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Journal articles on the topic 'Decorator'

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Author: Grafiati

Published: 7 July 2024

Last updated: 7 July 2024

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1

Al – Feel, Nada Zuhair. "Rights of Interior Decoration Designer "A study in Light of UAE Federal Law No. 7 of 2002 on the Protection of Copyright and Neighboring Rights”." Journal of Politics and Law 12, no. 2 (May 30, 2019): 61. http://dx.doi.org/10.5539/jpl.v12n2p61.

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This study includes the answer to the question that may be raised regarding the possibility of considering the design of the interior decoration as classified as protected works in the UAE law, and the consequent enjoyment by the designer of the literary and financial rights of the author. Paragraph 11 of UAE Federal Law No. 7 of 2002 on the protection of copyright and related rights refers to the design of decoration as one of the examples of the technical works mentioned by the legislator. The answer to the questions raised in this study is divided into two axes: the first is the technical framework and guarantee the historical development of the design, the role of the Arab design in the development of the design of the decoration and the definition of the designer and distinguish it from the architectural design. The second axis included the legal framework and included the conditions that must be met in the decoration design in order to enjoy legal protection, the rights of the decorator and then the legal protection of the right of the decorator.

2

Chen, Kang, Kun Xu, Yizhou Yu, Tian-Yi Wang, and Shi-Min Hu. "Magic decorator." ACM Transactions on Graphics 34, no. 6 (November 4, 2015): 1–11. http://dx.doi.org/10.1145/2816795.2818096.

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3

Bortsova, E. A. "The History of Russia in Bloomers (on the Examples of Works of N.S. Samokish, the Artist)." Bibliotekovedenie [Library and Information Science (Russia)], no. 6 (December 11, 2013): 54–59. http://dx.doi.org/10.25281/0869-608x-2013-0-6-54-59.

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There is discussed the book graphic art works of the renowned artist N. S. Samokish. For the first time there is analyzed the art decoration of “Coronation Collection” and “The Century of War Ministry” publications. The author explores the bloomers made by the artist-decorator of these publications.

4

Caughey, Carol C., and Sally K. Francis. "Perceptions of Design Practitioners." Perceptual and Motor Skills 76, no. 2 (April 1993): 539–43. http://dx.doi.org/10.2466/pms.1993.76.2.539.

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This study examined differences between perceived personality characteristics of a trained interior designer and of an untrained interior decorator. Subjects were 256 students who read a narrative description of a designer or a decorator and rated her personality traits by using a semantic differential scale. Factor analysis of the 17 adjective pairs of the semantic differential scale generated 5 factors: Professional, Extroverted, Creative, Intuitive, and Scientific. Narrative descriptions of practitioners' training had no significant effects on any of the 5 factors, thereby supporting the hypothesis that there would be no differences perceived between the trained interior designer and the untrained interior decorator.

5

Friedman, Alice T. "“Interior Decorator is Dead”." Art Bulletin 106, no. 1 (January 2, 2024): 34–39. http://dx.doi.org/10.1080/00043079.2024.2279451.

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6

Briganti, Chiara, and Kathy Mezei. "Designs for Living: Female Designers, the Designing Female, Modernism and the Middlebrow." Modernist Cultures 6, no. 1 (May 2011): 155–77. http://dx.doi.org/10.3366/mod.2011.0008.

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During the interwar period, the artistic endeavour of the female interior decorator was dismissed as old-fashioned, nostalgic, and, tainted by its association with commerce; it was excluded from the rarefied circle of the higher arts of painting and sculpture and architecture; in the novels and plays of middlebrow authors of the same period, on the other hand, the female interior decorator, mocked for her edgy modernity, became a disturbing icon of urban modernity and a controversial advocate for new designs in living. This essay proposes to demonstrate how the representation in fiction and drama of the interwar period of the female interior decorator, a magnet for anxieties about changing gender roles, class distinctions, sexuality and sexual ambiguity and the ‘sanctity’ of the home, complicates the complexity and mutability of the middlebrow and its fraught relationship with modernism.

7

Sharke, Paul. "Can-do Packaging." Mechanical Engineering 121, no. 07 (July 1, 1999): 62–63. http://dx.doi.org/10.1115/1.1999-jul-6.

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This article highlights the next generation of can decorating machines by packagers and the manufacturers of packaging machinery. To build their new next-generation decorator, Alcoa Packaging Machinery’s (APM) engineers were given the rare opportunity to develop the machine from a “white sheet.” The four-color decorator is a continuous-motion, rotary machine, which holds each can body upright on a mandrel. Each can rolls against a blanket cylinder, which transfers an inked pattern from a plate cylinder. APM’s engineers were especially interested in finding out how the mandrel shafts would deflect under load. Deflection is an important consideration for any rotary printer because it determines how well an image will transfer between rolls. APM is planning to unveil its new can decorator at a metal packaging trade show in Germany. The machine has yet to be proven in production, but the design has progressed.

8

Malcher, Viliam. "Decorator Pattern in Web Application." International journal of advanced Information technology 3, no. 4 (August 31, 2013): 13–18. http://dx.doi.org/10.5121/ijait.2013.3402.

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9

Mockevičienė, Daiva, and Ilona Dobrovolskytė. "Evaluation of work capacity of vocational school students of decorator’s speciality with Ergos II." Social welfare : interdisciplinary approach 3, no. 1 (June 29, 2012): 149–56. http://dx.doi.org/10.15388/sw.2012.28213.

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The aim of the research – to evaluate the change in work capacity in students of the speciality of decorator applying vocational rehabilitation programmes. The students of the vocational training study programme of the decorator in the vocational training centre (N=10) participated in the research. In performing the present research the method of linear experiment has been chosen. The respondents were evaluated with ERGOSII Work Simulator. Individual rehabilitation programme for training work capacity was created for every respondent and performed for three month time period. After three months the re-evaluation was performed.

10

Bazilevich, Evgenii Mikhailovich. "Author's stucco decor in Khabarovsk." Урбанистика, no. 2 (February 2022): 27–37. http://dx.doi.org/10.7256/2310-8673.2022.2.37938.

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The subject of this article is the stucco decoration on the facade of the administrative building of the Art Foundation in Khabarovsk. The description and compositional analysis of the relief decorations of the facade of the building are presented. Sketches, drawings, photographs from the archive of the artist Genendlis M.A. are published, which allowed to establish the authorship of the studied decoration of the building and the time of its creation. In Khabarovsk, a number of pre-revolutionary buildings and many buildings built in the 1930s -1950s, the so-called "Stalinist style", are decorated with stucco decor. Mainly these are stucco plant garlands with festoons, traditional rosettes, sometimes with Soviet symbols, made on the basis of albums of standard samples. A sample of the author's stucco decoration on the facade of the administrative building of the Khabarovsk branch of the Art Fund is a unique object of urban architectural heritage, an example of a decorative work designed for a specific architectural object. The reliefs placed on the facade gave the building its originality and became artistic accents in the surrounding urban environment. The name of the author of the reliefs was forgotten during the seven decades that have passed since their creation in the late 1950s, but thanks to the study of archival materials, the author was identified - the decorator and sculptor M. A. Genendlis, who worked for a long time in Khabarovsk in the field of theatrical and decorative art, sculpture and the creation of architectural decor.

11

Wijaya, Nike, I. Made Jayadi Waisnawa, and Putu Ari Darmastuti. "PROSES PERANCANGAN DEKORASI PERNIKAHAN PADA THE ROYAL SANTRIAN OLEH SWEET BELLA PROJECT." Jurnal Vastukara: Jurnal Desain Interior, Budaya, dan Lingkungan Terbangun 3, no. 2 (September 30, 2023): 277–82. http://dx.doi.org/10.59997/vastukara.v3i2.2067.

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Sweet Bella Project merupakan Wedding Decorator & Stylish yang memberikan penyediaan layanan/jasa desain dan dekorasi. Wedding Decorator adalah jasa dalam mempersiapkan dekorasi dan menata persiapan dalam event pernikahan. Ada beberapa proses perancangan yang diperlukan dalam mendekor sebuah event pernikahan sebelum sebuah pernikahan dilaksanakan pada venue The Royal Santrian pada tanggal 10 Desember 2022 ini. Sweet Bella Metode penciptaan dalam project yang bekerja sama dengan wedding organizer akan melewati beberapa proses perancangan yaitu : Technical meeting, penentuan tema, desain pengembangan, membuat mockup, membuat layout untuk penataan tempat venue, membuat list barang dan list produksi, dan mendekorasi venue. Metode yang digunakan dalam penulisan artikel bersifat deskriptif kualitatif. Hasilnya tema yang digunakan dalam perancangan yaitu natural blush. Proses dekorasi memerlukan ketelitian dan fleksibilitas di lapangan, agar prosesnya dapat berjalan dengan lancar.

12

De la Fuente Bermúdez, Vicente. "RICARD DE CAPMANY, DECORADOR MODERNISTA EN BARCELONA Ricard de Capmany, Art Nouveau Decorator in Barcelona." Res Mobilis 6, no. 7 (February 10, 2017): 77. http://dx.doi.org/10.17811/rm.6.2017.77-95.

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Ricard de Capmany, autor de una de las obras Modernistas más evocadoras y míticas, el desaparecido café Torino de Barcelona, es un gran desconocido del que, hasta ahora, se tenían poco datos de su trayectoria. Mucho más que un decorador, Capmany se nos revela como un personaje poliédrico, un esteta que busca en el arte sobreponerse a una realidad que le desagrada.

13

Watt, Alexander. ":Daniel Cottier: Designer, Decorator, Dealer." West 86th: A Journal of Decorative Arts, Design History, and Material Culture 29, no. 1 (March 1, 2022): 140–42. http://dx.doi.org/10.1086/724706.

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14

Nie, Tianqi, Hualian Wu, Ka-Hing Wong, and Tianfeng Chen. "Facile synthesis of highly uniform selenium nanoparticles using glucose as the reductant and surface decorator to induce cancer cell apoptosis." Journal of Materials Chemistry B 4, no. 13 (2016): 2351–58. http://dx.doi.org/10.1039/c5tb02710a.

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Herein, we demonstrated a new and facial synthesis of highly uniformed SeNPs using glucose as the reductant and surface decorator. Glu–SeNPs induced cancer cell apoptosisviainduction of apoptosis by triggering intracellular ROS overproduction and mitochondrial dysfunction.

15

Smolina, Irina, Charles Lee, and Maxim Frank-Kamenetskii. "Detection of Low-Copy-Number Genomic DNA Sequences in Individual Bacterial Cells by Using Peptide Nucleic Acid-Assisted Rolling-Circle Amplification and Fluorescence In Situ Hybridization." Applied and Environmental Microbiology 73, no. 7 (February 9, 2007): 2324–28. http://dx.doi.org/10.1128/aem.02038-06.

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ABSTRACT An approach is proposed for in situ detection of short signature DNA sequences present in single copies per bacterial genome. The site is locally opened by peptide nucleic acids, and a circular oligonucleotide is assembled. The amplicon generated by rolling circle amplification is detected by hybridization with fluorescently labeled decorator probes.

16

MKHITARYAN, Naira, and Ruzanna GARGALOYAN. "THE USE OF FOREIGN LANGUAGES AND COMPUTER GRAPHICS IN THE ARTISTIC PROJECT." Foreign Languages in Higher Education 20, no. 1-2 (20) (March 4, 2022): 224–29. http://dx.doi.org/10.46991/flhe/2016.20.1-2.224.

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The paper touches upon the role of computer technologies in developing individual’s creative abilities. Computer graphics is a new branch of art and a working tool in the hands of a painter-decorator. Taking into consideration the fact that the language of computer graphic programs is not Armenian, the importance of learning foreign languages is quite obvious.

17

Stachowicz and Hay. "Geographic Variation in Camouflage Specialization by a Decorator Crab." American Naturalist 156, no. 1 (2000): 59. http://dx.doi.org/10.2307/3079031.

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18

Stachowicz, John J., and Mark E. Hay. "Geographic Variation in Camouflage Specialization by a Decorator Crab." American Naturalist 156, no. 1 (July 2000): 59–71. http://dx.doi.org/10.1086/303366.

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19

Elisabeth Oliver. "Aestheticism’s Afterlife: Wallace Stevens as Interior Decorator and Disruptor." Modernism/modernity 15, no. 3 (2008): 527–45. http://dx.doi.org/10.1353/mod.0.0005.

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20

Blanchard, M. W. "Stanford White: Decorator in Opulence and Dealer in Antiquities." Journal of American History 93, no. 1 (June 1, 2006): 222–23. http://dx.doi.org/10.2307/4486128.

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21

JASSIM, Ibrahim Khalaf. "AESTHETIC AND DRAMATIC EMPLOYMENT IN THE NARRATIVE OF DECORATION IN THE TURKISH SERIES (THE SULTAN’S HAREM SERIES AS A MODEL)." RIMAK International Journal of Humanities and Social Sciences 03, no. 07 (September 1, 2021): 61–71. http://dx.doi.org/10.47832/2717-8293.7-3.6.

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The topic of employing decoration in the narrative of the Turkish series was chosen due to the great importance it carries in the dramatic construction and because of the aesthetic, dramatic and narrative tool it represents in dramas, so the researcher specified the following research title (aesthetic and dramatic employment in the narrative of decoration in the Turkish series). Four chapters came as follows: (Methodological framework) and included the research problem, its importance, the objectives of the research, the limits of the research, and the chapter concluded by specifying the terms. (Theoretical framework): It was divided into three topics as follows: The first topic: decoration in cinema and television, the second topic: the aesthetic and dramatic employment of decoration, the third topic: the use of decoration in the narrative of the Turkish series: The researcher came up with a set of indicators that he adopted as tools for sample analysis After taking the opinion of the expert committee. (Research procedures): It includes the research methodology and research tools, the unit of analysis, the research community and the research sample, the validity of the tool, the analysis steps and finally the sample analysis, which was an episode of the Turkish series Valley of the Wolves. (Results and Conclusions): The results and conclusions of the research include: 1. The decorator in the Turkish series has the ability to list important information and broadcast it to the recipient about the character, which contributes to fully conveying the idea. 2. Decoration occupies a great importance in television series, given that most of the scenes are interior, so reliance on decorations is to fill the space of the shot.

22

Koch, Sebastian. "About Graph Mappings." Formalized Mathematics 27, no. 3 (October 1, 2019): 261–301. http://dx.doi.org/10.2478/forma-2019-0024.

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Summary In this articles adjacency-preserving mappings from a graph to another are formalized in the Mizar system [7], [2]. The generality of the approach seems to be largely unpreceeded in the literature to the best of the author’s knowledge. However, the most important property defined in the article is that of two graphs being isomorphic, which has been extensively studied. Another graph decorator is introduced as well.

23

Dobrev, Krasimir. "Teodora Hadzhidimitrova (1884–1963). The Place of the Female Artist in Bulgaria." Visual Studies 6, no. 3 (December 13, 2022): 265–77. http://dx.doi.org/10.54664/mjny3767.

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Teodora Hadzhidimitrova (1884–1963) was a painter, pedagogue, fashion designer, decorator, folklorist, local historian, the first female art teacher and municipal councillor, defender of women’s rights, writer, and founding member of the following societies: Ravnopravie (Equality), Rodno izkustvo (Native Art), the Society of the Sliven artists, and the Club of cultural figures in Sliven. She was the first compiler and publisher of a Bulgarian textbook on the history of clothing.

24

Wright, Jelaine, Jeanneane Wood, and Carl Lee. "Perceptions of Job Description: Interior Decorator, Interior Designer, and Architect." Perceptual and Motor Skills 87, no. 3_suppl (December 1998): 1443–52. http://dx.doi.org/10.2466/pms.1998.87.3f.1443.

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25

Wright, Jelaine C., B. Jeanneane Wood, and Carl Lee. "Perceptions of Job Title: Interior Decorator, Interior Designer and Building Designer or Architect." Perceptual and Motor Skills 83, no. 2 (October 1996): 503–7. http://dx.doi.org/10.2466/pms.1996.83.2.503.

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265 university students were asked to rank their perceptions of interior decorators, interior designers, and building designers or architects after reading a brief summary of the applicable professional's education. Similar to other research conducted in this area, a majority of these students ranked interior decorators and interior designers as more similar to one another while interior designers and building designers or architects were more dissimilar.

26

McNeil, Peter. "Designing Women: Gender, Sexuality and the Interior Decorator,c.1890-1940." Art History 17, no. 4 (December 1994): 631–57. http://dx.doi.org/10.1111/j.1467-8365.1994.tb00599.x.

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27

Libby, Susan Houghton. "Edouard Vuillard, Painter-Decorator: Patrons and Projects, 1892-1912. Gloria Groom." Studies in the Decorative Arts 2, no. 2 (April 1995): 103–6. http://dx.doi.org/10.1086/studdecoarts.2.2.40662547.

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28

Sanka, Immanuel, Eko Agus Suyono, Adolfo Rivero-Müller, and Parvez Alam. "Carapace surface architecture facilitates camouflage of the decorator crab Tiarinia cornigera." Acta Biomaterialia 41 (September 2016): 52–59. http://dx.doi.org/10.1016/j.actbio.2016.05.021.

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29

Sermeno, Jason, and John Jowil Orquia. "CORBA-Based Class Scheduling Framework Using Decorator and Facade Design Patterns." Journal of Innovative Technology Convergence 3, no. 1 (June 30, 2021): 9–22. http://dx.doi.org/10.69478/jitc2021v3n1a02.

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Class scheduling problem has been regarded as one of the most difficult yet important challenges for developers developing timetabling applications. Different algorithms or schemes were devised to address such problems. Yet, considering the growing complexity of the input factors, it contributes to difficulties in maintaining the said system. In order to aid in the development and maintenance of such a system, this paper presents an object-oriented approach to designing a class scheduling paradigm using decorator and facade design patterns with CORBA architecture. This technique was based on the concepts of several existing object-oriented components of Windows GUI platforms. The paradigm designs are expressed using Unified Modeling Language (UML) and illustrated in a Java programming environment. The result of the study is a simplified method for designing an efficient and reusable component for the class scheduling model.

30

Kobrinskii, A. A. "Master Peter: A Few Sidelights on Daniil Kharms’s Biographical Myths." Russkaya literatura 3 (2020): 217–31. http://dx.doi.org/10.31860/0131-6095-2020-3-217-231.

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The publication outlines the lifestory of the stage artist and decorator P. P. Snopkov, the former husband of the artist A. I. Poret and a member of the circle of friends of Daniil Kharms. Using the documents discovered in the archives of the Federal Security Service, the author traces the history of Snopkov’s arrest in the besieged Leningrad, in order to establish the sources and essence of the charges against him. The data on the investigation of Snopkov, protocols of interrogations and confrontations have not previously been published.

31

Purbasari, Mita, M. Dwi Marianto, and M. Agus Burhan. "Ondel-ondel kekinian: boneka besar Betawi di zaman modern." Productum: Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) 3, no. 6 (July 15, 2019): 183–88. http://dx.doi.org/10.24821/productum.v3i6.2429.

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Ondel-ondel is an ancient Betawi’s art work named Barongan, in simple shaped of one pair off greater puppets, complete with the music companion. At the beginning, ondel-ondel was a part of Betawinese scared rituals then become one of Jakarta’s icons. Ondel-ondel can be found until today either in performing arts and decoration element form. In its development as the decoration element form, ondel-ondel is not only the great puppet for buildings and stages decorator, but also has been positioned as a part of cultural tourism and society living needs. Moreover, ondel-ondel has been used to be an inspiration to produce souvenir to support industry. Ondel-ondel is not longer just made in big size, but also in mini size in form of 2 or 3 dimensions, so it is easy to be carried as a souvenir, which represents Jakarta and Betawi. To find out the value behind the sign changed, this qualitative research used the semiotic approach. Connection or relation between symbolic sign in ondel-ondel structure and building elements were collaborated with society condition as the background and impact of the society on that time to get the value. The changes of ondel-ondel’s meanings and functions in building elements have been produced and contracted as its user way of thinking based on its form and context. The meaning interpretation of ondel-ondel craftsman and audience in particular time would be different with government’s policies. Key words: ondel-ondel, building elements, souvenir, meaning, function

32

Tien, Jianni, and Elizabeth Burmann. "Thinking-with Decorator Crabs: Oceanic Feminism and Material Remediation in the Multispecies Aquarium." Feminist Review 130, no. 1 (March 2022): 78–96. http://dx.doi.org/10.1177/01417789211066078.

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Feminist scholarship has increasingly turned towards the ocean as a conceptual apparatus in which to think through the complex philosophical and ethical dilemmas of the Anthropocene. Responding to the ebbs, flows and transformations of the oceanic turn, our article outlines our interactions with four decorator crabs. It begins by situating our experience of thinking-with these crabs as a feminist practice of care within the conceptual context of the ocean. Our article then draws on the knowledge that arose out of our fertile entanglements with the crabs to propose that: 1) the aquarium, with its colonial histories of subjugation, is a fertile space to re-image human–aquatic relationalities, revealing the fallacy of human control over ‘nature’ and emphasising the agency of marine worlds; 2) Stacy Alaimo’s concept of trans-corporeality is a powerful way to think through the consequences of an acidifying ocean, both for ourselves and for our shelled companions; and 3) remediation is a radical approach to taking seriously the materiality of watery worlds. The objective of the article is to craft a practice of material feminism that entangles our more-than-human bodies to learn-with decorator crabs. In doing so, we show that the aquarium is a potent space of transformation that allows us to imagine new and distinctly feminist entanglements that dismantle hierarchies. We show that thinking-with the materiality of marine worlds is a series of remediations, both material and discursive, that dissolve the boundaries between entities, creating an embodied environmental ethics that is necessary as a feminist challenge to the Anthropocene.

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Ramon-Cortes, Cristian, Ramon Amela, Jorge Ejarque, Philippe Clauss, and Rosa M. Badia. "AutoParallel: Automatic parallelisation and distributed execution of affine loop nests in Python." International Journal of High Performance Computing Applications 34, no. 6 (July 14, 2020): 659–75. http://dx.doi.org/10.1177/1094342020937050.

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The last improvements in programming languages and models have focused on simplicity and abstraction; leading Python to the top of the list of the programming languages. However, there is still room for improvement when preventing users from dealing directly with distributed and parallel computing issues. This paper proposes and evaluates AutoParallel, a Python module to automatically find an appropriate task-based parallelisation of affine loop nests and execute them in parallel in a distributed computing infrastructure. It is based on sequential programming and contains one single annotation (in the form of a Python decorator) so that anyone with intermediate-level programming skills can scale up an application to hundreds of cores. The evaluation demonstrates that AutoParallel goes one step further in easing the development of distributed applications. On the one hand, the programmability evaluation highlights the benefits of using a single Python decorator instead of manually annotating each task and its parameters or, even worse, having to develop the parallel code explicitly (e.g., using OpenMP, MPI). On the other hand, the performance evaluation demonstrates that AutoParallel is capable of automatically generating task-based workflows from sequential Python code while achieving the same performances than manually taskified versions of established state-of-the-art algorithms (i.e., Cholesky, LU, and QR decompositions). Finally, AutoParallel is also capable of automatically building data blocks to increase the tasks’ granularity; freeing the user from creating the data chunks, and re-designing the algorithm. For advanced users, we believe that this feature can be useful as a baseline to design blocked algorithms.

34

Carmona-Suárez, C. A. "Population dynamics and reproductive aspects of the decorator crab Microphrys bicornutus (Crustacea: Brachyura: Majidae) in an extreme shallow Thalassia complex." Journal of the Marine Biological Association of the United Kingdom 93, no. 3 (July 5, 2012): 725–31. http://dx.doi.org/10.1017/s0025315412000811.

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The decorator crab, Microphrys bicornutus, is a common inhabitant of the turtle grass Thalassia testudinum. In order to establish the behaviour of a population of this species in an extreme shallow Thalassia complex (maximum depth less than 50 cm, and often exposed to the air), size distribution, population dynamics, reproductive effort and egg size were studied in Buchuaco—Venezuela. Monthly sampling was undertaken between June 1988 and December 1990. A total of 1403 specimens of M. bicornutus were captured. In each of the sampled years, size distribution was strongly skewed to the predominance of small size crabs. Females were significantly larger than males in all the three years. Small size and large size crabs showed periodic annual fluctuations in abundance, with peaks during the last months of the year for the first, and peaks between April and June for the latter. Medium size crabs showed no periodicity at all. Number of eggs per female ranged between 40 and 4305 (mean = 1067.4), and was positively correlated with female body size. Eggs increased their size gradually during their development, and differences in egg size between development stages were significant. The biological parameters found in this study are compared with other populations of this crab, found in Venezuela and Brazil, in different ecosystems. Results acquired in this work add new insights to the behaviour of this decorator crab, specifically on density variation and egg size (among others), living in an environment that is constantly exposed to air and to other physicochemical variations.

35

Hein, SR, and MW Jacobs. "Decorating behavior begins immediately after metamorphosis in the decorator crab Oregonia gracilis." Marine Ecology Progress Series 555 (August 18, 2016): 141–50. http://dx.doi.org/10.3354/meps11788.

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Krecisz, Beata, Marta Kiec-Swierczynska, Patrycja Krawczyk, Dorota Chomiczewska, and Cezary Palczynski. "Cobalt-induced anaphylaxis, contact urticaria, and delayed allergy in a ceramics decorator." Contact Dermatitis 60, no. 3 (March 2009): 173–74. http://dx.doi.org/10.1111/j.1600-0536.2008.01465.x.

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37

Malik, Shuja Bashir, Fatima Ezahra Annanouch, and Eduard Llobet. "Pd-Nanoparticle-Decorated Multilayered MoS2 Sheets for Highly Sensitive Hydrogen Sensing." Chemosensors 11, no. 11 (October 26, 2023): 550. http://dx.doi.org/10.3390/chemosensors11110550.

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In this work, efficient hydrogen gas sensors based on multilayered p-type bare MoS2 and Pd-decorated MoS2 were fabricated. MoS2 was deposited onto alumina transducers using an airbrushing technique to be used as a sensing material. Aerosol-assisted chemical vapor deposition (AACVD) was used to decorate layered MoS2 with Pd nanoparticles at 250 °C. The bare and Pd-decorated MoS2 was characterized using field emission scanning electron microscopy (FESEM), high-resolution transmission electron microscopy (HR-TEM), X-ray diffraction (XRD), and Raman spectroscopy. The characterization results reveal the multilayered crystalline structure of MoS2 with successful Pd decoration. The size of the Pd nanoparticles ranges from 15 nm to 23 nm. Gas sensing studies reveal that a maximum response of 55% is achieved for Pd-decorated MoS2 operated at 150 °C to 100 ppm of H2, which is clearly below the explosive limit (4%) in air. The higher sensitivity due to Pd nanoparticle decoration was owed to a spillover effect. This study reveals that the sensitivity of the sensors is highly dependent on the amount of Pd decoration. Moreover, sensor responses increase slightly when exposed to 50% relative humidity (RH at 25 °C).

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Adi, Sigit Purnomo. "PELATIHAN PEMBUATAN MINIPRINT DENGAN MENGGUNAKAN MEDIA TRIPLEK DI KOMUNITAS MAKMOER ART PROJECT SUKOHARJO." Abdi Seni 12, no. 1 (November 3, 2021): 45–50. http://dx.doi.org/10.33153/abdiseni.v12i1.3748.

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Abstract Miniprint is one of the print size formats in graphic arts that is not yet very popular in Indonesia. Miniprint format prints in small sizes both matrix and paper. Printing in small sizes is fun. Small format requires patience and technical skill in visualizing the artist's ideas and ideas. Considering that miniprints have many features apart from a small format, they can also be carried everywhere and can also be used as an aesthetic element or room decorator and have good selling power, encouraging the author to hold a workshop or training on making miniprints in the Makmoer Art Project Sukoharjo community. The selection of the training venue in the Makmoer Art Project Community is because this community is indeed engaged in the arts and humanity. A community that always provides free workshops to people in need. Community service methods, problem identification, training and mentoring, evaluation. The works produced in this training after completion are then framed in a minimalist way. The miniprints produced are small-sized works of graphic art, using a matrix of plywood. These works are used as aesthetic elements of the house or as room decoration. Works for the aesthetic element of the house are currently popular among the public so that they have a selling value and can be used as an alternative in entrepreneurship.

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Skliarova, Tetiana, and Liubov Skubachevska. "Remakes by B. Akunin." Journal of V. N. Karazin Kharkiv National University, Series "Philology", no. 91 (December 30, 2022): 65–69. http://dx.doi.org/10.26565/2227-1864-2022-91-09.

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The article considers the remake as a phenomenon of modern literature to reveal the work of B. Akunin. It is shown that the only text of Akunin, perceived by readers-researchers as a remake, is the play Seagull, which is a sequel to the Chekhov's work with the same name. Such perception was both a character of correlation with A. Chekhov's text (the last act of Chekhov's comedy is the first appearance of Akunin's play), and a provocative presentation (the play was released together with A. Chekhov's Seagull). The poetics of Seagull is noticeably oriented towards its perception as a sequel to Chekhov's text by the widest readership. However, in Akunin's practice, one can use works whose remake nature is far from being so obvious. First of all, we are talking about Decorator (a collection of Special Assignments), which can be read as a remake of Clean Monday by I. Bunin. As research shows, in The Decorator, the plot of Clean Monday is flattened and pointed. The motive of gaining the possession of beauty, which is one of the central ones in Bunin's story and determines the poetics of many levels of works, in Akunin's behavior performs an exclusively plot-forming function and determines the development of the detective line. The Bunin code also plays an important role in the first behavior of the Special Assignments collection - Spades Valet. As analysis shows, the poetics of the collection Special Assignments in an extremely simplified form mirrors the bipolar poetics of Bunin's artistic world. Likely an appeal to the Bunin code is demostrating the inferiority of a polar view of the world, from the one side, and a test of the possibilities of the poetics of the detective, on the other side.

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Husein-ElAhmed, Husein, Maria I. Soriano-Hernandez, Jose Aneiros-Cachaza, Jose Carlos Ruiz-Carrascosa, and Ramon Naranjo-Sintes. "Ulceration of the Scalp: Lipogranuloma Induced by Industrial Oils in a Decorator Woman." Annals of the Academy of Medicine, Singapore 41, no. 3 (March 15, 2012): 132–33. http://dx.doi.org/10.47102/annals-acadmedsg.v41n3p132.

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Joy, Jody. "‘Fancy Objects’ in the British Iron Age: Why Decorate?" Proceedings of the Prehistoric Society 77 (2011): 205–29. http://dx.doi.org/10.1017/s0079497x00000670.

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A survey and new perspectives of Celtic or La Tène art from Britain is presented. Following Spratling, Celtic art is defined as ‘ornament or pattern and animal/human/supernatural images in metal and other media’. Regional and temporal variations in the type and usage of decorated artefacts are summarised. Three case studies, made of different media, are presented: metal scabbards, bone and antler weaving combs, and pottery. By asking the question ‘why decorate?’ it is argued that the decision to decorate an artefact can affect its life history, marking it out from undecorated artefacts of the same type. Rather than serving a single function, decoration was employed to serve multiple social goals throughout the Iron Age. Different forms of social expression, such as feasting, elaborate display, or weaving, are significant at any one time or place. It is argued that decorated artefacts often played a significant role in these different social arenas. Contrary to many past discussions, decorated artefacts in media other than metal are demonstrated to have been important in negotiations of social power and cosmology.

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Thanh, Phan Due, Keiji Wada, Michiko Sato, and Yoshihisa Shirayama. "Decorating behaviour by the majid crab Tiarinia cornigera as protection against predators." Journal of the Marine Biological Association of the United Kingdom 83, no. 6 (December 2003): 1235–37. http://dx.doi.org/10.1017/s0025315403008580.

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Although decorating behaviour is widely reported as a predator avoidance strategy among marine crabs, few studies have provided experimental evidence for this. Significance of decorating behaviour of the majid crab Tiarinia cornigera as antipredator response was examined by the field tethering and laboratory experiments. Survival of decorated crabs was significantly higher than that of non-decorated crabs after two days in an intertidal rock pool. In a laboratory experiment, crabs used more algae for decoration in the presence of predators (puffer fish) than when predators were absent. These data demonstrate that T. cornigera decorates with algae in response to predators to reduce predation pressure.

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Aretaño, Myra Shane, Abegail Christine Bada, Antonette Fabila, Wenielyn Sadje, and Jason Sermeno. "A Prototype Development of a Mobile Schedule Viewer Integrating QR Code Technology and Decorator Design Pattern for Effective Dissemination of Class Schedules." Journal of Innovative Technology Convergence 5, no. 2 (December 30, 2023): 23–34. http://dx.doi.org/10.69478/jitc2023v5n2a03.

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Class schedules undergo continuous changes with each new release, making manual scheduling a complex task. To address this issue, this study proposes integrating a mobile application that enables students to promptly access their accurate class schedules. A prototype mobile schedule viewer was developed to identify and resolve conflicts arising from conflicting schedules. The study confirmed the functionality and stability of the spreadsheet application, as the mobile schedule viewer successfully employed the decorator design pattern and integrated QR code generator plugins. These plugins facilitated the extraction of existing schedule files from the University Integrated Information System (UIIS). The overall findings indicate that the applications are 95 percent complete in terms of degree of completeness (DOC) and boast a record level of accuracy (RLA) of 95 percent.

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Farber, Allen S. "Considering a Marginal Master: The Work of an Early Fifteenth-Century, Parisian Manuscript Decorator." Gesta 32, no. 1 (January 1993): 21–39. http://dx.doi.org/10.2307/767015.

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Agratina, Elena E. "Jean-Honoré Fragonard’s Work and the Theatre Culture of the 18th Century." Observatory of Culture 16, no. 4 (September 13, 2019): 406–17. http://dx.doi.org/10.25281/2072-3156-2019-16-4-406-417.

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The article, for the first time, examines the work of the master of the 18th century Jean-Honoré Fragonard (1732—1806) within the context of the theatre culture of that time. Being a student of François Boucher (1703—1770), who was working as a theater decorator for a long time, Fragonard from his youth had the opportunity to join the world of theater. The painter’s passion for the stage greatly influenced the thematic and figurative composition of his works. Early historical paintings of Fragonard, such as “Jeroboam Sacrificing to Idols” (1752, School of Fine Arts, Paris), were created under the influence of Baroque theater and decorative art and opera productions. Undoubtedly, Fragonard’s familiarity with theatre was promoted by his long stay in Italy, where the famous families of theater decorators Bibiena and Galliari was working at that time. The article pays special attention to the process of planning and execution of the painting “The High Priest Coresus Sacrificing Himself to Save Callirhoe” (1765, Louvre), made not without regard to the opera “Callirhoe”, popular in Paris in the 18th century. It was theater that inspired the master to create his famous costume series of “Fantasy Portraits”, one of which depicted Marie-Madeleine Guimard (1743—1816), who not only had posed for the artist, but also ordered him to design her own mansion conceived as a temple of Terpsichore, the Muse of dance. In addition, Fragonard was the author of several panoramic genre paintings conveying the atmosphere of the then popular street theater. Works of this brilliant master exemplify the relationship of arts that determined the nature of the cultural environment of that era and requires constant attention from modern researchers.

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Varela Braga, Ariane. "Through the Looking Glass of the Orient." Manazir Journal 3 (March 7, 2022): 78–92. http://dx.doi.org/10.36950/manazir.2021.3.6.

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Traditionally related to concepts of luxury, fancy, and uncontrolled sensuality, color has in Western culture long been considered an unsteady component. On the contrary, and as often noted by travelers, Eastern cultures frequently demonstrate a particular talent for the harmony of color and ornament. In the nineteenth century, a number of architects and artists tried to rationalize the properties and use of color, ornament, and the Islamic arts in various ways, relating them to contemporary experiments in optics. This article examines the relationship between color theory, Islamic arts, and architecture, taking as a starting point the invention of the kaleidoscope by David Brewster and its relationship to Nasrid ornament. It then considers how Islamic arts and color theory dialogued in the work of British architect and decorator Owen Jones and Tuscan amateur architect Ferdinando Panciatichi Ximenes d’Aragona.

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Hussein, Bilal, and Aref Mehanna. "A Design Pattern Approach to Improve the Structure and Implementation of the Decorator Design Pattern." Research Journal of Applied Sciences, Engineering and Technology 13, no. 5 (September 5, 2016): 416–21. http://dx.doi.org/10.19026/rjaset.13.2961.

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Carmona-Suarez, Carlos A. "Interpopulation Size Variation in a Tropical Decorator Crab, Microphrys Bicornutus (Latreille, 1825) (Decapoda, Brachyura, Majidae)." Crustaceana 63, no. 3 (1992): 319–22. http://dx.doi.org/10.1163/156854092x00497.

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Afanasyeva, Oxana V., and Kamilla F. Gereikhanova. "Sherlock Holmes and Erast Fandorin: the peculiarities of Akunin’s dialogue with Conan Doyle." RUDN Journal of Studies in Literature and Journalism 25, no. 3 (December 15, 2020): 479–86. http://dx.doi.org/10.22363/2312-9220-2020-25-3-479-486.

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The article analyzes the receptions of A.С. Doyle’s masterpieces and the circle of novels “Fandorin” by Boris Akunin. Based on the analysis of the works “Azazel”, “Decorator”, “Scarpei Baskakovs”, “Prisoner of the Tower”, a number of conclusions are made about the specifics of B. Akunin’s intertextual strategy. It is shown that the intertextual dialogue between Akunin and Conan Doyle is carried out through character and narrative projections, in particular, structural stylization, the transposition of the plot on Russian soil, etc. The ambiguous role of Conan Doyle receptions, performing, firstly, the para-genre (detective) function of plot-semantic coding, secondly, the function of the transtextual riddle, the solution of which lies outside the work - in the Conan Doyle pretext, thirdly, the function of a parody imitation of the predecessor’s stylistic manner, including the specifics of Russian translations of short stories about Sherlock Holmes, is revealed.

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XU, TIAN, CHAOSHU ZENG, and KATE S. HUTSON. "Morphological descriptions of the larval and first juvenile stages of the decorator crab Camposcia retusa (Latreille, 1829) from laboratory-reared material." Zootaxa 4577, no. 2 (April 5, 2019): 295. http://dx.doi.org/10.11646/zootaxa.4577.2.4.

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The complete larval and first crab stages of the decorator crab Camposcia retusa (Latreille, 1829) are described and illustrated based on laboratory-reared material for the first time. Specimens were obtained from larvae hatched from adult crabs collected from coral reefs of Queensland, Australia. Newly hatched larvae were successfully reared to settlement as the first-stage crabs. Larval development consisted of two zoeal stages and one megalopal stage. The morphology of each larval stage was compared with those available from a previous study using material from the Red Sea. Due to substantial differences in morphology of the second zoeal and megalopal stages between the two studies, we argue that these larval stages described by the earlier report may not be that of C. retusa. Finally, the morphological characters of both larval and first crab stages of C. retusa are also compared with the corresponding stages of previously reported Inachidae.