Academic literature on the topic 'De re aedificatoria'

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Journal articles on the topic "De re aedificatoria"

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van Eck, Caroline. "The Structure of "De re aedificatoria" Reconsidered." Journal of the Society of Architectural Historians 57, no. 3 (September 1998): 280–97. http://dx.doi.org/10.2307/991347.

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Trachtenberg, Marvin. "Building outside Time in Alberti's "De re aedificatoria"." Res: Anthropology and aesthetics 48 (September 2005): 123–34. http://dx.doi.org/10.1086/resv48n1ms20167681.

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Biermann, Hartmut. "Die Aufbauprinzipien von L. B. Albertis De re aedificatoria." Zeitschrift für Kunstgeschichte 53, no. 4 (1990): 443. http://dx.doi.org/10.2307/1482550.

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March, Lionel. "Renaissance mathematics and architectural proportion in Alberti's De re aedificatoria." Architectural Research Quarterly 2, no. 1 (1996): 54–65. http://dx.doi.org/10.1017/s135913550000110x.

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This paper sets Alberti's rules of architectural proportioning in the context of Renaissance mathematical practice. While Alberti makes didactic use of the well developed theories of harmony from music, it is shown that his architectural usage is not analogous to musical systema, even though the arithmetical foundations are shared. The common base for fifteenth-century musical theory and Alberti's architectural recommendations is Pythagorean arithmetic, derived largely from Nicomachus. Alberti also develops a geometrical approach involving magnitudes derived from the cube. Neither the diagonal of a face, nor the diameter of the sphere which circumscribes the cube are commensurable with its side. Alberti makes use of rational estimates for the square roots of two and three, and these ratios are evident in his work. Some examples are indicated for the purpose of linking theory to practice, but it is not the intention of this paper to analyse specific buildings in depth. The purpose of the paper is to suggest a potent theoretical frame within which future empirical investigations might flourish.
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D'Oliveira Quaresma, Pedro Filipe Coutinho Cabral. "A detail shape grammar. Using Alberti's column system rules to evaluate the longitudinal elevation of the nave of Sant'Andrea church generation." Artificial Intelligence for Engineering Design, Analysis and Manufacturing 32, no. 3 (April 3, 2018): 295–307. http://dx.doi.org/10.1017/s0890060417000646.

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AbstractThis paper shows the way Leon Battista Alberti treatise De Re Aedificatoria column systematization shape grammar was built, and how the longitudinal elevation of the nave of the Sant'Andrea church was designed, evidencing some steps involved in the grammar construction process, its derivation, and the partial outputs gained from the grammar evaluation. The goal of this grammar is to infer Alberti's treatise rules through a computational approach evidencing its algorithmic nature, illustrating it, and understanding the De Re Aedificatoria rules that may be applied in the generation of some parts of buildings such as the Sant'Andrea church, showing a complementary method to archaeological, bibliographical, historical ones, among others, that have been used to understand the built environment. The rules provided by the grammar may be applied to an initial insertion point to produce a complete column and to a pre-existing plan or section element of a building generating its facade. It was proved, evaluating the grammar with a simple linear regression method, to what extent the treatise influenced the design of the facade in the study.
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Seo, Jeong-Il. "The Idea of City in Leon B. Alberti's De re aedificatoria." Journal of architectural history 23, no. 3 (June 30, 2014): 55–63. http://dx.doi.org/10.7738/jah.2014.23.3.055.

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D’Agostino, Mário Henrique Simão. "Qual a meta?" Revista Limiar 2, no. 3 (March 24, 2019): 165–203. http://dx.doi.org/10.34024/limiar.2014.v2.9271.

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A prescrição das igrejas de planta central, no tratado De re aedificatoria, tem suscitado indagações várias sobre a religiosidade de Leon Battista Alberti. Em simultâneo ao otimismo do tratadista com as “invenções” e “progressos” humanos, um elenco de escritos descerram juízos pessimistas sobre as instituições sociais e a vida em comum. Perquirir as diferentes modalidades compreendidas pela epistemologia de Alberti permite melhor perfilar as visões de natureza, de ordem cívica e do sagrado próprias do humanista.
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Solís Rebolledo, Patricia. "El concepto de espacio en la Antigüedad y su legado en el tratado De re aedificatoria de Leon Battista Alberti." Bitácora arquitectura, no. 33 (November 16, 2016): 24. http://dx.doi.org/10.22201/fa.14058901p.2016.33.57360.

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<p>Este trabajo presenta las fuentes de Leon Battista Alberti de sus conceptos espacio y lineamenta. El primero se retoma de la filosofía platónica y aristotélica, así como de la teoría arquitectónica vitruviana.<br />Respecto al segundo, se explora su uso por parte de Cicerón y Plinio. Profundizar en este conocimiento permitirá comprender e interpretar los problemas teóricos que Alberti planteó en el De re aedificatoria y De pictura, basados en su interés por la geometría, disciplina donde articuló su teoría del arte.</p>
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Krüger, Mário, José Pinto Duarte, and Filipe Coutinho. "Decoding De re aedificatoria: Using Grammars to Trace Alberti’s Influence on Portuguese Classical Architecture." Nexus Network Journal 13, no. 1 (February 4, 2011): 171–82. http://dx.doi.org/10.1007/s00004-011-0060-x.

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Lepri, Nicoletta. "Per una traduzione italiana delle Medidas del romano di Diego de Sagredo (1526)." Translationes 6, no. 1 (January 1, 2014): 65–77. http://dx.doi.org/10.1515/tran-2015-0005.

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Abstract Le Medidas del romano, ‗Misure dell'edificio romano‘, sono un manuale per riprodurre proporzioni, ordini, modanature degli edifici antichi: il primo trattato architettonico scritto e pubblicato fuori d'Italia, nel 1526, da Diego de Sagredo (Burgos, 1490-Toledo, 1528 ca.). Basate sul Vitruvio latino di Giocondo da Verona, sulla volgarizzazione del Ciseriano, sul De re aedificatoria di Alberti, propongono il classicismo rinascimentale italiano come risorsa decorativa, non concettuale. Fra tante traduzioni, nessuna comparve in Italia, dove si rifuggí tale atteggiamento culturale, presto generalizzato in Europa, reintrodotto di fatto in Italia dagli artisti stranieri e valutabile oggi come effettivo fenomeno storico di ―globalizzazione.
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Dissertations / Theses on the topic "De re aedificatoria"

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Wulfram, Hartmut. "Literarische Vitruvrezeption in Leon Battista Albertis "De re aedificatoria" /." München : K. G. Saur, 2001. http://catalogue.bnf.fr/ark:/12148/cb38963958s.

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Pearson, Caspar. "Visions of the city in Leon Battista Alberti's 'De re aedificatoria'." Thesis, University of Essex, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.248667.

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Biermann, Veronica. "Ornamentum : Studien zum Traktat "De re aedificatoria" des Leon Battista Alberti /." Hildesheim ; Zürich ; New York : G. Olms, 1997. http://catalogue.bnf.fr/ark:/12148/cb37000762t.

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Gonçalves, Giovana de Godoi 1981. "Uma interpretação computacional do "De re aedificatoria" para igrejas históricas brasileiras." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/258034.

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Orientador: Maria Gabriela Caffarena Celani
Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Engenharia Civil, Arquitetura e Urbanismo
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Resumo: Este trabalho insere-se em uma pesquisa internacional denominada Alberti Digital, cujo objetivo é investigar a influência do Tratado De re Aedificatoria de Leon Batistta Alberti na arquitetura do séc. XVI e XVII em Portugal e em suas colônias. Apesar de diversos autores portugueses afirmarem que o Renascimento não teria tido implicações na arquitetura portuguesa, o professor Mario Krüger defende a hipótese segundo a qual esse movimento teria efetivamente existido. Assim, esta tese tem como objetivo apoiar a hipótese de Kruger, investigando a influência do tratado de Alberti na arquitetura colonial brasileira. O corpus de análise inicial é composto por duas igrejas construídas pelos jesuítas no Brasil nos séculos XVI e XVII, apontadas por diversos autores como sendo as que teriam influenciado diversas construções posteriores. Após a realização de levantamentos históricos e gráficos, o método analítico utilizado foi o mesmo adotado pelos demais pesquisadores do projeto Alberti Digital, que se baseia na Gramática da Forma, um formalismo desenvolvido por Stiny e Gips (1972). Após a identificação de regras de composição no texto de Alberti, essas regras foram aplicadas de modo a criar derivações para composições ideais albertianas. Em seguida, o mesmo foi feito para gerar as plantas e volumetrias das igrejas brasileiras selecionadas. A comparação das derivações albertianas com as das igrejas brasileiras permitiu verificar a semelhança no processo compositivo de ambos os casos. Espera-se que esta análise lógico-matemática do tratado de Alberti confira um novo olhar a essa importante obra. Tradicionalmente, as análises do livro têm se restringido a questões relativas às proporções e a aspectos retóricos e filosóficos. A contribuição pretendida deste trabalho é no sentido de identificar na obra de Alberti um sofisticado processo de projeto sistemático, baseado em regras, o que contribuiu para a disseminação de sua linguagem arquitetônica
Abstract: This work is part of an international research called Digital Alberti, whose aim is to investigate the influence of the Treaty In re Aedificatoria of Leon Alberti in Batistta century architecture. Sixteenth and seventeenth in Portugal and its colonies. Although several Portuguese authors state that the Renaissance would not have had implications in Portuguese architecture, Professor Mario Krüger supports the hypothesis that this move would actually existed. Thus, this thesis aims to support the hypothesis Kruger, investigating the influence of the treaty of Alberti in the Brazilian colonial architecture. The analysis corpus consists of two churches built by the Jesuits in Brazil in the sixteenth and seventeenth centuries, described by many authors as that would have influenced many later buildings. After conducting historical and graphic survey, the analytical method used was the same adopted by other researchers Alberti Digital project, which is based on the shape gramar, a formalism developed by Stiny and Gips (1972). After identifying the composition of the text Alberti rules, these rules have been applied to create leads to optimal compositions albertianas. Then it was made to generate volumetric plants and the selected state churches. Comparison of albertianas leads with the Brazilian church has shown the similarity in the compositional process of both cases. It is expected that this logical-mathematical analysis of the treaty of Alberti check out a new look to this important work. Traditionally, the book analyzes have been restricted to issues related to the proportions and the rhetorical and philosophical aspects. The intended contribution of this work is to identify the work of Alberti a sophisticated process of systematic project, based on rules, which contributed to the spread of its architectural language
Doutorado
Arquitetura, Tecnologia e Cidade
Doutora em Arquitetura, Tecnologia e Cidade
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Oliveira, Roberto Silva de. "A cidade e o pensamento político de Leon Battista Alberti no De Re Aedificatoria e outros escritos." reponame:Repositório Institucional da UFBA, 2013. http://www.repositorio.ufba.br/ri/handle/ri/11989.

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Considerado o “Vitrúvio Florentino”, Leon Battista Alberti legou à Modernidade extensa obra de caráter filosófico, político e técnico, em que se destaca o De Re Ædificatoria, ou o Tratado de Arquitetura, como ficou mais conhecido. Sob a influência da Antiguidade Clássica, especialmente das obras de Vitrúvio, Platão, Aristóteles e Cícero, o De Re Ædificatoria constituiu-se no marco fundamental da arquitetura na Idade Moderna. Objetiva-se com este trabalho analisar o pensamento arquitetônico e urbanístico de Alberti assim como suas implicações políticas no âmbito do humanismo cívico do século XV. Foram utilizados para o exame da obra os conceitos de representações sociais, de práticas culturais e de identidade/alteridade. Em termos metodológicos, a referência é o Estruturalismo genético de Lucien Goldmann, que orientou a organização do trabalho em três capítulos, sendo o primeiro uma exposição do contexto histórico no qual Alberti e sua obra tiveram origem; o segundo, uma apresentação da tradição literária que fundamentava as discussões políticas do humanismo da época; e o terceiro, uma análise do discurso apresentado por ele no De Re Ædificatoria. Estas partes articuladas permitem verificar que o discurso albertiano prestou importante contribuição à arquitetura, ao urbanismo e à filosofia política do Mundo Moderno.
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Kanerva, Liisa. "Defining the architect in fifteenth-century Italy : exemplary architect in L. B. Alberti's De Re aedificatoria /." Helsinki : Academia scientiarum fennica, 1998. http://catalogue.bnf.fr/ark:/12148/cb391068384.

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Onecha, Pérez Ana Belen. "Una Nueva aproximación al De re aedificatoria de Leon Battista Alberti: los conocimientos constructivos y sus fuentes." Doctoral thesis, Universitat Politècnica de Catalunya, 2012. http://hdl.handle.net/10803/96785.

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El De re aedificatoria, segundo tratado conocido de arquitectura en la historia y escrito entre 1443 y 1452 por Leon Battista Alberti, es uno de los textos arquitectónicos más estudiados. La época histórica a la que pertenece, el renacimiento; los lazos que lo ligan a épocas pasadas esplendorosas; la teoría expuesta sobre las proporciones, derivada de los estándares greco-romanos; y el interés por el personaje que lo escribió, han sido los grandes enfoques a través de las cuales se ha abordado incesantemente el documento. Sin embargo, y a pesar de ser considerado un tratado técnico por la mayoría de autores, nunca se ha estudiado desde el punto de vista de los contenidos sobre construcción que incorpora, quizá precisamente porque entre esos autores los arquitectos constituyen minoría respecto a los historiadores y literatos. Otro aspecto desconocido, pero ligado directamente al anterior, es el origen de los conocimientos constructivos de Alberti, puesto que aún siendo el autor de proyectos que se desarrollaban durante la redacción del tratado, como el Palacio Rucellai en Florencia o el Templo Malatestiano en Rímini, está documentado que los directores de obra respectivos fueron Bernardo Rossellino y Mateo di Pasti. Esta memoria de tesis identifica, contrasta y analiza todos los conocimientos constructivos que aparecen descritos en el De re aedificatoria, muchos de ellos por primera vez en la historia, así como las fuentes que les son asociadas, con la intención de demostrar que los conocimientos constructivos no solo son verídicos y muy abundantes, sino que constituyen un verdadero corpus del saber arquitectónico. Además, se analizan y sistematizan las fuentes para determinar hasta qué punto son verídicas o son solo una manera de autorizarse recurriendo a la antigüedad.
De re aedificatoria second architectural treatise known in history, written between 1443 and 1452 by Leon Battista Alberti, is one of the most studied architectural texts. The historical period to which it belongs, the Renaissance, the ties that bind it to a splendid past, the proportions theory derived from Greco- Roman standards, and the interest in the person who wrote it, have been the big approaches through which the experts have incessantly studied it. However, and despite being considered as a technical treatise by most authors, It has never been studied from the point of view of contents incorporating construction, perhaps precisely because among these authors the architects are a minority in comparison with historians and writers. Another unknown topic, but directly linked to above, is the source of Alberti’s constructive knowledge, because despite being the author of projects that were developed during the drafting of the treatise, as the Rucellai Palace in Florence or Malatesta Temple in Rimini, it is documented that the respective project managers were Bernardo Rossellino and Matthew di Pasti, so that is quite feasible that Alberti was not involved heavily in his works. From a thorough study of the treatise, making use of various translations of the same, even the original Latin, have been extracted all the bits that refer to constructive aspects, analyzing them by using tabs and summary tables by type and source of constructive knowledge. Thus, this PhD dissertation identifies, contrasts and analyzes all constructive knowledge is described in the De re aedificatoria, many for the first time in history, and sources associated to them, intending to show that constructive knowledge is true and not only abundant, but are a real body of architectural knowledge that structures the entire treatise. It Has also been analyzed and systematized knowledge concerning such sources to determine to what extent they are real or just a way of getting authority by using the classical culture. The findings are based on considerations that incorporate a reflection on the true structure of the treatise, going through the Alberti enlargement of architectural purposes with respect to the Vitruvian triad, to finish determining the treatise corpus of construction knowledge raised by the author under a new approach to history, true content, but of undetermined origin.
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Onecha, Pérez Ana Belén. "Una nueva aproximación al "De re aedificatoria" de Leon Battista Alberti: los conocimientos constructivos y sus fuentes." Doctoral thesis, Universitat Politècnica de Catalunya, 2012. http://hdl.handle.net/10803/96785.

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El "De re aedificatoria", segundo tratado conocido de arquitectura en la historia y escrito entre 1443 y 1452 por Leon Battista Alberti, es uno de los textos arquitectónicos más estudiados. La época histórica a la que pertenece, el renacimiento; los lazos que lo ligan a épocas pasadas esplendorosas; la teoría expuesta sobre las proporciones, derivada de los estándares greco-romanos; y el interés por el personaje que lo escribió, han sido los grandes enfoques a través de las cuales se ha abordado incesantemente el documento. Sin embargo, y a pesar de ser considerado un tratado técnico por la mayoría de autores, nunca se ha estudiado desde el punto de vista de los contenidos sobre construcción que incorpora, quizá precisamente porque entre esos autores los arquitectos constituyen minoría respecto a los historiadores y literatos. Otro aspecto desconocido, pero ligado directamente al anterior, es el origen de los conocimientos constructivos de Alberti, puesto que aún siendo el autor de proyectos que se desarrollaban durante la redacción del tratado, como el Palacio Rucellai en Florencia o el Templo Malatestiano en Rímini, está documentado que los directores de obra respectivos fueron Bernardo Rossellino y Mateo di Pasti. Esta memoria de tesis identifica, contrasta y analiza todos los conocimientos constructivos que aparecen descritos en el De re aedificatoria, muchos de ellos por primera vez en la historia, así como las fuentes que les son asociadas, con la intención de demostrar que los conocimientos constructivos no solo son verídicos y muy abundantes, sino que constituyen un verdadero corpus del saber arquitectónico. Además, se analizan y sistematizan las fuentes para determinar hasta qué punto son verídicas o son solo una manera de autorizarse recurriendo a la antigüedad.
"De re aedificatoria" second architectural treatise known in history, written between 1443 and 1452 by Leon Battista Alberti, is one of the most studied architectural texts. The historical period to which it belongs, the Renaissance, the ties that bind it to a splendid past, the proportions theory derived from Greco- Roman standards, and the interest in the person who wrote it, have been the big approaches through which the experts have incessantly studied it. However, and despite being considered as a technical treatise by most authors, It has never been studied from the point of view of contents incorporating construction, perhaps precisely because among these authors the architects are a minority in comparison with historians and writers. Another unknown topic, but directly linked to above, is the source of Alberti’s constructive knowledge, because despite being the author of projects that were developed during the drafting of the treatise, as the Rucellai Palace in Florence or Malatesta Temple in Rimini, it is documented that the respective project managers were Bernardo Rossellino and Matthew di Pasti, so that is quite feasible that Alberti was not involved heavily in his works. From a thorough study of the treatise, making use of various translations of the same, even the original Latin, have been extracted all the bits that refer to constructive aspects, analyzing them by using tabs and summary tables by type and source of constructive knowledge. Thus, this PhD dissertation identifies, contrasts and analyzes all constructive knowledge is described in the De re aedificatoria, many for the first time in history, and sources associated to them, intending to show that constructive knowledge is true and not only abundant, but are a real body of architectural knowledge that structures the entire treatise. It Has also been analyzed and systematized knowledge concerning such sources to determine to what extent they are real or just a way of getting authority by using the classical culture. The findings are based on considerations that incorporate a reflection on the true structure of the treatise, going through the Alberti enlargement of architectural purposes with respect to the Vitruvian triad, to finish determining the treatise corpus of construction knowledge raised by the author under a new approach to history, true content, but of undetermined origin.
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Paviol, Sophie. "Formes abstraites et pensée organique : l'architecture de Giuseppe Terragni (1927-1943)." Paris, EHESS, 2005. http://www.theses.fr/2005EHES0107.

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Ce travail a essayé de rencontrer une architecture et un processus de conception architecturale en conjuguant les techniques de l'historien et celles de l'architecte. Les dispositifs spatiaux et constructifs de l'architecture de Giuseppe Terragni ont été décrits par les mots et par le dessin, réactivés par la dialectique d'Alberti sur le mur et la colonne dans le De re aedificatoria et par la pensée corbuséenne de l'espace à la fin des années vingt. Ces "objets théoriques" permettent de penser la spécificité des formes spatiales de Terragni à l'aune de deux traditions réinventées et de mieux saisir la manière dont chaque édifice ne s'installe pas dans le paysage, mais installe le paysage alentour dans son intériorité, n'invente pas les formes constituantes de l'espace, mais invente l'espace "en tant que tel" et sa "vérité constructive" en fonction de ce qu'il est
This work as tried to confront an architectural object with a process of architectural design by combining the techniques of the historian and those of the architecte. The spatial and constructive forms of Giuseppe Terragni's architecture have been describe in words and in drawings which have been analysed in the light of Alberti's dialectic on the column and the wall in his De re aedificatoria and the thinking of Le Corbusier concerning space at the end of the 1920's. These theoretical elements enable us better to analyse the specificity of Giuseppe Terragni's spatial forms in relation to two renewed traditions, and better to understand the way that each edifice does not fit into the given landscape but rather establishes the landscape within the edifice, and the way that each edifice does not create the components of space, but creates space "as such", inventing its "own constructive truth" in accordance with what it his
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Lee, Wei, and 李為. "The Study on the Concept of Concinnitas of Leon Battista Alberti''s De Re Aedificatoria." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/4s7ybq.

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碩士
國立臺北藝術大學
美術史研究所
96
In the book, De Re Aedificatoria, Leon Battista Alberti believes that expression of harmony and beauty result from the compliance of absolute and fundamental principle of nature demands. The principle might be the concept of concinnitas by Alberti. Alberti holds that beauty in architectural art must be achieved with concinnitas. Thus, the researcher infers that the concept of concinnitas may be the key to the influence of architectural aesthetics or architecture works by Alberti. The researcher attempts to expound the issue with conclusion of the principles of concinnitas and contrast views on architecture works by Alberti. The paper, based on the title, The Study on the Concept of Concinnitas of Leon Battista Alberti’s De Re Aedificatoria, divides into five chapters. To begin, the researcher discusses domestic and foreign research background, expounds the motives, purposes and study methods in this paper with simple analysis and domestic and foreign papers on this issue. Later, the researcher explores the life of the artist, contents of the book and the architectural aesthetics. To establish architectural aesthetics of Alberti in view of architectural art and beauty in order to infer the possible position and meaning values of the concept of concinnitas in his architectural aesthetics. The concept of concinnitas is then further discussed in architectural art of Alberti. From analysis of Tatarkiewicz and Robert Tavernor on the concept of concinnitas, the researcher further concludes the interpretation of the concept of concinnitas of Alberti. This paper concludes the three principles of concinnitas of Alberti in architectural art: 1) appropriate methods for coordination and integration orders of lineaments and structures, 2) corresponding with common laws of nature, methods of beauty expression of architectural art, and 3) the way of architects, architectural art works and Nature united in one to reach harmony. The researcher then reviews façade design of five works of Alberti, Tempio Malatestiano, Palazzo Rucellai, Santa Maria Novella, San Sebanstiano and Sant’ Andrea to be compared with the agreement and differences between the principle of concinnitas and art practice. Conclusion is made at last on the contribution of core concinnitas concept of architectural aesthetics and works of Alberti.
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Books on the topic "De re aedificatoria"

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Literarische Vitruvrezeption in Leon Battista Albertis De re aedificatoria. München: Saur, 2001.

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Núñez, Javier Fresnillo. Leon Battista Alberti, De re aedificatoria: A lemmatized concordance. Hildesheim: Olms-Weidmann, 1996.

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Ornamentum: Studien zum Traktat De re aedificatoria des Leon Battista Alberti. Hildesheim: Olms, 1997.

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Kanerva, Liisa. Defining the architect in fifteenth-century Italy: Exemplary architects in L.B. Alberti's De re aedificatoria. Helsinki: Suomamalainen Tiedeakatemia, 1998.

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Leon Battista Alberti tra Venezia e Ferrara: Le tracce del nucleo antico del De re aedificatoria. Melfi (Potenza): Libria, 2011.

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Saint-Etienne, Ecole d'architecture de, and Université de Saint-Etienne, eds. Le de re aedificatoria et l'institutionnalisation de la société. Patrimoine, quel enjeu de société, l'évolution du concept de patrimoine. [Saint-Etienne]: Publications de l'Université de Saint-Etienne, 2006.

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Morolli, Gabriele. Leon Battista Alberti: I nomi e le figure : ordini, templi e fabbriche civili : immagini e architetture dai libri VII e VIII del De re aedificatoria. Firenze: Alinea, 1994.

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de Re Aedificatoria. Akal Ediciones, 1996.

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Wulfram, Hartmut. Literarische Vitruvrezeption in Leon Battista Albertis 'De Re Aedificatoria'. De Gruyter, Inc., 2001.

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La "otredad" en De Re Aedificatoria = "Otherness" in De Re Aedificatoria ; ¡Es el punto de vista, estúpido! = It's the viewpoint, stupid! . Ediciones ARQ, 2016.

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Book chapters on the topic "De re aedificatoria"

1

Thies, Harmen H. "Alberti, Leon Battista: De re aedificatoria libri decem." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11009-1.

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"2. Der Prolog von ‘De re aedificatoria’." In Literarische Vitruvrezeption in Leon Battista Albertis 'De re aedificatoria', 26–123. B. G. Teubner, 2001. http://dx.doi.org/10.1515/9783110952889.26.

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"De re aedificatoria als Metapher einer Disziplin." In Theorie der Praxis, 217–32. Akademie Verlag, 1999. http://dx.doi.org/10.1515/9783050072753.217.

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Krüger, Mário, and Maria da Conceição Rodrigues Ferreira. "A noção de numerus no De re aedificatoria." In Na génese das racionalidades modernas II: em torno de Alberti e do Humanismo, 293–335. Imprensa da Universidade de Coimbra, 2015. http://dx.doi.org/10.14195/978-989-26-1015-3_16.

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Biermann, Veronica. "Leon Battista Alberti. De re aedificatoria libri decem." In Stein, 239–46. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110688702-026.

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"Baptista Siculus and Leon Battista Alberti’s De re aedificatoria (1485)." In Niccolò di Lorenzo della Magna and the Social World of Florentine Printing, ca. 1470–1493, 96–100. Harvard University Press, 2021. http://dx.doi.org/10.2307/j.ctv1k76jrq.17.

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"1. Einleitung." In Literarische Vitruvrezeption in Leon Battista Albertis 'De re aedificatoria', 1–25. B. G. Teubner, 2001. http://dx.doi.org/10.1515/9783110952889.1.

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"3. Komposition und Inhalt der Bücher I-X von ‘De re aedificatoria’. Teil 1." In Literarische Vitruvrezeption in Leon Battista Albertis 'De re aedificatoria', 124–237. B. G. Teubner, 2001. http://dx.doi.org/10.1515/9783110952889.124.

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"3. Komposition und Inhalt der Bücher I-X von ‘De re aedificatoria’. Teil 2." In Literarische Vitruvrezeption in Leon Battista Albertis 'De re aedificatoria', 238–343. B. G. Teubner, 2001. http://dx.doi.org/10.1515/9783110952889.238.

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"4. Albertis agonales Verhältnis zu Vitruv." In Literarische Vitruvrezeption in Leon Battista Albertis 'De re aedificatoria', 344–79. B. G. Teubner, 2001. http://dx.doi.org/10.1515/9783110952889.344.

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