Books on the topic 'Daniel Libeskind'

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1

1946-, Libeskind Daniel, ed. Daniel Libeskind. Roma: Edilstampa, 2007.

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2

Paul, Goldberger, ed. Counterpoint: Daniel Libeskind. Basel: Birkhäuser, 2008.

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3

Daniel Libeskind: Countersign. New York: Rizzoli, 1992.

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4

Libeskind, Daniel. Daniel Libeskind, 1987-1996. Madrid: El Croquis, 1996.

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5

Libeskind, Daniel. Daniel Libeskind, 1987-1996. Madrid: El Croquis, 1996.

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6

Dorner, Elke. Daniel Libeskind: Jüdisches Museum Berlin. Berlin: Gebr. Mann, 1999.

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7

Sacchi, Livio. Daniel Libeskind: Museo ebraico, Berlino. Torino: Testo & immagine, 1998.

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8

Terragni, Attilio Alberto. Daniel Libeskind: Oltre i muri. Torino: Testo & immagine, 2001.

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9

Daniel Libeskind: Oltre i muri. Torino: Testo & immagine, 2001.

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10

Libeskind, Daniel. Daniel Libeskind & Cecil Balmond, unfolding. Rotterdam: NAi, 1998.

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11

Libeskind, Daniel. Counterpoint: The architecture of Daniel Libeskind. Berlin: Jüdisch Museum Berlin, 2003.

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12

Daniel Libeskind: The space of encounter. New York: Universe, 2000.

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13

Hodge, Daniel H. Daniel Libeskind: An introduction and bibliography. Monticello, Ill., USA: Vance Bibliographies, 1990.

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14

Daniel Libeskind and the Jewish Museum. Berlin: Jaron, 2011.

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15

A, Belloli Andrea P., ed. Daniel Libeskind, Radix-Matrix: Architecture and writings. Munich: Prestel, 1997.

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16

Libeskind, Daniel. Daniel Libeskind, Radix-Matrix: Architekturen und Schriften. München: Prestel, 1994.

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17

1946-, Libeskind Daniel, ed. Daniel Libeskind: Jewish Museum Berlin : between the lines. Munich: Prestel, 1999.

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18

Blumenthal, W. Michael. Daniel Libeskind and the Jewish Museum of Berlin. New York: Leo Baeck Institute, 2000.

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19

Paul, Goldberger, ed. Counterpoint: Daniel Libeskind in conversation with Paul Goldberger. New York: Monacelli Press, 2008.

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20

Daniel Libeskind: Metaphern jüdischer Identität im Post-Shoah-Zeitalter. Regensburg: Schnell & Steiner, 2008.

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21

Libeskind, Daniel. Daniel Libeskind: City without plan : architecture descends into the hexagonal garden. Lisboa: Blau, 1992.

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22

Rodiek, Thorsten. Daniel Libeskind: Museum ohne Ausgang : das Felix-Nussbaum-Haus des Kulturgeschichtlichen Museums Osnabrück. Tübingen: Wasmuth, 1998.

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23

Emotionen am Werk: Peter Zumthor, Daniel Libeskind, Lars Spuybroek und die historische Architekturpsychologie. Berlin: Gebr. Mann Verlag, 2013.

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24

Rodiek, Thorsten. Daniel Libeskind: Museum ohne Ausgang : das Felix-Nussbaum-Haus des Kulturgeschichtlichen Museums Osnabrück. Tübingen: Wasmuth, 1998.

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25

Connie, Wolf, Schwarzer Mitchell, Young James Edward, and Contemporary Jewish Museum (San Francisco, Calif.), eds. Daniel Libeskind and the Contemporary Jewish Museum: New Jewish architecture from Berlin to San Francisco. San Francisco: Contemporary Jewish Museum, 2008.

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26

Libeskind, Daniel. Daniel Libeskind: One to the other ; 1983 - 1987. Berlin, Aedes Galerie fur Architektur und Raum, 26.11-22.12,1987. Berlin: Aedes Galerie, 1987.

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27

The phenomenon of interruption in the visual arts: A comparison of works by Daniel Libeskind, Gerhard Richter, and Ilya Kabakov. Lewiston, N.Y: Edwin Mellen Press, 2009.

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28

Schütt, Hans-Dieter. Mein Abenteuer bin ich: Hans-Dieter Schütt im Gespräch mit Isabelle Adjani, Ottmar Hitzfeld, Harry Kupfer, Sting, Klaus Löwitsch, Werner Schneyder, Thomas Langhoff, Rigoberta Menchú, Bernardo Bertolucci, Heino Falcke, Andrea Breth, Klaus Poche, István Szabó, B.K. Tragelehn, Jewgeni Jewtuschenko,Martin Wuttke, Valentin Falin, Gert Voss, Rudiger Nehberg, Fritz Muliar, Sean Connery, Gisela Oechelhaeuser, Daniel Libeskind, Dustin Hoffman. Berlin: Das Neue Berlin, 1996.

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29

(Introduction), Aaron Betsky, and Jeffrey Kipnis (Preface), eds. Daniel Libeskind. Thames & Hudson Ltd, 2001.

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30

Libeskind, Daniel. Daniel Libeskind. Wasmuth, 2000.

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31

Daniel Libeskind: 1987-1996. Madrid: El Croquis, 1996.

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32

Taylor, Mark C., and Bernhard Schneider. Daniel Libeskind: Radix Matrix. Prestel, 1997.

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33

Daniel Libeskind. Jüdisches Museum Berlin. Prestel, 1999.

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34

1946-, Libeskind Daniel, Møller Henrik Sten 1937-, and Lindhe Jens 1958-, eds. Dansk Jødisk Museum: Daniel Libeskind. [København]: Dansk Jødisk Museum, 2004.

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35

Daniel Libeskind (Architectural Monographs No 16). Wiley-Academy, 1991.

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36

Libeskind, Daniel, Aaron Betsky, and Jeffrey Kipnis. Daniel Libeskind: The Space of Encounter. Universe Publishing, 2001.

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37

The Danish Jewish Museum: Daniel Libeskind. Copenhagen: Danish Jewish Museum, 2003.

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38

Libeskind, Daniel, Anthony Vidler, and Jeffrey Kipnis. Daniel Libeskind: The Space of Encounter. Universe Publishing, 2001.

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39

1937-, Møller Henrik Sten, Lindhe Jens 1958-, and Dansk jødisk museum, eds. The Danish Jewish Museum: Daniel Libeskind. [Copenhagen: Danish Jewish Museum], 2004.

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40

Daniel Libeskind (Architectural Monographs No 16). Wiley-Academy, 1991.

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41

Daniel Libeskind: Inspiration and Process in Architecture. Moleskine, 2016.

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42

Edge of Order. Clarkson Potter, 2018.

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43

Libeskind, Daniel, and Annette W. Lecuyer. 1995 Raoul Wallenberg Lecture: Daniel Libeskind : Traces of the Unborn. University of Michigan Press, 1995.

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44

Caryl Englander, Henri Lustiger Thaler and Daniel Libeskind : Through the Lens of Faith: Auschwitz. Steidl Druckerei und Verlag, Gerhard, 2019.

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45

Miller, Susanna. Daniel Libeskind: The building of a void : the Jewish extension to the Berlin Museum. 1993.

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46

Kristin, Feireiss, ed. Neue Architektur für Bremen: Daniel Libeskind, Musicon-Gert Schulze & Partner, Messe- und Veranstaltungszentrum am Bürgerpark. Berlin: Aedes, 1996.

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47

Kurt, Winkler, Boberg Jochen 1941-, Braun Helmut, Berlin Museum, and Märkisches Museum, eds. Ein Museum für Berlin: Positionen zum Erweiterungsbau des Berlin-Museums mit Jüdischem Museum von Daniel Libeskind. Berlin: Berlin-Museum, 1995.

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48

Corporation, Lower Manhattan Development, ed. Plans in progress: Innovative designs for the World Trade Center site : Foster and Partners, Meier Eisenman Gwathmey Holl, Peterson/Littenberg, SOM Team, Studio Daniel Libeskind, THINK: Ban Schwartz Smith Viñoly, United Architects. [New York]: LMDC, Lower Manhatttan Development Corporation, 2002.

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49

Sandler, Daniela. Counterpreservation. Cornell University Press, 2017. http://dx.doi.org/10.7591/cornell/9781501703164.001.0001.

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In Berlin, decrepit structures do not always denote urban blight. Decayed buildings are incorporated into everyday life as residences, exhibition spaces, shops, offices, and as leisure space. As nodes of public dialogue, they serve as platforms for dissenting views about the future and past of Berlin. This book introduces the concept of counter-preservation as a way to understand this intentional appropriation of decrepitude. The embrace of decay is a sign of Berlin's iconoclastic rebelliousness, but it has also been incorporated into the mainstream economy of tourism and development as part of the city's countercultural cachet. It presents the possibilities and shortcomings of counter-preservation as a dynamic force in Berlin and as a potential concept for other cities. Counter-preservation is part of Berlin's fabric: in the city's famed Hausprojekte (living projects) such as the Køpi, Tuntenhaus, and KA 86; in cultural centers such as the Haus Schwarzenberg, the Schokoladen, and the legendary, now defunct Tacheles; in memorials and museums; and even in commerce and residences. The appropriation of ruins is a way of carving out affordable spaces for housing, work, and cultural activities. It is also a visual statement against gentrification, and a complex representation of history, with the marks of different periods—the nineteenth century, World War II, postwar division, unification—on display for all to see. Counter-preservation exemplifies an everyday urbanism in which citizens shape private and public spaces with their own hands, but it also influences more formal designs, such as the Topography of Terror, the Berlin Wall Memorial, and Daniel Libeskind's unbuilt redevelopment proposal for a site peppered with ruins of Nazi barracks. By featuring these examples, the book questions conventional notions of architectural authorship and points toward the value of participatory environments.
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