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Journal articles on the topic 'Deco'

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Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Park, Hyunjung, Hector Garcia-Molina, Richard Pang, Neoklis Polyzotis, Aditya Parameswaran, and Jennifer Widom. "Deco." Proceedings of the VLDB Endowment 5, no. 12 (August 2012): 1990–93. http://dx.doi.org/10.14778/2367502.2367555.

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2

Duncan, Alastair. "Art Deco Lighting." Journal of Decorative and Propaganda Arts 1 (1986): 20. http://dx.doi.org/10.2307/1503901.

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3

Roe, Sue. "Art Deco Bird." New Writing 13, no. 3 (May 20, 2016): 419. http://dx.doi.org/10.1080/14790726.2016.1184687.

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4

Glovin, Bill. "High tech deco." IEEE Spectrum 52, no. 7 (July 2015): 24. http://dx.doi.org/10.1109/mspec.2015.7131686.

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5

Solikhah, Nafiah, and Andi Surya Kurnia. "ECLECTIC ART DECO IN SURAKARTA: COMPARISON OF THREE RESIDENCES IN SURAKARTA (LAWEYAN, BALUWARTI, KAUMAN)." DIMENSI (Journal of Architecture and Built Environment) 45, no. 2 (January 18, 2019): 141. http://dx.doi.org/10.9744/dimensi.45.2.141-152.

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Art Deco emerged from the change of thinking ways of a group of people who one of them backed from the establishment of the economy. In Surakarta, there are areas that get influence Art Deco style, among others: Baluwarti, Laweyan, and Kauman. The problem is the absorption and adaptation of elements of Javanese culture and other culture that produce different art deco typology in each object of study. This study aims to compare the absorption and adaptation of elements of Javanese culture and other culture that produces different art deco typologies in three different areas in Surakarta.With different backgrounds, the absorption and adaptation of Art Deco style in residential houses in each region is different. But the common thread is the absorption of several styles, namely: Java, Art Deco, Art Nouveau, Middle East, and China which finally created the eclectic Art Deco style.

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6

Phillips, Ian. "Fabulous art deco furniture." Lancet 359, no. 9305 (February 2002): 536–37. http://dx.doi.org/10.1016/s0140-6736(02)07690-0.

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7

Maris, Ron De. "Art Deco: Miami Beach." Antioch Review 63, no. 4 (2005): 730. http://dx.doi.org/10.2307/4614894.

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8

James, Kathleen. "WASHINGTON DECO: ART DECO IN THE NATION'S CAPITAL. Hans Wirz , Richard Striner." Art Documentation: Journal of the Art Libraries Society of North America 4, no. 2 (July 1985): 94–95. http://dx.doi.org/10.1086/adx.4.2.27947438.

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9

Ramli, Syamsun, Herry Santosa, and Antariksa. "SIGNIFIKANSI ELEMEN ARSITEKTUR BANGUNAN KOLONIAL BERGAYA ART DECO DI KOTA MALANG." Pawon: Jurnal Arsitektur 4, no. 02 (September 3, 2020): 63–78. http://dx.doi.org/10.36040/pawon.v4i02.2806.

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Tampilan visual dan karakter bangunan dibentuk oleh elemen arsitekturnya. Bangunan bergaya Art Deco memiliki karakter tersendiri. Kota Malang berkembang pesat di era pemerintah Hindia Belanda pada tahun 1920 sampai 1938. Dalam rentang waktu tersebut gaya Art Deco sedang berkembang di Eropa. Tren ini berdampak terhadap bangunan di Kota Malang sehingga sebagian bangunan kolonial bergaya Art Deco. Bangunan-bangunan tersebut berada di kawasan yang memiliki nilai komersial yang tinggi. Hal ini dapat menyebabkan perubahan pada bangunan karena tuntutan komersial, baik keseluruhan bangunan maupun elemen arsitekturnya. Sehingga penelitian ini bertujuan untuk menilai signifikansi elemen arsitektur bangunan kolonial bergaya Art Deco di Kota Malang, sebagai upaya untuk mempertahankan karakter bangunan tersebut. Penelitian ini menggunakan pendekatan kuantitatif, dimana data didapatkan menggunakan kuesioner. Data yang diperoleh kemudian dianalisis menggunakan program SPSS. Hasil penelitian menunjukan bentuk bangunan, atap, kanopi, ornamen, material, dan warna berpengaruh signifikan terhadap karakter bangunan kolonial bergaya Art Deco di Kota Malang.

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10

Albarrán, Elena Jackson. "Deco Body, Deco City: Female Spectacle and Modernity in Mexico City, 1900–1939." Hispanic American Historical Review 97, no. 4 (October 20, 2017): 747–48. http://dx.doi.org/10.1215/00182168-4214495.

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11

Gebhard, David. "Pueblo Deco, The Art Deco Architecture of the Southwest Marcus Whiffen Carla Breeze Mayan Revival Style: Art Deco Mayan Fantasy Marjorie Ingle." Journal of the Society of Architectural Historians 45, no. 3 (September 1986): 313–14. http://dx.doi.org/10.2307/990174.

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12

Papageridis, Kyriakos N., Nikolaos D. Charisiou, Savvas Douvartzides, Victor Sebastian, Steven J. Hinder, Mark A. Baker, Ayesha A. AlKhoori, Sara I. AlKhoori, Kyriaki Polychronopoulou, and Maria A. Goula. "Continuous selective deoxygenation of palm oil for renewable diesel production over Ni catalysts supported on Al2O3 and La2O3–Al2O3." RSC Advances 11, no. 15 (2021): 8569–84. http://dx.doi.org/10.1039/d0ra08541c.

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13

Krecic, Peter, and Marjan Golobic. "Joze Plecnik and Art Deco." Journal of Decorative and Propaganda Arts 17 (1990): 26. http://dx.doi.org/10.2307/1504075.

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14

Stipancic, Branka, and Ellen Elias-Bursac. "Ivan Mestrovic's Melancholic Art Deco." Journal of Decorative and Propaganda Arts 17 (1990): 54. http://dx.doi.org/10.2307/1504078.

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15

Searing, Helen. "Review: Art Deco, 1910-1939." Journal of the Society of Architectural Historians 62, no. 4 (December 1, 2003): 514–16. http://dx.doi.org/10.2307/3592501.

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16

Striner, Richard. "Art Deco: Polemics and Synthesis." Winterthur Portfolio 25, no. 1 (April 1990): 21–34. http://dx.doi.org/10.1086/496460.

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17

Williams, Celeste. "Washington and Baltimore Art Deco." Journal of Architectural Education 69, no. 1 (January 2, 2015): 150–51. http://dx.doi.org/10.1080/10464883.2015.989082.

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18

Barcucci, Elena, Sara Brunetti, and Francesco Del Ristoro. "Succession rules and Deco polyominoes." RAIRO - Theoretical Informatics and Applications 34, no. 1 (January 2000): 1–14. http://dx.doi.org/10.1051/ita:2000103.

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19

Beddoe, S. "Review: Art Deco 1910-1939." Journal of Design History 17, no. 1 (March 1, 2004): 107–10. http://dx.doi.org/10.1093/jdh/17.1.107.

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20

Dobrydneva, A. S. "Aleksandr Deineka’s Works in the Context of the Art Deco Style." Concept: philosophy, religion, culture 4, no. 3 (September 28, 2020): 168–75. http://dx.doi.org/10.24833/2541-8831-2020-3-15-168-175.

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This paper analyzes the founding bases of comparisons between the Aleksandr Deineka’s artistic works and the art deco, the connection between Deineka’s works and European and American art of the 1930s Deineka’s early works refer to the avant-garde and the late ones are usually related to socialist realism. The novel artistic language is the most important link between the Soviet art and the art deco style, making the artist its most prominent USSR proponent. In this respect, the key event is the artist’s trip to the USA, France and Italy in 1935. What made Deineka engage in the intercultural discussion on artistic styles were industrial, urban, mundane and sport themes the Soviet art and art deco (mostly American) shared. A dialogue with the US Skyscraper style influenced a series of paintings and sketches, including New York. Central Park, The Road to Mount Vernon, Baseball, The Boredom. The Soviet experience contributed to Deineka’s few American works. In the most clear and general manner the art deco ideas and practical solutions were incorporated in the 1938 project of Deineka – in the decoration of the Mayakovskaya metro station, Moscow. The idea was to create a series of allegoric and technically new mosaic plafonds. Both spirit and techniques of late Deineka were partly inspired by the American art deco.

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21

Vranješević, Jelena. "DECA KAO (KO)ISTRAŽIVAČI: PARTICIPATIVNA ISTRAŽIVANJA I NAJBOLJI INTERES DETETA." Primenjena psihologija 8, no. 2 (July 3, 2015): 187. http://dx.doi.org/10.19090/pp.2015.2.187-202.

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U radu je predstavljen koncept participativnih istraživanja sa decom, njihove teorijske, metodološke i etičke pretpostavke, kao i značaj koji imaju u ostvarivanju najboljeg interesa deteta. Prikazani su različiti načini učešća dece u istraživanjima, od konsultovanja dece kao svojevrsnih eksperata za sopstveno iskustvo, do onih oblika participacije koji uključuju podelu moći između dece i odraslih, tj. u kojima deca učestvuju u definisanju istraživačkih tema, metodologije istraživanja i tumačenju rezultata (deca kao koistraživači i istraživači). Značaj participativnih istraživanja u ostvarivanju najboljeg interesa deteta ogleda se u: kvalitetu istraživačkog procesa – smanjuje se mogućnost manipulacije i privida participacije, problem istraživanja je relevantan za decu i u skladu sa njihovim razvojnim mogućnostima; kvalitetu ishoda istraživanja – zaključci istraživanja odražavaju razumevanje dečje perspektive i potreba, stiče se potpuniji uvid u probleme sa kojima se deca suočavaju, što može da rezultira sprovođenjem akcija koje će biti u njihovom najboljem interesu; razvoju kompetencija dece koje su važne za odrastanje u demokratskom društvu; emancipaciji dece/mladih i vidljivost njihovih perspektiva u društvu i promociji slike o detetu kao aktivnom i kompetentnom ekspertu za sopstveno iskustvo, koje je u skladu sa uzrastom i razvojnim mogućnostima kompetentno da učestvuje u odlukama koje ga se tiču i u određivanju svog najboljeg interesa.

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22

Tenorio-Trillo, Mauricio. "Ageeth Sluis. Deco Body, Deco City: Female Spectacle and Modernity in Mexico City, 1900–1939 ." American Historical Review 121, no. 5 (December 2016): 1710–11. http://dx.doi.org/10.1093/ahr/121.5.1710.

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23

Campos-Laborie, F. J., A. Risueño, M. Ortiz-Estévez, B. Rosón-Burgo, C. Droste, C. Fontanillo, R. Loos, J. M. Sánchez-Santos, M. W. Trotter, and J. De Las Rivas. "DECO: decompose heterogeneous population cohorts for patient stratification and discovery of sample biomarkers using omic data profiling." Bioinformatics 35, no. 19 (March 1, 2019): 3651–62. http://dx.doi.org/10.1093/bioinformatics/btz148.

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Abstract Motivation Patient and sample diversity is one of the main challenges when dealing with clinical cohorts in biomedical genomics studies. During last decade, several methods have been developed to identify biomarkers assigned to specific individuals or subtypes of samples. However, current methods still fail to discover markers in complex scenarios where heterogeneity or hidden phenotypical factors are present. Here, we propose a method to analyze and understand heterogeneous data avoiding classical normalization approaches of reducing or removing variation. Results DEcomposing heterogeneous Cohorts using Omic data profiling (DECO) is a method to find significant association among biological features (biomarkers) and samples (individuals) analyzing large-scale omic data. The method identifies and categorizes biomarkers of specific phenotypic conditions based on a recurrent differential analysis integrated with a non-symmetrical correspondence analysis. DECO integrates both omic data dispersion and predictor–response relationship from non-symmetrical correspondence analysis in a unique statistic (called h-statistic), allowing the identification of closely related sample categories within complex cohorts. The performance is demonstrated using simulated data and five experimental transcriptomic datasets, and comparing to seven other methods. We show DECO greatly enhances the discovery and subtle identification of biomarkers, making it especially suited for deep and accurate patient stratification. Availability and implementation DECO is freely available as an R package (including a practical vignette) at Bioconductor repository (http://bioconductor.org/packages/deco/). Supplementary information Supplementary data are available at Bioinformatics online.

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24

Colić, Vesna, Tamara Milošević, and Uglješa Colić. "OPAŽANJE, SHVATANJE I PREDSTAVLJANJE PROSTORA KOD DECE PREDŠKOLSKOG UZRASTA." Zbornik Odseka za pedagogiju, no. 26 (November 13, 2017): 137–55. http://dx.doi.org/10.19090/zop.2017.26.137-155.

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Orijentacija dece u prostoru je značajna za celokupan razvoj, kao i razvoj specifičnih veština koje su važne, kako za snalaženje u svakodnevnom životu, tako i za uspeh u nekim školskim predmetima (naročito za čitanje, pisanje, računanje, likovno i fizičko vaspitanje). Dolazak dece u vrtić, kao svakodnevna životna situacija, može da obezbedi dragocena iskustva za razvoj orijentacije u prostoru. Cilj istraživanja je da se utvrdi kako deca opažaju, shvataju i grafički predstavljaju prostor kroz koji se svakodnevno kreću. Uzorak istraživanja čini 156 ispitanika (dece), po 52 od 4,5 i 6 godina, uz podjednaku zastupljenost devojčica i dečaka. Sva deca pohađaju neki od vrtića u Novom Sadu. Korišćena je metoda intervjua i crtanja mape puta od kuće do vrtića. Rezultati istraživanja - dobijeni analizom odgovora na pitanja i analizom crteža dece - pokazali su da deca iz uzorka relativno dobro opažaju, razumeju i predstavljaju prostor, ali ova situacija nije u dovoljnoj meri iskorišćena za unapređivanje dečjeg razumevanja pravca kretanja i korišćenja simbola u predstavljanju prostora. Odrasli bi trebalo da poklanjaju veću pažnju dečjem neposrednom iskustvu, više razgovaraju sa decom o njihovim doživljajima prostora i prostornih odnosa, kao i da podstiču decu da češće crtaju mape i više se služe različitim simbolima.

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25

Zarembo, Liene. "ART DECO STYLE’S FEATURES IN THE TEXTILE WORKS OF DESIGNERS SONIA DELAUNAY AND PAUL POIRET." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (May 25, 2018): 530. http://dx.doi.org/10.17770/sie2018vol1.3388.

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Art Deco is an artistic term that stands for an elegant eclectic design style dating back to the 1920s. Style has affected virtually all industries, including architecture, fine arts, applied arts, interior design, industrial design, fashion and jewellery, as well as painting, graphics and cinema. Art Deco architecture and arts expanded on other movements - Constructivism, Cubism, Modernism, Bauhaus, and Futurism. Principles of Constructivism and Cubism are also used in contemporary textile patchwork and quilt. The aim of the paper: exploration of the features of Art Deco style in the textile works of 20th century designers - Sonia Delaunay and Paul Poiret. The methods of the research: exploration of theoretical literature and Internet resources, the experience of reflection.The research emphasizes Sonja Delaunay’s particular importance of textile works in the development of contemporary quilt in the 21st century.

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26

Luz, Lourdes, and Nara Iwata. "Art deco cine: lo moderno necesario." POLIANTEA 9, no. 16 (August 13, 2013): 243. http://dx.doi.org/10.15765/plnt.v9i16.400.

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<span style="font-family: Times New Roman; font-size: small;"> </span><p class="MsoNormal" style="margin: 6pt 0cm 0pt; text-align: justify; line-height: 150%;"><span lang="PT-BR"><span style="font-size: small;"><span style="font-family: Times New Roman;">El trabajo presentado se centra en la lectura de los cines de Art Deco en todo el Río de la década de 1930 y 1940. El cine Art Deco fue diseñado como un espacio de neutralidad, la inevitable transición de eclecticismo del siglo XIX hasta la asepsia modernista. Con el fin de evocar el necesario moderno, se convirtió en una revisión crítica de la misma y Art Déco permite cambios formales y conceptuales, así como un análisis de los fundamentos teóricos que impregnaron el movimiento, tomando como paradigma de los Cines Metro.</span></span></span></p><span style="font-family: Times New Roman; font-size: small;"> </span>

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27

Hart, Karen. "Bold and beautiful — that's Art Deco." Primary Teacher Update 2015, no. 42 (March 2, 2015): 20–22. http://dx.doi.org/10.12968/prtu.2015.1.42.20.

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28

Park, Hyunjung, Richard Pang, Aditya Parameswaran, Hector Garcia-Molina, Neoklis Polyzotis, and Jennifer Widom. "An overview of the deco system." ACM SIGMOD Record 41, no. 4 (January 17, 2013): 22–27. http://dx.doi.org/10.1145/2430456.2430462.

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29

Sachs, David H., and Carla Breeze. "American Art Deco: Architecture and Regionalism." APT Bulletin 35, no. 4 (2004): 55. http://dx.doi.org/10.2307/4126420.

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30

Barcucci, Elena, Alberto Del Lungo, and Renzo Pinzani. "“Deco” polyominoes, permutations and random generation." Theoretical Computer Science 159, no. 1 (May 1996): 29–42. http://dx.doi.org/10.1016/0304-3975(95)00199-9.

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31

Railing, Patricia. "Tamara de Lempicka Art Deco Icon." Art Book 12, no. 1 (January 26, 2005): 17–18. http://dx.doi.org/10.1111/j.1467-8357.2005.t01-2-00492.x.

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32

Ray, Gordon Norton, and G. Thomas (George Thomas) Tanselle. "The Art Deco Book in France." Studies in Bibliography 55, no. 1 (2002): 1–131. http://dx.doi.org/10.1353/sib.2005.0009.

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Ray, Gordon Norton. "The Art Deco Book in France." Studies in Bibliography 55, no. 1 (2002): 19–131. http://dx.doi.org/10.1353/sib.2005.0010.

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34

Kleine-Gunk, Bernd. "Autoerotik zwischen Art Deco und Dekadenz." gynäkologie + geburtshilfe 19, no. 5 (August 28, 2014): 61. http://dx.doi.org/10.1007/s15013-014-0518-5.

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35

Craig, Robert M. "Making Modern Architecture Palatable in Atlanta: Popular Modern Architecture from Deco to Portman to Deco Revival." Journal of American Culture 11, no. 3 (September 1988): 19–33. http://dx.doi.org/10.1111/j.1542-734x.1988.1103_19.x.

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36

Moeyersons, Jonathan, Matthew Amoni, Sabine Van Huffel, Rik Willems, and Carolina Varon. "R-DECO: an open-source Matlab based graphical user interface for the detection and correction of R-peaks." PeerJ Computer Science 5 (October 21, 2019): e226. http://dx.doi.org/10.7717/peerj-cs.226.

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Many of the existing electrocardiogram (ECG) toolboxes focus on the derivation of heart rate variability features from RR-intervals. By doing so, they assume correct detection of the QRS-complexes. However, it is highly likely that not all detections are correct. Therefore, it is recommended to visualize the actual R-peak positions in the ECG signal and allow manual adaptations. In this paper we present R-DECO, an easy-to-use graphical user interface (GUI) for the detection and correction of R-peaks. Within R-DECO, the R-peaks are detected by using a detection algorithm which uses an envelope-based procedure. This procedure flattens the ECG and enhances the QRS-complexes. The algorithm obtained an overall sensitivity of 99.60% and positive predictive value of 99.69% on the MIT/BIH arrhythmia database. Additionally, R-DECO includes support for several input data formats for ECG signals, three basic filters, the possibility to load other R-peak locations and intuitive methods to correct ectopic, wrong, or missed heartbeats. All functionalities can be accessed via the GUI and the analysis results can be exported as Matlab or Excel files. The software is publicly available. Through its easy-to-use GUI, R-DECO allows both clinicians and researchers to use all functionalities, without previous knowledge.

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Gumulya, Devanny. "DESAIN PRODUK DENGAN INSPIRASI ART DECO EROPA ERA TAHUN 1920 DENGAN PENDEKATAN CHART MORFOLOGI." Jurnal Patra 2, no. 2 (October 28, 2020): 1–10. http://dx.doi.org/10.35886/patra.v2i2.114.

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Chart morfologi berasal dari ilmu teknik, pada paper ini dipelajari bagaimana penerapannya dalam proses desain kreatif yang memungkinkan pemikiran divergen dan logis digunakan bersamaan. Yang dibahas adalah tugas mahasiswa desain produk yang merancang dengan menggunakan chart morfologi. Di sisi lain, sejarah telah menginspirasi banyak desainer untuk menciptakan banyak hal baru. Art Deco adalah gerakan desain yang bersifat ornamental, glamor dan elegant yang berawal dari Paris di era tahun 1920an. Art Deco dikarakterkan dengan penggunaan bahan-bahan seperti kayu eksotis, aluminum, stainless steel dan inlaid wood. Tujuan perancangan yang ingin dicapai pada penelitian ini adalah untuk merancang nakas dan lampu meja dengan gaya art deco yang digabungkan dengan preferensi mahasiswa desain produk. Hasil dari paper ini adalah kerangka bagaimana menggunakan chart morfologi dalam proses desain untuk proyek jangka pendek. Dari Latihan ini dihasilkan 10 ide desain produk baru yang terlihat berbeda dengan produk sekatagorinya

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38

Zebracki, Martin. "Urban preservation and the queerying spaces of (un)remembering: Memorial landscapes of the Miami Beach art deco historic district." Urban Studies 55, no. 10 (June 19, 2017): 2261–85. http://dx.doi.org/10.1177/0042098017709197.

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Based on a case study on Miami Beach’s acclaimed iconic art deco architectural district, this article critically dovetails intersecting hegemonic spaces of preservation, memorial practices and social and sexual identities. It argues how commemorative narratives are selectively encrypted in the local urban environment and its artefacts deemed of historical significance. It especially reveals the tensions arising between art deco (i.e. architectural) preservation and gay (i.e. social) urban preservation, as well as its under-studied largely entrepreneurial nature and attraction for a mainstream, cosmopolitan class under neoliberalism. Drawing from extensive archival, policy, observational, participatory and interview data over 2013–2015, the article revisits in historical perspective how the art deco area, incarnated in the 1920s, developed across class-, ethnicity-, religion- and age-inflected social fragmentations and how this legacy, from the late-1970s onward, segued into the local gay-led preservation movement and select commemorations of the art deco scene. To this background, the study employs the tenet of ‘queerying’ to address the under-researched coalescing frictions in preservation between perceived authentic and engineered trajectories of (gay) place (re)makings alongside reminiscences selected over others. The findings uncover and challenge (un)intentional ‘(un)rememberings’ of the local early history and the recent past, where socially fragmented fault lines and the more recent gay-led preservation track remain overly homogeneously imprinted in dominant preservation communications and performance.

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39

Serna, Laura Isabel. "Review: Deco Body, Deco City: Female Spectacle and Modernity in Mexico City, 1900–1939 by Ageeth Sluis." Pacific Historical Review 86, no. 2 (May 1, 2017): 369–70. http://dx.doi.org/10.1525/phr.2017.86.2.369.

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40

Pascu, Nicoleta Elisabeta, Victor Adir, and George Adir. "Art and logo design." New Trends and Issues Proceedings on Humanities and Social Sciences 8, no. 1 (June 4, 2021): 81–86. http://dx.doi.org/10.18844/prosoc.v7i4.5792.

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This paper aims to present a research study concerning the graphics and symbols in logo design exhibited in an art program dubbed ‘Golden Ages of Art Nouveau and Art Deco’. It was important for us to understand these trends, their characteristics and graphics, to create many times beautiful masterpieces of art. We have noticed a lot of differences between these two art movements related to symbols, signs and colours which were used. It was ‘a special art travel’ to study, theoretically and practically, the field of logo design connected to these ages. Starting from our research study, we have tried to make ‘a basket’ of features which characterises each trend. We have tried to explain the diversity of elements used as an art graphic design focused on logos. And, of course, we have tried to create logos using the features of Art Nouveau and Art Deco. Keywords: Art Nouveau, Art Deco, logo design, feature, symbols, colours.

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Dobrydneva, Anastasiia. "Art deco and avant-garde: the nature of interaction." Философская мысль, no. 6 (June 2020): 24–31. http://dx.doi.org/10.25136/2409-8728.2020.6.32798.

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The subject of this research is the distinctions between two fundamental trends in art of the XX century – art deco and avant-garde, as well as determination of the nature of their interaction. The object of this research is the original texts of artisans and art monuments belonging to both fields. Special attention is given to characteristics of the specific features of art deco and avant-garde, identification of similarities and differences of the two simultaneously developing stylistic concepts. The author examines the key event for the history of interaction of these two trends, namely the International Exhibition of Modern Decorative and Industrial Arts held in Paris in 1925, and criticism that formed views on art of the era of modernism. The scientific novelty consists in examination of the two paramount trends for grasping history of culture of the XX century in the context of their interaction. Since 1966, art deco was not recognized as an in dependent style, but rather closely connected with modernism and patterned on avant-garde. The main conclusion of the conducted research consists in revelation of adaptive cultural mechanism that allowed art deco to overcome a number of problems, among which in underlines the relation to technological progress and mass society. The author highlights that both trends should be viewed in the context of cultural dialogue. First and foremost, they were united by orientation towards modernity and development of innovative language of art.

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Todd, Drew. "Dandyism and Masculinity in Art Deco Hollywood." Journal of Popular Film and Television 32, no. 4 (January 2005): 168–81. http://dx.doi.org/10.3200/jpft.32.4.168-181.

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Jung, Hojin, and Hosup Kan. "Taoistic Fashion Aesthetics in Art Deco Fashion." Journal of the Korean Society of Costume 69, no. 1 (January 31, 2019): 127–40. http://dx.doi.org/10.7233/jksc.2019.69.1.127.

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Igarashi, Y. "Deco: A Design Editor for Rhinestone Decorations." IEEE Computer Graphics and Applications 31, no. 5 (September 2011): 90–94. http://dx.doi.org/10.1109/mcg.2011.73.

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Davidson, Gail S. "Art Deco and Modernist Carpets. Susan Day." Studies in the Decorative Arts 12, no. 1 (October 2004): 139–42. http://dx.doi.org/10.1086/studdecoarts.12.1.40663103.

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Parish, Jennifer L., and Lawrence Charles Parish. "Cosmetic Dermatology and Art Deco: Lookin' Good." SKINmed: Dermatology for the Clinician 2, no. 5 (September 2003): 270–71. http://dx.doi.org/10.1111/j.1540-9740.2003.03168.x.

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Jang, Wooyoung. "DECO: DIMM controller efficient for ECC operations." Electronics Letters 50, no. 19 (September 2014): 1349–51. http://dx.doi.org/10.1049/el.2014.1135.

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Anthony, Gavin. "Deep into deco: The diver's decompression textbook." Underwater Technology 33, no. 2 (November 1, 2015): 133–34. http://dx.doi.org/10.3723/ut.33.133.

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Buehrer, Daniel J., and Chun-Yao Wang. "Deco: A Decentralized, Cooperative Atomic Commit Protocol." Journal of Computer Networks and Communications 2012 (2012): 1–14. http://dx.doi.org/10.1155/2012/782517.

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An atomic commit protocol can cause long-term locking of databases if the coordinator crashes or becomes disconnected from the network. In this paper we describe how to eliminate the coordinator. This decentralized, cooperative atomic commit protocol piggybacks transaction statuses of all transaction participants onto tokens which are passed among the participants. Each participant uses the information in the tokens to make a decision of when to go to the next state of a three-phase commit protocol. Transactions can progress to ensure a uniform agreement on success or failure, even if the network is partitioned or nodes temporarily crash.

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Janković, Branka, Milan Nikolić, Jelena Vukonjanski, and Edit Terek. "AKTIVNOSTI PREDŠKOLSKOG DETETA NA KOMPJUTERIMA I MOBILNIM UREĐAJIMA." Педагошка стварност 65, no. 1 (September 24, 2019): 3–20. http://dx.doi.org/10.19090/ps.2019.1.3-20.

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U radu se bavimo odnosom dece predškolskog uzrasta (iz njihovog ugla) pre- ma kompjuterima i mobilnim uređajima (tabletima i smart telefonima) kao i njihovim aktivnostima na ovim uređajima. Istraživanje je sprovedeno anketiranjem dece 4-6 godina, u predškolskim ustanovama u Srbiji. Sakupljeno je N = 360 popunjenih upit- nika. Cilj istraživanja je da se utvrdi u koje svrhe deca predškolskog uzrasta koriste kompjutere i mobilne uređaje, i da li ih koriste za zabavu ili u edukativne svrhe. Od- govori dece analiziraju se iz ugla koliko roditelji ograničavaju vreme svojoj deci na ovim uređajima i da li ih uključuju u aktivnosti van kuće. Rezultati istraživanja govore da, iako veliki procenat roditelja ograničava deci vreme provedeno na kompjuterima i mobilnim uređajima i omogućuje svojoj deci aktivnosti van kuće, deca ne koriste ade- kvatne sadržaje na kompjuteru i mobilnim uređajima. Najomiljenije aktivnosti dece na kompjuteru i mobilnim uređajima su igranje igrica, gledanje crtanih filmova i sluša- nje muzike što je posledica činjenice da deca ove uređaje pre svega doživljavaju kao igračku. Vrlo malo dece koristi kompjuter i mobilne uređaje za učenje. Na kraju, date su praktične preporuke roditeljima.

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