Journal articles on the topic 'Dance music – Australia – 20th century'
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Bendrups, Dan. "Latin Down Under: Latin American migrant musicians in Australia and New Zealand." Popular Music 30, no. 2 (May 2011): 191–207. http://dx.doi.org/10.1017/s026114301100002x.
Full textAnderson, Margot. "Dance Overview of the Australian Performing Arts Collection." Dance Research 38, no. 2 (November 2020): 149–67. http://dx.doi.org/10.3366/drs.2020.0305.
Full textBaier, Martin, Sri Kuhnt-Saptodewo, H. J. M. Claessen, Annette B. Weiner, Charles A. Coppel, Wang Gungwu, Heleen Gall, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 150, no. 3 (1994): 588–623. http://dx.doi.org/10.1163/22134379-90003081.
Full textBreyley, Gay. "Diasporic Transpositions: Indigenous and Jewish Performances of Mourning in 20th-Century Australia." Ethnomusicology Forum 16, no. 1 (June 2007): 95–126. http://dx.doi.org/10.1080/17411910701276567.
Full textVarga, Sándor. "Two Traditional Central Transylvanian Dances and Their Economic and Cultural/Political Background." Acta Ethnographica Hungarica 65, no. 1 (November 11, 2020): 39–64. http://dx.doi.org/10.1556/022.2020.00004.
Full textMeftahi, Ida. "The Sounds and Moves of ibtiẓāl in 20th-Century Iran." International Journal of Middle East Studies 48, no. 1 (January 14, 2016): 151–55. http://dx.doi.org/10.1017/s0020743815001579.
Full textTaranda, G. L. "Modern Dance As an American Alternative to Classical Ballet." Contemporary problems of social work 6, no. 4 (December 30, 2020): 45–51. http://dx.doi.org/10.17922/2412-5466-2020-6-4-45-51.
Full textVilhovchenko, T. "SOME HISTORICAL ASPECTS FORMATION OF MODERN CHOREOGRAPHY." Aesthetics and Ethics of Pedagogical Action, no. 23 (August 4, 2021): 137–45. http://dx.doi.org/10.33989/2226-4051.2021.23.238271.
Full textKwon, Do-hee. "The organizations of 20th century kisaeng and their music and dance -focusing on the modernizing of kisaeng-." STUDIES IN KOREAN MUSIC 45 (June 30, 2009): 5–23. http://dx.doi.org/10.35983/sikm.2009.45.5.
Full textDecheva, Violeta. "The Theatre of Bauhaus." Sledva : Journal for University Culture, no. 40 (April 7, 2020): 26–31. http://dx.doi.org/10.33919/sledva.20.40.6.
Full textBatņa, Liene. "Music in school teaching processes through the centuries." SOCIETY, INTEGRATION, EDUCATION. Proceedings of the International Scientific Conference 1 (May 30, 2015): 423. http://dx.doi.org/10.17770/sie2013vol1.568.
Full textJordan, Stephanie. "Moving “Choreomusically”: Between Theory and Practice." Les Cahiers de la Société québécoise de recherche en musique 13, no. 1-2 (September 21, 2012): 11–19. http://dx.doi.org/10.7202/1012345ar.
Full textSiuta, Bohdan. "Notion “Genre Type” as the Metalіngual Unit of the Modern Musical Theory." Terminological Bulletin, no. 5 (2019): 188–95. http://dx.doi.org/10.37919/2221-8807-2019-5-25.
Full textKannan, Rajalakshmi Nadadur. "Colonial Material Collections and Representations of Devadasi Bodies in the Public Sphere in the Early 20th-Century South India." Anthropos 114, no. 2 (2019): 531–46. http://dx.doi.org/10.5771/0257-9774-2019-2-531.
Full textMatthews, David. "Peter Sculthorpe at 60." Tempo, no. 170 (September 1989): 12–17. http://dx.doi.org/10.1017/s004029820001799x.
Full textFoster, Andrew. "A Directory of Diaghilev Dancers." Dance Research 37, no. 2 (November 2019): 181–205. http://dx.doi.org/10.3366/drs.2019.0272.
Full textWhiteoak, John. "What Were the So-Called ‘German Bands’ of Pre-World War I Australian Street Life?" Nineteenth-Century Music Review 15, no. 1 (February 20, 2017): 51–65. http://dx.doi.org/10.1017/s1479409817000088.
Full textBashmakova, N. V., and K. V. Kravchenko. "CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)." Музикознавча думка Дніпропетровщини, no. 14 (January 21, 2019): 60–71. http://dx.doi.org/10.15421/221822.
Full textDukaļska, Iveta. "MUSIC-MAKING IN A FAMILY – THE LIFELONG LEARNING TRADITIONS AND CHALLENGES OF HOME-LEARNING." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (May 28, 2021): 78–89. http://dx.doi.org/10.17770/sie2021vol4.6424.
Full textSudirana, I. Wayan. "Improvisation in Balinese Music: An Analytical Study of Three Different Types of Drumming in the Balinese Gamelan Gong Kebyar." Journal of Music Science, Technology, and Industry 1, no. 1 (August 31, 2018): 1. http://dx.doi.org/10.31091/jomsti.v1i1.502.
Full textSzékely, Csilla Imola. "Spirituality and Concept of ’Child’ in Kokas Pedagogy for Children with Special Educational Needs." Central European Journal of Educational Research 2, no. 1 (April 28, 2020): 11–16. http://dx.doi.org/10.37441/cejer/2020/2/1/5754.
Full textYakhno, Olena. "Vocal stylistics in rock music: dialectics of general and special." Aspects of Historical Musicology 21, no. 21 (March 10, 2020): 279–92. http://dx.doi.org/10.34064/khnum2-21.18.
Full textSediuk, I. O. "Artistic and aesthetic ideas in “Plays” for two pianos by P. Dambis." Aspects of Historical Musicology 15, no. 15 (September 15, 2019): 181–98. http://dx.doi.org/10.34064/khnum2-15.09.
Full textDzialak-Savytska, Anna. "Dialogue in Sonata for Two Violins Op. 10 by Henryk Mikołaj Górecki from a Performer’s Perspective." Edukacja Muzyczna 15 (2020): 151–63. http://dx.doi.org/10.16926/em.2020.15.16.
Full textGrytsun, Yuliia. "The reflection of fabulousness in Igor Kovach’s musical theatre (on the example of the fairy-tale ballet “Bambi”)." Aspects of Historical Musicology 23, no. 23 (March 26, 2021): 78–91. http://dx.doi.org/10.34064/khnum2-23.05.
Full textKopeliuk, Oleh. "THE “24 PRELUDES” FOR THE PIANO BY IVAN KARABYTS AS AN ENCYCLOPAEDIA OF THE UKRAINIAN RENAISSANCE OF THE 1970S." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 58, no. 58 (March 10, 2021): 65–95. http://dx.doi.org/10.34064/khnum1-58.05.
Full textGerdova, T. S. "Theater Art in Oleksandrivsk (Zaporizhzhya): end of the 19th – beginning of the 20th сenturies." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 57, no. 57 (March 10, 2020): 228–45. http://dx.doi.org/10.34064/khnum1-57.14.
Full textHumbatova, Elmira. "Piano Pieces by a Prominent Representative of the Azerbaijani Composition School Ogtay Rajabov." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 1 (June 4, 2021): 140–51. http://dx.doi.org/10.31866/2616-7581.4.1.2021.233346.
Full textStrilets, Andriy. "Kharkiv regional school of chromatic button accordion playing: the history, the personalities and the priorities of performing." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 49, no. 49 (September 15, 2018): 141–56. http://dx.doi.org/10.34064/khnum2-49.10.
Full textOliinyk, Ivanna. "Batyar Songs in Viktor Morozov’s Creativity." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 130 (March 18, 2021): 119–30. http://dx.doi.org/10.31318/2522-4190.2021.130.231211.
Full textMartynova, V. I. "Concerto for Oboe and Orchestra in the Works by Modern Time Composers: Aspects of Genre Stylistics." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, no. 54 (December 10, 2019): 71–93. http://dx.doi.org/10.34064/khnum1-54.05.
Full textBelova, N. V., and O. M. Yakymchuk. "Three piano pieces of Liudmila Shukailo in the context of genre paradigm." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 57, no. 57 (March 10, 2020): 61–76. http://dx.doi.org/10.34064/khnum1-57.04.
Full textSong, Tian. "Composer – Artist: The role of pianist Hsu Fei Ping in the creative activity of Huang An Lun." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 50, no. 50 (October 3, 2018): 43–60. http://dx.doi.org/10.34064/khnum1-50.04.
Full textTavakkol, Ekhsan. "Extra-musical content and ways of its embodiment in the Concerto for Persian Ney and Orchestra “Toward That Endless Plain” by Reza Vali." Aspects of Historical Musicology 18, no. 18 (December 28, 2019): 264–80. http://dx.doi.org/10.34064/khnum2-18.15.
Full textShadko, M. O. "Realization of the principles of sonor modality in “The Perilous Night” by J. Cage." Aspects of Historical Musicology 15, no. 15 (September 15, 2019): 199–213. http://dx.doi.org/10.34064/khnum2-15.10.
Full textStetsiuk, R. A. "Saxophone in jazz: aspects of paradigmatics." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 53, no. 53 (November 20, 2019): 177–99. http://dx.doi.org/10.34064/khnum1-53.11.
Full textKuzmina, O. A. "“The House That Jack Built” by Jessie L. Gaynor as an example of an English language operetta for children." Aspects of Historical Musicology 15, no. 15 (September 15, 2019): 231–49. http://dx.doi.org/10.34064/khnum2-15.12.
Full textKoudal, Jens Henrik. "Fra bondedans til karakterstykke for klaver. Musik i et proprietærlignende miljø i mellemkrigstiden." Fund og Forskning i Det Kongelige Biblioteks Samlinger 52 (December 19, 2016). http://dx.doi.org/10.7146/fof.v52i0.41301.
Full textDukaļska, Iveta. "Self-learned folk musician." Arts and Music in Cultural Discourse. Proceedings of the International Scientific and Practical Conference, September 28, 2013, 81. http://dx.doi.org/10.17770/amcd2013.1251.
Full textEge, Moritz, and Andrew Wright Hurley. "Introduction: Special Issue on Afro-Americanophilia in Germany." PORTAL Journal of Multidisciplinary International Studies 12, no. 2 (September 12, 2015). http://dx.doi.org/10.5130/portal.v12i2.4358.
Full textMongillo, David. "The Girl Talk Dilemma: Can Copyright Law Accomodate New Forms of Sample-Based Music?" Pittsburgh Journal of Technology Law and Policy 9 (April 1, 2009). http://dx.doi.org/10.5195/tlp.2009.43.
Full textGibson, Chris. "On the Overland Trail: Sheet Music, Masculinity and Travelling ‘Country’." M/C Journal 11, no. 5 (September 4, 2008). http://dx.doi.org/10.5204/mcj.82.
Full textPhillips, Maggi. "Diminutive Catastrophe: Clown’s Play." M/C Journal 16, no. 1 (January 18, 2013). http://dx.doi.org/10.5204/mcj.606.
Full textStockwell, Stephen. "Theory-Jamming." M/C Journal 9, no. 6 (December 1, 2006). http://dx.doi.org/10.5204/mcj.2691.
Full textKuang, Lanlan. "Staging the Silk Road Journey Abroad: The Case of Dunhuang Performative Arts." M/C Journal 19, no. 5 (October 13, 2016). http://dx.doi.org/10.5204/mcj.1155.
Full textBrabazon, Tara, and Stephen Mallinder. "Off World Sounds: Building a Collaborative Soundscape." M/C Journal 9, no. 2 (May 1, 2006). http://dx.doi.org/10.5204/mcj.2617.
Full textMercieca, Paul Dominic. "‘Southern’ Northern Soul: Changing Senses of Direction, Place, Space, Identity and Time." M/C Journal 20, no. 6 (December 31, 2017). http://dx.doi.org/10.5204/mcj.1361.
Full textBreen, Sally, and Jay Daniel Thompson. "Live through This." M/C Journal 21, no. 5 (December 6, 2018). http://dx.doi.org/10.5204/mcj.1490.
Full textBrabazon, Tara. "Welcome to the Robbiedome." M/C Journal 4, no. 3 (June 1, 2001). http://dx.doi.org/10.5204/mcj.1907.
Full textJaakkola, Maarit. "Forms of culture (Culture Coverage)." DOCA - Database of Variables for Content Analysis, March 26, 2021. http://dx.doi.org/10.34778/2x.
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