Academic literature on the topic 'DePaul Art Museum'

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Journal articles on the topic "DePaul Art Museum"

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Buckley, Kat. "Karolina Gnatowski. Some Kind of Duty. DePaul Art Museum, Chicago, Illinois, January 17 – March 31, 2019." TEXTILE 18, no. 1 (July 9, 2019): 109–15. http://dx.doi.org/10.1080/14759756.2019.1622938.

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Tandy, Kisha. "Julie Rodrigues Widholm, Barbara Jones-Hogu: Resist, Relate, Unite, 1968–1975. Chicago: DePaul University Art Museum, 2018. Pp. 104. $60.00 (cloth)." Journal of African American History 106, no. 1 (January 1, 2021): 163–64. http://dx.doi.org/10.1086/712010.

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Jagielska-Burduk, Alicja. "Alicja Jagielska-Burduk talks with Patty Gerstenblith, professor of law at DePaul University and director of its Center for Art, Museum & Cultural Heritage Law." Santander Art and Culture Law Review 9, no. 1 (September 27, 2023): 9–12. http://dx.doi.org/10.4467/2450050xsnr.23.001.18113.

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Pons, Lluís, Jasmina Llobet, and Àngels Viladomiu. "Public Art? Examining the Differences between Contemporary Sculpture inside and outside the Art Institution." Barcelona Investigación Arte Creación 9, no. 3 (October 3, 2021). http://dx.doi.org/10.17583/brac.5087.

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This text explores three main differences between a sculpture installed within a museum and a sculpture installed in public space. It analyses the institutional framework, the relationship between the viewer and the artwork, the nature of the audience. The authors argue that there are key differences that require correspondingly different ways of understanding, conceiving and making sculptural projects in public space. When installed in public space, art encounters a whole new environment: conventional museum procedures and attitudes are no longer applicable. Sculptures installed in public space lack clear institutional reference points that would confer them the status of art, so they automatically settle in beside other urban objects, in a diffuse and mixed zone. New approaches must be found that take into account the specificities of public space, the local context and the establishing of dialogue with the local community. Moreover, the evaluation of these projects should depart from mere aesthetic considerations and take on board ideas and methodologies from other disciplines. With regards to a broadened, diversified and participatory audience, it would make only sense to involve them as an intrinsic part of a more collaborative notion of sculpture and public art. c art.
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Books on the topic "DePaul Art Museum"

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Some Kind of Duty. DePaul Art Museum, 2019.

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Ink, Paper, Politics: WPA-Era Prints from the Needles Collection. University of Chicago Press, 2014.

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Book chapters on the topic "DePaul Art Museum"

1

Becker, Felicitas. "Teachers, elders and shehe: how Islam came to the villages." In Becoming Muslim in Mainland Tanzania, 1890-2000. British Academy, 2008. http://dx.doi.org/10.5871/bacad/9780197264270.003.0004.

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The contrast between the deep involvement of urban Muslims' exclusionary attitudes in the social struggles of the late pre-colonial period and the absence of references to such struggles in oral accounts of early rural Muslims could give the impression that conversion constituted a slightly anachronistic pursuit of coastal allegiance. Oral sources suggest that conversion occurred as part of an active search for new ritual and social options, and that villagers interpreted their Muslim allegiance to suit the pursuit of divergent aspirations. The ways of conversion among villagers are first described. The chapter also traces how rural Muslims in the inter-war period managed to depart from and reinterpret the problematic associations of Muslim allegiance. It explores the early history of rural mosques, focusing on a group of four mosques founded between c.1925 and 1947. The republicanism of rural Muslims is discussed. Islam had become a fundamental, albeit low-profile, element of social life.
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Halbreich, Uriel. "Micro-migration." In Oxford Textbook of Migrant Psychiatry, edited by Dinesh Bhugra, Oyedeji Ayonrinde, Edgardo Juan Tolentino, Koravangattu Valsraj, and Antonio Ventriglio, 189–92. Oxford University Press, 2021. http://dx.doi.org/10.1093/med/9780198833741.003.0021.

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The magnitude of migration across and within countries is immense and not new. The process of migration has caused significant strains and distress on all communities involved. Nations, cities, neighbourhoods, and individuals are affected, and remedies to reduce negative impacts should and are being taken, although not always very successfully. Micro-migration is the ‘Exodus of “modernized” youth from the bondage of the oppressing traditional cultural values of their parents, extended family and society’. It has been prevalent in orthodox cultures and currently it is apparent in Muslim countries, especially among young women. Exposure to the internet and social media substantially contribute to the attainment of information and ideas that are inconsistent with traditional environment and may entice youth to depart from their context even when they remain in situ. Micro-migration may be a force to change them in situ and from within. Changes in situ may well ease migration waves that are currently a burden on departure and receiving countries.
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