Dissertations / Theses on the topic 'David Malouf'
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Heinke, Jörg. "Die Konstruktion des Fremden in den Romanen von David Malouf /." Würzburg : Königshausen & Neumann, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2689707&prov=M&dok_var=1&dok_ext=htm.
Full textHeinke, Jörg. "Die Konstruktion des Fremden in den Romanen von David Malouf." Würzburg Königshausen und Neumann, 2003. http://deposit.ddb.de/cgi-bin/dokserv?id=2689707&prov=M&dok_var=1&dok_ext=htm.
Full textHawkes, Lesley. "Placing the Halo : language in the novels of David Malouf." Thesis, University of Queensland, 2000.
Find full textDelrez, Marc. "Fragmentation as a conceptual mode in the novels of Randolph Stow and David Malouf /." Title page, contents and synopsis only, 1988. http://web4.library.adelaide.edu.au/theses/09ARM/09armd364.pdf.
Full textBaker, David, and n/a. "Of Unprincipled Formalism: Readings in the Work of David Malouf and Peter Carey." Griffith University. School of Humanities, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040616.120642.
Full textSherriff, Minna. "Myth as a framework in two novels by Julian Barnes and David Malouf /." Title page, table of contents and introduction only, 1998. http://web4.library.adelaide.edu.au/theses/09AR/09ars553.pdf.
Full textBaker, David. "Of Unprincipled Formalism: Readings in the Work of David Malouf and Peter Carey." Thesis, Griffith University, 2003. http://hdl.handle.net/10072/366447.
Full textThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Humanities
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Serra, Pagès Conrad. "Men in David Malouf’s Fiction." Doctoral thesis, Universitat de Barcelona, 2020. http://hdl.handle.net/10803/668922.
Full textL’objectiu de la tesi és valorar la contribució de les obres de ficció de David Malouf als estudis de gènere i de masculinitats. Per tal d’aconseguir-ho, hem dut a terme una lectura fidel de les seves novel·les tot emfasitzant aquells elements de la història on el gènere i les masculinitats són més rellevants, i a partir d’aquí hem emprat una sèrie de teories que consideràvem adients en la nostra anàlisi. Hem llegit la seva novel·la àmpliament autobiogràfica, Johnno en la tradició de la Bildungsroman. En aquesta tradició, els personatges principals es realitzen quan compleixen les expectatives que la societat espera d’ells. Així doncs, fer-se un home o una dona vol dir complir aquestes expectatives. A Johnno, Malouf ens dóna una forma alternativa de socialització exitosa que redimeix al personatge principal, Dante, però que també s’erigeix sobre una tragèdia personal. Emprem la recerca de Judith Butler sobre la “performativitat” del gènere, l’ècriture feminine d’Hélène Cixous i Julia Kristeva i la distinció que fan entre llenguatge semiòtic i simbòlic, els estudis de Eve K. Sedgwick i René Girard sobre desig homosocial i el triangle amorós, i la recerca etnogràfica de Simone the Beauvoir i Pierre Bourdieu sobre la dona I la societat Kabyle, respectivament, en la nostra anàlisi d’An Imaginary Life i Harland’s Half Acre. A An Imaginary Life, Malouf narra la vida del poeta Ovidi a l’exili. A Roma, Ovidi desafia el patriarcat escrivint una poesia que és impertinent i divertida. Al seu exili a Tomis, Ovidi decideix criar un nen salvatge, contradient el consell de les dones del poble, que acaben utilitzant el seu poder, basat en les tradicions populars i la superstició, per lliurar-se’n. A Harland’s Half Acre, Malouf crea una llar principalment masculina on les dones hi són absents, i una de femenina on les dones porten les rendes de la casa i els homes hi tenen un paper secundari. Quan el personatge principal de la novel·la, Frank Harland, finalment recupera l’herència de la seva família i la vol entregar a l’únic descendent que queda de la família, el seu nebot Gerald, aquest es suïcida. Un dels temes més recurrents a les novel·les de David Malouf, el desenllaç de les novel·les privilegien una possessió de tipus espiritual per damunt d’una possessió basada en els valors del patriarcat, és a dir, la descendència basada en els fills legítims o de sang i els privilegis del fill primogènit, relacions jeràrquiques de poder i la propietat. Emprem els estudis sobre homes i masculinitats de Michael S. Kimmel i R. W. Connell, la recerca històrica de la identitat Australiana tal com es va forjar durant el període colonial i les dues Guerres Mundials en la nostra anàlisi de Fly Away Peter, The Great World, Remembering Babylon i The Conversations at Curlow Creek. A Austràlia, la identitat nacional i les definicions de masculinitat estan estretament lligades a les masculinitats de fronteres i de guerra. En aquestes novel·les, Malouf representa la llegenda del típic Australià: escèptic de l’autoritat, relaxat, igualitari, malparlat, informal, amb recursos, etc. Malauradament, la llegenda va tenir un efecte molt destructiu en les dones i els valors femenins, i per això recuperem de l’oblit l’important paper que van jugar les dones en la construcció d’Austràlia. La recerca d’Edward Said a Culture and Imperialism, les nocions d’hibridització i mimetisme d’Homi Bhabha, i la novel·la Heart of Darkness, de Joseph Conrad, ens proporcionen eines valuoses per la nostra anàlisi de qüestions ètniques i de classe quan ens preguntem què vol dir ser home a Remembering Babylon. Els estudis de Margaret M. Gullette sobre els prejudicis de la representació de l’edat a la literatura, i la recerca d’Ashton Applewhite contra els prejudicis de l’edat, ens proporcionen el marc teòric de la nostra lectura de Ransom, on Malouf explica la història de Priam, que rescata el cos del seu fill Hèctor de les mans d’Aquil·les, tot preguntant-nos quin tipus d’heroisme li queda a un home quan es fa vell. Finalment, oferim una lectura atenta de la resolució de les novel·les, on els agents del canvi són sempre masculins o impliquen personatges masculins. Per exemple, Dante i Johnno, l’heori epònim de la novel·la; el nen salvatge a An Imaginary Life; Digger i Vic a The Great World; Gemmy a Remembering Babylon o Priam i Achilles a Ransom. D’aquesta manera, esperem entendre millor i transmetre més clarament el món dels homes que Malouf ens representa a les seves novel·les.
McWilliams, Amber. "Our lands, our selves: the postcolonial literary landscape of Maurice Gee and David Malouf." Thesis, University of Auckland, 2010. http://hdl.handle.net/2292/5617.
Full textMcWilliams, Amber. "Our lands, our selves : the postcolonial literary landscape of Maurice Gee and David Malouf /." e-Thesis University of Auckland, 2009. http://hdl.handle.net/2292/5617.
Full text"Submitted in fulfilment of the requirements of the Doctor of Philosophy in English, the University of Auckland, 2009." Includes bibliographical references.
Smith, Yvonne J. "Brightness under our shoes the redress of the poetic imagination in the poetry and prose of David Malouf 1960-1982 /." Connect to full text, 2008. http://hdl.handle.net/2123/5139.
Full textTitle from title screen (viewed July 13, 2009) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of English, Faculty of Arts. Degree awarded 2009; thesis submitted 2008. Includes appendices. Includes bibliography. Also available in print form.
Dunlop, Nicholas. "Re-inscribing the map : cartographic discourse in the fiction of Peter Carey and David Malouf." Thesis, Queen's University Belfast, 2003. https://pure.qub.ac.uk/portal/en/theses/reinscribing-the-map-cartographic-discourse-in-the-fiction-of-peter-carey-and-david-malouf(3be26d1c-4c27-4d4b-b317-5512cc24a33c).html.
Full textKerren, Ulla. "Language in Transformation : Postmodern Notions in David Malouf's An Imaginary Life." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-10235.
Full textNettelbeck, Amanda E. ""The darkness at our back door" : maps of identity in the novels of David Malouf and Christopher Koch /." Title page, table of contents and abstract only, 1991. http://web4.library.adelaide.edu.au/theses/09PH/09phn4731.pdf.
Full textFroud, Mark. "'Towards another language': the journey of the lost child in the works of Janet Frame and David Malouf." Thesis, University of the West of England, Bristol, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.601196.
Full textEgerer, Claudia. "Fictions of (in)betweenness /." Göteborg (Sweden) : Acta universitatis Gothoburgensis, 1997. http://catalogue.bnf.fr/ark:/12148/cb37650173w.
Full textSmith, Yvonne Joy. "Brightness Under Our Shoes: the Redress of the Poetic Imagination in the Poetry and Prose of David Malouf, 1960-1982." University of Sydney, 2009. http://hdl.handle.net/2123/5139.
Full textThis study investigates the poetic foundation of David Malouf’s poetry and prose published from 1960 to 1982. Its purpose is to extend reading strategies so that the nature of his poetic and its formative influence are more fully appreciated. Its thesis is that Malouf explores and tests with increasing confidence and daring a poetic imagination that he believes must meet the demands of the times. Malouf’s work is placed in relation to Wallace Stevens’ belief that the poetic imagination should “push back against the pressure of reality”, a view discussed by Seamus Heaney in “The Redress of Poetry”. The surprise of the poetic as “unpredicted aesthetic value” (García-Berrio, 1989) is significant to his purposes and techniques, as it creates idea-images and feeling-values (Jung, 1921) that bring together apparently opposite ways of knowing the world. In seeking to represent the meeting of inner and outer perceptions, Malouf’s work shows the influence not only of Stevens but also Rilke and contemporary American poetry of “deep image”. The Australian context of Malouf’s work is considered in relation to Judith Wright’s essay “The Writer and the Crisis” and the poetry of Malouf’s contemporaries. Details of the manuscript development of his first four novels show Malouf’s steps towards a clearer representation of his holistic, post-romantic vision. His correspondence with the poet Judith Rodriguez provides useful insights into his purposes. Theories and research about brain functions, the nature of intelligence and learning provide an important international context in the 1960s and 1970s, given Malouf’s interest in how meaning forms from perception and experience. Jean Piaget’s view of intelligence and David Kolb’s theory of experiential learning (1984) offer frameworks for reading Malouf that have not yet been considered. The thesis offers a model of poetic learning that highlights the interplay of dialectically opposed ways of forming meaning and points to the importance for Malouf of holding diverse states of mind together through the poetic imaginary.
Smith, Yvonne Joy. "Brightness Under Our Shoes: the Redress of the Poetic Imagination in the Poetry and Prose of David Malouf, 1960-1982." Thesis, The University of Sydney, 2008. http://hdl.handle.net/2123/5139.
Full textMoisander, Malin. "Can the Nonhuman Speak? : A Postcolonial Ecocritical Reading of David Malouf’s Remembering Babylon." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-24039.
Full textJohnson, Eleanore. "Ill at ease in our translated world ecocriticism, language, and the natural environment in the fiction of Michael Ondaatje, Amitav Ghosh, David Malouf and Wilma Stockenström." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002277.
Full textLee, Deva. "The unstable earth landscape and language in Patrick White's Voss, Michael Ondaatje's The English Patient and David Malouf's An Imaginary Life." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002281.
Full textAsk, Nunes Denise. "Maxime Miranda in Minimis: Reimagining Swarm Consciousness and Planetary Responsibility." Thesis, Stockholms universitet, Engelska institutionen, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-117997.
Full textTruter, Victoria Zea. "Dreamscape and death : an analysis of three contemporary novels and a film." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1012976.
Full textArigita, Cernuda Neira. "Can the Subaltern Be Silent? : Silence as Resistance to Colonialism in David Malouf’s Remembering Babylon and E.M. Forster’s A Passage to India." Thesis, Högskolan Dalarna, Engelska, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-30371.
Full textFillmore, Allison (Allison Lynn) Carleton University Dissertation English. ""In this kingdom of passing fiction": memory and imagination in David Malouf's An Imaginary Life and Wilma Stockenström's The Expedition to the Baobab Tree." Ottawa, 1991.
Find full textHamilton, VM. "Aspects of metamorphosis in the fiction of David Malouf." Thesis, 2001. https://eprints.utas.edu.au/19734/1/whole_HamiltonVivienneMargaret2001_thesis.pdf.
Full textRombouts, Alexandra. "Imaginative possession : evocation of place in works by David Malouf, Barbara Hanrahan and Gerald Murnane." Master's thesis, 1990. http://hdl.handle.net/1885/139398.
Full textByrne, Trevor Lindon. "The problem of the past : the treatment of history in the novels of Peter Carey and David Malouf / Trevor Byrne." 2001. http://hdl.handle.net/2440/20325.
Full textBibliography: leaves 226-238.
238 leaves ; 30 cm
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
Thesis (Ph.D.)--Adelaide University, Dept. of English, 2001
Byrne, Trevor Lindon. "The problem of the past : the treatment of history in the novels of Peter Carey and David Malouf / Trevor Byrne." Thesis, 2001. http://hdl.handle.net/2440/20325.
Full textNettelbeck, Amanda E. ""The darkness at our back door" : maps of identity in the novels of David Malouf and Christopher Koch / by Amanda E. Nettelbeck." Thesis, 1991. http://hdl.handle.net/2440/19639.
Full textMfune, Damazio Mwanjakwa. "My other/ My self : cartesian and objectivist ontologies, racial Darwinism and selfing the 'others' of the earth in David Malouf's Remembering Babylon." Thesis, 2003. http://hdl.handle.net/10413/4335.
Full textThesis (M.A.)-University of KwaZulu-Natal, Durban, 2003.