Journal articles: 'Denis Edwards'

1

Russell, Robert John. "Mgr. Denis Edwards (1943–2019)." Theology and Science 18, no. 1 (January 2, 2020): 11. http://dx.doi.org/10.1080/14746700.2019.1710346.

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Galperin, Charles. "Lewis Wolpert, Denis Duboule et Edwards B. Lewis." Bulletin d’histoire et d’épistémologie des sciences de la vie Volume 23, no. 2 (2016): 199. http://dx.doi.org/10.3917/bhesv.232.0199.

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Jonveaux, Isabelle. "Denis Edwards, Ecology at the Heart of the Faith." Archives de sciences sociales des religions, no. 148 (December 31, 2009): 75–342. http://dx.doi.org/10.4000/assr.21126.

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Schutz, Paul J. "Christian Understandings of Creation: The Historical Trajectory, by Denis Edwards." Worldviews: Global Religions, Culture, and Ecology 25, no. 1 (March 23, 2021): 110–12. http://dx.doi.org/10.1163/15685357-02501002.

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Haight, Roger. "Book Review: Edwards, Denis: Deep Incarnation: God’s Redemptive Suffering with Creatures." Theological Studies 81, no. 1 (March 2020): 241–43. http://dx.doi.org/10.1177/0040563920905027k.

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Bracken, Joseph A. "Book Review: Partaking of God: Trinity, Evolution, and Ecology. By Denis Edwards." Theological Studies 76, no. 1 (March 2015): 181–82. http://dx.doi.org/10.1177/0040563914565312j.

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Oosterhoff, Richard. "How God Acts: Creation, Redemption, and Special Divine Action - By Denis Edwards." Reviews in Religion & Theology 19, no. 1 (January 2012): 51–53. http://dx.doi.org/10.1111/j.1467-9418.2011.00956.x.

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Rimmer, Chad M. "Deep Incarnation: God's Redemptive Suffering with Creatures. Denis Edwards. Maryknoll, NY: Orbis, 2019." Dialog 59, no. 2 (February 19, 2020): 152–53. http://dx.doi.org/10.1111/dial.12539.

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O'Hara, Dennis Patrick. "Review of 'Breath of Life: A Theology of the Creator Spirit' by Denis Edwards." Journal for the Study of Religion, Nature and Culture 11, no. 2 (February 24, 2007): 246–48. http://dx.doi.org/10.1558/ecotheology.v11i2.246.

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VERVISCH, L. "Thierry Poinsot and Denis Veynante, Theoretical and Numerical Combustion (second ed.), Edwards, USA (2005) 520 pp." Combustion and Flame 144, no. 3 (February 2006): 642–43. http://dx.doi.org/10.1016/j.combustflame.2005.11.002.

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Owen, Lloyd. "Reflections on the past 30 years." Children Australia 30, no. 2 (2005): 3–6. http://dx.doi.org/10.1017/s1035077200010622.

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The journal was first established in 1976 with the title Australian Child and Family Welfare (quarterly), and it was known as such for the first 15 years of its existence. It was published by the Children’s Welfare Association of Victoria as the quarterly journal of the Child and Family Welfare Council of Australia. Co-editors were the Rev Denis Oakley and Dr Peter O’Connor. Denis tells us that the funds to get it started came from the Children’s Welfare Foundation. This foundation was an outstanding example of partnership between business and the non-government sector. Not without controversy, Denis performed on television in his clergyman clobber advertising products for Billy Guyatt stores, drawing in funds for the Foundation which were also applied to the establishment of Grassmere, a community-based youth facility, and to some research work into adoption and family law. The book review editor was Mr Cliff Picton, associate editor was Mr Max Liddell, Mr David Thackeray was business manager, Mr Vernon Knight was circulation manager and the committee providing support was Mrs Glenys Craig, Mr John Edwards, Mr Bill Hughes, Canon Neal Malloy OBE and Mrs Patsy Sebastian. It had a group of interstate representatives, Spencer Colliver, Ray Jenkins, Albert Kruipers, Rev Lyn Reilly, George Belchev, Adam Jamrozik, Geoff Aves and editorial consultants Concetta Ben, Prof Peter Boss, Spencer Colliver and Dr Len Tierney. In the editorial in the first issue was the explanation that the journal was being launched as so much was going on in child and family welfare, that there was a need for a forum. Many of the specialist journals failed to appeal to the broad readership in social welfare, whereas this journal would ‘aim for the broad spectrum of people who make up the vast army of workers in the child and family welfare field … Our concern is to open up discussion on policies and practices, to discuss innovations and the raising of standards.’

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Hosinski, Thomas E. "Deep Incarnation: God's Redemptive Suffering with Creatures. By Denis Edwards. Maryknoll, NY: Orbis Books, 2019. xx + 140 pages. $24.00 (paper)." Horizons 47, no. 2 (December 2020): 372–74. http://dx.doi.org/10.1017/hor.2020.75.

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Thompson-Uberuaga, William. "Breath of Life: A Theology of the Creator Spirit. By Denis Edwards. Maryknoll, NY: Orbis, 2004. x + 214 pages. $24.00 (paper)." Horizons 32, no. 02 (2005): 416–17. http://dx.doi.org/10.1017/s0360966900002760.

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14

Cosgrave, Bill. "Book Review: What are they saying about Salvation? Denis Edwards. Paulist Press, New York/Mahwah, N.J., 1986. Pp. 101. Price 4.95 U.S. Dollars." Irish Theological Quarterly 56, no. 3 (September 1990): 237–38. http://dx.doi.org/10.1177/002114009005600307.

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Cosgrave, Bill. "Book Review: What are they saying about Salvation? Denis Edwards. Paulist Press, New York/Mahwah, N.J., 1986. Pp. 101. Price 4.95 U.S. Dollars." Irish Theological Quarterly 57, no. 4 (December 1991): 318–19. http://dx.doi.org/10.1177/002114009105700409.

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Vondey, Wolfgang. "Denis Edwards, How God Acts: Creation, Redemption, and Special Divine Action, Theology and the Sciences Series (Minneapolis: Fortress, 2010). xvi + 207 pp., $27.00 paper." Pneuma 32, no. 3 (2010): 466–67. http://dx.doi.org/10.1163/157007410x534139.

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17

Clingerman, Forrest. "Ecology at the Heart of Faith: The Change of Heart that Leads to a New Way of Living on the Earth – By Denis Edwards." Religious Studies Review 33, no. 3 (July 2007): 224. http://dx.doi.org/10.1111/j.1748-0922.2007.00200_37.x.

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Guess, Deborah. "Denis Edwards (ed.), Earth Revealing – Earth Healing: Ecology and Christian Theology (Collegeville, MN: Liturgical Press, 2001), pp. 245. ISBN 0-8146-5951-9, pbk, RRP AU$69.95." Journal of Anglican Studies 3, no. 2 (December 2005): 248. http://dx.doi.org/10.1177/174035530500300214.

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Golding, Dan. "The memory of perfection: Digital faces and nostalgic franchise cinema." Convergence: The International Journal of Research into New Media Technologies 27, no. 4 (July 28, 2021): 855–67. http://dx.doi.org/10.1177/13548565211029406.

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This article is concerned with the intersection of digitally augmented performance and nostalgia in contemporary Hollywood franchise cinema. The practice of ‘de-ageing’ or even resurrecting actors following their real-life deaths in films like Tron: Legacy (Joseph Kosinski, 2010), Terminator Genysis (Alan Taylor, 2015), Rogue One (Gareth Edwards, 2016), Blade Runner 2049 (Denis Villeneuve, 2017), Star Wars: The Rise of Skywalker (J.J. Abrams, 2019), and a large number of Marvel Cinematic Universe films, is now commonplace. Though such digital faces are primarily still found in franchise cinema, some exceptions ( The Irishman, Martin Scorsese, 2019; Gemini Man, Ang Lee, 2019) are telling in their franchise-like appeals to cinematic nostalgia. In particular, the digital face is most commonly aligned with the ‘legacy film’ (Golding, 2019), resurrected franchises interested in transferring franchise protagonists, themes and fandom across generations. The digital face therefore is an expression of the convergence of the digital with film, with the franchise, with the past and with memory. For these films, memory and nostalgia are meticulous exercises involving thousands of work hours of highly skilled CGI workers and cutting-edge technology. These highly technical, virtuosic digital faces are quite literally the face of this kind of nostalgia, and as Ndalianis observes, position the face ‘as façade that opens up a time-travel passageway between past and present’, inviting a seam-spotting game between audience and filmmaker (2014). Even if the digital face is perfect in its recreation, the audience’s knowledge of the impossibility of the performance leaves a trace of artistry. Accordingly, digital faces are creative, technical and financial decisions above all. This article outlines the uses of the digital face for memory, nostalgia and seriality in contemporary Hollywood franchise cinema, with a focus on representation and death.

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Bradley, A. W. "The Rt Hon the Lord Clyde and Denis J Edwards, JUDICIAL REVIEW Edinburgh: W Green, 2000. Scottish Universities Law Institute, lxvii and 726 pp (incl index). ISBN 0 414 01173 2 (hb). £150." Edinburgh Law Review 6, no. 2 (May 2002): 261–62. http://dx.doi.org/10.3366/elr.2002.6.2.261.

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Robinson-Bertoni, Sarah E. "Christian Faith and the Earth: Current Paths and Emerging Horizons in Ecotheology. Edited by Ernst M. Conradie , Sigurd Bergmann , Celia Deane-Drummond , and Denis Edwards . New York: Bloomsbury, 2014. xi + 261 pages. $39.99 (paper)." Horizons 44, no. 1 (May 22, 2017): 239–41. http://dx.doi.org/10.1017/hor.2017.34.

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Martens, Peter W. "Response to Edwards." Zeitschrift für Antikes Christentum / Journal of Ancient Christianity 23, no. 2 (July 15, 2019): 186–200. http://dx.doi.org/10.1515/zac-2019-0011.

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Abstract My essay highlights differences between how Edwards and I approach ancient sources and the scholarship on them. My response also provides a dossier of a dozen or so passages where Origen portrays paradise as a divine or incorporeal place, distinct from this earth, and as a residence for pre-existent rational creatures. Edwards denies such a portrait.

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Bracken, Joseph A. "The God of Evolution: A Trinitarian Theology. By Denis Edwards. New York: Paulist, 1999. vi + 144 pages. $14.95. - God after Darwin: A Theology of Evolution. By John F. Haught. Boulder, CO: Westview, 2000. xiii + 221 pages. $25.00." Horizons 27, no. 1 (2000): 196–98. http://dx.doi.org/10.1017/s0360966900021009.

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24

Paray, Zahoor Ahmad. "Book review: Dennis R. Young, Richard Steinberg, Rosemarie Emanuele and Walter O. Simmons (Eds.), Economics for Nonprofit Managers and Social Entrepreneurs." Journal of Entrepreneurship 29, no. 1 (March 2020): 211–15. http://dx.doi.org/10.1177/0971355719893525.

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25

Grey, Carmody. "Christian Faith and the Earth: Current Paths and Emerging Horizons in Ecotheology, Ernst M. Conradie, Sigurd Bergmann, Celia Deane-Drummond, and Denis Edwards (eds.), Bloomsbury T&T Clark 2014 (ISBN 978-0-567-56765-9), vi + 261 pp., hb £65." Reviews in Religion & Theology 22, no. 4 (September 2015): 319–22. http://dx.doi.org/10.1111/rirt.12545.

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26

McCoog, Thomas M. "Francis Oborn Edwards, S.J. (1922–2006)." Recusant History 28, no. 3 (May 2007): 341–44. http://dx.doi.org/10.1017/s0034193200011407.

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My introduction to Francis Edwards came with a warning—like a pack of cigarettes. But it was not the surgeon general who cautioned me but another American Jesuit, Dennis Linehan. I was a scholastic, visiting Farm Street for the first time in June of 1977, as I investigated British doctoral programmes in history. Before Father Linehan introduced me to Francis, he advised me to avoid certain subjects: the identity of the author of the Shakespearian plays, the Cecils, William and Robert, and, most important, the Gunpowder Plot! Anyone who believes that events from four centuries ago can no longer arouse emotions, never sat at dinner with Francis Edwards and Kempie Webb as the conversation inevitably turned to the plot! Each defended his position with passion and certainty.

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Mitchell, Donald. "‘Now sleeps the crimson petal’: Britten's other ‘Serenade’." Tempo, no. 169 (June 1989): 22–27. http://dx.doi.org/10.1017/s0040298200025122.

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Britten's Serenade, op.31, for tenor, horn, and strings, was first performed at the Wigmore Hall, London, on 15 October 1943, with Peter Pears, Dennis Brain and an ad hoc orchestra conducted by Walter Goehr. It was dedicated to Edward Sackville-West.

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Zook, Sandy. "Financing Nonprofits and Other Social Enterprises: A Benefits Approach by Dennis R. Young." Journal of Public and Nonprofit Affairs 6, no. 1 (April 1, 2020): 111. http://dx.doi.org/10.20899/jpna.6.1.111-114.

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Jacques, Hélène. "Projections de la mort. Sur deux mises en scène de Denis Marleau." L’Annuaire théâtral, no. 37 (May 6, 2010): 113–27. http://dx.doi.org/10.7202/041598ar.

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Afin de résoudre l’impasse rencontrée par le praticien de théâtre qui doit représenter l’invisible de manière crédible, c’est-à-dire sans procéder à la simple incarnation, Edward Gordon Craig propose d’avoir recours à la Surmarionnette, plus susceptible que l’acteur d’exprimer le monde spirituel. Dans Les trois derniers jours de Fernando Pessoa et Les aveugles, fantasmagorie technologique, Denis Marleau fait apparaître sur la scène l’intériorité démultipliée du poète portugais et la mort qui guette les aveugles grâce à des projections vidéographiques. Cet article propose d’envisager ces deux créations de Marleau dans la perspective des réflexions de Craig sur le jeu de l’acteur et la représentation théâtrale de la mort. Sur la scène où l’animé côtoie l’inanimé, la vidéo et les masques, avec la puissance suggestive de la Surmarionnette, donnent une forme à l’invisible par le détour de l’instrument.

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30

Andersen, Kjeld Skou. "David J. Dandy, Dennis J. Edwards: Essential orthopaedics and trauma, 4th edition." International Orthopaedics 27, no. 5 (October 1, 2003): 322. http://dx.doi.org/10.1007/s00264-003-0469-2.

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Gugleta, Zdravka. "Edward Dennis Goy, The Escaped Mystery: The Poetry of Momčilo Nastasijević." Transcultural Studies 8, no. 1 (2012): 187–96. http://dx.doi.org/10.1163/23751606-00801015.

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Trubnikоva, Liudmyla. "AN EVOLUTION OF MIMIC LOOK AT FINE ART." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 28 (December 15, 2019): 161–69. http://dx.doi.org/10.33838/naoma.28.2019.161-169.

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This article explore and analyses conformity to natural laws of individual interpretations of human emotions on a masterpieces of European artists from Antic age to early Modernism, also in Ukrainian painting (for instance, creative works of Olexander Murashko), The following examples are setting peculairities of creative positions of every author which reflected unusual mimic grimaces of his heroues in pickturesque portraits (especially at works of Antonello da Messina, Ercole de Roberti, Leonardo da Vinci, Frans Hals, Rembrandt Hannenszoon van Rijn, Mihaly Munkacsy, Ilya Repin, Edward Munk, with him legendary “Scream”, which paradoxally and repeatedly reflected in horror movie-art about twenty years ago — in the trilogy by Wes Craven) and Old Greek sculptures (“Athena and Marsyas”, “Laokoon”). Also the author of this article analyzed different views of representatives of classical philosophy and aesthetics of Age of Renassainse (Karol van Mander, Giorgio Vasari), Baroque, Classicism (Charles Lebrun) and Age of Education (Denis Diderot as author of “Salones”, Johann Joachim Winckelman, Johann Caspar Lavater — in recollection of Nikolay Karamzin), also used classic and modem famous historicals of fine art (Egene Fromentin, Bernard Berenson, Georgiy Nedoshivin) and contemporary scientists, which a lot of researched this problems (Giovanni Chivardi, Fritz Lange) etc. Author used pointed mimetic observations of some Ukrainian (from “Portrait” by Nikolay Gogol to short-story by Yuriy Mulik-Lutsik and great novel by Natalka Snyadanko) and foreign writers (Denis Diderot as author of “Le Neveu de Rameau”, Dafna du Maurier, Nikolay Chukovskiy), memories of Ukrainian painters (Mikola Burachek). Some materials from the recent history of those states were introduced into scientific usage. Review of need for inclusion of approaches and methods related to the fields of art criticism studies (par example, psychology, history of movie-art, mythology, philosophy), and certain concepts. An attempt to understand the problem of mimetic expressiveness in fine art.

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Giles, Paul. "American Literature in English Translation: Denise Levertov and Others." PMLA/Publications of the Modern Language Association of America 119, no. 1 (January 2004): 31–41. http://dx.doi.org/10.1632/003081204x22864.

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The theory of exile as a form of intellectual empowerment strongly influenced writers of the Romantic and modernist periods, when major figures from Byron to James Joyce and Samuel Beckett sought to take advantage of a dissociation from native customs to embrace the authenticity of their art. More recently, however, displacement from indigenous cultures has become such a commonplace that it appears difficult to credit the process of migration with any special qualities of critical insight. Nevertheless, literary scholarship remains to some degree in the shadow of the idealization of “exiles and émigrés” that ran through the twentieth century. Edward Said, a Palestinian in the United States, consistently linked his “politics of knowledge” with a principled alienation from “corporations of possession, appropriation, and power,” while looking back to the exiled German scholar of comparative literature Erich Auerbach as a model for transcending “the restraints of imperial or national or provincial limits” (Culture 335). Julia Kristeva, a Bulgarian in France, associated a similar perspective of estrangement with Christian narratives of exile and purification, along with their negative correlatives, psychological traumas of disinheritance and depression; but she also attributed to the foreign writer a levitating condition of “weightlessness”: “since he belongs to nothing the foreigner can feel as appertaining to everything, to the entire tradition” (32).

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Degli Esposti, Paola. "The Fire of Demons and the Steam of Mortality: Edward Gordon Craig and the Ideal Performer." Theatre Survey 56, no. 1 (December 29, 2014): 4–27. http://dx.doi.org/10.1017/s0040557414000544.

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More than a century after Edward Gordon Craig published “The Actor and the Über-Marionette” (1908), the core of his conception of acting still poses a hermeneutical challenge to the theatre scholar. Many intriguing interpretations have stemmed from his statements on acting: from Denis Bablet's or Christopher Innes's argument that the Über-marionette is a metaphor for the perfect performer, to Irène Eynat-Confino's thesis that it is a real, oversized puppet; from the idea (Lindsay Mary Newman's or Cesare Molinari's, for instance) that the concept evolved with time along with the details of Craig's acting theory, to Patrick Le Boeuf's recent hypothesis that the Über-marionette is a full-body puppet. Le Boeuf's interpretation is somehow a telling example of the puzzling quality of Craig's acting theory: his studies originally led him to believe that the Über-marionette was a technically perfect gymnast, in perfect control of his own body, but he was induced to reconsider his hypothesis only a couple of years later, in the light of newly recovered documents. The same ineffable quality Jane Goodall detects in “stage presence” seems to be an inherent feature of Craig's ideal performer, and as with presence, the Über-marionette appears to be best definable by approximation.

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35

McManus, Frederick R. "The First Ordinary of the Royal Abbey of St.-Denis in France: Paris, Bibliothèque Mazarine 526. Edward B. Foley." Speculum 68, no. 1 (January 1993): 147–48. http://dx.doi.org/10.2307/2863865.

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Chan, Sylvia. "The Red Azalea: Chinese Poetry Since the Cultural Revolution.Edward Morin , Fang Dai , Dennis Ding , Edward Morin." Australian Journal of Chinese Affairs 29 (January 1993): 198–200. http://dx.doi.org/10.2307/2949976.

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Hendrickson, H. Stewart. "Methods in Enzymology, Volume 284, Lipases, Part A, Biotechnology. Edited by Byron Rubin and Edward A. Dennis." Analytical Biochemistry 256, no. 1 (February 1998): 146. http://dx.doi.org/10.1006/abio.1997.2527.

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 64, no. 1-2 (January 1, 1990): 51–90. http://dx.doi.org/10.1163/13822373-90002026.

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-Hy Van Luong, John R. Rickford, Dimensions of a Creole continuum: history, texts, and linguistic analysis of Guyanese Creole. Palo Alto: Stanford University Press, 1987. xix + 340 pp.-John Stewart, Charles V. Carnegie, Afro-Caribbean villages in historical perspective. Jamaica: African-Caribbean Institute of Jamaica, 1987. x + 133 pp.-David T. Edwards, Jean Besson ,Land and development in the Caribbean. London: Macmillan Caribbean, 1987. xi + 228 pp., Janet Momsen (eds)-David T. Edwards, John Brierley ,Small farming and peasant resources in the Caribbean. Winnipeg, Canada: University of Manitoba, 1988. xvii + 133., Hymie Rubenstein (eds)-Diane J. Austin-Broos, Anthony J. Payne, Politics in Jamaica. London and New York: C. Hurst and Company, St. Martin's Press, 1988. xii + 196 pp.-Carol Yawney, Anita M. Waters, Race, class, and political symbols: rastafari and reggae in Jamaican politics. New Brunswick, New Jersey: Transaction Books, 1985. ix + 343 pp.-Judith Stein, Rupert Lewis ,Garvey: Africa, Europe, the Americas. Jamaica: Institute of Social and Economic Research, 1986. xi + 208 pp., Maureen Warner-Lewis (eds)-Robert L. Harris, Jr., Sterling Stuckey, Slave culture: nationalist theory and the foundations of Black America. New York: Oxford University Press, 1987. vii + 425 pp.-Thomas J. Spinner, Jr, Chaitram Singh, Guyana: politics in a plantation society. New York: Praeger Publishers, 1988. xiv + 156 pp.-T. Fiehrer, Paul Buhle, C.L.R. James: The artist as revolutionary. New York & London: Verso, 1988. 197 pp.-Paul Buhle, Khafra Kambon, For bread, justice and freedom: a political biography of George Weekes. London: New Beacon Books, 1988. xi + 353 pp.-Robin Derby, Richard Turits, Bernardo Vega, Trujillo y Haiti. Vol. 1 (1930-1937). Santo Domingo, Dominican Republic: Fundación Cultural Dominicana, 1988. 464 pp.-James W. Wessman, Jan Knippers Black, The Dominican Republic: politics and development in an unsovereign state. Boston, London and Sidney: Allen & Unwin, 1986. xi + 164 pp.-Gary Brana-Shute, Alma H. Young ,Militarization in the non-Hispanic Caribbean. Boulder, Colorado: Lynne Rienner Publishers, Inc., 1986. ix + 178 pp., Dion E. Phillips (eds)-Genevieve J. Escure, Mark Sebba, The syntax of serial verbs: an investigation into serialisation in Sranan and other languages. Amsterdam and Philadelphia: John Benjamins Publishing Company, Creole Language Library = vol. 2, 1987. xii + 228 pp.-Dennis Conway, Elizabeth McClean Petras, Jamican labor migration: white capital and black labor, 1850-1930. Boulder and London: Westview Press, 1988. x + 297 pp.

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Paiva, Marcélia Guimarães. "Os caminhos e os sentidos do exílio na poesia brasileira." Scripta 21, no. 42 (October 23, 2017): 35. http://dx.doi.org/10.5752/p.2358-3428.2017v21n42p35.

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<p>O exílio é uma questão universal e pode ser vivido dentro da própria pátria ou da comunidade – o aqui chamado exílio existencial, íntimo ou interior – e/ou vivido fora delas como o que se verifica com os deslocamentos humanos que ocorrem em toda a História, com destaque para os trágicos movimentos migratórios no século XXI. Comumente associado à situação resultante de deslocamento geográfico, o exílio também ocorre em lugares/espaços não geográficos, no interior do indivíduo. Esse indivíduo é banido de seu grupo social por não aderir aos valores compartilhados pela maioria, com isso torna-se um exilado. Na dimensão literária, existe uma tradição de poemas de exílio. Neste artigo, são analisados poemas que compõem a tradição brasileira de poesia de exílio. Para determinar a escolha e a análise dos poemas considerados “de exílio”, foram levados em conta a presença, na cena poética, dos seguintes aspectos: o exilado está fora de casa, tem consciência do exílio, é um ser sozinho, deseja um paraíso e passou por uma experiência de exílio anterior. As análises desses poemas são orientadas especialmente pelas reflexões teóricas de Denise Rollemberg, Edward Said, Homi K. Bhabha, Paul Ilie e Paul Tabori.</p><p> </p>

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40

Mason, Emma. "Emily Brontë and the Enthusiastic Tradition." Romanticism on the Net, no. 25 (June 11, 2009): 0. http://dx.doi.org/10.7202/006008ar.

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Abstract This essay places Emily Brontë's poetry within a tradition of eighteenth-century discourses on enthusiasm of both a poetical and religious nature. The question of where Brontë's fervent writing style, most often associated with her fiery novel Wuthering Heights, originated has long been debated, and it is suggested here that one available answer is enthusiasm. Two sources of enthusiasm pertinent to Brontë are explored: Methodism, with its dislike of doctrine and pantheistic emphasis on nature; and eighteenth-century poetics, as defined through figures like John Dennis and Edward Young. Religious and poetical enthusiasm are necessarily merged for Brontë, both infused by a kind of spiritual sublimity and dependence on the idea of transport she employed within her verse. Recognizing this allows the reader to historicize this often cryptic poet and thus rescue her from more arguably tenuous claims which deem her a mystic, a Shelleyan heretic, a writer repressed by Christianity, a victim of a tragic romance or simply a very angry woman. By instead locating her within an enthusiastic literary tradition, Brontë may be seen not only as a woman writer aware of her religious environment, but as a Romantic whose poetry accords as much with the sentiment of Night Thoughts as Mont Blanc.

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Zhao, Y. H. "Edward Morin (ed.): The Red Azalea: Chinese poetry since the Cultural Revolution. Translated by Fang Dai, Dennis Ding and Edward Morin. 235 pp. Honolulu: University of Hawaii Press, 1990." Bulletin of the School of Oriental and African Studies 55, no. 2 (June 1992): 366–67. http://dx.doi.org/10.1017/s0041977x00005103.

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42

Hendrickson, H. Stewart. "Methods in Enzymology, Volume 286, Lipases, Part B, Enzyme Characterization and Utilization. Edited by Byron Rubin and Edward A. Dennis." Analytical Biochemistry 256, no. 1 (February 1998): 146–47. http://dx.doi.org/10.1006/abio.1997.2528.

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Milivojevic, Dragan. "Edward Dennis Goy. The Sabre and the Song. Njegoš: The Mountain Wreath. Belgrade: The Serbian P.E.N. Center, 1995. v, 114 pp." Canadian-American Slavic Studies 31, no. 3 (1997): 370–72. http://dx.doi.org/10.1163/221023997x01608.

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Dubbink, Wim. "Kantian Business Ethics: Critical Perspectives, edited by Denis G. Arnold and Jared D. Harris. Northhampton, MA: Edward Elgar, 2012. 196pp. Index. ISBN: 978-1-78100-495-1." Business Ethics Quarterly 24, no. 3 (July 2014): 475–78. http://dx.doi.org/10.5840/beq201424312.

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Lionnet, Françoise. "“The Indies”: Baudelaire's Colonial World." PMLA/Publications of the Modern Language Association of America 123, no. 3 (May 2008): 723–36. http://dx.doi.org/10.1632/pmla.2008.123.3.723.

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[Les critiques] ont en commun avec les tyrans de plier le monde à leurs désirs.[Critics] and tyrants have this in common: they bend the world to their desires.—Yasmina Reza, L'aube le soir ou la nuit (9)If there is anything that radically distinguishes the imagination of anti-imperialism, it is the primacy of the geographical element. Imperialism after all is an act of geographical violence through which virtually every space in the world is explored, charted, and finally brought under control.—Edward Said, Culture and Imperialism (225)Denis Diderot's Encyclopédie is explicit about “Les Indes” ‘The Indies.‘ in explaining why distant landmasses were charted under the incorrect rubrics “East Indies” and “West Indies,” the Encyclopédie states in 1765 that these designations refer to countries situated on either side of the Cape of Good Hope, the southern extremity of Africa:[L]es modernes moins excusable que les anciens ont nommé Indes, des pays si différens par leur position & par leur étendue sur notre globe, que pour ôter une partie de l'équivoque, ils ont divisé les Indes en orientales & occidentales. … De-là vint l'usage d'appeller Indes orientales, ce qui est à l'orient du cap de Bonne-Espérance, & Indes occidentales, ce qui est à l'occident de ce cap. … [P]ar un nouvel abus, qu'il n'est plus possible de corriger, on se sert dans les relations du nom d'Indiens, pour dire les Amériquains. (“Indes”)[T]he moderns, who are less forgivable than the ancients, have called Indies countries so different by virtue of their location and their size on our globe that these had to be divided into East and West Indies in order to correct the ambiguity. … Hence the custom of calling East Indies what lies to the east of the Cape of Good Hope and West Indies what lies to the west of that cape. … [T]hrough a new misuse, which can no longer be corrected, the name Indians is used in travel relations to refer to Americans.

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Middleton, Roger. "Denis P. O'Brien, History of Economic Thought as an Intellectual Discipline (Cheltenham and Northampton, MA: Edward Elgar, 2007), pp. xii, 430, $160, ISBN 978-1-84720-259-8." Journal of the History of Economic Thought 31, no. 2 (June 2009): 233–36. http://dx.doi.org/10.1017/s105383720909021x.

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Faghfoory, Mohammad. "Intellectual Discourse and the Politics of Modernization." American Journal of Islam and Society 18, no. 2 (April 1, 2001): 155–62. http://dx.doi.org/10.35632/ajis.v18i2.2025.

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This book examines the Islamic revolution of Iran and presents a culturalapproach to analyzing the events that resulted in the collapse of themonarchical system and the establishment of the Islamic Republic.The book contains seven chapters. An introductory chapter explores thegenealogy of the western narrative of modernity and its dichotomizingrepresentation of non-western cultures and societies. The author posesseveral questions in an attempt to provide a definition for modernity, and inthe process explores the story of Iranian modernity. Is modernity atotalizing ideology grounded in European cultural and moral experienceand incapable of understanding other cultures? Or, is it a mode of social andcultural experience of the present that is open to all forms of contemporaryexperiences and possibilities?These questions are addressed in chapter 1, where Mirsepassi examinesthe process of development of the concept of modernity in the West. Heanalyzes some of the writings of such thinkers as Montesquieu, Hegel, KarlMarx, Max Weber, Emmile Durkheim, Marshall Berman, JurgenHabermas, Anthony Giddens, and more recent works by critics ofmodernity theories such as Edward Sai'd, Arturo Escobar, and TimothyMitchell. He demonstrates quite convincingly, how in the westernconception of modernity, an "Oriental" other, passive, traditional, andirrational, is contrasted to the modem world of the West. At the depth of thediscourse of modernity, he finds a hostility to non-western cultures thatexcludes them from the possibility of meaningful participation in themaking of the modem world. He criticizes the western conception ofmodernity because it is Euro-centric and denies other cultures a positiverole in the making of the modem world. These theories all share the beliefthat "they are objective, culturally neutral, and universally applicable to allsocieties." (pp. 6-9) Therefore, the core conception of modernity theory ...

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Lechner, Christian. "Book Review: Deniz Ucbasaran, Paul Westhead and Mike Wright, Habitual Entrepreneurs. Cheltenham: Edward Elgar, 2006. 240 pp. ISBN 1—84542—249—X, £59.95 (hbk)." International Small Business Journal: Researching Entrepreneurship 25, no. 4 (August 2007): 451–53. http://dx.doi.org/10.1177/02662426070250040503.

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Groenewegen, Peter D. "Gordon Fletcher. Understanding Dennis Robertson: The Man and His Work. Northampton, Mass.: Edward Elgar. 2000. Pp. xii, 433. $120.00. ISBN 1-84064-343-9." Albion 34, no. 2 (2002): 349–51. http://dx.doi.org/10.2307/4053757.

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McKinley, Michelle A. "Erika Denise Edwards Hiding in Plain Sight: Black Women, the Law, and the Making of a White Argentine Republic. Tuscaloosa: University of Alabama Press. Pp. 184. $54.95 (cloth)." Journal of African American History 106, no. 3 (June 1, 2021): 523–25. http://dx.doi.org/10.1086/714630.

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Journal articles on the topic 'Denis Edwards'

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