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Relevant bibliographies by topics / Dancing / Journal articles

Journal articles on the topic 'Dancing'

To see the other types of publications on this topic, follow the link: Dancing.

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Cohen, Sara, and Jan Fairley. "Introduction to ‘Dance’ special issue." Popular Music 25, no. 3 (September 11, 2006): 345–46. http://dx.doi.org/10.1017/s0261143006000948.

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‘Are ye dancin’?' ‘Are ye askin’?' ‘Yes I’m askin” ‘Then I’m dancin'!' This was the exchange between couples in Glasgow early in the twentieth century at the height of the ballroom dancing boom that made the city one of the dancing capitals of the world. It lingers on in Scottish dancing parlance. In Havana, people were dancing danzón; in Buenos Aires, tango; and in Río de Janeiro, samba. It was a time of big orchestras when women wore evening dresses and men wore suits. Today, whilst the clothes may have changed, dance with its link to sensual pleasure continues to be fundamental to our cultures.

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2

Badaki, Oluwakemi Bukola, and Emily S. Schapiro. "Dancing Eyes, Dancing Feet." Pediatric Emergency Care 23, no. 12 (December 2007): 885–88. http://dx.doi.org/10.1097/pec.0b013e31815c9d66.

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3

Imtiaz, Komal E., and JP Vora. "Dancing eyes-dancing feet." Lancet 354, no. 9176 (July 1999): 390. http://dx.doi.org/10.1016/s0140-6736(99)05250-2.

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4

Kalla, Roger, Jurka Meichtry, Rahel Schumacher, Dario Cazzoli, Roland Wiest, Eberhard Seifert, and Rene Müri. "Dancing Jaw and Dancing Eyes." JAMA Neurology 73, no. 1 (January 1, 2016): 122. http://dx.doi.org/10.1001/jamaneurol.2015.2299.

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5

Dodson, Moe, Andree Grau, John Blacking, and Bruce Milliard. "Dancing." Yearbook for Traditional Music 23 (1991): 170. http://dx.doi.org/10.2307/768426.

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6

Senanayake, P. Manouri, and SP Sumanasena. "Dancing eyes and dancing feet syndrome." Ceylon Medical Journal 49, no. 4 (May 21, 2010): 133. http://dx.doi.org/10.4038/cmj.v49i4.1926.

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7

Stevenson, Deborah. "Dancing through Fire, and: Marie, Dancing (review)." Bulletin of the Center for Children's Books 59, no. 5 (2006): 236. http://dx.doi.org/10.1353/bcc.2006.0026.

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8

McCormack, Jess. "Dancing Diffraction." Performance Research 25, no. 5 (July 3, 2020): 77–83. http://dx.doi.org/10.1080/13528165.2020.1868847.

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9

Crichton, Ronald, and Michael de Cossart. "Dancing Years." Musical Times 129, no. 1744 (June 1988): 301. http://dx.doi.org/10.2307/964886.

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10

Harvey, Kirsten. "Dancing Faces." International Journal of the Arts in Society: Annual Review 5, no. 3 (2010): 223–34. http://dx.doi.org/10.18848/1833-1866/cgp/v05i03/35860.

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11

Leenknegt, Benjamin, Lucy Diss, and Paul S. Sidhu. "Dancing Megasperm." Journal of the Belgian Society of Radiology 103, no. 1 (January 9, 2019): 5. http://dx.doi.org/10.5334/jbsr.1687.

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12

Harrington, Cynthia. "Dancing Lessons." CFA Institute Magazine 21, no. 4 (July 2010): 52–57. http://dx.doi.org/10.2469/cfm.v21.n4.14.

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13

Skloot, Floyd. "Glinka Dancing." Hudson Review 49, no. 2 (1996): 275. http://dx.doi.org/10.2307/3852459.

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14

Daly, Ann. "Dancing Democracy." Dance Research Journal 34, no. 2 (2002): 8. http://dx.doi.org/10.2307/1478455.

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15

Parkes, Neville. "Enough dancing." Learning Disability Practice 13, no. 4 (May 6, 2010): 8. http://dx.doi.org/10.7748/ldp.13.4.8.s13.

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16

Liew, YewToong, AndrewCharles Gomez Junior, Adzreil Bakri, and Prepageran Narayanan. "Dancing pharynx." Tzu Chi Medical Journal 32, no. 3 (2020): 303. http://dx.doi.org/10.4103/tcmj.tcmj_245_19.

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17

Hollenberg, Donna. ""Dancing Edgeways"." Renascence 58, no. 1 (2005): 5–16. http://dx.doi.org/10.5840/renascence200558112.

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18

Snoeyenbos, Milton H., and Susan Leigh Foster. "Reading Dancing." Journal of Aesthetic Education 22, no. 3 (1988): 118. http://dx.doi.org/10.2307/3333062.

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19

Johnson, Ernest W. "Dancing medicine." Journal of Back and Musculoskeletal Rehabilitation 5, no. 3 (July 1, 1995): 187–88. http://dx.doi.org/10.3233/bmr-1995-5302.

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20

Smaglik, Paul. "Dancing Droplets." Science News 151, no. 16 (April 19, 1997): 242. http://dx.doi.org/10.2307/4018403.

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21

Chen, Xiao-Ping. "Dancing Lotus." Management and Organization Review 8, no. 1 (March 2012): 96. http://dx.doi.org/10.1111/j.1740-8784.2012.00285.x.

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22

Rosenblum, Brian, Sándor Kányádi, and Paul Sohar. "Dancing Embers." World Literature Today 77, no. 1 (2003): 117. http://dx.doi.org/10.2307/40157870.

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23

Wagoner, David. "Dancing Daughters." English Journal 90, no. 6 (July 2001): 118. http://dx.doi.org/10.2307/822074.

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24

Jackson, Fleda Brown. "Ballroom Dancing." Iowa Review 21, no. 1 (January 1991): 102. http://dx.doi.org/10.17077/0021-065x.3967.

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25

Shasha, Dennis E. "Square Dancing." Scientific American 285, no. 3 (September 2001): 102. http://dx.doi.org/10.1038/scientificamerican0901-102.

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26

McKenney, E. A. "Dancing Vortices." Physics of Fluids 6, no. 9 (September 1994): S6. http://dx.doi.org/10.1063/1.4739104.

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27

Liu, Liang, Yating Wang, Lance Fortnow, Jin Li, and Jun Xu. "Freestyle Dancing." ACM SIGMETRICS Performance Evaluation Review 44, no. 1 (June 30, 2016): 381–82. http://dx.doi.org/10.1145/2964791.2901481.

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28

Hamera, Judith. "Dancing, Reaching." Qualitative Inquiry 23, no. 7 (July 21, 2017): 545–49. http://dx.doi.org/10.1177/1077800417718299.

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This reflective essay uses an instance of gestural solidarity forged during Petrichor, a senior thesis performance at Princeton University created by transgender artist Bree White, to probe both the “Keep Dancing Orlando” video made in response to the horror of June 12, 2016, and, more broadly, the specific mechanisms through which dance creates communities of shared labor across difference in troubled times. It posits the reach—the moment when outstretched arms move toward, for, and sometimes with another—as the kinesthetic unit incarnating dance’s political-affective potential.

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29

Hallen, Gervaise. "Circle Dancing." Self & Society 18, no. 5 (September 1990): 3–7. http://dx.doi.org/10.1080/03060497.1990.11085104.

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30

Klopper, Abigail. "Pole dancing." Nature Physics 13, no. 1 (January 2017): 8. http://dx.doi.org/10.1038/nphys4015.

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31

Williams, Tyrone. "Bed dancing." Women & Performance: a journal of feminist theory 13, no. 1 (January 2002): 204–6. http://dx.doi.org/10.1080/07407700208571406.

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32

Blanchard, Chrys. "Line dancing." Practical Pre-School 2000, no. 22 (July 2000): 17–18. http://dx.doi.org/10.12968/prps.2000.1.22.40987.

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33

Blanchard, Chrys. "Circle dancing." Practical Pre-School 2000, no. 23 (September 2000): 19–20. http://dx.doi.org/10.12968/prps.2000.1.23.40945.

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34

Blanchard, Chrys. "Disco dancing." Practical Pre-School 2000, no. 24 (November 2000): 11–12. http://dx.doi.org/10.12968/prps.2000.1.24.40918.

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35

Dowdy, Meg. "Tap dancing." Practical Pre-School 2003, no. 42 (November 2003): 31–32. http://dx.doi.org/10.12968/prps.2003.1.42.40171.

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36

Blanchard, Chrys. "Ballroom dancing." Practical Pre-School 2009, no. 104 (September 2009): 9–10. http://dx.doi.org/10.12968/prps.2009.1.104.44081.

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37

Blanchard, Chrys. "Line dancing." Practical Pre-School 2009, no. 106 (November 2009): 11–12. http://dx.doi.org/10.12968/prps.2009.1.106.44934.

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38

Sharpe, Deborah. "Dancing dandelions!" Practical Pre-School 2012, no. 134 (March 2012): 9–10. http://dx.doi.org/10.12968/prps.2012.1.134.9.

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39

Pennisi, Elizabeth. "Dancing DNA." Science News 140, no. 5 (August 3, 1991): 74. http://dx.doi.org/10.2307/3976047.

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40

Sprague, Marty. "Folk Dancing." Journal of Dance Education 13, no. 2 (April 2013): 64. http://dx.doi.org/10.1080/15290824.2012.709430.

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41

Sackville-Ford, Mark, and Gabrielle Ivinson. "Tables Dancing." Paragrana 28, no. 2 (October 25, 2019): 83–94. http://dx.doi.org/10.1515/para-2019-0025.

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Abstract This article is written in response to Method Lab #2, reacting to and reading scenes from the theatre and the school classroom. We responded to ‘The table and the dancer’ by Carla J. Maier with drawings by Janna R. Wieland, and ‘The book and the authors reading’ by Elise v. Bernstorff and Carla J. Maier. Our responses are within the ontological turn and specifically posthuman studies and new material feminism(s). We move beyond representational thinking to explore vibrant matter and experiment with what more the text, scenes and pictures can become.

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42

De Laet, Timmy. "Dancing Metamemories." Performance Research 17, no. 3 (June 2012): 102–8. http://dx.doi.org/10.1080/13528165.2012.696869.

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43

Thompson, Laurence G. "Dancing lions." Journal of Chinese Religions 15, no. 1 (January 1987): 29–43. http://dx.doi.org/10.1179/073776987805308129.

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44

Hunter, Victoria, Melanie Kloetzel, and Karen Barbour. "Dancing Urbanisms." Choreographic Practices 10, no. 1 (May 1, 2019): 3–6. http://dx.doi.org/10.1386/chor.10.1.3_2.

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45

Browning, Barbara, and Ariel Osterweis. "DANCING SOCIAL." Theatre Survey 53, no. 2 (August 28, 2012): 269–77. http://dx.doi.org/10.1017/s0040557412000087.

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46

Shomali, Mejdulene B. "Dancing Queens." Journal of Middle East Women's Studies 15, no. 2 (July 1, 2019): 135–56. http://dx.doi.org/10.1215/15525864-7490939.

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AbstractThis article analyzes two popular Golden Era belly-dance films, Sigara wa Kass (A Cigarette and a Glass, 1955) and Habibi al Asmar (My Dark Darling, 1958), through concepts of queer spectatorship, queer time and space, homoerotic triangulation, and queer containment. The analysis centers women, attends to women’s homoeroticism and nonnormative desires, and reads popular film as constituted by and constituting of mainstream conventions of gender and sexuality. It argues that mainstream belly-dance films made considerable space for homoerotic exchanges amid women. Golden Era belly-dance films reveal a rich gender and sexual diversity in Egyptian cultural production, rather than the Orientalist representation of an explicitly homophobic “traditional” Arab culture. In this sense, the article recovers women’s nonnormative and queer legacies within popular Egyptian texts. It does not insinuate homosexuality as inherent but instead locates possible Arab cultural engagements with women’s queerness that have been overlooked.

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47

Foster, Raisa. "Dancing Recognition." Procedia - Social and Behavioral Sciences 46 (2012): 721–25. http://dx.doi.org/10.1016/j.sbspro.2012.05.188.

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48

Harant, Gerry. "Dancing cows." New Scientist 193, no. 2590 (February 2007): 19. http://dx.doi.org/10.1016/s0262-4079(07)60341-8.

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49

Kaur, Amrit, Chandana Bhagwat, Priyanka Madaan, Lokesh Saini, Anmol Bhatia, Harmandeep Singh, and Naveen Sankhyan. "Dancing Eyes." Journal of Pediatrics 214 (November 2019): 231. http://dx.doi.org/10.1016/j.jpeds.2019.06.035.

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50

Ravn, Susanne. "Dancing Practices." Body & Society 23, no. 2 (December 13, 2016): 57–82. http://dx.doi.org/10.1177/1357034x16677738.

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