Academic literature on the topic 'Deleuze, Gilles Views on art'
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Journal articles on the topic "Deleuze, Gilles Views on art"
Stuhr, John J. "Radical Empiricism: William James and Gilles Deleuze." Contemporary Pragmatism 18, no. 4 (November 29, 2021): 370–92. http://dx.doi.org/10.1163/18758185-bja10026.
Full textKonstantinov, Mihael. "Juri Lotman, Gilles Deleuze and their approaches to cinema: Points of intersection." Sign Systems Studies 48, no. 2-4 (December 31, 2020): 392–414. http://dx.doi.org/10.12697/sss.2020.48.2-4.10.
Full textDuffy, Simon. "The Difference Between Science and Philosophy: the Spinoza-Boyle Controversy Revisited." Paragraph 29, no. 2 (July 2006): 115–38. http://dx.doi.org/10.3366/prg.2006.0012.
Full textVatovec, Matej T. "Nota Bene. Anti-representation enters the theatre." Maska 28, no. 157 (October 1, 2013): 128–40. http://dx.doi.org/10.1386/maska.28.157-158.128_1.
Full textKhamari, Zied. "Politicizing flight in Edward Albee’s seascape." Linguistics and Culture Review 5, no. 1 (February 24, 2021): 10–19. http://dx.doi.org/10.21744/lingcure.v5n1.150.
Full textYebra Pertusa, José María. "Retro-Victorianism and the simulacrum of art in Will Self's Dorian: An imitation." Revista Alicantina de Estudios Ingleses, no. 23 (December 15, 2010): 231. http://dx.doi.org/10.14198/raei.2010.23.13.
Full textRubin, Joshua D. "Assembling emergence: making art and selling gas in Bulawayo." Africa 89, no. 3 (July 16, 2019): 479–98. http://dx.doi.org/10.1017/s0001972019000482.
Full textKoutsourakis, Angelos. "Militant Ethics." Cultural Politics 16, no. 3 (November 1, 2020): 281–302. http://dx.doi.org/10.1215/17432197-8593494.
Full textNeupokoiev, Ruslan. "Existential Features of Variety Numbers With a Puppet." Culturology Ideas, no. 14 (2'2018) (2018): 205–15. http://dx.doi.org/10.37627/2311-9489-14-2018-2.205-215.
Full textPakzad, Zahra. "Gilles Deleuze’s Point of View for Biographical Trends of Frances Bacon’s Ideas." Asian Social Science 12, no. 3 (February 23, 2016): 50. http://dx.doi.org/10.5539/ass.v12n3p50.
Full textDissertations / Theses on the topic "Deleuze, Gilles Views on art"
Morrow, Stephen M. "The Art Education of Recklessness: Thinking Scholarship through the Essay." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492288407200045.
Full textRamey, Joshua Alan. "Gilles Deleuze and the powers of art." Click here for download, 2006. http://proquest.umi.com/pqdweb?did=1176539841&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.
Full textSalucci, Marco. "Gilles Deleuze, une inéfinition esthétique." Paris 8, 2014. http://www.theses.fr/2014PA084150.
Full textThe concepts of similarity, unconscious Oedipal tendencies, and grammatical order are, respectively, three basic ways of framing sensibility, desire, and writing. Deleuze’s philosophy, however, dismisses this understanding; he renders similarities dysfunctional, while enflaming desire and energizing grammar. In this thesis, we propose an operative approach to Deleuze’s thought, in order to show how it has reclaimed the power of shocking philosophical insight. When desire and its object, or the declaration and its accomplishment, as well as the body and its capacities of sensation, are left in an indefinite area, philosophy is no longer confined to realm of thought; it creates a sensation. This thesis deconstructs and makes explicit those areas where Deleuzian concepts take on this matter of the removal of the certain object. The quick thinking that runs through his philosophy will be placed in counterpoint to those works of art that activate a sharp feeling beyond all defined objects and subject matter. We will see how such undefined paths give rise to a surface where the notion of creation is, according to Deleuze, life itself
Law, Sum-po Jamsen. "Nietzsche, Deleuze and video art." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B2222693X.
Full textBaranzoni, Sara <1981>. "Pensiero e creazione. Il theatrum philosophicum di Gilles Deleuze." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/3950/.
Full textBrito, Vanessa. "Les arts dans la philosophie de Gilles Deleuze." Paris 8, 2007. http://www.theses.fr/2007PA082850.
Full textWhat is always astonishing for the reader of Deleuze is the abundance of his artistic references and the multiplication of encounters between art and philosophy. By identifying a program with ethical and political resonances at work, for Deleuze, in literature, painting and cinema, this thesis sets out to clarify how these encounters between the readable and the visible are organized. What is ultimately at stake in the enquiry is the exact status and role of the arts in Deleuze's philosophy. By examining the themes of "voyance" and "fabulation", Deleuze's conception of the sublime, his use of allegory and the notion of a "practical philosophy", the enquiry finally reveals the construction of plane of immanence between the inventions of art and the powers of life
Dewsbury, John-David Charles. "Theatre, an empty space : a thought performance after Gilles Deleuze." Thesis, University of Bristol, 2000. http://hdl.handle.net/1983/7a9b6429-d582-4369-85d4-5c38606bf867.
Full textLandaeta, Mardones Patricio. "Gilles Deleuze y Jacques Rancière. Arte, montaje y acontecimiento." Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/119527.
Full textLa crítica de las imágenes se entiende como la crítica del montaje para la emergencia de un pensamiento crítico en la era de la proliferación de los sistemas de comunicación e información, que se imponen en su aparente objetividad. El presente artículo aborda en siete parágrafos el vínculo de montaje, imagen y acontecimiento de acuerdo al pensamiento de Gilles Deleuze y Jacques Rancière.
Marzec, Megan E. "Wastelands, Revolutions, Failures." Ohio University Honors Tutorial College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429889399.
Full textL'Heureux, Antoine. "Commitment to a life : thinking beyond Gilles Deleuze and Félix Guattari's conceptualization of art." Thesis, Goldsmiths College (University of London), 2011. http://research.gold.ac.uk/8007/.
Full textBooks on the topic "Deleuze, Gilles Views on art"
Gilles Deleuze: Cinema and philosophy. Baltimore: Johns Hopkins University Press, 2008.
Find full textGilles Deleuze and the ruin of representation. Berkeley: University of California Press, 1999.
Find full textContr'hommage pour Gilles Deleuze: Nouvelles lectures, nouvelles e critures. Que bec, Que bec: Presses de l'Universite Laval, 2009.
Find full textArt encounters Deleuze and Guattari: Thought beyond representation. New York: Palgrave Macmillan, 2005.
Find full textThe phenomenology of modern art: Exploding Deleuze, illuminating style. New York: Continuum International Publishing Group, 2012.
Find full textDeleuze, Marx, and politics. New York: Routledge, 2003.
Find full textChaos, territory, art: Deleuze and the framing of the earth. New York: Columbia University Press, 2008.
Find full textDeleuze and the diagram: Aesthetic threads in visual organization. New York: Continuum, 2012.
Find full textPatton, Paul. Deleuze and the political. London: Routledge, 2000.
Find full textPolitical theory after Deleuze. New York: Continuum, 2012.
Find full textBook chapters on the topic "Deleuze, Gilles Views on art"
Emerling, Jae. "Gilles Deleuze and Félix Guattari." In Theory for Art History, 124–32. Second edition. | London; New York: Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780203113899-17.
Full textErstic, Marijana. "Livia als Emma." In »Madame Bovary, c'est nous!« - Lektüren eines Jahrhundertromans, 109–30. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839452844-009.
Full text"Powers of Thinking: Philosophy, Art and Science." In Gilles Deleuze, 23–40. Routledge, 2001. http://dx.doi.org/10.4324/9780203029923-7.
Full text"Gilles Deleuze and Félix Guattari." In Theory for Art History, 137–46. Routledge, 2013. http://dx.doi.org/10.4324/9780203700549-24.
Full textHalsall, Francis. "Attractors and Locked-In Art: Art History as a Complex System." In Speculative Art Histories. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474421041.003.0004.
Full textThayer, Willy. "Thought Is Inseparable from a Critique." In Technologies of Critique, translated by John Kraniauskas, 111–14. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823286744.003.0036.
Full textPatton, Paul. "Anti-Platonism and Art." In Gilles Deleuze and the Theater of Philosophy, 141–56. Routledge, 2017. http://dx.doi.org/10.4324/9781315112503-8.
Full text"The Political Significance of Opinion, Philosophy, and Art." In Towards a Political Anthropology in the Work of Gilles Deleuze, 217–56. Leuven University Press, 2015. http://dx.doi.org/10.2307/j.ctt14jxsnf.11.
Full text"Becoming Worthy of What Happens to Us: Art and Subjectivity in the Philosophy of Gilles Deleuze." In Art and Identity, 133–65. Brill | Rodopi, 2013. http://dx.doi.org/10.1163/9789401209045_008.
Full textStuhr, John J. "Everything Here Is Plastic." In No Professor's Lectures Can Save Us, 183—C6.N45. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197664629.003.0007.
Full textConference papers on the topic "Deleuze, Gilles Views on art"
dos Santos, Camila, and Andreia Machado Oliveira. "Communication Action Zones in Art and Technology - ZACAT." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.
Full textPetrović, Emina Kristina. "Two Conceptualisations of Change in Architectural History: Towards Driving Pro-sustainable Change in Architecture." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4006pqv8s.
Full textdos Santos, Camila, and Andreia Machado Oliveir. "Zonas de Ação da Comunicação em Arte e Tecnologia - ZACAT." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.g142.
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