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Dissertations / Theses on the topic 'Deleuze'

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Published: 4 June 2021
Last updated: 25 July 2025

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1

Andrew, Culp. "Deleuze Beyond Deleuze: Thought Outside Cybernetics." Universität Leipzig, 2020. https://ul.qucosa.de/id/qucosa%3A71595.

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2

Tibik, Kamuran. "Deleuze&#039." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12607900/index.pdf.

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Deleuze&#039<br>s Struggle Against Transcendence and Criticisms About It TIBIK, Kamuran M.S., Department of Philosophy Supervisor: Prof.Dr. Yasin Ceylan December,2006, 128 pages In this study, I first studied the undecidability of transcendence and immanence. Then, I studied the demarcation problem between transcendence and immanence with its results in philosophy. Thirdly, I touched on the idea of the death of philosophy in relation to this demarcation problem. Fourthly, I tried to present Deleuze&#039<br>s dualist approach to concepts and I also studied Hume&#039<br>s effect on the em
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3

Porter, Robert. "Deleuze, geophilosophy, criticism." Thesis, Queen's University Belfast, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326283.

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4

CASTRO, EMANUEL MELLO MATTOS DE. "DELEUZE AND PERSPECTIVISM." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2015. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25466@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>A pesquisa centra-se na importância do conceito de Perspectivismo na filosofia de Gilles Deleuze. Procurando desarticular a forma-Sujeito, para Deleuze pontos de vista têm a ver com diferenças e não com identidades; a constituição não de sujeitos e objetos, mas de perspectivas ou pontos de vista. Em Deleuze, o perspectivismo não é a relatividade do verdadeiro, mas a verdade da relatividade.<br>This research focuses on t
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5

Percino, Eziel Belaparte. "Deleuze com Proust." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-04082017-125535/.

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A complicação deleuze-proustiana é um horizonte de incidência e emergência de ideias sobre a questão do pensamento. A fim de fazer jus a este horizonte, a presente tese examina as duas partes do livro Proust et les signes, animada tanto pelo que nele incide, reconstituindo e discutindo as suas formulações conceituais, quanto pelo que dele emerge, combinando a fotografia da explicação com o cinema da experiência, duas noções que, disparadas e fomentadas pela complicação, orientam aqui o próprio ato de examinar: ideia foto-cinema. É que, em qualquer instância, pensar não é apenas compactar expos
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6

Schleusener, Simon. "Deleuze and Neoliberalism." Universität Leipzig, 2020. https://ul.qucosa.de/id/qucosa%3A72860.

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The following essay takes the topic of this special issue as an opportunity to not just investigate Deleuze’s “Postscript on Control Societies,” but to look more generally at the text’s place within his work as a whole. Indeed, as various authors have observed, there are a number of aspects that clearly distinguish the essay from the bulk of Deleuze’s other writings. First, what the Postscript aims at is a very direct and immediate “diagnosis of the present” (Foucault 1999: 91). Despite its brevity, the essay therefore entails a wide-ranging account of the (social, economic, cultural, and tech
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7

Redner, Gregg. "Deleuze and film music." Thesis, University of Exeter, 2008. http://hdl.handle.net/10036/55453.

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This thesis grows from the premise that film music analysis is currently at an impasse. The reason for this impasse is the inability of film theory and music theory to relate to one another because of their lack of a common theoretical language. It is my contention that a large percentage of the scholarly writing on film music is less than successful, because of the inability of these two disciplines to relate to each other theoretically. Therefore, it is the intention of this thesis to construct a methodological bridge which will allow music theory and film theory to relate to each other on a
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8

Kennedy, Niall. "Deleuze and the author." Thesis, Kingston University, 2016. http://eprints.kingston.ac.uk/38644/.

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This thesis argues that Gilles Deleuze, as philosopher, reader, and critic, recognised the central importance of a defined authorial subjectivity, closely associated with a philosophical or intellectual project, and that his analyses of philosophy, literature, visual art and cinema were shaped and determined by his recognition of that authority. In this respect, my reading challenges those critics who find in the work of Deleuze an assault on ‘author-centric’ interpretations of texts, and more generally on the concept of a unified self, and which uphold experimentation on the part of the reade
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9

Borges, Charles Irapuan Ferreira. "Deleuze, ética e imanência." Pontifícia Universidade Católica do Rio Grande do Sul, 2013. http://hdl.handle.net/10923/3422.

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Made available in DSpace on 2013-08-07T18:55:34Z (GMT). No. of bitstreams: 1 000447790-Texto+Completo-0.pdf: 1204018 bytes, checksum: c4867d53c5956ae766dc04d823ee18d7 (MD5) Previous issue date: 2013<br>This work aims to present the core of the conceptual framework of Gilles Deleuze’s imanent ethics. Imanent ethics is referred here as a moral theory derived from the post-critical ontology which claims the absense of any transcendent principle to the process of formation of rules or moral norms. Instead, the imanent ethics theory sees in the genetic origin of reason itself the foundations of t
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10

Vankeerberghen, Véronique. "L'ontologie de Gilles Deleuze." Paris 8, 2001. http://www.theses.fr/2001PA081904.

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L'objet du travail a pour visée d'interroger la politique de pensée de Deleuze, à savoir les réquisits et effets du choix de l'immanence, de l'univocité ontologique et d'une virtualisation de certains dispositifs philosophiques. Il s'agira de montrer que le choix politique de l'immannence véhicule des garanties (égalité ontologique) et des contraintes (différence asymétrique) et que, doublé du choix d'une concaténation de certains systèmes philosophiques (les Stoîciens, Hume, Leibniz, Spinoza, Kant, Nietzsche, Bergson), il oriente la saisie des problèmes de la différence pure et de la co-genès
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11

Beaulieu, Alain. "Deleuze et la phénoménologie." Paris 8, 2001. http://www.bibliotheque-numerique-paris8.fr/fre/ref/165119/174493835/.

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Les@relations de Deleuze à Nietzche, Hume, Spinoza, Bergson, l'idéalisme et à la psychanalyse sont bien connues. Toutefois, le rôle occupé par la phénoménologie à l'intérieur de la pensée deleuzienne demeure mal défini. Deleuze lit et cite régulièrement les phénoménologues sans jamais systématiser sa position face à la phénoménologie. Nous nous proposons de combler une lacune interne au corpus deleuzien en clarifiant la relation de Deleuze à la phénoménologie. Nous soutenons que le caractère intempestif de la pensée de Deleuze se définit essentiellement dans sa relation conflictuelle avec la p
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12

Brott, Simone. "Subjectivizations : Deleuze and Architecture." Thesis, Yale University, 2003. http://architecture.yale.edu/people/simone-brott.

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My thesis is an exploration of the architectural production surrounding the French philosopher Gilles Deleuze, specifically, through the overarching theme of Deleuze’s theory of subjectivity, which I will call subjectivization. I interpret this to mean the strange coalescence of matter, architectural subject, and event, in architectural experience and culture. I speculate that subjectivization presents a yet under-explored dimension of deleuzianism in architecture. In order to develop this I pursue two independent trajectories: firstly the narrative of architectural production surrounding Dele
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13

Roberts, Spencer. "Deleuze, judgment and artistic research." Thesis, University of Hertfordshire, 2016. http://hdl.handle.net/2299/17224.

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The debate concerning the legitimacy of artistic research that has taken place over the last two decades is notable for the way in which it has drawn attention to rival 'representational' and 'performative' conceptions of thought. In the early stages of the debate, critics such as Durling, Friedman, Elkins and Biggs employed broadly representational arguments in a quasi-legal context of judgment to suggest that processes of artistic research were in some sense unrecognisable when attempts were made to see them through the conceptual lens of 'research'. In contrast to this, advocates of artisti
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14

Pósleman, Cristina. "Deleuze : filosofía de la creación." Tesis, Universidad de Chile, 2013. http://www.repositorio.uchile.cl/handle/2250/115296.

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Doctora en filosofía con mención en estética y teoría del arte<br>En la presente investigación nos proponemos mostrar al pensamiento de Gilles Deleuze como una filosofía de la creación. Ésta se plantea como desafío el desmontaje del modelo ego-logo/céntrico de pensamiento, asumiendo el cuestionamiento acerca de cómo procurar lo nuevo en la inmanencia absoluta, Dos ejes problemáticos la atraviesan. Dentro del primero abordamos la crítica de la noción de idea como fundamento y la apuesta por una perspectiva acontecimental. Al respecto consideramos el problema de la „realidad de lo virtual‟, ate
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15

McMahon, Melissa Jane. "Deleuze and Kant's Critical Philosophy." University of Sydney. School of Philosophical and Historical Inquiry (SOPHI), 2005. http://hdl.handle.net/2123/618.

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This thesis considers the status of Deleuze as a Kantian, and as such committed both to the critical destiny of philosophy, and the contestation of the sense of this destiny. The focus of Deleuze�s reading of Kant is an active conception of thought: the fundamental elements of thought are will and value rather than being or the concept. In the development of this idea we can note a progressive 'tapering' of the foundational instance of thought, in three stages: from the speculative field of being to the practical field of reason; from the intellectual category of the concept to the problem
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16

Evens, Aden. "Practically impossible : Deleuze and ethics." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0019/NQ55326.pdf.

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17

Cull, Laura Katherine. "Differential presence : Deleuze and performance." Thesis, University of Exeter, 2009. http://hdl.handle.net/10036/97094.

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This thesis argues that presence in the performing arts can be reconceived, via the philosophy of Gilles Deleuze, as an encounter with difference or ‘differential presence’ which is variously defined as immanence, destratification, affect/becoming, and duration. These definitions are developed through a series of four analyses of exemplary performance practices: 1) The Living Theatre; 2) Antonin Artaud; 3) Allan Kaprow and 4) Goat Island. Chapter One recuperates the Living Theatre from a dominant narrative of ‘failure’, aided by the Deleuzian concepts of ontological participation, immanence, p
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18

Law, Sum-po Jamsen, and 羅琛堡. "Nietzsche, Deleuze and video art." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952665.

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19

Almeida, Julia Maria Costa de. "Pragmatica e agramatical em Deleuze." [s.n.], 1998. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270363.

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Orientador: Luiz B. L. Orlandi<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-07-24T05:00:12Z (GMT). No. of bitstreams: 1 Almeida_JuliaMariaCostade_D.pdf: 4313191 bytes, checksum: 1ef9e90f4358742eaf31b6c8a9c11d0f (MD5) Previous issue date: 1998<br>Resumo: Trata-se de percorrer a obra de Gilles Deleuze rastreando conceitos que propiciam um outro modo de pensar a linguagem: a pragmática deleuzeana é uma das linhas de efetuação das variações de que se mostrou capaz em inúmeros campos essa filosofia, que pensa em ter
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20

Borges, Charles Irapuan Ferreira. "Deleuze, ?tica e iman?ncia." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2013. http://tede2.pucrs.br/tede2/handle/tede/2917.

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Made available in DSpace on 2015-04-14T13:55:18Z (GMT). No. of bitstreams: 1 447790.pdf: 1204018 bytes, checksum: c4867d53c5956ae766dc04d823ee18d7 (MD5) Previous issue date: 2013-03-01<br>This work aims to present the core of the conceptual framework of Gilles Deleuze s imanent ethics. Imanent ethics is referred here as a moral theory derived from the post-critical ontology which claims the absense of any transcendent principle to the process of formation of rules or moral norms. Instead, the imanent ethics theory sees in the genetic origin of reason itself the foundations of the practical r
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21

Ramírez, Herrera Gonzalo. "Deleuze: una ontología, una ciencia." Pontificia Universidad Católica del Perú, 2016. http://repositorio.pucp.edu.pe/index/handle/123456789/119214.

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This paper has two objectives: first, to rebut three misconceptions about the philosophy of Gilles Deleuze that deal with his position in ontology, aestheticsand science; and second, to probe deeper into two of these misunderstandings inorder to discover their current scope. Both of these misunderstandings regard hisviews on ontology and on science. Here we will see how an ontology of differenceand an intensive science arise. We will close our paper with some comments on theactuality of this thought.<br>La presente contribución tiene dos objetivos. En primer lugar, rebatir tres visiones equivo
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22

Lafferranderie, Emilio J. "Spinoza en Deleuze: cartas políticas." Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/119563.

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To think a Deleuzian politics requires to understand the philosophical markleft in his work by Spinoza. Both philosophers’ paths crisscross in their problems, questions and consequences. In this paper three concepts will be put in relation: critique, right and crowd. The aim is to elucidate how man can open new ways of political experience from the conjunction of two philosophies articulated upon a common ground: immanence and life.<br>Pensar una política en Gilles Deleuze exige comprender la huella filosófica que ha dejado en su obra Baruch Spinoza. Las sendas de ambos filósofos se entrecruza
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23

Salucci, Marco. "Gilles Deleuze, une inéfinition esthétique." Paris 8, 2014. http://www.theses.fr/2014PA084150.

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La notion de ressemblance, l’inconscient œdipien, l’ordre de la grammaire, sont respectivement trois manières finalisées à définir la sensibilité, le désir, l’écriture. Cependant, la philosophie de Deleuze fait dysfonctionner la ressemblance, délirer le désir, met sous tension la grammaire. Dans cette thèse, nous proposons une approche opératoire de la pensée de Deleuze afin de montrer par quels mouvements et par quels concepts, la définition atteint ses limites et la pensée retrouve le véritable étonnement philosophique. Lorsque désir et objet, Dire et Faire, corps et sensation, se retrouvent
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Law, Sum-po Jamsen. "Nietzsche, Deleuze and video art." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B2222693X.

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25

McMahon, Melissa Jane. "Deleuze and Kant's Critical Philosophy." Thesis, The University of Sydney, 2004. http://hdl.handle.net/2123/618.

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This thesis considers the status of Deleuze as a Kantian, and as such committed both to the critical destiny of philosophy, and the contestation of the sense of this destiny. The focus of Deleuze's reading of Kant is an active conception of thought: the fundamental elements of thought are will and value rather than being or the concept. In the development of this idea we can note a progressive 'tapering' of the foundational instance of thought, in three stages: from the speculative field of being to the practical field of reason; from the intellectual category of the concept to the problem
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26

Bénit, Bernard. "Deleuze : la pensée sans image." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100002/document.

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Dans ses premières œuvres, Deleuze recherche une "pensée sans image", inséparable de la critique de "l'image de la pensée", c'est-à -dire de la représentation. Le problème, organisant alors la philosophie de Deleuze, est celui du rapport de la pensée avec l'image, problème qui est repris .et déplacé, de Nietzsche et la philosophie à Différence et répétition. Pour "décrire" les actes d'une pensée sans image, Deleuze procède en trois étapes : "le point de départ" est la critique de l'image de la pensée, la dénonciation de la représentation et de ses présupposés, qui emprisonnent et dénaturent la
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27

Brott, Simone. "Impersonal effects : architecture, Deleuze, subjectivity." Thesis, The University of Melbourne, Faculty of Architecture Building and Planning, 2007.

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28

Vinci, Christian Fernando Ribeiro Guimarães. "Deleuze-Guattarinianas: experimentações educacionais com o pensamento de Gilles Deleuze e Félix Guattari (1990-2013)." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-01042015-134108/.

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Essa pesquisa parte da percepção, cada vez mais acentuada, da centralidade que alguns conceitos formulados pelo filósofo Gilles Deleuze e pelo psicanalista Félix Guattari têm tido no pensamento educacional brasileiro. Não é difícil depararmos com apropriações de conceitos tais como nomadismo, devir, cartografia, rizoma, platôs, micropolítica, desterritorialização e tantos outros. A apropriação do conceitual deleuze-guattariano tem produzido deslocamentos e inspirado procedimentos analíticos diversos daqueles que tomaram corpo no início dos anos 1990, no seio dos estudos denominados de póscríti
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29

Raby, John. "Gilles Deleuze : musique, philosophie et devenir." Thesis, Rennes 2, 2015. http://www.theses.fr/2015REN20011/document.

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D’après Deleuze, écrire sur la musique constituerait un « sommet » de la pensée, l’idée d’une « supériorité » du musical sur les autres formes d’art étant, par là même, affirmée. La relation entre musique et philosophie n’est pas, dans sa pensée, de l’ordre du commentaire mais du devenir. Autrement dit, la musique n’est pas un simple objet d’analyse puisqu’elle influence en retour le style de conceptualisation du philosophe. C’est pourquoi ce problème s’articule selon deux perspectives qui s’échangent sans se concilier tout à fait : un devenir-musical de la philosophie, un devenirconceptuelde
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Lopes, Luiz Manoel. "A teoria do sentido em Deleuze." Universidade Federal de São Carlos, 2006. https://repositorio.ufscar.br/handle/ufscar/4738.

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Made available in DSpace on 2016-06-02T20:12:10Z (GMT). No. of bitstreams: 1 TeseLML.pdf: 1109440 bytes, checksum: 47b2b6ef1bf40017c88595ebb190c808 (MD5) Previous issue date: 2006-03-31<br>The proposal of this work is to study the theory of sense in Deleuze inserted in the questions that reverberate on the contemporaneous philosophical field. Our route will follow the statements of Deleuze on his book Logic of Sense , especially when he detaches that this theme was thought by three different ways: the first, as lekton, by the Stoics on the III century B.C.; the second, as complexe significa
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Uhlig, Ingo. "Poetologien des Ereignisses bei Gilles Deleuze." Würzburg Königshausen und Neumann, 2005. http://d-nb.info/987933922/04.

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Groves, Christopher. "Hegel and Deleuze : immanence and otherness." Thesis, University of Warwick, 1999. http://wrap.warwick.ac.uk/2473/.

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The thesis critically analyses the dominant foundationalist tendency of modern philosophy, with special reference to the sophisticated antifoundationalist critiques of foundationalism formulated by G.W.F. Hegel and Gilles Deleuze. It begins by outlining a general methodological aspect of foundationalism, regarding the necessity of radical self-critique in philosophy, which directly connects contemporary thought with Cartesianism, via classical German philosophy. In the philosophies of Kant, Fichte and Schelling, this self-critical project is transformed: they undertake to show that reason can,
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Barthold, Charles. "Resisting financialisation with Deleuze and Guattari." Thesis, University of Leicester, 2015. http://hdl.handle.net/2381/32895.

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This thesis wanted to operate two tasks. First, this thesis sought to perform a description of the contemporary functioning of the economy, that is to say of capitalism. This entailed an analysis of the current financialisation of world capitalism. Second, this thesis wanted to identify a revolutionary resistant subjectivity to financialisation. This implied to look for a subjectivity which could successfully resist the power of finance. The first task, that is to say the description of the contemporary economy, was performed through an engagement with an interdisciplinary and Marxian literatu
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Rutigliano, Francisca Tania Soares. "Gilles Deleuze : o drama da diferença." [s.n.], 1998. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278830.

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Orientador: Luiz Benedicto Lacerda Orlandi<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-07-23T10:09:28Z (GMT). No. of bitstreams: 1 Rutigliano_FranciscaTaniaSoares_M.pdf: 3244934 bytes, checksum: 4ce07a723db1105aab31ba7ad45d0cdd (MD5) Previous issue date: 1998<br>Resumo: Não informado<br>Abstract: Not informed.<br>Mestrado<br>Mestre em Filosofia
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Cavalcanti, Adriane da Silva. "Filosofia e pintura em Gilles Deleuze." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281532.

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Orientador: Luiz Benedicto Lacerda Orlandi<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-06T00:31:58Z (GMT). No. of bitstreams: 1 Cavalcanti_AdrianedaSilva_M.pdf: 44462053 bytes, checksum: 23fee67d00906b506a2cb3e7afd6f8d1 (MD5) Previous issue date: 2006<br>Resumo: Este trabalho se pretende como uma investigação filosófica enfeixando questões conceituais a respeito de estética, arte e a potencialidade dos conceitos filosóficos ao abordarem este domínio, segundo a óptica do pensador francês Gilles
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Gallina, Simone Freitas da Silva. "Invenção e aprendizagem em Gilles Deleuze." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/252031.

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Orientador: Silvio Donizetti Oliveira Gallo<br>Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-10T17:26:27Z (GMT). No. of bitstreams: 1 Gallina_SimoneFreitasdaSilva_D.pdf: 969677 bytes, checksum: 22240c73270e5fee8ca7f955ad5702cc (MD5) Previous issue date: 2008<br>Resumo: A presente tese tem como proposta apresentar a contribuição de Gilles Deleuze sobre a aprendizagem abordada a partir da invenção de problemas e da criação de conceitos. Com isso pretendemos mostrar que a aprendizagem não se constitui meramente numa passagem o
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Santos, Zamara Araujo dos 1966. "A geofilosofia de Deleuze e Guattari." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280012.

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Orientadores: Luiz Benedicto Lacerda Orlandi, Anne Sauvagnargues<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-23T20:28:45Z (GMT). No. of bitstreams: 1 Santos_ZamaraAraujodos_D.pdf: 2473466 bytes, checksum: ebe225a7284915bf42fea52db3ec0b94 (MD5) Previous issue date: 2013<br>Resumo: A Geofilosofia é um conceito tardio na obra de Deleuze e Guattari e, embora se aplique ao último livro em parceria, Qu'est-ce que la Philosophie ?, trata-se de uma noção que envolve suas principais criações conceituais, cir
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Alvim, Davis Moreira. "Foucault e Deleuze: deserções, micropolíticas, resistências." Pontifícia Universidade Católica de São Paulo, 2011. https://tede2.pucsp.br/handle/handle/11561.

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Made available in DSpace on 2016-04-27T17:26:55Z (GMT). No. of bitstreams: 1 Davis Moreira Alvim.pdf: 871029 bytes, checksum: f8c67e0940c100d9252563ac92969562 (MD5) Previous issue date: 2011-05-13<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The inventory of hypotheses about the post-modernity is extensive. Generally, those who think it like a historical period and not only an aesthetic tendency indicates at least two important features: first, the victory of the ephemeral and the banality against the critical power of the modernity and, second, the new modulation or
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Cerqueira, Luame. "Deleuze e a instauração das sensações." Universidade do Estado do Rio de Janeiro, 2010. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=2161.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Deleuze presents a totally new way of thinking about art, considering it as a mode of thought in itself. Along with science and philosophy, art is also an expression of thought, though each one of these is irreducible and produces itself necessarily by its own means. Above all, art is the establishment of sensations, i. e., as long as this last term has nothing to do with the cognitive correspondence between subject and object. Now, because of arts excessive nature, no perception, personal memory, subjective state or feeling are a
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Araujo, dos Santos Zamara. "A geophilosofia de Deleuze e Guattari." Thesis, Paris 10, 2013. http://www.theses.fr/2013PA100135/document.

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La Géophilosophie est un concept tardif dans l’oeuvre de Deleuze et Guattari, et bien qu’il s’applique au dernier livre qu’ils ont écrit ensemble « Qu´est-ce que la Philosophie ? », il s’agit d’une notion qui enveloppe leurs principales créations conceptuelles et circonscrit la période de « Capitalisme et schizophrénie », tout en dialoguant avec des notions et des moments distincts de l’oeuvre des auteurs. Sous la rubrique de cette notion, la philosophie se définit selon le rapport entre un plan d’immanence qu’il s’agira de définir et d’un milieu immanent et social constituant une conjonction
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León, Alejandro. "Gilles Deleuze: el pensamiento como pasión." Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/119548.

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El artículo aborda el estatuto del pensar según el filósofo francés Gilles Deleuze, buscando hallar una respuesta a la pregunta ¿qué significa pensar? La tesis central del artículo es que, según Deleuze, el ser humano no piensa cuando reconoce el mundo a través de sus representaciones. Por el contrario, el hombre alcanza a pensar solo cuando se enfrenta a una experiencia radical que no puede representar. Solo ahí, ante la absoluta necesidad, se activael pensador que habita en nosotros. Lo que nos conduciría a pensar no sería entonces una identidad representada, sino una diferencia experimentad
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Michalet, Judith. "Vie et création chez Gilles Deleuze." Paris 1, 2009. http://www.theses.fr/2009PA010561.

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Le vitalisme de Gilles Deleuze est indissociablement ontologique, éthique et esthétique. Notre étude mettra en évidence le lien de ses recherches relatives à une intensification de l'existence et sa pensée de la création immanente des êtres vivants au sein de l'univers. Si la genèse des formes vivantes a été moins thématisée que la « vie inorganique» coextensive au plan d'immanence, elle a pourtant fait l'objet d'une conceptualisation rigoureuse dans ses écrits personnels. Il s'agira donc de considérer les aspects de sa pensée du vivant biologique, négligés jusqu'à présent, et de les resituer
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Ao, Long. "La critique littéraire de Gilles Deleuze." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL185.

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Cette thèse se propose de contribuer à la critique littéraire de Deleuze, en examinant parallèlement les ouvrages philosophiques de Deleuze, en vue de démontrer l’autonomie de sa critique littéraire entre la philosophie et la littérature. Cela permet de démontrer la double ambition de sa critique littéraire : la lecture des œuvres littéraires comme exploration philosophique, la réflexion métaphysique incorporée dans l’étude du texte. Pour montrer en même temps l’évolution de sa critique littéraire et les dialogues que Deleuze a engagés avec des critiques littéraires et des philosophes, cette t
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Lléres, Stéphane. "La philosophie transcendantale de Gilles Deleuze." Amiens, 2010. http://www.theses.fr/2010AMIE0006.

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Takashi, Shirani Rancière Jacques. "Deleuze et une philosophie de l'immanence /." Paris : l'Harmattan, 2006. http://catalogue.bnf.fr/ark:/12148/cb409649101.

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Antunes, Miguel Ângelo Olival de Sande Lemos Correia. "O desejo maquínico em Gilles Deleuze." Doctoral thesis, Universidade de Évora, 2014. http://hdl.handle.net/10174/12329.

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Esta dissertação procura desenhar um percurso para a compreensão da construção do conceito de desejo em Gilles Deleuze. O trabalho parte da pergunta pela sua filiação epistemológica, pergunta essa que conduz à compreensão de um projecto filosófico perspectivista e termina numa filosofia política, na qual o desejo tem o papel de potência geradora de novas possibilidades de pensamento e de vida; ### ABSTRACT: This dissertation tries to draw a path to understanding the construction of the concept of desire in Gilles Deleuze. We start by searching for his epistemological filiation, discovering
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Domingos, Joao Gabriel Alves. "Diferença e sensibilidade em Gilles Deleuze." Universidade Federal de Minas Gerais, 2010. http://hdl.handle.net/1843/BUOS-8PKPMG.

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We approached the problem of the art in the Deleuze philosophy by a contextualization of sensibility inside a project of thinking the difference. In the introduction, we approached the procedure utilized by Deleuze to make his history of philosophy. After this first moment, we show how, by his lecture of the method of division from the Platonic dialogues (Statesman, Sophist, Phaedrus), Deleuze developed a critique of analogy, because the critique is a way to correspond the thought with the representation, leaving the difference unthinkable. In the second part, we read Kant, showing how his doc
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Colombo, Andrea. "Filosofia e Matematica in Gilles Deleuze." Doctoral thesis, Università degli studi di Padova, 2019. http://hdl.handle.net/11577/3423323.

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È possibile ricostruire la storia dei concetti e dei termini matematici frequenti nei testi di Gilles Deleuze nell’ambito della crisi dei fondamenti scientifici del Novecento, chiarendo il loro valore all’interno della scuola intuizionista francese: cosa finora non considerata sufficientemente dalla bibliografia secondaria sull’argomento. L’intuizionismo, a differenza delle altre due scuole più importanti, ovverosia il logicismo di Russell ed il formalismo di Hilbert, difende una concezione della matematica come assoluta opera creativa da parte del soggetto che, quasi letteralmente, la dispieg
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De, Michele Girolamo. "GILLES DELEUZE: "SUR FOUCAULT --€“ 1985-1986"." Doctoral thesis, Università degli studi di Padova, 2016. http://hdl.handle.net/11577/3424336.

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Upon Foucault’s death in 1984, Deleuze began reading the whole corpus of Foucault's textes, in order to write a book. The seminar that Deleuze gave at the University of Paris-VIII functioned as a kind of laboratory in which Deleuze experimented with the ideas and concepts he was developing. As it turned out, the book he wrote at the end of the seminar compressed in a few pages the reflections he had widely developed throughout the seminar, was hard to understand, or else it was so personal to be defined "a metaphysical fiction". The online publication (2011) of the course lectures made a bett
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Zeppini, Paola Sanfelice 1983. "Deleuze e o corpo = articulações conceituais entre Deleuze, Nietzsche e Espinosa em função da problemática do corpo." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278826.

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Orientador: Luiz B. L. Orlandi<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-17T03:40:28Z (GMT). No. of bitstreams: 1 Zeppini_PaolaSanfelice_M.pdf: 1321777 bytes, checksum: b0ae79edb710da7435a9328b90cd7594 (MD5) Previous issue date: 2010<br>Resumo: O presente trabalho tem como objetivo mostrar a importância que certos conceitos de Espinosa e de Nietzsche têm do ponto de vista de uma trama conceitual que indica elementos para uma filosofia deleuzeana do corpo. Os estudos dedicados à filosofia del
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