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Lee, Kyoo Eun. "Cartesian deconstruction : self-reflexivity in Descartes and Derrida." Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/4364/.
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In this study, I propose a reading of Derrida as a Cartesian thinker. The mode of reading is closely textual and not historical; and the analysis focuses on the methodological or dispositional affinities between a sceptical Descartes in cogitation and a deconstructive Derrida, to the exclusion of the onto-theological aspects of their arguments. I locate the source of such epistemological affinities between them in the self-reflexivity of philosophical self-doubt or self-criticism, and highlight, in the course of analysis, the formatively self-referential aspects of both Cartesian scepticism and Derridian deconstruction; The point of contention is that, in both cases, the starting point of thinking is the self that self-reflects. Standard interpretations tend to view Derrida as an anti-Cartesian thinker; Against this reading, I advance the following two points of contention. Firstly, I argue that Derrida can be read as a Cartesian thinker in that his reflexive tendency is indicative of his implicit commitment to the methodological or epistemological Cartesianism, i. e. the reflexive mode of cogitation. The claim here, limited to such an extent, is that there is a structural resemblance between the reflexive form of Descartes's cogilo and that of Derrida's deconstructive move in that both thinkers follow performatively reflexive, and reflexively repeated moves; The Derridian move is only one "step" beyond, and in this sense derivative from, the Cartesian. Secondly, I argue further that Derrida can be read as a radical Cartesian. For this, I present a reading of Derrida's reflexive hauntology as a sceptical radicalisation of Descartes's reflective ontology. By bringing to the fore a structurally Cartesian dimension which underlies the Derridian economy of writing and thinking, I argue, against Derrida's self-understanding of his (non-)project, that deconstruction is to be read as a conservative intra-metaphysical trajectory rather than as a transgressive endeavour to go beyond metaphysics. In highlighting the traditional aspects of deconstruction as opposed to the revolutionary sides of it, my aim is both to explicate the significance of Derrida's deconstructive project and, at the same time, to expose its constitutive limits, deconstruction taken as a meta-critical, reflexive endeavour to transcend the limits of philosophy by philosophy. The critical point I raise against Derrida is the following: Insofar as the logic or strategy of his deconstruction remains structurally locked in, and at the same time exploitative of, the implicit binarism of Cartesian scepticism, i. e. the logic of either-or, the deconstructive gesture that attempts to think "the Other" by reflecting critically upon its own condition of thinking, is bound to be self-reflexive or self-referential, therefore, self-corrosively ineffectual. Part I sets out to articulate the aforementioned two contentions of thesis. It aims to discover the recursively self-reflexive movements in the writings of Derrida. For this, chapter 2 offers an analysis of some of Derrida's central terms of hauntology that are descriptive of the movements and moments of meta-reflection, viz. double, mark, fold, interest, and law. Although Part I deals mainly with Derrida, the reflexive dimension of Descartes's cogito argument is also analysed in an early stage [1.31] to the extent that it can set the terms for the subsequent reading of Derrida as a Cartesian [1.32 -2.3]. Part II elaborates the key points made in Part I, first by providing a detailed account of the Cartesian economy of self-reflexivity [Chapter 4], and second, by closely reading selected passages from Den ida's essay on Descartes, 'Cogito et histoire de lafolie' [Chapter 5]. Derrida's defensive and sympathetic reading of Descartes's madmen against Foucault's, the last chapter argues, exemplifies a case of Derrida as a committed Cartesian with a mind bent on methodic meta-reflection.
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Meredith, F. C. "Experiencing the postmetaphysical self : between deconstruction and hermeneutics." Thesis, Queen's University Belfast, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390878.
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Hill, Sydney M. "She must write her self, feminist poetics of deconstruction and inscription : six Canadian women writing." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0025/MQ26957.pdf.
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Robinson, Norman L. "Signs of our times : postmodernism, deconstruction and the narrative identity of the subject or self." Thesis, London School of Theology, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486388.
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In this thesis we respond to the chalrenge posed to the Church and the Academy by some of the 'Signs of our Times'; in particular Postmodemism, Deconstruction and the Narrative Identity of the Subject. In pursuing a genealogical hermeneutic through various fields of discourse we discover emerging Postmodemism(s) that are characterised by a sense of mourning for a lost metanarrative and a tension between an impulse towards narrative and an anti-narrative impulse. Deconstruction, we argue, intensifies the antinarrative impulse within postmodemism and therefore represents one important site for the Death of the Subject. However, in order to place Deconstruction in context we investigate the question of Derrida's style(s) of writing in relation to his strategic philosophical aim. In addition, the distorting effects of the Reception of Deconstruction in the USA are broached. This enables us to go on to pursue the opening of Deconstruction in the text of Husserl's phenomenology. It involves a detailed reading and critique of Derrida's 'Introduction' to Husserl's Origin of Geometry and Speech and Phenomena. Throughout we will be guided by a structural feature of a Borromean knot linking together the themes of the Self, the Sign and Time; as well as a Historical revisionist picture of Husserl's project. The third sign of our times investigates the rediscovery of the Narrative Identity of the Subject by using the later Paul Ricoeur's notion of Narrative and the Narrative Identity of the Self. We trace a path through the sign, the text, and narrative in order to recover a notion of the narrative identity of the Self. In conclusion we argue that the Church's response to the postmodern is to learn again that we must 'speak more than one language'. Accordingly we indicate three possible voices or idioms: a witnessing self, a worshipping self and a listening/acting self.
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Hill, Sydney M. (Sydney Margaret) 1971 Carleton University Dissertation Comparative literature. ""She must write her self": Feminist poetics of deconstruction and inscription (six Canadian women writing)." Ottawa.:, 1997.
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Gooding, Brown Jane S. "Text, discourse, deconstruction and an exploration of self: A disruptive model for postmodern art education /." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487946103567659.
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Zhang, Xiaohui. "Media, Construction and Deconstruction of Beauty Myth : – A Case Study of Dove’s Real Beauty Campaign." Thesis, Uppsala universitet, Institutionen för informatik och media, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-124645.
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The paper examines the media portrayal of real women in Dove’s Real Beauty Campaign. Through the semiotic analysis and reception analysis of the ad “Evolution”, the author investigates how Dove attempts to challenge the myth in most beauty advertising and present the “real beauty” idea to the audiences. The study further discusses about the gender issues aroused from the campaign. The findings show that the untouchable images of women are created under the pressures of male-dominated culture. In terms of feminism, the definition of beauty needs to be diversified. The significance of the campaign lies in its business success and social meaning as well. In the end, the paper reviews the impacts of this five-year-old campaign and gives further suggestions on its future development.Keywords:Real Beauty, Denotation, Connotation, Myth, Self-esteem, Media, Feminism, Gender
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Lowe, Kristin. "Redefining Self in the Midst of "Things": Marilynne Robinson's Housekeeping." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2758.
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In this essay, I examine the role of material culture in Marilynne Robinson's novel Housekeeping (1980) to understand how the prominent presence of material culture introduces complex questions about the relationships among objects, reality, and the self. By recognizing objects' fluidity of meaning, Housekeeping offers its characters a way to see their individuality and conceptions of reality in a similar state of flux. Significantly, it is in the act of recognizing that the socially accepted uses of objects are not necessarily "natural" parts of existence, and, like elements of the natural world, the meanings and uses of these items are susceptible to change and decay that an individual is able to recognize that the self is similarly fluid and moldable, which creates room for both imagination and for the possibility of change.
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Burns, Brian. "Hybridization of the Self, Colonial Discourse and the Deconstruction of Value Systems : A Postcolonial Literary Theory Perspective of Literature inculpating Colonialism." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-35112.
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The aim of this essay is to provide a perspective on literature inculpating colonialism using postcolonial literary theory and method. The subject material incorporates four novels studied during the literature modules for the English course at Högskolan Gävle (HIG). The four novels combine to highlight various issues that affect the Self-identity through hybridization and colonial discourse as well as the detrimental nature of the colonial project for indigenous value systems during the period of colonialism. There is also application of theories and concepts raised in academic literature from within and outside the curriculum of HIG. The use of the postcolonial literary methodology provides a critical perspective of the aforementioned literature while implementing theories associated with that movement such as hybridity and the redefining of borders as well as focusing on the social, cultural, political and religious impact of the coloniser’s activities in the colonies as raised in the novels. The most significant findings of this essay include the roles of isolation and disconnection within the colonial project and the subsequential effects on the colonised and their descendants. There are findings and observations of the level of strategic application of universalistic colonial discourse and the intrinsic application of the language used in the objectification of the indigenous and the subjugation of their value systems. The role of perception is also highlighted including findings on the social implications for the colonies inhabitants, both dissident and conformist, raised within the chosen literature and this essay. The essay also examines the application of various strands of literary theory incorporated within postcolonialism including poststructuralism and psychoanalytic criticism as well as anthropology material. The conclusion of this essay culminates with the conflicting interpretations of progress as a universalism that counters the theories of postcolonialists and poststructuralists and their subsequent refusal to succumb to literature’s prevalence. The subjectivity of the postcolonial literary theorist and the self-imposed parameters restrict the interpretation of the colonial and postcolonial literature. The aforementioned progress defined by improved standards of health, education and social justice is lacking in presence in both the postcolonial literature and the accompanying literary theory counterpart. Subsequently, the disconnected voice of isolation and the split/double identity take precedence over higher standards of living and the appreciation of access to improved human rights and social justice within postcolonial society.
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Slowey, Gabrielle Ann. "Deconstructing the myth of self-government." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ30029.pdf.
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Stenberg, Felicia. "A Liminal Existence, Literally : A Deconstruction of Identity in Diana Wynne Jones’ Howl’s Moving Castle." Thesis, Södertörns högskola, Engelska, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-37623.
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This essay examines the inherent instability present in Diana Wynne Jones’ 1986 novel Howl’s Moving Castle. I suggest that in relying on the ambiguity of the story and the setting, Jones creates not only a more complex universe, but allows the characters to be multidimensional -- both literally and figuratively -- without having any stable selves. Using deconstruction as a (non-existent) foundation for my analysis, I contend that the strength of the story is in the looseness of it. Thus, by using a Derridean approach with added Cixousian feminist elements and a heap of Kristevian intertextuality, I further argue that Jones invites the reader to embrace the ambiguity of identity by closely analyzing the conflicting behaviours of the two main characters in the novel, Sophie Hatter and Wizard Howl. In conclusion, I argue that Diana Wynne Jones through subverting classic fairy tale tropes in an ingenious way, suggests that there is no such thing as a final finished growing person and that there is comfort to be found in embracing this incompleteness.
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Hewitt, Kimberly Kappler. "How evangelical Christian women negotiate discourses in the construction of self a poststructural feminist analysis /." Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1259981731.
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Guenther, Corey L. "Deconstructing the Better-Than-Average Effect." Ohio University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1242057320.
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Pugh, Dale Michelle, and com dalempugh@hotmail. "A Substantive Theory to Explain How Nurses Deal with an Allegation of Unprofessional Conduct." RMIT University. Health Sciences, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20070523.120244.
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As a social endeavour, the practice of nursing is expected to minimise risk of harm to patients. In reality, the risk of breaching or failing to meet a standard of practice, with resultant harm to patients is ever present. Such variations to the expected standard may result in harm to the patient and be viewed as unprofessional conduct within the legislative context. The phenomenon of unprofessional conduct can have significant and sometimes dire outcomes for patients and nurses and provides challenges to understand antecedents to its occurrence and the impact on the nurse. From this realisation, the significance of this study is twofold. Firstly, the literature revealed that an allegation of unprofessional conduct and the associated experience of being reported to a regulatory authority can have significant psycho-social and professional impact on the nurse. Secondly, the phenomenon has received little formal analysis. The purpose of this grounded theory study was to explore the phenomenon of alleged unprofessional conduct, and to develop a theory that provided understanding of the phenomenon and a framework for action. Data was obtained from in-depth interviews of a specialised sample of 21 nurses in any state or territory of Australia who had been the subject of notification by a nursing regulatory authority of alleged unprofessional conduct. Data analysis occurred simultaneously using the constant comparative method. This resulted in the generation of a substantive theory, explaining how nurses dealt with an allegation of unprofessional conduct. This study found that nurses experienced varying degrees and combinations of personal and professional vulnerability. This put them at risk of either making an error, breaching a practice standard, and/or at risk of being reported to a nurse regulatory authority for an allegation of unprofessional conduct. The core social process, a transformation of the personal and professional self is a process that the nurse both 'engages in' and 'goes through', in response to the social problem, being reported to a nurse regulatory authority for alleged unprofessional conduct, and its aftermath. The social process is made up of two categories: loss of the assumptive world: the experience of deconstruction and relearning the world. Loss of the assumptive world is comprised of being confronted, deconstruction of the personal self and deconstruction of the professional self. The category Relearning the world: the experience of reconstruction is constructed of the sub-categories, preserving the self: minimising the unravelling; reconstructing the personal self; reconstructing the professional self; and living within the world. Consequences of the category relearning the world are dynamic and influenced by a number of factors. The ability to transact the deconstructed self and move through the reconstructive processes and experience can be viewed in the following states, stymied, evolving or transacted. The personal and professional transformation of the individual nurse is influenced by the degree of deconstruction initially experienced, the interplay with the influencing factors internal and external support processes; resilience; time; and the constant of vulnerability. The findings of this study have implications for clinical, management, education and research practices in nursing. It also exposes problems with the use of nurse regulatory authorities as a punitive strategy for nurses who err. The uncovering of this substantive theory articulates a process whereby nurses are transformed personally and professionally in response to a traumatic or challenging life event. This substantive theory has value in providing a decision making framework for managing breaches of nursing standards, as a learning tool to identifying and managing risk in nursing and providing a framework for self and external support to nurses who may find themselves in this situation.
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Brokensha, Melissa. "The South African exodus : a social constructionist perspective on emigration." Diss., Pretoria : [s.n.], 2003. http://upetd.up.ac.za/thesis/available/etd-09022005-141949.
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Schott, Jacob Ryan. "The Kafka Case: Constructing Kafka, Deconstructing the Self in French Letters." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1282056583.
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Castellanos, Rafael. "Déconstruction de l'auto-affection pure : étude sur les notions de répétition et d'auto-affection pure à l'époque de Sein und Zeit." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040022.
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Si la déconstruction devait commencer quelque part, si son principe n'était pas d'emblée celui de lamultiplication originaire du principe, il faudrait alors dire que c'est comme déconstruction de l'autoaffectionpure qu'elle commence. En effet, l'interrogation du concept d'auto-affection pure estl'interrogation d'une dernière tentative pour penser encore la subjectivité en termes de principe (c'est-àdireen termes aussi de « subjectivité »). L'« auto-affection pure » est un concept qui renvoiecouramment au livre de 1929 de Heidegger sur Kant, Kant et le problème de la métaphysique. Or, dansce contexte, il renvoie déjà de manière essentielle à la répétition comme dispositif de sa production etcomme ce à partir de quoi sa déconstruction a concrètement lieu. La question de la répétition est en faitinséparable de la déconstruction de l'auto-affection pure. Si celle-ci est un autre nom de la temporalité,il faut alors démontrer en droit ce qui est un fait : c'est à partir de la répétition que la temporalité peutseulement être dévoilée. En ce sens, la répétition est déjà répétition de la question de l'être (Sein undZeit) mais aussi répétition de Kant (Kant et le problème de la métaphysique). Or, la détermination de latemporalité comme auto-affection pure, dans la répétition heideggerienne de Kant, n'est elle-mêmepossible que d'après la compréhension essentielle de la temporalité phénoménologique à partir duconcept de Husserl d'impression originaire. En ce sens, comme déconstruction de l'auto-affection pure,la répétition – en-deçà de toute identité constituée – doit aussi se trouver déjà à la racine de touteimpression originaireIf deconstruction begins somewhere, if its starting point is not already the original multiplication ofprinciple and origin, then it is necessary to say that it begins first as the deconstruction of pure selfaffection.The interrogation of the concept of pure self-affection is the interrogation of probably the lastattempt to think about subjectivity in the terms of a principle (which are of course the terms of“subjectivity”). The pure self-affection concept widely refers to the 1929 book by Heidegger on Kanttitled Kant and the Problem of Metaphysics. In this context, the concept of pure self-affection refersalready to repetition as the essential “device” for its production. The question of repetition is in factinseparable from pure self-affection deconstruction. If pure self-affection can work as another name fortemporality, then we have to show the reason for a well established fact : it is just through repetitionthat temporality can be disclosed. In this sense, repetition is already the repetition of the question onbeing (Sein und Zeit), but also the repetition of Kant (Kant and the Problem of Metaphysics). Now, thedetermination of temporality as pure self-affection, through Heidegger's repetition of Kant, supposesthe essential understanding of phenomenological temporality on the basis of Husserl's concept oforiginary impression. In this sense, as leading pure self-affection deconstruction, repetition – before theconstitution of identity – is to be found on the grounds of the originary impression itself
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VanderWallen, Lisa. "Deconstructing Representations of "The Other" in the Online Media of Canadian Based Non-Governmental Organizations." Thèse, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/23109.
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Deconstructing visual representations of the Self and Other in the online media of NGOs, this thesis is grounded in postdevelopment and postcolonial theories. Visual culture and emerging digital technologies are crucial to identity construction, and NGOs are a major purveyor of representations of those in the developing world. Evaluating image use by Canadian based NGOs, this thesis unites theoretical concepts of visual representation with concrete photographic depictions and structured content analysis to investigate multiple and changing development discourses. Considerable literature has focused on the notion of the Self and Other dichotomy especially as it relates to international relations. Positioned in an era of polycentric global governance, NGOs are professionalized groups whose power is often obscured by charitable discourses. Despite the humanitarian and altruistic aims of the NGOs selected for the study, data demonstrates the implications of their image use for development discourse and practices.
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Rosinski, Milosz Paul. "Cinema of the self : a theory of cinematic selfhood & practices of neoliberal portraiture." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/269409.
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This thesis examines the philosophical notion of selfhood in visual representation. I introduce the self as a modern and postmodern concept and argue that there is a loss of selfhood in contemporary culture. Via Jacques Derrida, Jean-Luc Nancy, Gerhard Richter and the method of deconstruction of language, I theorise selfhood through the figurative and literal analysis of duration, the frame, and the mirror. In this approach, selfhood is understood as aesthetic-ontological relation and construction based on specific techniques of the self. In the first part of the study, I argue for a presentational rather than representational perspective concerning selfhood by translating the photograph Self in the Mirror (1964), the painting Las Meninas (1656), and the video Cornered (1988), into my conception of a cinematic theory of selfhood. Based on the presentation of selfhood in those works, the viewer establishes a cinematic relation to the visual self that extends and transgresses the boundaries of inside and outside, presence and absence, and here and there. In the second part, I interpret epistemic scenes of cinematic works as durational scenes in which selfhood is exposed with respect to the forces of time and space. My close readings of epistemic scenes of the films The Congress (2013), and Boyhood (2014) propose that cinema is a philosophical mirror collecting loss of selfhood over time for the viewer. Further, the cinematic concert A Trip to Japan, Revisited (2013), and the hyper-film Cool World (1992) disperse a spatial sense of selfhood for the viewer. In the third part, I examine moments of selfhood and the forces of death, survival, and love in the practice of contemporary cinematic portraiture in Joshua Oppenheimer’s, Michael Glawogger’s, and Yorgos Lanthimos’ work. While the force of death is interpreted in the portrait of perpetrators in The Act of Killing (2013), and The Look of Silence (2014), the force of survival in the longing for life is analysed in Megacities (1998), Workingman’s death (2005), and Whores’ Glory (2011). Lastly, Dogtooth (2009), Alps (2011), and The Lobster (2015) present the contemporary human condition as a lost intuition of relationality epitomised in love.
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William, Joseph. "Deconstruction and relativism." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0023/NQ32459.pdf.
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Durie, Robin. "Phenomenology and deconstruction." Thesis, University of Edinburgh, 1997. http://hdl.handle.net/1842/1799.
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This thesis examines the nature of the supplementary relationship between Husserlian phenomenology and deconstruction. Chapter 1 gives an account of the strategies and aims of deconstruction, determining these to be an attempt to respond, using ‘other names’, to the other which is excluded by phenomenology/philosophy in its attempts to master its own limits. In Chapter 2, it is found that alterity is encountered by phenomenology on its own thresholds, informing the genetic turn in phenomenology which is necessitated as a result of the inquiries into the temporal constitution which founds the possibility of an object’s being given as such to consciousness. Furthermore, it is shown how the possibility of the genetic turn resides in the indication relation examined in the phenomenology of signification. Chapter 3 focusses on the deconstruction of phenomenology, and investigates the double movement in phenomenology which the deconstruction reveals, taking time and language as guiding threads. On the one hand, the genetic turn appears to reveal a founding alterity, which, on the other hand, phenomenology strives to suppress in accordance with its adherence to its own ‘principle of principles’. It is argued that the deconstruction aims to accord phenomenological respect to the alterity uncovered by phenomenological descriptions. This is done through thematising certain operative concepts, concepts which remain unthemtised in phenomenology precisely because such thematisation would reveal a founding non-presence intolerable to phenomenology. Deconstruction supplements phenomenology to the extent that it attempts to name, on the fissured margins of phenomenology, the radical alterity uncovered by phenomenology in a way which does not reduce the very otherness of the alterity. However, in the final Chapter, it is argued, from the perspective of Levinas, that Derrida does not in fact manage to find a sense for founding alterity in phenomenology which is ‘beyond metaphysics’. The thesis concludes by arguing that, in order to achieve its strategic aims, as detailed in Chapter 1, the deconstruction of phenomenology needs to be ethically supplemenred, one example of such an ethically supplemented deconstructive reading of Husserl being found in some of the most recent texts of Levinas.
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Roberts, B. L. "Technics and deconstruction." Thesis, University of Sussex, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.288842.
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This thesis explores the question of technicity in relation to deconstruction. This question of `technics' is first explored in relation to Marx's analysis of the commodity. I examine Jean-Joseph Goux's attempt in Economie et Symbolique to extend the four-stage development of the commodity fetish to all forms of symbolic value including that of the linguistic sign. Here what I demonstrate is that Derrida's understanding of arche-writing, far from representing a `material restitution' of the sign as Goux hopes, in fact represents a process of exteriorisation that is irreducibly as ideal as it is material. This `originary technicity' of the sign then helps to explicate the `technical life' of the commodity as outlined by Derrida in Specters of Marx. Secondly, I examine Bernard Stiegler's influential recent work Technics and Time which attempts to generalise a technicity understood as the `prosthesis of the human' to a general theory of `inorganic organised matter', or an evolutionary technics which Stiegler calls epiphylogenesis. Here I analyse in some detail the logic of Stiegler's argument before moving on to query some of the basic assumptions in his reading of Derrida and Heidegger. Finally, I investigate the question of technicity in relation to the politics of deconstruction. Here I explore critically Richard Beardsworth's recent claims that there are two political legacies of Derrida's work, the one building on Derrida's thoughts around original technicity (Stiegler's route), the other concerned with a more religious or literary thinking of the `promise
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NIGRO, RACHEL BARROS. "DECONSTRUCTION LANGUAGE POLITICS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2007. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=11425@1.
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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRODesconstrução Linguagem Política promete trabalhar a noção de linguagem no pensamento desconstrutor e a questão política que ela evoca. Em termos mais precisos, Desconstrução Linguagem Política pretende investigar até que ponto a desconstrução pode ser considerada uma filosofia pragmática da linguagem e qual a sua relação com a esfera política.
Deconstruction Language Politics promise to work on the notion of language in deconstruction´s though and on the political question it evokes. More precisely, Deconstruction Language Politics intends to investigate what are the possibilities to consider deconstruction a pragmatic philosophy of language and what is its relation to the political realm.
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Mathews, James Stanley. "Structure and deconstruction." Thesis, Virginia Polytechnic Institute and State University, 1987. http://hdl.handle.net/10919/53141.
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My efforts to discover a means of making a more effective sculpture led me to pursue architecture. The problem with sculpture as I saw it was that it had been deformed over time from that which marked a place into a placeless isolate. Just as I worked against that placeless isolate in sculpture, so am I now working against the placeless isolate in architecture.
The aspects of architecture, the site, the plan, elements and materials, although acting phenomenally in conjunction with other coexisting elements, are often conceived as isolates. In order to elucidate the interrelation between these aspects at different scales, I turned to the work of the Poststructuralists such as Jacques Derrida, Roland Barthes, et al. They outline a deconstructive critical approach to linguistic/literary meaning, which I have used as a model for understanding the language of architecture.
Architecture comes into being at the convergence of orders, when ordered and coherent human actions (institutions) take place in a locus or place which has been made architectonic. I am for an interrelational and interactive architecture, one which maintains a critical stance vis a vis its locus, its purposes, and its elements and materials. This is not a disassociated and detached abstract "ideal," but a self-conscious choice, made in conviction and commitment to a coherent and dignified order to human existence.
The design project is an effort to make some of these thoughts operational. The proposal is for a University Museum at the parking lot at the northwest edge of the VPI Campus. The project begins with an analysis and critique of the current placeless condition of the site. The site is restructured with respect to the latent campus structure, which is itself clarified. The Museum building becomes the focal point of a new axis relating the site and the Campus. The site becomes a boundary for the Campus and promotes the growth of a coherent campus plan.Master of Architecture
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Fleming, David Lee. "Design for Deconstruction." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242668277.
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Wu, Xiao-ming. "Deconstruction and #China'." Thesis, University of Sussex, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307298.
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Humphries, Ralph Martin 1961. "The consequences of deconstruction." Monash University, Centre for Comparative Literature and Cultural Studies, 2000. http://arrow.monash.edu.au/hdl/1959.1/7594.
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Wood, David. "The deconstruction of time." Thesis, University of Warwick, 1985. http://wrap.warwick.ac.uk/2538/.
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Derrida's claim that there can be no concept of time that escapes from the sphere of the metaphysical presents us with three major questions: (1) Why does Derrida make this claim? What does he mean by it? (2) How, in the light of this claim ought we to read Husserl and Heidegger who aimed at just what Derrida rules out? (3) How can we square the claim with other things Derrida says about time and about metaphysics? We undertake a critical reading of the two major works on time by Husserl and Heidegger respectively, arguing that while each of these two texts does indeed subscribe to such metaphysical values as fundamentality, certainty, unity, identity and wholeness, they nonetheless make a substantial contribution to our release from the domination of 'the ordinary concept of time'. Furthermore, we argue, Derrida's own writing is marked by the same (perhaps inevitable) 'metaphysical' shadow, albeit in an exemplary self-conscious manner. To Derrida's claim about the impossibility of a non-metaphysical concept of time we reply (a) he elsewhere endorses a 'pluri-dimensional' temporality, and (b) when being careful, he admits that it is not concepts per se that are metaphysical, but their mode of textual articulation. From these two concessions our double strategy develops. I. His denial of an original, primitive time, coupled with his understanding of metaphysics in terms of textual articulation licences a programme for the description of temporal structures and representations of time, one abjuring any foundationalist pretensions, and resisting the temptation to spatializing interpretations. II. We redescribe the 'moment' in a way that breaks utterly with any representational element whatever. This approximates in temporal terms the time-dissolving moves found both in the latter Heidegger, and also in Derrida.
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Furuhashi, Ryutaro. "Deconstruction, existentialism, and art /." Online version of thesis, 1996. http://hdl.handle.net/1850/12262.
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Kimbril, Katrina. "The Deconstruction of Butterflies." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1641.
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Snead, John Peyton. "Deconstruction in landscape architecture." Thesis, Virginia Tech, 1993. http://hdl.handle.net/10919/40641.
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Hällgren, Tomas. "Phenomenological studies of dimensional deconstruction." Licentiate thesis, KTH, Physics, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-567.
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In this thesis, two applications of dimensional deconstruction are studied. The first application is a model for neutrino oscillations in the presence of a large decon- structed extra dimension. In the second application, Kaluza{Klein dark matter from a latticized universal extra dimension is studied. The goal of these projects have been twofold. First, to see whether it is possible to reproduce the relevant features of the higher-dimensional continuum theory, and second, to examine the effect of the latticization in experiments. In addition, an introduction to the the- ory of dimensional deconstruction as well as to the theory of continuous extra dimensions is given. Furthermore, the various higher-dimensional models, such as Arkani-Hamed{Dvali{Dimopolous (ADD) models and models with universal extra dimensions, that have been intensively studied in recent years, are discussed.
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Jenkins, Philip. "Jean Baudrillard : deconstruction and alterity." Thesis, University of Bristol, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.341479.
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Lindsay, Stuart L. "Reading Chernobyl : psychoanalysis, deconstruction, literature." Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/21790.
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This thesis explores the psychological trauma of the survivors of the Chernobyl nuclear disaster, which occurred on April 26, 1986. I argue for the emergence from the disaster of three Chernobyl traumas, each of which will be analysed individually – one per chapter. In reading these three traumas of Chernobyl, the thesis draws upon and situates itself at the interface between two primary theoretical perspectives: Freudian psychoanalysis and the deconstructive approach of Jacques Derrida. The first Chernobyl trauma is engendered by the panicked local response to the consequences of the explosion at Chernobyl Reactor Four by the power plant’s staff, the fire fighters whose job it was to extinguish the initial blaze caused by the blast, the inhabitants of nearby towns and villages, and the soldiers involved in the region’s evacuation and radiation decontamination. Most of these people died from radiation poisoning in the days, weeks, months or years after the disaster’s occurrence. The first chapter explores the usefulness and limits of Freudian psychoanalytic readings of local survivors’ testimonies of the disaster, examining in relation to the Chernobyl event Freud’s practice of locating the authentic primal scene or originary traumatic witnessing experience in his subjects’ pasts, as exemplified by his Wolf Man analysis, detailed in his psychoanalytic study ‘On the History of an Infantile Neurosis’ (1918). The testimonies read through this Freudian psychoanalytic lens are constituted by Igor Kostin’s personal account of the disaster’s aftermath, detailed in his book Chernobyl: Confessions of a Reporter (2006), and by Svetlana Alexievich’s interviews with Chernobyl disaster survivors in her book Voices from Chernobyl: The Oral History of a Nuclear Disaster (2006). The second chapter argues that Freudian psychoanalysis only provides a provisional, ultimately fictional origin of Chernobyl trauma. Situating itself in relation to trauma studies, this thesis, progressing from its first to its second chapter, charts the geographical and temporal shift between these first and second traumas, from trauma-as-sudden-event to trauma-as-gradual-process. In the weeks following the initial Chernobyl explosion, which released into the atmosphere a radioactive cloud that blew in a north-westerly direction across Northern Ukraine, Belarus, Latvia, Estonia, Finland and Sweden, symptoms of radiation poisoning slowly emerged in the populations of the abovementioned countries. To analyse the psychological impact of confronting this gradual, international unfolding of trauma – the second trauma of Chernobyl – the second chapter of this thesis explores the critique of the global attempt to archivise, elegise and ultimately understand the Chernobyl disaster in Mario Petrucci’s elegies, compiled in his poetry collection Heavy Water: A Poem for Chernobyl (2006), the horror film Chernobyl Diaries (2012, dir. Bradley Parker), and Adam Roberts’ Science Fiction novel, Yellow Blue Tibia (2009). Analysing the deconstructive approach of Jacques Derrida in these texts – his notions of archive fever, impossible mourning and ethical mourning – this chapter argues that the attempt to interiorise, memorialise and mourn the survivors of the Chernobyl disaster is narcissistic, hubristic and violent in the extreme. It then proposes that Derrida’s notion of ethical mourning, outlined most clearly in his lecture ‘Mnemosyne’ (1984), enables us to situate our emotional sympathy for survivors – who, following Derrida’s lecture, are maintained as permanently exterior and inaccessible to us – in our very inability or failure to comprehend or locate the origin of their Chernobyl traumas. The third and final chapter analyses the third trauma of Chernobyl: the psychological and physiological effects of the disaster on second-generation inhabitants living near the Exclusion Zone erected around the evacuated, cordoned-off and still-radioactive Chernobyl region. These second-generation experiences of living near a sealed-away source of intense radiation are reconstructed in literature and videogaming: in Darragh McKeon’s novel All That Is Solid Melts Into Air (2014), Hamid Ismailov’s novel The Dead Lake (2014) and the videogame S.T.A.L.K.E.R: Shadow of Chernobyl (2007), developed by the company GSC Game World. The analysis of these texts is informed by Nicolas Abraham and Maria Torok’s psychoanalytic theory of the intergenerational phantom: the muteness of a generation’s history which returns to haunt the succeeding generations. This chapter will explore the psychological effects upon second-generation Chernobyl survivors, which result from these survivors’ incorporation or unconscious interiorisation of their parents’ psychologically repressed traumatic Chernobyl experiences, by analysing reconstructions of this process in the abovementioned texts. These parental experiences, echoing the Exclusion Zone as a denied physical space, have been interred in inaccessible psychic crypts. By way of conclusion, the thesis then offers an alternative theory of reading survivors’ Chernobyl trauma. Survivors’ restaging of their Chernobyl witnessing experiences as jokes enables them to cathartically, temporarily abreact their trauma through the laughter that these jokes engender.
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Densley, Tingley Danielle. "Design for deconstruction : an appraisal." Thesis, University of Sheffield, 2013. http://etheses.whiterose.ac.uk/3771/.
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This thesis contains an assessment and discussion of the sustainability of design for deconstruction. As a basis for the work, existing literature was reviewed and the gaps in existing knowledge highlighted. Environmental assessment methods were identified as a way to incentivise design for deconstruction. An analysis of LEED demonstrated minimal achievement of reuse credits, likely due to limited availability of reused materials. The supply chain can be developed in the future through the design for deconstruction of all new buildings. Quantifying the environmental benefits of design for deconstruction was underlined as a key strategy to encourage designers to consider the incorporation of design for deconstruction. A methodology was developed to account for designed-in future reuse at the initial design stage. This is based on a PAS2050 methodology (2008) which shares the environmental impact of an element over the number of predicted lives. In the course of this work it has been assumed that the typical building has a fifty year life span, a conservative estimate. Studies in this thesis limit analysis to a hundred year period, giving a possible two lives for the majority of elements. The methodology was used as a basis for the calculation of savings that occur by designing for deconstruction. Initial feasibility studies estimated that a 49% saving in embodied carbon is accomplished by designing for deconstruction. Having demonstrated the potential scope of savings, a tool, Sakura, was developed to enable designers to investigate the savings in embodied energy and carbon for their own schemes. Sakura was used to assess the savings that could be achieved for a range of case studies. Steel and timber frame structures demonstrated the greatest potential savings from design for deconstruction. School projects exhibited the highest savings when the building types were compared.
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Cheang, I. Ian. "Deconstruction of the Disney Princess Empire." Thesis, University of Macau, 2006. http://umaclib3.umac.mo/record=b1874212.
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Ware, Ianto. "Olive Schreiner's transcendentalist deconstruction of colonialism /." Title page and contents only, 2001. http://web4.library.adelaide.edu.au/theses/09AR/09arw268.pdf.
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Adams, Anthony. "The Fundamentals of Fundamentalism: A Deconstruction." Thesis, The University of Arizona, 2012. http://hdl.handle.net/10150/244850.
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This work attempts to radically redefine religious fundamentalism and its relation to modernity; this process unfolds in three stages. First, we demonstrate the incoherence of the standard characterizations in light of a number of factual trends. We explore the various ways intellectuals have attempted to refine and adapt the standard definition in order to accommodate these facts, and the ways in which these attempts ultimately fail. The second stage is a semantic deconstruction of the term. We posit that essential problems with the standard definition arose as a result of inappropriately drawing normative conclusions from descriptive claims, paired with an unjustifiably narrow definition of who constitutes as a fundamentalist. Moreover, we analyze how the term "religious fundamentalism" is typically used in a political fashion. Finally, we demonstrate that the typical definition of religious fundamentalism is more properly understood as a characterization of mass-movements, more generally. Our conclusions are as follows: all ideologies are fundamentalist, in nature. Religious fundamentalism is not opposed to modernity. In fact, secularism and religious fundamentalism are simply competing interpretations of modernism. Accordingly, modernization will necessarily be accompanied by an increase in religious fundamentalism. Therefore, we must rethink what it means to combat extremism and the value of modernization.
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Sweeney-Turner, Steve. "Sonorous body : music, enlightenment & deconstruction." Thesis, University of Edinburgh, 1994. http://hdl.handle.net/1842/8204.
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How forgivable is a musicological text on deconstruction two decades after its assimilation by the other "humanities" disciplines? Moreover, how forgivable is a discipline as a whole which has allowed one of the most challenging aspects of post-war critical theory to pass it by to this extent? In no other field are Laing's remarks more likely to resonate today than that of critical musicology. Even the adoption of the critical epithet itself is a relatively recent phenomenon. However, it is indicative of an emergent desire for musicology to finally engage with contemporary critical discourse in general. Such a call has been made from "outside" the profession by cultural critic Edward Said, who calls for an end to "the generally cloistral and reverential, not to say deeply insular, habits in writing about music." [Musical Flaborations, p.58] From "within" the field, Susan McClary laments that the crucial critical debates are "almost entirely absent from traditional musicology." [Feminine Endings, p.54] Likewise, what is increasingly unforgivable according to Ruth Solie is "our customary methodological behindhandedness [sic]" [Musicology & Difference, p.3]. Various routes away from the methodological backwaters have been suggested. For instance, in a conference paper in 1984, Richard Middleton defined a twofold approach which appears to combine aspects of structuralism and Marxism. Middleton called firstly for a move in to "semiology, broadly defined and stressing the social situation of signifying practise: this should take over from traditional formal analysis." [quoted in Shepherd, Music as Social Text, p.209] Secondly, this should be supplemented with an "historical sociology of the whole musical field, stressing critical comparison of divergent sub-codes of the 'common musical competence': this should take over from liberal social histories of music" [ibid., p.209] As a method for introducing this new musicological mode, Middleton recommends the inclusion of popular music as a field of study. Indeed, his implication is that such a challenge to the classical hegemony would naturally entail a move towards this twofold approach, and would by itself open up "a golden opportunity to develop a critical musicology" [Studying Popular Music, p.123]. In this sense, an expansion of the field of study could lead to a necessary adoption of new methodologies.
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Diebschlag, Natalie. "Michael Ondaatje's Inventions Literature after Deconstruction." Thesis, University of Leeds, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.534427.
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Bradley, Arthur Humphrey. "Reading Shelley negatively : mysticism and deconstruction." Thesis, University of Liverpool, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263790.
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Segal, A. P. M. "Deconstruction and the logic of criticism." Thesis, University of Cambridge, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.234922.
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The dissertation seeks to take account of the implications of Jacques Derrida's deconstructive philosophy for literary theory and criticism through analysis of the work of non-deconstructionists theorists and critics. In particular, the dissertation deals with the attempt by much traditional Anglo-American literary theory to articulate what might be called a lq'logic of criticism' - an attempt evident in the use made by this theory of oppositions such as intrinsic/extrinsic, structural/genetic, essential/contingent, and so on. The attempt is considered with respect to three concerns of modern literary theory: organic form, authorial intention and the question of value. On the first issue, it is argued that the organicist's construal of the relation of form and content in poetry is analogous to Husserl's construal of the relation of signifier and signified in speech, and that Derrida's deconstruction of Husserl's privileging of voice provides the model for the deconstruction of organicism. In the case of intention, it is argued that modern criticism and theory has characteristically relied on a notion of the literary work as saturated by a fully conscious intention, a reliance which marks a succumbing to what Derrida calls 'the structural lure of consciousness'. Concerning the question of value, the target is the attempt to defend value by locating it as the ground, the centre, the telos or origin of the phenomenon to be accounted for. The dissertation concludes by broaching the question of the nature of a properly deconstructive literary criticism. It is argued that so-called deconstructionist criticism involves a neutralization of deconstruction, a defect which Derrida avoids in his own literary criticism.
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Mouilek, Sabrina (Sabrina Marie). "Design for adaptability and deconstruction (DfAD)." Thesis, Massachusetts Institute of Technology, 2009. http://hdl.handle.net/1721.1/53070.
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Thesis (M. Eng.)--Massachusetts Institute of Technology, Dept. of Civil and Environmental Engineering, 2009.Includes bibliographical references (leaves 58-60).
Buildings are static elements in a dynamic environment characterized by fast changing needs and evolving environmental, social, and economic standards. Thus, today challenge for structural design through Design for Adaptability and Deconstruction (DfAD) is to create buildings that are flexible enough to answer these needs. This thesis analyses DfAD for building structures and presents three case studies: a tent, a structure with prefabricated panellised systems, and a container building. The key arguments that justify DfAD are the negative environmental impact of the current structures; the life cycle of a building; the changes expected from buildings; and the cost incentive of this design. DfAD is a combination of design approaches that deal with the different scales of a structure. The fundamental tools to achieve DfAD are the connections, the type of structure, and the use of prefabricated systems. This thesis shows that standardization and layer-and-module modelling are essential to achieve a sustainable structural design. Three case studies present the structural features and the applications of this design approach.
by Sabrina Mouilek.
M.Eng.
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Carlos, Rute das Neves Sarabando. "Deconstruction of plant biomass by autohydrolysis." Master's thesis, Universidade de Aveiro, 2014. http://hdl.handle.net/10773/14304.
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Mestrado em Química - Química Analítica e QualidadeThe search for better technologies for upgrading biomass wastes has received increasing attention in the recent years. Special consideration has to be given to the hemicellulosic fraction, one of the more challenging fractions. In this work, two biologically different waste materials were iorefinery concept: the materials derived from the forestry processing of the cypress cedar of Goa (Cupressus lusitanica Mill.), namely chips, bark, leaves and cones, and the wastes of the watermelon (Citrullus lanatus) industrial processing (rinds). The chemical composition of all materials was characterized taking special attention to the extractives content and to the structural polysaccharides and lignin and the autohydrolysis process was optimized aiming for the production of novel oligosaccharides. The autohydrolysis process presented a high selectivity towards hemicelluloses, yielding oligosaccharides in high concentrations, especially for the chips of cypress cedar of Goa. The oligosaccharides were characterized regarding their chemical composition and their stability under different temperature and pH values. Their potential industrial applications, namely for the food industry, are also presented and discussed. As a preliminary evaluation of the integrated upgrade of these materials, the use of biomass from cypress cedar of Goa as a source of essential oils and the digestibility of the cellulose present in the residual biomass derived from the autohydrolysis treatments as a source of glucose for fermentation were also tested and are discussed.
A procura pelo melhor aproveitamento da biomassa vegetal tem vindo a despertar o interesse no uso racional de todos os seus componentes, tendo de se dar especial atenção à valorização das hemiceluloses, uma das frações mais desafiantes. Neste trabalho selecionaram-se dois resíduos vegetais, a biomassa do Cipreste-Português ou Falso-Cedro-do-Buçaco (Cupressus lusitanica Mill.) tendo-se estudado os seus principais constituintes (madeira, casca, folhas e gálbulas) e as cascas de melancia (Citrullus lanatus), principal resíduo da potencial utilização industrial deste fruto. Estudou-se a composição química dos diferentes materiais e otimizou-se o processo de auto-hidrólise para a produção de oligossacarídeos com potenciais novas funcionalidades. Os resultados demonstram a elevada seletividade do processo de auto-hidrólise para a remoção das hemiceluloses, principalmente para a estilha do Cipreste-Português, tendo-se obtido elevadas concentrações de oligossacarídeos. Os diferentes oligossacarídeos foram caracterizados relativamente à sua composição e estabilidade química sob diferentes temperaturas e valores de pH e discute-se a sua potencialidade para aplicações na indústria alimentar. Por forma a perspetivar uma valorização integrada dos materiais no conceito da biorrefinaria, estudou-se ainda a utilização da biomassa de Cipreste-Português como fonte de óleos essenciais e a digestibilidade enzimática da celulose presente na biomassa residual obtida do processo de auto-hidrólise como método de recuperação de glucose para fins fermentativos.
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De, Jager Jakobus Johannes. "Die dekonstruksie van tradisionele probleem-realiteite in 'n plattelandse gemeenskap 'n narratief-pastorale perspektief /." Access to E-Thesis, 2005. http://upetd.up.ac.za/thesis/available.etd-12052005-144730/.
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Hällgren, Tomas. "Aspects of Dimensional Deconstruction and Neutrino Physics." Doctoral thesis, KTH, Teoretisk partikelfysik, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-4480.
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The existence of at or curved extra spatial dimensions provides new insights into several of the problems which face the Standard Model of particle physics, including the gauge hierarchy problem, the smallness of neutrino masses, and the dark matter problem. However, higher-dimensional gauge theories are not renormalizable and can only be considered as low-energy effective theories, with limited applicability. Dimensional deconstruction provides a class of manifestly gauge invariant possible ultraviolet completions of higher-dimensional gauge theories, formulated within conventional quantum eld theory. In dimensional deconstruction, the fundamental theory is a four-dimensional quantum eld theory and extra spatial dimensions are generated dynamically at low energies. In this thesis, we study di erent applications of dimensional deconstruction in the contexts of neutrino masses, mixing and oscillations, Kaluza{Klein dark matter, and e ective eld theories for discretized higher-dimensional gravity. A different possibility to understand the smallness of neutrino masses is provided by the see-saw mechanism. This is a genuinely four-dimensional mechanism, where the light neutrino masses are induced by the addition of heavy right-handed Majorana neutrinos or by other heavy degrees of freedom, such as scalar SU(2)L triplet elds. It has the attractive feature of simultaneously providing a mechanism for generating the observed baryon asymmetry of the Universe. We study in this context a specific left-right symmetric see-saw model.QC 20100716
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Hällgren, Tomas. "Aspects of dimensional deconstruction and neutrino physics /." Stockholm : Fysik, Kungliga Tekniska högskolan, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-4480.
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Williams, David. "Beowulf the poet : a deconstruction of narratives." Thesis, Bangor University, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367308.
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Isidianso, Chinwe. "Integrating deconstruction into the project delivery process." Thesis, Loughborough University, 2007. https://dspace.lboro.ac.uk/2134/11774.
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Considering deconstruction as a means of achieving sustainable construction, would enable the construction industry to address some of its environmental problems. In addition, the growing pressure from the public and legislation for environmental considerations, means that there is now a need for the construction industry to increasingly consider the recycling and reuse of building components used in constructing buildings. The deconstruction of buildings provides the construction industry with the opportunities to effectively deal with its unsustainable construction practices. One of the approaches taken by industry to facilitate the adoption of deconstruction is designing a building with the intention of disassembly instead of demolition at the end of its useful life. This concept is known as Design for Deconstruction (DFD). Although some research works have been undertaken to support and establish deconstruction into current construction practice, there is little or no guidance for practitioners on how best to do this. This need to fully integrate the concept of design for deconstruction into the current project delivery process is the basis of this research. In order to contextualise, corroborate and develop the research, a review of existing literature on sustainable construction and deconstruction was undertaken. Following from the review of literature, a survey and case study were undertaken to explore the current practice of deconstruction and investigate a practical example of sustainable construction practice that reflects the integration of deconstruction principles within the building process. The findings from the review of literature, the survey and case study were used to develop a mechanism for integrating deconstruction into the building process. The mechanism is a process model for the construction industry to implement the concept of DFD from inception to completion of a building project and throughout a building's lifecycle. Evaluation of the developed process model was carried out by industry practitioners to assess its suitability and practicability. The feedback from the evaluation established that the process model is effective in enabling some aspects of sustainability principles such as designing to minimise waste and encouraging the reuse and recycle of building materials and components. Several benefits and potentials of the process model were also identified. Considering deconstruction as a means of achieving sustainable construction, would enable the construction industry to address some of its environmental problems. In addition, the growing pressure from the public and legislation for environmental considerations, means that there is now a need for the construction industry to increasingly consider the recycling and reuse of building components used in constructing buildings. The deconstruction of buildings provides the construction industry with the opportunities to effectively deal with its unsustainable construction practices. One of the approaches taken by industry to facilitate the adoption of deconstruction is designing a building with the intention of disassembly instead of demolition at the end of its useful life. This concept is known as Design for Deconstruction (DFD). Although some research works have been undertaken to support and establish deconstruction into current construction practice, there is little or no guidance for practitioners on how best to do this. This need to fully integrate the concept of design for deconstruction into the current project delivery process is the basis of this research. In order to contextualise, corroborate and develop the research, a review of existing literature on sustainable construction and deconstruction was undertaken. Following from the review of literature, a survey and case study were undertaken to explore the current practice of deconstruction and investigate a practical example of sustainable construction practice that reflects the integration of deconstruction principles within the building process. The findings from the review of literature, the survey and case study were used to develop a mechanism for integrating deconstruction into the building process. The mechanism is a process model for the construction industry to implement the concept of DFD from inception to completion of a building project and throughout a building's lifecycle. Evaluation of the developed process model was carried out by industry practitioners to assess its suitability and practicability. The feedback from the evaluation established that the process model is effective in enabling some aspects of sustainability principles such as designing to minimise waste and encouraging the reuse and recycle of building materials and components. Several benefits and potentials of the process model were also identified.Considering deconstruction as a means of achieving sustainable construction, would enable the construction industry to address some of its environmental problems. In addition, the growing pressure from the public and legislation for environmental considerations, means that there is now a need for the construction industry to increasingly consider the recycling and reuse of building components used in constructing buildings. The deconstruction of buildings provides the construction industry with the opportunities to effectively deal with its unsustainable construction practices. One of the approaches taken by industry to facilitate the adoption of deconstruction is designing a building with the intention of disassembly instead of demolition at the end of its useful life. This concept is known as Design for Deconstruction (DFD). Although some research works have been undertaken to support and establish deconstruction into current construction practice, there is little or no guidance for practitioners on how best to do this. This need to fully integrate the concept of design for deconstruction into the current project delivery process is the basis of this research. In order to contextualise, corroborate and develop the research, a review of existing literature on sustainable construction and deconstruction was undertaken. Following from the review of literature, a survey and case study were undertaken to explore the current practice of deconstruction and investigate a practical example of sustainable construction practice that reflects the integration of deconstruction principles within the building process. The findings from the review of literature, the survey and case study were used to develop a mechanism for integrating deconstruction into the building process. The mechanism is a process model for the construction industry to implement the concept of DFD from inception to completion of a building project and throughout a building's lifecycle. Evaluation of the developed process model was carried out by industry practitioners to assess its suitability and practicability. The feedback from the evaluation established that the process model is effective in enabling some aspects of sustainability principles such as designing to minimise waste and encouraging the reuse and recycle of building materials and components. Several benefits and potentials of the process model were also identified. Thus, in this research, it can be concluded that integrating the concept of deconstruction into the construction project delivery process can assist the industry to better reuse and recycle building materials and achieve a sustainable environment. Furthermore, the expected impact of the research on the construction industry is a practical process model that can be used to incorporate the concept of deconstruction into the project delivery process. This can be adopted at all the stages of the building process and would benefit the industry as it offers a solution to reduce the environmental impacts caused by its activities.
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Shaw, Darrel. "Deconstruction and disposal of offshore platform topsides." Thesis, University of Manchester, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.613429.
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Since the aborted dumping of the Brent Spar in the North East Atlantic in 1995 and subsequent legislation requiring both total removal of platforms and banning of disposal at sea by OSPAR in 1998, operators of offshore platforms have been left with substantially increased decommissioning liabilities. The desire to reduce these liabilities has required the offshore industry to develop new, more cost effective technology for platform removal. The author's sponsoring company, Reverse Engineering Limited (REL), has been involved with the development and engineering of a new technology, the Versatruss System. This system has been used for lifts up to 1,350 short-tons in the Gulf of Mexico and can potentially remove large topsides in one piece, thus allowing the possibility of their reuse. As such, this system provides an ideal opportunity for competitive technology development in the North Sea. This thesis therefore focuses on the development of the Versatruss System for use in decommissioning projects in the North Sea environment. Both a conceptual design methodology and a high level operating procedure for North Sea application are presented. Outline frameworks for the planning, management and execution of the onshore deconstruction and disposal phase of platform decommissioning projects have also been developed by the author. In order to provide a balanced assessment of this technology, procedures for comparing the Health, Safety and Environmental (HSE) impacts of the Versatruss System with established removal and disposal techniques, along with worked examples, are also presented. Various economic models covering all phases of the decommissioning operation have been developed by the author over the period of the project. These models include for the decommissioning, removal and disposal of individual or groups of platforms by both established and new technologies. These models are presented within. A preliminary marketing analysis and recommendations for the development of a formal marketing strategy for Versatruss have also been developed. This work has shown that Versatruss can offer a potential alternative to traditional platform removal techniques. Recommendations for further development are not only confined to design and engineering, but also to the organisation for the commercial exploitation of the Versatruss technology.