Relevant bibliographies by topics / Darcy, fitzwilliam

Academic literature on the topic 'Darcy, fitzwilliam'

Author: Grafiati
Published: 27 July 2024
Last updated: 28 July 2024

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Journal articles on the topic "Darcy, fitzwilliam"

1

Mungan, Eduardus. "PEMIKIRAN KRITIS ELIZABETH BENNET DAN FITZWILLIAM DARCY DALAM PRIDE AND PREJUDICE KARYA JANE AUSTEN [The Critical Thinking of Elizabeth Bennet and Fitzwilliam Darcy in Jane Austen’s Pride and Prejudice]." TOTOBUANG 6, no. 2 (March 23, 2019): 257. http://dx.doi.org/10.26499/ttbng.v6i2.86.

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This study discussed about the critical thinking of the main characters, Elizabeth Bennet and Fitzwilliam Darcy, in the Jane Austen’s novel Pride and Prejudice. This study aimed to identify the characters’ arguments based on the categories of critical thinking of the characters, the kinds of arguments in critical thinking, and to describe the usage of meaning as discourse strategy and the usage of discourse markers in the characters’ argument in Pride and Prejudice. This study used critical thinking theory and discourse analysis in collecting the data acquired by transcribing the texts in Pride and Prejudice. In this study, the researcher used descriptive qualitative method to interpret the analysis data. The results of this study shows that the categories of critical thinking of the main characters in Pride and Prejudice are definitely high, the kinds of arguments in critical thinking used by the main characters are mostly inductive arguments rather than deductive arguments, the usage of meaning is definitely various based on the argument’s topic, and the usage of the discourse markers in the main characters’ argument is definitely different in usage records based on the intention of the main characters’ utterances.Penelitian ini membahas tentang pemikiran kritis dari tokoh utama, Elizabeth Bennet dan Fitzwilliam Darcy, dalam novel Pride and Prejudice karya Jane Austen. Penelitian ini bertujuan untuk mengidentifikasi argumen para karakter tersebut, jenis argument dalam berpikir kritis, dan mendeskripsikan penggunaan makna dan penggunaan penanda wacana dalam Pride and Prejudice. Penelitian ini menggunakan teori berpikir kritis dan analisis wacana dalam mengumpulkan data. Sumber data diperoleh dengan mencatat teks-teks dalam Pride and Prejudice. Karena itu, peneliti menggunakan metode deskriptif kualitatif dalam menafsirkan data analisis. Hasil penelitian ini menunjukkan bahwa kategori berpikir kritis dari tokoh utama dalam Pride and Prejudice sangat tinggi, jenis argumen dalam pemikiran kritis yang digunakan oleh tokoh utama mayoritas merupakan argumen induktif daripada argumen deduktif, penggunaan makna sangat bervariasi berdasarkan topik argumen, dan penggunaan penanda wacana dalam argumen tokoh utama sangat berbeda dalam jumlah penggunaan berdasarkan maksud dari ujaran tokoh utama.
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2

Steenhuyse, Veerle Van. "Jane Austen fan fiction and the situated fantext." English Text Construction 4, no. 2 (November 17, 2011): 165–85. http://dx.doi.org/10.1075/etc.4.2.01van.

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Building on recent findings in the field of fan fiction studies, I claim that Pamela Aidan’s Fitzwilliam Darcy, Gentleman is indirectly influenced by three cultural phenomena which centre around Jane Austen and her work. Aidan’s fan fiction text stays close to the spirit of Austen’s Pride and Prejudice because she “reimagines” the novel according to the interpretive conventions of the Republic of Pemberley, a fan community. These conventions demand respect for Austen and her novels because they are shaped by the broader, cultural conventions of Janeitism and Austen criticism. Similarly, Aidan’s text is more individualistic and “Harlequinesque” than Austen’s novel, because the Republic allows writers to reproduce the cultural reading which underlies BBC / A&E’s adaptation of Austen’s novel.
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3

Ni Made, Padmawati, I Gusti Agung Sri Jayantini, and I Wayan Resen. "Exploring Characterization of Main Characters: Elizabeth and Darcy in Pride and Prejudice." ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies 1, no. 1 (September 15, 2021): 104–13. http://dx.doi.org/10.36733/elysian.v1i1.1657.

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This research pays special attention to the character analysis in the novel Pride and Prejudice, especially the two main characters, namely Elizabeth Bennet and Fitzwilliam Darcy. In accordance with theories explaining types of character and characterization, the data were carefully analyzed. The analysis focuses on how the characterization of Pride and Prejudice’s two main characters is realized. The aim of this research is to explore characterization of the main characters that is expected to contribute to the study of literature, particularly the existence of characters in the novel. Qualitative method was applied in the analysis. There were two main characters involved in the story, and many data were found to support the analysis of their characterization. Dialogues and narration in the novel were used to introduce the characterization based on three dimensions of characterization. This study found that three dimensions of characterization, including psychological, sociological, and physiological aspects of characterization could be used to make complete and vivid description of the main characters to share the values and message of the story.
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4

Iakovleva, Olga V., and Kateryna H. Silion. "VERBALISATION OF MASCULINITY IN THE PROTAGONISTS OF J. AUSTEN’S NOVEL «PRIDE AND PREJUDICE»." Мова, no. 39 (September 5, 2023): 25–31. http://dx.doi.org/10.18524/2307-4558.2023.39.284913.

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The purpose of the presented study is to analyse the speech behaviour of the young men — the protagonists of J. Austen’s novel “Pride and Prejudice”, Charles Bingley and Fitzwilliam Darcy, in order to identify the manifestations of the linguistic “patriarchy” in the English aristocratic society of the nineteenth century. The object of the study was the different types of masculinity embodied in the characters of Bingley and Darcy in the context of the novel, and the subject was the linguistic manifestations of masculinity stereotypes in the behaviour of the male protagonists. The study results show that Darcy and Bingley represent two different types of masculinity: the traditional stereotype of an English aristocrat, refined and delicate, is presented in Bingley’s speech behaviour; Darcy’s behaviour at the beginning of the novel illustrates the traditional stereotype of masculinity, and at the end, certain transformations of this stereotype are noticeable, which are due to the protagonist’s love, as well as good upbringing, including the example of his father, who was a role model for his son. As a result, Darcy listens to his feelings and makes an offer to a girl from a poor family, which was not typical for the wealthy aristocrats of English society in the nineteenth century, preferring a happy future to material values. The protagonist performs deep introspection, which results in his sincere apology for his behaviour at the beginning of his relationship with his beloved girl. The prospects of the research are seen in the further study of stereotypes of femininity and masculinity on the basis of texts of both national and foreign women’s prose.
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5

Choi, Jungsun. "English Garden in English Novel." Korean Society for Teaching English Literature 26, no. 2 (August 30, 2022): 351–75. http://dx.doi.org/10.19068/jtel.2022.26.2.13.

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This essay tries to prove that an English novel is a good textbook, in teaching English Garden, one of the major English cultural issues. English Garden, specifically, English Landscape Garden or Picturesque Garden is a critical issue in that it contributed to forming English Identity as rural England in the period of Industrial Revolution and Enclosure. To achieve that goal, it first examines the ideas and major characteristics of eighteenth century English Garden, including Lancelot Brown’s picturesque landscape design which was very popular from mid-eighteenth to the late eighteenth century in England. Next, it searches the descriptions of Landscape Garden in Jane Austen’s Pride and Prejudice, which is set in rural England in the late eighteenth century. Lastly, it connects the characteristics of Brown’s Landscape Garden, main features of which are spontaneity, naturalness, emphasis on sentiments and the symbol of liberty to the representation of the novel’s main characters, Elizabeth Bennet and Fitzwilliam Darcy, and their change and growth.
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6

Sundriyal, Ankita. "“The rightful property of some one or other of their daughters”: Men-as-Commodities in Jane Austen's Pride and Prejudice and Emma." Dialogue: A Journal Devoted to Literary Appreciation 18, no. 1 (August 18, 2022): 64–71. http://dx.doi.org/10.30949/dajdtla.v18i1.15.

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Jane Austen's novels Pride and Prejudice and Emma present heroines who have their own ideas of identity making: one of them chooses to stay away from the marriage market entirely, while the other acts in a matron/chaperone like fashion, projecting herself as existing outside the norm. This paper focuses on this aspect of identity making in both these novels. Apart from this, in Pride and Prejudice, men like Darcy, Bingley, Wickham and Fitzwilliam are reduced to mere commodities while the women are customers, evaluating them to no end. Emma of Emma views men in the same manner, trying to arrange matches between the elusive Weston and her governess or looking for a suitable costumer for Mr Elton, who has “fitted up his house so comfortably” (Austen, Emma 7) but can find “nobody in Highbury who deserves him” (ibid). This paper is therefore a rereading that argues that the narrative presents the men, instead of women, in the novel as commodities (taking recourse to Irigaray's concept of women-as- commodities) that have no voice or opinion of their own, and who in fact spend their time pleasing women around them and exhibiting their traits and position in society, in order to be seen as eligible.
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7

St. John Stott, G. "Conduct Books and Pride and Prejudice." AnaChronisT 17 (January 1, 2013). http://dx.doi.org/10.53720/ohhc8987.

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Like many families in Regency England, the Bennets of Pride and Prejudice owned a copy of Fordyce’s Sermons for Young Women (1766). Lydia Bennet’s horror at the thought of hearing it read aloud, and Elizabeth Bennet’s failure to satisfy those who thought themselves qualified to speak for society have led critics to think the novel a rejection of conduct-book morality. I read the novel differently. however, and argue that Elizabeth marries Fitzwilliam Darcy and becomes mistress of Pemberley because she follows the advice of Fordyce and his peers, managing her life with the touchstones of virtue, sense and prudence. She does not, as some critics have suggested, throw over conventional ideas about female propriety and deference, but interprets them within the tradition Fordyce helped to create so that, by the end of the novel, the middle-class morality of Samuel Richardson and the conduct books triumphs over the superficiality and display of those (like Lady Catherine de Bourgh) who are devoted to society and the season.
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Books on the topic "Darcy, fitzwilliam"

1

Fitzwilliam Darcy such I was. Old Greenwich, CT: Worth Saying, 2013.

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2

Street, Mary. The confession of Fitzwilliam Darcy. New York: Berkley Books, 2008.

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3

1775-1817, Austen Jane, ed. The confession of Fitzwilliam Darcy. New York: Berkley Books, 2008.

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Webb, Brenda J. Fitzwilliam Darcy: An honourable man. [Charleston, SC]: CreateSpace, 2011.

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1775-1817, Austen Jane, ed. The confession of Fitzwilliam Darcy. Bath, England: BBC Audiobooks/Chivers, 2003.

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Grange, Amanda. Mr. Darcy, vampyre. Naperville, Ill: Sourcebooks Landmark, 2009.

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Grange, Amanda. Mr. Darcy, vampyre. Naperville, Ill: Sourcebooks Landmark, 2009.

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8

Grange, Amanda. Mr. Darcy, vampyre. Naperville, Ill: Sourcebooks Landmark, 2009.

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9

Aidan, Pamela. Duty and desire: A novel of Fitzwilliam Darcy, gentleman. New York: Simon & Schuster, 2006.

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10

Reynolds, Abigail. Mr. Fitzwilliam Darcy: The last man in the world. Naperville, Ill: Sourcebooks Landmark, 2010.

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