Relevant bibliographies by topics / De Filippo

Academic literature on the topic 'De Filippo'

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Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "De Filippo"

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Gregory, Heather. "The Return of the Native: Filippo Strozzi and Medicean Politics." Renaissance Quarterly 38, no. 1 (1985): 1–21. http://dx.doi.org/10.2307/2861329.

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The fortunes and misfortunes of the Strozzi lineage in the fifteenth and early sixteenth centuries have recently received considerable attention from historians. This has in general been focused on two men, Filippo di Matteo Strozzi (1428-1491) and his son, Filippo di Filippo (1489-1538). The career of Filippo il vecchio as man of business and Renaissance builder has been examined in considerable detail by Richard Goldthwaite, who has characterized him as independent, determined and ambitious, and as possessing a sense of grandeur “which went beyond the bounds to which most Florentine patricians confined themselves.” He considered that Filippo's absence from the “innumerable” offices with which most men of his status in Florence occupied themselves, should perhaps be attributed to the “lordly indifference of the returned exile,” and to the realism of a pragmatist not deluded by the republican facade maintained by the Medicean regime.
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Kuchelmeister, K. "Filippo Gullotta." Der Pathologe 40, S3 (October 28, 2019): 411–12. http://dx.doi.org/10.1007/s00292-019-00651-4.

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Mastropietro, Nico. "Le cittŕ dell'Asia centrale in un diario inedito di Filippo De Filippi (1903)." STORIA URBANA, no. 131 (November 2011): 101–28. http://dx.doi.org/10.3280/su2011-131006.

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Nel 1903 l'esploratore italiano Filippo De Filippi e sua moglie Caroline Fitzgerald compirono un viaggio di formazione attraverso Russia, Caucaso e Turkestan, alla scoperta dell'Oriente. Nel corso del viaggio venne redatto un denso diario che descrive in maniera molto precisa ed accurata la vita dell'aristocrazia russa negli anni immediatamente anteriori alla Rivoluzione, il Caucaso in tumulto ed il regime dei Khanati al tramonto nei territori destinati a costituire il Turkestan sovietico. Il resoconto di questa esperienza, il primo viaggio di De Filippi in Oriente, rimasto fino ad oggi inedito, costituisce un contributo di valore storico ed antropologico impareggiabile.
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Mignone (book author), Mario B., and Gaetano Cipolla (review author). "Eduardo De Filippo." Quaderni d'italianistica 11, no. 2 (October 1, 1990): 325–27. http://dx.doi.org/10.33137/q.i..v11i2.10595.

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Vinall, Shirley W., and Giusi Baldissone. "Filippo Tommaso Marinetti." Modern Language Review 84, no. 4 (October 1989): 1006. http://dx.doi.org/10.2307/3731238.

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Thomson, Ann. "Filippo Pananti’s Algeria." Journal of Modern Italian Studies 26, no. 2 (March 9, 2021): 116–28. http://dx.doi.org/10.1080/1354571x.2020.1866289.

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Caiola, Maria Grilli. "Filippo Marcabruno Gerola." Caryologia 60, no. 1-2 (January 2007): 84–89. http://dx.doi.org/10.1080/00087114.2007.10589551.

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BIAGIOLI, MARIO. "FILIPPO SALVIATI: A BAROQUE VIRTUOSO." Nuncius 7, no. 2 (1992): 81–96. http://dx.doi.org/10.1163/182539192x00866.

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Abstract<title> RIASSUNTO </title>Si presentano nuove indicazioni documentarie a proposito della biografia di Filippo Salviati. Si mostra che, contrariamente a quanto creduto, la partenza di Filippo da Firenze nel 1613 non fu conseguenza di dispute a corte. La seconda parte dell'articolo discute una possibile relazione tra la cultura patrizia di Filippo e il suo sostegno alla scienza di Galileo.
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Sarr, Papa Saliou, Yasuo Ando, Satoshi Nakamura, Santosh Deshpande, and Guntur Venkata Subbarao. "Correction to: Sorgoleone release from sorghum roots shapes the composition of nitrifying populations, total bacteria, and archaea and determines the level of nitrification." Biology and Fertility of Soils 56, no. 2 (December 23, 2019): 167. http://dx.doi.org/10.1007/s00374-019-01418-y.

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Jellinek, G. "Ruy Blas. Filippo Marchetti." Opera Quarterly 19, no. 2 (April 1, 2003): 302–4. http://dx.doi.org/10.1093/oq/19.2.302.

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Dissertations / Theses on the topic "De Filippo"

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Ingrassia, Giovanni Filippo Ellert Christin. ""Quod veterinaria medicina formaliter una eademq" (Venedig 1568) Johannes Philippo Ingrassias' Renaissance-Konzept der Tierheilkunde ; deutsche Übersetzung und fachhistorische Erschliessung." Göttingen Sierke, 2009. http://d-nb.info/998310778/04.

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Karn, Georg Peter. "Die Projekte Filippo Juvarras für den Duomo Nuovo in Turin : Dombau im Zeitalter des Absolutismus /." Hildesheim ; Zürich ; New York : G. Olms, 1999. http://catalogue.bnf.fr/ark:/12148/cb39065416j.

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Marsico, Filippo [Verfasser]. "Functional poly(phosphoester)s : the olefin metathesis route / Filippo Marsico." Mainz : Universitätsbibliothek Mainz, 2015. http://d-nb.info/1065473842/34.

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Fischer, Donatella. "La rappresentazione della famiglia nel teatro di Eduardo de Filippo." Thesis, University of Strathclyde, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400329.

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Felder, Sabine. "Spätbarocke Altarreliefs : Die Bildwerke in Filippo Juvarras Superga bei Turin /." Emsdetten : Edition Imorde, 2002. http://catalogue.bnf.fr/ark:/12148/cb392202138.

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Rose, Anna. "Filippo Beroaldo der Ältere und sein Beitrag zur Properz-Überlieferung." München : K. G. Saur, 2001. http://catalogue.bnf.fr/ark:/12148/cb38964807v.

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Nicolin, Diego. "Dramaturgo - ator - diretor: a comédia trágica de Eduardo de Filippo." reponame:Repositório Institucional da UFBA, 2008. http://www.repositorio.ufba.br/ri/handle/ri/9447.

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A presente tese parte das origens milenares do teatro napolitano e passa através do anti-herói homérico e picaresco para abordar o modus operandi do Pulcinella, máscara que funde em si o eo ipso do povo napolitano. O trabalho se propõe a criar uma conexão, uma ponte imaginária e analógica entre Bahia e Nápoles em que o drama de Eduardo de Filippo emerge e forma um elo entre as duas culturas. O estudo da biografia de Eduardo De Filippo revela um autor integrado na mentalidade napolitana: a gênese da sua comédia surge como um espelho fiel do povo dessa cidade com que ele tanto se identifica. O curto período do neo–realismo italiano e as suas interseções com a tradição napolitana constituem o fio condutor, o lastro sobre o qual se fundamenta a segunda parte do trabalho que abrange, e não poderia ser de outro jeito, também alguns aspectos do cinema italiano pós Segunda Guerra. A experiência de De Filippo no cinema se estende ao longo de toda sua vida entrecruzando-se intimamente com a sua carreira no teatro e consolidando-o como ator cinematográfico e como roteirista. O terceiro capítulo é focalizado na peça Filumena Marturano (1946), indagando como a figura da mulher é vista e tratada no decorrer da obra de De Filippo. A tradução da peça para o português, as notas e os comentários sobre aspectos da sua dramaturgia e problemas inerentes à sua versão portuguesa, são incluídos neste trabalho para um maior entendimento da obra e sua ponte entre a cultura napolitana e a baiana.
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Pastore, Margherita. "Fantômes et fantasmes dans le théâtre "réaliste" d'Eduardo De Filippo." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA016.

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Ce travail de recherche vise à mettre au jour un aspect particulier de l’œuvre d’Eduardo De Filippo (Naples, 1900 – Rome, 1984), à savoir l’intrusion du surnaturel dans la production théâtrale de l’auteur-acteur-metteur en scène. Nous avons structuré notre thèse en deux phases. Nous analysons d’abord l’adhésion de De Filippo au théâtre dit “réaliste”, sa conception de la fonction du théâtre, l’ancrage thématique dans l’Histoire du XXe siècle et dans le vécu personnel de l’auteur ; nous nous attachons à la manière dont De Filippo intègre la tradition littéraire et théâtrale du XXe siècle et propose une autre vision du réel faisant appel aux catégories du fantastique. Puis nous examinons l’espace scénique, lieu de l’ailleurs et du fantasme par excellence, dans les différentes composantes de la scène (scénographie, objets), du jeu actoriel (la parole, la corporéité, le personnage et le fantôme) et du contrat spectatoriel pour mettre en lumière la relation que tous les participants au spectacle entretiennent avec le surnaturel. Enfin, nous mettons à l’épreuve de l’analyse la traduction sur scène des problématiques liées au fantôme et au fantasme dans deux interprétations exemplaires et très différentes de La grande magia : celle de Giorgio Strehler au Piccolo Teatro de Milan en 1985 et celle de Dan Jemmett à la Comédie-Française en 2009
This research work focuses on a specific point of Eduardo De Filippo’s work (Naples, 1900 – Rome, 1984), that is to say the irruption of the supernatural in the production of the author-actor-stage director. We have structured our thesis in two phases. We first analyse the authors’s compliance with the so called « realistic » theatre, his vision of the role of theatre, the thematic foothold in the 20th century history and in his personal experience ; we are concerned with how De Filippo integrates the literary and theatrical tradition of fantasy and offers a realistic vision appealing to the Fantastic categories. Then we investigate the stage space as an ideal place for fantasy and fantasies, we examine the stage varied components (stage design, objects), the acting of the actors (voice, corporeality, the character and the ghost) within the stage-audience conventions to bring to light the particular link that all those who participate to the performance maintain with the supernatural. Finally, we study the process of traduction on stage of problematics linked to ghost and fantasy in two remarkable and very different interpretations of La Grande magia : the one by Giorgio Strehler at the Piccolo Teatro of Milan in 1985 and one by Dan Jemmett at Comédie-Française in 2009
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Gargiulo, Jennifer. "Vivere sul serio Eduardo De Filippo and the art of life /." University of Sydney, 2006. http://hdl.handle.net/2123/2169.

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Doctor of Philosophy
This thesis offers the first English translation of Eduardo De Filippo’s last play, Gli esami non finiscono mai (1973). It analyzes the play in the context of the dramatist’s career and describes the philosophical shift that took place in Eduardo’s dialectic as he progressed from a post-war, neorealist drama like Napoli milionaria! toward the existential reflections present in his last play. Unlike previous studies, this work concentrates on Eduardo’s philosophical journey from neorealism to existential query and identifies the factors that influenced his thinking process. To this end, I have evaluated the plays most relevant to the development of his philosophy and the socio-political context in which they were written. The influence of the Neapolitan traditional dialect theater, along with that of Luigi Pirandello, his American contemporaries, Arthur Miller and Eugene O’Neill, and William Shakespeare, is also examined. Important social issues that directly affected the author, such as the struggle in Italy for the legalization of divorce and the plight of children born out of wedlock, are highlighted to illustrate how they contributed to the disillusionment and pessimism present in Eduardo’s last play. From the rather hopeful ending of Napoli milionaria! Eduardo was reduced at the end of his life to sheer desperation in Gli esami non finiscono mai. Italy had changed but it had not moved on. By focusing on the playwright’s final play, this thesis offers a new perspective on a twentieth century dramatist who is much more complex than is commonly acknowledged. De Filippo is revealed as a dramatist who transcended the Neapolitan comic theatrical traditions he sprang from and created a theater of political and social engagement that endures today.
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Antonucci, Jean-Luc. "De la perspective expérimentale de Filippo Brunelleschi au décor des films." Toulouse 2, 2003. http://www.theses.fr/2003TOU20052.

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Au XVe siècle, Filippo Brunelleschi, futur architecte du dôme de la cathédrale de Florence, réalise deux panneaux peints dont une nouvelle lecture est proposée. Il n'est pas seulement le génial découvreur que consacre la tradition. Créateur et expérimentateur, il défriche de nouveaux espaces : ceux de l'image et ceux de l'architecture. Ses expériences signalent le moment de la séparation entre l'optique (la perspectiva naturalis) et la perspective (la perspectiva artificialis) en même temps qu'elles manifestent l'exigence d'un temps spécifique pour une réflexion préalable, étape indispensable de la création. Au delà d'un nouveau mode d'expression graphique, l'orfèvre-architecte forge de ses mains un nouvel outil d'aide à la conception qui lui permettra de pré-voir ses projets et d'affirmer la fonction de maître de l'œuvre. Notion de maîtrise de l'œuvre qui permet de revenir sur la question du décor des films dont il faut considérer, à la lumière de la réflexion sur la démarche de F. Brunelleschi, qu'il n'est pas du seul ressort du décorateur mais du réalisateur qui en est, avec le montage, le vrai concepteur
In the fifteenth century, Filippo Brunelleschi, who was to design the dome of Florence cathedral, painted the two panels whose a new reading is suggested. He was not only the exceptional discoverer celebrated by tradition. Creator and man of experiment, he broke new ground and explored the fields of image and architecture. His experiments signal a watershed, the moment when optics (perspectiva naturalis) and perspective (perspectiva artificialis) drifted apart. They also express the need for a specific time devoted to reflection and preparation, a stage that creation cannot do without. Beyond a new mode of graphic expression, the architect-jeweller, out of his own hands, makes a new tool that enable him to fore-see his plans and to assert the role of project-manager. The concept of project management sheds a new light on the issue of the film set : F. Brunelleschi's approach proves that the setting does not depend solely on the set designer, but also on the film director who is, together with the editor, the one who conceives it
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Books on the topic "De Filippo"

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Alfieri, Vittorio. Filippo. Milano: Mursia, 1986.

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Vittorio, Alfieri. Filippo. Milano: Garzanti, 1990.

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Giulio, Marzot, ed. Filippo. Milano: Mursia, 1986.

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Eugenio, Battisti, and Wolf Robert Erich, eds. Filippo Brunelleschi. Milano: Electa Architecture, 2002.

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Filippo Brunelleschi. Milano: Electa, 2006.

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Donato, Severo, ed. Filippo Juvarra. Bologna: Zanichelli, 1996.

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Murtas, Gianni. Filippo Figari. Nuoro: Ilisso, 2004.

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Monteleone, Renato. Filippo Turati. Torino: Unione tipografico-editrice torinese, 1987.

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Franzoni, Filippo. Filippo Franzoni. Locarno: Pinacoteca comunale, Casa Rusca, 1987.

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Murtas, Gianni. Filippo Figari. Nuoro: Ilisso, 1996.

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Book chapters on the topic "De Filippo"

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Accendere, Pier Davide. "Fabri, Filippo." In Encyclopedia of Renaissance Philosophy, 1–2. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-02848-4_347-1.

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Heppner, John B., David B. Richman, Steven E. Naranjo, Dale Habeck, Christopher Asaro, Jean-Luc Boevé, Johann Baumgärtner, et al. "Silvestri, Filippo." In Encyclopedia of Entomology, 3379. Dordrecht: Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6359-6_4204.

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Accendere, Pier Davide. "Fabri, Filippo." In Encyclopedia of Renaissance Philosophy, 1195–97. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-14169-5_347.

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Gilbert, Patricia. "San Filippo syndrome." In The A-Z Reference Book of Syndromes and Inherited Disorders, 262–65. Boston, MA: Springer US, 1996. http://dx.doi.org/10.1007/978-1-4899-6918-7_69.

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Wild, Gerhard. "De Filippo, Eduardo." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3338-1.

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Zimmermann, Wolfgang. "Bruno, Filippo (Giordano)." In Metzler Philosophen Lexikon, 146–48. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_54.

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Jarrell, Richard A. "Maraldi, Giacomo Filippo." In Biographical Encyclopedia of Astronomers, 1396–97. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-9917-7_899.

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Hall, Graham, Ian Elliott, Mihkel Joeveer, Fabrizio Bònoli, Y. Tzvi Langermann, Josep Casulleras, Ke Ve Sarma, et al. "Maraldi, Giacomo Filippo." In The Biographical Encyclopedia of Astronomers, 736. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_899.

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Wild, Gerhard. "Marinetti, Filippo Tommaso." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13057-1.

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Bremer, Thomas. "Filippo Tommaso Marinetti." In Kindler Kompakt Italienische Literatur 20. Jahrhundert, 61–65. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05534-7_5.

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Conference papers on the topic "De Filippo"

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Inglehart, Ashley. "FILIPPO BUONANNI AND THE KIRCHER MUSEUM." In GSA Annual Meeting in Denver, Colorado, USA - 2016. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016am-287444.

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Baietto, A., G. Giudetti, S. Governi, L. Fusani, and E. Salvatici. "Shallow versus deep thermal circulations at Bagni di S. Filippo (M.te Amiata, Tuscany, Italy)." In 70th EAGE Conference and Exhibition - Workshops and Fieldtrips. European Association of Geoscientists & Engineers, 2008. http://dx.doi.org/10.3997/2214-4609.201405054.

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BALDINI, UGO. "GIACOMO FILIPPO SIMONELLI (1680–1754/5) AND THE SCIENTIA ECLIPSIUM EX IMPERIO, ET COMMERCIO SINARUM ILLUSTRATA." In Conference on History of Mathematical Sciences: Portugal and East Asia V. WORLD SCIENTIFIC, 2018. http://dx.doi.org/10.1142/9789813233256_0013.

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Gara, Fabrizio, Graziano Leoni, and Michele Morici. "MODAL ANALYSIS OF THE HISTORICAL SS FILIPPO E GIACOMO MASONRY ARCH BRIDGE IN ASCOLI PICENO (ITALY)." In 8th International Conference on Computational Methods in Structural Dynamics and Earthquake Engineering Methods in Structural Dynamics and Earthquake Engineering. Athens: Institute of Structural Analysis and Antiseismic Research National Technical University of Athens, 2021. http://dx.doi.org/10.7712/120121.8742.18839.

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Leoni, Graziano, Fabrizio Gara, and Michele Morici. "SEISMIC VULNERABILITY ANALYSIS OF THE HISTORICAL SS FILIPPO E GIACOMO MASONRY ARCH BRIDGE IN ASCOLI PICENO (ITALY)." In 8th International Conference on Computational Methods in Structural Dynamics and Earthquake Engineering Methods in Structural Dynamics and Earthquake Engineering. Athens: Institute of Structural Analysis and Antiseismic Research National Technical University of Athens, 2021. http://dx.doi.org/10.7712/120121.8722.18844.

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De Carvalho Moreira, Daniel, and AndrÉ Barrichelo Cunha. "Estudo do Domo de Santa Maria del Fiore, de Filippo Brunelleschi, baseado em técnicas de representação gráfica do information design." In XXIII Congresso de Iniciação Científica da Unicamp. Campinas - SP, Brazil: Galoá, 2015. http://dx.doi.org/10.19146/pibic-2015-37024.

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Baggio, Carlo, Valerio Sabbatini, and Silvia Santini. "MODEL UPDATING OF A MASONRY HISTORICAL CHURCH BASED ON OPERATIONAL MODAL ANALYSIS: THE CASE STUDY OF SAN FILIPPO NERI IN MACERATA." In 7th International Conference on Computational Methods in Structural Dynamics and Earthquake Engineering Methods in Structural Dynamics and Earthquake Engineering. Athens: Institute of Structural Analysis and Antiseismic Research School of Civil Engineering National Technical University of Athens (NTUA) Greece, 2019. http://dx.doi.org/10.7712/120119.7186.18559.

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Taddei, Domenico, Caterina Calvani, Roberto Pistolesi, Antonio Taddei, and Andrea Martini. "Recupero architettonico e strutturale del “mastio” e del suo cortile della fortezza nuova di Volterra." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11361.

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Architectural and structural recovery of “mastio” and its courtyard of the new fortress of VolterraThe recovery of the “mastio” and the surrounding courtyard of the new fortress of Volterra (1472-1474) has as its objective the opening to the public of this fortified work, after 542 years from its construction, with the possibility of being enjoyed without interposing with the prison function of the complex, it also represents the possibility of knowledge and study of a constructive typology in the context of the Renaissance fortified architecture of the Italian school called “transition” with the use of the first artillery. The fortress was born as a military garrison and at the time of Lorenzo the magnificent only a part was used as a prison, it will be definitively transformed into a House of Imprisonment during the Grand Duchy of Lorraine in the middle of the eighteenth century. It is the first work by Francesco di Giovanni di Matteo called the Francione (1428-1495), it has an almost square shape with large cylindrical towers at the corners (rondelle) and at the center of the inner courtyard, a large cylindrical tower like of “mastio” (donjon) and inserted the artillery in the walls. The “mastio” consists of a basement and five floors above ground with a domed roof and connected by a narrow spiral staircase. After the cognitive essays carried out on the internal domes of the “mastio”, placed in the first three floors including the cistern, the presence of “hemispherical domes” emerged, made by workers of the Opera del Duomo in Florence, built entirely in bricks without the carpentry of “centina” (self-supporting), with the system called “alla fiorentina”, as well as the dome of Santa Maria del Fiore in Florence by Filippo Brunelleschi. This construction system is also applied in the fortified structures of Pietrasanta, Poggibonsi, Sarzanello, Castrocaro, Pisa and Terra del Sole.
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CONCEIÇÃO LOPES, ARMÉNIO DA, and CARLOS JORGE HENRIQUES FERREIRA. "TRADITION AND INNOVATION IN THE SCENERY CITY’S ARCHITECTURES: THE IMPACT OF FILIPPO JUVARRA IN CARLOS MARDEL’S 1733 PLAN FOR LISBON’S RIVERFRONT – A WATER-CITY PROPOSED DESIGN FOR THE ENVISIONED “ROME OF THE OCCIDENT”." In STREMAH 2021. Southampton UK: WIT Press, 2021. http://dx.doi.org/10.2495/str210251.

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Pedry, Gabriel Rossetto, Gabriel Werner Simoneto, Rafaela Goulart Gomes Oliveira, Katia Regina Garcia Punhagui, and Edna Possan. "Filito como substituto da cal dolomítica hidratada em argamassas de revestimento." In XIX ENCONTRO NACIONAL DE TECNOLOGIA DO AMBIENTE CONSTRUÍDO. UFRGS, 2022. http://dx.doi.org/10.46421/entac.v19i1.2056.

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O objetivo deste trabalho é avaliar o uso de filito como substituto da cal dolomítica hidratada na produção de argamassas de revestimento, avaliando as propriedades físicas (absorção de água), mecânicas (resistência à compressão, tração e aderência) e emissões de CO2. Foram avaliadas 12 argamassas mistas com cal, cal e filito e apenas com filito em substituição à cal, nas proporções 1:1:6 e 1:2:9 (cimento:cal e/ou filito:areia). Os resultados indicam que com a substituição de cal por filito ocorre um aprimoramento em algumas propriedades físicas e mecânicas e a redução das emissões associadas à produção das argamassas.
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Reports on the topic "De Filippo"

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McBride, Magelende R. Early Cancer Detection for Filipino American Women. Fort Belvoir, VA: Defense Technical Information Center, October 1996. http://dx.doi.org/10.21236/ada325842.

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McBride, Magelende R. Early Cancer Detection for Filipino American Women,. Fort Belvoir, VA: Defense Technical Information Center, October 1997. http://dx.doi.org/10.21236/ada341610.

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Mun, Jung Mee, and Kim K. P. Johnson. Rites of Passage: Debutante Balls in Filipino-American Culture. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-536.

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Filip, Grażyna. SEMANTIC OF QUIET AND SILENCE BASED ON POLISH HUMAN SCIENCE. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11103.

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The article is an introduction to an individual research subject called The Communicational Potential of Silence, planned – and partially already realised since 2020 – as a cycle of publications based on diversified example material. In print are already two texts: G. Filip, The Communicational Potential of Silence. Film Reviews (University of Rzeszów Publishing House) and G. Filip, The Communicational Potential of Silence. Automotive Brand Press Maria Curie-Skłodowska University of Lublin Publishing House). The presented here English-language article serves for popularization Poland-wide and local (University of Rzeszów) research in the field communications.
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Gelfeld, Vicki, and Teresa A. Keenan. Asian American and Pacific Islanders (AAPI) Caregiving Research: Chinese and Filipino Caregivers. AARP Research, February 2016. http://dx.doi.org/10.26419/res.00118.001.

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Sinclair, II, and Peter T. Men of Destiny: The American and Filipino Guerillas during the Japanese Occupation of the Philippines. Fort Belvoir, VA: Defense Technical Information Center, December 2011. http://dx.doi.org/10.21236/ada558187.

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Kang, Jong Woo, and Ma Concepcion G. Latoja. COVID-19 and Overseas Filipino Workers: Return Migration and Reintegration into the Home Country—the Philippine Case. Asian Development Bank, February 2022. http://dx.doi.org/10.22617/wps220002-2.

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The paper explores the economic dimensions of the return of overseas workers and examines how the nature of reintegration programs and circumstances surrounding their return could impact reintegration outcomes. The study also suggests policy insights to help strengthen return and reintegration strategies to better leverage outmigration as a tool for economic transformation.
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De Arcangelis, Giuseppe, Majlinda Joxhe, David McKenzie, Erwin Tiongson, and Dean Yang. Directing Remittances to Education with Soft and Hard Commitments: Evidence from a Lab-in-the-field Experiment and New Product Take-up Among Filipino Migrants in Rome. Cambridge, MA: National Bureau of Economic Research, January 2015. http://dx.doi.org/10.3386/w20839.

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Voice-hearing can be positive for some young people. ACAMH, December 2020. http://dx.doi.org/10.13056/acamh.14226.

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Researchers in Manchester have described the diverse forms and functions of voices heard by young people. Sarah Parry and Filippo Varese collected demographic, contextual and qualitative data from 68 adolescents (13-18 years old) from around the world who had direct experience of voice-hearing.
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Visible Minority Population, 2001 - Filipino Population by Census Division. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2010. http://dx.doi.org/10.4095/301534.

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