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Journal articles on the topic 'De Benedetti'

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Author: Grafiati
Published: 10 March 2023

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1

Mario Benedetti. "Mario Benedetti." Nuevo Texto Crítico 23, no. 45-46 (2010): 10. http://dx.doi.org/10.1353/ntc.2010.0055.

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2

Editorial, Comité. "Arnoldo Puello Benedetti." Revista Ciencias Biomédicas 6, no. 2 (November 24, 2020): 233–34. http://dx.doi.org/10.32997/rcb-2015-2949.

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El profesor Arnold Puello Benedetti nació en la población de Turbaco, al norte del departamentode Bolívar-Colombia el 19 de marzo de 1926. Muy joven, con solo 18 años de edad, ingresó a la Universidad de Cartagena para cursar estudios médicos, de los cuales obtuvo la respectiva titulación en el año 1949. Al año siguiente cumplió con el requisito legal de la medicaturarural, la cual adelantó en el Sanatorio del Lazareto de Agua de Dios en el departamentode Cundinamarca. Entre los años 1951 y 1952 permaneció en la ciudad de Bogotá y estuvo vinculado como subdirector al Instituto Lleras Acosta.
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3

Mistri, Maurizio. "Eugenio (Enio) Benedetti." Human Systems Management 18, no. 2 (July 19, 1999): 69–70. http://dx.doi.org/10.3233/hsm-1999-18202.

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4

Giorgi, Giovanni Maria. "Remembering Carlo Benedetti." METRON 73, no. 3 (November 25, 2015): 299–301. http://dx.doi.org/10.1007/s40300-015-0079-y.

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5

Mármol, Carlos. "Formas de prosaísmo lírico: Benedetti, el coloquialismo y la métrica camuflada." Rhythmica. Revista Española de Métrica Comparada, no. 13 (January 1, 2015): 129. http://dx.doi.org/10.5944/rhythmica.16156.

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El objeto de este ensayo es estudiar la relación entre la retórica del prosaísmo presente en la poesía del escritor Mario Benedetti y la métrica. El análisis de ambos elementos en una selección de poemas demuestra que la supuesta libertad con la que el poeta construye el verso no es, en determinadas ocasiones, completa, sino que, en mayor o menor medida, está planteada inevitablemente sobre una pauta métrica ortodoxa, aunque con significativas variaciones que responden al deseo de Benedetti de acercar su obra al lector cotidiano.The purpose of this essay is to study the relationship between de rhetoric of prosaism as lyric code in Mario Benedetti´s poetry in relation with the metrics rules. Both elements appears in a sort of poems which shows that the alleged full freedom in the verse is not complete in many occasions. The relaxed metric pattern, although with several variations, appears in Benedetti´s poems as a fruit of his desire to get close his work to the reader.
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6

Faugeras, Patrick. "Gaetano Benedetti (1920–2013)." L'Évolution Psychiatrique 79, no. 2 (April 2014): 371–74. http://dx.doi.org/10.1016/j.evopsy.2014.01.001.

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7

SEN, S., D. MARTIN, and D. BACON. "Reply to Dr. Benedetti." Regional Anesthesia and Pain Medicine 32, no. 5 (September 2007): 465–66. http://dx.doi.org/10.1016/j.rapm.2007.07.001.

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8

Ermann, Michael. "Nachruf auf Gaetano Benedetti." Forum der Psychoanalyse 30, no. 1 (February 4, 2014): 1–2. http://dx.doi.org/10.1007/s00451-014-0168-1.

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9

Sen, Surjya, David P. Martin, and Douglas R. Bacon. "Reply to Dr. Benedetti." Regional Anesthesia and Pain Medicine 32, no. 5 (September 2007): 465–66. http://dx.doi.org/10.1097/00115550-200709000-00020.

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10

Sneddon, J. "The Benedetti-Pichler Award." Microchemical Journal 47, no. 3 (June 1993): 261–62. http://dx.doi.org/10.1006/mchj.1993.1041.

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11

Sneddon, Joseph. "The Benedetti–Pichler Award." Microchemical Journal 53, no. 3 (April 1996): 255–56. http://dx.doi.org/10.1006/mchj.1996.0037.

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12

Sneddon, Joseph. "The Benedetti–Pichler Award." Microchemical Journal 56, no. 1 (May 1997): 2. http://dx.doi.org/10.1006/mchj.1997.1478.

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13

Sneddon, Joseph. "The Benedetti-Pichler Award." Microchemical Journal 61, no. 1 (January 1999): 1–4. http://dx.doi.org/10.1006/mchj.1998.1660.

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14

Conci, Marco. "Gaetano Benedetti in his correspondence." International Forum of Psychoanalysis 17, no. 2 (June 2008): 112–29. http://dx.doi.org/10.1080/08037060802094387.

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15

BENEDETTI, FRANCESCO, ALESSANDRO SERRETTI, CRISTINA COLOMBO, EURIDICE CAMPORI, BARBARA BARBINI, DANIELA DI BELLA, and ENRICO SMERALDI. "Dr. Benedetti and Colleagues Reply." American Journal of Psychiatry 157, no. 11 (November 2000): 1887–88. http://dx.doi.org/10.1176/appi.ajp.157.11.1887.

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16

Koehler, Brian. "Interview with Gaetano Benedetti, M.D." Journal of the American Academy of Psychoanalysis and Dynamic Psychiatry 31, no. 1 (March 2003): 75–87. http://dx.doi.org/10.1521/jaap.31.1.75.21940.

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17

Fernández, Wilson. "MARIO BENEDETTI: BIOGRAFIA Y POEMAS." Cadernos PROLAM/USP 9, no. 16 (June 1, 2010): 192. http://dx.doi.org/10.11606/issn.1676-6288.prolam.2010.82413.

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18

Sneddon, Joseph. "The 1998 Benedetti-Pichler Award." Microchemical Journal 62, no. 1 (May 1999): 3–4. http://dx.doi.org/10.1006/mchj.1998.1626.

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19

Sneddon, Joseph. "1998 Benedetti-Pichler Award Presented." Microchemical Journal 62, no. 1 (May 1999): 1–2. http://dx.doi.org/10.1006/mchj.1999.1712.

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20

Serrano, Pedro. "Montevideo Crisscrossed. Two Novels by Mario Benedetti: The Truce and Thanks for the Fire." Theory in Action 14, no. 4 (October 31, 2021): 28–46. http://dx.doi.org/10.3798/tia.1937-0237.2128.

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This essay is a rereading of two novels by Mario Benedetti published first in Montevideo in the 1960’s and subsequently in Mexico around the 1970’s, receiving changing receptions over the years. Both have Montevideo as their setting, but the topographical perspectives and writing strategies are different. It traces the networks of writers, publishers and readers in Latin America developed during the 20th century and their obliteration by the military regimes in the 1970’s. Reviewing the fluctuating moods in Benedetti’s later reception, this essay compares opposite sets of aesthetic values developed during the second half of the last century, which are taken for granted even today, studying their initial hypotheses and showing how literary works are distorted by prejudiced sets of critical perspectives that pigeonhole works and authors in boxes established in advance.
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21

White, Tony. "The Life Script Heptagon." International Journal of Transactional Analysis Research & Practice 13, no. 1 (June 29, 2022): 53–61. http://dx.doi.org/10.29044/v13i1p53.

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The life script heptagon, developed by the author, is described to show how seven elements, all seven aspects of human personality – behaviour, feelings, thoughts, body holding patterns, habits, beliefs and attitudes, and early decisions – fit together geometrically so that they reinforce and support each other and make it hard for people to change their life scripts. These elements are then related to the ways in which different psychotherapies tend to work with them, and explanations are given of why the geometric nature of the model means that several aspects need to change because otherwise the remaining elements are reinforcing the unhelpful patterns. Editorial Note: This is an example of the saying ‘great minds think alike’ – this version of a heptagon was being developed over several years and the author was unaware that Benedetti, Benelli and Zanchetta (2020) had been developing a similar geometrical shape with different elements. Benedetti et al. were also unaware that the version described in this article was being developed. (Benedetti et al article is in this journal, Vol. 11, Issue 1 at https://doi.org/10.29044/v11i1p13)
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22

Fernandes Freire, Alyson Thiago. "A crítica anticapitalista e o novo espírito do Capitalismo." Revista Cronos 18, no. 1 (April 9, 2018): 155–61. http://dx.doi.org/10.21680/1982-5560.2017v18n1id13963.

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23

Schnaiderman, Boris. "Dostoiévski, precursor de Freud?" Revista USP, no. 102 (August 1, 2014): 137. http://dx.doi.org/10.11606/issn.2316-9036.v0i102p137-139.

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24

Covo, Jacqueline. "Le printemps brisé de Mario Benedetti." America 7, no. 1 (1990): 73–81. http://dx.doi.org/10.3406/ameri.1990.1016.

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25

Adún. "Elipse / Tapete Vermelho / Para Mario Benedetti." Transition, no. 127 (2019): 57. http://dx.doi.org/10.2979/transition.127.1.05.

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26

Silva, Cleide Xavier da. "Exilios (Caballo verde), de Mario Benedetti." caleidoscópio: literatura e tradução 1, no. 1 (June 9, 2017): 190–95. http://dx.doi.org/10.26512/caleidoscopio.v1i1.7139.

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27

Dunne, Joseph. "Stanislavski on Stage: The Benedetti Legacy." Stanislavski Studies 3, no. 2 (July 3, 2015): 171–201. http://dx.doi.org/10.1080/20567790.2015.1079046.

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28

Sneddon, Joseph. "The 1995 Benedetti–Pichler Award Symposium." Microchemical Journal 54, no. 2 (August 1996): 85–87. http://dx.doi.org/10.1006/mchj.1996.0083.

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29

Anvret, Maria, and Jan Wahlström. "Reply to Dr. Benedetti et al." American Journal of Medical Genetics 44, no. 1 (September 1, 1992): 123. http://dx.doi.org/10.1002/ajmg.1320440132.

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30

Nibia Silveira Rondán, Nahir. "EDUCACIÓN POPULAR: INTERVENCIÓN ARTÍSTICA CON POEMAS DE BENEDETTI EN OLLAS POPULARES." Revista Desenvolvimento & Civilização 3, no. 1 (June 29, 2022): 132–44. http://dx.doi.org/10.12957/rdciv.2022.64081.

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Este artículo presenta un relato de experiencia de Educación Popular en Ollas Populares de las barriadas más humildes de Montevideo; a través de intervenciones artísticas con poemas de Mario Benedetti, cuyo objetivo fue realizar intervenciones artísticas con poemas de Benedetti, a partir de la metodología que nos brinda la Educación Popular. Encontramos una puerta hacia el ejercicio de una identidad ciudadana abierta a la resistencia. Unimos a ambos en sus centenarios. Estas intervenciones tuvieron un carácter de autonomía y dignidad referido a lo pedagógico. La “pedagogía del diálogo” fue puesta en práctica como una herramienta de afirmación y potenciación de construcción de subjetividades y sentidos en resistencia, un paso previo y condición necesaria para su emancipación. Sin embargo, vale preguntarse una y otra vez: ¿resistencia o sobrevivencia? ¿Cuándo es que esta sobrevivencia traspasa el límite y se convierte en resistencia? ¿Cuántas y cuáles de estas subjetividades de oprimidos sobrevivientes en medio del hambre, resisten y llegan a emanciparse? A través del arte y de la implementación del diálogo pedagógico pudimos observar que Benedetti y sus poemas mantienen vigencia, construyen y forman parte de: saberes populares, cultura popular, así como de saberes y culturas de resistencia.
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31

Carpio Franco, Ricardo. "Reseña del libro Criacuervo de Orlando Echeverri Benedetti." Estudios de Literatura Colombiana, no. 47 (June 25, 2020): 241–43. http://dx.doi.org/10.17533/udea.elc.n47a14.

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32

Silva, Igor Maciel da, and Sarah Teixeira Soutto Mayor. "Pistas do Trabalho de Paulo Benedetti como Gestor e Produtor de Cinema em Barbacena-MG no Início do Século XX." LICERE - Revista do Programa de Pós-graduação Interdisciplinar em Estudos do Lazer 25, no. 1 (April 4, 2022): 141–70. http://dx.doi.org/10.35699/2447-6218.2022.39074.

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O objetivo deste artigo é apresentar pistas do trabalho de gestão e produção de cinema realizado por Paulo Benedetti em Barbacena-MG no início do século XX. Para isso, recorreu-se a análise documental. Conclui-se que Benedetti foi pioneiro na inauguração da primeira casa de projeção fixa de Barbacena e das primeiras filmagens realizadas na cidade; o seu trabalho não foi desenvolvido unicamente de modo autônomo, pois o mesmo filmou também junto a acordos comerciais; houve diversidade de temáticas em seus roteiros, que incluíram, por exemplo, diferentes locais de Barbacena e outros divertimentos da época; a produção dos filmes se deram por motivação própria e também via encomendas.
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33

Carrizo, Silvina. "Miriam L. Volpe, Geografías de exilio: Mario Benedetti (2004) . Uruguay: Ediciones La Gotera. Colección Hermes Criollo. Serie ensayo crítico y teoría." Diálogos Latinoamericanos 6, no. 10 (January 1, 2005): 2. http://dx.doi.org/10.7146/dl.v6i10.113657.

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34

Benedetti, Maria. "Coaching can support you in 2023." British Journal of Midwifery 31, no. 1 (January 2, 2023): 54–55. http://dx.doi.org/10.12968/bjom.2023.31.1.54.

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35

Cervo, Juliana Milman. "As geografias do exílio: lugares do corpo e da memória no conto de Mario Benedetti." Jangada: crítica | literatura | artes, no. 9 (April 6, 2018): 4–15. http://dx.doi.org/10.35921/jangada.v0i9.52.

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RESUMO: O presente trabalho propõe-se a analisar o conto Geografias, do escritor uruguaio Mario Benedetti, a partir da compreensão de que existe sempre uma dimensão da alteridade radical que nos escapa ao nos depararmos com uma literatura acerca do exílio e da tortura. Os personagens do conto se ancoram em lugares da memória, conceito proposto por Pierre Nora (1993), em razão da dificuldade de acederem às suas recordações. O trauma experimentado por sua condição de exilados rompe com o acesso ao simbólico, e todas as marcas ficam restritas ao corpo. Essa escrita visa a compreender como a obra de Benedetti irá contribuir para a garantia de um ethos enunciativo diante das geografias dos corpos talhados pela violência de Estado, até então sem direito à fala, a partir da possibilidade de transmutação da dor vivida em escrita criativa. PALAVRAS-CHAVE: Memória, exílio, corpo, trauma. _________________ ABSTRACT : The present work proposes to analyze the story Geographies, by the uruguayan writer Mario Benedetti, from the understanding that there is always a dimension of radical alterity that escapes us when we come across a literature on exile and torture. The characters of the tale are anchored in places of memory, a concept proposed by Pierre Nora (1993), because of the difficulty of accessing their memories. The trauma experienced by his status as exiles breaks with access to the symbolic, and all marks are restricted to the body. This writing aims to understand how the work of Benedetti will contribute to the guarantee of an enunciative ethos before the geographies of the bodies carved by state violence, hitherto without the right to speak, from the possibility of transmutation of pain lived in creative writing. KEYWORDS : Memory, exile, body, trauma.
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36

Carratelli, Teresa. "In ricordo di Renata De Benedetti Gaddini." PSICOANALISI, no. 1 (September 2013): 5–9. http://dx.doi.org/10.3280/psi2013-001001.

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37

Dehennín, Elsa. "A propósito del realismo de Mario Benedetti." Revista Iberoamericana 58, no. 160 (December 10, 1992): 1077–90. http://dx.doi.org/10.5195/reviberoamer.1992.5094.

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38

Díaz, Sara E. "Barbara Torelli Benedetti, Partenia, A Pastoral Play." Forum Italicum: A Journal of Italian Studies 48, no. 3 (October 3, 2014): 614–16. http://dx.doi.org/10.1177/0014585814540420.

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39

Keliher, Peter N. "The Benedetti-Pichler Award: 1985 and 1986." Microchemical Journal 34, no. 1 (August 1986): 1–3. http://dx.doi.org/10.1016/0026-265x(86)90095-0.

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40

Keliher, Peter N. "The Benedetti Pichler Award: 1986 and 1987." Microchemical Journal 36, no. 1 (August 1987): 1–2. http://dx.doi.org/10.1016/0026-265x(87)90130-5.

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41

Keliher, Peter N. "The Benedetti-Pichler Award: 1987 and 1988." Microchemical Journal 38, no. 1 (August 1988): 1–2. http://dx.doi.org/10.1016/0026-265x(88)90001-x.

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42

Keliher, Peter N. "The Benedetti-Pichler Award: 1988 and 1989." Microchemical Journal 40, no. 1 (August 1989): 1–3. http://dx.doi.org/10.1016/0026-265x(89)90108-2.

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43

Keliher, Peter N. "The Benedetti-Pichler Award: 1989 and 1990." Microchemical Journal 42, no. 1 (August 1990): 2–4. http://dx.doi.org/10.1016/0026-265x(90)90022-w.

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44

Faugeras, Patrick. "La folie en partage, avec Gaetano Benedetti." L'Évolution Psychiatrique 81, no. 1 (January 2016): 1–16. http://dx.doi.org/10.1016/j.evopsy.2015.10.008.

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45

Enzo, S., G. Fagherazzi, A. Benedetti, and S. Polizzi. "A profile-fitting procedure for analysis of broadened X-ray diffraction peaks. I. Methodology. Erratum." Journal of Applied Crystallography 22, no. 2 (April 1, 1989): 184. http://dx.doi.org/10.1107/s0021889888014803.

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46

Harris, J. Robin. "Negative Staining: Historical Background and Technical Development." Microscopy Today 5, no. 2 (March 1997): 10–13. http://dx.doi.org/10.1017/s1551929500060077.

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There is a considerable body of information of a technical and review nature on negative staining elsewhere in the literature (Bremner et al., 1992; Harris and Home, 1991, 1994; Hayatand Miller, 1990; Holzenburg, 1988; Home, 1991; Nermut, 1991; Spiess et al., 1987; Valentine and Home, 1962); therefore, I shall attempt to avoid undue repetition and present the current laboratory approaches with which I am personally familiar and have achieved some technical success. After considering the range of procedures necessary for the production of carbon and carbon-plastic support films (sometimes termed substrates) emphasis will be placed upon the droplet negative staining technique (Harris and Agutter, 1970; Harris and Horne, 1991). I was introduced to this approach by Ennio Lucio Benedetti in his laboratory, at the start of my doctoral studies in 1966 (Anderson, 1966; Benedetti and Emmelot, 1965,1968) and with minor variations it is still useful for many biological applications.
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47

Orecchia Havas, Teresa. "Mario Benedetti : l'exil, terre d'accueil de la littérature." America 7, no. 1 (1990): 93–103. http://dx.doi.org/10.3406/ameri.1990.1018.

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48

Voutsa, Stella. "Kostas Kariotakis, Mario Benedetti y el "realismo burocrático"." Lectura y Signo, no. 3 (January 21, 2016): 513. http://dx.doi.org/10.18002/lys.v0i3.3525.

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Tanto el poeta griego Kostas Kariotakis (1896-1928) como el uruguayo Mario Benedetti (1920) tratan en su obra la figura del funcionario, con su vida gris y la alienación que supone el trabajo de la oficina, la rutina y el horario que cumplir. En el estudio que sigue se examinan las afinidades de ambos poetas tanto con respecto a la fuente de la que derivan sus temas (la realidad cotidiana) como en cuanto a su lenguaje (una variante del habla cotidiana con acentos coloquiales). De modo que se podría hablar de un realismo burocrático que caracteriza a ambos escritores. Tal realismo va acompañado a menudo por el humor y el sarcasmo (a veces incluso el autosarcasmo), elementos que funcionan como antídoto a la realidad frustrante y a los que echaron mano con mucho afán tanto el poeta griego como el uruguayo
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49

MORENO, F. L., and Marly Catarina SOARES. "Mario Benedetti e a escritura de um continente." Uniletras 39, no. 1 (2017): 25–36. http://dx.doi.org/10.5212/uniletras.v.39i1.0002.

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50

Nicora, Gianfranco, and Alma Massaro. "Animal Theology: an Interview with Paolo De Benedetti." Relations, no. 2.2 (November 2014): 133–36. http://dx.doi.org/10.7358/rela-2014-002-nico.

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