Academic literature on the topic 'De musique électronique'
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Journal articles on the topic "De musique électronique"
Schaeffner, André, and Denise Paulme. "Musique savante, musique populaire, musique nationale." Gradhiva 6, no. 1 (1989): 68–89. http://dx.doi.org/10.3406/gradh.1989.1198.
Full textFavier, Laurence. "Le vote �lectronique pour quelle d�mocratie�?" Le Genre humain N�51, no. 2 (2011): 13. http://dx.doi.org/10.3917/lgh.051.0013.
Full textEnguehard, Chantal. "Vote papier, vote m�canique, vote �lectronique." Le Genre humain N�51, no. 2 (2011): 41. http://dx.doi.org/10.3917/lgh.051.0041.
Full textLagacé, Claude. "Musique tonale et musique d’aujourd’hui." Positions 7, no. 1 (February 25, 2010): 36–39. http://dx.doi.org/10.7202/902153ar.
Full textGiuliani, Élizabeth. "Musique." Études Tome 417, no. 11 (November 1, 2012): 538–39. http://dx.doi.org/10.3917/etu.4175.0538.
Full textDecleire, Vincent. "Musique." Études Tome 414, no. 1 (January 11, 2011): 104–5. http://dx.doi.org/10.3917/etu.4141.0104.
Full textBeffa, Karol. "Musique." Commentaire Numéro121, no. 1 (2008): 119. http://dx.doi.org/10.3917/comm.121.0119.
Full textLavallard, Jean-Louis. "Musique." Raison présente N° 219, no. 3 (October 1, 2021): 121–24. http://dx.doi.org/10.3917/rpre.219.0121.
Full textGiuliani, Élizabeth. "Musique." Études Tome 419, no. 11 (November 1, 2013): 537–38. http://dx.doi.org/10.3917/etu.4195.0537.
Full textGiuliani, Emmanuelle. "Musique." Études Tome 419, no. 12 (December 1, 2013): 681–82. http://dx.doi.org/10.3917/etu.4196.0681.
Full textDissertations / Theses on the topic "De musique électronique"
Khattou, Fouzia. "Insertion du cuivre dans un phosphate lamellaire ponté. Etude par résonance paramagntique lectronique." Montpellier 2, 1998. http://www.theses.fr/1998MON20173.
Full textNivollet, Pierre-Yves. "Un habitat capable de reconna??tre les activit??s planifi??es dans un calendrier ??lectronique." Mémoire, Universit?? de Sherbrooke, 2013. http://savoirs.usherbrooke.ca/handle/11143/46.
Full textViau, ??milie. "Braille ou vocal? Analyse du processus de d??codage de journaux en texte ??lectronique par des lecteurs aveugles." Mémoire, Universit?? de Sherbrooke, 2014. http://savoirs.usherbrooke.ca/handle/11143/89.
Full textMamalis, Nicolas. "La musique et l'espace, l'espace de la musique." Paris 1, 1993. http://www.theses.fr/1993PA010748.
Full textThe aim of this thesis is to explore the relation between space and music and to study how the space has been introduced like a component of the musical composition, how it is considered and perceived by the composers and also how this notion has been differated during the last years. It is divited in four chapters. The first chapter analyses the notion of the musical material. The last three chapters trie topresent various models of space utilisation in musical works as following : 1. Works which accept space like a place of interpretation independent of the music composition. 2. Works which accept space like a component of the composition which remains independent and establishes arbitrary relations with the others musical components. 3. Wors which developpe space in relation with the other components based in algotithmics transformations
Odeimi, Béchir. "L'influence de la musique occidentale sur la musique au liban." Paris 4, 1986. http://www.theses.fr/1986PA040158.
Full textOdeimi, Béchir. "L'Influence de la musique occidentale sur la musique au Liban." Lille 3 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb37600086x.
Full textGEUS, JEAN MICHEL. "La musique pythagoricienne." Lille 3, 1993. http://www.theses.fr/1993LIL30014.
Full textWhile setting out and studying the various accounts antiquity passed on us, regarding pythagorean musical theory, it is easy to see that a theory longing on several centuries and which was elaborated by various thinkers admits some internal inconsistencies. This, as a consequence, calls into question some criterious which were formal before. It is then possible to conceive that theory as a relatively autonomous and consistent whole and to soften, in a way, the usual distinction between acousmatic musical theory and mathematcs musical theory
Dufourt, Hugues. "Musique, pouvoir, écriture." Paris 1, 1991. http://www.theses.fr/1991PA010539.
Full textThis dissertation is a reflexion on post worldwar ii european and american music. It deals with the history of the categories of musical thought new musical aesthetics and with the relations between this new music and contemporary society. In order to explain this century's music, do we have to follow Adorno's apocalyptic pessimism whose idea of formalism is only a self-destructive reaction to the dictates of mass society? Do we have, on the other hand, to confine ourselves to the sole internal necessities of musical modernity or to purist avant-gardes which, out of their fundamental utopia, only put forward a mutilated elitist art cut off from history? In "music, power, writing", the author refused to remin locked within this dilemma and attempted to show that 20th century musical creation, in close relation to social, intellectual, scientific and technical advances of the modern world, reveals endlessly the balance and contradicitons which define the unity and purposes of a civilisation. Refusing metaphysics, the author chose a wholly rational conception of the history of music; following Max Weber's problematics, Hugues Dufourt proposes an interpretation of the future of western music as an emancipation of th self and a conquest of reason while giving one of the first systematic assessments of musical research's recent advances in acoustics, psychoacoustics, computer science and cognitive sciences. This work deals with the question of the essence of musical language which turns out to be a peculiar mixture halfway
Descartes, René Buzon Frédéric de. "Abrégé de musique /." Paris : Presses universitaires de France, 1987. http://catalogue.bnf.fr/ark:/12148/cb34910799h.
Full textPisani, Michael Vincent. "Exotic sounds in the native land : portrayals of North American Indians in Western music /." Ann Arbor (Mich.) : UMI, 2006. http://catalogue.bnf.fr/ark:/12148/cb40063830k.
Full textListe chronologique des oeuvres musicales inspirées des indiens d'Amérique du nord (1768-1946) p. 526-557. Sources et bibliogr. p. 576-604.
Books on the topic "De musique électronique"
Grabowski, Bogdan. E lectronique. 5th ed. Paris: L'Usine nouvelle, 2008.
Find full textDelprato, Jean-Marc. De veloppez des applications originales pour iPhone et iPod Touch: Revendez vos cre ations sur iTunes App Store. Paris: Pearson Education, 2010.
Find full textScarnecchia, Paolo. Musique populaire, musique savante. Aix-en-Provence: Edisud, 2003.
Find full textJean-François, Perret, Mili Isabelle, and Groupe de travail "Recherches en éducation musicale", eds. Musique vécue, musique apprise. Cousset: Del Val, 1993.
Find full textScarnecchia, Paolo. Musique populaire, musique savante. Paris: Edisud, 2003.
Find full textDenise, Millet, and Millet Claude, eds. Musique! [Paris]: [Gallimard], 1988.
Find full textBeaufils, Marcel. Musique du son, musique du verbe. Paris: Klincksieck, 1994.
Find full textToudoire-Surlapierre, Frédérique, Pascal Lécroart, and Florence Fix. Musique de scène, musique en scène. Paris: Orizons, 2012.
Find full textLourtioz, Jean-Michel, Herve Rigneault, and Claude Delalande. La Nanophotonique. Paris: Herme s Science publications, 2005.
Find full textFricke, Klaus. Digitaltechnik: Lehr- und U bungsbuch fu r Elektrotechniker und Informatiker. 2nd ed. Braunschweig: Vieweg, 2001.
Find full textBook chapters on the topic "De musique électronique"
Schlumpf, Erin. "Notre musique." In A Companion to Jean-Luc Godard, 514–26. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118586815.ch32.
Full textVaccaro, Jean-Michel. "La musique." In Comparative History of Literatures in European Languages, 325. Budapest: Akadémiai Kiadó, 1988. http://dx.doi.org/10.1075/chlel.vii.35vac.
Full textMagnus, Cristyn. "Evolutionary Musique Concrète." In Lecture Notes in Computer Science, 688–95. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11732242_65.
Full text"Musique." In Voyages en nostalgie, 71–84. University of Ottawa Press, 2021. http://dx.doi.org/10.1515/9782760333819-006.
Full textBouteloup, Philippe. "Musique." In Cent mots pour les bébés d’aujourd’hui, 206. ERES, 2009. http://dx.doi.org/10.3917/eres.benso.2009.01.0206.
Full text"Musique." In Voyages en nostalgie, 71–84. Les Presses de l'Université d'Ottawa, 2021. http://dx.doi.org/10.2307/j.ctv1wd02jn.7.
Full textSève, Bernard. "Musique." In Dictionnaire de l’humain, 377–84. Presses universitaires de Paris Nanterre, 2018. http://dx.doi.org/10.4000/books.pupo.12595.
Full textAudebert, Sixtine. "Musique." In Le monde à la une, 272–79. Anamosa, 2021. http://dx.doi.org/10.3917/anamo.there.2021.02.0272.
Full textPasler, Jann. "Musique." In Dictionnaire historique de la comparaison, 152–55. Éditions de la Sorbonne, 2020. http://dx.doi.org/10.4000/books.psorbonne.87410.
Full textHatzipetrou-Andronikou, Reguina. "Musique." In Encyclopédie critique du genre, 458–67. La Découverte, 2021. http://dx.doi.org/10.3917/dec.renne.2021.01.0458.
Full textConference papers on the topic "De musique électronique"
Morris, Simon. "Musique concrete." In the 7th international conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1279740.1279849.
Full textLetondal, Catherine, Wendy E. Mackay, and Nicolas Donin. "Paperoles et musique." In the 19th International Conference of the Association Francophone d'Interaction Homme-Machine. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1541436.1541469.
Full textStrachan, Steven, Benjamin Mazoin, and Agnes Gimeno. "Pot à musique." In the 28th of the international conference extended abstracts. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1753846.1753977.
Full textLocatelli, Aude. "Littérature et jazz." In Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1285.
Full textLafouge, Marion. "Un champ d’étude… baroque." In Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1238.
Full textGribenski, Michel. "Prosodie et poésie : sélection bibliographique." In Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1257.
Full textFroidefond, Marik. "Commentaires sur la place des études de prosodie poético-musicale dans la recherche musico-littéraire." In Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1258.
Full textHarmat, Andrée-Marie. "Formes musicales et formes littéraires. Réflexions sur le dispositif esthétique musical au service de la représentation littéraire." In Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1267.
Full textSanturenne, Thierry. "Imaginaire musical : repères et perspectives." In Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1277.
Full textFerrari, Giordano. "La recherche sur l’opéra contemporain." In Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1243.
Full textReports on the topic "De musique électronique"
Accordez votre cerveau: Le fait de profiter et de s'impliquer dans la musique favorise le vieillissement sain, le bien-être mental et les liens sociaux: Infographique. Washington, DC: Global Council on Brain Health, August 2020. http://dx.doi.org/10.26419/pia.00103.004.
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