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Books on the topic 'Dance improvisation'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 March 2023

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1

Dance improvisations. Pittsburgh, Pa: University of Pittsburgh Press, 1987.

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2

David, Spurgeon. Dance moves: From improvisation to dance. Sydney: Harcourt Brace Jovanovich, 1991.

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3

Dance and the specific image: Improvisation. Pittsburgh: University of Pittsburgh Press, 1994.

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4

Blom, Lynne Anne. The moment of movement: Dance improvisation. London: Dance Books, 2000.

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5

Tarin, Chaplin L., ed. The moment of movement: Dance improvisation. Pittsburgh, Pa: University of Pittsburgh Press, 1988.

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6

Cooper, Albright Ann, and Gere David, eds. Taken by surprise: A dance improvisation reader. Middletown, Conn: Wesleyan University Press, 2003.

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7

Sharing the dance: Contact improvisation and American culture. Madison, Wis: University of Wisconsin Press, 1990.

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8

Dance improvisations: Warm-ups, games and choreographic tasks. Champaign, IL: Human Kinetics, 2011.

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9

Composing while dancing: An improviser's companion. Madison, Wis: The University of Wisconsin Press, 2011.

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10

Tufnell, Miranda. Body space image: Notes towards improvisation and performance. London: Virago, 1990.

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11

Chris, Crickmay, ed. Body, space, image: Notes towards improvisation and performance. London: Dance Books, 1993.

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12

Die Kunst des Fügens: Über Tanztheaterimprovisation = Dance theatre improvisation. Oberhausen: Athena, 2004.

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13

Lavelle, Lise. Amerta Movement of Java, 1986-1997: An Asian movement improvisation. Lund: Centre for Languages and Literature, Lund University, 2007.

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14

Lavelle, Lise. Amerta Movement of Java, 1986-1997: An Asian movement improvisation. Lund: Centre for Languages and Literature, Lund University, 2006.

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15

Georgescu, Corneliu Dan. Improvisation in der traditionellen rumänischen Tanzmusik. Eisenach: K.D. Wagner, 1995.

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16

Inside tap: Technique and improvisation for today's tap dancer. Pennington, N.J: Princeton Book Co., 1996.

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17

Sgorbati, Susan. Emergent improvisation: On the nature of spontaneous composition where dance meets science. Northamton, MA: Contact Quarterly, 2013.

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18

Symposium on Improvisation in the Performing Arts (1983 East-West Center). Improvisation in the performing arts: A report of the Symposium on Improvisation in the Performing Arts, held at the East-West Center, July 10-23, 1983. Honolulu, Hawaii: Institute of Culture and Communication, East-West Center, 1985.

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19

Frost, Anthony. Improvisation in drama. New York: St. Martin's Press, 1990.

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20

Ralph, Yarrow, ed. Improvisation in drama. 2nd ed. New York: Palgrave Macmillan, 2007.

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21

Frost, Anthony. Improvisation in drama. Basingstoke, Hampshire: Macmillan, 1990.

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22

Tampini, Marina. Cuerpo e ideas en danza: Una mirada sobre el Contact improvisation. Buenos Aires: IUNA, Instituto Universitario Nacional de Arte, 2012.

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23

Dances that describe themselves: The improvised choreography of Richard Bull. Middletown, Conn: Wesleyan University Press, 2002.

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24

Improvisieren: Paradoxien des Unvorhersehbaren : Kunst, Medien, Praxis. Bielefeld: Transcript, 2010.

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25

The man next door dances: The art of Peter Bingham. Toronto: Dance Collection Danse Press/es, 2007.

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26

Movement improvisation: In the words of a teacher and her students. Champaign, IL: Human Kinetics, 1994.

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27

I want to be ready: Improvised dance as a practice of freedom. Ann Arbor: University of Michigan Press, 2010.

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28

missing], [name. Improvisation in the arts of the Middle Ages and Renaissance. Kalamazoo, MI: Medieval Institute Publications, Western Michigan University, 2002.

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29

Dance imagery for technique and performance. Champaign, IL: Human Kinetics, 1996.

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30

Agnès, Benoit, ed. On the edge =: Créateurs de l'imprévu : dialogues on dance improvisation in performance. Bruxelles: Contredanse, 1997.

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31

Dalla danza al corpo: La potenza e il desiderio : i ballerini dionisiaci. Milano: Mimesis, 2009.

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32

Jones, Justine. Drama games and improvs: For the classroom and beyond. Colorado Springs, CO: Meriwether Pub, 2007.

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33

Kaltenbrunner, Thomas. Contact improvisation: Bewegen, tanzen und sich begegnen : mit einer einfuhrung in New Dance. 2nd ed. Aachen: Meyer & Meyer Verlag, 2001.

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34

Habert, Andreas. All' improvviso: Vom Bordun zum Ground, improvisierte Tanzmusik im 16. und 17. Jahrhundert. Zürich: Pan, 1995.

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35

Bandyopādhyaẏa, Snehāśisa. Rabīndra nr̥tya biracanā. Kalakātā: Karuṇā Prakāśanī, 2010.

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36

Bandyopādhyaẏa, Snehāśisa. Rabīndra nr̥tya biracanā. Kalakātā: Karuṇā Prakāśanī, 2010.

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37

Gravity. Brussels: Contredanse éditions, 2018.

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38

Dance as an element of life. Tucson, Ariz: Mettler Studios, 1985.

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39

Stark, Smith Nancy, Jastremsky Harriett, and Gustavsen Mette, eds. Contact Quarterly's contact improvisation sourcebook: Collected writings and graphics from Contact Quarterly dance journal 1975-1992. Northampton, Mass: Contact Editions, 1997.

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40

Chaplin, L. Tarin, and Lynne Anne Blom. Moment of Movement: Dance Improvisation. University of Pittsburgh Press, 1988.

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41

Contact Improvisation (Meyer & Meyer Sports). Meyer & Meyer Sport, 1998.

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42

Kraut, Anthea. Fixing Improvisation. Edited by George E. Lewis and Benjamin Piekut. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195370935.013.015.

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Abstract:

This chapter juxtaposes brief case studies of African American vernacular dancers from the first half of the twentieth century in order to reexamine the relationship between the ideology of intellectual property law and the traditions of jazz and tap dance, which rely heavily on improvisation. The examples of the blackface performer Johnny Hudgins, who claimed a copyright in his pantomime routine in the 1920s, and of Fred and Sledge, the class-act dance duo featured in the hit 1948 musical Kiss Me, Kate, whose choreography was copyrighted by the white modern dancer Hanya Holm, prompt a rethinking of the assumed opposition between the originality and fixity requirements of copyright law and the improvisatory ethos of jazz and tap dance. Ultimately, the chapter argues that whether claiming or disavowing uniqueness, embracing or resisting documentation, African American vernacular dancers were both advantaged and hampered by copyright law.

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43

Nagrin, Daniel. Dance and the Specific Image: Improvisation. University of Pittsburgh Press, 1994.

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44

Nagrin, Daniel. Dance and the Specific Image: Improvisation. University of Pittsburgh Press, 1993.

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45

Reeve, Justine. Dance Improvisations. Human Kinetics, 2011. http://dx.doi.org/10.5040/9781718212824.

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Abstract:

Dance Improvisations: Warm-Ups, Games and Choreographic Tasks will provide assistance with any doubts that dancers and teachers might have with improvisation. This practical book promotes creativity that can lead to innovative breakthroughs among students from middle school age through college. With Dance Improvisations: Warm-Ups, Games and Choreographic Tasks, you will find new ways to help your dancers create original movements through both individual and group activities. Your students will hone their creative responses, and the innovation and energy in your dance classes will fill your studio or classroom. Students will blossom and gain inspiration using these improvisations as they learn how to develop movement and choreograph studies.

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46

Jones, Karl, Kathie Goodale, and Kit Prendergast. Cook Up A Dance: Art, Music and Dance Improvisation. Laura Paulisich, 2017.

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47

Blom, Lynne Anne, and L. Tarin Chaplin. The Moment of Movement: Dance Improvisation. Univ of Pittsburgh Pr (Txt), 1989.

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48

Blom, Lynne Anne, and L. Tarin Chaplin. The Moment of Movement: Dance Improvisation. University of Pittsburgh Press, 1989.

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49

Taken by Surprise: A Dance Improvisation Reader. Wesleyan, 2003.

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50

Sharing the dance: An ethnography of contact improvisation. 1986.

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