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Books on the topic 'Decoding performance'

Author: Grafiati

Published: 6 September 2023

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1

Shu, Lin. Soft-decision decoding techniques for linear block codes and their error performance analysis. [Washington, D.C: National Aeronautics and Space Administration, 1996.

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2

Shu, Lin. Soft-decision decoding techniques for linear block codes and their error performance analysis. [Washington, D.C: National Aeronautics and Space Administration, 1996.

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3

United States. National Aeronautics and Space Administration., ed. Soft-decision decoding techniques for linear block codes and their error performance analysis. [Washington, D.C: National Aeronautics and Space Administration, 1996.

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4

Shu, Lin. Soft-decision decoding techniques for linear block codes and their error performance analysis. [Washington, D.C: National Aeronautics and Space Administration, 1996.

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5

Castura, Jeff. Performance analysis and optimization of reduced complexity low density parity check decoding algorithms. Ottawa: National Library of Canada, 2000.

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6

Xinwen, Wu, Rao, T. R. N. 1933-, and United States. National Aeronautics and Space Administration., eds. New double-byte error-correcting codes for memory systems. [Washington, DC: National Aeronautics and Space Administration, 1996.

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7

Xinwen, Wu, Rao, T. R. N. 1933-., and United States. National Aeronautics and Space Administration., eds. New double-byte error-correcting codes for memory systems. [Washington, DC: National Aeronautics and Space Administration, 1996.

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8

Xinwen, Wu, Rao, T. R. N. 1933-, and United States. National Aeronautics and Space Administration., eds. New double-byte error-correcting codes for memory systems. [Washington, DC: National Aeronautics and Space Administration, 1996.

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9

Xinwen, Wu, Rao, T. R. N. 1933-, and United States. National Aeronautics and Space Administration., eds. New double-byte error-correcting codes for memory systems. [Washington, DC: National Aeronautics and Space Administration, 1996.

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10

G, Seetharaman, Feng G. L, and United States. National Aeronautics and Space Administration., eds. Communications and information research: Improved space link performance via concatenated forward error correction coding : program report on NASA subcontract. [Washington, DC: National Aeronautics and Space Administration, 1996.

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11

Kotler, Steven. Rise of Superman: Decoding the Science of Ultimate Human Performance. Amazon Publishing, 2021.

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12

Performance Analysis of M-QAM With Viterbi Soft-Decision Decoding. Storming Media, 2003.

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13

Kotler, Steven. Rise of Superman: Decoding the Science of Ultimate Human Performance. Quercus, 2015.

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14

Fetz, Abby. Become a Hero : Decoding the Mystery of Ultimate Human Performance: Human Performance Mystery Series. Independently Published, 2021.

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15

Gray-Young, Deborah. What Do They Mean When They Say...: Decoding Performance Evaluation Speak. D. Gray-Young, Inc., 2018.

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16

The rise of superman: Decoding the science of ultimate human performance. New Harvest/Houghton Mifflin Harcourt, 2014.

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17

Brychta, Alex, Paul Shipton, and Roderick Hunt. The Big Performance: Oxford Level 5. Oxford University Press, 2022.

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18

Media, Irb. Summary of Steven Kotler's the Rise of Superman: Decoding the Science of Ultimate Human Performance. IRB MEDIA, 2022.

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19

Sason, Igal, and Shlomo Shamai. Performance Analysis of Linear Codes under Maximum-Likelihood Decoding: A Tutorial (Foundations and Trends(R) in Communications and Information Theory). Now Publishers Inc, 2006.

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20

Performance Analysis of FFH/BPSK Receivers with Convolutional Coding and Soft Decision Viterbi Decoding Over Channels with Partial-Band Noise Interference. Storming Media, 1996.

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21

Simoni, Mary. The Audience Reception of Algorithmic Music. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.14.

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Contemporary music research and practice have leveraged advances in computing power by integrating computing devices into many aspects of music—from generative music to live coding. This efflorescence of musical practice, process, and product raises complex issues in audience reception. This chapter employs a comparative analysis in a longitudinal study designed to understand the psychological aspects of the audience reception of algorithmic music. It studies four compositions from the latter part of the twentieth century late, presented on fixed media to avoid variability in musical performance. Using a modified think-aloud protocol to collect data, this study shows that reception theory may be applied to the audience reception of algorithmic music using a cognitive-affective model to further understand the process of decoding of meaning. This study puts forth a robust methodology for future longitudinal and comparative research in the audience reception of music and makes recommendations for further research.

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22

Yaari, Nurit. Israeli Theatre. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198746676.003.0012.

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This chapter reviews the state of Israeli theatre today, seventy-two years since the production of Racine’s Phaedra at Habima Theatre, and sums up its notable achievements, and the myriad forms, styles, artists, and institutions that together provide fertile ground for Israeli theatre’s encounters with classical drama. An overview of the seventy-two years of reception of Greek tragedy in Israeli theatre (1945–2017) demonstrates clearly that the most important development appears to be that local theatre makers have relinquished previous preconceived ideas about classical Greek drama and performance and of Aristotle’s theatrical doctrine, in favour of personal reading, study, research, and decoding of the classical works. It also presents the young and talented artists that are bringing the results of their studies and experimentations to the translation, writing, directing, and acting of classical drama to the Israeli stage, and using that drama to deliver innovative and challenging productions for today’s audiences.

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23

McEvoy, Rory, and Jonathan Betts, eds. Harrison Decoded. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198816812.001.0001.

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This volume centres on a clock, known as Clock B, built in the mid-1970s that achieved considerable acclaim after an extraordinary performance in a 2015 peer-reviewed public trial at the Royal Observatory, Greenwich. The clock was built according to an understanding of John Harrison’s unique theoretical approach to making precision pendulum clocks, which defies the standard approaches to making accurate clocks. The clock represents the culmination of over forty years of collaborative research into Harrison’s writing on the subject, which is scattered across a number of manuscripts and a book, printed shortly before his death. Ostensibly, Harrison set out to describe how to make his precision pendulum clock, but it is a mixture of his peripheral interests. Horological information is almost completely lost among vitriolic sentiments relating to his experiences with the Board of Longitude. However, as one reviewer surmised: ‘we are sorry to say that the public will be disappointed’ and another concluded that ‘it can only be excused by superannuated dotage’. The chapters provides contextual history and documentation of the analysis and decoding of the cryptic written descriptions. It presents this in parallel to the modern horological story of making, finishing, and adjusting Clock B; the process of testing, using electronic equipment to monitor the its performance and reaction to changes in environmental conditions, and, indeed, the mechanics behind the various compensating features of the design.

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