Relevant bibliographies by topics / DeLillo

Academic literature on the topic 'DeLillo'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "DeLillo"

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Luo, Xiaoxia. "Cultural Trauma in DeLillo’s Falling Man." Journal of Education and Culture Studies 4, no. 3 (July 20, 2020): p53. http://dx.doi.org/10.22158/jecs.v4n3p53.

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Don DeLillo’s Falling Man concentrates on the 9/11 catastrophe with its grand historical background, complex language, changing spaces and complicated narrative structure. This article tries to put Falling Man under the perspective of trauma and examine Don DeLillo’s exploration of the cultural trauma, the relations between the Western world and the Islamic world. In the novel, DeLillo uses individual trauma to represent the cultural trauma experienced by the nation as a whole. In the meantime, DeLillo juxtaposes two cultures in the novel by narrating from two perspectives to show the long-standing misunderstanding and conflict between two different cultures and discusses the possibility of dialogue between them.
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Alvarez Trigo, Laura. "Don DeLillo’s Adapted Novels: The Treatment of Language, Space, and Time on Screen." Miscelánea: A Journal of English and American Studies 66 (December 13, 2022): 151–69. http://dx.doi.org/10.26754/ojs_misc/mj.20227359.

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Don DeLillo is an author who pays special attention to language, time, and space when constructing characters’ identity as well as their milieu. Considering this aspect of his fiction, the present article looks at how cinematic adaptations of his novels translate time, space, and the use of language onto the screen. Two of DeLillo’s novels have been adapted so far: Cosmopolis (DeLillo 2003) by David Cronenberg in a 2012 movie of the same name, and The Body Artist (DeLillo 2001) by Benoît Jacquot under the title À Jamais (2016). In light of the importance that the aforementioned elements play in the author’s works, this article delves into how they are represented in the two adaptations and analyzes the role that they play in the movies compared to the novels.
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Abel, Marco. "Don DeLillo's “In the Ruins of the Future”: Literature, Images, and the Rhetoric of Seeing 9/11." PMLA/Publications of the Modern Language Association of America 118, no. 5 (October 2003): 1236–50. http://dx.doi.org/10.1632/003081203x68027.

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This essay explores the rhetorical strategies deployed by Don DeLillo in his essay on 9/11. What distinguishes the essay is less what it says about 9/11 than how, in responding to the event, it puts the question of response at stake. Resisting the demand to speak with moral clarity and declare what 9/11 means, he instead shows that response is always a question of response-ability, or the ethical “how.” To image 9/11, DeLillo rhetorically activates a neorealist mode of seeing that differs ethically from other accounts of perception, such as those of (neo)phenomenology. Whereas the latter locate the perceiving subject's perspective outside an event, DeLillo insists that point of view—the act of seeing—is immanent in the event. Responding to this immanence, DeLillo's rhetoric of seeing suspends and questions any representational judgment of 9/11.
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Carson, Jordan. "Transcendence in an Age of Tabloids and Terror." Religion and the Arts 23, no. 1-2 (March 25, 2019): 50–75. http://dx.doi.org/10.1163/15685292-02301003.

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Abstract This essay examines how Don DeLillo employs the apophatic tradition as a means of approaching the transcendent while resisting media absorption and extremist cooptation. Apophatic discourse—discourse that points toward that which is beyond language—honors the dynamic nature of truth, making it well suited to a postmodern, pluralistic era. Yet, apophasis is not just a recognition of the limits of language but a way of approaching the Ultimate that results in personal transformation. DeLillo’s invocation of mystery is often noted but rarely connected to spiritual formation. Yet his work is full of pilgrims disaffected by traditional religion who unavailingly seek spiritual fulfillment elsewhere. I demonstrate that DeLillo offers a standard for discriminating among religious mysteries by chronicling the spiritual etiolation of misguided pilgrims. I then identify apophatic discourse in his work, arguing that DeLillo upholds apophasis as a way of engaging mystery that is self-realizing and redemptive.
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Allen, Glen Scott. "The DeLillo Dilemma." MFS Modern Fiction Studies 53, no. 3 (2007): 584–93. http://dx.doi.org/10.1353/mfs.2007.0062.

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Porter, Chris. "Don DeLillo (review)." symploke 13, no. 1 (2005): 366–67. http://dx.doi.org/10.1353/sym.2006.0033.

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Dufournaud, Daniel. ""Reduced to Near Nothingness": Don DeLillo's Ethico-Political Project in Cosmopolis." Journal of Modern Literature 47, no. 2 (January 2024): 115–32. http://dx.doi.org/10.2979/jml.00022.

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Abstract: A drama of personal failure lies at the heart of Don DeLillo's novel Cosmopolis (2003), as currency trader Eric Packer's misguided strategy of borrowing enormous sums of yen backfires when the currency fails to depreciate. DeLillo treats Packer as a point of contact between the concrete world and abstract value, and Packer desires, accordingly, to become a piece of abstract data. Yet failure undermines Packer's fantasies of abstraction and forces upon him an awareness of his constitutive openness to alterity. It is through Packer's failure that DeLillo weaves into Cosmopolis an ethico-political project that aligns his novelistic art with Emmanuel Levinas's philosophy—a project that plays out on both a narrative and a formal level.
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Pritchard, Simon. "Sounding an Idol: The Television as Imagetext in Don DeLillo’s White Noise." Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá, no. 30 (December 24, 2021): 69–95. http://dx.doi.org/10.35869/afial.v0i30.3703.

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The response of critics to Don DeLillo’s seminal novel White Noise has centred on the connections that can be drawn between this work and the critical context that surrounded it upon its publication in 1984, namely the climate of radical scepticism ushered in by critics like Jean Baudrillard. This article attempts to argue that the relationship between the novel and this critical climate is far more antagonistic than has been acknowledged previously. Drawing upon the critic W.J.T. Mitchell’s reading of Friedrich Nietzsche’s concept of the “sounding”, as opposed to the iconoclastic smashing, of idols, the article will “sound” the idol which is at the centre of DeLillo’s novel: the television. This will show the critical distance that DeLillo deliberately established between his text and the texts of postmodern theory that were fashionable throughout the later twentieth century (particularly at the time White Noise was published) and will place DeLillo in a more contemporary context, his face turned not only to the past, but to the critical horizons ahead of him.
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Lentricchia, F. "Aristotle and/or DeLillo." South Atlantic Quarterly 99, no. 2-3 (April 1, 2000): 605–8. http://dx.doi.org/10.1215/00382876-99-2-3-605.

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McAuliffe, J. "Interview with Don DeLillo." South Atlantic Quarterly 99, no. 2-3 (April 1, 2000): 609–16. http://dx.doi.org/10.1215/00382876-99-2-3-609.

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Dissertations / Theses on the topic "DeLillo"

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McMinn, Robert Frank. "Don DeLillo, events and local gods." Thesis, University of Nottingham, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311725.

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Lambert, Stephanie. "Quotidian things : Don DeLillo and the everyday." Thesis, University of York, 2016. http://etheses.whiterose.ac.uk/17220/.

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This thesis explores the politics of the everyday in Don DeLillo’s novels from 1982 to present. It contends that DeLillo’s canonization as an exemplar of postmodern depthlessness and ahistoricity has occluded his interest in mapping the connections between the particularity of daily life and the capitalist world- system. I position the theoretical framework of the everyday as a corrective to these readings, and seek to recover and foreground its Marxist orientation, whilst envisioning the everyday as a way of negotiating between deterministic applications of Marxist theory and the uncritical celebration of individualized resistance endorsed by the cultural turn. Drawing on the French sociologists Michel De Certeau and Henri Lefebvre’s theories of the everyday, the thesis extends De Certeau’s conception of the everyday as resisting the ‘grid of discipline’ and Lefebvre’s characterization of it as eluding the ‘grip of forms’ to attend to the intersection of politics and form. I conceptualise the everyday as operating at the nexus of plot and detail, digression and generic suspense, world-systemic totality and quotidian singularity. To examine the everyday is to turn to the overlooked and undervalued; DeLillo’s surpluses of quotidian detail pose a challenge to the value-logic of capital, its uneven manifestations, its invisiblized surplus populations and labour, as well as literary-critical systems of value. This thesis advances this theory of the everyday through explorations of DeLillo’s representations of waste, crowds, and terrorism, and traces lines of continuity rather than rupture between DeLillo’s work and supposedly ‘post-postmodern’ texts by David Foster Wallace and Jennifer Egan. My coda examines DeLillo’s move from digression to contraction in his ‘late style,’ arguing that this stylistic shift registers financialized exhaustion. Ultimately, this thesis pursues the claim that DeLillo’s everyday opens up utopian possibilities by challenging the value relations underlying everyday life, thereby allowing us to imagine its transformation.
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Scott, Christina S. "Don DeLillo : an annotated primary and secondary bibliography, 1971-2002 /." Ann Arbor : UMI, 2004. http://catalogue.bnf.fr/ark:/12148/cb40140445j.

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Green, Jeremy Francis. "The fiction of Don DeLillo : language, identity, politics." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.281937.

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Rush, David. "The unnarratable & contemporary culture : Delillo, Sebald, Rushdie." Thesis, University of Sussex, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.443991.

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Beier, Carsten. "Postmoderner Realismus zum Romanwerk Don DeLillos." Berlin Logos-Verl, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2806610&prov=M&dok_var=1&dok_ext=htm.

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Thorell, Alexander. "Entering the Anthropocene Through the Great American Novel: Dark Ecology in Don DeLillo's Underworld." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-33253.

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Yehnert, Curtis Alan. "Language and self in the novels of Don DeLillo /." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1248463964.

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Ghashmari, Ahmad. "HUMANIZING THE POSTHUMAN IN POWERS, WALLACE, GIBSON AND DELILLO." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent147855115808631.

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Happe, François. "Ecriture et pouvoir dans les romans de Don Delillo." Orléans, 1998. http://www.theses.fr/1998ORLE1024.

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Don Delillo, écrivain américain contemporain, ne conçoit l'écriture de fiction que comme activité subversive, et ses onze romans constituent une véritable anatomie de la culture américaine. Se démarquant de la critique américaine qui se penche en priorité, sur les données thématiques et culturelles de l'oeuvre, cette thèse postule que les thèmes aussi pertinents soient-ils, ne valent que par les formes qui les portent, voire les façonnent. Elle se propose de montrer que l'écriture s'élabore contre les structures et les discours du pouvoir, d'analyser l'articulation entre les formes d'inscription du pouvoir de l'écriture et ce que celle-ci cherche à dire sur le pouvoir. Plaçant la fonction pragmatique de l'écriture au coeur de sa problématique, la première partie décline le paradigme de l'écart : exil des narrateurs, subversion des genres conventionnels, discours ironique élève au rang de mode d'écriture. La deuxième partie montre comment la fiction de Delillo force le lecteur a s'interroger sur les modes de saisie du réel. Les modalités de la représentation, iconique ou verbale, sont ainsi, dans les dix romans du corpus, le lieu d'un questionnement épistémologique, hermeneutique, mais aussi éthique. La troisième partie donne le réseau comme la figure achevée du pouvoir tel que le conçoit Delillo. Il s'agit ici de souligner l'adéquation entre l'objet de l'écriture (la mise en évidence des réseaux de pouvoir) et son propre processus (la mise en place des réseaux du sens). Ainsi le lecteur et les personnages se trouvent-ils impliqués dans un même déchiffrement paranoïaque
+ Fiction must contest power ;, Don Delillo says. His eleven novels may be read as a critical anatomy of american culture, and much of the criticism published in the USA deals with the thematic and cultural aspects of his work. Postulating that the effectiveness of themes depends on the forms of writing, this thesis aims to show that the subversion of power in Delillo's fiction cannot be dissociated from the very process of writing. The first part deals with the notions of generic defamiliarisation (dominant ideologies being reinscribed by the codes of formula stories), and + decentredness ; as, for instance, in ironic discourse. The second part shows how Delillo's fiction questions the processes of apprehension of the real. By confronting various modes with each other (iconic and linguistic), Delillo forces the reader to reflect on epistemological, hermeneutic and, ultimately, ethical issues involved in the act of representation. The third part argues that the network is the figure of power in Delillo's fiction and underlines the perfect adequacy of the writing process (the organisation of signifying connections) to its object (the + plot ; as a set of connections). Readers and characters are thus involved in the same paranoid activity of decipherment
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Books on the topic "DeLillo"

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Harold, Bloom, ed. Don DeLillo. Philadelphia: Chelsea House Publishers, 2003.

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Keesey, Douglas. Don DeLillo. New York: Twayne, 1993.

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Rey, Rebecca. Staging Don DeLillo. Burlington, VT: Ashgate, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315610504.

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Frank, Lentricchia, ed. Introducing Don DeLillo. Durham: Duke University Press, 1991.

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DeLillo, Don. Conversations with Don DeLillo. Jackson: University of Mississippi, 2005.

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Frank, Lentricchia, ed. The Fiction of Don DeLillo. Durham, N. C: Duke University Press, 1990.

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Hugh, Ruppersburg, and Engles Tim, eds. Critical essays on Don DeLillo. New York: G.K. Hall, 2000.

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Daniel, Aaron. How to read Don DeLillo. Durham, N.C: Duke University Press, 1990.

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1956-, Duvall John N., ed. The Cambridge companion to Don DeLillo. Cambridge, UK: Cambridge University Press, 2008.

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Cowart, David. Don DeLillo: The physics of language. Athens: University of Georgia Press, 2003.

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Book chapters on the topic "DeLillo"

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Osteen, Mark. "Don DeLillo." In A Companion to Twentieth-Century United States Fiction, 497–504. Oxford, UK: Wiley-Blackwell, 2009. http://dx.doi.org/10.1002/9781444310108.ch48.

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Leypoldt, Günter. "DeLillo, Don." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5155-1.

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Leypoldt, Günter. "Don DeLillo." In Kindler Kompakt Amerikanische Literatur 20. Jahrhundert, 206–8. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05528-6_47.

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Schweighauser, Philipp. "DeLillo, Don: Libra." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5157-1.

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Leypoldt, Günter. "DeLillo, Don: Underworld." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5159-1.

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Phillips, Thomas. "Echenoz, Fabre, DeLillo." In The Subject of Minimalism, 73–92. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137341020_5.

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Leypoldt, Günter. "DeLillo, Don: White Noise." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5156-1.

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Nieragden, Göran, and Frank Kelleter. "DeLillo, Don: Mao II." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5158-1.

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Schweighauser, Philipp. "DeLillo, Don: Falling Man." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5160-1.

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Ward, Kiron. "Joycean DeLillo." In The Edinburgh Companion to Don DeLillo and the Arts, 222–34. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474499903.003.0300.

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Just as James Joyce’s Stephen Dedalus proclaimed that he would use ‘silence, exile, and cunning’ to express himself ‘in some mode or art as freely and as wholly as I can,’ so Don DeLillo told Tom LeClair that he approaches his art with ‘silence, exile, cunning, and so on’. While critics have illuminated how DeLillo builds on Joyce’s modernism in specific texts or at particular stages in his career, the extent to which DeLillo’s aesthetics across his oeuvre draw on his reading of Joyce remains to be unpacked. This chapter develops this sense of Joyce’s influence on DeLillo by looking carefully at three key moments from different stages in DeLillo’s career in which he engages with Joyce’s work. Beginning with Americana, it interrogates what Mark Osteen describes as DeLillo’s early interest in the Dedalian artist, before exploring how Underworld rewrites Leopold Bloom’s homecoming. Finally, it looks to Zero K, where, in the character of Artis, DeLillo offers his most sustained engagement with the form of Joyce’s ‘Penelope,’ and The Silence, in which DeLillo provides his most conspicuous engagement with Finnegans Wake. The chapter thus traces a continuously evolving dialogue with Joyce that is central to any understanding of DeLillo’s aesthetics.
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Conference papers on the topic "DeLillo"

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Zhao, Yuxin. "The Ecological Analysis of White Noise by Don DeLillo." In 2016 6th International Conference on Machinery, Materials, Environment, Biotechnology and Computer. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/mmebc-16.2016.25.

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Hedam, Niclas, Morten Tychsen Clausen, Philippe Bonnet, Sangjin Lee, and Ken Friis Larsen. "Delilah: eBPF-offload on Computational Storage." In SIGMOD/PODS '23: International Conference on Management of Data. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3592980.3595319.

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Thomas, Queens Maria, Oliver Wasenmuller, and Didier Stricker. "DeLiO: Decoupled LiDAR Odometry." In 2019 IEEE Intelligent Vehicles Symposium (IV). IEEE, 2019. http://dx.doi.org/10.1109/ivs.2019.8814226.

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Birkemeier, William A., Charles E. Long, and Kent K. Hathaway. "DELILAH, DUCK94 & SandyDuck: Three Nearshore Field Experiments." In 25th International Conference on Coastal Engineering. New York, NY: American Society of Civil Engineers, 1997. http://dx.doi.org/10.1061/9780784402429.313.

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Dong, Xue. "Identity and Language in Don DeLillo’s Zero K." In Proceedings of the 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccese-19.2019.32.

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"Delikli Hava Kesicilere Sahip Güneş Hava Isıtıcısının Nümerik Analizi." In 3rd International Conference on Innovative Academic Studies. All Sciences Academy, 2023. http://dx.doi.org/10.59287/icias.1513.

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"ABORDAJE DEL DELIRIO DE EKBOM A PROPÓSITO DE UN CASO." In 8th World Congress of the World Association of Dual Disorders (WADD) and the 26th Congress of the Spanish Society of Dual Disorders SEPD. SEPD/WADD, 2024. http://dx.doi.org/10.17579/abstractbookdualdisorders-p-062.

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Marchal, Hugues. "Delille en îles : la saisie périodique d’un auteur dans la presse du Consulat et de l’Empire." In Littérature, image, périodicité (XVIIe-XIXe siècles). Fabula, 2020. http://dx.doi.org/10.58282/colloques.6468.

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Hamada, Fatma A., Ahmed El-Banhawy, Faten Y. Ellmouni, Widad Al-Juhani, Rabab R. Makharita, and Iman H. Nour. "Comparative Taxonomic Study of Balanites aegyptiaca (L.) Delile (Zygophyllaceae)." In IECPS 2021. Basel Switzerland: MDPI, 2021. http://dx.doi.org/10.3390/iecps2021-12060.

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Smith, Jane McKee, Ib A. Svendsen, and Uday Putrevu. "Vertical Structure of the Nearshore Current at Delilah: Measured and Modeled." In 23rd International Conference on Coastal Engineering. New York, NY: American Society of Civil Engineers, 1993. http://dx.doi.org/10.1061/9780872629332.215.

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Reports on the topic "DeLillo"

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Torresano Melo, Mónica, and Jaime Calles López. La gestión de la información para la prevención del delito: El caso del Departamento de Análisis de Información del Delito (DAID). Inter-American Development Bank, October 2018. http://dx.doi.org/10.18235/0001356.

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Vilalta Perdomo, Carlos Javier. Información para la prevención del delito y la violencia. Inter-American Development Bank, March 2017. http://dx.doi.org/10.18235/0000638.

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Ruiz Guevara, Sandra Milena, and Lizeth Paola Romero Muñeton. Legislación de trata de personas. Ediciones Universidad Cooperativa de Colombia, December 2022. http://dx.doi.org/10.16925/gclc.30.

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La trata de personas es un problema tanto del ámbito nacional como internacional. Frente a este delito, cada país ha adoptado medidas para su prevención, sanción y erradicación, mediante formación y sensibilización, con el fin de identificar las posibles víctimas. En Colombia, se ha establecido una legislación amplia con el fin de erradicar el delito de trata de personas, un fenómeno del que se ha podido establecer que en su mayoría las víctimas son mujeres, niños, niñas y adolescentes. De ese modo, en este documento se pretende determinar la normatividad vigente en Colombia y Latinoamérica frente a la protección a las víctimas de este delito, así como las sanciones impuestas a las personas que incurren en el delito.
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Sherman, Lawrence W. Desarrollo y evaluación de programas de seguridad ciudadana en América Latina: Protocolo para la prevención del delito a partir de la evidencia. Inter-American Development Bank, August 2012. http://dx.doi.org/10.18235/0009924.

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Este protocolo está destinado a todas aquellas personas que trabajen con miras a reducir el nivel de criminalidad y mejorar la justicia en América Latina, pero contiene principios que pueden usarse en cualquier parte del mundo. Esos principios pueden resumirse en la frase "prevención del delito a partir de la evidencia", un proceso en virtud del cual se utiliza evidencia fehaciente sobre hechos delictivos y su prevención como base de las teorías y los programas para fomentar la seguridad ciudadana. El término "evidencia" se define ampliamente en el sentido de observaciones objetivas y sistemáticas de todo tipo, es decir que abarca mucho más que los detalles forenses de un caso de delincuencia. Constituyen evidencia los datos obtenidos mediante métodos científicos para observar y pronosticar cualquier tipo de verdad, lo que incluye hechos sobre salud, educación, delincuencia y justicia. Algunos de los 10 principios de prevención del delito son: el delito debe medirse en forma precisa y confiable mediante sistemas auditados exhaustivamente; el delito debe clasificarse de una manera que resulte útil para la prevención; y el delito debe analizarse en diversas unidades o categorías: delincuentes, redes criminales, víctimas, microzonas (zonas calientes), comunidades, horarios y días de la semana, entre otras.
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Vilalta Perdomo, Carlos J. Los determinantes de la percepción de inseguridad frente al delito en México. Inter-American Development Bank, December 2012. http://dx.doi.org/10.18235/0012170.

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¿Qué determina la sensación de inseguridad frente al delito y qué podemos hacer al respecto? En este estudio se propone y pone a prueba un modelo correlacional que combina diferentes determinantes teóricos de la inseguridad y el miedo al crimen. La prueba se realiza en México y en dos ámbitos espaciales diferentes: el ámbito nacional y el ámbito del Área Metropolitana de la Ciudad de México. Las fuentes de información son la Encuesta Nacional de Victimización y Percepción sobre Seguridad Pública (ENVIPE) de 2011 y la Encuesta de Victimización y Eficacia Institucional (ENVEI) de agosto de 2010 y enero de 2011. Los hallazgos sugieren la implementación de acciones de mayor civilidad en los ámbitos de la colonia y la localidad y el impulso de una relación de mayor confianza con la policía local para reducir significativamente la sensación de inseguridad.
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6

Houston Ocaranza, Sydney. Seguridad pública y policía comunitaria: "Conocer a su policía: un deber ciudadano". Inter-American Development Bank, October 1999. http://dx.doi.org/10.18235/0007819.

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La presentación realiza un breve repaso histórico a los fenómenos criminológicos en Chile, su evolución desde 1930 a 1998 y un diagnóstico actual del crimen. Describe las plataformas desplegadas por Carabineros de Chile para la prevención y control del delito y el modelo actual de la prevención del delito, donde se encuentra el "Plan de vigilancia por cuadrante". La exposición fue preparada para el seminario "Diálogos sobre la convivencia ciudadana" que tuvo lugar en Santiago en octubre de 1999.
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Bastón, Carlos. Programa de seguridad ciudadana: Uruguay. Inter-American Development Bank, September 2005. http://dx.doi.org/10.18235/0007845.

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Esta presentación trata sobre la prevención de la violencia y el delito en Uruguay. La presentación se elaboró para el Foro Internacional Interamericano sobre Seguridad y Convivencia que tuvo lugar en Medellín, Colombia, el 12 de septiembre de 2005. Se trabajan estrategias y medidas para reducir los riesgos del delito y sus efectos perjudiciales, y cómo intervenir sobre las causas sin tener que recurrir necesariamente a sanciones penales. También se proponen una serie de diferentes enfoques preventivos.
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8

Chinchilla M., Laura. Una adecuada alianza entre policía y comunidad para la prevención del delito y la violencia. Inter-American Development Bank, January 2002. http://dx.doi.org/10.18235/0007824.

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La presentación aborda la implementación de policías comunitarias. Expone los motivos del surgimiento de este tipo de fuerza, sus funciones y forma de trabajo, los resultados y algunos ejemplos de casos.
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9

Castellanos Tuay, Wellesley. Análisis del Proyecto de Ley 336 de 2023 con enfoque conceptual al delito de inasistencia alimentaria. Ediciones Universidad Cooperativa de Colombia, November 2023. http://dx.doi.org/10.16925/gclc.46.

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El derecho penal se concibe dentro de los ordenamientos jurídicos como la última ratio del poder punitivo del Estado; tiene como finalidad primigenia proteger las garantías fundamentales de las personas naturales y jurídicas; así mismo, de los sujetos de derecho que, conforme al ordenamiento jurídico, ya sea de manera colectiva o individual, hayan sido lesionados con ocasión de la realización de una conducta punible. Es evidente que no todas las conductas son castigadas, solo las que, de conformidad a las formalidades legales y a la política criminal, revisten de suma importancia social. Por tanto, se presenta esta lectura critica de la reforma a la justicia proyecto de Ley 336 de 2023, impulsado por el Gobierno nacional, de manera particular, con el punible de inasistencia alimentaria.
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10

López, Beatriz, and Patricio Tudela. Estudio políticas públicas de seguridad ciudadana: Los casos de Argentina, Chile y Uruguay: Guía para la evaluación del sector de seguridad ciudadana BID-RE1/SO1: Informe "Políticas públicas de seguridad ciudadana-Argentina". Inter-American Development Bank, February 2006. http://dx.doi.org/10.18235/0009833.

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Este informe analiza la organización y funcionamiento de las instituciones públicas responsables de brindar respuestas al delito, la violencia y la inseguridad en Argentina. Con una perspectiva de sistema, se aborda la situación de seguridad/inseguridad subjetiva y objetiva en el país, en la Provincia de Buenos Aires y en la Ciudad Autónoma de Buenos Aires, y se describen las iniciativas emprendidas en el último quinquenio. El informe revela debilidades, fortalezas y amenazas para la implementación en distintos niveles de estrategias para la prevención del delito, la violencia y la inseguridad. Estas ratifican la necesidad que enfrenta Argentina de emprender acciones para mejorar los sistemas requeridos para el diseño e implementación de políticas y una oportuna toma de decisiones. Hay varios aspectos que pueden y deben mejorarse.
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