Journal articles on the topic 'Degree Discipline: Composition'

Despite roots in acoustic ecology and soundscape studies, the practice and study of soundscape composition is often grouped with, or has grown out of the acousmatic music tradition. This can be observed in the positioning of soundscape compositions juxtaposed with acousmatic music compositions in concert programmes, CD compilations and university syllabuses. Not only does this positioning inform how soundscape composition is listened to, but also how it is produced, sonically and philosophically. If the making and presenting of representations of environmental sound is of fundamental concern to the soundscape artist, then it must be addressed. As this methodological issue is outside of previous musical concerns, to this degree, we must look to other disciplines that are primarily engaged with the making of representation, and that have thoroughly questioned what it is to make and present representations in the world today. One such discipline is ethnography. After briefly charting the genesis of soundscape composition and its underlying principles and motivations, the rest of the paper will present and develop one perspective, that of considering soundscape composition as ethnography.

The progression from language instruction or composition to the higher discipline of literature is no longer the only or even preferred path everywhere. For example, MIT stresses that its literature program goes beyond the traditional:The program in Literature leading to the degree of Bachelor of Science in Literature is equivalent to the curricula in English (or literary studies) of the major liberal arts universities. The Literature curriculum is notable also for its inclusion, along with traditional literary themes and topics, of materials drawn from film and media, from popular culture, and from minority and ethnic culture. (“Major”)

This article describes how the use of sworn law enforcement in American schools is patterned by school racial composition. Three distinct measures are constructed using data from the Civil Rights Data Collection and the School Survey on Crime and Safety: police prevalence, the degree of exposure that students have to police officers within their schools, and the roles of officers within those schools. Results show that police have become increasingly prevalent in schools with the largest shares of white students, especially at the elementary level. Yet youth in schools with the most Black, Latinx, and Native American students experience the highest exposure to police, and police in these schools are more frequently directed to carry out punitive tasks such as discipline. Student exposure to police is also relatively common in the whitest schools, but officers in these settings are more often used for tasks unrelated to punishment, such as teaching.

The article deals with some aspects of the process of forming the future computer science bachelor's graphic competency at the stage of user's interface prototyping in the course of software development. The modern situation has been studied and the urgency of the stage of user's interface prototyping as a mediator in the man-machine coordination during the process of software development is proved. The Conceptual set in the sphere of prototyping is examined, namely — the concepts of wireframe, prototype and mockup. The factors of projects successfulness, the problems in the coordination of the project participants and the methods of their overcoming are being considered. The comparison of the essence and the analysis and the main methods of prototyping and correlating their value during the software development are given. The comparative analysis of the software and on-line resources for prototyping according to the detalization degree and taking into account the basic characteristics of a means, types and stages of prototyping, portability and using the means is carried out. The necessary base of knowledge, skills and knacks, forming during the study of such disciplines as “Computer Graphics” and “The Essential of Computer Design”, as well as essentials of composition, colour theory, ergonomics and typography is determined. The necessity of both the student's mastering an amount of theoretical knowledge and its successful using in his practical activity is stressed. The results of the research can be a substratum for improving the content of the educational and methodical complex in the discipline “Software Projecting” for computer science bachelors by means of introducing the teaching of prototyping from the low-fidelity to high fidelity detalization. The influence of user's interface prototyping on the formation of the future computer science bachelor's professional qualities is determined.

Currently, environmental education is considered as a key principle of sustainable development of society and nature. It represents the uniform continuous educational process directed on development of a system of ecological knowledge, abilities, skills, valuable installations, experience of activity and competence of the careful attitude to environment and rational nature management. Hydrobotany has great opportunities in terms of environmental education of students. We consider hydrobotanics to be the science of aquatic plants, their communities, processes of overgrowing of ponds and streams. It studies the features of external and internal water macrophytes structure, their life processes, the relationship between them and the environment, diversity, distribution, introduction, role in nature and human life (outecology); composition and structure of aquatic phytocenoses, their production and destruction, as well as the processes of formation of aquatic vegetation and its dynamics (synecology). Hydrobotany has its purpose and objectives, object, subject and methods of research, open laws, special conceptual apparatus, history of development. It occupies a certain place in the system of sciences. In Samara State University of Social Sciences and Education Hydrobotany is included in the curriculum of the main professional educational programs of the bachelors degree Pedagogical education (majors Biology and Geography, Biology and Chemistry, Biology) as a discipline for students choice. We have developed a model of environmental education of students in the process of teaching Hydrobotany. It consists of four components: targeted, substantive, procedural, monitoring and evaluation. The target component-includes the purpose and objectives of the discipline Hydrobotany in the field of environmental education of students. Content component-covers the system of environmental knowledge on Hydrobotany; skills and experience of activities on the ecology of aquatic plants; value systems for aquatic plants and their communities; special competence of aquatic plants ecology study, their protection, careful and rational use. Procedural component-contains forms, methods, tools and technologies of environmental education. Control and evaluation component includes educational results; forms, types and methods of control, as well as a system of evaluation of individual achievements of students.

Intensive migration processes of the last thirty years, where the Russian Federation is an active participant, lead to a gradual change in the ethnic composition of residents in a number of Russian regions. On the basis of field research in a number of educational organizations of Sverdlovsk region in 2021 and the analysis of the situation in the field of interethnic relations, the authors substantiate the need for the formation of intercultural competence by means of education. By the population composition with the passing of time Sverdlovsk Region will eventually become even more multinational, including due to migrants from the Central Asian countries coming both to work and to obtain citizenship. The regional authorities take this aspect into account in their work with the population: there is an Advisory Council for Nationalities, dozens of public organizations representing the ethno-cultural interests of a number of diasporas and ethnic groups, large interregional public organizations dealing with interethnic interaction. The problem of adapting children and youth from families with a migration history to a non-ethnic environment deserves attention, since the level of social tension and conflict of interethnic relations in the region where they live will potentially depend on the degree of their inclusion (integration) into the Russian society as they grow up. If multicultural Yekaterinburg schools and schools of Sverdlovsk region from time to time become the subject of consideration by researchers, there are no open access scientific publications of a complex nature that would systematically characterize the situation in the field of interethnic relations in educational organizations in the region, especially at the level of secondary vocational education. The study of the ethno-cultural component representation in the education system of Sverdlovsk region is conducted, as an example, the systematic work in forming intercultural competence in Sverdlovsk Regional Medical College is examined, recommendations are given to introduce “Ethics and culture of interethnic communication” as a basic discipline into the curricula of educational organizations of secondary vocational education.

The cycle of choice “Preclinical experimental research” is an integral component of the compulsory discipline “Pharmacology”. Successful pedagogical training of scientific personnel (graduate students) became possible thanks to the development of the curriculum, which, first of all, became possible thanks to the efforts of the scientific personnel of the Pharmadar Educational and Research Laboratory. They provide not only the functioning of the cycle, but also carry out the scientific and practical burden of fulfilling the tasks of scientific research and economic calculation programs. The composition of the mandatory documentation of pedagogical (educational) work, on which the training of graduate students studying the cycle “Preclinical Experimental Research” is carried out, includes: a practical training program for applicants for the degree of candidate of medical sciences in the specialty 14.03.05 – “pharmacology”; the provision on attaching to the Department of Pharmacology approved by the Academic Council in order to master the mandatory program “222 – medicine, pharmacology”; thematic and calendar plans; independent work; list of additional literature; guidelines The laboratory staff, with the help of graduate students and doctoral students, have developed, improved and patented a number of methods for providing preclinical studies. Thus, the functioning of an educational research laboratory creates an optimal and rational scientific and practical basis for the preparation of a Ph.D. by mastering a post-graduate cycle of choice “Preclinical experimental research”, which was shown by the example of the functioning of the laboratory. In the future, it is appropriate and promising to develop a curriculum for English-speaking students, given the constant increase in their number among university entrants, and as a result — increase in the proportion of foreign citizens, among graduates and entering postgraduate study.

Методы петрографии давно и успешно применяются в геологии для описания и классификации горных пород. Во второй половине XIX в. они были заимствованы исследователями для изучения глиняных изделий, с целью определения компонентного состава сырья и минералов, использованных в качестве отощителя, а также для установления степени их изменений в процессе декарбонизации. Кроме того, петрография позволяет изучать органические остатки в составе формовочной массы с целью определения температуры обжига изделия. Со временем данное направление переросло в отдельную дисциплину, получившую название керамической петрографии и ставшей, по сути, археологическим методом изучения артефактов из глины, сочетающим традиционные археологические (визуальный, морфологический, типологический и т.д.) и естественнонаучные приемы характеристики керамики. В статье рассматривается отечественная и зарубежная историография, посвященная петрографическому анализу, преимущественно, обожженных сосудов. Главный акцент делается на исследованиях, затрагивающих основные вехи развития самого метода, а также характеризующих опыт его применения при изучении керамики античной эпохи. В статье также затрагиваются проблемы современного состояния керамической петрографии в отечественной науке. Petrography methods have long been successfully used in geology to describe and classify rocks. In the late half of the 19th century, they were borrowed by researchers to study clay products in order to establish the component composition of raw materials and minerals used as a non-plastic additives, as well as to determine the degree of their changes in the process of decarbonitization. In addition, petrography makes it possible to study organic residues in the composition of the molding mass in order to determine the firing temperature of the product. Over time, the approach has grown into a separate discipline called ceramic petrography and has become, in fact, an archaeological method of studying clay artifacts, combining traditional archaeological procedures (visual, morphological, typological analyses, etc.) and scientific methods. The article deals with Russian and foreign historiography devoted to the petrographic analysis, mainly of fired vessels. The main emphasis is placed on research that touches on the main milestones of the development of the method itself, as well as characterizing the experience of its application in the study of pottery making in classical antiquity. The article also touches upon the problems of the current state of ceramic petrography in Russian science.

Improving the effectiveness of education in the teaching of computer graphics is the organization of the educational process using new information and communication technologies, as well as quality control of the learning modules. With this in mind, the article provides a theoretical analysis of the methodology of compiling test questions from computer graphics and some related graphic disciplines. The relationship of factor theory to the graphical sciences has been identified. As a result, the three-level test task system structure based on specific formulas and their factors has been studied so far. Also, the system of assessment of students in four categories was tested using a general automated software tool for questionnaires and test control. Based on the results, mathematical statistical analysis was performed, and the range of variation of the four categories was shown.

Two geometric-graphic Olympiads are held in St. Petersburg: the urban Olympiad in descriptive geometry, initiated by BSTU “VOENMECH” since 1979, and the Olympiad called “Engineering Computer Graphics”, conducted by LETI and ITMO. The peculiarity of the Olympiad in descriptive geometry is its democracy. Its content and organization features are supervised by the professional community, which is united by the section “Geometry, Graphics, Design” of the House of Scientists named after M. Gorky. Competition tasks are developed not only by the organizers. Accepted and suggestions of participants. The content of the Olympiad eventually changes, contributing to its development. Thus, at the suggestion of a number of participants, a comprehensive task was introduced to know the main sections of the course, the task of composition of the task. Despite the withdrawal of the course of descriptive geometry from a number of standards, the fundamentals of this discipline are kept up to date with engineering graphics, which ensures participation in the Olympiad of 7–10 leading technical universities of the city. Olympiad in engineering computer graphics can be attributed to the problem: the level of tasks, focused exclusively on the bachelor degree; on the principles of organization (problem bank of tasks, features of the appeals process); authoritarian chairman of the jury. As a result, it was boycotted by universities, which, unlike the winners, show decent results at All-Russian Olympiads. Among the All-Russian Olympiads, the Olympiad held by MIT stands out. The organizers managed to create a complex competition, which included the ability to solve interesting applied problems on an orthogonal drawing, possession of tools for creating three-dimensional models and drawings of technical products. Given the experience of MIT, the need to create in St. Petersburg an alternative computer graphics competition that is not purely instrumental in nature, the GUT organized an Olympiad called “Total Drawing”. This competition, held under the direction of the chairman of the jury of Professor D.Voloshinov, is gaining popularity. The article discusses and analyzes the principles of organization and the content of these competitions, offers for their modernization and development.

The music of the twentieth century is characterized by multidimensional concepts, a variety of composing techniques, a complex content context, which makes it difficult to master the studied material in the lessons of theoretical disciplines of music educational institutions. The purpose of the article is to substantiate the specifics of studying the musical art of the twentieth century within the disciplines of the theoretical cycle of the modern multilevel system of music education. The main method of research was a complex, requiring an interdisciplinary approach (art history, musicology, cultural studies, pedagogy, music pedagogy). The scientific novelty of the study consists in identifying optimal approaches to mastering one of the most difficult periods of composer creativity for students to perceive. As a result, a thesis formulation of the categorical and conceptual apparatus of the studied creative trends, trends and compositional styles with an accompanying illustrative series, both auditory and visual, is proposed. The practical significance of the research lies in the fact that the methodological approaches presented in the work in the study of musical art of the twentieth century will be in demand within the framework of theoretical disciplines at different levels of musical education. The materials are addressed primarily to top-level teachers (bachelor's degree, within the framework of studying the disciplines "History of Foreign Music" and "Music of the twentieth century"), however, they may be in demand, including fragmentary, and in college, and with some adaptation in high schools of music and art schools when studying the composition of the twentieth century centuries.

Speculation as to the origins of music flourished around 1900, in the climate of the recently institutionalized academic discipline of Musikwissenschaft at German-speaking universities. Even across the methodological divides of the young discipline, virtually all branches of Musikwissenschaft participated in this search, which was fueled by the nineteenth-century "philosophy of origins," a powerful ideology that invested special metaphysical significance in the point of departure. Resonating with such concepts as authenticity, autochthony, stability, and purity, the philosophy of origins encouraged a search particularly for the Germanic origins of music. The article traces how various branches of Musikwissenschaft-psychological, ethnological, theoretical, and historical-contribute to this search by reconstructing these elusive origins of music, and at the same time (to varying degrees) establish a sense of identity. This search for origins was not merely of archaeological interest but became instrumental in defining the meaning of Musik as the object of the wissenschaftlich enterprise in the young discipline-not coincidentally at a time when this object, the tradition of tonal music, was increasingly perceived to be under threat from contemporary composition.

One of the most important pedagogical tasks is the timely updating of the content of both the educational program, in general, and the work programs of disciplines (modules), according to the development trends of modern higher education and ongoing innovations in the professional field, for which a university graduate is preparing. The article is devoted to the consideration of the issue of selection of the content of foreign language training of master’s students of the educational direction. Based on the analysis of the requirements of the current legal documents, the main points of the language policy content in the field of domestic foreign language education (the introduction of competence-based, subject-activity and other approaches, the expansion of research activities, etc.) have been identified, which make it possible to justify the main selection criteria of the content of foreign language education at the university. As a result of the analysis of scientific literature, the concept of «content of education» and its components composition have been clarified. The list of professional tasks and typical communicative situations, ensuring the achievement of the results of mastering the content of the pedagogical master’s program (competencies, personal qualities), necessary for a modern teacher in the field of foreign language education, is given. In the conclusion, a number of recommendations are proposed on the technology of content design of foreign language education for masters are suggested.

The number of women entering the field of psychology has steadily increased to nearly 75% over the past decade (APA, 2019). During this time, the number of women in psychology who identify as racial and/or ethnic group member has also increased (APA, 2019). The discipline of psychology prides itself on inclusivity and has worked to increase the retention of members with varying cultural and gender identities (APA n.d.b., & APA, n.d.c.). Shifts in composition, however, have not been reflected among higher ranking professionals within the field (e.g., faculty, supervisors; Office of Program Consultation and Accreditation, 2015). This disparity warranted a qualitative investigation on the experiences, emotions, and reactions to microaggressions for women emerging in psychology (n = 264). Although psychology-related professionals aspire to be more inclusive and maintain an explicit orientation to social change, microaggressions have a large purview from which no field is excluded. Findings from women’s narrative responses revealed 4 types of microaggressions, 11 elicited emotion themes, and 6 types of reactions to microaggressions. Results highlight how women manage their emotions and reactions to microaggressions in institutional environments while considering individual and collective stigma consciousness. Monitoring and documenting the social conditions of this field can increase support and allyship, which facilitates retention for women pursuing and earning doctoral degrees in psychology.

The degree of variability in the composition of herbal medicines was studied on the example of the preparation of St. John's wort from various Ukrainian producers. The Cu and Zn contents were the most stable compared to other (Fe, Mn, Co, Cr, Ni, Pb, Cd) microelements among plants of different origins. The content of toxic elements (Pb, Cd) did not exceed the established standards. Meanwhile, a 2-3-fold concentration difference was observed for hyperforin, an active pharmaceutical ingredient in St. John’s wort. Thus, the existing standards do not ensure the stability of the composition of herbal preparations. As a result, the quality of medicinal drugs can be significantly different. The key reason for the variation in plant composition is environmental influence, including anthropogenic factors. Existing training programs for prospective specialists of the pharmaceutical industry do not pay enough attention to the impact of the environment on the quality of herbal raw materials. Necessary changes to the syllabi of relevant disciplines are formulated to eliminate this shortcoming and ensure sustainable development of raw materials sources for the pharmaceutical industry.

A worrying trend in the Malaysian higher education environment is that students graduating not only with diplomas or degrees of their disciplines but also with debts. Graduates with debts becomes a serious issue when loan but also other debts that they create since entering the job market. This paper examines the debt composition of 186 graduates and their attitudes towards education loans. The education debt-to-income ratio is found to be in the range of 1.8 percent to 12 percent; where a ratio beyond 8 percent is deemed unsafe. Keywords: graduate debts; education loan; debt-to-income ratio; higher education; attitude to education debts. eISSN 2514-7528 © 2017 The Authors. Published for AMER ABRA by e-International Publishing House, Ltd., UK . This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.

The high level of development of culture and art in modern Russia requires appropriate training of employees for the theater and concert complex. Well-trained specialists will be able to find a job and employment. In the labor market in the field of art and culture, there is creative competition. Therefore, the training of bachelors at the higher educational institutions should be guided by the requirements of the labor market in this area, and the higher educational institutions should produce competitive specialists in creative professions. In the higher education system of modern Russia, the issue of improving the quality of teaching of special (major) disciplines, as well as all subjects included in the training program, is on the agenda of the department collectives. The program trajectory, which is set through the Federal State Educational Standards, is associated with a certain experiment in modeling competencies based on accepted professional standards. An important component is the position of the higher educational institution and the right to develop competencies based on the experience, profile of the university and the composition of the teaching staff. Higher educational institutions have certain academic freedoms and use their opportunities to achieve a higher quality of bachelor's and master's degree training. The article deals with various aspects of vocal pedagogy, the formation of the necessary professional and general cultural competencies, and individual work with students. Such problems are raised by teachers of creative higher educational institutions. We considered it possible to enter into the discussion and conduct a friendly polemic.

This article presents a new approach to interactive spatial sonification of multidimensional data as a tool for spatial sound synthesis, for composing temporal–spatial musical materials, and as an auditory display for scientists to analyze multidimensional data sets in time and space. The approach applies parameter-mapping sonification and is currently implemented in an application called Cheddar, which was programmed in Max/MSP. Cheddar sonifies data in real time, where the user can modify a wide variety of temporal, spatial, and sonic parameters during the listening process, and thus more easily uncover patterns and processes in the data than when applying non-real-time, noninteractive techniques. The design draws on existing literature concerning perception and acoustics, and it applies the author's practical experience in acousmatic composition, spectromorphology, and sound semantics, while addressing accuracy, flexibility, and ease of use. Although previous sonification applications have addressed some degree of real-time control and spatialization, this approach integrates space and sound in an interactive framework. Spatial information is sonified in high-order 3-D ambisonics, where the user can interactively move the virtual listening position to reveal details easily missed from fixed or noninteractive spatial views. Sounds used as input to the sonification take advantage of the rich spectra and extramusical attributes of acoustic sources, which, although previously theorized, are investigated here in a practical context thoroughly tested alongside acoustic and psychoacoustic considerations. Furthermore, when using Cheddar, no specialized knowledge of programming, acoustics, or psychoacoustics is required. These approaches position Cheddar at the junction between science and art. With one application serving both disciplines, the patterns and processes of science are more fluently appropriated into music or sound art, and vice versa for scientific research, science public outreach, and education.

The article analyzes the content of training bachelors in cybersecurity in the modern context of the functioning of higher education institutions. It is noted that the provision of cybersecurity is relevant for many areas of activity, in particular, the fields of science, technology and technology, covering issues related to the protection of cyberspace of the country, individual objects of its infrastructure, characterized these objects. The educational program, which provides for mandatory professional training in order to obtain a bachelor's degree in cybersecurity, is analyzed. Involvement of teachers and professionals working in the system of vocational education and production in the field of information security, as well as business representatives, in order to transfer best practices to future professionals, highlighting the latest advances in science and technology, the rules of successful business. It is noted that in order to develop and update the list of elective subjects at the beginning of the second semester of each academic year, working groups are created at the faculties under the chairmanship of deans. The composition of the working groups is approved by order of the rector. The working groups analyze the quality of educational and methodological and informational support of the submitted disciplines and form their recommendations on quantitative changes in the existing list of disciplines. Based on the analysis of the above information, the working groups form a list of selected disciplines in due time and submit it to the information department for the formation of an updated general academic catalog, which is approved by the Academic Council of the University. The duly approved catalog of selected disciplines recommended for study in the next academic year is posted for acquaintance of higher education students on the official website of the university. It is proved that the program learning outcomes include basic knowledge of basic sciences, to the extent necessary for the development of general professional disciplines, knowledge of the state and one of the foreign languages in order to ensure the effectiveness of professional communication. Knowledge of the functioning of information technology systems and networks and their components of the legislative and regulatory framework, as well as the requirements of relevant, including international, standards and practices for professional activities are important.

The characterization of acid rock drainage (ARD) is traditionally based on mineralogical and geochemical techniques (e.g., Acid Base Accounting tests). The complexity of ARD processes warrants contribution of methods from various disciplines. In the past decade, the increasing role of environmental isotopes in pollution monitoring has enabled the successful application of isotope methods in ARD investigations. While isotopic compositions of different pollutants can refer to their parent mineral, the degree of isotope fractionations are indicative of the mechanisms taking place during the release and transportation of ARD-related contaminants. In natural environments, however, the measured isotope fractionations are predominantly the result of several coexisting or sequential processes. Therefore, the identification and quantification of the distinct contributions of these processes to isotope variations is difficult and requires well-defined laboratory conditions, where the influence of ARD generation on different isotope systems can be assessed with greater certainty. This review provides readers with a single source of information regarding isotopic variations generated by laboratory pyrite leaching.

Rapid urbanization leads to changes in surface coverage and landscape patterns. This results in urban heat island (UHI) effects and a series of negative ecological consequences. Considering this concern and taking Shanghai as an example, this paper concentrates on the effects of surface coverage and landscape patterns on urban land surface temperature (LST). The research is based on quantitative retrieval of remote sensing data with consideration of methods in multiple disciplines, including landscape ecology, geographic information systems, and statistical analysis. It concludes that, over time, the thermal environment of Shanghai is becoming critical. The average LST ranking of different surface coverage is as follows: Construction land (CL) > bare land (BL) > green land (GL) > agricultural land (AL) > water body (WB). LST varies significantly with the type of surface coverage. CL contributes the most to the UHI, while WB and GL have obvious mitigation effects on the UHI. The large area, low degree of landscape fragmentation, and complex outlines lead to low LST rankings for GL, WB, and AL and a high LST ranking for CL. The conclusions indicate that CL should be broken down by GL and WB into discrete pieces to effectively mitigate UHI effects. The research reveals UHI features and changes in Shanghai over the years and provides practical advice that can be used by urban planning authorities to mitigate UHI.

Music theory in Russia and in other countries has substantially elucidated the contemporary academic music culture in its most diverse manifestations. However, educational practice which is focused on academic traditions has been realizing to a greater degree the lack of balance between pedagogy and culture. An evaluation of the situation as a critical one calls forth the ideas of a fundamental renewal of the strategies of musical teaching which are declared to be innovations. The article poses the question about the indispensability of the rectification of this conception, which is endowed with theoretical and practical value, but requires concretization in connection with the placed goals. The author examines the innovational educational principle of work on the advancement of the universal cultural background of students of higher educational institutions and colleges. In correspondence with such a phenomenon as the visualization of audial compositions permeating the network space, this involves a broad implementation of the visual element into the teaching of music theory disciplines. The principles of teaching must transform themselves from the positions of present-day culture and the new mechanisms of its existence.

Background Health care professionals working in intensive care units report a high degree of burnout, but this topic has not been extensively studied from an interdisciplinary perspective. Objective To characterize experiences of burnout among members of interprofessional intensive care unit teams and identify possible contributing factors. Methods This qualitative study involved interviews of registered nurses, respiratory therapists, physicians, pharmacists, and a personal care assistant working in multiple intensive care units of a single academic medical center to assess work stressors. Results Team composition was a factor in burnout, particularly when nonphysician team members felt that their opinions were not valued despite the institution’s emphasis on a multidisciplinary team-based model of care. This was especially true when roles were not well defined at the outset of a code situation. Members of nearly all disciplines stated that there was not enough time in a day to complete all the required tasks. Conclusions Multiple factors contribute to work-related stress and burnout across different professions in the intensive care unit. Improved communication and increased receptivity to diverse opinions among members of the multidisciplinary team may help reduce stress.

Abstract This article presents an analysis of the most recent statue of Bruce Lee displayed in the entrance to the Bruce Lee exhibition at the Hong Kong Heritage Museum. The analysis primarily utilizes O’Toole’s social semiotic framework as outlined in The language of displayed art (1994, 2011) in the tradition of systemic functional linguistics for analyzing the multimodality of sculpture, and provides insights into how the statue represents the kung fu legend Bruce Lee, who created the martial arts discipline of Jeet June Do. The article begins by first analyzing its sculptural features and then interprets these features against the sociocultural context of the city. The paper argues that the cultural background for the representation of Lee in the statue with its unique representational, modal, and compositional features testifies that meanings attributed to visual information in sculpture are to a large degree socially structured and culturally bound. It shows that the location of the statue and its features such as its gaze and torso can be better understood with reference to the political and cultural significance of Lee’s legacies, thereby enhancing our understanding of the social semiotic nature of statues as a means of commemoration- and a significant part of our cultural heritage.

Bibliometric methods are relevant for a range of applications and disciplines. The majority of existing scholarship investigating citation and reference patterns focuses on studying research impact. This article presents a new approach to studying the curriculum using bibliometric methods. Through a review of existing definitions and measures of interdisciplinary research and standardization procedures for comparing disciplinary citations, three measures were considered: variety, balance and dissimilarity. Bibliometric algorithms for assessing these measures were adopted and modified for a curriculum context, and three interdisciplinary programs were investigated that span undergraduate and graduate degrees. Data objects were course syllabi, and required references were coded for disciplinary affiliations. The results indicated that—despite purportedly pursuing a singular goal in the same academic unit—the programs employed distinct citation patterns. Variety was highest in the master’s program, and balance was highest in the doctoral program. Dissimilarity was highest in the doctoral program, yet a novel technique for disambiguating disciplinary composition was implemented to improve interpretation. The analysis yielded unexpected findings, which underscore the value of a systematic approach in advancing beyond discourse by harnessing bibliometric techniques to reveal underlying curricula structure. This study contributed a well-grounded bibliometric method that can be replicated in future studies.

Abstract Motivation Diverse disciplines in biology process and analyze multiple sequence alignments (MSAs) and phylogenetic trees to evaluate their information content, infer evolutionary events and processes and predict gene function. However, automated processing of MSAs and trees remains a challenge due to the lack of a unified toolkit. To fill this gap, we introduce PhyKIT, a toolkit for the UNIX shell environment with 30 functions that process MSAs and trees, including but not limited to estimation of mutation rate, evaluation of sequence composition biases, calculation of the degree of violation of a molecular clock and collapsing bipartitions (internal branches) with low support. Results To demonstrate the utility of PhyKIT, we detail three use cases: (1) summarizing information content in MSAs and phylogenetic trees for diagnosing potential biases in sequence or tree data; (2) evaluating gene–gene covariation of evolutionary rates to identify functional relationships, including novel ones, among genes and (3) identify lack of resolution events or polytomies in phylogenetic trees, which are suggestive of rapid radiation events or lack of data. We anticipate PhyKIT will be useful for processing, examining and deriving biological meaning from increasingly large phylogenomic datasets. Availability and implementation PhyKIT is freely available on GitHub (https://github.com/JLSteenwyk/PhyKIT), PyPi (https://pypi.org/project/phykit/) and the Anaconda Cloud (https://anaconda.org/JLSteenwyk/phykit) under the MIT license with extensive documentation and user tutorials (https://jlsteenwyk.com/PhyKIT). Supplementary information Supplementary data are available at Bioinformatics online.

Purpose Many organizations are seeking unicorn data scientists, that rarest of breeds that can do it all. They are said to be experts in many traditionally distinct disciplines, including mathematics, statistics, computer science, artificial intelligence, and more. The purpose of this paper is to describe authors’ pursuit of these elusive mythical creatures. Design/methodology/approach Qualitative data were collected through semi-structured interviews with managers/directors from nine Australian state and federal government agencies with relatively mature data science functions. Findings Although the authors failed to find evidence of unicorn data scientists, they are pleased to report on six key roles that are considered to be required for an effective data science team. Primary and secondary skills for each of the roles are identified and the resulting framework is then used to illustratively evaluate three data science Master-level degrees offered by Australian universities. Research limitations/implications Given that the findings presented in this paper have been based on a study with large government agencies with relatively mature data science functions, they may not be directly transferable to less mature, smaller, and less well-resourced agencies and firms. Originality/value The skills framework provides a theoretical contribution that may be applied in practice to evaluate and improve the composition of data science teams and related training programs.

Abstract Background Gender underrepresentation has long existed in the science, technology, engineering, and mathematics fields. While there are upward trends in many areas of the life and health sciences, some disciplines are underrepresented in female author numbers, including first and corresponding authors. This study evaluated the participation by women as authors in the field of clinical chemistry. Methods Clinical Chemistry and The Journal of Applied Laboratory Medicine were selected for data collection. Data were classified into four categories: total number of authors for each article, number of female authors for each article, whether the first author was female, and whether the corresponding author was female. From these data, the percentages of female authors, articles with female first authors, articles with female corresponding authors, and articles where a female was either first or corresponding author were calculated. Results Both journals had ≥40% total female authorship, ≥45% female first author, and 64% female first or corresponding author. The 40% female author number matched the percentage of female doctoral degree, board certified clinical chemists, and the 39% female PhDs and MDs in academic clinical pathology departments. Compared with a selected group of science or medicine journals and gender reports, Clinical Chemistry and The Journal of Applied Laboratory Medicine exceeded most journals and gender reports in female total authorship, first author, and corresponding author. Conclusions Women are well represented as authors in these two clinical chemistry journals. Both journals compare favorably against other scientific/medical journals. Female authorship in these two journals also parallels gender composition of the field of clinical chemistry.

Introdução: As Práticas como Componente Curricular (PCC) no curso de bacharelado em Educação Física procuram aproximar o acadêmico da dimensão teórico-prática para fortalecer a sua formação acadêmica, sendo vivenciada nos diferentes contextos profissionais em que poderá vir a atuar. Objetivo: Este estudo objetivou analisar as contribuições que a Prática como Componente Curricular (PCC) promove para a formação acadêmico/profissional do bacharel em Educação Física. Métodos: Caracteriza-se como pesquisa qualitativa do tipo analítica descritiva. A amostra foi composta de 24 acadêmicos do último período de bacharelado em Educação Física de uma Instituição Pública e outros 54 de Instituição Privada do Estado do Paraná. Utilizou-se como instrumento de coleta de dados um questionário estruturado com duas questões abertas. Os dados foram submetidos à técnica de análise de conteúdo, proposta por Bardin (2011), sendo categorizados e apresentados em forma de quadros. Resultados: Os resultados da Instituição Pública e Instituição Privada destacaram contribuições positivas, sobretudo: a) as potencialidades da formação acadêmica; b) ampliação das capacidades na formação profissional; c) estímulo da capacidade de cooperação para a composição de equipes. Enquanto as não contribuições assinalam que a PCC de algumas disciplinas não estão ocorrendo conforme o proposto em seu Projeto Politico Pedagógico, configurando ausência de planejamento e do envolvimento de alguns docentes na organização do processo da PCC, situação em que parte dos bacharéis acaba não identificando o sentido profissional da PCC ora pelas características superficiais apresentadas no processo formativo, ora por dificuldade pessoal de se adequar ao sistema. Conclusão: Conclui-se que essas limitações implicam processos formativos típicos para os bacharéis que vivenciam a Prática como componente curricular ao longo do curso.ABSTRACT. Practice as a curricular component in the initial training of the graduate in physical education. Backgorund: The practices as a Curricular Component (PCC) in the bachelor degree course in Physical Education aim to bring the college students from the theoretical-practical dimension to strengthen their academic training, being experienced in the different professional contexts in which they may work. Objective: To analyze the contributions that provide the student/ professional with training of the bachelor in Physical Education. Methods: It is characterized as qualitative research of descriptive analytical type. The sample consisted of 24 college students from the last semester in Physical Education degree of a public institution and another 54 from a private institution in the state of Paraná. A survey structured with two open questions was used as a data collection instrument. The data were submitted to the technique of content analysis proposed by Bardin (2011), then being categorized and presented in the form of tables. Results: The results of the Public Institution and Private Institution showed positive contributions, above all: a) the potential of the academic formation; b) capacity building in vocational training; c) stimulation of the capacity of cooperation for the composition of teams. While the non-contributions indicate that the PCC of some disciplines is not taking place according to the one proposed in its political-pedagogical project, it means a lack of planning and the involvement of some teachers in the organization of the PCC process, in which part of the graduates end up not identifying the professional sense of the PCC, or the superficial characteristics presented in the training process, or because of the personal difficulty of adapting to the system. Conclusion: It is concluded that these limitations imply typical training processes for the graduates who experience the practices throughout the course.

<P>Background: Photoluminescent materials have been used for diverse applications in the fields of science and engineering, such as optical storage, biological labeling, noninvasive imaging, solid-state lasers, light-emitting diodes, theranostics/theragnostics, up-conversion lasers, solar cells, spectrum modifiers, photodynamic therapy remote controllers, optical waveguide amplifiers and temperature sensors. Nanosized luminescent materials could be ideal candidates in these applications. </P><P> Objective: This review is to present a brief overview of photoluminescent nanofibers obtained through electrospinning and their emission characteristics. </P><P> Methods: To prepare bulk-scale nanosized materials efficiently and cost-effectively, electrospinning is a widely used technique. By the electrospinning method, a sufficiently high direct-current voltage is applied to a polymer solution or melt; and at a certain critical point when the electrostatic force overcomes the surface tension, the droplet is stretched to form nanofibers. Polymer solutions or melts with a high degree of molecular cohesion due to intermolecular interactions are the feedstock. Subsequent calcination in air or specific gas may be required to remove the organic elements to obtain the desired composition. </P><P> Results: The luminescent nanofibers are classified based on the composition, structure, and synthesis material. The photoluminescent emission characteristics of the nanofibers reveal intriguing features such as polarized emission, energy transfer, fluorescent quenching, and sensing. An overview of the process, controlling parameters and techniques associated with electrospinning of organic, inorganic and composite nanofibers are discussed in detail. The scope and potential applications of these luminescent fibers also conversed. </P><P> Conclusion: The electrospinning process is a matured technique to produce nanofibers on a large scale. Organic nanofibers have exhibited superior fluorescent emissions for waveguides, LEDs and lasing devices, and inorganic nanofibers for high-end sensors, scintillators, and catalysts. Multifunctionalities can be achieved for photovoltaics, sensing, drug delivery, magnetism, catalysis, and so on. The potential of these nanofibers can be extended but not limited to smart clothing, tissue engineering, energy harvesting, energy storage, communication, safe data storage, etc. and it is anticipated that in the near future, luminescent nanofibers will find many more applications in diverse scientific disciplines.</P>

390 Background: HCC incidence continues to rise and presents a myriad of complex challenges involving multi disciplines to screen, diagnose, and provide personalized therapy. Recent advances in diagnostics and therapies necessitate a well-coordinated multidisciplinary approach in managing HCC patients, signaling a need to understand care within community care. The study aimed to understand how multidisciplinary cancer programs were structured to manage HCC care and to identify challenges and practices for management of HCC, a cancer less commonly seen in community care settings. Methods: The Association of Community Cancer Centers (ACCC) developed a survey to identify factors associated with delivery and coordination of care for HCC patients. The survey deployed electronically in July 2018 to multidisciplinary providers, representing 17 oncology professions. Of responses (n = 31), 69% identified their care setting as a “non-teaching community hospital, freestanding cancer center, private practice or other.” Results: 61% of respondents indicated their cancer programs do not have specialized hepatobiliary multidisciplinary team. Among those who have hepatobiliary multidisciplinary teams the composition and degree of specialization varied. 85% of respondents that do not have a specialized hepatobiliary team indicated that HCC patients are managed in consultation with a general tumor board. 52% indicated their program discussed participation in clinical trials with all HCC patients, and 55% of cancer programs conducted HCC clinical trials. 52% indicated their program had a formal pathway that outlines adherence to the NCCN guidelines for HCC management, 5% were in the process of developing and 43% were not in the process of developing such a pathway. Of respondents that reported barriers their program faces (n = 13) 31% indicated lack of psychosocial services, lack of screening and no/limited access to clinical trials. 23% responded delayed treatment and 15% responded delayed diagnosis as challenges. Conclusions: Review of multidisciplinary care delivery for HCC patients revealed unique protocols and challenges within primarily community-based settings.

This article provides the results of the synoptic-theoretical analysis aimed at identification and examination of the fundamentals of linguoaxiological potential of the English-language dramaturgical discourse, which is the subject of this research. The object of is the discursive-communicative vectors of axiological linguistics as a relevant scientific trend that is in the process of development of its own theoretical platform. At this stage, within the designated subject area, the question of viable factual basis for discursive-communicative linguoaxiological interpretation remains unresolved, i.e., which language material is appropriate to use in elaboration of the leading theoretical provisions of the new scientific discipline. The novelty of this research consists in formulation and substantiation of the scientific solution aimed at filling the methodological lacunarity. The goal lies in mapping and systematization of the discursive-communicative characteristics of the English-language dramaturgy from the linguoaxiological perspective. Based on the acquired results, the author specifies the conceptual-terminological framework for studying dramaturgical discourse, as well as provides arguments that justify reference to the used language material. The author specifies the discursive-communicative characteristics that determine the linguoaxiological load of the English-language dramaturgical discourse. The conclusion is made that dramaturgical discourse has a complex linguopragmatic, linguocognitive, and linguoculturological nature, which contributes to the formation of its polyaspect linguoaxiological specifics. Dramaturgical discourse is also a unique structural-compositional formation, being a system of interacting subdiscourses, each of which is characterized by a variable degree of engagement in the systemic implementation of linguoaxiological potential. The dramaturgical dialogue, as the central dramaturgical subdiscourse, has a relatively independent set of properties, which nominate it as a space of heightened axiogeneity. The conducted research contributes to the formation of theoretical provisions of axiological linguistics at the modern stage of its development, as well as further clarification of this subject field.

The system of scientific certification, which was gradually formed in the Russian Empire in the first half of the 19th century, included higher educational institutions on the territory of the Belarusian­Lithuanian provinces: Vilnia University, Vilnia Medical and Surgical Academy, Polatsk Jesuit Academy, Vilnia Roman Catholic Academy. The training of scientific personnel in the natural sciences and humanities was the responsibility of the professorial colleges of these educational institutions, each of which was an independent certification center. The activities of these educational institutions within the framework of the system of scientific certification assumed the existence of a hierarchy of academic degrees, the composition of which was actually reduced to the following scheme: “candidate” – “master” – “doctor of sciences”. The most representative on the scientific and pedagogical weight and the number of professors and teachers was Vilnia University. The practice of defending of the dissertations by specialists from internal Russian provinces and from abroad in it evidenced of the high recognition of Vilna University. Vilnia University and the Vilnia Medical and Surgical Academy were well­known centers for the training of scientific personnel in the field of medical sciences. Under the academic jurisdiction of the Vilnia University, as well as the Polatsk Jesuit Academy, Vilna Roman Catholic Academy was theology. A significant contribution to the training of scientific personnel, the creation of new areas of agricultural science was made by the Hory­Horki Agricultural Institute, although it was not an independent center of scientific certification. After the closing of this institute, there were no higher educational institutions in Belarus capable of training specialists for scientific research, but at the beginning of the 20th century. a certain role in the formation of personnel in the field of special historical disciplines was played by the Vitsebsk branch of the Moscow Archaeological Institute.

BackgroundIn recent years, the role of inflammatory microenvironment induced by gut microbiome in the occurrence and development of CRC has received increased attention across a number of disciplines. WLS is a probiotics product consisted of with 6 billion live probiotics, mainly Lactobacillus helveticus and Bifidobacterium longum. To further explore the influence of gut microbiome in the anti-tumor efficacy of patients with mCRC, we conducted a randomized controlled trial (NCT04021589).MethodsPatients receiving corresponding systemic therapy were randomly included into the WLS-intervention and the control arms. Fecal samples were collected at baseline and about two months after treatment initiation. Gut microbiota composition was assessed using shotgun metagenomic sequencing. Best clinical response was dichotomized as partial remission (clinical benefit, CB) versus stable disease or disease progression (non-clinical benefit, NCB). Metagenomic analysis across patients with CB and NCB was conducted and random forest model training was employed to predict the efficacy of treatment.Abstract 414 Figure 1Metabolic pathways for differential enrichment. Metabolic pathways for differential enrichment of the gut microbiome genome in microbiota preparation group through KEGG analysisResultsA total of 40 patients with mCRC in two tertiary hospitals were enrolled. Dynamic metagenomic analysis indicated that during systemic treatment, the a diversity of the gut microbiome were all decreased in both arms. It has been reported that higher a diversity is associated with a better prognosis, while the degree of decline in WLS-intervention group was a relatively minor change. GO enrichment analysis of differential genes indicated a strong enrichment for genes related to lipid metabolism after WLS intervention (figure 1; p<0.01). Lipopolysaccharide (LPS) could regulate the accumulation of monocyte-like macrophages and promote the inflammatory microenvironment in a chemokine-dependent manner, while WLS intervention down-regulated genes related to its synthesis pathway, which may slow the development of CRC. Random forest model showed abundance of Desulfovibrio_vulgaris and Parvimonas_sp._oral_taxon_393 predominantly discriminated between CB and NCB. They were then used to construct a classifier, which achieved an AUC of 0.95 for efficacy prediction.ConclusionsThis prospective randomized pilot study provided insights for influence of the gut microbiome with probiotics in mCRC. WLS could maintain intestinal microecological balance of patients with mCRC by decreasing the degree of abundance of gut microbiome fall after chemotherapy and down-regulating lipopolysaccharide metabolism-related pathway. We established a novel classifier that accurately distinguished between patients with CB and NCB on systemic therapy.Trial RegistrationNCT04021589Ethics ApprovalThis study has been approved by Clinical Research Ethics Committee of the First Affiliated Hospital, College of Medicine, Zhejiang University. Acceptance number: IIT20200348A-R1

Purpose The purpose of this paper is first to determine the competencies required of risk managers and second to consider the implications of such competencies in determining modules for inclusion in the curriculum framework of an undergraduate qualification in risk management. Design/methodology/approach A qualitative research approach was followed, involving risk management professionals in a focus group and making use of interactive qualitative analysis (IQA). Findings The competencies identified are managerial and risk management knowledge, attributes such as assertiveness and steadfastness and ethical values, as well as people and technical skills. These are explained in greater detail in this paper. Research limitations/implications The unique contribution of the current research was the innovative use of IQA for data collection, the removal of subjectivity and the rigour in analysing and presenting the results. The results provide a starting point for designing a curriculum that will both meet the requirements of the professional body and will equip graduates with the best possible combination of knowledge, attributes, values and skills needed by the risk management profession. The implications for further research include that a comparative IQA study of the competencies of risk managers using academics from the field could be undertaken, as well as a study of the design, benchmarking and validation of a proposed curriculum for an undergraduate degree in risk management. The purpose of this study was not to compile a curriculum for a new BCom (risk management). However, this was beyond the scope of the current study. IQA uses rigour and eliminates the bias of the researcher, and the one limitation of this research lies in the use of a focus group, which resulted in the findings not being generalizable as the case would have been with a representative sample used in the positivist paradigm and using appropriate statistical analysis. However, this study was exploratory and could serve as a valuable starting point for further research in this area to perform a comprehensive curriculum development. Practical implications This study found that constituents of the focus group perceived that the following competencies are required of risk managers, namely, knowledge, skills, attributes and values. These competencies correspond closely with the competencies indicated in the Risk and Insurance Management Society (RIMS) Professional Core Competency Model, except that RIMS subdivides knowledge into three categories, namely, business, organisational and risk management knowledge. Similarly, RIMS distinguishes between management skills and technical skills. The attributes identified by the focus group of this study were similar to those identified by RIMS. However, the focus group emphasised values such as integrity, ethical conduct, respect and accountability. However, unlike RIMS, these were not perceived as one of the five core competencies, but rather as a stand-alone competency in its own right, which risk managers need to be successful. RIMS could consider reviewing its core competencies by allocating three closely related aspects, namely communication, collaboration and consultation to technical skills. Core competencies may be replaced by core values, which are literally at the centre of all the competencies required. Such core values are enhanced by the RIMS Code of Ethics (2019) and significantly contribute to the professionalization of risk management. RIMS could also consider providing guidelines to universities for those competencies that could be taught or learnt, to be included in their curricula and to accredit universities who meet such requirements. Social implications The findings of this study also serve as a starting point for the reintroduction of a BCom (risk management) degree by Unisa. Despite the requirements of the South African Qualifications Authority (SAQA) and the Council for Higher Education (CHE), this study demonstrated that a specialised degree in risk management needs to be offered to meet the need expressed by IRMSA for professional risk managers in Southern Africa, and such a degree should ideally be curriculated based on the competencies identified in this article. The implication for public policy is that SAQA and the CHE need to reconsider their rigid stance about the composition of specialised qualifications, and rather set a range of 33-50% for subjects from the field of specialisation that must be included in the curricula of specialised degrees. As indicated by this research, a combination of subjects from different disciplines is required to enhance the competencies and employability of risk management graduates. Originality/value The use of IQA is a novel way of ensuring rigour and objectivity in arriving at the required knowledge, attributes, values and skills of risk managers, and aids in the compilation of a new curriculum for an undergraduate qualification in risk management, thus ensuring the qualification will provide a competency-based qualification that will meet the needs of the profession.

Background. The article is devoted to the piano work of the outstanding composer, pianist and teacher Mao-Shuen Chen (born 1936), his contribution to the art of music and education in Taiwan. Music education received in Taiwan, and then – in European countries, allowed Mao-Shuen Chen to significantly develop and modernize his native national art. His methodical works, textbooks and collections of exercises for piano became the basis of his own method of teaching, which the musician has long successfully used in public and private music schools in Taiwan. An important role in Mao-Shuen Chen’s unique pedagogical system is also played by his piano works, especially sonatinas. The sonatinas of Mao-Shuen Chen act as a kind of link between school-level compositions and opuses of the highest pianistic complexity. They are collected in three notebooks, each of the next of which represents a higher degree of pianistic complexity. Sonatina makes it possible, in a simpler and more compact-scale presentation, to prepare students for mastering a more complex genre – the sonata. Mastering the sonata form for members of the Taiwanese musical tradition is a particularly difficult task, due to differences in European musical thinking, within which the sonata originated, and the peculiarities of national music, which is usually the focus of composers. However, the genre of sonatina in the works of Mao-Shuen Chen and its role in the development of sonata thinking of Taiwanese students have not been studied to date. Objectives and methodology. The purpose of this research is to reveal the peculiarities of the interpretation of the genre of sonatina in the piano work of Mao-Shuen Chen, its role in the pedagogical system of the Taiwanese musician and its artistic and pedagogical value. In this connection the characteristic of the pianistic level of complexity of the works under consideration is given, their technical and artistic difficulties are revealed. For this, various methods of research were applied: genre-style, intonational analyses, systematization, musical-aesthetic and interpretological approaches. Results. Thanks to a well-organized educational system of methodological works, books, musical anthologies and audio recordings, Mao-Shuen Chen was able to build his own pedagogical approagh and introduce his teaching methods to many young musicians striving to acquire a high professional level as a performer and a teacher. In this system of mastering piano professionalism, thirty-five sonatinas by Mao-Shuen Chen, created from 1980 to 2015, occupy an important place. Sonatinas are very useful in preparing piano students to study more complex compositions written in sonata form. All sonatinas are dominated by the flavor of Taiwanese folk music. So, at the heart of Sonatinas Nos. 1–5, 7, 11, 17, 21 is the pentatonic scale of the mode “shan”, which can be expanded with additional steps. The exceptions are Sonatina No. 6, written using the atonal writing technique, and Sonatina No. 8, which is based on the Western European tonal system. Considering the rhythmic organization as the basis of music, the composer demonstrates in his sonatinas various versions of the musical meter and rhythm – complex and variable metering, syncope, polyrhythm, etc. He arranges these elements in his sonatinas from simple to complex. Mao-Shuen Chen pays great attention to polyrhythmic combinations 3: 2, 4: 3, 4: 6 and, considering them important for mastering the educational didactic. They can be considered the same instructive material as rhythmic exercises or etudes. For example, Sonatinas Nos. 3–6 are based on polyrhythm 3: 2, 2: 3, Sonatinas Nos. 7–8 – on combinations 3: 4 and 4: 3. It is no coincidence, that they also published in the composer’s educational methodological manual – the collection “Piano School and Piano Exercises 3: 4, 4: 3” (1990). The final Sonatinas (Nos. 32–34) by Mao-Shuen Chen require a high degree of pianistic mastership from the performer. They present works that combine complex elements of the Taiwanese national musical language and contemporary Western composer writing. The intonational and dynamic richness, variety of rhythmic patterns, irregular meters, extraordinary line drawing indicate that these works can rightfully be considered one of the brightest examples of the modern repertoire and can be widely represented on the concert stage. Conclusions. Mao-Shuen Chen made significant contributions to Taiwanese musical culture, especially in the areas of composition and music education. Among the many genres of his work, piano music occupies the most significant place. Having devoted many years to teaching in the higher musical institutions of Taiwan, Mao-Shuen Chen has developed a coherent system of teaching materials from the level of musical elementary school to higher education, with a focus on the practice of solfeggio and fundamental professional disciplines. The composer devoted a significant part of his attention to works of the sonata form – sonatinas and sonatas. In this regard, he can be compared with the Western European classic, the “patriarch of the piano” M. Clementi, who created a harmonious system of progressive mastery of pianistic skill. In all of his works, Mao-Shuen Chen represents his aspiration for the model of Western musical education, carefully preserving the Taiwanese national cultural tradition. He creates compositions with a typical Western structure, which should be performed on a Western musical instrument, but they clearly reflect the ChineseTaiwanese national flavor. Since the piano sonatas of Mao-Shuen Chen present high demands on performers due to their large volume, considerable virtuosity and the complexity of the rhythmic organization of texture, their mastering is possible only after passing through the simpler opuses of the Taiwanese composer.

This review examines selected areas of cardiovascular physiology where there have been impressive gains of knowledge and indicates fertile areas for future research. Because arterial blood is usually fully saturated with oxygen, increasing cardiac output is the only means for transferring substantially more oxygen to tissues. Consequently, any behavioural or environmental change that alters oxygen uptake typically involves a change in cardiac output, which in fishes can amount to a threefold change. During exercise, not all fishes necessarily have the same ability as salmonids to increase cardiac output by increasing stroke volume; they rely more on increases in heart rate instead. The benefits associated with increasing cardiac output via stroke volume or heart rate are unclear. Regardless, all fishes examined so far show an exquisite cardiac sensitivity to filling pressure and the cellular basis for this heightened cardiac stretch sensitivity in fish is being unraveled. Even so, a fully integrated picture of cardiovascular functioning in fishes is hampered by a dearth of studies on venous circulatory control. Potent positive cardiac inotropy involves stimulation of sarcolemmal β-adrenoceptors, which increases the peak trans-sarcolemmal current for calcium and the intracellular calcium transient available for binding to troponin C. However, adrenergic sensitivity is temperature-dependent in part through effects on membrane currents and receptor density. The membrane currents contributing to the pacemaker action potential are also being studied but remain a prime area for further study. Why maximum heart rate is limited to a low rate in most fishes compared with similar-sized mammals, even when Q10 effects are considered, remains a mystery. Fish hearts have up to three oxygen supply routes. The degree of coronary capillarization circulation is of primary importance to the compact myocardium, unlike the spongy myocardium, where venous oxygen partial pressure appears to be the critical factor in terms of oxygen delivery. Air-breathing fishes can boost the venous oxygen content and oxygen partial pressure by taking an air breath, thereby providing a third myocardial oxygen supply route that perhaps compensates for the potentially precarious supply to the spongy myocardium during hypoxia and exercise. In addition to venous hypoxemia, acidemia and hyperkalemia can accompany exhaustive exercise and acute warming, perhaps impairing the heart were it not for a cardiac protection mechanism afforded by β-adrenergic stimulation. With warming, however, a mismatch between an animal’s demand for oxygen (a Q10 effect) and the capacity of the circulatory and ventilatory systems to delivery this oxygen develops beyond an optimum temperature. At temperature extremes in salmon, it is proposed that detrimental changes in venous blood composition, coupled with a breakdown of the cardiac protective mechanism, is a potential mechanism to explain the decline in maximum and cardiac arrhythmias that are observed. Furthermore, the fall off in scope for heart rate and cardiac output is used to explain the decrease in aerobic scope above the optimum temperature, which may then explain the field observation that adult sockeye salmon ( Oncorhynchus nerka (Walbaum in Artedi, 1792)) have difficulty migrating to their spawning area at temperatures above their optimum. Such mechanistic linkages to lifetime fitness, whether they are cardiovascular or not, should assist with predictions in this era of global climate change.

The proposed scientific article is devoted to the analysis of problematic issues of assessing the objective side of the composition of the crime of domestic violence. The research topic is chosen taking into account its relevance and significance for the development of legal science and practice. Methodology. The methodological base of the research consists of such principles as: objectivity, historicism, comprehensiveness. The role of systematic and complex approaches is recognized as decisive for scientific research. According to these approaches and principles, the methodological basis of the research is a complex of philosophical, general scientific, and special methods of cognition. In particular, analysis and synthesis were used; abstraction, generalization; induction and deduction and other methods of scientific research. The theoretical basis of the study is the scientific work of domestic scientists, materials of judicial practice and legal provisions of current legal acts in the field of prevention and counteraction of domestic violence. The results of the study revealed the essence of scientific discussions regarding the issue of criminal-legal qualification of domestic violence. The general theoretical foundations of criminal-legal qualification are indicated and the disposition of Art. 126-1 of the Criminal Code of Ukraine. It was established that the feature "systematicity" in the disposition of Art. 126-1 of the Criminal Code of Ukraine. It was found that the legislative definition in Art. 126-1 of the Criminal Code of Ukraine, the consequences of domestic violence (physical and psychological suffering, health disorders, loss of working capacity, emotional dependence, deterioration of the victim's quality of life) also require clarification and agreement regarding the accuracy of single criteria, approaches to their interpretation, assessment, and degrees of severity. In this regard, the views of scientists regarding the rules of qualification of crimes related to domestic violence are highlighted. The significance of domestic violence investigation methodology is emphasized. Based on the results of the analysis, scientific provisions and conclusions, recommendations were formulated. The conclusions, theoretical propositions and proposals formulated and argued in the research can be used in: - in law-making - for further improvement of the system of prevention and countermeasures against domestic violence; - to the applicable law - to improve the practical efficiency and effectiveness of measures in the field of prevention and countermeasures against domestic violence; - scientific and research field - for further development of theoretical and applied principles of prevention and countermeasures against domestic violence;- the educational process - during the development of lectures, seminars, practical classes in the educational disciplines "Criminal law", "Criminal process", "Evidence and proof in criminal proceedings", "Theory of qualification of crimes", "Theory and practice of pre-trial investigation", " Legal psychology".

The author of the article refers to one of the intellectual aspects of the genesis of English penitentiary reforms of the 18th century. The progressive increase in crime rate, which English society faced in the 18th century, became a popular trend in social discourse, being left off “board” of historical penology that developed till the middle of the 20th century in the line of the normativism approach. Historiographic schools traditionally treated the evolution of English criminal justice system of the 18th century as the history of sanctions and led complicated social processes to forming severe “vertical of subordination”. The dislocation of the vector of historical researches to interdisciplinary anthropological field led to the emergence of new methods of reconstructions of historical world. The author applied theoretical aspects and tools of “cultural-intellectual and new social history” and it helped to consider imperious relationships in the epoch of the reforming of criminal justice system in the mirror of representation in historical narratives in social-cultural context and reality of Great Britain in the 18th century. The aim of the following research is to analyze criminal biographies from the Newgate Calendar for comprehension of the psychology of a crime both in the point of view of its direct subjects and through the prism of literary and personal interpretation. To reach the goal the author solves the following tasks: - considers the phenomenon of crime from the point of view of their subjects, on the one hand, and the public in the search for universal forms of neutralization of criminal aggression and ways of realization of the punishment in the stated period, on the other; - analyzes the criminals’ psychological state and emotional reactions taking into account classical studies in criminal psychology; - shows the specifics of the manifestation and perception of violence and “crime and retribution” interpretation in the social and spiritual-intellectual contexts of the period In the framework of the study, the author resorts to both special historical and source study methods (biographical, historical synthesis, discursive analysis, interpretation of texts and sources), as well as to the tools of related humanitarian disciplines such as psychological anthropology (reconstruction of a criminal biography involving fundamental works of Z. Freud, E. Fromm, Yu.M. Antonyan). We conclude the following: First of all, Newgate histories performed the edifying function, reminding us of the inevitability of punishment and compulsory repentance of a criminal. Moralistic component helped the “Calendar” to create the reputation of reading, elevating the spirit and it frequently held pride of place on the bookshelves near the Bible. Secondly, The Newgate Calendar made the attitude to the essence of violence in human nature as a part of public discourse. It was a successful commercial project of replication of the examples of antisocial behavior: violence, fraud, adultery, sexual inversions were boldly included into the sphere of public representation. In fact, the combination of didactic discourses and narrative passages created compositional structure of every biography in proportion, fitting such criteria as provocativeness of the material, eccentricity of a criminal’s personality and the degree of his discrepancy to conventional social norms.

In the new issue, our scientific journal offers you nine scientific articles. As always, we try to offer a wide variety of topics and areas and follow current trends in the history of science and technology. The issue of the journal opens with an article dedicated to the formation and development of natural history museology in Europe in the 15th–19th centuries. The development of scientific knowledge at that time affects the idea of the world order and the place of man in it, and the combination of knowledge with practical experience leads to the birth of true science. It is shown that one of the most important components of the development of natural sciences, in particular biological sciences, was the collection of naturalia (i.e. objects of natural origin), the rapid surge of interest in which contributed to the Great Geographical Discoveries. In chronological order, the further historical development of museum work from private collections in Italy to the formation of a prototype of a genuine museum, which performs the main museum functions such as amassment, storage and demonstration of collections, is considered. The article by Leonid Griffen and co-authors considers the object and subject of the history of science and technology, its place in the system of sciences. Today, more and more people are turning to the factors that determine the interaction of the society with the environment (productive forces of the society), to study which in the historical aspect and called a special scientific discipline the history of science and technology. The composition and development of the technosphere and noosphere are considered in the article. It is shown that the functioning of the technosphere is based on its interaction with the noosphere, which provides information about the environment and controls the effectiveness of interaction with it. It is formed by combining the mental structures of individuals through sign systems. The production process that ensures the functioning of the society begins with the noosphere, which through individual consciousness controls the actions of each individual, who through the means of production (technosphere) interacts with the natural environment. However, the gradual development of productive forces leads at some point to the fact that the information needed by the individual to perform all necessary actions for the benefit of the society, ceases to fit in his individual consciousness. As a result, there is a new social phenomenon the social division of labor. The cardinal solution to the problem is the prospect of humanity entering infinite space. The article by Jun-Young Oh and Hyesook Han is devoted to the study of what Understanding mathematical abstraction in the formularization of Galileo's law. Galileo's revolution in science introduced an analytical method to science that typifies the overall modern thinking of extracting, abstracting, and grasping only critical aspects of the target phenomena and focusing on “how”, which is a quantitative relationship between variables, instead of “why”. For example, to him, the question of 'why does an object fall' is of no significance; instead, only the quantitative relationship between distance from the falling object and time is important. Yet, the most fundamental aspect of his idea is that he introduced a quantified time t. Because, according to atomic theory, vacuum exists between an atom and an object composed of atoms or between objects – ignoring factors that interfere with motion, such as friction – the space for absolute time, which is a mathematical time, can be geometrically defined. In order to justify this mathematical abstraction strategy, thought experiments were conducted rather than laboratory experiments, which at that time were difficult to perform. The article by Vasyl Andriiashko and co-authors provides a thorough overview of the evolutionary process of the emergence, establishment, and development of the Kyiv school of artistic textiles. It reveals the influence of various factors (ideological, political, economic, and aesthetic) on this process. The historical and factual method allowed us to study socio-economic, as well as historical and cultural factors that contributed to the emergence, establishment, and development of the Kyiv textile school in a chronological sequence. It is established that the very fact of emergence of the Kyiv school of artistic textile, as a community of style, unity of forms, preservation, and continuity of traditions, had unbiased backgrounds since Ukrainian decorative weaving, a part of which is Kyiv weaving, inherited the abundant artistic traditions that were created over the centuries and most vividly manifested through the art of Kyivan Rus. In the next article, the authors Artemii Bernatskyi and Mykola Sokolovskyi is devoted to the study history of military laser technology development in military applications. For better understanding and systematization of knowledge about development of historical applications in the military field, an analysis of publicly known knowledge about their historical applications in the leading world countries was conducted. The study focuses on development that was carried out by the superpowers of the Cold War and the present era, namely the United States, the Soviet Union and the Peoples Republic of China, and were built in metal. Multiple avenues of various applications of laser technology in military applications were studied, namely: military laser rangefinders; ground and aviation target designators; precision ammunition guidance systems; non-lethal anti-personnel systems; systems, designed to disable optoelectronics of military vehicles; as well as strategic and tactical anti-air and missile defense systems. The issues of ethical use of laser weapons and the risks of their use in armed conflicts, which led to an international consensus in the form of conventions of the United Nations and the International Committee of the Red Cross, were also considered. As a result of the analysis, a systematic approach to the classification of applications of laser technology in military products by three main areas of development was proposed: ancillary applications, non-lethal direct action on the human body and optical devices of military equipment, and anti-aircraft and anti-missile defensive systems. The author of the following article considered the front line transporter as the embodiment of the USSR military doctrine in the middle of the 20th century. The paper based on a source analysis of the history of creation, design, and production of LuAZ-967, LuAZ-967M, against the background of the processes of implementing projects of small tactical high mobility wheeled vehicles for the armies of European countries, shows that the developing, testing, and commissioning a front line transporter became a deepening of the process of motorization of the Soviet army. The designs of similar vehicles have been analyzed. An attempt to assess the degree of uniqueness of the front line transporter design and its place in the history of technology, as well as its potential as a reminder of science and technology has been made. An analysis of the front line transporter design, its systems, compared with its foreign counterparts, suggests that it is a Soviet refinement of the concept of a small army vehicle, a more specific means directly for the battlefield. At the same time, it was developed taking into account foreign developments and similar designs, imitating individual designs, adapting to the capabilities of the USSR automotive industry. The next article is devoted to the study, generalization and systematization of scientific knowledge about the history of the establishment, development and operation of the regional railway system in Bukovyna in the second half of XIX – early XX centuries. The authors attempted to analyze the process of creation and operation of railways in Bukovyna during the reign of the Austro-Hungarian Empire based on a wide range of previously unpublished archival documents, periodicals, statistical literature and memoirs. The article studies the development of organizational bases for the construction of railways, the activity of the communication network management, lists a whole range of requirements and tasks set for railway transport in Bukovyna, the progress of their implementation, considers successes and difficulties in this work. The purpose of the article by authors Sana Simou, Khadija Baba and Abderrahman Nounah is to reveal, recreate as accurately as possible the characteristics of an archaeological site or part of it. The restoration and conservation of monuments and archaeological sites is a delicate operation. It requires fidelity, delicacy, precision and archaeological authenticity. Research during the last two decades has proved that 3D modeling, or the digital documentation and visualization of archaeological objects in 3D, is valuable for archaeological research. The study has opted for the technique of terrestrial and aerial photogrammetry by 3D surveys of architectural elements, to develop an archetype of the deteriorated Islamic Marinid site (a dynasty between the 13th and 15th centuries), and the Roman site (25 BC), located at the Chellah archaeological site in Rabat and Salé cities. The data acquired build an architectural database to archive and retrieve the entire existing architecture of monuments. This study has been completed by photogrammetrists, architects, and restorers. The issue of the journal ends with an article devoted to the analyzing the prerequisites and conditions for the foundation of an aircraft engine enterprise in Ukraine. Based on the retrospective analysis, the prerequisites and conditions of the foundation of the aircraft engine enterprise in Aleksandrovsk, Ukraine, were considered. There was a severe gap between the Russian Empire and European countries in the development pace of the aviation industry during World War I. This prompted the Russian Empire to raise foreign capital, as well as attract technologies and specialists to develop aircraft engineering and other industries. By 1917, the plant had gained the status of Russia’s largest engine-building enterprise in terms of building area and one of the best in equipment. It is evident that the beginning of aircraft engine production in Aleksandrovsk relates to the establishment of a branch of Petrograd Joint Stock Company of Electromechanical Structures and the plant’s purchase from the Moznaim brothers. We hope that everyone will find interesting useful information in the new issue. And, of course, we welcome your new submissions.

Summary There is a potential for improving the reliability of standard core tests for seismic monitoring studies. A primary concern is the ability to quantify and correct for core-damage effects, which significantly enhance the stress dependency of wave velocities. This problem is most relevant for relatively low-strength rocks cored in high-stress environments. We have used synthetic sandstones formed under stress to perform a systematic study of stress-release- induced core-damage effects. The results show that careful laboratory procedures and modeling efforts may reduce core damage effects. However, no simple procedure is currently available to eliminate the problem. The use of simplified laboratory test procedures, particularly the application of an inappropriate effective stress principle, may lead to erroneous interpretations. Introduction Time-lapse (4D) seismic provides a potentially powerful tool to identify changes in a reservoir induced during production. This is accomplished by running repeated seismic surveys throughout the production period and looking for changes in the seismic response. Such changes can, in principle, be ascribed to several parameters, the most obvious being fluid saturation, pore pressure, and temperature. 1,2 Thus, by monitoring the reservoir at various timesteps during an enhanced oil recovery operation such as a water injection, one may identify nonflooded compartments within the reservoir. This information permits subsequent positioning of new production and injection wells or modification of the existing depletion strategy in a way that significantly improves the total recovery of the reservoir. During the past 5 years or so, the number of commercial 4D seismic surveys has increased from fewer than 5 to approximately 25 per year. The cost of a reservoir monitoring project is in many places comparable to that of drilling a new well, and benefits have, in many cases, proven so large that most companies now consider it a natural part of reservoir management. There are, however, a number of factors that influence the success for such surveys, be they related to the reservoir itself in terms of depth, stress, temperature, and structural and compositional complexity, or to such intrinsic reservoir properties as the rock and fluid properties at the given reservoir conditions. The success also is affected by the quality of the seismic acquisition parameters during the surveys, such as the degree of repeatability between subsequent surveys,3 as well as the final processing of the seismic data (see Lumley et al.4 for a technical risk summary). Because of this substantial variability, one should always perform a seismic monitoring feasibility study in advance to quantify the extent to which expected production-induced changes may be detectable from a planned seismic monitoring study. Such a study needs integrated input from a number of disciplines; after a proper reservoir model is built, reservoir simulations must be undertaken to produce relevant scenarios to be expected throughout production. Thereafter, these must be translated into corresponding seismic parameters from rock physical principles before, finally, seismic modeling can be undertaken for various acquisition geometries and subsequent processing alternatives can be tested. Traditionally, seismic monitoring parameters have been deduced from post-stack data through changes in the vertical P-wave reflection coefficient, expressed by the corresponding acoustic impedance ZP = ?·VP, where VP = the acoustic P-wave velocity and p=the density. This, essentially, has allowed for inversion for only one effective reservoir parameter. Knowing that there may be concurrent changes in several parameters has made the interpretation of the seismics difficult. More recently, however, a practical use of amplitude-vs.-offset (AVO) data has been introduced5 that enables the determination of the corresponding shear-wave impedance ZS. This simultaneous determination of P- and S-wave impedances has allowed for distinction between changes in multiple reservoir properties such as saturation and pore pressure, assuming that other parameters remain constant. A crucial point in the initial feasibility study, as well as in the final interpretation of deduced changes in seismic parameters during monitoring, is the quantitative rock physical interpretation of the seismic parameters in terms of changes in reservoir parameters. A number of factors affect the acoustic velocities in a complicated manner, and no theory exists that can be applied generally. Therefore, laboratory testing on core material at representative test conditions is required as a natural part of a feasibility study to quantify the effects of pore pressure, saturation, and temperature that can be encountered during monitoring. The objective of this paper is to elucidate some fundamental questions related to these key issues. In particular, we focus on the neglected effect of core damage upon the laboratory-measured stress sensitivity of velocities6 and the importance of using proper stress conditions during such experiments. We handle this by performing systematic laboratory measurements on synthetic reservoir sandstones formed under stress, and we try to tune the properties of the synthetics to match specific reservoir sandstones. Even if this procedure is not fully representative of all reservoir sandstones, our experience is that it may at least be applicable for weakly cemented, clean sandstone reservoirs. Furthermore, we also illustrate pitfalls in the common use of the so-called effective stress principle. Fundamental Questions As in all core testing, one has to deal with two fundamental questions when running experiments to quantify effects of pore pressure, saturation, and temperature on acoustic velocities:Are the cores representative of the reservoir rock?Are the tests performed under the appropriate conditions for prediction of in-situ behavior? Core Representativity. The first question has two different aspects. First, the small core may not be representative of a large heterogeneous reservoir. The most obvious way to deal with this is to test many cores and then perform some kind of statistical analysis on the acquired data. Still, the reservoir may contain fractures and faults at subseismic length scales, which are not present in the core samples but contribute to seismic velocities. The second aspect to consider is core damage: a rock is "born" and "lives all its life" in a stressed earth. When drilled and brought to the surface, it meets the hostile world of atmospheric conditions. The stress release may be sufficient to induce microcracks or broken grain bonds in the rock core, leading to altered rock properties. The damage is permanent and has been shown to have strong effects on rock mechanical and acoustic parameters.7 In the present paper, we discuss in more detail how core damage affects the predicted stress sensitivity of the seismic velocity.

Bridging research in social psychology with scholarship on racialized organizations, this article shows how individual bias and organizational demographic composition can operate together to shape the degree of discrimination in schools. To understand Black and Latino boys’ higher rates of discipline that persist net of differences in behavior, I combine an original video experiment involving 1,339 teachers in 295 U.S. schools with organizational data on school racial/ethnic and socioeconomic composition. In the experiment, teachers view and respond to a randomly assigned video of a White, Black, or Latino boy committing identical, routine classroom misbehavior. I find that, compared to White boys, Black and Latino boys face a double jeopardy. They experience both (1) individual-level teacher bias, where they are perceived as being more “blameworthy” and referred more readily for identical misbehavior, and (2) racialized organizational climates of heightened blaming, where students of all races/ethnicities are perceived as being more “blameworthy” for identical misbehavior in schools with large minority populations versus in predominantly White schools. This study develops a more comprehensive understanding of the production of racial/ethnic inequality in school discipline by empirically identifying a dual process that involves both individual teacher bias and heightened blaming that is related to minority organizational composition.

Background: Quality may be described as the character that determines the degree of excellence. A good quality medication is anything that meets the product specifications, can be purchased safely, and can be used confidently for the purpose for which it was designed.To obtain a high quality medication, the manufacturing process for producing a drug should have quality integrated into it. Analytical chemistry is the discipline that seeks ever better methods of assessing the chemical composition of natural and manmade materials. Aims and Objective: Evaluation and validation of carvedilol in bulk and pharmaceutical dosage forms. Material and Methods: preparation of standard stock solution and preparation of sample solution as per standard protocol. Result: In the RP-HPLC method, a wavelength of 242 nm was retained and the retention time was found to be 2.9 with optimised conditions. Carvedilol showed linearity in the range of 15.62 -93.75µg/ml. where the peak shape was symmetrical and a good correlation coefficient value was obtained. Conclusion: RP-HPLC, HPTLC, UV spectroscopy were found to be sensitive, precise, and accurate. However these three methods can be used for the routine analysis of carvedilol from formulation.

A higher degree of heterogeneity in vehicle class and drivers, coupled with non-lane-based driving habits, creates several challenges in traffic flow analysis. This study investigates vehicles’ microscopic driving behavior at signalized intersections operating under weak lane discipline with mixed traffic (disordered) conditions. For this purpose, a comprehensive vehicular trajectory data set is developed from field-recorded video footage using a semi-automated tool for data extraction. Microscopic parameters such as relative velocity, spacing between vehicles, following time, lane preference, longitudinal and lateral speed profile, hysteresis evidence, and lateral movement of different vehicle classes during different traffic phases are presented in the study. The data is then segregated into three flow conditions: stopped flow, saturated flow, and unaffected flow. It is found that smaller vehicles prefer near-side lanes over far-side lanes. Motorized three-wheeler (3W) and motorized two-wheeler (2W) vehicle classes exhibit the greatest lateral velocity, lateral movement, and aggressiveness. This results in several interactions between vehicles as a function of different leader–follower vehicle pairs. Signalized intersections with more heterogeneity in traffic composition, especially higher composition of 2W and 3W vehicle classes, exhibit higher levels of aggressive driving behavior that might lower safety standards. As a practical application, ranges of various driving behavior parameter values for different leader–follower combinations and traffic conditions are quantified in the study. The observations and results are expected to help better understand prevailing driving behavior in disordered traffic and contribute toward robust calibration of microscopic traffic flow models for better replicating disordered traffic conditions at signalized intersections.

We live in an era in which the ‘active learner’ has become accepted as the fundamental goal of good teaching from early childcare to university education (Silberman; University of Melbourne University). In this paper we reflect upon the arts of stillness in contemporary classrooms based on research in schools across Sydney (Watkins and Noble).Part of the context for this paper is the way ‘activity’ has been uncritically elevated to a pedagogic principle in contemporary education. Over several decades a critique of traditional or more formal approaches to education has produced an increasing emphasis on learning that is said to be more engaged often under labels such as ‘discovery’ or ‘experiential’ learning, enquiry methods or ‘learning by doing’. This desire to give students a greater role in the educational process is admirable. It is also seen to be more democratic and ‘relevant’ to young people (Cope & Kalantzis). Positioned against a straw man of ‘passive learning’, characterised by the dominance of teacher direction, rote learning and individuated desk work, this active learning or progressivist perspective on education privileges student ‘ownership’ of curriculum, group-based activity and the ‘doing’ of things. Stillness is characterised as a ‘problem of passivity’, a ‘disease’ of ‘chalk and talk’ (Lucas 84-85). In its most extreme form, this emphasis on activity has been translated into ‘educational kinesiology’ and ‘brain gym’, in which physical movement is seen to have a direct, beneficial effect on learning, often in place of content-based curriculum (Lucas 50). In this paper we don’t engage in a critique of ‘active learning’ per se; rather, taking seriously Foucault’s insistence on the productivity of discipline, we argue stillness is crucial to scholarly labour.Part of the context for this research is public anxiety about ‘Asian success’ within Australian education systems. Students from ‘Asian’ backgrounds are often perceived as having a cultural proneness towards educational achievement (Duffy 28). These perceptions rest on assumptions about ‘Asian values’ of family, sacrifice, hard work and success (Robinson). These assumptions, however, are problematic (Wu and Singh), and carry a concern that such students are ‘passive’ in the classroom, deferential to traditional forms of education and obsessed with exams. Certainly, despite their success, these students don’t conform to what many teachers favour as the ideal learner within the dominant paradigm of progressivism (Cope & Kalantzis 4). These anxieties have also emerged in response to the proliferation of coaching colleges which are seen to transgress western notions of childhood.The research – based on a parent survey in 10 primary schools, interviews with Year 3 teachers, parents and students and classroom observations in six of these schools – explored the extent to which a ‘disposition’ to academic achievement can be explained by ethnicity or relates to a complex set of socio-cultural factors. The report from this study engages with the broad question of the relationship between ethnicity and, what we call, following Bourdieu, the ‘scholarly habitus’ (Watkins & Noble). Against a pathologising of cultural background, it examines the ways achievement is embodied as orientations to learning through different home and school practices. Here we use examples drawn from the observations to focus on the capacities for self-discipline and stillness that can foster achievement. Against the tendency to equate stillness with inaction, we argue that a 'productive stillness' underlines capacities for sustained attention and self-direction. This bodily discipline entails a state of composure, a 'staying' of movement which entails a readiness for action necessary for academic tasks. While not all stillness is ‘productive’, we argue there are forms of stillness which are conducive to the formation of the 'scholarly habitus' (Bourdieu, Logic). The Bodily Capacity for Scholarly LabourBourdieu (State) refers to dispositions that are valued in education: self-discipline, the ability to work intensively, confidence, independence, contemplation, abstraction and the value of excellence. Yet he is less interested in exploring these capacities in relation to teaching practice than in discussing them as forms of social distinction. Educational applications of Bourdieu also focus on the social reproduction of inequality, separate to the technical competencies of schooling, although Bourdieu does not differentiate between them (Lareau and Weininger). To understand the uneven distribution of educational competencies, however, they first need to be examined as bodily capacities that are enabling.To do this, let us contrast two classrooms in Broughton PS, a large school in a low-to-mid SES area in Sydney’s inner south-west with large numbers of Arabic-speaking and Asian students, and smaller groups of Anglo, Pasifika and African students. One class is an enrichment class, in which high ability students are placed and where there is a strong focus on academic work. The other class has many of the least able students. The enrichment class comprises students of mostly Chinese background, with a smaller number of Vietnamese, Indian and Anglo background. There is one Arabic-speaking student but no Pasifika students. The second class is more diverse, and has many Pasifika students, with fewer Chinese, Arabic and Anglo students.The first time we saw the enrichment class was after recess. Students shuffled into their classroom and sat down at their desks with minimum fuss. Many of them pulled out books and read them while waiting for their teacher, Heather, to enter. If they talked, it was quietly, and often about what they were reading. They sat still: the posture of most students was upright, even when they were working. Some students occasionally rocked back, stretching arms and legs. Overall, however, these students had mastered the arts of stillness. Sonia, of Chinese background, is a case in point – she was always work-focused, sitting still and getting on with it. Even during unstructured discussion she remained task-orientated displaying a substantial investment in her work.In the second class the students bustled in, taking a while to settle. Kids stood around chatting, playing, shoving each other until the teacher, Betty, shouted at them, which she did a lot. The noise of the students never abated, even as the teacher was giving instructions, and it frequently reached high levels. There was constant movement as students came in late, and teachers and students wandered in and out. Kids visited other kids; one student rolled on the floor. When they were directed to sit at the front, several squatted, some sat away from the area, several simply stood. When they were at their desks, many slouched forward or leant back; a large number of the students rocked on their chairs during the sessions, some constantly. The directions of the teacher to put ‘feet on floor’ and ‘hands on heads’, or putting her fingers to her lips to gesture for them to be quiet, shouting or by counting back from 5 had little effect. This class was a very active group, but little work got done. They did not have sustained capacities of stillness appropriate for academic activities. In the enrichment class, the teacher didn’t have to check noise or movement very often – the students had internalised these behaviours as capacities that directed their work. Occasionally, they policed each other if they were disrupted. There was occasional talk, but it tended to be in whispers. If the task required it, there was plenty of discussion; and some of the students didn’t hesitate in challenging the teacher when she made a mistake. These students’ stillness and quiet was by-and-large productive and appropriate. We call this a state of composure, a readiness for activity. When required, this class was capable of concentration and application; or, alternatively, discussion. We call it composure because it links to Foucault’s (162-3) insight that modern forms of discipline rest on a ‘composition of forces’ which not only produce an efficient organisation but individuals with a disposition towards acting skilfully.Betty’s class, in contrast, was in a state of decomposure, with unproductive movement and noise. They were rarely still, posture was poor, and many students spent little time attending to work or the teacher. They were rarely ready for work when the teacher called them to it. Rather they saw a change in activity as a chance for movement and chatter. This was not the caged resentment that Willis described in his analysis of resistance to school amongst working class boys. It was not a form of conscious insubordination, though a similar form of ‘self-damnation’ was evident.Sonny, a Samoan boy in this class, in contrast to Sonia, struggled to stay on-task for more than a few minutes, and clearly had little investment in his work. He generally didn’t care where he was at with the task, and expected the teacher to constantly direct him. Sonny was a very large child – the teacher commented that his physical presence in the class was an ongoing problem as he was unaware of other children, constantly bowling them over. The teacher struggled to manage Sonny’s body. He talked frequently and loudly, and leant back on his chair despite being placed in a way that pinned him against a cupboard. His location in the class was telling. He was sitting at a table with students who followed tasks, separated from the usual troublemakers. This is significant for another reason of which Sonny was not fully conscious. At one stage in the lesson he sat bolt upright and pointing at each of his tablemates, yelled, ‘Miss, why am I sitting with all Chinese?’ Betty apparently hoped that being with the quieter Chinese students Sonny would not only be out of harm’s way, he might absorb the skills of application they possessed!This uneven distribution of capacities was also seen in the way different classes undertook a maths assessment task on fractions. While other classes treated it as a general lesson, in the enrichment class it was completed in test conditions, which the teacher later commented the kids loved. The teacher explained the task and the conditions – that there should be no copying, to work in silence, concentrate on the questions, the amount of time they’d get and what to do when they finished (further maths work). She initiated an enthusiastic class discussion of the topic (fractions), reminded them of work they had completed in this area and got them to go through basic aspects of fractions. The task was distributed and students immediately filled in their name and the date. When they commenced their work she moved around the room monitoring their progress. Occasionally she directed a student to reread the instructions and towards the end she reminded them to check their work and then gave them a five-minute warning. There was little movement, fiddling or talk, unless it was a question of clarification directed to the teacher. Most finished and moved quickly onto their maths workbooks. There was a lively discussion afterwards as the class went through the questions and discussed the answers and procedure. Overall, there was a clear sense of a strong investment in the process and the product: with many showing real annoyance when they got things wrong, and deep pleasure when they were correct. While the contrast between these classes is clear, and show an uneven distribution of particular capacities, we should be careful not to make a simple assumption that stillness, quiet and obedience are good, and their opposites bad. Apart from the fact that the enrichment class showed itself capable of vociferous and physical behaviour (as when they were completing a craft activity), the point is really about the appropriateness and productivity of these embodied competencies for particular tasks, and the ability to move between these capacities when necessary.Stillness, and its attendant capacities described above, is not a good in and of itself. There is another kind of stillness that we found in a class in another school we observed. Chestervale PS was in a middle class area in a northern suburb of Sydney that was favoured by parents of Chinese background. This class was by no means as unruly as Sonny’s – classroom behaviour was generally well managed by the teacher, and the students were fairly adept at following tasks. Two students we observed – Walter (of Chinese background) and Eric (of Anglo background) – seemed at first glance to be well-behaved students who did their work. Watching these boys for several hours, however, we became aware of the fact that for large chunks of the classroom time they did nothing, but were not recognised as doing so. Walter spent 45 minutes without adding anything to his writing – a straightforward comprehension task. This was also run in near-test-like conditions of quiet concentration, and Walter, apart from a few minor distractions, seemed to be focused on the pages in front of him but actually wrote nothing in the lesson. The teacher strolled around checking students’ work and giving advice or praise as needed – she managed the class quite well – but seemed not to notice when she checked Walter’s work that he hadn’t written anything. Eric, rather more obviously distracted, but who nevertheless seemed to complete 1-2 questions, got by with little work by being, like Walter, generally quiet. His distractions amounted to little more than staring at the contents of the shelf next to him and fidgeting. Walter and Eric were acquiring specific types of capacities – skills in getting out of work that are also fundamentally unproductive. Walter’s general abilities allowed him to float through the class, but Eric’s failure to develop productive capacities was demonstrated in his poor reading and writing levels. We don’t wish to participate in the academic romanticisation of such tactics as ‘resistance’, however, because while this ‘ordinary art’ is diversionary it does not ultimately work to ‘the advantage’ of the student (de Certeau 29-31). Rather, it is simply disabling.This example highlights two important points. First, as mentioned, stillness and quiet are not in themselves signs of educational ‘productivity’ – such capacities always have to be seen in context, related to specific tasks and aims. Many teachers may encourage stillness and quiet – even reward it – simply because it produces an orderly classroom. Second, we should be wary of looking to ethnicity as an explanation of the uneven distribution of capacities: Eric, as an Anglo student, isn’t subject to the kind of cultural pathologising usually reserved for students of particular ethnic backgrounds and Walter, clearly, did not match the stereotype of an academically engaged Chinese student. These issues are taken up in the larger report. Disciplining the Scholarly HabitusOur point is not just to outline some differences in abilities, but to begin to analyse how these contribute to the dispositions, or lack thereof, of the scholarly habitus, to think about how these capacities relate to particular kinds of practices at home and school which instil specific kinds of discipline, and thus eventually to elaborate links between schooling and cultural background. Neither popular pathologies of cultural difference nor sociologies of education which reduce these complexities to either class or gender adequately account for the capacities and practices at stake here (Watkins and Noble).The comparative account of these vignettes of classroom practice provide examples of different disciplinary forms demonstrating the ways in which school structures and pedagogic practices affect students’ engagement in learning and overall performance at school. As indicated, the notion of discipline used here does not simply pertain to control, operating as a negative force inhibiting learning – though a disabling discipline of control was apparent in the pedagogy some teachers employed and also framed some whole school practices. Discipline, here, has a broader meaning. As Foucault intended, it also refers to the knowledge and skills which need to be mastered in order to achieve success in particular fields. Foucault famously analyses the roles of discipline in the functioning of modern institutions. He describes the emergence of the school in modern times as ‘a machine for learning’. Despite his much-repeated insistence on the productive and enabling nature of discipline (and his insight that discipline ‘is no longer simply an art of distributing bodies, … but of composing forces in order to obtain an efficient machine’), it is the machine-like and oppressive quality of discipline that is often the focus. In relation to the nineteenth century school, for example, he describes it as a ‘morality of obedience’ based on a prescriptive discipline of absolute silence and a Pavlovian process of ‘signalisation’ and response (164-7).Sonia’s class (the enrichment class), however, is not one where passivity or docility is the rule – and illustrates better the form of disciplined, productive stillness crucial to educational activity. As this first group of students demonstrates, this discipline takes a material form, whereby students’ bodies are capacitated through the control and focus they embody. This recalls Foucault’s other focus captured in his view that ‘a disciplined body is the prerequisite of an efficient gesture’ (152). This discipline predisposes students towards particular types of endeavour; a discipline that takes the form of dispositions as in the scholarly habitus. Differing degrees of discipline resulting from the repeated performance of certain practices is what distinguishes the three groups of students in this paper.Writing, listening and talking in class are all forms of labour that require bodily control as well as forms of knowledge. Sonia, for example, evinced capacities of stillness, quiet, attention, self-direction and self-discipline which disposed her to engaged learning. This is a state of composure which evinces a readiness for activity. When required, she was capable of sustained application. This is not to be mistaken for docility – her stillness and quiet were productive for academic engagement. In contrast, many in Sonny’s class were far from composed. They did not have sustained capacities of stillness and quiet or the capacity for self-control in an educational environment. They manifested different types of bodily capacities which incline them, like Sonny, towards disengagement. Eric and Walter are different cases yet again. They displayed a degree of quiet and stillness that was unproductive, that didn’t ready them for engaged activity.This sense of bodily control also operates at basic levels of mastery as well as readiness for intellectual activity. Indeed, low-order capacities are stepping stones for higher order skills. It is difficult to develop literacy, for example, without mastering the physical skills of writing. Such skills require a certain posture and control for perfecting letter and word formation. Such mastery, for example, is needed for writing to become ‘transparent’: the student stops ‘thinking’ about forming the letter or word with the pen, and concentrates on the content of their writing. The physical nature of the labour of writing stops being a conscious task and becomes a largely unconscious capacity, which lends itself to the development of capacities in composition, analysis and abstraction. Neither Walter nor Eric had developed a mastery of the pen or their own body. In the case of Eric, Deirdre, his teacher, commented that he had ‘immature fine motor skills’, which affected his writing. She pointed out that ‘when your writing doesn’t come easy it is going to take longer’, which meant Eric ‘rarely completes things’. ConclusionAs Vitalis argued thousands of years ago, with writing, the whole body labours (cited in Ong 95). But this form of labour entails stillness, self-control and the bodily capacity for sustained intellectual engagement. Educational practice needs to not only return to an appreciation of the arts of stillness but to rethink the ways in which activity in learning is understood; the ways in which an active mind is reliant upon a composed yet capacitated body and the particular pedagogies that, from the early years of school, can promote this form of corporeal governance. ReferencesBourdieu, Pierre. The Logic of Practice. Trans. Richard Nice. Cambridge: Polity, 1990.———. The State Nobility. Trans. Lauretta Clough. Cambridge: Polity, 1996.Cope, Bill, and Mary Kalantzis. “Introduction.” In The Powers of Literacy. Eds. Bill Cope and Mary Kalantzis. London: Falmer. 1993. 1-21.De Certeau, Michel. The Practice of Everyday Life. Trans. Steven Rendall. Berkeley: U of California P, 1984.Duffy, Michael. “Improved by Asian Work Ethic.” Courier Mail 29 Sep. 2001: 28.Foucault, Michel. Discipline and Punish. Trans. Alan Sheridan. Harmondsworth: Penguin, 1977.Lareau, Annette, and Elliot Weininger. “Cultural Capital in Educational Research.” Theory and Society 32.5/6 (2003): 567-606.Lucas, Bill. Power Up your Mind. London: Nicholas Brealey, 2001.Ong, Walter. Orality and Literacy. London: Methuen, 1982.Robinson, Kathryn. “Looking for Father-Right.” In Race, Colour and Identity in Australia and New Zealand. Eds. John Docker and Gerhard Fischer. Kensington: UNSW P, 2000. 158-173.Silberman, Mel. The Active Learner. Boston: Allyn and Bacon, 1996.University of Melbourne. Active Learning. Academic Skills Unit. 6 Mar. 2009 ‹http://www.services.unimelb.edu.au/asu/resources/study/estudy008.html›.Watkins, Megan, and Greg Noble. Cultural Practices and Learning: Diversity, Discipline and Dispositions in Schooling. Penrith South: U of Western Sydney, 2008.Willis, Paul. Learning to Labour. Aldershot: Gower, 1977. Wu, Jianguo, and Michael Singh. ‘“Wishing for Dragon Children”: Ironies and Contradictions in China’s Educational Reforms and the Chinese Diaspora’s Disappointments with Australian Education.” The Australian Educational Researcher 31.2 (2004): 29-44.

Geochemical and geophysical observations for large-scale structures in the Earth’s interior, particularly horizontal variations of long wavelengths such as degree-1 and degree-2 structures, are reviewed with special attention to the cause of hemispherical mantle structure. Seismic velocity, electrical conductivity, and basalt geochemistry are used for mapping the large-scale structures to discuss thermal and compositional heterogeneities and their relations to dynamics of the Earth’s interior. Seismic velocity structure is the major source of information on the Earth’s interior and provides the best spatial resolution, while electrical conductivity is sensitive to water/hydrogen contents. The composition of young basalts reflects the mantle composition, and the formation age of large-scale structures can be inferred based on the radiogenic isotopes. Thus, these different research disciplines and methods complement each other and can be combined to more concretely constrain the structures and their origins. This paper aims to integrate observations from these different approaches to obtain a better understanding of geodynamics. Together with numerical modeling results of convection in the mantle and the core, “top-down hemispherical dynamics” model of the crust-mantle-core system is examined. The results suggest that a top-down link between the supercontinents, mantle geochemical hemisphere, and inner core seismic velocity hemisphere played an essential role in formation of the large-scale structures and dynamics of the Earth’s interior.

«For a place to leave an impression on us, it must be made of time as well as space – of its past, its history, its culture» (Sciascia, 1987). Architecture is one the many disciplines which, due to their heteronomous nature, aspire to represent the past, present and future of a community. Just as the construction of buildings is not merely a response to a need, but rather an act that incorporates the concrete translation of desires and aspirations, so too do music, philosophy, and the figurative arts reflect contemporary themes in their evolution. The fragmentation of skills, the specialisation of knowledge, the rapid modification of the tools we work with, the digitalisation and hyperdevelopment of communication are all phenomena that have a substantial impact on the evolution of disciplines in a reciprocal interaction with the intangible values of a community – economic, social and cultural – as well as the material assets of the places where it expresses itself. Interpreting heteronomy as a condition in which an action is not guided by an autonomous principle that is intrinsic to the discipline, but rather determined by its interaction with external factors, a theoretical reflection on the evolution of the tools of knowledge and creation has the task of defining possible scenarios capable of tackling the risk of losing an ability to synthesise the relationships between the conditions that define the identity of architecture itself. The challenge of complexity is rooted in social, technological and environmental shifts: a challenge that involves space, a material resource, in its global scale and its human measure; and time, an immaterial resource, nowadays evaluated in terms of speed and flexibility, but also duration and permanence. These elements impact upon the project as a whole, as a combination of multiple forms of knowledge which, given their constant evolution, is subject to continuous comparison. The cultural debate has investigated at length the topic of art being forced to devote itself to heteronomy whilst also retaining a need for aesthetic autonomy. The risk of forgetting its own ontological status, of losing its own identity in the fragmentation and entropy of the contemporary world, finds an answer in the idea of design as a synthesis between an artistic idea and the social and environmental conditions in which it is places, configuring itself as an element capable of reconciling the antithetical drives towards an autonomous vision of the work, on the one hand, and a heteronomous one linked to its geographical, cultural, sociological and psychological characteristics, on the other. In the systemic and concerted working process so intrinsic to disciplines such as filmmaking and music – but also the visual arts or even philosophy – the act of designing is the expression of the relationship with a community of individuals whose actions are based on a role that is as social as it is technical, given that they act based on material and immaterial values of a public nature. If indeed the sciences – as Thomas Kuhn demonstrated in his writings on the scientific revolutions – cannot be understood without their historical dimension, then disciplines such as those addressed in this Dossier represent cultural phenomena that can only truly be understood in their entirety when considered in the context of their era and the many factors that fed into their creation. However, precisely as demonstrated by Kuhn’s theories (Kuhn, 1987), their evolution also consists of “scientific revolutions”: moments of disruption capable of changing the community’s attitude towards the discipline itself and, perhaps more importantly, its paradigms. Music, cinema, art, architecture and philosophy are all expressions of that which makes us human, in all its complexity: divided and confined to their own disciplinary fields, they are not capable of expressing the poetic quality of life and thus «making people feel and become aware of the aesthetic feeling» (Morin, 2019). Emanuele Coccia, an internationally renowned philosopher and associate professor at the École des Hautes Études en Sciences Sociales in Paris, imagines a world in which everything you see is the product of an intentionality articulated by human, non-human and non-living actors. Design – not only anthropocentric design – is the most universal power in the world. Every living being can, in effect, design the world, but at the same time, every agent of matter can also design, and it is the interplay between these elements that creates a continuous metamorphosis of our environment. In other words, being alive is not a necessary condition for being a designer. The two anthropologists Alfred Gell and Philippe Descola, in their writings on Western society and nature, present contrasting views on the presence of the soul/animism in nature. The result is a sort of architecture of the landscape, in which nature itself is imbued with a sense of design intentionality that exists in a continuum with mankind. Edoardo Tresoldi, a young Italian sculptor, is one of the latest exponents of the heteronomy of architecture, which rejects the limiting confines of individual disciplines so as to imagine a transversal vision of the environment and its construction. Through the interplay of transparencies created with ephemeral metal structures, Tresoldi exalts the geometrical qualities of this raw material, going beyond the simple spatiotemporal dimension to establish a dialogue between place and the artistic representation thereof. Tresoldi recounts this journey of his through five themes: Place, because architecture in itself is markedly conditioned by its context, as is – in his case – art; Design, that is the act of envisaging the work, which is ultimately influenced by everything around us and our imagination; Time, as art is characterised by a potential interweaving, a continuity in the creative processes influenced by the history of the place; Material, or rather, materiality and the duality between the technical and artistic parts; and, finally, “What’s Next”, exploring the idea of what the future holds for us. On this last point, Tresoldi imagines his works further opening up to a diversified range of skills in a way that would also carve out new professional profiles for young people. Cristina Frosini, Director of the Milan Conservatory, with a contribution on music – «the supreme mystery of the sciences of man» (Lévi-Strauss, 2004) – offers reflections on a field with deep affinities with the discipline of architecture, with both sharing a strong relationship between composition and execution. The sheer vastness of musical expression, from the precision of the classical score to the freedom of interpretation exemplified by the conductor or the improvising jazz musician, sees the concepts of overall rhythm and melody, the homogeneity and identity of different instruments, and the circularity of the process as the key themes of music as a public art whose creative process has always been founded upon the relationship between technical factors and cultural factors. The contribution provided by Michele Guerra, an academic and professor of History of Cinema, confirms the words of Edgar Morin. «Nowadays, cinema is widely recognised as an art, and in my opinion, it is a tremendous polyphonic and polymorphous art that is capable of stimulating and integrating into itself the virtues of all the other arts: novel-writing, theatre, music, painting, scenography, photography. [...] it can be said that those who participate in the creation of a film are artisans, artists, who play an important role in the aesthetics of the film» (Morin, 2019). The work of the “cinematographic construction site” is driven by forces which, incorporating the status quo of the technical and material factors, lead to “an idea of imaginary metamorphosis” which reflects the aspirations of a society in its efforts to become contemporary. A concept of a heteronomous approach to “making” is also founded upon recognising the didactic value of the work, as emerges from Luigi Alini’s contribution on the figure of Vittorio Garatti – an intellectual first and architect second – whose pieces are the result of work that is as much immaterial as it is material, with an «experiential rather than mediatic» approach (Frampton, in Borsa and Carboni Maestri, 2018), as true architecture is expected to be. The heteronomy of architecture, much like that of other similar disciplines, is based on engagement on two fronts: an understanding of the relevant international scenarios and the definition of the project charter, with a view to conforming it so that it takes into account any changes, operates in continuity with and with an appreciation for history, and develops in harmony with the universality of the discipline and the teachings of its masters. Stimulating a dialogue between different cultural positions is a means to create the conditions for a degree of adherence to contemporaneity without compromising on a principle of historical continuity. In light of this, the contribution by Ferruccio Resta – the current Rector of the Politecnico di Milano – focuses on the varying cultural and intellectual positions that have animated the culture of the Politecnico over the years, representing a highly valuable heritage for the university. Nowadays, with the presence of certain indispensable premises such as sustainability and connectivity, technology seems to overwhelm the design process, outsourcing it to a sort of management of the engineering and component production aspects. Hence the need to reaffirm a “humanistic and human” dimension of the act of making, starting at the root by orienting the training processes in line with the words of historian and philosopher Yuval Noah Harari, who says: «Many pedagogical experts argue that schools should switch to teaching “the four Cs” – critical thinking, communication, collaboration, and creativity. More broadly, they believe, schools should downplay technical skills and emphasize general-purpose life skills. Most important of all will be the ability to deal with change, learn new things, and preserve your mental balance in unfamiliar situations». This need reopens the theme of the dualism between “art” and “discipline”, surpassing it in favour of a coexistence of terminology in that it is the quality of the design and the piece that define where it belongs. Reflecting on the foundations of the paths and tools employed in different disciplines – in light of the innovations that involve the project charter in terms not only of concepts, but also of instruments – means reflecting on the concept of “project culture”, understood as the ability to work through actions which combine different contributions, tackling complex problems by way of a conscious creative process. The ability to envisage the new – as is implicit in the etymology of the word “project” itself – and, at the same time, to interpret continuity in the sense of a coherent system of methods and values, is shared by the disciplines and skills brought together in the Dossier: dealing with culture, society, the city, the landscape and the environment all at once requires a multifaceted vision, an ability to read problems, but also a certain openmindedness towards opportunities, the management of complexities, control of the risks of drops in quality in service of concepts of efficiency based on numerical parameters and the standardisation of languages. A comparison of the various contributions and perspectives throws up a picture in which the importance of relationships, the search for what Eiffell defined «the secret laws of harmony», the disciplinary specificity of design as the ability to relate in order to «understand, criticise, transform» (Gregotti, 1981), the ability to distinguish that which is different by involving it in the transformation of design, all represent the foundations for the evolution of heteronomous disciplines in how they move beyond the notions of technique and context as passive referents which generate possibilities in line with the Rogersian reflection on pre-existing environmental elements as historical conditions for reference, critically taken on as determinants. Hence the validity of a “polytechnic” cultural approach that is not only capable of deploying tools and skills which can deal with the operating conditions to be found in a heteronomous context, but also of stimulating critical approaches oriented towards innovation and managing change with the perspective of a project as an opportunity – in the words of Franco Albini – for «experimentation and verification in relation to the progression of construction techniques, tools for investigation, knowledge in the various fields and in relation to the shifts in contemporary culture» (Albini, 1968). The need for a sense of humanism is strongly linked to the reintroduction of the concept of “beauty”, in its modern meaning, under which it shifts from a subjective value to a universal one. Hence the importance of the dialogue with disciplines that identify with the polytechnic mould – that is, one which has always been deeply attentive to the relationship between theory and practice, to the design of architecture as an action that is at once intellectual and technical. As such, starting from the assumption that «no theory can be pursued without hitting a wall that only practice can penetrate» (Deleuze and Foucault 1972; Deleuze, 2002; Foucault, 1977; Deleuze, 2007), it is now essential to promote the professional profiles of artists, musicians, philosophers, humanistic architects and so on who are capable of managing design as a synthesis of external factors, but also as an internal dialectic, as well as skills capable of creating culture understood as technical knowledge. Sometimes, faced with the difficulty of discerning an identity for disciplines, we attempt to draw a boundary that allows us to better understand their meaning and content. However, going on the points of view that have emerged in the Dossier, it seems more important than ever to «work on the boundaries of each field of knowledge», drawing upon a concept expressed by Salvatore Veca (Veca, 1979), making communication between fields a central value, interpreting relationships and connections, identifying the relational perspective as a fundamental aspect of the creative act. The position of architecture as an “art at the edge of the arts”1, as so often posited by Renzo Piano, allows for a reflection on its identity by placing it in a position that centralises rather than marginalises it. A concept of “edge” that touches upon the sociological viewpoint that distinguishes the “finite limit” (boundary) from the “area of interaction” (border) (Sennet, 2011; Sennet, 2018), in which the transformational yet constructive contact with the entities necessary for its realisation takes place. The heteronomy of architecture coincides with its “universality”, a concept that Alberto Campo Baeza (Campo Baeza, 2018) believes to represent the identity of architecture itself. Indeed, its dependence upon human life, the development of society, of its cultural growth, derives from a single and inalienable factor: its heteronomy, the necessary condition for a process as artistic as it is technical, tasked with expressing the values of a community over time and representing the “beautiful” rather than the “new”. A design practice based on – to borrow some concepts already expressed years ago by Edgar Morin – “contaminations that are necessary as well as possible”, on the contribution of “knowledge as an open system”, but above all, one aimed at working “against the continuities incapable of grasping the dynamics of change” (Morin, 1974), thus becomes an opportunity to develop a theory on the identity of the discipline itself, striking a balance between the technical and poetic spheres, but necessarily materialising in the finished work, lending substance to the «webs of intricate relationships that seek form» (Italo Calvino).

AbstractThis report describes the 10-year outcome of implementing practices that support and foster success of underrepresented students in science, technology, engineering, and math (STEM) graduate training at Brown University. The results show sustained improvements in compositional diversity, retention, and degree attainment of supported students relative to their peers. Among the outcomes is an increase in enrolled student diversity from 19 (35 of 179) to 26% (58 of 223) for historically underrepresented minority (URM) students and an increase in Ph.D. degree attainment from 4 (1 of 25) to 14% (6 of 44) for this group. These achievements follow the introduction and coordination of academic and co-curricular practices through the National Institutes of General Medical Sciences–funded Brown University Initiative to Maximize Student Development (IMSD) Program. At the center of these outcomes is the alignment of IMSD practices with recent diversity initiatives launched by the university. The outcomes described result from long-term commitments to building a culture that includes: (1) development of relationships that serve underrepresented students, (2) provision of a personalized education program of support and skills-based learning that supplements discipline-based research and coursework, and (3) investments in processes that build a culture that values and benefits from diversity. These practices may yield similar outcomes and success for students when applied elsewhere.

Following in the footsteps of the protagonists of the Italian architectural debate is a mark of culture and proactivity. The synthesis deriving from the artistic-humanistic factors, combined with the technical-scientific component, comprises the very root of the process that moulds the architect as an intellectual figure capable of governing material processes in conjunction with their ability to know how to skilfully select schedules, phases and actors: these are elements that – when paired with that magical and essential compositional sensitivity – have fuelled this profession since its origins. The act of X-raying the role of architecture through the filter of its “autonomy” or “heteronomy”, at a time when the hybridisation of different areas of knowledge and disciplinary interpenetration is rife, facilitates an understanding of current trends, allowing us to bring the fragments of a debate carved into our culture and tradition up to date. As such, heteronomy – as a condition in which an acting subject receives the norm of its action from outside itself: the matrix of its meaning, coming from ancient Greek, the result of the fusion of the two terms ἕτερος éteros “different, other” and νόμος nómos “law, ordinance” – suggests the existence of a dual sentiment now pervasive in architecture: the sin of self-reference and the strength of depending on other fields of knowledge. Difference, interpreted as a value, and the ability to establish relationships between different points of observation become moments of a practice that values the process and method of affirming architecture as a discipline. The term “heteronomy”, used in opposition to “autonomy”, has – from the time of Kant onwards – taken on a positive value connected to the mutual respect between reason and creativity, exact science and empirical approach, contamination and isolation, introducing the social value of its existence every time that it returns to the forefront. At the 1949 conference in Lima, Ernesto Nathan Rogers spoke on combining the principle of “Architecture is an Art” with the demands of a social dimension of architecture: «Alberti, in the extreme precision of his thought, admonishes us that the idea must be translated into works and that these must have a practical and moral purpose in order to adapt harmoniously ‘to the use of men’, and I would like to point out the use of the plural of ‘men’, society. The architect is neither a passive product nor a creator completely independent of his era: society is the raw material that he transforms, giving it an appearance, an expression, and the consciousness of those ideals that, without him, would remain implicit. Our prophecy, like that of the farmer, already contains the seeds for future growth, as our work also exists between heaven and earth. Poetry, painting, sculpture, dance and music, even when expressing the contemporary, are not necessarily limited within practical terms. But we architects, who have the task of synthesising the useful with the beautiful, must feel the fundamental drama of existence at every moment of our creative process, because life continually puts practical needs and spiritual aspirations at odds with one another. We cannot reject either of these necessities, because a merely practical or moralistic position denies the full value of architecture to the same extent that a purely aesthetic position would: we must mediate one position with the other» (Rogers, 1948). Rogers discusses at length the relationship between instinctive forces and knowledge acquired through culture, along with his thoughts on the role played by study in an artist’s training. It is in certain debates that have arisen within the “International Congresses of Modern Architecture” that the topic of architecture as a discipline caught between self-sufficiency and dependence acquires a certain centrality within the architectural context: in particular, in this scenario, the theme of the “autonomy” and “heteronomy” of pre-existing features of the environment plays a role of strategic importance. Arguments regarding the meaning of form in architecture and the need for liberation from heteronomous influences did not succeed in undermining the idea of an architecture capable of influencing the governing of society as a whole, thanks to an attitude very much in line with Rogers’ own writings. The idea of a project as the result of the fusion of an artistic idea and pre-existing features of an environment formed the translation of the push to coagulate the antithetical forces striving for a reading of the architectural work that was at once autonomous and heteronomous, as well as linked to geographical, cultural, sociological and psychological principles. The CIAM meeting in Otterlo was attended by Ignazio Gardella, Ernesto Nathan Rogers, Vico Magistretti and Giancarlo De Carlo as members of the Italian contingent: the architects brought one project each to share with the conference and comment on as a manifesto. Ernesto Nathan Rogers, who presented the Velasca Tower, and Giancarlo De Carlo, who presented a house in Matera in the Spine Bianche neighbourhood, were openly criticised as none of the principles established by the CIAM were recognisable in their work any longer, and De Carlo’s project represented a marked divergence from a consolidated method of designing and building in Matera. In this cultural condition, Giancarlo De Carlo – in justifying the choices he had made – even went so far as to say: «my position was not at all a flight from architecture, for example in sociology. I cannot stand those who, paraphrasing what I have said, dress up as politicians or sociologists because they are incapable of creating architecture. Architecture is – and cannot be anything other than – the organisation and form of physical space. It is not autonomous, it is heteronomous» (De Carlo, 2001). Even more so than in the past, it is not possible today to imagine an architecture encapsulated entirely within its own enclosure, autoimmune, averse to any contamination or relationships with other disciplinary worlds: architecture is the world and the world is the sum total of our knowledge. Architecture triggers reactions and phenomena: it is not solely and exclusively the active and passive product of a material work created by man. «We believed in the heteronomy of architecture, in its necessary dependence on the circumstances that produce it, in its intrinsic need to exist in harmony with history, with the happenings and expectations of individuals and social groups, with the arcane rhythms of nature. We denied that the purpose of architecture was to produce objects, and we argued that its fundamental role was to trigger processes of transformation of the physical environment that are capable of contributing to the improvement of the human condition» (De Carlo, 2001). Productive and cultural reinterpretations place the discipline of architecture firmly at the centre of the critical reconsideration of places for living and working. Consequently, new interpretative models continue to emerge which often highlight the instability of built architecture with the lack of a robust theoretical apparatus, demanding the sort of “technical rationality” capable of restoring the centrality of the act of construction, through the contribution of actions whose origins lie precisely in other subject areas. Indeed, the transformation of the practice of construction has resulted in direct changes to the structure of the nature of the knowledge of it, to the role of competencies, to the definition of new professional skills based on the demands emerging not just from the production system, but also from the socio-cultural system. The architect cannot disregard the fact that the making of architecture does not burn out by means of some implosive dynamic; rather, it is called upon to engage with the multiple facets and variations that the cognitive act of design itself implies, bringing into play a theory of disciplines which – to varying degrees and according to different logics – offer their significant contribution to the formation of the design and, ultimately, the work. As Álvaro Siza claims, «The architect is not a specialist. The sheer breadth and variety of knowledge that practicing design encompasses today – its rapid evolution and progressive complexity – in no way allow for sufficient knowledge and mastery. Establishing connections – pro-jecting [from Latin proicere, ‘to stretch out’] – is their domain, a place of compromise that is not tantamount to conformism, of navigation of the web of contradictions, the weight of the past and the weight of the doubts and alternatives of the future, aspects that explain the lack of a contemporary treatise on architecture. The architect works with specialists. The ability to chain things together, to cross bridges between fields of knowledge, to create beyond their respective borders, beyond the precarity of inventions, requires a specific education and stimulating conditions. [...] As such, architecture is risk, and risk requires impersonal desire and anonymity, starting with the merging of subjectivity and objectivity. In short, a gradual distancing from the ego. Architecture means compromise transformed into radical expression, in other words, a capacity to absorb the opposite and overcome contradiction. Learning this requires an education in search of the other within each of us» (Siza, 2008). We are seeing the coexistence of contrasting, often extreme, design trends aimed at recementing the historical and traditional mould of construction by means of the constant reproposal of the characteristics of “persistence” that long-established architecture, by its very nature, promotes, and at decrypting the evolutionary traits of architecture – markedly immaterial nowadays – that society promotes as phenomena of everyday living. Speed, temporariness, resilience, flexibility: these are just a few fragments. In other words, we indicate a direction which immediately composes and anticipates innovation as a characterising element, describing its stylistic features, materials, languages and technologies, and only later on do we tend to outline the space that these produce: what emerges is a largely anomalous path that goes from “technique” to “function” – by way of “form” – denying the circularity of the three factors at play. The threat of a short-circuit deriving from discourse that exceeds action – in conjunction with a push for standardisation aimed at asserting the dominance of construction over architecture, once again echoing the ideas posited by Rogers – may yet be able to finding a lifeline cast through the attempt to merge figurative research with technology in a balanced way, in the wake of the still-relevant example of the Bauhaus or by emulating the thinking of certain masters of modern Italian architecture who worked during that post-war period so synonymous with physical – and, at the same time, moral – reconstruction. These architectural giants’ aptitude for technical and formal transformation and adaptation can be held up as paradigmatic examples of methodological choice consistent with their high level of mastery over the design process and the rhythm of its phases. In all this exaltation of the outcome, the power of the process is often left behind in a haze: in the uncritical celebration of the architectural work, the method seems to dissolve entirely into the finished product. Technical innovation and disciplinary self-referentiality would seem to deny the concepts of continuity and transversality by means of a constant action of isolation and an insufficient relationship with itself: conversely, the act of designing, as an operation which involves selecting elements from a vast heritage of knowledge, cannot exempt itself from dealing in the variables of a functional, formal, material and linguistic nature – all of such closely intertwined intents – that have over time represented the energy of theoretical formulation and of the works created. For years, the debate in architecture has concentrated on the synergistic or contrasting dualism between cultural approaches linked to venustas and firmitas. Kenneth Frampton, with regard to the interpretative pair of “tectonics” and “form”, notes the existence of a dual trend that is both identifiable and contrasting: namely the predisposition to favour the formal sphere as the predominant one, rejecting all implications on the construction, on the one hand; and the tendency to celebrate the constructive matrix as the generator of the morphological signature – emphasised by the ostentation of architectural detail, including that of a technological matrix – on the other. The design of contemporary architecture is enriched with sprawling values that are often fundamental, yet at times even damaging to the successful completion of the work: it should identify the moment of coagulation within which the architect goes in pursuit of balance between all the interpretative categories that make it up, espousing the Vitruvian meaning, according to which practice is «the continuous reflection on utility» and theory «consists of being able to demonstrate and explain the things made with technical ability in terms of the principle of proportion» (Vitruvius Pollio, 15 BC). Architecture will increasingly be forced to demonstrate how it represents an applied and intellectual activity of a targeted synthesis, of a complex system within which it is not only desirable, but indeed critical, for the cultural, social, environmental, climatic, energy-related, geographical and many other components involved in it to interact proactively, together with the more spatial, functional and material components that are made explicit in the final construction itself through factors borrowed from neighbouring field that are not endogenous to the discipline of architecture alone. Within a unitary vision that exists parallel to the transcalarity that said vision presupposes, the technology of architecture – as a discipline often called upon to play the role of a collagen of skills, binding them together – acts as an instrument of domination within which science and technology interpret the tools for the translation of man’s intellectual needs, expressing the most up-to-date principles of contemporary culture. Within the concept of tradition – as inferred from its evolutionary character – form, technique and production, in their historical “continuity” and not placed in opposition to one other, make up the fields of application by which, in parallel, research proceeds with a view to ensuring a conforming overall design. The “technology of architecture” and “technological design” give the work of architecture its personal hallmark: a sort of DNA to be handed down to future generations, in part as a discipline dedicated to amalgamating the skills and expertise derived from other dimensions of knowledge. In the exercise of design, the categories of urban planning, composition, technology, structure and systems engineering converge, the result increasingly accentuated by multidisciplinary nuances in search of a sense of balance between the parts: a setup founded upon simultaneity and heteronomous logic in the study of variables, by means of translations, approaches and skills as expressions of multifaceted identities. «Architects can influence society with their theories and works, but they are not capable of completing any such transformation on their own, and end up being the interpreters of an overbearing historical reality under which, if the strongest and most honest do not succumb, that therefore means that they alone represent the value of a component that is algebraically added to the others, all acting in the common field» (Rogers, 1951). Construction, in this context, identifies the main element of the transmission of continuity in architecture, placing the “how” at the point of transition between past and future, rather than making it independent of any historical evolution. Architecture determines its path within a heteronomous practice of construction through an effective distinction between the strength of the principles and codes inherent to the discipline – long consolidated thanks to sedimented innovations – and the energy of experimentation in its own right. Architecture will have to seek out and affirm its own identity, its validity as a discipline that is at once scientific and poetic, its representation in the harmonies, codes and measures that history has handed down to us, along with the pressing duty of updating them in a way that is long overdue. The complexity of the architectural field occasionally expresses restricted forms of treatment bound to narrow disciplinary areas or, conversely, others that are excessively frayed, tending towards an eclecticism so vast that it prevents the tracing of any discernible cultural perimeter. In spite of the complex phenomenon that characterises the transformations that involve the status of the project and the figure of the architect themselves, it is a matter of urgency to attempt to renew the interpretation of the activity of design and architecture as a coherent system rather than a patchwork of components. «Contemporary architecture tends to produce objects, even though its most concrete purpose is to generate processes. This is a falsehood that is full of consequences because it confines architecture to a very limited band of its entire spectrum; in doing so, it isolates it, exposing it to the risks of subordination and delusions of grandeur, pushing it towards social and political irresponsibility. The transformation of the physical environment passes through a series of events: the decision to create a new organised space, detection, obtaining the necessary resources, defining the organisational system, defining the formal system, technological choices, use, management, technical obsolescence, reuse and – finally – physical obsolescence. This concatenation is the entire spectrum of architecture, and each link in the chain is affected by what happens in all the others. It is also the case that the cadence, scope and intensity of the various bands can differ according to the circumstances and in relation to the balances or imbalances within the contexts to which the spectrum corresponds. Moreover, each spectrum does not conclude at the end of the chain of events, because the signs of its existence – ruins and memory – are projected onto subsequent events. Architecture is involved with the entirety of this complex development: the design that it expresses is merely the starting point for a far-reaching process with significant consequences» (De Carlo, 1978). The contemporary era proposes the dialectic between specialisation, the coordination of ideas and actions, the relationship between actors, phases and disciplines: the practice of the organisational culture of design circumscribes its own code in the coexistence and reciprocal exploitation of specialised fields of knowledge and the discipline of synthesis that is architecture. With the revival of the global economy on the horizon, the dematerialisation of the working practice has entailed significant changes in the productive actions and social relationships that coordinate the process. Despite a growing need to implement skills and means of coordination between professional actors, disciplinary fields and sectors of activity, architectural design has become the emblem of the action of synthesis. This is a representation of society which, having developed over the last three centuries, from the division of social sciences that once defined it as a “machine”, an “organism” and a “system”, is now defined by the concept of the “network” or, more accurately, by that of the “system of networks”, in which a person’s desire to establish relationships places them within a multitude of social spheres. The “heteronomy” of architecture, between “hybridisation” and “contamination of knowledge”, is to be seen not only an objective fact, but also, crucially, as a concept aimed at providing the discipline with new and broader horizons, capable of putting it in a position of serenity, energy and courage allowing it to tackle the challenges that the cultural, social and economic landscape is increasingly throwing at the heart of our contemporary world.

IntroductionCulinary education in Ireland has long been influenced by culinary education being delivered in catering colleges in the United Kingdom (UK). Institutionalised culinary education started in Britain through the sponsorship of guild conglomerates (Lawson and Silver). The City & Guilds of London Institute for the Advancement of Technical Education opened its central institution in 1884. Culinary education in Ireland began in Kevin Street Technical School in the late 1880s. This consisted of evening courses in plain cookery. Dublin’s leading chefs and waiters of the time participated in developing courses in French culinary classics and these courses ran in Parnell Square Vocational School from 1926 (Mac Con Iomaire “The Changing”). St Mary’s College of Domestic Science was purpose built and opened in 1941 in Cathal Brugha Street. This was renamed the Dublin College of Catering in the 1950s. The Council for Education, Recruitment and Training for the Hotel Industry (CERT) was set up in 1963 and ran cookery courses using the City & Guilds of London examinations as its benchmark. In 1982, when the National Craft Curriculum Certification Board (NCCCB) was established, CERT began carrying out their own examinations. This allowed Irish catering education to set its own standards, establish its own criteria and award its own certificates, roles which were previously carried out by City & Guilds of London (Corr). CERT awarded its first certificates in professional cookery in 1989. The training role of CERT was taken over by Fáilte Ireland, the State tourism board, in 2003. Changing Trends in Cookery and Culinary Textbooks at DIT The Dublin College of Catering which became part of the Dublin Institute of Technology (DIT) is the flagship of catering education in Ireland (Mac Con Iomaire “The Changing”). The first DIT culinary award, was introduced in 1984 Certificate in Diet Cookery, later renamed Higher Certificate in Health and Nutrition for the Culinary Arts. On the 19th of July 1992 the Dublin Institute of Technology Act was enacted into law. This Act enabled DIT to provide vocational and technical education and training for the economic, technological, scientific, commercial, industrial, social and cultural development of the State (Ireland 1992). In 1998, DIT was granted degree awarding powers by the Irish state, enabling it to make major awards at Higher Certificate, Ordinary Bachelor Degree, Honors Bachelor Degree, Masters and PhD levels (Levels six to ten in the National Framework of Qualifications), as well as a range of minor, special purpose and supplemental awards (National NQAI). It was not until 1999, when a primary degree in Culinary Arts was sanctioned by the Department of Education in Ireland (Duff, The Story), that a more diverse range of textbooks was recommended based on a new liberal/vocational educational philosophy. DITs School of Culinary Arts currently offers: Higher Certificates Health and Nutrition for the Culinary Arts; Higher Certificate in Culinary Arts (Professional Culinary Practice); BSc (Ord) in Baking and Pastry Arts Management; BA (Hons) in Culinary Arts; BSc (Hons) Bar Management and Entrepreneurship; BSc (Hons) in Culinary Entrepreneurship; and, MSc in Culinary Innovation and Food Product Development. From 1942 to 1970, haute cuisine, or classical French cuisine was the most influential cooking trend in Irish cuisine and this is reflected in the culinary textbooks of that era. Haute cuisine has been influenced by many influential writers/chefs such as Francois La Varenne, Antoine Carême, Auguste Escoffier, Ferand Point, Paul Bocuse, Anton Mosiman, Albert and Michel Roux to name but a few. The period from 1947 to 1974 can be viewed as a “golden age” of haute cuisine in Ireland, as more award-winning world-class restaurants traded in Dublin during this period than at any other time in history (Mac Con Iomaire “The Changing”). Hotels and restaurants were run in the Escoffier partie system style which is a system of hierarchy among kitchen staff and areas of the kitchens specialising in cooking particular parts of the menu i.e sauces (saucier), fish (poissonnier), larder (garde manger), vegetable (legumier) and pastry (patissier). In the late 1960s, Escoffier-styled restaurants were considered overstaffed and were no longer financially viable. Restaurants began to be run by chef-proprietors, using plate rather than silver service. Nouvelle cuisine began in the 1970s and this became a modern form of haute cuisine (Gillespie). The rise in chef-proprietor run restaurants in Ireland reflected the same characteristics of the nouvelle cuisine movement. Culinary textbooks such as Practical Professional Cookery, La Technique, The Complete Guide to Modern Cooking, The Art of the Garde Mange and Patisserie interpreted nouvelle cuisine techniques and plated dishes. In 1977, the DIT began delivering courses in City & Guilds Advanced Kitchen & Larder 706/3 and Pastry 706/3, the only college in Ireland to do so at the time. Many graduates from these courses became the future Irish culinary lecturers, chef-proprietors, and culinary leaders. The next two decades saw a rise in fusion cooking, nouvelle cuisine, and a return to French classical cooking. Numerous Irish chefs were returning to Ireland having worked with Michelin starred chefs and opening new restaurants in the vein of classical French cooking, such as Kevin Thornton (Wine Epergne & Thorntons). These chefs were, in turn, influencing culinary training in DIT with a return to classical French cooking. New Classical French culinary textbooks such as New Classical Cuisine, The Modern Patisserie, The French Professional Pastry Series and Advanced Practical Cookery were being used in DIT In the last 15 years, science in cooking has become the current trend in culinary education in DIT. This is acknowledged by the increased number of culinary science textbooks and modules in molecular gastronomy offered in DIT. This also coincided with the launch of the BA (Hons) in Culinary Arts in DIT moving culinary education from a technical to a liberal education. Books such as The Science of Cooking, On Food and Cooking, The Fat Duck Cookbook and Modern Gastronomy now appear on recommended textbooks for culinary students.For the purpose of this article, practical classes held at DIT will be broken down as follows: hot kitchen class, larder classes, and pastry classes. These classes had recommended textbooks for each area. These can be broken down into three sections: hot kitche, larder, and pastry. This table identifies that the textbooks used in culinary education at DIT reflected the trends in cookery at the time they were being used. Hot Kitchen Larder Pastry Le Guide Culinaire. 1921. Le Guide Culinaire. 1921. The International Confectioner. 1968. Le Repertoire De La Cuisine. 1914. The Larder Chef, Classical Food Preparation and Presentation. 1969. Patisserie. 1971. All in the Cooking, Books 1&2. 1943 The Art of the Garde Manger. 1973. The Modern Patissier. 1986 Larousse Gastronomique. 1961. New Classic Cuisine. 1989. Professional French Pastry Series. 1987. Practical Cookery. 1962. The Curious Cook. 1990. Complete Pastrywork Techniques. 1991. Practical Professional Cookery. 1972. On Food and Cooking. The Science and Lore of the Kitchen. 1991. On Food and Cooking: The Science and Lore of the Kitchen. 1991 La Technique. 1976. Advanced Practical Cookery. 1995. Desserts: A Lifelong Passion. 1994. Escoffier: The Complete Guide to the Art of Modern Cookery. 1979. The Science of Cooking. 2000. Culinary Artistry. Dornenburg, 1996. Professional Cookery: The Process Approach. 1985. Garde Manger, The Art and Craft of the Cold Kitchen. 2004. Grande Finales: The Art of the Plated Dessert. 1997. On Food and Cooking: The Science and Lore of the Kitchen. 1991. The Science of Cooking. 2000. Fat Duck Cookbook. 2009. Modern Gastronomy. 2010. Tab.1. DIT Culinary Textbooks.1942–1960 During the first half of the 20th century, senior staff working in Dublin hotels, restaurants and clubs were predominately foreign born and trained. The two decades following World War II could be viewed as the “golden age” of haute cuisine in Dublin as many award-wining restaurants traded in the city at this time (Mac Con Iomaire “The Emergence”). Culinary education in DIT in 1942 saw the use of Escoffier’s Le Guide Culinaire as the defining textbook (Bowe). This was first published in 1903 and translated into English in 1907. In 1979 Cracknell and Kaufmann published a more comprehensive and update edited version under the title The Complete Guide to the Art of Modern Cookery by Escoffier for use in culinary colleges. This demonstrated that Escoffier’s work had withstood the test of the decades and was still relevant. Le Repertoire de La Cuisine by Louis Saulnier, a student of Escoffier, presented the fundamentals of French classical cookery. Le Repertoire was inspired by the work of Escoffier and contains thousands of classical recipes presented in a brief format that can be clearly understood by chefs and cooks. Le Repertoire remains an important part of any DIT culinary student’s textbook list. All in the Cooking by Josephine Marnell, Nora Breathnach, Ann Mairtin and Mor Murnaghan (1946) was one of the first cookbooks to be published in Ireland (Cashmann). This book was a domestic science cooking book written by lecturers in the Cathal Brugha Street College. There is a combination of classical French recipes and Irish recipes throughout the book. 1960s It was not until the 1960s that reference book Larousse Gastronomique and new textbooks such as Practical Cookery, The Larder Chef and International Confectionary made their way into DIT culinary education. These books still focused on classical French cooking but used lighter sauces and reflected more modern cooking equipment and techniques. Also, this period was the first time that specific books for larder and pastry work were introduced into the DIT culinary education system (Bowe). Larousse Gastronomique, which used Le Guide Culinaire as a basis (James), was first published in 1938 and translated into English in 1961. Practical Cookery, which is still used in DIT culinary education, is now in its 12th edition. Each edition has built on the previous, however, there is now criticism that some of the content is dated (Richards). Practical Cookery has established itself as a key textbook in culinary education both in Ireland and England. Practical Cookery recipes were laid out in easy to follow steps and food commodities were discussed briefly. The Larder Chef was first published in 1969 and is currently in its 4th edition. This book focuses on classical French larder techniques, butchery and fishmongery but recognises current trends and fashions in food presentation. The International Confectioner is no longer in print but is still used as a reference for basic recipes in pastry classes (Campbell). The Modern Patissier demonstrated more updated techniques and methods than were used in The International Confectioner. The Modern Patissier is still used as a reference book in DIT. 1970s The 1970s saw the decline in haute cuisine in Ireland, as it was in the process of being replaced by nouvelle cuisine. Irish chefs were being influenced by the works of chefs such as Paul Boucuse, Roger Verge, Michel Guerard, Raymond Olivier, Jean & Pierre Troisgros, Alain Senderens, Jacques Maniere, Jean Delaveine and Michel Guerard who advanced the uncomplicated natural presentation in food. Henri Gault claims that it was his manifesto published in October 1973 in Gault-Millau magazine which unleashed the movement called La Nouvelle Cuisine Française (Gault). In nouvelle cuisine, dishes in Carème and Escoffier’s style were rejected as over-rich and complicated. The principles underpinning this new movement focused on the freshness of ingredients, and lightness and harmony in all components and accompaniments, as well as basic and simple cooking methods and types of presentation. This was not, however, a complete overthrowing of the past, but a moving forward in the long-term process of cuisine development, utilising the very best from each evolution (Cousins). Books such as Practical Professional Cookery, The Art of the Garde Manger and Patisserie reflected this new lighter approach to cookery. Patisserie was first published in 1971, is now in its second edition, and continues to be used in DIT culinary education. This book became an essential textbook in pastrywork, and covers the entire syllabus of City & Guilds and CERT (now Fáilte Ireland). Patisserie covered all basic pastry recipes and techniques, while the second edition (in 1993) included new modern recipes, modern pastry equipment, commodities, and food hygiene regulations reflecting the changing catering environment. The Art of the Garde Manger is an American book highlighting the artistry, creativity, and cooking sensitivity need to be a successful Garde Manger (the larder chef who prepares cold preparation in a partie system kitchen). It reflected the dynamic changes occurring in the culinary world but recognised the importance of understanding basic French culinary principles. It is no longer used in DIT culinary education. La Technique is a guide to classical French preparation (Escoffier’s methods and techniques) using detailed pictures and notes. This book remains a very useful guide and reference for culinary students. Practical Professional Cookery also became an important textbook as it was written with the student and chef/lecturer in mind, as it provides a wider range of recipes and detailed information to assist in understanding the tasks at hand. It is based on classical French cooking and compliments Practical Cookery as a textbook, however, its recipes are for ten portions as opposed to four portions in Practical Cookery. Again this book was written with the City & Guilds examinations in mind. 1980s During the mid-1980s, many young Irish chefs and waiters emigrated. They returned in the late-1980s and early-1990s having gained vast experience of nouvelle and fusion cuisine in London, Paris, New York, California and elsewhere (Mac Con Iomaire, “The Changing”). These energetic, well-trained professionals began opening chef-proprietor restaurants around Dublin, providing invaluable training and positions for up-and-coming young chefs, waiters and culinary college graduates. The 1980s saw a return to French classical cookery textbook such as Professional Cookery: The Process Approach, New Classic Cuisine and the Professional French Pastry series, because educators saw the need for students to learn the basics of French cookery. Professional Cookery: The Process Approach was written by Daniel Stevenson who was, at the time, a senior lecturer in Food and Beverage Operations at Oxford Polytechnic in England. Again, this book was written for students with an emphasis on the cookery techniques and the practices of professional cookery. The Complete Guide to Modern Cooking by Escoffier continued to be used. This book is used by cooks and chefs as a reference for ingredients in dishes rather than a recipe book, as it does not go into detail in the methods as it is assumed the cook/chef would have the required experience to know the method of production. Le Guide Culinaire was only used on advanced City & Guilds courses in DIT during this decade (Bowe). New Classic Cuisine by the classically French trained chefs, Albert and Michel Roux (Gayot), is a classical French cuisine cookbook used as a reference by DIT culinary educators at the time because of the influence the Roux brothers were having over the English fine dining scene. The Professional French Pastry Series is a range of four volumes of pastry books: Vol. 1 Doughs, Batters and Meringues; Vol. 2 Creams, Confections and Finished Desserts; Vol. 3 Petit Four, Chocolate, Frozen Desserts and Sugar Work; and Vol. 4 Decorations, Borders and Letters, Marzipan, Modern Desserts. These books about classical French pastry making were used on the advanced pastry courses at DIT as learners needed a basic knowledge of pastry making to use them. 1990s Ireland in the late 1990s became a very prosperous and thriving European nation; the phenomena that became known as the “celtic tiger” was in full swing (Mac Con Iomaire “The Changing”). The Irish dining public were being treated to a resurgence of traditional Irish cuisine using fresh wholesome food (Hughes). The Irish population was considered more well-educated and well travelled than previous generations and culinary students were now becoming interested in the science of cooking. In 1996, the BA (Hons) in Culinary Arts program at DIT was first mooted (Hegarty). Finally, in 1999, a primary degree in Culinary Arts was sanctioned by the Department of Education underpinned by a new liberal/vocational philosophy in education (Duff). Teaching culinary arts in the past had been through a vocational education focus whereby students were taught skills for industry which were narrow, restrictive, and constraining, without the necessary knowledge to articulate the acquired skill. The reading list for culinary students reflected this new liberal education in culinary arts as Harold McGee’s books The Curious Cook and On Food and Cooking: The Science and Lore of the Kitchen explored and explained the science of cooking. On Food and Cooking: The Science and Lore of the Kitchen proposed that “science can make cooking more interesting by connecting it with the basic workings of the natural world” (Vega 373). Advanced Practical Cookery was written for City & Guilds students. In DIT this book was used by advanced culinary students sitting Fáilte Ireland examinations, and the second year of the new BA (Hons) in Culinary Arts. Culinary Artistry encouraged chefs to explore the creative process of culinary composition as it explored the intersection of food, imagination, and taste (Dornenburg). This book encouraged chefs to develop their own style of cuisine using fresh seasonal ingredients, and was used for advanced students but is no longer a set text. Chefs were being encouraged to show their artistic traits, and none more so than pastry chefs. Grande Finale: The Art of Plated Desserts encouraged advanced students to identify different “schools” of pastry in relation to the world of art and design. The concept of the recipes used in this book were built on the original spectacular pieces montées created by Antoine Carême. 2000–2013 After nouvelle cuisine, recent developments have included interest in various fusion cuisines, such as Asia-Pacific, and in molecular gastronomy. Molecular gastronomists strive to find perfect recipes using scientific methods of investigation (Blanck). Hervè This experimentation with recipes and his introduction to Nicholos Kurti led them to create a food discipline they called “molecular gastronomy”. In 1998, a number of creative chefs began experimenting with the incorporation of ingredients and techniques normally used in mass food production in order to arrive at previously unattainable culinary creations. This “new cooking” (Vega 373) required a knowledge of chemical reactions and physico-chemical phenomena in relation to food, as well as specialist tools, which were created by these early explorers. It has been suggested that molecular gastronomy is “science-based cooking” (Vega 375) and that this concept refers to conscious application of the principles and tools from food science and other disciplines for the development of new dishes particularly in the context of classical cuisine (Vega). The Science of Cooking assists students in understanding the chemistry and physics of cooking. This book takes traditional French techniques and recipes and refutes some of the claims and methods used in traditional recipes. Garde Manger: The Art and Craft of the Cold Kitchen is used for the advanced larder modules at DIT. This book builds on basic skills in the Larder Chef book. Molecular gastronomy as a subject area was developed in 2009 in DIT, the first of its kind in Ireland. The Fat Duck Cookbook and Modern Gastronomy underpin the theoretical aspects of the module. This module is taught to 4th year BA (Hons) in Culinary Arts students who already have three years experience in culinary education and the culinary industry, and also to MSc Culinary Innovation and Food Product Development students. Conclusion Escoffier, the master of French classical cuisine, still influences culinary textbooks to this day. His basic approach to cooking is considered essential to teaching culinary students, allowing them to embrace the core skills and competencies required to work in the professional environment. Teaching of culinary arts at DIT has moved vocational education to a more liberal basis, and it is imperative that the chosen textbooks reflect this development. This liberal education gives the students a broader understanding of cooking, hospitality management, food science, gastronomy, health and safety, oenology, and food product development. To date there is no practical culinary textbook written specifically for Irish culinary education, particularly within this new liberal/vocational paradigm. There is clearly a need for a new textbook which combines the best of Escoffier’s classical French techniques with the more modern molecular gastronomy techniques popularised by Ferran Adria. References Adria, Ferran. Modern Gastronomy A to Z: A Scientific and Gastronomic Lexicon. London: CRC P, 2010. Barker, William. The Modern Patissier. London: Hutchinson, 1974. Barham, Peter. The Science of Cooking. Berlin: Springer-Verlag, 2000. Bilheux, Roland, Alain Escoffier, Daniel Herve, and Jean-Maire Pouradier. Special and Decorative Breads. New York: Van Nostrand Reinhold, 1987. Blanck, J. "Molecular Gastronomy: Overview of a Controversial Food Science Discipline." Journal of Agricultural and Food Information 8.3 (2007): 77-85. Blumenthal, Heston. The Fat Duck Cookbook. London: Bloomsbury, 2001. Bode, Willi, and M.J. Leto. The Larder Chef. Oxford: Butter-Heinemann, 1969. Bowe, James. Personal Communication with Author. Dublin. 7 Apr. 2013. Boyle, Tish, and Timothy Moriarty. Grand Finales, The Art of the Plated Dessert. New York: John Wiley, 1997. Campbell, Anthony. Personal Communication with Author. Dublin, 10 Apr. 2013. Cashman, Dorothy. "An Exploratory Study of Irish Cookbooks." Unpublished M.Sc Thesis. Dublin: Dublin Institute of Technology, 2009. Ceserani, Victor, Ronald Kinton, and David Foskett. Practical Cookery. London: Hodder & Stoughton Educational, 1962. Ceserani, Victor, and David Foskett. 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