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Journal articles on the topic 'Deconstruction'
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Bowta, Femilia, and Yulan Puluhulawa. "DECONSTRUCTIVE ANALYSIS OF MAIN CHARACTER IN FRANKENSTEIN NOVEL BY MERY SHELLEY." British (Jurnal Bahasa dan Sastra Inggris) 7, no. 1 (November 26, 2019): 60. http://dx.doi.org/10.31314/british.7.1.60-71.2018.
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The purpose of this research is to deconstruct the main character of Frankenstein novel. This is qualitative research with deconstructive approach. Deconstruction is a method of reading texts which shows that in every text there is always an absolute presumption. Deconstruction is used to find other meanings hidden in a text. The steps taken by the writer in deconstructing Frankenstein's novel are describing Victor's character, finding binary opposition in the character then deconstructing Victor's character. The results are the portrayal of Victor after deconstruction that Victor himself was the cause of all the chaos done by his creatures. Victor's ambitions that are too deep in science make him a different person, from a good character to very selfish and cruel.Keywords: Deconstructive, Main Character, Binary Opposition, Frankenstein Novel
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Stables, Andrew. "Deconstructing Deconstruction." English in Education 26, no. 3 (September 1992): 19–23. http://dx.doi.org/10.1111/j.1754-8845.1992.tb01076.x.
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Jurgutienė, Aušra. "The Impact of Deconstruction on the Lithuanian Literary Criticism." Literatūra 63, no. 1 (December 31, 2021): 71–85. http://dx.doi.org/10.15388/litera.2021.1.5.
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In the article I discuss how deconstruction (Jacques Derrida and other Yale School participants) came to Lithuanian literary criticism and how it changed habits of humanitarian thinking during the three decades after independence. The most unusual and radical deconstruction critique of essentialist metaphysical thinking, new terminology (inter-text, elimination of center, footprint, writing, difference, blinding, labyrinth narrative, guest / enemy, etc.) and new strategies for interpreting texts were very important for Lithuanian humanities liberated from Soviet ideology. Literary critics have noticed and discussed the undoubted connection between postmodernist literature and its deconstructive reading.We can find three tendencies in the deconstructive criticism of Lithuanian literature. The first tendency is the interpretation of general theoretical concepts of deconstruction, second tendency - searching the deconstructive features in literary works and the third tendency of criticism, expanding its own self-criticism and self-irony, is discussing chrestomathic and structuralist interpretations of the literary works or deconstructing icons of Soviet culture. We know very well, that many feminist, postcolonial, historiographic, anthropological, or interdisciplinary researches of literature cannot escape the effects of deconstruction.
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Lane, Kenneth. "Deconstructing dimensional deconstruction." Nuclear Physics B - Proceedings Supplements 117 (April 2003): 731–34. http://dx.doi.org/10.1016/s0920-5632(03)90658-x.
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Fritsch, Matthias. "Carnophallogocentrism and Eco-Deconstruction." Oxford Literary Review 45, no. 1 (July 2023): 21–42. http://dx.doi.org/10.3366/olr.2023.0401.
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Whether deconstruction is relevant to environmental philosophy, and if so, in what ways and with what transformations, has been subject to considerable debate in recent years. I will begin by discussing some reservations regarding deconstruction’s relevance to environmental thought, and argue that they stem from an older misreading of Derrida’s work in particular as hostile to the natural sciences, and as a cultural textualism of relevance only to the interiority of a traditional canon, but unable to reach the materiality of the outside environment. This attempt at refutation will permit a better understanding of the deconstructive argument for what has been called an ‘originary environmentality’ of life. On this basis, I seek to argue that deconstruction tends to be most promising to environmental questions when it shows responses to the call, not primarily for a new ethics, but for far-ranging analyses of our conception of politics. The reason for this lies in the overall deconstructive goal of exposing political and legal sovereignty, including its modern democratic understanding, to what I will elaborate as contextual or environmental finitude.
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Oktafiani, Tri Utami, and Muhammad Minanur Rohman. "MENIMBANG HERMENEUTIKA DEKONSTRUKSI IBN ‘ARABI." An-Nufus 2, no. 2 (December 1, 2020): 17–47. http://dx.doi.org/10.32534/annufus.v2i2.1695.
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This research discusses how Ibn ‘Arabi deconstructed masculine linguistic structure that having been firmly entrenched in religious traditions. For Ibn Arabi, religious conversation is no more than a discourse that tends to be masculine. Ibn ‘Arabi tried to present a deconstructing of linguistic structure, namely by making femininity as the starting point for religious discourse. The material object of this research is the thought of Ibn ‘Arabi. The formal object is the deconstructive feminist criticism Hélène Cixous. By tracing the theological motives of structural-linguistic deconstruction in Ibn ‘Arabi thought, this study aims to explore the relevance of structural-linguistic deconstruction in the context of religious discourse.
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Salvaggio, Ruth, and G. Douglas Atkins. "Reading Deconstruction/Deconstructive Reading." Eighteenth-Century Studies 19, no. 1 (1985): 127. http://dx.doi.org/10.2307/2739145.
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Selden, Raman, and G. Douglas Atkins. "Reading Deconstruction: Deconstructive Reading." Modern Language Review 81, no. 3 (July 1986): 690. http://dx.doi.org/10.2307/3729193.
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Lindsay, Cecile, and G. Douglas Atkins. "Reading Deconstruction, Deconstructive Reading." Rocky Mountain Review of Language and Literature 39, no. 2 (1985): 139. http://dx.doi.org/10.2307/1347328.
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Reinertsen, Anne Beate. "DDD + Assemblage." International Review of Qualitative Research 2, no. 2 (August 2009): 247–67. http://dx.doi.org/10.1525/irqr.2009.2.2.247.
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This is a writing story about becoming. It is therefore about change and about identifying myself—deconstructing myself—as learner always: “Getting smart” “getting lost” and “getting real” eventually as doing what we consider to be the ideal; moral perfectibility and learning as both function and fiction. It is a Deleuzian stumbling nomadic and rhizomatic inquiry into creating community through not and supplements and the displacement of terms: Subject/subjectivity/reconstruction/deconstruction/intersubjectivity/ co-construction/co-deconstruction…—being under erasure. Sentence (de) construction might therefore be sometimes a bit stumbling too. Thinking Deleuze and Derrida and a little bit of Dewey together: DDD + assemblage. A deconstructive auto ethnography, autobiography, youto(o)biography: Writing community, school and ultimately research together hopefully picking up speed in the middle.
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Banham, Gary. "Touching the Opening of the World." Derrida Today 6, no. 1 (May 2013): 58–77. http://dx.doi.org/10.3366/drt.2013.0052.
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In this article I seek to address the way that Jean-Luc Nancy's project of the ‘deconstruction of Christianity’ relates to the understanding of what might be meant by ‘Christian art’. In the process of looking at Nancy's treatment of some signal ‘Christian’ scenes I describe some ways in which the motif of ‘touching’ arises as significant for how Nancy addresses the possibility of ‘alienation from the world’, a possibility that he takes to be central to the self-deconstructive potential of ‘Christianity’. Subsequently the topic of the distinction between ‘faith’ and ‘belief’ is related to how Derrida understands the notion of the ‘messianic’ and I conclude with a suggestion concerning how the plurality of ‘deconstructions’ might complicate the question of what is meant by the view that the ‘deconstruction of Christianity’ is itself a ‘Christian’ project.
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Kozak, Piotr. "What Cannot Be Deconstructed? Truth." Studia Philosophiae Christianae 58, no. 2 (December 31, 2022): 129–36. http://dx.doi.org/10.21697/spch.2022.58.a.14.
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In this paper, I discuss the interpretation of the method of deconstruction in David J. Gunkel’s Deconstruction (MIT Press 2021). I focus on the relationship between deconstruction and truth. I hold that the concept of truth is indispensable for deconstruction since truth introduces correctness conditions for the deconstructive method. However, I claim that truth, being essential and primitive for deconstruction, is fundamentally inaccessible for being analyzed by the latter.
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Received: 19/10/2022. Reviewed: 13/12/2022. Accepted: 20/12/2022.
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Burman, Erica. "Limits of deconstruction, deconstructing limits." Feminism & Psychology 25, no. 3 (July 29, 2015): 408–22. http://dx.doi.org/10.1177/0959353515582274.
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Brooj Nasser A Alsaqer. "The role of deconstructing as a part of translation process in literary text." World Journal of Advanced Research and Reviews 20, no. 2 (November 30, 2023): 960–68. http://dx.doi.org/10.30574/wjarr.2023.20.2.2335.
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This study investigates the role of deconstruction in the translation of literary texts, delving into the ways in which deconstructive approaches can challenge established translation norms and illuminate new possibilities for interpretation. By drawing upon the insights of Jacques Derrida and other influential deconstruction theorists, this research explores the transformative potential of deconstruction in capturing the complexities of language, symbolism, and cultural references in literary works. Through a combination of theoretical analysis and sample texts, this study aims to shed light on the ways in which deconstructive translation techniques can unveil the inherent ambiguities, subversions, and multiplicity of meanings present in literary texts, ultimately contributing to a deeper understanding of the intersections between deconstruction and literary translation. A descriptive qualitative approach was used to conduct the research. Also, the comparative approach is used to compare the translation of literary texts by Translation Program students. Two groups of translation students translated (4) literary texts. The research findings showed that deconstruction can play a significant role in challenging and reevaluating the assumptions and fixed meanings associated with the original language. The research concluded that translators should understand the original text's structural aspects. Translators may better determine whether structural decisions are necessary to keep the deconstructive spirit of the original work by knowing why.
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Amalia, Desi, Wan Tiara, Hasan Sazali, and Maulana Andinata. "Dekonstruksi Ruang Domestik Dalam Film Ki & Ka." Da'watuna: Journal of Communication and Islamic Broadcasting 4, no. 1 (August 21, 2023): 432–41. http://dx.doi.org/10.47467/dawatuna.v4i1.4445.
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This research was conducted with the aim of deconstructing gender roles in the domestic space using a Bollywood film entitled Ki & Ka, with the binary opposition of patriarchal culture that is, deconstructing is carried out by reserving the binary opposition. This research is a type of qualitative descriptive research with the method used in analyzing the data is descriptive analysis with the theoretical perspective of Jaques Derrida's deconstruction. The results of the study show that the deconstruction in the film Ki & Ka has succeeded in making Kabir fulfill his role as the controller of domestic space in his household with Kia.
Keywords: deconstruction, binary opotition, gender
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Bennington, Geoffrey. "Aesthetics Interrupted: the Art of Deconstruction." Oxford Literary Review 36, no. 1 (July 2014): 19–35. http://dx.doi.org/10.3366/olr.2014.0084.
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The principle whereby any bit of deconstruction brings with it all of deconstruction must affect the philosophical understanding of art usually subsumed under the title ‘aesthetics’. There can in principle be no deconstructive aesthetics (any more than there could be a deconstructive ethics or a deconstructive epistemology. Aesthetics in general is mortgaged to sensory perception, and from very early Derrida ‘perception does not exist’. Whence his interest in blinking, blindness and the trait of drawing. But the trace is not the trait, colour too is differential, and aesthetic judgement in general is thereby marked with a secret ‘political’ dimension.
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Phillips, John W. P. "The Poetic Thing (On Poetry and Deconstruction)." Oxford Literary Review 33, no. 2 (December 2011): 231–43. http://dx.doi.org/10.3366/olr.2011.0019.
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Deconstruction has sometimes been championed as if it was a kind of poetic (as opposed to say analytic) writing. The identification has encouraged some to relegate deconstruction to the shadows or sidelines, the sideshows, of serious philosophy. Both tendencies are foolish. There nonetheless remains the question of the relation between two enigmatic discourses: poetry and deconstruction; some deep complicity is surely implied. Reading in the texts of philosophy and poetry the adventure and performance of the names themselves, philosophy, poetry and deconstruction, it is possible to outline the consistency of a logic, according to which: as poetry must have its thing, so too must deconstruction; and philosophy would be deconstruction's poetic thing. The common ground (of poetry and deconstruction) would be the photograph (in ancient and modern senses) recording the loss of what disappears into its appearance. After deconstruction philosophy can therefore only be accomplished otherwise, not as poetry, but as a poetic thing.
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Zappa, Joseph. "Deconstructing Affects and Affects of Deconstruction." Derrida Today 12, no. 2 (November 2019): 192–210. http://dx.doi.org/10.3366/drt.2019.0209.
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Countering the common assumption in affect theory that deconstruction is incompatible with studies of affect, this essay theorises a deconstructive approach to reading for affect in texts and examines the role affect has always played in deconstructive reading. It reads Derrida alongside Deleuze who has been influential in affect theory in order to explicate what deconstruction adds to existing poststructural theories of affect: namely, how affect functions at the scene of reading, shaping the reading itself and coming into view through textual forms. In its second half, the essay turns to Cixous' ‘Savoir,’ demonstrating through a reading of that text what a deconstructive reading of affect looks like in practice and exploring the ethics of such an approach.
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Hedges, Paul. "Deconstructing Religion: Some Thoughts on Where We Go From Here — A Hermeneutical Proposal." Exchange 47, no. 1 (January 18, 2018): 5–24. http://dx.doi.org/10.1163/1572543x-12341465.
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Abstract This paper overviews contemporary debates on the deconstruction / historization of the category ‘religion’. It argues that a hard deconstruction which seeks to suggest the term is an empty signifier and analytically useless is unfounded philosophically and empirically. However, a soft deconstruction which accepts the problems of employing the term, especially as found in the World Religions Paradigm, but suggests that ‘religion’ remains a useful tool to describe a specific social reality, is well founded. The article extends current debates by showing how philosophical hermeneutics, especially as exemplified by Hans-Georg Gadamer’s work, supports the soft deconstructive approach and further shows the conceptual inadequacy of hard deconstruction.
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Brilmyer, S. Pearl. "Deconstruction." differences 34, no. 1 (May 1, 2023): 79–88. http://dx.doi.org/10.1215/10407391-10435576.
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This essay explores Leo Bersani’s relationship to deconstruction, arguing that although his thinking about language and signification is indebted to the deconstructive tradition, he ultimately departs from this tradition in his structural understanding of desire qua habit. A close reading of a sentence from Homos forms the refrain for a discussion of the ontology of sexuality, the exclusionary nature of desire, resistances of self and world, and the nature of habit.
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Nye, Malory. "Response: On Deconstructing the Deconstruction of the Deconstruction of the Category of Religion." Implicit Religion 20, no. 4 (April 12, 2018): 413–20. http://dx.doi.org/10.1558/imre.36143.
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Kopka, Aleksander. "Czy dekonstrukcja jest queer? Jacques Derrida jako powracający inny queer theory." Czas Kultury XXXIX, no. 4 (December 21, 2023): 113–20. http://dx.doi.org/10.61269/lkqe7092.
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This article is an attempt to present deconstruction and its problematics as “essentially” queer and to show how deconstruction conditions and inspires – both historically and theoretically – queer studies. By emphasizing deconstruction’s interest in challenging hierarchies based on binary oppositions and in affirmation of singularity of the other, I demonstrate how these crucial aspects of Jacques Derrida’s thought could contribute to queer theories of the future especially with regard to the problem of rethinking subjectivity and communality. Keywords: queer theory, queer, deconstruction, fallocentrism, fallogocentrism, subject, sexual difference, queer sexuality, community
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FARLEY-HILLS, DAVID. "Deconstruction: a deconstruction." Essays in Criticism XLII, no. 3 (1992): 173–95. http://dx.doi.org/10.1093/eic/xlii.3.173.
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Cohen, Tom. "Polemos: ‘I am at war with myself’ or, Deconstruction™ in the Anthropocene?" Oxford Literary Review 34, no. 2 (December 2012): 239–57. http://dx.doi.org/10.3366/olr.2012.0044.
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The term “anthropocene,” emerging around the time of Derrida's death, implies a shift in reference that his late production does not address or anticipate—and thus, if it is to be taken seriously as a ghost term, it poses today a question of a selective translation effect as regards “deconstruction.” This essay finds in Derrida's “last” interview and the “war with myself” that it avows a cipher and entry point for this broader question. Given official “deconstructions” withdrawn, conservative, and fallow state today, as a minor academic camp dedicated to Derridean theology, the essay asks whether the arrival of the term is not a catalyst for the re-organization of deconstructive memes (if not proper names). It examines not only Derrida's systematic avoidance in his writing of eco-catastrophism, but how that occlusion parallels others—specifically, a certain “materiality” that lies outside binaries and, more surprisingly, cinema. In examining this “war” between the two Derridas the essay speculates on whether the anthropocene moves us beyond the sort of soft Derrideanism that, since his death, has paralyzed the franchise (deconstruction™) and fulfilled his prediction of his work's disappearance.
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Tošić, Jovana. "Deconstruction in Architecture – Continuous Translation through an Open Project." AM Journal of Art and Media Studies, no. 12 (April 15, 2017): 99. http://dx.doi.org/10.25038/am.v0i12.170.
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Jacques Derrida developed deconstruction as a way of thinking which constantly examines the nature and possibilities of meaning. The paper analyses spatial-economic, cultural and social context in which deconstructive discourse was translated into architectural discourse. Translation between these two discourses happens vice versa. Deconstructivism emphasizes the formal properties of architecture, like postmodernism, which is the subject of exploration by architects such as Coop Himmelblau, Frank Gehry, Eric Owen Moss, etc. According to some interpretations, the only solution for deconstruction in architectural work is incompleteness, an open project which represents never-ending deconstruction. There are different solutions for open projects, and the article highlights projects by architects mentioned above, which seems to manage to achieve continuous deconstruction in practice. Article received: December 23, 2016; Article accepted: January 18, 2017; Published online: April 20, 2017Original scholarly paperHow to cite this paper: Tošić, Jovana. "Deconstruction in Architecture – Continuous Translation through an Open Project." AM Journal of Art and Media Studies 20 (2017): 99-107.
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Generoso, Lídia Maria De Abreu. "A História e o fantasma da desconstrução [resenha]." CLIO: Revista de Pesquisa Histórica 38, no. 1 (July 29, 2020): 548. http://dx.doi.org/10.22264/clio.issn2525-5649.2020.38.1.21.
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KLEINBERG, Ethan. Haunting History: for a deconstructive approach to the past. Stanford: Stanford University Press, 2017. 189p.A História e o fantasma da desconstrução PALAVRAS CHAVE: Teoria da História, Fantologia, Desconstrução, História da Historiografia.La Historia y el fantasma de la deconstrucción PALABRAS-CLAVE: Teoría de la Historia, Fantología, Deconstrucción, Historia de la Historiografía.History and the ghost of deconstruction KEYWORDS: Theory of History, Hauntology, Deconstruction, History of Historiography.
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Kelly, Elaine. "Re-orienting Democratic Hospitality: Breaching Liberal Economies of Welcome." Derrida Today 4, no. 2 (November 2011): 194–214. http://dx.doi.org/10.3366/drt.2011.0017.
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Does democracy lead to more ethical or just systems of welcoming, of hospitality? Derrida considers an analysis of sovereignty as pivotal to any re-evaluation of contemporary politics and ethics, tying such a project in with deconstructions of democracy and hospitality: ‘what is “living together”? …must one live together only with one's like, with someone semblables?’ he asks in Rogues, prompting us to think through what it means to be, at once, democratic and hospitable. In this paper I propose that Derrida provides us with a way of re-orienting democracy and hospitality that complicates conditions of citizenship and belonging, of the nation-state and sovereignty and of justice and unconditionality. It is the contention of this paper that deconstructing sovereignty is essential for any re-orientation of practices of hospitality within liberal democratic countries. The figure of the foreigner and questions of hospitality reveal a deep ambivalence at the core of democracy in the sense that it provokes the desire for openness and closure simultaneously. In closing, I raise questions concerning the potential for deconstructive practice to engage in a future politico-ethics of the border in light of this critical evaluation of democracy. In so doing, I consider the role of deconstruction in relation to liberal modalities of hospitality.
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Blomberg, Johan. "How can Linguistic Meaning be Grounded – in a Deconstructionist Semiotics?" Public Journal of Semiotics 7, no. 1 (July 28, 2016): 43–58. http://dx.doi.org/10.37693/pjos.2016.7.15966.
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Deconstruction is one of the more (in)famous theories in recent times. In this paper, I argue that the theory of deconstruction, proposed by Derrida in particular, should be read as a systematic and rigorous examination of key philosophical and semiotic notions, such as sign and meaning. The relevance of taking deconstructive critique seriously is explored with the point of departure in Derrida’s argument that linguistic signs are characterized by repeatability. This view is situated against attempts to ground language in context, speaker intentions and truth conditions, showing how deconstruction challenges these attempts for not taking the repeatability of signs sufficiently into account. Instead, deconstructive semiotics radicalizes the idea that linguistic signs always involve differential structures that postpone the determination of meaning. While this might be read as a skeptical conclusion, I propose that it should be positively interpreted as a relevant contribution for the theoretical understanding of language, signs and meaning.
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Wright, April L., Stuart Middleton, Paul Hibbert, and Victoria Brazil. "Getting On With Field Research Using Participant Deconstruction." Organizational Research Methods 23, no. 2 (July 15, 2018): 275–95. http://dx.doi.org/10.1177/1094428118782589.
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This article adds to the repertoire of field research methods through developing the technique of “participant deconstruction.” This technique involves research participants challenging and reinterpreting organizational texts through the application of orienting, disorienting, and reorienting deconstructive questions. We show how participant deconstruction complements existing strategies for “getting on” with field research—cultivating relationships, developing outsider knowledge, and mobilizing insider knowledge—by facilitating research participants’ questioning and challenging of organizational texts and thus opening up alternative latent understandings, illuminating concealed meanings, supporting reflexivity for participants and researchers, and suggesting fruitful lines of inquiry. We illustrate the application of the technique with examples drawn from health care research projects. Through gathering further practitioner feedback from a variety of alternative contexts, we go on to demonstrate the potential application of participant deconstruction in a range of field contexts, by different types of practitioners undertaking deconstructive readings of a wide variety of organizational texts. We also offer suggestions for further research to extend the technique.
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Situmorang, Bornok, and Tjiptohadi Sawarjuwono. "REPEATED TAX AMNESTY DECONSTRUCTION IN FULFILLING JUSTICE ACCORDING TO ACCOUNTING." Jurnal Akuntansi Kontemporer 15, no. 2 (May 2023): 62–71. http://dx.doi.org/10.33508/jako.v15i2.4451.
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Research Purposes. This study aims to explain the process of deconstructing justice in the recurring tax amnesty policy as economic events that are recorded and reported using accounting so that justice according to accounting is accommodated in it. Research MethodsThis study uses a qualitative approach in which the researcher adopts a poststructuralist paradigm, especially Derrida's deconstruction. Research Results and Findings. The practice of deconstructing justice can be seen clearly in discussions on the legal plan at the government level, debates on the legal draft, ratification of laws, judicial review, adoption of accounting standards for assets, attempts by taxpayers to file objections and post-implementation monitoring goals recurring tax amnesty. The accountant also accommodates all of these deconstruction processes and is involved in them, thereby strengthening the concept of justice according to accounting. This study provides a theoretical and practical description of the deconstruction process of universal justice and justice according to accounting in the recurrent tax amnesty policy.
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Prokhorov, E. A., and A. E. Smirnov. "On the Elements of the Deconstructive Approach in Exegesis John Chrysostom." Bulletin of Irkutsk State University. Series Political Science and Religion Studies 48 (2024): 133–39. http://dx.doi.org/10.26516/2073-3380.2024.48.133.
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This article attempts to identify elements of deconstruction in the exegetical practices of John Chrysostom. To achieve this goal, a brief description of the basic principles and purpose of deconstruction is given and deconstructive practices in the exegesis of John Chrysostom are revealed. The authors conclude that the following elements of deconstructive strategy are implicitly present in exegesis: preserving and updating the tradition, searching for what was forgotten in it; replenishment, indicating the openness of the text and its non-identity; the issue of translation and language of concepts; focusing on paradoxes and intractability; discovering the natural metaphoricity of words and concepts; focus on context, etymology, words, prepositions, particles, prefixes. In exegesis, as in deconstruction, the outcome of interpretation is not guaranteed as methodically achievable knowledge. Thus, the deconstructivist strategy retains the classical philosophical motive of continuous renewal of knowledge and is a certain form of exegete that protects tradition from stagnation.
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Darliani, Darliani, Herson Kadir, and Ellyana Hinta. "Dekonstruksi Konsep dalam Kumpulan Puisi Selamat Menunaikan Ibadah Puisi Karya Joko Pinurbo." Ideas: Jurnal Pendidikan, Sosial, dan Budaya 9, no. 1 (March 16, 2023): 301. http://dx.doi.org/10.32884/ideas.v9i1.1214.
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The purpose of this study is to describe the deconstruction of the meaning of the concept in the collection of poems Happy Performing Poetry Worship by Joko Pinurbo. The research method used is descriptive qualitative. Research data collection techniques used library study techniques, while data analysis techniques were more dominantly carried out to look at the interweaving of results of interpretation and description qualitatively. The results of the study show that there are 12 concepts of meaning that experience deconstruction which gives birth to an independent meaning that disassembles the stability of the concept of meaning in a contradictory manner. Twelve deconstructions of the concept of meaning in the poetry collection is identified as deconstruction through paradox, irony, and contradiction of the concept of meaning.
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Vehse, Paul. "Unintendierte Effekte der Strategie der Dekonstruktion." Vierteljahrsschrift für wissenschaftliche Pädagogik 96, no. 4 (December 10, 2020): 539–52. http://dx.doi.org/10.30965/25890581-09604007.
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Abstract The Strategy of Deconstruction and its Unintended Effects. On the Deconstructive Way of Dealing with Difference in Pedagogical Settings The pedagogical dealing with difference has been questioned for its unintended effects on the reproduction of power relations. This criticism has been expressed mainly from a deconstructive point of view. Nevertheless, the strategy of deconstruction has not yet been questioned for unintended effects itself. The article discusses three aspects where unintended effects of these strategy can at least possibly emerge: (1) a deterministic view of the binary hierarchy, (2) a narrow understanding of transformation as proliferation and (3) a one-sided understanding of reproduction.
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Ibe, Chukwumaobi, Andreea Serbescu, and Mohataz Hossain. "Advancements in Building Deconstruction: Examining the Role of Drone Technology and Building Information Modelling." European Journal of Engineering Science and Technology 6, no. 2 (January 2, 2024): 14–32. http://dx.doi.org/10.33422/ejest.v6i2.1132.
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Deconstructing a building with the help of drones and BIM (building information modelling) is becoming increasingly common as a more efficient, eco-friendly, and affordable alternative to the traditional techniques of building disassembly. This paper presents a systematic review following the methodology of Preferred Reporting Items for Systematic Reviews and Meta-Analyses (PRISMA) to investigate the role of drone technology and BIM in building deconstruction. A total of 10 studies were identified based on the integration of drone technology with BIM, all of which proved promising in enhancing the process of building deconstruction. The analysis of the 35 and 3 non-academic selected data reveals several key findings. Firstly, BIM is not commonly used in deconstruction or demolition processes, particularly in managing fixtures and fittings of buildings. Secondly, the adoption of deconstruction-oriented design methods and the use of drone technology can significantly reduce the negative environmental impacts of building demolition waste. Lastly, the limited implementation of design for deconstruction practices in the construction industry hinders the realisation of environmental, social, and economic benefits associated with this approach. Overall, this systematic review highlights the potential of drone technology and BIM in improving building deconstruction practices, while also identifying knowledge gaps and areas for further research and development on this topic.
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Briggs, Robert. "Deconstruction Overflowed." Symposium 27, no. 1 (2023): 119–41. http://dx.doi.org/10.5840/symposium20232717.
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This article seeks to characterize deconstruction (and “theory” generally) as a practical activity in order to assess its potential effects in view of Marx’s 11th Thesis on Feuerbach. Taking its cue from Derrida’s reference to the “inner edge of philosophy” in Theory and Practice, the article juxtaposes Derrida’s ostensibly philosophical approach with the contentious, historiographic approach taken by Ian Hunter. Reflecting on the activity of deconstruction from the outer edge of philosophy, as it were, the discussion first reviews Derrida’s diagnosis of the philosophical impulse to monopolize authority over all theory and practice, then interprets this move via Hunter’s “empirical” attempt to situate and analyze different modes of philosophizing as concrete exercises in self-problematization. The discussion highlights the surprising convergences in Derrida’s and Hunter’s arguments before adopting this view from the outer edge of philosophy in order to reassess where and how deconstruction’s practical effects may be registered.
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McCarthy, Tina M., and Eleni Evdokia Glekas. "Deconstructing heritage: enabling a dynamic materials practice." Journal of Cultural Heritage Management and Sustainable Development 10, no. 1 (December 9, 2019): 16–28. http://dx.doi.org/10.1108/jchmsd-06-2019-0084.
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Purpose The purpose of this paper is to address a gap in current heritage practice within the USA, as defined by the US Secretary of Interior’s Standards, which offers no treatment for a building entering the end of its lifecycle. Design/methodology/approach Building on research conducted for “Deconstructing the Culture of Demolition,” Master of Design Studies thesis completed in 2018, this paper seeks to better understand how deconstruction industry practice could be changed by the inclusion of heritage values through a case study of the sustainability non-profit Emergent Structures of Savanah, Georgia. Findings The benefits of replacing demolition with deconstruction extend beyond the preservation of materials alone. Applying critical heritage theories to deconstruction practice addresses challenging issues in the discipline, such as mutability of heritage objects and equity in heritage practice. Deconstruction redefines the concept of death in the built environment, harnessing its energy to serve the heritage goals of memory, revival and sustainable community development. Practical implications The findings are based on real-world practice, linking heritage methodology to deconstruction practice. These examples will be useful to preservation professionals who deal with demolition in the course of their work, to rethink the idea of waste and value in heritage practice. Originality/value This paper explores best practices in promoting heritage value and community engagement through deconstruction. This insight will promote interdisciplinary communication around historic materials and their treatment, which remains unexplored in both deconstruction and heritage research.
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Zulkarnain, Jaka Ahmad, and Wiyatmi. "Dekonstruksi Femininitas dalam Novel-novel Karya Eka Kurniawan: Dari Pekerjaan Sampai Kecantikan." Poetika 6, no. 2 (December 31, 2018): 109. http://dx.doi.org/10.22146/poetika.v6i2.40188.
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One of the stereotypes of gender is femininity in which it is closely related to women. Femininity with passive characteristic is constructed to limit their moves. In Eka Kurniawan’s novels, the femininity is unstable. It brings an assumption that he is conducting the femininity deconstruction. This research is aimed to find out and to explain the femininity deconstruction in Eka Kurniawan’s novels. Three Eka Kurniawan’s novels were chosen as the data source of this research, they were Cantik Itu Luka, Lelaki Harimau, and Seperti Dendam, Rindu Harus Dibayar Tuntas. This research used critical discourse analysis method with post-modern feminism approach. There are seven forms of femininity deconstructions in Eka Kurniawan’s novels such as feminine jobs, feminine images, feminine habits, feminine symbols, feminine principles, feminine desire, and beauty. Femininity deconstruction shows that femininity has strengths and weaknesses. Femininity is conveyed and practiced either by men and women characters in his novels. Through femininity deconstruction, Eka Kurniawan draws images of how femininity is being deconstructed and how the characters in his novels questioning, rejecting, and or making use of femininity.
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Deviyani, Ni Kadek Siska, and I. Wayan Mudra. "Teori Dekonstruksi dalam mengintepretasi limbah ban kendaraan bertransformasi menjadi produk kursi sebagai makna baru." Productum: Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) 7, no. 1 (June 29, 2024): 45–52. http://dx.doi.org/10.24821/productum.v7i1.4928.
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The use of used vehicle tire waste which can generate profits in everyday life is an interesting discussion regarding the application of tire demolition material as one of the furniture elements in its application to interior design using Derrida's theory of deconstruction. This paper aims to discuss the process of deconstructing furniture in interior design. This paper is aimed at examining the theory of deconstruction in order to transform the meaning of an object from a four-wheeled vehicle tire. The research method used is descriptive qualitative, while the data collection methods used are online observation, online documentation and library search with a semiotic approach in interpreting the research object in the aspect of material exploration furniture deconstruction. The main literature refers to the Semiotic Language Philosophy Book by Prof. Dr. Kaelan and the theory of deconstruction by the philosopher Jacques Derrida. The results of research on semiotic studies with the theory of deconstruction that transform meaning by Derrida resulted in the conclusion that vehicle tire waste can be transformed by means of deconstruction theory by destruction and then reconstruction so as to produce a new meaning in the tire waste into a furniture stool in its application. This renewal can occur because of the transformation of the meaning of a four-wheeled vehicle tire that is damaged (damaged) resulting in a used tire whose meaning is reconstructed into a stool.
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Dickinson, Colby. "Ending Christian Hegemony: Jean-Luc Nancy and the Ends of Eurocentric Thought." Open Theology 8, no. 1 (December 22, 2021): 14–27. http://dx.doi.org/10.1515/opth-2020-0191.
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Abstract This essay addresses Jean-Luc Nancy’s “deconstruction of Christianity” and how what Christianity proclaims through enacting a deconstruction of itself brings an end to the western, hegemonic hold that Christian imperialism has perpetuated for centuries. Nancy, for his part, takes up the name of Christianity insofar as it is a religious phenomenon that signals a trajectory of thought in the West that must be discerned as providing an “exit from religion and of the expansion of the atheist world.” Since deconstructing the dominant narratives of the West means deconstructing the myth of a sovereign, autonomous deity whose reign, Nancy declares, has reached its end, Christianity utilizes its own kenotic narrative to point toward the end of religion and Eurocentrism at the same time.
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BLANS, Bert. "Negatieve theologie en deconstructie -Negative Theology and Deconstruction." Bijdragen 57, no. 1 (January 1, 1996): 2–19. http://dx.doi.org/10.2143/bij.57.1.2002433.
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Kakoliris, Gerasimos. "How Radical is Derrida's Deconstructive Reading?" Derrida Today 2, no. 2 (November 2009): 177–86. http://dx.doi.org/10.3366/e1754850009000517.
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The aim of my paper is to focus upon those aspects of Derrida's relation to language and textual interpretation that have not been adequately dealt with by either proponents of deconstruction, who take Derrida to have effected a total revolution in the way in which we must read texts, or those critics who view deconstruction as having subverted all possible criteria for a valid interpretation leading, thus, to an anarchical textual ‘freeplay’. This inadequate approach by both proponents and critics is the result of a failure to consider Derrida's deconstructive approach as enacting a process of ‘double reading.’ This ‘double reading’ commences with an initial stage or level which seeks to reconstruct a text's authorial intention or its vouloir dire. This initial level then prepares the text, through the identification of authorial or textual intention, for the second stage or level. At this second stage or level, which is the passage to deconstructive reading per se, the blind spots and aporias of the text are set forth. Through this focus upon the process of deconstructive reading as ‘doubling reading,’ it becomes evident that deconstruction is not as revolutionary as proponents or critics have assumed. For, Derrida's initial reading, or the ‘doubling’ of a text's authorial or textual intention is firmly set within a traditional interpretative form.
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McQuillan, Martin. "Derrida and Policy: Is Deconstruction Really a Social Science?" Derrida Today 1, no. 1 (May 2008): 119–30. http://dx.doi.org/10.3366/e1754850008000110.
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How might we begin to think about deconstruction in relation to the formulation of political policy? Once we begin to ask this question the whole idea of policy as such is put in question and conversely the limitations of philosophy as the basis for political decision making quickly become apparent. Through a consideration of this problem and by reference to a number of key tropes in Derrida's later writings, this essay begins the task of thinking about the deconstruction of policy and of asking what the future role of deconstructive thought might be.
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Kamali, Hari C. "'Deconstructionist' as the Role of a Teacher in Postmethod Pedagogy." Technium Social Sciences Journal 19 (May 8, 2021): 67–75. http://dx.doi.org/10.47577/tssj.v19i1.3324.
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Postmethod pedagogy is the development in pedagogical practices after 1990s and is open to further developments as "a pedagogy in progress" (Kumaravadivelu, 2001). Implication of postmethod pedagogy underpinned by deconstruction has the potentials to make pedagogy more effective for which the postmethod teacher needs to play the role of a deconstructionist teacher. So in this paper I have reviewed the works on postmethod pedagogy and deconstruction and explored how they are interrelated and how they can be exploited as deconstructive pedagogy to make pedagogy more effective in context. As a result, it is concluded that when a postmethod teacher practices pedagogy as a deconstructionist teacher, any challenges emerging in the practice of pedagogy can be addressed as deconstructive pedagogy destabilizes the pedagogical practices and looks for possibilities of multiple meanings in context.
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Hu, Yin An, Yong Ping Wang, and Yun Xue. "Influence on Design Education by the Architectural Trend of Deconstructivism." Applied Mechanics and Materials 638-640 (September 2014): 2222–25. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2222.
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The ideology of deconstructivisim is a relatively new design style, and has a profound philosophical connotation. Deconstruction works usually pay attention to reflecting the diversity of buildings, and their design techniques are more exaggerated and weird to make people unable to understand their law. By the study of the deconstructive architects' design career, we can conclude as follow: the kind of trend has a great influence on architecture, also deeply affects modern design education; education philosophy of many famous architectural colleges in America and Europe with their students’ design works reflect design concept of the ideology. Southern California Institute of Architecture in Los Angeles is the homeland that deconstructive educators live up to their ideal. The design ideology of deconstruction has important status in the United States and far-reaching influence on American architectural education.
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Hussain, Hinzala, and Aisha Farid. "A Deconstructive Analysis of Taglines on Pakistani Billboards." Global Digital & Print Media Review VI, no. II (June 30, 2023): 64–72. http://dx.doi.org/10.31703/gdpmr.2023(vi-ii).06.
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A deconstructive point of view highlights the contradictions between an author's intended message and the aspects that naturally arise in their writing. Derrida's language has been used to define deconstruction and demonstrate how it may be used in Billboards’ taglines analysis in the study. The data have been analyzed using a descriptive qualitative research design. The researchers photographed four billboards, two from clothing brands and two from shoe brands. The tendon of deconstruction is used to study the selected billboards. This study has examined how deconstruction can be used to analyze billboard taglines. It concludes that the brands, in particular clothing and shoe brands advertisers, in addition to attractive pictures and figures presented with enticing colours, carefully choose short and crisp taglines with meanings triggering the minds of viewers and drawing their attention towards the beauty and usefulness of the products.
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Ilyina, Anna. "Tradition and Freedom in the Deconstructive “Philosophy of Philosophy”." Sententiae 41, no. 3 (November 30, 2022): 6–25. http://dx.doi.org/10.31649/sent41.03.006.
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The article examines the peculiarities of the relationship between phenomena of freedom and tradition in the discourse of deconstruction. In this case, the tradition stands primarily as philosophical tradition, a critical questioning about which underlies Derridian thought. The latter in a great measure is a philosophical reflection on just the philosophical heritage ("philosophy of philosophy"). The author carries out her own analysis of the relationship between deconstruction and philosophical tradition in connection with the problem of freedom. In this respect, she uses the Derridian concept-metaphor of translation (passage), drawing on Mark Crepon’s historico-philosophical findings.
Considering the peculiarities of the thematization of concepts of freedom and tradition in deconstructive discourse, the author reveals a connection between the problems of (a) limits of philosophy (as one of the cornerstone issues of Derridian discourse) and (b) the specific correlation between the phenomena of freedom and tradition. It has been established that it is the ideas of other and translation (passage) that stand as links enabling such a connection.
For the history of philosophy of the second half of the 20th century, it is important to correctly understand the Derridian concept of tradition. The article proves that Derrida's interpretation of this concept (1) is significantly determined by the factor of other, (2) is based on the paradoxical interaction of tradition and freedom, (3) causes and enables deconstructing of the opposition between freedom and violence. As a result, it is established that deconstruction, which is apparently guided by the goal of liberation from tradition, in essence turns out to be a freedom for tradition, if the latter is interpreted in the semantic context set by the concepts of translation (or transition), other and limit.
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Manglos-Weber, Nicolette, Claudia Alvarez Hurtado, and David C. Wang. "The Spirituality of Deconstruction in United States Theological Schools." Religions 15, no. 2 (February 2, 2024): 188. http://dx.doi.org/10.3390/rel15020188.
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Building on a movement within the sociology of religion to better situate studies of spirituality in relation to contexts, practices, and power relations, the current study examines shifts in spiritual practice associated with “deconstruction” among graduate students within theological education. We rely on new interview data with a cohort of 30 students at time 1 (2020) and follow-ups with 22 of those students at time 2 (2022), comparing students at four different types of schools (Mainline Protestant, Evangelical Protestant, Catholic, and Black Protestant), and oversampling for students of historically minoritized identities. After identifying patterns in the spirituality of deconstruction, including trends toward embodiment, attunement to the natural world, social activism, and syncretism, we examine how these students perceive the responses of their theological schools to students’ deconstructing spirituality. We especially note a pattern of ambivalence, where certain aspects of the institution (especially some individual faculty and administrators, and student affinity groups) support and model deconstruction for their students. We argue that the spirituality of deconstruction may, therefore, function to both challenge and regenerate institutionalized contexts of religion in an overall setting of institutional decline.
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Kowalik, Bartosz. "Jean-Luc Nancy: przyjemność (w) dekonstrukcji." Przestrzenie Teorii, no. 39 (December 29, 2023): 241–67. http://dx.doi.org/10.14746/pt.2023.39.12.
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The article deals primarily with the concept of pleasure in Jean-Luc Nancy’s thought. It occurs in many texts by the philosopher and connects with key concepts of his deconstructive project: the body, relational ontology and the writing. For Nancy, pleasure is, among other things, a particular somatic experience, the effect of peculiar writing practice, and finally, the experience of non-identity of a singular plural subject. The distinctive feature of pleasure (in various conceptualizations) is the opening that it makes every time, which Nancy derives from his deconstructive considerations on the works of Freud, Kant and Barthes. In the thesis, Nancy’s revised concept of pleasure as an opening is also referenced to Derrida’s thought in order to analyse the general relations between pleasure and deconstruction and to consider how deconstruction can be a source of pleasure.
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JONES-KATZ, GREGORY. "“THE BRIDES OF DECONSTRUCTION AND CRITICISM” AND THE TRANSFORMATION OF FEMINISM IN THE NORTH AMERICAN ACADEMY." Modern Intellectual History 17, no. 2 (June 28, 2018): 413–42. http://dx.doi.org/10.1017/s1479244318000318.
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“The Brides of Deconstruction and Criticism,” an informal group of feminist literary critics active at Yale University during the 1970s, were inspired by second-wave feminist curriculum, activities, and thought, as well as by the politics of the women's and gay liberation movements, in their effort to intervene into patterns of female effacement and marginalization. By the early 1980s, while helping direct deconstructive reading away from the self-subversiveness of French and English prose and poetry, the Brides made groundbreaking contributions to—and in several cases founded—fields of scholarly inquiry. During the late 1980s, these feminist deconstructionists, having overcome resistance from within Yale's English Department and elsewhere, used their works as social and political acts to help pave the way for the successes of cultural studies in the North American academy. Far from a supplément to what Barbara Johnson boldly called the “Male School,” the Brides of Deconstruction and Criticism arguably were the Yale school. Examining the distinct but interrelated projects of Yale's feminist deconstructive moment and how local and contingent events as well as the national climate, rather than the importation of so-called French theory, informed this moment gives us a clearer rendering of the story of deconstruction.
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Graham, Elizabeth R., and David E. Gussak. "Collage as Epistemology: Construction—Deconstruction—Reconstruction." Visual Arts Research 49, no. 1 (June 1, 2023): 29–44. http://dx.doi.org/10.5406/21518009.49.1.04.
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Abstract This article proposes collage as a cyclical epistemology for art therapy and arts-based research practice. Characteristics of collage and a cycle of construction, deconstruction, and reconstruction are presented and intertwined with post-structuralism. Construction, as a stable state of being, focuses on collage's ability to re-purpose materials and hold space. Deconstruction, as an unstable act of fragmenting and juxtaposing, emphasizes collage as a deconstructive event. Reconstruction, as the ongoing process of becoming, focuses on the layers of meaning within collage and its ability to impermanently stabilize. Through this cycle, collage becomes a way of creating, thinking, and being. Furthermore, collage can be considered a fitting epistemology for identity development due to its infinite entanglements, continuous simultaneity, constant instability, and ongoing state of becoming. Together, deconstruction and collage suggest methods for arts-based research, propose a theoretical perspective for art therapy, and provide an ontology and epistemology to guide research, leading to meaning making, potentiality, and a desirable ongoing state of impermanence.