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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Gilles Deleuze: Cinema and philosophy. Baltimore: Johns Hopkins University Press, 2008.

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2

Gilles Deleuze and the ruin of representation. Berkeley: University of California Press, 1999.

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3

Contr'hommage pour Gilles Deleuze: Nouvelles lectures, nouvelles e critures. Que bec, Que bec: Presses de l'Universite Laval, 2009.

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4

Art encounters Deleuze and Guattari: Thought beyond representation. New York: Palgrave Macmillan, 2005.

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5

The phenomenology of modern art: Exploding Deleuze, illuminating style. New York: Continuum International Publishing Group, 2012.

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6

Deleuze, Marx, and politics. New York: Routledge, 2003.

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7

Chaos, territory, art: Deleuze and the framing of the earth. New York: Columbia University Press, 2008.

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8

Deleuze and the diagram: Aesthetic threads in visual organization. New York: Continuum, 2012.

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9

Patton, Paul. Deleuze and the political. London: Routledge, 2000.

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10

Political theory after Deleuze. New York: Continuum, 2012.

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11

Political physics: Deleuze, Derrida, and the body politic. New Brunswick, NJ: Athlone Press, 2001.

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12

Deleuze and world politics: Alter-globalizations and nomad science. Milton Park, Abingdon, Oxon, [England]: Routledge, 2011.

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13

Deleuze and the cinemas of performance: Powers of affection. Edinburgh: Edinburgh University Press, 2008.

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14

Walter Benjamin's transit: A destructive tour of modernity. Bethesda: Academica Press, 2010.

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15

Deleuzian concepts: Philosophy, colonization, politics. Stanford, Calif: Stanford University Press, 2010.

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16

Berressem, Hanjo. Gilles Deleuze's Luminous Philosophy. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474450713.001.0001.

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Providing a comprehensive reading of Deleuzian philosophy, Gilles Deleuze’s Luminous Philosophy argues that this philosophy’s most consistent conceptual spine and figure of thought is its inherent luminism. When Deleuze notes in Cinema 1 that ‘the plane of immanence is entirely made up of light’, he ties this philosophical luminism directly to the notion of the complementarity of the photon in its aspects of both particle and wave. Engaging, in chronological order, the whole body and range of Deleuze’s and Deleuze and Guattari’s writing, the book traces the ‘line of light’ that runs through Deleuze’s work, and it considers the implications of Deleuze’s luminism for the fields of literary studies, historical studies, the visual arts and cinema studies. It contours Deleuze’s luminism both against recent studies that promote a ‘dark Deleuze’ and against the prevalent view that Deleuzian philosophy is a philosophy of difference. Instead, it argues, it is a philosophy of the complementarity of difference and diversity, considered as two reciprocally determining fields that are, in Deleuze’s view, formally distinct but ontologically one. The book, which is the companion volume toFélix Guattari’s Schizoanalytic Ecology, argues that the ‘real projective plane’ is the ‘surface of thought’ of Deleuze’s philosophical luminism.

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17

Sauvagnargues, Anne. Deleuze and Art. Bloomsbury Publishing Plc, 2018.

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18

Ramey, Joshua Alan. Gilles Deleuze and the powers of art. 2006.

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19

Zepke, Stephen, and Simon O'Sullivan. Deleuze and Contemporary Art. Edinburgh University Press, 2010.

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20

Deleuze And Contemporary Art. Edinburgh University Press, 2010.

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21

Zepke, Stephen, and Simon O'Sullivan. Deleuze and Contemporary Art. Edinburgh University Press, 2010.

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22

Zepke, Stephen. Deleuze and Contemporary Art. Edinburgh University Press, 2010.

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23

Olkowski, Dorothea. Gilles Deleuze and the Ruin of Representation. University of California Press, 1999.

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24

Olkowski, Dorothea. Gilles Deleuze and the Ruin of Representation. University of California Press, 1999.

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25

Marrati, Paola. Gilles Deleuze: Cine y Filosofia. Nueva Vision, 2004.

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26

Marrati, Paola, and Alisa Hartz. Gilles Deleuze: Cinema and Philosophy. Johns Hopkins University Press, 2012.

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27

Marrati, Paola. Gilles Deleuze: Cinéma et Philosophie. Presses Universitaires de France - PUF, 2003.

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28

Art History after Deleuze and Guattari. Leuven University Press, 2017.

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29

Kristensen, Anders R., Thomas Lopdrup-Hjorth, and Bent Meier Sørensen. Gilles Deleuze (1925–1995). Edited by Jenny Helin, Tor Hernes, Daniel Hjorth, and Robin Holt. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199669356.013.0031.

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Gilles Deleuze is a French philosopher known for his ontological thinking. In the field of organization studies, Deleuze is associated with postmodernism and post-structuralism along with fellow thinkers such as Jacques Derrida. This chapter examines Deleuze’s philosophical views and considers how processual thinking has emerged as an important area of research within organization and management studies. It first looks at Deleuze’s understanding of metaphysics and the creation of concepts, along with the connection between process organization studies and the creation of concepts. It then discusses the process ontology that exists within process organization studies in the context of process thinking. It also describes the new spirit of capitalism and its implications for contemporary management thought and highlights some individual cases in which a certain, perhaps Deleuzian, philosophy of organization is developed. The chapter concludes by arguing that the deployment of Deleuze’s philosophy in process organization studies should be more normative and pragmatic.

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30

Giudici, Paolo, and Paulo de Assis. Dark Precursor: Deleuze and Artistic Research. Leuven University Press, 2017.

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31

O'Sullivan, S. Art Encounters Deleuze and Guattari: Thought Beyond Representation. Palgrave Macmillan Limited, 2005.

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32

Buchanan, Ian, and Lorna Collins. Deleuze and the Schizoanalysis of Visual Art. Bloomsbury Publishing Plc, 2014.

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33

Practising with Deleuze: Design, Dance, Art, Writing, Philosophy. Edinburgh University Press, 2017.

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34

Roffe, Jon, Suzie Attiwill, Terri Bird, Andrea Eckersley, and Antonia Pont. Practising with Deleuze: Design, Dance, Art, Writing, Philosophy. Edinburgh University Press, 2017.

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35

Roffe, Jon, Suzie Attiwill, Terri Bird, Andrea Eckersley, and Antonia Pont. Practising with Deleuze: Design, Dance, Art, Writing, Philosophy. Edinburgh University Press, 2017.

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36

Roffe, Jon, Suzie Attiwill, Terri Bird, Andrea Eckersley, and Antonia Pont. Practising with Deleuze: Design, Dance, Art, Writing, Philosophy. Edinburgh University Press, 2017.

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37

Tintoretto's Difference: Deleuze, Diagrammatics and Art History. Bloomsbury Academic, 2018.

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38

Chaos, Territory, Art: Deleuze and the Framing of the Earth. Columbia University Press, 2019.

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39

Wilson, Sarah, Gilles Deleuze, Michel Foucault, and Adrian Rifkin. Revisions 2, Photogenic Painting - Gerard Fromanger, Writings by Gilles Deleuze and Michel Faucault. Black Dog, 1999.

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40

Deleuze and the Map-Image: Aesthetics, Information, Code, and Digital Art. Bloomsbury Publishing Plc, 2019.

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41

Zdebik, Jakub. Deleuze and the Map-Image: Aesthetics, Information, Code, and Digital Art. Bloomsbury Publishing USA, 2019.

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42

Deleuze and the Map-Image: Aesthetics, Information, Code, and Digital Art. Bloomsbury Publishing USA, 2019.

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43

Zdebik, Jakub. Deleuze and the Diagram: Aesthetic Threads in Visual Organization. Bloomsbury Publishing Plc, 2014.

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44

jagodzinski, jan. Schizoanalytic Ventures at the End of the World: Film, Video, Art, and Pedagogical Challenges. Palgrave Macmillan, 2019.

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45

jagodzinski, jan. Schizoanalytic Ventures at the End of the World: Film, Video, Art, and Pedagogical Challenges. Palgrave Macmillan, 2020.

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46

Deleuze and Art Continuum Studies in Continental Philosophy. Continuum, 2013.

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47

O'Sullivan, Simon. Art Encounters Deleuze and Guattari: Thought beyond Representation (Renewing Philosophy). Palgrave Macmillan, 2006.

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48

Art Encounters Deleuze and Guattari: Thought beyond Representation (Renewing Philosophy). Palgrave Macmillan, 2008.

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49

Patton, Paul. Deleuze and the Political. Taylor & Francis Group, 2002.

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50

Patton, Paul. Deleuze and the Political. Taylor & Francis Group, 2002.

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