Books on the topic 'David Malouf'

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1

David Malouf. Melbourne: Oxford University Press, 1993.

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2

Nettelbeck, Amanda. Reading David Malouf. [Sydney]: Sydney University Press, 1995.

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3

Amanda, Nettelbeck, ed. Provisional maps: Critical essays on David Malouf. Nedlands: Centre for Studies in Australian Literature, the University of Western Australia, 1994.

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4

Imagined lives: A study of David Malouf. St Lucia, Qld., Australia: University of Queensland Press, 1990.

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5

Neilsen, Philip. Imagined lives: A study of David Malouf. St Lucia, Qld., Australia: University of Queensland Press, 1996.

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6

Malouf, David. David Malouf: Johnno, short stories, poems, essays, and interview. St. Lucia, Qld., Australia: University of Queensland Press, 1990.

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7

Heinke, Jörg. Die Konstruktion des Fremden in den Romanen von David Malouf. Würzburg: Königshausen & Neumann, 2005.

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8

Barratt-Peacock, Ruth. Concrete Horizons: Romantic Irony in the Poetry of David Malouf and Samuel Wagan Watson. Bern: Peter Lang International Academic Publishers, 2020.

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9

Rorato, Laura. Arte e vita nei romanzi di David Malouf: Un viaggio attraverso il continente uomo. Firenze: Atheneum, 1991.

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10

Thieme, John, and Don Randall. David Malouf. Manchester University Press, 2013.

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11

Thieme, John, and Don Randall. David Malouf. Manchester University Press, 2013.

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12

Ivor, Indyk, and National Library of Australia. Friends., eds. David Malouf: A celebration. Canberra: National Library of Australia, 2001.

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13

Randall, Don. David Malouf (Contemporary World Writers). Manchester University Press, 2007.

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14

Randall, Don. David Malouf (Contemporary World Writers). Manchester University Press, 2007.

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15

Le, Nam. On David Malouf: Writers on Writers. Schwartz Publishing Pty, Limited, 2019.

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16

Nettlebeck, Amanda. Provisional Maps: Critical Essays on David Malouf. University of Western Australia Press, 1996.

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17

David Malouf VHS Videocassette (Lannan Literary Videos). Lannan Foundation, 1998.

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18

Harris, Margaret. Major Authors: Christina Stead, Patrick White, David Malouf. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0019.

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This chapter examines the work of three Australian novelists who are read in the context of modernism, introducing a new dimension for the exploration of individual and national identity. David Malouf defines his Old and New World cultural heritage in a significant body of non-fiction prose, encompassing memoir and cultural commentary, along with reviews and interviews, that runs in tandem with his fiction. His intense literary self-consciousness is manifest in an extended mythology of place and history that emerges in his writing, such as Johnno (1975) and Remembering Babylon (1993). Patrick White's spiritual evocation of Australian landscape is evident from his first novel Happy Valley (1934) through The Tree of Man (1956) and Voss (1957), while issues of the construction of gender and identity are explicit in his memoir Flaws in the Glass: A Self-Portrait (1981) and the posthumously published The Hanging Garden (2012). Christina Stead's later international career, initiated by the republication in 1965 of The Man Who Loved Children (1940) followed by For Love Alone (1944), reveals her radical modernist techniques, her radical politics, and her focus on gender issues, particularly her concern with women artists, ending with the posthumous publication of I'm Dying Laughing: the Humourist (1986).
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19

Malouf, David. David Malouf: Selected Poems (A & R Modern Poets). ETT Imprint (Editions Tom Thompson), 1992.

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20

Australians : Responses to the Land. Intro. By David Malouf. Saint Martin Press, 1999.

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21

Malouf, David. David Malouf: Johnno, Short Stories, Poems, Essays & Interviews (Uqp Australian Authors). University of Queensland Pr (Australia), 1991.

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22

Barratt-Peacock, Ruth. Concrete Horizons: Romantic Irony in the Poetry of David Malouf and Samuel Wagan Watson. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2020.

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23

Concrete Horizons: Romantic Irony in the Poetry of David Malouf and Samuel Wagan Watson. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2020.

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24

Barratt-Peacock, Ruth. Concrete Horizons: Romantic Irony in the Poetry of David Malouf and Samuel Wagan Watson. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2020.

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25

Barratt-Peacock, Ruth. Concrete Horizons: Romantic Irony in the Poetry of David Malouf and Samuel Wagan Watson. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2020.

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26

Hajjar, Nijmeh. Australia. Edited by Waïl S. Hassan. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199349791.013.34.

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This chapter examines the development of the Arab Australian novel since its beginnings, surveying works produced in Arabic and English by three generations of Arab Australian authors. It first considers David Malouf, whose Johnno (1975) marks the beginning of the Arab Australian novel, before turning to first-generation immigrants who introduced the Arabic-language novel in the 1980s and the English-language immigrant novel in the mid-1990s. It then discusses the contribution of the second-generation Arab Australians in the literary field. It shows that the Arab Australian novel is more than just an “immigrant narrative,” or fictional “Arab voices in Diaspora,” and that all Arab Australian novelists, except for Malouf, are preoccupied with the questions of home and identity.
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27

Dialogue on Democracy: The LaFontaine-Baldwin Lectures, 2000-2005: Louise Arbour, Alain Dubuc, Georges Erasmus, David Malouf, Beverley McLach. Not Avail, 2006.

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28

The Transformation of Political Identity from Commonwealth Through Poltcolonial Literature: The Cases of Nadine Gordimer, David Malouf, and Michael Ondaatje. Edwin Mellen Pr, 2006.

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29

Rudyard, Griffiths, ed. Dialogue on democracy: The LaFontaine-Baldwin lectures, 2000-2005 : Louise Arbour, Alain Dubuc, Georges Erasmus, David Malouf, Beverley McLachlin, John Ralston Saul. Toronto: Penguin, 2006.

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30

Dhont-Dhaenens, Museum, ed. Willem Cole, Perry Roberts, Malou Van Braeckel, Gladstone Thompson, Phillip Van Isacker, David Tremlett, Richard Venlet. [Deurle]: Museum Dhondt-Dhaenens, 1990.

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