Journal articles: 'De Agostini'

1

Cagnin, Antonio Luiz. "Agostini, quadrinhos comis fumetti." Revista de Italianística 3, no. 3 (December 30, 1995): 29. http://dx.doi.org/10.11606/issn.2238-8281.v3i3p29-55.

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Oliveira, Cláudia. "Centralizando Angelina Agostini no cânone." MODOS: Revista de História da Arte 5, no. 2 (May 10, 2021): 37–57. http://dx.doi.org/10.20396/modos.v5i2.8665321.

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Partindo da constatação da completa obliteração da artista Angelina Agostini e de suas obras, e de que as mulheres ainda são subalternas aos homens, o que é mais evidente no campo artístico, o artigo visa, primeiramente, centralizar a artista no cânone artístico brasileiro, abordando, em seguida, a virada cultural e o surgimento da história da arte feminista enquanto enquadramento histórico, social, cultural e político para uma compreensão contemporânea da artista e seu reposicionamento no cânone artístico brasileiro, a partir de uma visão crítica pós-moderna que abandona a noção filosófica e instituída pela história da arte de gênio masculino. Por fim, fundamentada nas concepções e reflexões anteriores, farei duas “inscrições feministas” em duas obras da artista, Academia Nu Masculino de Costas (1912) e Vaidade (1913).

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Reeve, Julie Carolyn, Kathy Stiller, Linda Denehy, and Kathryn M. McPherson. "Reply to Agostini et al." European Journal of Cardio-Thoracic Surgery 39, no. 4 (April 2011): 612–13. http://dx.doi.org/10.1016/j.ejcts.2010.07.035.

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Balaban, Marcelo. ""Transição de cor": Raça e abolição nas estampas de negros de Angelo Agostini na Revista Illustrada." Topoi (Rio de Janeiro) 16, no. 31 (December 2015): 418–41. http://dx.doi.org/10.1590/2237-101x016031003.

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RESUMO Angelo Agostini ficou conhecido como um dos principais caricaturistas do Brasil oitocentista. Sua fama se deveu, em grande medida, às imagens que publicou protagonizadas por personagens negros. Nelas, o artista italiano teria sido incansável defensor da causa dos escravos. Neste artigo, busco analisar essas imagens por meio de outras chaves interpretativas. No lugar de festejar o implacável abolicionista, procuro desvendar os sentidos raciais e as lógicas políticas que informavam seus desenhos de negros. Em cada um deles, o ítalo-brasileiro Agostini produz, e reproduz, estereótipos sobre os sujeitos tematizados, definindo seus personagens negros ora como vadios, ora como perigosos e irracionais, ou, ainda, como passivos diante dos horrores da instituição servil. Misturando raça e escravidão na criação desses desenhos, Agostini produz, nesse processo, a própria imagem como um dos heróis da grande causa.

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Bush, Elizabeth. "Home Home by Lisa Allen-Agostini." Bulletin of the Center for Children's Books 73, no. 10 (2020): 421–23. http://dx.doi.org/10.1353/bcc.2020.0390.

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Liebel, Vinícius. "Ângelo Agostini and the Cartoons at the Imperial Twilight - Preliminary Notes on the Abolition in Brazil." Almanack, no. 11 (December 2015): 774–92. http://dx.doi.org/10.1590/2236-463320151111.

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Abstract This paper aims at pointing out relevant questions on the analysis of the work of nineteenth-century cartoonist Ângelo Agostini, as well as to present pertinent arguments on the analysis of images in the historiographical field. To this end, the text locates the artist's production in contextual terms, as an heir to an art tradition that has in the nineteenth century its first golden age: the political and social cartoon. Then, after a brief consideration of the analysis of images in historical studies, two cartoons produced by Agostini on the great theme of abolitionism are interpreted as exemplary analysis.

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Oliveira, Maysa Silva. "Contra os filhos do Império Celeste: a visão de Angelo Agostini em relação ao imigrante chinês." Oficina do Historiador 12, no. 1 (October 4, 2019): 29402. http://dx.doi.org/10.15448/21778-3748.2019.1.29402.

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O propósito deste artigo é analisar a visão do italiano Angelo Agostini sobre a hipótese da imigração chinesa no Brasil, por meio de suas charges publicadas na Revista Ilustrada. Mesmo sabendo que o uso da mão de obra dos chineses tinha sido bem-sucedida em países como Cuba, Estados Unidos e Peru, ela ainda era um entrave por aqui. Ainda que poucos chineses tenham vindo para nosso País, essa aceitação ocorria com um fato curioso: ela tinha caráter transitório, ou seja, depois de anos de trabalho, o imigrante do Império Celeste tinha de voltar para casa. Esse caráter transitório parece ter acalmado os nervos de uma elite que tinha como objetivo obter mão de obra barata e branca, pois evitava que eles permanecessem no Brasil. Essa característica discriminatória das elites foi muito discutida, principalmente durante o Congresso Agrícola de 1878, no Rio de Janeiro, A Revista Illustrada, meio de comunicação impresso existente em fins do século XIX, demonstrou a posição de Angelo Agostini acerca do tema. Por isso, teremos como fonte da análise da questão, as charges publicadas nela. A partir de então, teremos uma base concisa para analisarmos os trabalhos de Agostini sob o prisma da imigração asiática.

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de Jesus Silva, Rosangela. "Angelo Agostini e sua trajetória no Brasil." 19&20 XI, no. 2 (July 1, 2016): n.p. http://dx.doi.org/10.52913/19e20.xi2.06.

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Snell, Jukka. "De Agostini and the Regulation of Television Broadcasting." European Business Law Review 8, Issue 10 (October 1, 1997): 222–27. http://dx.doi.org/10.54648/eulr1997048.

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Carboni, Carlo. "Il pipistrello. di La Fontaine e L. Agostini." PRISMA Economia - Società - Lavoro, no. 3 (January 2016): 190–91. http://dx.doi.org/10.3280/pri2015-003017.

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11

Crépeau, Robert R., and Maude Désilets. "La figure de l’étranger chez les Kaingangs du Brésil méridional1." Recherches amérindiennes au Québec 40, no. 1-2 (January 5, 2012): 75–81. http://dx.doi.org/10.7202/1007499ar.

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Ce texte présente des données inédites concernant l’un des plus importants auxiliaires des chamanes kaingangs contemporains, une figure énigmatique connue dans le sud du Brésil sous le nom de São João Maria ou « o Monge », le moine. Il s'agit du moine itinérant d’origine italienne, Giovanni Maria de Agostini, qui a parcouru les Amériques de 1838 à 1869. Bien qu’il n’ait jamais été canonisé, ce dernier est considéré comme étant l'un des plus importants saints du catholicisme populaire régional. De plus, il est associé par les historiens au mouvement messianique « Guerra do Contestado », un soulèvement populaire qui s'est déroulé dans le sud du Brésil de 1912 à 1916. Les témoignages recueillis auprès des Kaingangs sont ici comparés avec des récits provenant du Nouveau-Mexique et du Pérou, récits qui se sont formés de façon indépendante après la rencontre avec Agostini.

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Santos, João Batista Ribeiro. "Apresentação." Caminhando 24, no. 2 (December 4, 2019): 7. http://dx.doi.org/10.15603/2176-3828/caminhando.v24n2p7-8.

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Apresentamos o novo número do periódico Caminhando. Nesse volume 24, número 2 (2019) contamos com um dossiê cujo tema é Exercícios de Exegese do Pentateuco, organizado pelos professores Matthias Grenzer (PUC-SP) e Leonardo Agostini Fernandes (PUC-RJ), líderes do Grupo de Pesquisa TIAT (Tradução e Interpretação do Antigo Testamento).

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Santos, João Batista Ribeiro. "Presentation." Caminhando 24, no. 2 (December 4, 2019): 9. http://dx.doi.org/10.15603/2176-3828/caminhando.v24n2p9-10.

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We present the new issue of the journal Caminhando. In this volume 24, number 2 (2019) we have a dossier whose theme is Pentateuch Exegesis Exercises, organized by scholars Matthias Grenzer (PUC-SP) and Leonardo Agostini Fernandes (PUC-RJ), leaders of the Research Group TIAT (Old Testament Translation and Interpretation).

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Santos, João Batista Ribeiro. "Presentación." Caminhando 24, no. 2 (December 4, 2019): 11. http://dx.doi.org/10.15603/2176-3828/caminhando.v24n2p11-12.

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Presentamos el nuevo número de la revista Caminhando. En este volumen 24, número 2 (2019) tenemos un dossier cuyo tema es Ejercicios de Exégesis de Pentateuco, organizado por los maestros Matthias Grenzer (PUC-SP) y Leonardo Agostini Fernandes (PUC-RJ), líderes del Grupo de Investigación TIAT (Traducción e Interpretación del Antiguo Testamento).

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Stupazzoni, Marco. "Daniela de Agostini, Accordi armonici. Modernità di Honoré de Balzac." Studi Francesi, no. 169 (LVII | I) (April 1, 2013): 193–94. http://dx.doi.org/10.4000/studifrancesi.3466.

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BENOZZO, FRANCESCO. "Nostalgia for Chivalry and the Myth of the Knight: The Post-Medieval Reception of Arthurian Tales." Philology 4, no. 2018 (January 1, 2019): 173–93. http://dx.doi.org/10.3726/phil042019.4.

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Abstract The role of Renaissance writers in discovering Medieval Arthurian texts has been a crucial one, and somehow precedes the cultural process of Romantic authors. In this article a few narrative strategies and attitudes are analysed, with reference to authors like Pierre Sala, Mossen Gras, Alain Bouchart, Jorge Ferreira de Vasconcelos, Niccolò degli Agostini, Luigi Alamanni, and with comparative considerations about Malory, Ariosto and Boiardo.

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Wood, Marcus. "Creative confusions: Angelo Agostini, Brazilian slavery and the rhetoric of freedom." Patterns of Prejudice 41, no. 3-4 (July 2007): 245–70. http://dx.doi.org/10.1080/00313220701431393.

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Quealy-Gainer, Kate. "Big Tune: Rise of the Dancehall Prince by Alliah L. Agostini." Bulletin of the Center for Children's Books 76, no. 6 (February 2023): 182–83. http://dx.doi.org/10.1353/bcc.2023.0056.

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19

Galmonte, Alessandra, Alessandro Soranzo, Mauro Murgia, Fabrizio Sors, and Tiziano Agostini. "Lightness Contrast Spatially Propagates on Perceptually Unified Elements." Gestalt Theory 44, no. 1-2 (August 1, 2022): 79–96. http://dx.doi.org/10.2478/gth-2022-0009.

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Abstract In 1993, Agostini and Proffitt showed that perceptual belongingness (the subsumption of some sets of elements into a perceived whole) causes simultaneous lightness contrast to be seen in configurations in which the inducing elements are not adjacent to the target. The aim of the present research was to measure the strength of belongingness in determining the contrast phenomenon when the numbers of the inducing and induced elements and their relative positions are manipulated in Agostini-and-Proffitt-type configurations. In the first experiment, by using a forced choice paradigm, naïve observers indicated which gray disks arranged to form the letter T in two rows (organized with black/white inducers) appeared lighter/darker. In the second experiment, expert observers performed two nulling tasks: 1) the lightness of gray disk(s) was adjusted until it was perceived equal to that of gray target(s) aligned with white/black inducers; 2) the lightness of target(s) organized with white/black inducers was adjusted to match the target(s) organized with black/ white inducers. We found that also when there are few inducers, perceptual belongingness causes the contrast effect to propagate spatially on all the induced elements. Spatial position does not influence the induction effect. Low-level theories cannot account for these phenomena, but higher-level processes must be factored in to explain them.

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Stras, Laurie. "‘AL GIOCO SI CONOSCE IL GALANTUOMO’: ARTIFICE, HUMOUR AND PLAY IN THE ENIGMI MUSICALI OF DON LODOVICO AGOSTINI." Early Music History 24 (July 14, 2005): 213–86. http://dx.doi.org/10.1017/s0261127905000094.

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In 1571 and 1581, the Ferrarese cleric-musician Don Lodovico Agostini published two books each containing, amongst other pieces, a group of madrigals cryptically notated as musical puzzles, advertised as enigmi musicali on their title pages. The enigmi are aptly named; no doubt the composer would have delighted in the doppiosenso, or double entendre, inherent in the term, for they are musical riddles in both a formal and a metaphorical sense. Their content and their very existence in print pose an intriguing array of questions beyond the obvious enquiries regarding the identifying characteristics of the genre and the identity of their composer. Certainly, the enigmi musicali invite speculation about the nature of music as a pastime in late sixteenth-century courtly Italy. Agostini's enigmi musicali are secular, polyphonic vocal works, but they cannot be classed simply as madrigals, nor are they representative of so-called lighter genres of villanelle or canzonette. They exist somewhere on the fringe of the repertoire, with a specific character that reaches in towards the (to us) more familiar forms of Italian secular music, but that also reaches out to and overlaps with other spheres of play and philosophical engagement. So where may the enigmi be placed within the wider compass of early modern social recreation, and what factors might have motivated their composition and their use? Furthermore, if we accept them as evidence of some sort of collective diversion, how are they intended to amuse – are they humorous or cerebral, or both?

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Ellison, Ian. "Nach der Literatur: Studien zu einer Theorie der Literatur by Giulia Agostini." Modern Language Review 117, no. 4 (October 2022): 692–93. http://dx.doi.org/10.1353/mlr.2022.0123.

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Demitchell, Todd A. "A Symbolic Union?: Public Instruction in the Private School. Agostini v. Felton." International Journal of Educational Reform 6, no. 4 (October 1997): 482–89. http://dx.doi.org/10.1177/105678799700600412.

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Bottiglieri, Nicola. "El lenguaje del lugar remoto en la obra del padre Alberto María de Agostini (1883-1960)." Anales de Literatura Chilena, no. 31 (2019): 89–111. http://dx.doi.org/10.7764/analeslitchi.31.05.

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Al describir y fotografiar la Patagonia meridional y la Tierra del Fuego, Alberto de Agostini dilata la categoria de lo sublime natural característico del la literatura romántica europea del siglo XIX. La natu- raleza antártica tiene la misma belleza del mundo visto al día siguiente de la Creación, nunca pisado por hombres. Por lo tanto, en lo “sublime natural americano” se halla una hermosura inédita e impresionante desconocida en Europa. Este ensayo analiza las modalidades narrativas a través de las cuales se describe esta naturaleza primigenia.

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Ciacchi, Andrea. "LUZ, CÂMERA, MISSÃO: ETNOGRAFIAS VISUAIS DE SALESIANOS ITALIANOS NA AMÉRICA DO SUL." Revista Habitus - Revista do Instituto Goiano de Pré-História e Antropologia 17, no. 2 (December 20, 2019): 476. http://dx.doi.org/10.18224/hab.v17i2.7487.

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Carlo Crespi (1891-1982) e Alberto Maria De Agostini (1883-1960), padres salesianos italianos, estiveram envolvidos em atividades missionárias na América do Sul, na primeira metade do século XX. Na década de Vinte, realizaram documentários com imagens que retratavam populações indígenas, na Amazônia equatoriana e na Patagônia/Terra do Fogo, respectivamente. Aqui procuro reconstruir historiograficamente e contextualizar essa produção visual com as trajetórias dos dois autores e com os dilemas políticos, ideológicos e etnográficos que cercavam a ação evangelizadora dos salesianos naquele período e nessas regiões.

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Weinberg, Lawrence D., Charles J. Russo, and Allan G. Osborne. "The Establishment Clause, Agostini v. Felton, and Vouchers in Religiously Affiliated Nonpublic Schools." International Journal of Educational Reform 7, no. 3 (July 1998): 209–16. http://dx.doi.org/10.1177/105678799800700301.

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Smarra, André Luis Soares, César Augusto Lotufo, Luciano Filizola da Silva, and Nataniel dos Santos Gomes. "As aventuras de Nhô Quim: o Marco Histórico dos Quadrinhos no Mundo." 9ª Arte (São Paulo) 9, no. 2 (December 21, 2021): 15–41. http://dx.doi.org/10.11606/2316-9877.2021.v9i2.153373.

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O presente trabalho visa estabelecer um marco teórico quanto à definição de histórias em quadrinho, como um segmento artístico e cultural, bem como um marco histórico, desenvolvendo um contraponto a respeito da discussão sobre qual seria a primeira história em quadrinho publicada no mundo. Ainda que, de maneira predominante, atribuam tal feito a Outcalt com seu Yellow Kid em 1896, se buscará nesse artigo demonstrar que a primeira obra publicada desse gênero foi As aventuras de Nhô Quim de Angelo Agostini publicada no Brasil, mais precisamente na revista Vida Fluminense, em 30 de janeiro de 1869, ou seja, 27 anos antes.

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Feiden, Sonia. "Europeanisation of European Law Adjudication — A Comment." European Review of Private Law 8, Issue 1 (March 1, 2000): 17–24. http://dx.doi.org/10.54648/264244.

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This paper seeks to explore the workability of the idea of interactive adjudication in the field of European primary law. It sets out some of the problems of so-called negative integration through ECJ jurisprudence on the fundamental economic freedoms, and argues that co-operation between the different levels of governance in the EC is required to provide the regulatory framework indispensable for transnational economic activity. Strengthening the European Union, it is submitted, will not necessarily mean 'more Brussels and Luxembourg'. To support this opinion, the De Agostini and TV-Shop case is examined in this light.

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França, Gabriel Vicente. "O cotidiano de estudantes de direito de São Paulo no “Romance de um Estudante” (1864)." Práticas Educativas, Memórias e Oralidades - Rev. Pemo 3, no. 3 (November 13, 2021): e337109. http://dx.doi.org/10.47149/pemo.v3i3.7109.

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O artigo apresenta os resultados parciais de uma pesquisa em história da educação sobre o cotidiano de estudantes de direito em São Paulo na década de 1860, a partir da leitura do texto ficcional anônimo “Romance de um estudante”, publicado no periódico “Diabo Coxo”, em 1864. Esta publicação, a primeira ilustrada a circular na cidade de São Paulo, era feita pelo cartunista Angelo Agostini, pelo estudante Sizenando Nabuco e pelo abolicionista Luiz Gama. Desta forma, discutem-se aspectos constituintes da identidade estudantil de então, como o distanciamento entre lar familiar e lar escolar, a juventude como um período de exílio e a expressão por meio da literatura e do periodismo.

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Rocha, Danilo Aparecido Champan, and Sandra De Cássia Araújo Pelegrini. "Cabrião: o debate político no Segundo Reinado por meio das caricaturas de Angelo Agostini." Fronteiras 20, no. 35 (August 22, 2018): 46–67. http://dx.doi.org/10.30612/frh.v20i35.8633.

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A fundação do Cabrião (1866-1867), segunda revista ilustrada e humorística de São Paulo, editada por Américo de Campos, Antonio Manoel dos Reis e Angelo Agostini, consolidou o potencial da combinação da linguagem verbovisual para noticiar os principais acontecimentos citadinos, os debates políticos e os eventos culturais. A caricatura, técnica de deformação do real por meio do ridículo e da derrisão do objeto retratado, abrangeu o acesso das discussões da imprensa à um público não-letrado e permitiu intensificar a difusão de valores e ideias através de sua mordacidade cáustica. Nesse sentido, o periódico paulistano ilustrado criticou seus adversários políticos, principalmente, os conservadores e os jesuítas, considerados como obstáculos para o “progresso civilizatório”. Identificados com o ideário liberal, os redatores defenderam a descentralização política, o ensino laico, a supressão do poder moderador, entre outras medidas, o que muitas vezes ocasionou problemas políticos com seus próprios correligionários. Por fim, a oposição de diversos segmentos sociais da província de São Paulo contra a continuidade da circulação do Cabrião provocou uma crise financeira que impediu a produção de uma segunda série.

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Cruz, Nicolás. "Alberto M. de Agostini, Andes Patagónicos. Viajes de Exploración a La Cordillera Patagónica Austral." Historia (Santiago) 44, no. 1 (June 2011): 191–93. http://dx.doi.org/10.4067/s0717-71942011000100006.

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Auriac-Slusarczyk, Emmanuèle. "Agostini, M. (2011). Les enfants et la philosophie. Paris, France : Éditions Aux forges de Vulcain." Revue des sciences de l'éducation 38, no. 3 (2012): 651. http://dx.doi.org/10.7202/1022716ar.

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Piperno, Franco. "Diplomacy and musical patronage: Virginia, Guidubaldo II, Massimiliano II, ‘lo Streggino’ and others." Early Music History 18 (October 1999): 259–85. http://dx.doi.org/10.1017/s026112790000187x.

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The name of Virginia Vagnoli, a renowned Sienese singer who was active for several years at the court of Guidubaldo II della Rovere, Duke of Urbino, is known thanks to research carried out by scholars as well as to some fortunate circumstances. She was the most prominent musician at Guidubaldo II's court at Pesaro, and her name appears in several mid-sixteenth-century documents: Francesco Sansovino's Le cento novelle (second edition, 1562), the title page of Giovanni Maria Rosso's Il primo libro di madrigali a quattro voci, published and dedicated to her by Claudio Merulo; the dedication to Guidubaldo II of the treatise De origine et dignitate musices, by Pietro Caetano, singer at St Mark's; and, above all, the literary works of the poet Lodovico Agostini.

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Donati, Riccardo. "L’Italie magique de Massimo Bontempelli, textes recueillis et présentés par Jacqueline Spaccini et Viviana Agostini-Ouafi." Italies, no. 13 (December 1, 2009): 531–32. http://dx.doi.org/10.4000/italies.4173.

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Rudden, Bernard. "Droit Comparé. By Eric Agostini. [Paris: Presses Universitaires de France. 1988. 339 pp. inc. index. FF128]." International and Comparative Law Quarterly 39, no. 1 (January 1990): 246–47. http://dx.doi.org/10.1093/iclqaj/39.1.246.

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Vergueiro, Waldomiro. "O humor gráfico no Brasil pela obra de três artistas: Ângelo Agostini, J. Carlos e Henfil." Revista USP, no. 88 (February 1, 2011): 38. http://dx.doi.org/10.11606/issn.2316-9036.v0i88p38-49.

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Tomazi, Gilberto. "PROFECIA E SANTIDADE: experiência religiosa de João Maria." Revista Pistis Praxis 1, no. 1 (September 14, 2009): 89. http://dx.doi.org/10.7213/pp.v1i1.10746.

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Este artigo visa recuperar alguns aspectos da mensagem, da mística e da missão de João Maria d´Agostini, considerado profeta e santo na região onde, entre os anos de 1912 a 1916, aconteceu a guerra do Contestado. Destacaremos as principais idéias que o moveram e que estiveram na base de suas pregações e diálogos. Este artigo procura considerar a sua mensagem mais original, aquela que se encontra nas mais diferentes obras existentes que tratam do assunto. Queremos, com isso, abrir um caminho de compreensão da mensagem de João Maria e de como ela foi sendo ressignificada junto aos descendentes do Contestado. Este artigo apresenta aspectos relacionados à vida, aos costumes, à religiosidade, à moral, à cosmo visão e demais dimensões da vida humana e da biodiversidade, contidas no discurso de João Maria e na memória popular do Contestado a seu respeito.

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Fiore, Ilaria, and Michele Baldassarre. "Ripensare gli spazi: l’educazione all’aperto come proposta per il benessere e il miglioramento dell’apprendimento degli alunni." IUL Research 3, no. 6 (December 21, 2022): 137–49. http://dx.doi.org/10.57568/iulres.v3i6.347.

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Negli ultimi anni sono state svolte numerose esperienze didattiche accomunate dall’idea che gli spazi aperti siano luoghi in grado di supportare l’apprendimento dei bambini, apportando vantaggi che si riflettono sul loro benessere psicofisico e sociale (Farné & Agostini, 2014). In questa prospettiva si inserisce l’Outdoor Education (OE) che prevede percorsi da realizzare in ambienti naturali, in cui le esperienze possiedono un carattere pratico e coinvolgono gli studenti a livello sensoriale e corporeo (Malone & Waite, 2016). L’attuale sfida è quella di integrare l’OE nella pratica didattica, estendendo il concetto di aula ad altri ambienti open space, utilizzabili sia per momenti di studio sia per quelli di incontro e riflessione personale (Ceciliani, 2019). Diviene, così, necessario riflettere sulla qualità degli ambienti educativi e avvalersi di spazi in cui i discenti siano i diretti costruttori e responsabili dei luoghi che abitano (Mortari, 2008).

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Kisil, V. V. "Comment on “Do we have a consistent non-adiabatic quantum-classical mechanics?” by Agostini F. et al." EPL (Europhysics Letters) 89, no. 5 (March 1, 2010): 50005. http://dx.doi.org/10.1209/0295-5075/89/50005.

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Paulsen Bilbao, Abraham. "La matriz MATAN, una propuesta de análisis paisajístico, mediante el uso de fotografías documentales, históricas y/o patrimoniales de los Andes Patagónicos Chilenos de principios del siglo XX." Espacios 7, no. 13 (December 29, 2017): 72. http://dx.doi.org/10.25074/07197209.13.706.

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Se asiste en la actualidad a un verdadero revival de los estudios geográficos del paisaje, basta revisar los contenidos de publicaciones como Progress in Human Geography y los Annals of Profesional Geographers, por ejemplo, desde la última década en adelante para constatar cómo este tema se ha “popularizado” entre geógrafos, arquitectos, urbanistas y planificadores, entre otros cientistas sociales e investigadores en humanidades. Tim Ingold, desde la antropología del paisaje, nos entrega algunas pistas de los aspectos que explican la resignificación adquirida por estudios enfocados en este concepto clave de la geografía, destacando, el impacto de nuevas concepciones acerca de las relaciones entre el observador y lo observado, que se distancian del cartesianismo tradicional (Ingold, 2011) y la influencia de la física teórica en las ideas referidas a tiempo y espacio (Ingold, 2000).Sostenemos que, estas nuevas comprensiones permiten superar algunas contradicciones modernas, que incidían profundamente en el análisis: la primera, referida a las determinaciones sujeto – objeto aplicadas al problema de la percepción y del conocimiento del medio; la segunda, asociada a la consideración de que tiempo y espacio son dimensiones cuasi – irreconciliables y autónomas una con respecto a la otra; y, la tercera, la necesidad metodológica de considerar estáticas las dimensiones ya señaladas con el fin de realizar estudios mediante vías indirectas, como las fotografías, de paisajes ignotos o pretéritos. Hemos desarrollado una matriz analítica, la matriz MATAN, para analizar, desde la geografía, paisajes utilizando como recursos las fotografías, la cual aplicaremos a la colección fotográfica del sacerdote salesiano Alberto De Agostini referida a los Andes Patagónicos chilenos. Sostenemos que la aplicación de MATAN nos permitirá identificar los mensajes implícitos en la imagen, así como también otros aspectos referidos al paisaje como fenosistema, a las técnicas, motivaciones e intenciones del autor, así como también el mensaje religioso que contienen las fotografías, emanado directamente desde la visión de mundo y de realidad que convivían en la mente del sacerdote y científico italiano ya aludido.Palabras claves: Andes patagónicos, Alberto De Agostini, fotografía, paisaje, metalenguaje, matriz MATAN.

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Böttner, Robert. "Book review: Das Sanktionssystem zur haushaltspolitischen Disziplinierung der EU-Mitgliedstaaten, by Anke Agostini. (Baden-Baden: Nomos, 2020)." Common Market Law Review 58, Issue 2 (April 1, 2021): 596–98. http://dx.doi.org/10.54648/cola2021033.

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Fiola, Marco A. "Viviana Agostini-Ouafi. Giacomo Debenedetti, traducteur de Marcel Proust. Cahiers de Transalpina. Caen, Presses universitaires de Caen, 2003, 219 p." TTR : traduction, terminologie, rédaction 19, no. 2 (2006): 253. http://dx.doi.org/10.7202/017831ar.

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Czyzewski, Analice, and Marcília Rosa Periotto. "O jornal Diabo Coxo (1864-1865): a caricatura e a crítica à elite política-social no segundo império." Revista HISTEDBR On-line 15, no. 66 (February 26, 2016): 32. http://dx.doi.org/10.20396/rho.v15i66.8643700.

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O jornal Diabo Coxo (1864-1865), publicado por Ângelo Agostini (1843-1910) e Luís Gama (1830-1882) na província de São Paulo, destacou-se por utilizar caricaturas como estratégias na compreensão de fatos sociais e dos interesses de classe emanados tanto da elite local como da vinculação com o governo imperial. A hipótese é de que influenciou na educação política do povo na província paulista a partir das imagens caricatas que ilustravam os fatos cotidianos, da conjuntura social, política e econômica. Esse quadro, com as ilustrações, permitia aos iletrados a compreensão das condições de vida exatamente como se apresentavam na realidade. A imagem e a representação do fato eram suficientes para por o leitor em contato com a realidade e, a partir dela, refletir o significado do cotidiano social e das decisões imperiais e de seus dirigentes. A imprensa do século XIX colaborou e faz parte do conjunto de ações educativas desse período. Nesse sentido, o objetivo deste artigo será discutir como o jornal utilizou-se da caricatura como arma crítica contra as instituições imperiais representantes das forças atrasadas da nação brasileira, transformando-as em subsídio educativo.

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Agostini, T., and A. Galmonte. "Further Evidence of the Effect of Gradient on Lightness." Perception 26, no. 1_suppl (August 1997): 63. http://dx.doi.org/10.1068/v970223.

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Recently, Agostini and Galmonte (submitted for publication) reported a new effect of gradient on lightness. When two identical mid-gray squares are placed at the centre (white and black, respectively) of two crosses, the first cross having arms filled by a constant achromatic gradient from black (outer part) to white (inner part), and the second cross being the negative of the first one, the gray target surrounded by white appears much darker than that surrounded by black. In a simultaneous comparison, this phenomenon is much stronger than the classical lightness contrast effect. Further observations showed that the effect is quite robust also when the amount of black area is reduced and the gradient is discontinuous. When the gray targets are enlarged to fill the centres of the crosses, the effect is still stronger than that observed in the classical simultaneous lightness contrast display. Furthermore, the effect is independent of the shape of the configuration. The phenomenon can be explained by assuming that the gradient is perceived as a change of the level of illumination rather than as a change of the reflectance of the surfaces.

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Mazzone, Umberto. "Atti del Convegno di Studi Gian Matteo Giberti (1495–1543) ed. by Marco Agostini and Giovanna Baldissin Molli (review)." Catholic Historical Review 99, no. 2 (2013): 353–54. http://dx.doi.org/10.1353/cat.2013.0114.

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Cosma, Iulia. "André Pézard, Dante e il pittore persiano. Note sul tradurre a cura di Viviana Agostini-Ouafi, postfazione di Jean-Yves Masson." Translationes 7, no. 1 (June 1, 2015): 180–82. http://dx.doi.org/10.1515/tran-2016-0013.

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Crossen-White, Holly Louise, Ann Hemingway, and Adele Ladkin. "The application of social innovation as it relates to older people and the implications for future policymaking: a scoping review." Quality in Ageing and Older Adults 21, no. 3 (November 19, 2020): 143–53. http://dx.doi.org/10.1108/qaoa-04-2020-0014.

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Purpose Social innovation has received increasing attention in recent decades (Agostini et al., 2017). This study aims to consider how the concept has been applied to the issue of ageing and what can be learnt about effective policy responses. Design/methodology/approach The acknowledged lack of understanding generally about the concept makes it timely to undertake a scoping review of the current evidence from social innovation projects associated with older people. A scoping review is considered appropriate where there is a need to “identify and analyse knowledge gaps” (Munn et al., 2018, p. 2). Findings Findings from the scoping review indicate that, as yet, the concept of social innovation is not fully defined. However, it has widespread appeal across a diverse range of disciplines and has the potential to generate innovative policy responses. Originality/value A key argument identified is the need to change the public’s perceptions of ageing and devise public policies that encourage and nurture age-friendly communities. In summation, although social innovation has the potential to act as a policy driver, but to be effective, it is necessary to devise robust strategies to ensure full user-engagement and active involvement of communities. Therefore, it is the process of delivery that needs urgent attention in any future research into social innovation.

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Feltrin, Paolo. "Materiali. Se e quanta teoria (o ideologia) è necessaria all'azione sindacale? Temi e problemi a proposito di L. Agostini, NeoSocialismo, Ediesse, 2018." GIORNALE DI DIRITTO DEL LAVORO E DI RELAZIONI INDUSTRIALI, no. 166 (July 2020): 409–15. http://dx.doi.org/10.3280/gdl2020-166013.

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Figueiredo, Guilherme Elias de. "Como ler uma revista ilustrada? Uma proposta metodológica para o estudo de periódicos ilustrados publicados no Brasil oitocentista (How to read an illustrated magazine? A methodological issues for studie...)." Cadernos de História 16, no. 25 (December 18, 2015): 77. http://dx.doi.org/10.5752/p.2237-8871.2015v16n25p77.

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O artigo discute questões metodológicas para o estudo das revistas ilustradas brasileiras oitocentistas. O objetivo é debater um método de análise que se detém sobre os sentidos estabelecidos na interação entre textos e imagens de determinado número de um periódico ilustrado, na lógica formada pela leitura sequencial de suas edições e nas suas relações com outras revistas e jornais que circularam no Brasil durante o século XIX. Essa perspectiva foi denominada “blocos temáticos de análise” e possibilita a compreensão de sentidos não observados quando são analisadas isoladamente as imagens e os textos dessas revistas. A proposta aponta para a importância de o historiador considerar o projeto editorial de um periódico ilustrado e as formas de apropriação e contextualização das ideias, símbolos e visões sobre a sociedade brasileira oitocentista desse tipo de publicação. Para tanto, foram analisados os números 84, 85 e 87 da revista Illustrada de Angelo Agostini. Essas edições abordaram o retorno de D. Pedro II ao Brasil depois de sua segunda viagem internacional em 1877 e a repercussão desse fato na imprensa brasileira, assunto que norteia o bloco temático de análise. São apontados caminhos que podem contribuir para a interpretação historiográfica sobre os periódicos ilustrados publicados no Brasil no século XIX. AbstractThe article discusses about methodological issues in the study of illustrated magazines from Brazil published by nineteenth-century. The goal is to debate a method established in the interaction of texts and images inside a number of illustrated magazine, the logic formed by a sequential read of their editions and in its relations with other magazines and journals that circulated in Brazil during the nineteenth century. That is called prospect "analysis of thematic blocks" and allows us to understand directions that were not observed when the analisys consider isolated images and texts of these magazines. The proposal indicates the importance of the historian consider the editorial design of an illustrated magazine and the forms of appropriation and contextualization of ideas, symbols, and visions about the brazilian society. Therefore, we analyzed the numbers 84, 85 and 87 of the revista Illustrada by Angelo Agostini. It was approuched the return of D. Pedro II to Brazil after his second international trip in 1877 and the impact of that fact in the brazilian press. Thus it ispropouse ways that can contribute to the historiographical interpretation of the illustrated magazine published in Brazil by the nineteenth century.Keywords: Illustrated magazines; Methodology; Brazil; Nineteenth-century.

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Murgia, Mauro, and Alessandra Galmonte. "Editorial: The Role of Sound in Motor Perception and Execution." Open Psychology Journal 8, no. 1 (December 31, 2015): 171–73. http://dx.doi.org/10.2174/1874350101508010171.

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“Perception and action” is one of the main research fields in which experimental psychologists work together with experts of other disciplines, such as medicine, physiotherapy, engineering, and sport. Traditionally, researchers have mainly focused on visual perception and on its influences on motor processes, while less attention has been dedicated to the role of auditory perception. However, in the last decade, the interest towards the influence of sounds on both action perception and motor execution has increased significantly. On the one hand, researchers have been interested in determining how humans can represent motor actions through the sounds associated with movements, as well as which auditory cues are salient for recognizing and discriminating different features of movement [1-10]. On the other hand, researchers have studied how auditory stimuli affect the production of complex movements in different domains [11-21]. The general aim of this special issue is to provide an overview of the relationship between sounds and movements by addressing theoretical, methodological, and applied issues from a multidisciplinary perspective. ORGANIZATION OF THE VOLUME At the beginning of this special issue we report the contributions that deal with theoretical (Steenson & Rodger; Pizzera & Hohmann) and methodological (Dyer, Stapleton & Rodger) issues regarding auditory perception and action. After providing a theoretical and methodological background, we report those contributions that focus on possible applications of auditory training in the domain of sport and exercise psychology (O, Law & Rymal; Sors, Murgia, Santoro & Agostini), rehabilitation (Murgia, Corona, Pili, Sors, Agostini, Casula, Pau & Guicciardi), and motor learning (Effenberg, Schmitz, Baumann, Rosenhahn & Kroeger). In the first article, Steenson and Rodger highlight that despite the fact that sounds are helpful in executing many dayto- day and context-specific movements and skills in everyday life, there is a surprising lack of exploration of this topic in psychological studies. In fact, the authors review the auditory perception literature and note that auditory perception theories mainly describe the rules governing the processing and representation of sounds in memory, and largely disregard the meaning that sounds have to individuals engaged in movement and the subsequent use of movement sounds in movement priming and execution. Steenson and Rodger’s work can be framed in the context of Gibson’s ecological psychology, as they emphasize the role of sound as a very important affordance that we use to interact with our environment. In the second contribution, Pizzera and Hohmann extensively review studies that address the relevance of the mutual interactions between perception and motor control. Again, these authors highlight the scarcity of research on acoustic information, especially when comparing it with the amount of evidence available in the visual domain. Pizzera and Hohmann offer their perspective on the role of auditory information in controlling and integrating the perception and action cycle. The authors present both behavioral and neurophysiological evidence in support of the importance of auditory information in perception and action, and propose valuable suggestions that future investigators should consider in order to advance the state of knowledge in this domain. The methodological contribution of Dyer, Stapleton and Rodger highlights the feasibility of movement sonification as an effective feedback tool for enhancing motor skill learning and performance, particularly in novices. The authors critically discuss the strengths and weaknesses of movement sonification in the context of providing efficient perceptual feedback information to learners. Dyer, Stapleton and Rodger conclude that a well-defined framework for sonification mapping has yet to be established and that there is still need for controlled trials in motor learning. However, the authors do suggest that new technologies relevant to movement sound recording, mapping, and sonification are available to researchers and can facilitate meaningful and much-needed future research on this promising perceptual feedback method. With regards to the possible applications of audio-based interventions, the fourth article of the issue by O, Law, and Rymal provides an overview of imagery and modeling research in sport psychology and motor learning, documenting evidence supporting the cognitive processing similarities between imagery and modeling. Within this background, the authors critically examine the role of the auditory sense in modeling and imagery, analyzing both theoretical issues and empirical evidence. From a bio-informational theory perspective, O, Law, and Rymal offer several examples of potential applications of the deliberate integration of the auditory sense in movement teaching and instruction, but also offer a strong caveat regarding the severe lack of applied research on the auditory sense focused on sport populations, especially in the domain of imagery. In their conclusions the authors propose detailed recommendations for future research. A second contribution on audio-based interventions in sports is provided by Sors, Murgia, Santoro and Agostini. The authors extensively define the concepts of augmented feedback and modeling, and review studies demonstrating the effectiveness of sounds in improving the execution of simple rhythmic motor tasks. Then, Sors and colleagues describe both a theoretical background and neurophysiological evidence illustrating the mechanisms that are possibly influenced by audio-based interventions. Finally, they provide a complete description of the literature on auditory modeling and auditory augmented feedback in sports, specifying the methodological details of previous studies and proposing future directions for both, application and research. In the sixth article, Murgia, Corona, Pili, Sors, Agostini, Casula, Pau and Guicciardi illustrate the perceptual-motor impairments of patients affected by Parkinsons’ disease and new frontiers in assessment and interventions. They extensively review the empirical evidence concerning the Rhythmic Auditory Stimulation (RAS) method, describing the mechanisms underpinning its effectiveness. The authors propose possible methods for integrating auditory cues into physical therapy interventions as well as assessments. Last, Murgia and colleagues describe the biomechanical advantages of three-dimensional quantitative gait analysis, and discuss the potential impact of the incorporation of ecological footstep sounds in the modulation of patients’ gait. In the seventh and last contribution of this special issue, Effenberg, Schmitz, Baumann, Rosenhahn and Kroeger present a new method based on sonification called “Sound- Script”, which is aimed to facilitate the acquisition of writing. This method consists of the sonification of handwriting, that is, the conversion of physical parameters (i.e., position of the pen, pressure) into movement sounds, which provides children with auditory information which correlates with visual information of their handwriting performance. The authors report pilot data, showing that the multisensory integration elicited by SoundScript leads to a more adequate reproduction of writing kinematics. Effenberg and colleagues conclude by highlighting the potential of this new method and suggesting future steps for research. In sum, we hope that the papers presented in this special issue constitute a useful reference for movement researchers in the field of auditory perception and action, as well as for practitioners in the domains of sport, rehabilitation, and motor learning.

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Kieffer-Pülz, Petra. "Giulio Agostini (trans.): The Ornament of Lay Followers. Ānanda's Upāsakajanālaṅkāra. Bristol: The Pali Text Society, 2015. £20. ISBN 978 0 86013 506 7." Bulletin of the School of Oriental and African Studies 78, no. 3 (September 28, 2015): 632–33. http://dx.doi.org/10.1017/s0041977x15000634.

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Journal articles on the topic 'De Agostini'

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