montebourg Leïla. "Viaje y diario de Árgel y Túnez. Le journal d'Alger du Père Ximenez, 1718-1720." Montpellier 3, 2004. http://www.theses.fr/2004MON30022.
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L'ordre des trinitaires pratiquait l'hospitalité et le rachat des captifs en terre d'Islam. Aussi les trinitaires d'Espagne entretenaient-ils encore au XVIIIe siècle à Alger, capitale d'une province de l'Empire ottoman, un hôpital pour soigner l'âme et le corps des esclaves chrétiens. Le père Ximénez, envoyé à Alger pour fonder un nouvel établissement à Oran, y rédige un journal : Voyage et Journal d'Alger et de Tunis, source particulière, unique, lacunaire, dont il poursuit la rédaction à Tunis où il créera une autre maison. Il témoigne ainsi de ce qui se passait de son point de vue en " Barbarie " dans le premier quart du XVIIIe siècle. Cet essai utilise cette source, inscrite dans l'imaginaire du moment, pour mieux connaître une réalité révolue, celle de la régence barbaresque des années 1718-1720. Il vérifie, en confrontant texte et réalité, en incluant l'expression de positions identitaires, idéologiques et culturelles inconscientes chez l'auteur, la fiabilité du texte et la validité des images collectives véhiculées à l'époque et toujours en vigueur : travestissement de la réalité par les pères trinitaires, arbitraire et tyrannie du gouvernement, richesse et toute-puissanceThe order of Trinitarian monks used to give hospitality and buy back captives in Islamic lands. So as late as the XVIIIth century in Algiers, the capital city of a province in the ottoman Empire, the Spanish Trinitarians maintened a hospital meant to treat the bodies and souls of Christian captives. Father Ximénez, appointed to the Turkish city in order to create a foundation in Oran, wrote a diary there, This is an outstanding, unique, and peacemeal source, entitled A Journey and Diary from Algiers and Tunis, which he kept writing when in Tunis where he will built a new establisment. In it he testifies to what according to him, was happening there in the first quarter of the XVIIIth century. Our essay uses this source, a mirror of the imaginary vision of the age, in order to explore a past reality, that of the regency in the years 1718-1720. It confronts text with reality, includes the author's ideological and cultural idiosyncrasies so as to test how reliable the text is, and how valid the collective images common at the time, namely the distorsion of reality by the trintarian fathers, the high-handes tyranny of the government, the overpowering wealth of this country "
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Tôrres, Raquel Mundim 1985. "O inferno e o paraíso se confundem : viagens de brasileiros à URSS (1928-1933)." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281787.
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Orientador: Claudio Henrique de Moraes BatalhaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Esse trabalho analisa os primeiros relatos de viagem de brasileiros à União Soviética, publicados entre 1928 e 1933. Busca historicizá-los, salientando não só as ideologias de seus autores, como também o contexto anticomunista imposto pelas autoridades brasileiras, em especial, pelo Itamaraty. A pesquisa aborda ainda a maneira como as viagens ocorriam e a forma como os viajantes eram recepcionados e manejados por algumas cidades da URSS. Para tal, analisa como agências soviéticas atuavam na hospitalidade dos viajantes, a fim de controlarem e persuadirem suas percepções. Por fim, é feito uma análise da imagem que os viajantes brasileiros formaram do cotidiano soviético no período em que viajaram correspondente ao período do Primeiro Plano Quinquenal. O intuito principal da pesquisa foi trabalhar com os relatos de viagem nas suas mais diversas possibilidades, a fim de contribuir para a inserção destas narrativas como fontes documentais na historiografia social
Abstract: This research analyzes travel accounts from the first Brazilians who went to the Soviet Union, published between 1928 and 1933. It aims to historicize them, stressing not only the ideologies of their authors, but also the Brazilian anticommunist context imposed by authorities, in particular by the Foreign Ministry, Itamaraty. The research also investigates how the trips occurred and how the travelers were received and treated in some cities of the USSR. For that, it analyzes how some Soviet agencies behaved in hospitality, in order to control and persuade their perceptions. Finally, an analysis is made of the image that Brazilian travelers formed from Soviet everyday life on the period of the First Five-Year Plan. The main purpose of this study was to work with travel accounts considering its various possibilities, in order to contribute to the inclusion of these narratives as documentary sources in social historiography
Mestrado
Historia Social
Mestra em História
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Spinola, Caroline Sartorello. "A Índia de Octavio Paz: uma leitura de vislumbres da Índia a partir da Otredad, da narrativa de viagem e da tradução cultural." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21191.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This study intends to understand the India translated and presented by Octavio Paz in In light of India. Also seeks to detect the image of México and of Latin America that emerges from the book in contrast with the Indian culture. In the book is possible to identify two different journeys: an internal journey that the mexican poet does inside himself and Mexico is his destine and starting point; and the actual journey that Paz makes to India. Thus, this study means to organize and deepen some key concepts of Paz’s works (as otredad, temporalities, poetic language, love) found not only in In light of India as in different essays of Octavio Paz
Este projeto de pesquisa pretende apreender a Índia traduzida e apresentada por Octavio Paz em seu livro Vislumbres da Índia: um diálogo com a condição humana. Pretende também detectar a visão do México e da América Latina que emerge do livro, contrastada com a cultura indiana. No livro, é possível identificar duas viagens: uma viagem externa, aquela que Paz realiza à Índia; e uma viagem interna, em que o México é o seu destino e ponto de partida. A partir desses olhares cruzados – e por meio de um recorte temático – a pesquisa buscará sistematizar e aprofundar alguns conceitos chaves da obra paziana (otredad, temporalidade, linguagem poética, amor, corpo) encontrados não apenas em Vislumbres da Índia como em outros livros de sua produção ensaística
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Gnerre, Maria Lucia Abaurre. "Roteiro do Maranhão a Goiaz pela capitania do Piauhi : uma viagem as engrenagens da maquina mercadante." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279979.
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Orientador: Edgar S. De DeccaTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Analisamos, nesta tese, alguns aspectos de uma narrativa produzida por um viajante anônimo, nos últimos anos do século XVIII, o Roteiro do Maranhão a Goiaz pela Capitania do Piauhi. Trata-se de um texto colonial anônimo que se encontra na matriz de importantes discursos sobre a identidade nacional brasileira. O texto incide diretamente sobre outros textos importantes da historiografia brasileira da primeira metade do século XX, como Capítulos de história colonial, de Capistrano de Abreu, e Formação do Brasil contemporâneo, de Caio Prado Jr. O autor anônimo do Roteiro do Maranhão a Goiaz pela Capitania do Piauhi revela uma excepcional eloqüência argumentativa ao buscar persuadir seus interlocutores, na metrópole, sobre a adequação do plano que propõe para a ocupação dos sertões entre os rios Tocantins e Paraíba. Através deste plano, pretende, em síntese, levar o estado português ao sertão da colônia. Reconhecemos, no texto do Roteiro, as marcas da ilustração portuguesa, com suas nuances bem características, formando o substrato teórico do pensamento econômico presente no Roteiro do Maranhão. Os temas do ócio, da indolência, das terras incultas e espíritos bárbaros, presentes nesta representação dos sertões, são exemplos de características que derivam da imagem que se formara da própria nação portuguesa no século XVIII. Analisamos como esta representação de Portugal, em seu momento de crise, migra, através do texto do Roteiro do Maranhão, para o sertão da colônia, e identificamos as propostas do autor anônimo para solucionar tais problemas
Abstract: This thesis analyzes some aspects of a travel narrative - Roteiro do Maranhão a Goiaz passando pela Capitania do Piauhi - written by an anonymous author. In the last years of the XVIII century, this writer made a long journey through the Portuguese colonies in the Amazon region. In his "Roteiro", the traveler elaborates an important colonization plan aimed at founding a state organization in one of the most desert and uncivilized areas of the Portuguese colonies. In order to plot this course of action, the author uses all his knowledge about economy, in the way that it was understood in XVIII century Portugal.
Doutorado
Historia Social
Doutor em História
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Mirade, Pierre-Sylvain. "Contribution à l'amélioration des procédés de traitement des solides par l'air grâce à la description et à la simulation de l'aéraulique ; application au refroidissement et au séchage des viandes." Poitiers, 1996. http://www.theses.fr/1996POIT2268.
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Ce travail a ete centre sur l'analyse de l'aeraulique de deux appareils de l'agro-alimentaire: un tunnel de refrigeration et un sechoir a saucisson. Une methode experimentale permettant de faire rapidement plusieurs milliers de mesures de vitesse d'air a ete mise au point. Elle combine le deplacement continu d'un anemometre et une technique de traitement du signal. En parallele, des calculs de simulation ont ete realises avec un code de calcul du commerce en mecanique des fluides (star-cd). Les mesures qui ont ete effectuees dans deux copies du ressuage et du sechoir ont permis d'apprecier l'effet sur l'aeraulique de modifications liees a la geometrie, au fonctionnement et au chargement. La visualisation des modules des vitesses d'air a mis en evidence des defauts de fonctionnement. Les calculs realises en 2 et en 3 dimensions ont permis de simuler des ecoulements dont la structure etait en bon accord avec les experimentations. Les ecarts sur les vitesses d'air entre les calculs et les mesures, determines sur plusieurs milliers de points, etaient en moyenne compris entre 0. 3 et 0. 4 m/s. Cette precision a ete suffisante pour deceler des defauts de ventilation et pour predire les cinetiques de refrigeration des produits. La simulation a aussi permis de mieux comprendre le fonctionnement des sechoirs
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Rocha, Hélio Rodrigues da 1965. "O mar e a selva = relato da viagem de Henry Major Tomlinson ao Brasil : estudo e tradução." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269935.
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Orientador: Carlos Eduardo Ornelas BerrielTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: Estudar as representações da Amazônia brasileira e elaborar a tradução de The Sea and Jungle, de Henry Major Tomlinson, são os objetivos centrais desta tese de doutorado. O autor do referido relato de viagem é um jornalista britânico que, no final de dezembro de 1909, dispensado de seus ofícios no Morning Leader, embarcou no navio S. S. England, em Swansea, País de Gales e, depois de cruzar o oceano Atlântico, aportou em Belém do Pará, Brasil; dali seguiu, via rios Pará, Amazonas e Madeira, para Porto Velho, atual capital do Estado de Rondônia, ponto inicial da Estrada de Ferro MadeiraMamoré. O navio levava suprimentos e maquinaria para a referida ferrovia. É justamente ao longo de parte de seu traçado, na extensão entre Porto Velho e a cachoeira denominada Caldeirão do Inferno, que esse peregrino londrino empreende uma excursão tendo como guia o texano Marion Hill, com quem se encontrou ao chegar àquele porto, em plena selva. O Mar e a Selva estabelece fios tessitivos com Odisséia de Homero, e se compõe, portanto, tanto de histórias de marinheiros e de aventuras do herói, quanto de descrições do mundo real e de um mundo mítico e fictício que contribuem na constituição do sujeito. Em se tratando de um discurso de um viajanteperegrino adoto, então, certos paradigmas: a noção de discurso e "artes da existência" cunhadas por Michel Foucault; a primeira em A arqueologia do Saber e A ordem do discurso e, a segunda, em A história da sexualidade: o uso dos prazeres; adoto, também, alguns conceitos advindos dos Estudos PósColonialistas, Utópicos, Crítica Literária, Filosofia e Estética. O Mar e a Selva reflete e refrata uma determinada realidade social de dois mundos, o do viajante e o do viajado, ou seja, do nativo e, a partir dessa "dança de espelhos", investigo em que medida o narrador critica sua sociedade pelos olhares que lança a outras comunidades amazônicas. Verifico também como ele reconstroi a si mesmo a partir da convocação de antigos viajantes (Hakluyt, Humbolt, Wallace, Bates), de correntes filosóficas (Pirronismo e Gymnosofismo), de escritores como Thoreau, Emerson, Drake, Spruce, Pikes, Raleigh, Burney, Defoe; de personagens bíblicos (Moisés, Jonas, Josué), de lendas e mitos gregos e romanos, etc. ao palco de sua composição literária e, conjuntamente, do "si mesmo". O eixo argumentativo desta tese é que este relato se apresenta, em primeiro lugar, como uma crítica políticomoral à Inglaterra e ao Brasil e serve como um exercício de elevação dos pensamentos rumo ao Sublime, "a alma do corpo retórico", diz Weiskel via Longino. Em segundo, as representações da Amazônia a configuram ora como o Campos Elísios, ora como o Tártaro. Assim, alto e baixo, vastidão e infinitude, luzes e trevas, vilania e nobreza, paraíso e inferno, feiúra e beleza, ordem e desordem, vida e morte se entrelaçam no percurso do viajante ideal. Portanto, ele vai além da escrita do que ele vê, e faz com que o leitor também veja
Abstract: To study the representations of Brazilian Amazon and to translate Henry Major Tomlinson's The Sea and the Jungle are the main purposes of this thesis. The book was written by a British journalist who in the month of December 1909, released from his work at Morning Leader and boarded S. S. England in a coal port in Swansea, Wales. After crossing Atlantic ocean, the author arrived in Para, Brazil, and from there, he steamed up the Amazon and Madeira Rivers to Porto Velho the current capital of Rondonia State that was then the initial point of MadeiraMamore Railway. The steamership carried coal and machinery to the railway. It is exactly alongside of its track, between Porto Velho and Hell's Cauldron Falls extension that the londoner peregrin undertakes his journal with Marion Hill, his Texan guide whom he met when he arrived at that port in the Jungle. The Sea and the Jungle stablishes relation of intertextuality to Homer's Odissey and it contains sailor's stories and hero's adventures and descriptions of true and mythical world that contribute to the subject's construction. As the book explores travelers and peregrin's discourses, we follow some paradigms: Michel Foucault's notion of discourse and "arts of existence"; the first is in his books A arqueologia do saber and A ordem do discurso; the second is in História da sexualidade: o uso dos prazeres. We follow too some notions derived from PostColonial and Utopian Studies, Literary Criticism, as well as Phylosophy and Asthetics. The Sea and the Jungle reflects and refracts determined social reality of two worlds, traveler's and travelee's, that is the object of the traveler's writing. Throughout this "dancing of mirrors" we investigate to what dimension the narrator criticizes his society from some glances that he projects on others communities. Moreover, we ask how the narrator builds up himself by using references to old travelers, (Hakluyt, Humbolt, Pikes, Wallace, Bates, etc.), some philosofic streaming (Pyrronism e Gymnosofism), to writers such as H. D. Thoreau, R. W. Emerson, F. Drake, D. Spruce; biblical characters as (Moses, Jons, Josuah), to some legends and Greek and Roman myths which he brings to the stage of his literary composition. The argumentative pivot of this thesis is that this travel writing presents itself first as a political and moral criticism to England and Brazil. Second, as an exercise of high thoughts towards the Sublime, "the soul of rethoric body", according to Weiskel when quoting Longino. The representations of the Amazon are configured now as Elysium sometimes as Hell. So, height and lowness, vastness and infinity, light and darkness, villainy and nobility, heaven and hell, ugliness and beauty, order and disorder, life and death are interlaced in the ideal traveller's enterprise. Therefore the author goes beyond writing about the seen, he also makes the reader see
Doutorado
Historia e Historiografia Literaria
Doutor em Teoria e História Literária
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Galant, Ivanne. "Séville dans les guides de voyage français et espagnols (XIX-XXe siècles)." Thesis, Université Grenoble Alpes (ComUE), 2016. http://www.theses.fr/2016GREAL002.
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Sous le titre Séville dans les guides de voyage français et espagnols (XIX-XXe siècles), la thèse se propose d'analyser l'image de la capitale andalouse dans un corpus générique peu étudié, celui des guides de voyage, depuis leur émergence moderne jusqu'à l'avènement du tourisme de masse. La première partie de la thèse s’attache à analyser comment les relations politiques et culturelles franco-espagnoles ont façonné une ou des images de l'Espagne qui varient au cours de la période étudiée, de la « légende noire » (1700-1823) à la « légende rose » (1905-1962) en passant par la « légende rouge » (1823-1905), période à laquelle s’affirme le genre du guide de voyage. La deuxième partie montrera qu’en tant que vecteurs de diverses représentations temporelles, spatiales, historiques, artistiques, sociales, humaines, les guides sont des sources idéales pour l’histoire culturelle. Contrairement aux idées reçues, il n’existe pas de modèle unique de guide : nous en proposerons une classification. Enfin, la richesse du corpus exploré permet de montrer, dans une troisième partie, que les diverses formes que le guide adopte agissent sur la perception de la réalité et sur les représentations, en s'appropriant certains concepts tels que le pittoresque ou l'exotisme, et surtout en reprenant ou en réfutant les images stéréotypées d'une Espagne « fanfare et tambourin », selon l'expression du poète Antonio Machado. À ce double titre, l'examen des regards croisés que véhiculent les guides constitue une approche nouvelle de la question des relations entre la France et l'Espagne, en même temps qu'un point de départ fécond pour aborder la construction d’un discours sur le couple notionnel identité / altérité. La thèse s’intéresse à ces concepts par le biais de l’étude du patrimoine bâti et vivant, des relations entre l’auteur du guide et son lecteur ainsi qu’au travers de la lecture de l’Histoire dans le corpus convoqué. Mots clés : Histoire culturelle, Espagne, XIXe et XXe siècles, voyage, tourisme, guide de voyage, Séville, stéréotype, imageEntitled Séville dans les guides de voyage français et espagnols (XIX-XXe siècles) [Seville in French and Spanish Travel Guides (XIXth-XXth centuries)], this dissertation intends to analyze the image of the Andalusian capital in the barely studied corpus of travel guides, from their emergence in the modern times until the dawn of mass tourism. The first part is meant to study how Franco-Spanish political and cultural relations shaped one—or more—picture(s) of Spain that varied from the “Black Legend” (1700-1823) to the “Red Legend” (1823-1905)—when travel guides were established as a genre—to the “Pink Legend” (1905-1962). The second part shows that guides, as vehicles of various temporal, spatial, historical, artistic, social and human representations, are ideal sources for cultural historians. Contrary to common beliefs, there is no single pattern for travel guides and this work intends to classify them. In the third part, the richness of the sources enables us to show that by appropriating such concepts as the picturesque or the exotic for example, but mostly by taking up or refuting stereotypes such as that of Spain as all “fanfare and tambourine”—in poet Antonio Machado’s words—, the varied forms adopted by guides have an influence on our perception of reality and on our representations. Thus the examination of the intersecting perspectives provided by guides constitutes a new approach to the relations between France and Spain and a fruitful starting point to tackle the construction of a discourse on the dialectics of identity and alterity. These concepts are explored through the study of built and living heritages, of the relations between the guides’ authors and their readers but also through the reading of History in the studied corpus.Key words: Cultural history, Spain, XIXth and XXth centuries, travel, tourism, travel guide, Seville, stereotypes, image
Bajo el título Sevilla en las guías de viaje francesas y españolas (siglos XIX-XX), la tesis propone analizar la imagen de la capital de Andalucía en el corpus genérico poco estudiado de las guías de viaje, desde su emergencia moderna hasta el advenimiento del turismo de masas. La primera parte de la tesis muestra como las relaciones políticas y culturales franco-españolas crearon una o varias imágenes de España que variaron a lo largo del periodo estudiado, desde la « leyenda negra » (1700-1823) hasta la « leyenda rosa » (1905-1962), pasando por la « leyenda roja » (1823-1905), periodo durante el cual el género de la guía de viaje se afirma. La segunda parte considerará las guías como unas fuentes ideales para la historia cultural ya que se pueden apreciar como vectores de diversas representaciones temporales, espaciales, históricas, artísticas, sociales, humanas. En efecto, a pesar de las ideas preconcebidas al respecto, no existe un único modelo de guía: podemos establecer una clasificación. Por fin, la riqueza del corpus estudiado permite mostrar, en una tercera parte, que las diferentes formas que la guía puede adoptar actúan sobre la percepción de la realidad y sobre las representaciones, apropiándose conceptos como lo pintoresco y lo exótico, y sobre todo utilizando o desmintiendo las imágenes estereotipadas de una España « de charanga y pandereta », según la expresión del poeta Antonio Machado. Por este doble motivo, el examen de las miradas cruzadas constituye un acercamiento nuevo para explicar las relaciones entre Francia y España, y a la vez un punto de partida fecundo para abordar la construcción de un discurso acerca de la pareja nocional identidad/alteridad. Estos conceptos reivindican su presencia en la tesis mediante el tratamiento del patrimonio arquitectural y vivo, la relación entre autor y lector de guía, así como mediante la lectura de la Historia en nuestro corpus
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Lima, Maria de Fátima de Oliveira. "A imagem do Estado do Piauí na perspectiva do marketing de lugar." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20777.
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The study aims to understand the meaning produced about the State of Piauí as a mark of a place and an integral part of the Brazilian nation. The State contrasts with others from the same region of the country, regarding economic indexes, quality of life and social welfare, although it has attractions that constitute potential natural and cultural assets of tourism exploration. It is hypothesized that, independent of its geopolitical, historical and cultural formation, the image of Piauí results from variants in the scope of communication, since many agents operate on the elements that construct their simulacrum of identity, leading, thus, to a negative perspective on the place. In this process, it is important to know how the state's action was promoted by the last two state governments, by the media focused on the dissemination of local attractions, both interested in promoting tourism. Taking as a basis the approach of communication in the field of brand formation, specifically the one that deals with place branding, by authors such as Kapferer, Kotler, Kavaratiz and Ashworth is intended to construct a critical vision of the strategies of building a brand of place (taken from the analysis of official IBGE data and other sociodemographic research institutes), which result in biases that are detrimental to a positive image of Piauí, or that reveals the erasures of attractive elements to the tourism and the people from Piauí. Among institutional and private discourses, the analysis proposes to understand which values are highlighted according to the interests of each group and how this shows an imbalance in the use of communication techniques to the detriment of inhabitants and the image of that State
O estudo objetiva compreender o significado produzido acerca do Estado do Piauí enquanto marca de um lugar e parte integrante da nação brasileira. O Estado contrasta com outros da mesma região do País quanto aos índices econômicos, de qualidade de vida e de bem-estar social, embora conte com atrativos que constituem ativos naturais e culturais potenciais de exploração turística. Parte-se da hipótese de que, independente de sua formação geopolítica, histórica e cultural, a imagem do Piauí resulta de variantes no âmbito da comunicação, pois muitos agentes operam sobre os elementos que constroem seu simulacro identitário, assim levando a uma perspectiva negativa sobre o local. Neste processo, importa saber como se deu a ação de divulgação do Estado pelos dois últimos governos estaduais e pela mídia, centrada na divulgação dos atrativos locais, ambos interessados no fomento do turismo. Tomando como fundamentação a abordagem da comunicação no campo da formação de marcas, especificamente aquela que trata de place branding, por autores como Kapferer, Kotler, Kavaratiz e Ashworth, pretende-se construir uma visão crítica das estratégias de construção de uma marca de lugar em contraponto à observação da realidade sociopolítica vivida naquele espaço (tomada da análise de dados oficiais do IBGE e demais institutos de pesquisa sociodemográfica) e que resultam em vieses prejudiciais a uma imagem positiva do Piauí, ou ainda que desvelem apagamentos de elementos atrativos ao turismo e aos piauienses. Entre discursos institucionais e privados, a análise propõe compreender quais valores são ressaltados de acordo com os interesses de cada grupo e como isso deixa ver um desequilíbrio no uso das técnicas de comunicação em prejuízo dos residentes e da imagem daquele Estado
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Soldado, Emerson Barão Rodrigues. "Alfred Russel Wallace na Amazônia: análise das descrições sobre a distribuição dos animais e seus limites de alcance." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20079.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
Alfred Russel Wallace (1823-1913), English naturalist well-known for his studies on natural selection, chose Amazon as his first long range expedition. Between the years of 1848 to 1852, he observed and described the fauna, flora, geology and human groups that inhabited the surroundings. In these studies, Wallace also thoroughly addressed the subject of animal distribution, including figuring out the range limits of the species and their relations to the physical environment. Nevertheless, the maturation of these ideas as well as others just as important to the naturalist work only happened during a future expedition to the Malay Archipelago. An expedition of great notoriety that has become an object of analysis of many studies in present days. The present dissertation, however, specifically addresses the origins of ideas, such as the range limit of species, which remain linked to Wallace's Amazonian journey
Alfred Russel Wallace (1823-1913), naturalista inglês bem conhecido por seus estudos sobre a seleção natural, escolheria como lugar para sua primeira expedição de longo alcance a Amazônia. Assim, entre 1848 e1852, observou e descreveu a fauna, a flora, a geologia e os grupos humanos que ali habitavam. Nesses estudos, Wallace também abordaria, detalhadamente, a temática da distribuição dos animais, inclusive, apontando os limites de alcance das espécies e sua relação com o meio físico. Mesmo assim, a maturação tanto dessas ideias, quanto de outras importantes para a obra do naturalista, apenas teria ocorrido em sua futura expedição ao arquipélago Malaio. Uma expedição de grande notoriedade que se transformou em objeto de estudo de muitas pesquisas na atualidade. A presente dissertação, porém, visa especificamente às origens de ideias, como a do limite de alcance das espécies, que permanecem ligadas à viagem pela Amazônia feita por Wallace
Books on the topic "Descriptiones y viajes"
1
Martínez, Héctor López. Apuntes sobre viajes y viajeros. Lima: H. López Martínez, 2000.
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Unamuno, Miguel de. Viajes y paisajes: Antología de crónicas de viaje. [Madrid?]: La Línea del Horizonte Ediciones, 2014.
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3
Proyecto Viajeros (Argentina). Equipo Coordinador. Viajes y viajeros: Un itinerario bibliográfico. Buenos Aires: Biblioteca Nacional, 2013.
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Aguilar, Gerardo Hurtado. De un viaje y un viajero. Guatemala, Centro América: Tip. Nacional de Guatemala, 2002.
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Laborda, Antonio. Viajar en la España del Quijote: Guías de viaje y viajeros en la España de Felipe III. [Spain]: La Hoja del Monte, 2005.
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Vegazzo, Ivan La Riva. Viajero antes que turista: Nuevas rutas para viajar por el departamento de La Libertad. Trujillo, Perú: ATAL, 2004.
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Dornbierer, Manou. Ensalada rusa. México, D.F: Diana, 2005.
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Passos, John Dos. Orient Express. La Coruña: Ediciones del Viento, 2005.
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Villoro, Juan. Palmeras de la brisa rápida: Un viaje a Yucatán. Oaxaca de Juaréz, Oaxaca: Editorial Almadía, 2009.
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Víttori, José Luis. Viajes y viajeros en la literatura del Río de la Plata. Buenos Aires: Vinciguerra, 1999.
Find full textBook chapters on the topic "Descriptiones y viajes"
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Vuelta García, Salomé. "Navi che portano nell’aldilà: la raffigurazione del bivium in El viaje del alma di Lope de Vega." In Studi e saggi, 63–82. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-467-0.07.
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The bivium of human life, narrated in the myth of Hercules and symbolized by the Pythagorean Y, was a recurring motif in Spanish theater since the second half of the sixteenth century. Lope de Vega already developed it in one of his most remote sacramental plays, Comedia del viaje del hombre. In Viaje del alma, auto sacramental of Lope composed around 1599, on the occasion of the double royal wedding of Philip III with Margaret of Austria and the infanta Isabella Clara Eugenia with the archduke Albert of Austria, and published in El peregrino en su patria, the crossroads is represented through two opposing ships, of which the playwright offers us an accurate description that has its origin in the iconographic tradition in force at the time
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"History and Description of Bodega’s Viaje : The Official Report of the Expedition of the Limits." In At the Far Reaches of Empire, 343–47. University of British Columbia Press, 2008. http://dx.doi.org/10.59962/9780774855952-018.
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Kroubo, Kafé Guy Christian, and Ouattara Bakary. "Parlers urbains et insécurité : l’exemple du nouchi dans le trafic illicite de drogues à Abidjan." In Les parlers urbains africains au prisme du plurilinguisme : description sociolinguistique, 281–303. Observatoire européen du plurilinguisme, 2020. http://dx.doi.org/10.3917/oep.kosso.2020.01.0281.
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Le nouchi, ou mélange de langue, traité d’ “argot abidjanais” au début des années 80 (Kouadio, 1992 :178) s’est imposé progressivement comme style d’expression populaire en Côte d’Ivoire. Dans sa pratique, cette variété est diversement interprétée par les chercheurs. Pour les uns, c’est le signe de l’appropriation réussie du français par les locuteurs ivoiriens (Aboa, 2011 : 53). Pour d’autres, le nouchi est la volonté de reconnaissance, d’identification de certains jeunes (Lafage 2002 ; 35 ; Kouadio, 2008) qui le revendiquent comme moyen d’affirmation de leur esprit créateur et de leur volonté de liberté et d’autonomie (Cissé, 2015). En marge de ces différentes prises de positions théoriques qui rendent compte de sa mutation, le nouchi reste encore attaché à son statut marginal, servant de codes et de tactiques criminelles aux rebuts sociaux et autres déviants pour couvrir leurs activités criminelles, alimentant ainsi l’insécurité urbaine. C’est le cas pour le trafic de drogues. Une criminalité en pleine expansion à Abidjan qui résiste aux politiques et actions de lutte informelles et Etatiques (MDM, 2014 ; RAIDH, 2015 ; DPSD, 2016) et dont les acteurs sont fortement imprégnés de cette technique d’expression. L’objectif de cet article est de montrer l’incidence du nouchi sur la lutte contre le trafic de drogues à Abidjan. Au plan méthodologique, l’étude s’est déroulée à Abidjan dans le quartier d’Adjamé, centre commercial qui regorge des fumoirs et des marchés de drogues et à Yopougon wassakara. Elle a porté sur 60 enquêtés composés de trafiquants de drogues (33), de sujets parlant le nouchi (05), des agents des forces de l’ordre (15), des commerçants de médicaments prohibés, des usagers (07), choisis à partir d’un échantillonnage en boule de neige. Il s’est agi d’identifier les expressions utilisées par les acteurs du trafic de drogues, d’en saisir les sens et d’appréhender leurs rôles dans le développement des trafics. A travers ses codes, expressions et symboles, à la fois variés, diversifiés et polysémiques, le nouchi sert de tactiques criminelle aux délinquants. Il contribue d’une part à dissimuler les activités de vente, tromper la vigilance des acteurs sociaux et réduire les risques d’interpellation et de saisies des drogues. D’autre part, à travers des appellations qui vantent les effets des produits, il favorise l’usage des drogues et l’état de toxicomanie.
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"Section V. Aboca and the Materia Medica Between Past and Future." In Gardens and Medicinal Virtues Health and Beauty Between Past and Present. Venice: Fondazione Università Ca’ Foscari, 2023. http://dx.doi.org/10.30687/978-88-6969-719-7/005.
Full textAbstract:
Two showcases displayed a selection of books and objects from the collection of the Aboca Museum (the museum of Aboca, a pharmacological firm in Sansepolcro), and from its Bibliotheca Antiqua, showing the thousand-year history of the relationship between man and medicinal plants. Hieronymus Bock’s Kräuterbuch represents the first comprehensive description of central European materia medica – plants and their therapeutic properties. This is followed by some of the most important Renaissance editions of Dioscorides’ De materia medica: the works of Jean Ruel, author of the first Latin translation of Dioscorides, and of the Portuguese interpreter Amato Lusitano, as well as the Commentarii (Commentaries) on Discorides by Pietro Andrea Mattioli, a work of enjoyed extraordinary success right across Europe. It had been reprinted more than 200 times by the mid-seventeenth century and included high-quality illustrations. Finally, the work of the entomologist and naturalist Maria Sibylla Merian, dating back to the early eighteenth century, showed a rare combination of artistic talent and passionate study of nature, the former serving the latter. Books such as these are now Aboca’s starting point for verifying how certain pathologies were treated in the past and with which plants. The results of historical research are then scrutinised in the light of modern science to develop products that synthesise the knowledge of past and present. The objects come from the museum collection of the Aboca Museum’s Room of Glass Jars and Weighing Scales: on display wew everyday tools of an apothecary and a small box containing the most commonly used homoeopathic remedies of the nineteenth century, with the original granules still visible inside the vials.
Conference papers on the topic "Descriptiones y viajes"
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Morelli, Victor Emiliano. "Análisis configuracional de impactos urbanos: el caso de la Travesía Urbana en Concepción, Argentina." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Facultad de Arquitectura. Universidad de la República, 2015. http://dx.doi.org/10.5821/siiu.6219.
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La creciente importancia de la movilidad en las ciudades está exigiendo grandes obras viales y de transpor-te, con el objetivo de cualificar la interacción en el espacio urbano. El impacto de estas intervenciones, dada su complejidad, no es profundamente analizada. Este trabajo busca contribuir al análisis de la relación entre las intervenciones viales y su impacto en la estructura urbana, utilizando un enfoque configuracional, pre-sentando resultados preliminares de la aplicación de los modelos de la Sintaxis Espacial (HILLIER y HAN-SON, 1984) para la descripción y análisis de los impactos urbanos resultantes de obras viales. La Ciudad de Concepción, Argentina, fue tomada como estudio empírico, analizándose las intervenciones sobre los tra-zos de dos rutas, la denominada travesía urbana. El trabajo compara la configuración de la ciudad con y sin la presencia de la travesía, identificando las probables alteraciones en los padrones de accesibilidad y dis-cutiendo tendencias para la dinámica de la estructura espacial urbana. The growing importance of mobility in cities is demanding large road and transportation projects in order to qualify the interaction in urban space. Generally the impacts of these changes are not analyzed comprehen-sively, given the complexity of this task. The paper aims to contribute to the analysis of the relationship be-tween large road interventions and their impact on the urban structure, applying a configurational approach. The aim of this paper is to present preliminary results of the application of Space Syntax models (HILLIER and HANSON, 1984) for the description and analysis of urban impacts resulting from the implementation of major road works. The City of Concepción, Argentina, was taken as an empirical study, analyzing interven-tions on the National Route 38 and State 365, the so-called urban crossing. The paper compares the config-uration of the city with and without the urban crossing, identifying changes in the patterns of accessibility and discussing trends in the dynamics of urban spatial structure.
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Miralles Jori, Roger. "FLC 4932. Lo inesperado en la obra de Le Corbusier. Consideraciones en torno al origen de la promenade." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.976.
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Resumen: Entender la evolución de la idea de la promenade en la crítica corbuseriana. Cómo la idea ha ido pasando de la idea del movimiento al pintoresquismo, a lo cinematográfico y finalmente a la idea de montaje. Leyendo Le Corbusier entender que lo mas relevante de la promenade es la idea de lo inesperado para el espectador. Entender de dónde viene esta idea de lo inesperado a través de la formación de Le Corbusier y, sobretodo, a partir de su formación en la crítica del S.XIX. Especialmente importante para entender la idea de lo inesperado es el libro de Mornings in Florence de Ruskin, en especial su descripción de la capilla de los españoles. Esta capilla también será objeto de estudio por Le Corbusier y, en ella, reconoce la importancia de lo inesperado en arquitectura. Abstract: The first objective of this paper is to understand the evolution of the idea of promenade in Le Corbusier’s critic. The paper follows how the idea has changed from the movement to the picturesque, to the cinematographic and finally to the idea of montage. The second objective is to understand that the idea of the unexpected for the spectator is key for the promenade. Then we try to understand where does the idea of the unexpected come in Le Corbusier’s formation with special interest in his formation in the nineteenth century critics. And how important to understand the idea of the unexpected is Ruskin’s Mornings in Florence, specially his description of the Spanish Chapel. This chapel will be case study for Le Corbusier and in his study he recognises the importance of the unexpected in architecture. Palabras clave: Promenade, Espacio inesperado, Formación de Le Corbusier, Viajes de Le Corbusier, Capilla de los españoles. Keywords: Promenade, Unexpected space, Le Corbusier formation, Le Corbusier Travels, Spanish Chapel. DOI: http://dx.doi.org/10.4995/LC2015.2015.976
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Lin, Hung-Yun, Kritika Upreti, Allen Tippmann, Ganesh Subbarayan, Dae Young Jung, and Bahgat Sammakia. "Simulations of Deformation and Stress During Copper Wirebond on ULK Chips." In ASME 2013 International Technical Conference and Exhibition on Packaging and Integration of Electronic and Photonic Microsystems. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/ipack2013-73178.
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In this paper, we develop a multi-level modeling procedure for copper wirebonding that provides insights into (a) deformation and stress in wire, pad, and die (b) an assessment of the risk of ULK fracture during impact stage and ultrasonic vibration steps. First, we construct a nonlinear, dynamic finite element model (global) to study the mechanical responses of wire, pad, and the underlying ULK stacks during the impact stage and the last cycle of ultrasonic vibration in copper wirebonding. Specifically, these process steps are modeled through prescribing touch down and in-plane oscillatory motions on capillary, which result in dissimilar critical states of stress locally in the ULK stacks. Next, we develop a isogeometric model (local) for a generic configuration of ULK stacks with eight levels of metallization by composing the geometric primitives representing ILD layers, copper lines/vias, as well as the material interfaces following the Hierarchical Partition of Unity Field Composition technique. The description for material moduli in the entire ULK stacks is further enriched with a bi-linear damage law. The critical states of stress obtained in the global wirebond model are then converted into boundary conditions for the local ILD model under plane strain condition to simulate the crack initiation in the ULK stacks. We observe, from the simulation results, potential crack initiation sites along vertical /horizontal interfaces in the ULK stacks due to local compressive/tensile loading during impact/vibration step, respectively.