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Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

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1

Gregory, Heather. "The Return of the Native: Filippo Strozzi and Medicean Politics." Renaissance Quarterly 38, no. 1 (1985): 1–21. http://dx.doi.org/10.2307/2861329.

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The fortunes and misfortunes of the Strozzi lineage in the fifteenth and early sixteenth centuries have recently received considerable attention from historians. This has in general been focused on two men, Filippo di Matteo Strozzi (1428-1491) and his son, Filippo di Filippo (1489-1538). The career of Filippo il vecchio as man of business and Renaissance builder has been examined in considerable detail by Richard Goldthwaite, who has characterized him as independent, determined and ambitious, and as possessing a sense of grandeur “which went beyond the bounds to which most Florentine patricians confined themselves.” He considered that Filippo's absence from the “innumerable” offices with which most men of his status in Florence occupied themselves, should perhaps be attributed to the “lordly indifference of the returned exile,” and to the realism of a pragmatist not deluded by the republican facade maintained by the Medicean regime.

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2

Kuchelmeister, K. "Filippo Gullotta." Der Pathologe 40, S3 (October 28, 2019): 411–12. http://dx.doi.org/10.1007/s00292-019-00651-4.

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3

Mastropietro, Nico. "Le cittŕ dell'Asia centrale in un diario inedito di Filippo De Filippi (1903)." STORIA URBANA, no. 131 (November 2011): 101–28. http://dx.doi.org/10.3280/su2011-131006.

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Nel 1903 l'esploratore italiano Filippo De Filippi e sua moglie Caroline Fitzgerald compirono un viaggio di formazione attraverso Russia, Caucaso e Turkestan, alla scoperta dell'Oriente. Nel corso del viaggio venne redatto un denso diario che descrive in maniera molto precisa ed accurata la vita dell'aristocrazia russa negli anni immediatamente anteriori alla Rivoluzione, il Caucaso in tumulto ed il regime dei Khanati al tramonto nei territori destinati a costituire il Turkestan sovietico. Il resoconto di questa esperienza, il primo viaggio di De Filippi in Oriente, rimasto fino ad oggi inedito, costituisce un contributo di valore storico ed antropologico impareggiabile.

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4

Mignone (book author), Mario B., and Gaetano Cipolla (review author). "Eduardo De Filippo." Quaderni d'italianistica 11, no. 2 (October 1, 1990): 325–27. http://dx.doi.org/10.33137/q.i..v11i2.10595.

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5

Vinall, Shirley W., and Giusi Baldissone. "Filippo Tommaso Marinetti." Modern Language Review 84, no. 4 (October 1989): 1006. http://dx.doi.org/10.2307/3731238.

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6

Thomson, Ann. "Filippo Pananti’s Algeria." Journal of Modern Italian Studies 26, no. 2 (March 9, 2021): 116–28. http://dx.doi.org/10.1080/1354571x.2020.1866289.

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7

Caiola, Maria Grilli. "Filippo Marcabruno Gerola." Caryologia 60, no. 1-2 (January 2007): 84–89. http://dx.doi.org/10.1080/00087114.2007.10589551.

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8

BIAGIOLI, MARIO. "FILIPPO SALVIATI: A BAROQUE VIRTUOSO." Nuncius 7, no. 2 (1992): 81–96. http://dx.doi.org/10.1163/182539192x00866.

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Abstract<title> RIASSUNTO </title>Si presentano nuove indicazioni documentarie a proposito della biografia di Filippo Salviati. Si mostra che, contrariamente a quanto creduto, la partenza di Filippo da Firenze nel 1613 non fu conseguenza di dispute a corte. La seconda parte dell'articolo discute una possibile relazione tra la cultura patrizia di Filippo e il suo sostegno alla scienza di Galileo.

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9

Sarr, Papa Saliou, Yasuo Ando, Satoshi Nakamura, Santosh Deshpande, and Guntur Venkata Subbarao. "Correction to: Sorgoleone release from sorghum roots shapes the composition of nitrifying populations, total bacteria, and archaea and determines the level of nitrification." Biology and Fertility of Soils 56, no. 2 (December 23, 2019): 167. http://dx.doi.org/10.1007/s00374-019-01418-y.

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10

Jellinek, G. "Ruy Blas. Filippo Marchetti." Opera Quarterly 19, no. 2 (April 1, 2003): 302–4. http://dx.doi.org/10.1093/oq/19.2.302.

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11

Skubikowski, Ugo. "Review: Eduardo De Filippo." Forum Italicum: A Journal of Italian Studies 20, no. 1 (March 1986): 129–31. http://dx.doi.org/10.1177/001458588602000119.

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12

Tomić, Radoslav. "Slikar Filippo Naldi (II)." Ars Adriatica, no. 2 (January 1, 2012): 217. http://dx.doi.org/10.15291/ars.450.

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According to his own testimony, the painter Filippo Naldi was of Florentine origin. He lived and worked in Dalmatia in the mid-eighteenth century while serving in the Venetian army. He was mentioned in records as a port manager at Opuzen. In the wider Dalmatian area, Naldi painted a large number of religious works and several portraits. This paper attributes to him seven paintings in churches situated in the Dalmatian hinterland and the region of Poljica (at Zavojane near Vrgorac, Dobranje near Imotski, Kostanje at Poljica, Čaporice near Trilj and in the Franciscan monastery at Sinj). The author analyzes the characteristics of Naldi’s painting and his significance in eighteenth-century Dalmatian art and society.

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13

Bruzzone, Emanuele. "Filippo Barbano (1922-2011)." Quaderni di Sociologia, no. 55 (April 1, 2011): 3–4. http://dx.doi.org/10.4000/qds.637.

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14

Arena, Emiliano. "La lettera di Oleveni. Fra Filippo II et Filippo V di Macedonia." Revue des Études Anciennes 105, no. 1 (2003): 49–82. http://dx.doi.org/10.3406/rea.2003.5649.

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15

Canadelli, Elena. "La morte di Filippo De Filippi a Hong Kong (1867). Il racconto inedito di un missionario." Natural History Sciences 153, no. 1 (January 1, 2012): 85. http://dx.doi.org/10.4081/nhs.2012.85.

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Il saggio si concentra sulla morte dello zoologo Filippo De Filippi, avvenuta il 9 febbraio 1867 a Hong Kong durante la circumnavigazione del globo della corvetta a elica italiana Magenta. Viene proposta integralmente una lettera del 29 agosto 1867 spedita da Bernardo Viganò, il missionario del Seminario Lombardo delle Missioni Estere di Milano che assistette De Filippi nelle ultime settimane di vita, al direttore del Museo Civico di Storia Naturale di Milano, Emilio Cornalia. Questo documento, fino a oggi inedito, costituisce una preziosa testimonianza della morte di uno degli zoologi italiani più noti dell’Ottocento, tra i primi in Italia ad aderire alla teoria dell’evoluzione con la conferenza<em> L’uomo e le scimie</em> del 1864. L’articolo ricostruisce inoltre le polemiche e le poco note vicende testamentarie che seguirono alla morte di De Filippi. Il lavoro si serve di molti documenti inediti provenienti per la maggior parte dal carteggio di Emilio Cornalia, conservato nella Biblioteca del Museo Civico di Storia Naturale di Milano, dall’Archivio Storico dell’Università di Torino e dalla Biblioteca del Dipartimento di Biologia Animale e dell’Uomo della stessa Università.

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16

Aimassi, Giorgio, Claudio Pulcher, and Luca Ghiraldi. "Type specimens of Birds in the Museo Regionale di Scienze Naturali (Torino, Italy)." Journal of the National Museum (Prague), Natural History Series 189, no. 1 (2020): 65–154. http://dx.doi.org/10.37520/jnmpnhs.2020.007.

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Since the 1990s, the Museo Regionale di Scienze Naturali di Torino houses the ornithological collection formerly belonging to the Zoological Museum of the University of Turin (MZUT). This collection includes about 20,500 specimens, mostly dating from the second half of the nineteenth century or early twentieth. The high number of type-specimens gives it great historical and scientific significance. The types have been described mainly by Tommaso Salvadori (171 taxa, 282 specimens) and, to a lesser extent, by other Italian authors such as Enrico Festa, Filippo de Filippi, Orazio Antinori, Enrico H. Giglioli or by foreign authors as John Gould, Eduard Rüppell, Coenraad Jacob Temminck, Philip L. Sclater, Robert Swinhoe.

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17

Knütel, Rolf. "Filippo Briguglio, Fideiussoribus succurri solet." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte. Romanistische Abteilung 119, no. 1 (August 1, 2002): 605–7. http://dx.doi.org/10.7767/zrgra.2002.119.1.605.

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18

Iandoli, Gerardo. "Filippo Pennacchio, Il romanzo global." Italies, no. 25 (December 2, 2021): 431–34. http://dx.doi.org/10.4000/italies.9735.

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19

Snodaigh, Pádraig Ó. "Dán le Eduardo de Filippo." Comhar 45, no. 11 (1986): 28. http://dx.doi.org/10.2307/20556117.

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20

Massip, Francesc. "Eduardo De Filippo a Catalunya." Quaderns d’Italià 12 (November 3, 2007): 53. http://dx.doi.org/10.5565/rev/qdi.198.

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21

Davis, John. "Filippo Mazzonis and Italy’s monarchy." Journal of Modern Italian Studies 9, no. 2 (June 2004): 208–15. http://dx.doi.org/10.1080/13545710410001679475.

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22

Bentivoglio, Marina, and Paolo Pacini. "Filippo Pacini: A determined observer." Brain Research Bulletin 38, no. 2 (January 1995): 161–65. http://dx.doi.org/10.1016/0361-9230(95)00083-q.

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23

Trimarchi, Francesco, and Domenico Cucinotta. "Filippo De Luca (1949–2019)." L'Endocrinologo 20, no. 3 (June 2019): 119–20. http://dx.doi.org/10.1007/s40619-019-00590-5.

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24

Eska, Joseph F. "Studi celtici by Filippo Motta." North American journal of Celtic studies 6, no. 2 (September 2022): 261–62. http://dx.doi.org/10.1353/cel.2022.0014.

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25

Fedorchenko, Olga A. "An Unpublished Page of Choreographer Filippo Taglioni’s Biography: Based on Materials from the Russian State Historical Archive." Music Scholarship / Problemy Muzykal'noj Nauki, no. 1 (2022): 62–70. http://dx.doi.org/10.33779/2782-3598.2022.1.062-070.

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The distinguished master of romantic ballet, dancer-choreographer and pedagogue Filippo Taglioni travelled across almost all of Europe without stopping anywhere for long: he preferred short-term contracts to multi-year responsibilities. His longest, a five-year contract, was concluded with the Russian Directorate of Imperial theatres and lasted from 1837 through 1842. However, there exists the assumption that Filippo Taglioni may have arrived in Russia 20 years prior, in 1817, as unpublished documents found in the Russian State Historical Archive have revealed. In her article. The author of the article discusses the complex bureaucratic mechanism for inviting foreigners to Russia, describing the situation of the 1816–1817 season when, experience a deficit of soloists in the ballet troupe, the theatre’s directorship invited dancers from abroad to the St. Petersburg ballet company. The choice fell upon the premieres danseurs from the Paris Opera Ballet, Albert and Emilia Bigottini, but the artists, after having confirmed their consent, were thereafter unable to come to Russia. The search continued, and the Chief Director of the Imperial Theatres, Prince Naryshkin, noticed the dancer Taglioni, whom he recommended be invited to St. Petersburg. However, in the message, the director did not specify which Taglioni he was referring to: the 28-year-old Salvatore or the 40-year-old Filippo. The author of the article unravels the mystery and demonstrates that it was Filippo who was invited to Russia in 1817. However, this engagement did not take place. The author attempts to discover the reasons why Filippo Taglioni did not come to Russia during the reign of Alexander I.

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26

Miguel Córdoba Ochoa, Luis. "El Nuevo Reino de Granada ante la Rebelión de Portugal de 1640." CHEIRON, no. 1 (January 2022): 143–60. http://dx.doi.org/10.3280/che2020-007.

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L'articolo analizza gli eventi che ebbero luogo a Cartagena de Indias il 4 febbraio 1641 quando si seppe che il 1 dicembre 1640 i portoghesi si erano ribellati a Filippo IV. Il nuovo monarca portoghese, João IV, si affrettò a inviare a Cartagena una nave con lettere apocrife attribuite a Filippo IV. In esse si chiedeva di restituire alle isole Azzorre la flotta portoghese che era ancorata in quel porto. Tuttavia, la frode delle lettere apocrife fu scoperta grazie alla fedeltà del generale portoghese Rodrigo Lobo da Silva a Filippo IV. Si studiano le reazioni alla notizia in quanto avrebbe influito sulla fornitura di schiavi africani essenziali per la produzione di oro. Si sostiene inoltre che la perdita del Portogallo diede luogo a richieste di nuove campagne di conquista in province note per la loro ricchezza aurifera, ma che non erano state sottomesse agli spagnoli.

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27

De Stasio, Loreta. "Sobre questi fantasmi di Eduardo de Filippo." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 7-8 (June 27, 2021): 395–403. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.19977-85642.

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28

Jurková, Zuzana. "Filippo Bonini-Baraldi, Roma Music and Emotion." Lidé města 24, no. 2 (July 1, 2022): 382–83. http://dx.doi.org/10.14712/12128112.2407.

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29

Sabbatino, Pasquale. "Luigi Pirandello e Peppino de Filippo." Quaderni d'italianistica 36, no. 1 (January 27, 2016): 193–232. http://dx.doi.org/10.33137/q.i..v36i1.26279.

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Nella ricca produzione teatrale di Peppino De Filippo, per la quale alla luce dei recenti studi e rinvenimenti è auspicabile una nuova stagione filologica, vengono analizzate le riduzioni napoletane di Liolà e Lumie di Sicilia (LL’uva rosa) di Pirandello. Gli interventi di Peppino sul testo pirendelliano risultano finalizzati non solo all’adattamento degli ambienti alla realtà napoletana, ma soprattutto a una personalizzazione delle messinscena, che in particolar modo nella caratterizzazione dei personaggi risente della sensibilità e delvissuto umano dell’autore partenopeo.

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30

Dubuis, Patrick. "Filippo De Pisis�: un artiste libre." Aden N�10, no. 1 (2011): 118. http://dx.doi.org/10.3917/aden.010.0118.

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31

Even, Yael, and Megan Holmes. "Fra Filippo Lippi: The Carmelite Painter." Sixteenth Century Journal 31, no. 2 (2000): 637. http://dx.doi.org/10.2307/2671731.

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32

Guzik, Tomasz J., and Filippo Crea. "Leaders in Cardiovascular Research: Filippo Crea." Cardiovascular Research 116, no. 12 (August 31, 2020): e159-e161. http://dx.doi.org/10.1093/cvr/cvaa231.

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33

Agee, Richard J. "Filippo Strozzi and the Early Madrigal." Journal of the American Musicological Society 38, no. 2 (1985): 227–37. http://dx.doi.org/10.2307/831564.

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34

Agee, Richard J. "Filippo Strozzi and the Early Madrigal." Journal of the American Musicological Society 38, no. 2 (July 1985): 227–37. http://dx.doi.org/10.1525/jams.1985.38.2.03a00010.

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35

Müßig, Ulrike. "Filippo Ranieri, Europäisches Obligationenrecht, 2. Aufl." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 123, no. 1 (August 1, 2006): 824–30. http://dx.doi.org/10.7767/zrgga.2006.123.1.824.

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36

Pogliano, Claudio. "Eye, Mind, Hand: Filippo Pacini’s Microscopy." Nuncius 28, no. 2 (2013): 313–44. http://dx.doi.org/10.1163/18253911-02802003.

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Filippo Pacini (1812-1883) remained throughout his life a somewhat isolated researcher, constantly struggling against obstacles of all kinds – and hindered by his own difficult character – but a solemn celebration was held post mortem in his honor. At that time his many merits were praised by a number of distinguished colleagues, and his reputation was redeemed. This essay will attempt to show how his work as an anatomist and microscopist was always based on the primacy of the visual, which enabled him to identify specific entities – such as the tactile corpuscles and the Vibrio cholerae bacterium – and divine their essential significance.

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37

Shakeri, Aria. "Filippo Pacini—A Life of Achievement." JAMA Dermatology 154, no. 3 (March 1, 2018): 300. http://dx.doi.org/10.1001/jamadermatol.2017.5356.

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38

Hager, Hellmut. "Filippo Juvarra: Drawings from the Roman Period, 1704-1714, Part I Henry A. Millon Filippo Juvarra." Journal of the Society of Architectural Historians 46, no. 3 (September 1987): 293–95. http://dx.doi.org/10.2307/990237.

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39

Santoro, Filippo. "A Via Pulchritudinis, e a nova evangelização na América Latina." Revista Eclesiástica Brasileira 66, no. 261 (April 12, 2019): 64. http://dx.doi.org/10.29386/reb.v66i261.1608.

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Dom Filippo Santoro, Bispo de Petrópolis, RJ, mostra a fecundidade da via pulchritudinis em teologia (o caminho para Deus através da Beleza) e sua relevância para a tarefa da nova evangelização na América Latina. Repassa o que diz a Escritura sobre o tema, lembra a teologia da beleza em H.U. Von Balthasar e no magistério de Paulo VI e João Paulo II para, na parte final do estudo, sugerir respostas aos desafios à nova evangelização na América Latina e, especificamente, no Brasil. “É indispensável – diz Dom Filippo – que o anúncio de Cristo, Beleza feita carne, seja uma proposta existencial na qual se possa perceber a possibilidade da realização integral da vida”.Abstract: Don Filippo Santoro, Bishop of Petrópolis, State of Rio de Janeiro, demonstrates the fecundity of the pulchritudinous way (the road to God through Beauty) in Theology and its relevance for the task of the new evangelization in Latin America. Reviewing what the Holy Scripture says about the subject, he reminds us of the Theology of Beauty in H.U. Von Balthasar and in the teachings of both Paul the 6th and John Paul the 2nd. In the final part of the study, the author proposes some answers for the challenges faced by the new evangelization in Latin America and specifically in Brazil. “It is paramount”– says Don Filippo –“that Christ’s announcement, Beauty made flesh, be an existential proposition in which we may perceive the possibility of a fully realized life.

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40

Eliszezynski, Giuseppe Mrozek. "Tensioni e sommosse. La nobiltà napoletana fra i regni di Filippo II e Filippo III (1585-1620)." CHEIRON, no. 1 (January 2022): 14–43. http://dx.doi.org/10.3280/che2020-002.

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L'articolo si propone di dimostrare il ruolo avuto dalle principali famiglie aristocratiche nell'evoluzione politica del viceregno napoletano, in un periodo di grande complessità. In particolare, l'analisi si sviluppa attorno a tre momenti cardine: il linciaggio dell'Eletto del Popolo Starace nel 1585, il passaggio dal regno di Filippo II a quello di Filippo III e la progressiva crisi del potere del duca di Lerma e dei suoi alleati. I fatti del 1620 e la tormentata fine del governo del III duca di Osuna costituiscono l'ideale conclusione di una fase storica molto travagliata.

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41

Fabbri, Paolo. "Rossini the aesthetician." Cambridge Opera Journal 6, no. 1 (March 1994): 19–29. http://dx.doi.org/10.1017/s0954586700004110.

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Like many composers of his period – and not just Italians – Rossini in his creative phase was no theorist: he was a practitioner, exclusively devoted to his craft. Theory was at one with practice; thinking fused with doing. It is thus fruitless to search Rossini's writings for some account of his poetics during his career in the opera house, and this not so much because he lacked time to provide one, involved though he was in hectic production schedules, but because his mental framework militated against it. He never discussed these matters in a treatise, never produced a formal plan of action for his work, and scarcely raised the subject even when writing to friends and colleagues. A systematic search through his correspondence bears little fruit, the sole exceptions being two letters from 1868 to Lauro Rossi and Filippo Filippi.

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42

Bancheri, Salvatore. "Elementi di plurilinguismo nell’opera di Filippo Orioles." Quaderni d'italianistica 36, no. 2 (July 27, 2016): 23–40. http://dx.doi.org/10.33137/q.i..v36i2.26898.

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La prima metà del Settecento — periodo in cui scrisse Filippo Orioles (1687–1793), autore del Riscatto d’Adamo — fu segnato in Sicilia da un continuo alternarsi di dominazioni e quindi anche da normale commistione di linguaggi. Di riflesso, i lavori dell’Orioles (La notte in giorno, La S. Rosalia, Il S. Alessio e Il San Basilio Magno), analizzati brevemente nella loro esemplarità linguistica, sono uno specchio di questa realtà. Nelle opere esaminate troviamo una mescolanza di lingue (italiano, spagnolo e latino), frequenti latinismi, dialetti (siciliano e napoletano). La contaminazione dei linguaggi si manifesta sia sul piano puramente linguistico, sia su quello dei codici e delle tradizioni culturali: abbiamo in contempo il linguaggio lirico e drammatico, colto e popolare, profano e religioso. Al linguaggio galante dei salotti si contrappone il dialetto schietto dei popolani; al tono epico si contrappone quello eroicomico dei servi. L’elemento più interessante delle commedie agiografiche dell’autore palermitano è il plurilinguismo — inteso in senso lato — grazie al quale va in scena, sia pure in modo anacronistico, la Sicilia del ’700, sia aristocratica che popolana. E sono proprio, e principalmente, i personaggi del popolo con il loro colorito dialetto che rendono meno pesanti, se non addirittura vivaci, le commedie dell’Orioles.

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43

Sabbatino (book editor), Pasquale, Giuseppina Scognamiglio (book editor), and Annalisa Castellitti (review author). "Per Peppino De Filippo attore e autore." Quaderni d'italianistica 34, no. 1 (July 23, 2013): 317–19. http://dx.doi.org/10.33137/q.i..v34i1.19913.

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44

Ciccarese, Maria Pia. "Filippo e I corvi di Giobbe 38,41." Augustinianum 35, no. 1 (1995): 137–59. http://dx.doi.org/10.5840/agstm19953519.

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45

Borea Previtali, Evelina. "Filippo Baldinucci e le sue fonti francesi." Cahiers d’études italiennes, no. 18 (March 30, 2014): 149–53. http://dx.doi.org/10.4000/cei.1763.

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46

MAROTTA, GEMMA. "Il contributo di Filippo Grispigni alla criminologia." Archivio penale, no. 1 (2016): 194–203. http://dx.doi.org/10.12871/978886741660812.

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47

Ferri, Giovanni B. "Filippo Vassalli: Codice civile e categorie concettuali." RITORNO AL DIRITTO, no. 7 (February 2009): 17–24. http://dx.doi.org/10.3280/rit2008-007005.

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48

Lhôte, Jean-Marie. "Le symbolisme des jeux chez Filippo Picinelli." Board Game Studies Journal 11, no. 1 (October 26, 2017): 1–52. http://dx.doi.org/10.1515/bgs-2017-0001.

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49

Marnoto, Rita. "[Recensão a] Giusi Baldissone, Filippo Tommaso Marinetti." Estudos Italianos em Portugal, no. 4 (2009): 275–77. http://dx.doi.org/10.14195/0870-8584_4_19.

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