Academic literature on the topic 'Dance improvisation'
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Journal articles on the topic "Dance improvisation"
Hermans, Carolien. "Oceanic feeling: Towards a fluid philosophy of moving bodies." Journal of Dance & Somatic Practices 13, no. 1 (December 1, 2021): 133–43. http://dx.doi.org/10.1386/jdsp_00042_1.
Full textCarter, Curtis L. "Improvisation in Dance." Journal of Aesthetics and Art Criticism 58, no. 2 (2000): 181. http://dx.doi.org/10.2307/432097.
Full textCARTER, CURTIS L. "Improvisation in Dance." Journal of Aesthetics and Art Criticism 58, no. 2 (March 1, 2000): 181–90. http://dx.doi.org/10.1111/1540-6245.jaac58.2.0181.
Full textZheng, Yufei. "The Role of "Space Cutting" in Improvisation." Region - Educational Research and Reviews 3, no. 3 (October 2, 2021): 31. http://dx.doi.org/10.32629/rerr.v3i3.435.
Full textActon, Kelsie. "Stepping back: Reflecting on accessibility in integrated dance improvisation." Canadian Journal of Disability Studies 10, no. 2 (October 8, 2021): 68–92. http://dx.doi.org/10.15353/cjds.v10i2.791.
Full textШерегова, В., О. Бакланова, and К. Галимова. ""PROBLEMS AND METHODS OF DEVELOPMENT OF IMPROVISATION IN MODERN DANCE"." EurasianUnionScientists 1, no. 1(82) (February 15, 2021): 4–8. http://dx.doi.org/10.31618/esu.2413-9335.2021.1.82.1191.
Full textAilamazjan, Aida M. "Free dance as a cultural-historical practice of improvisation." National Psychological Journal 41, no. 1 (2021): 175–92. http://dx.doi.org/10.11621/npj.2021.0114.
Full textHoppu, Petri. "The Polska: Featuring Swedish in Finland." Congress on Research in Dance Conference Proceedings 2014 (2014): 99–105. http://dx.doi.org/10.1017/cor.2014.13.
Full textLiska, Suzanne. "Somatic ethnographic research: A choreographic process informed by Alexander Technique." Choreographic Practices 11, no. 1 (July 1, 2020): 75–99. http://dx.doi.org/10.1386/chor_00013_1.
Full textNikolopoulou, Panagiota (Teti), and Maria I. Koutsouba. "Reflections on dance improvisation in Greece as an embodied practice." Journal of Dance & Somatic Practices 14, no. 1 (July 1, 2022): 57–73. http://dx.doi.org/10.1386/jdsp_00069_1.
Full textDissertations / Theses on the topic "Dance improvisation"
Thorndike, Ashley P. "Articulating Dance Improvisation: Knowledge Practices in the College Dance Studio." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1275069682.
Full textMcLeod, Shaun, and shaun mcleod@deakin edu au. "Chamber: Dance improvisation, masculine embodiment and subjectivity." Deakin University. School of Communication and Creative Arts, 2002. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20061207.114658.
Full textParrish, Mila. "Discover dance CD-ROM for dance education : digital improvisation and interactive multimedia /." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488203857248275.
Full textSears, Linda R. (Linda Roseanne). "Women and Improvisation: Transgression, Transformation and Transcendence." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc935798/.
Full textŁucznik, Klara. "Shared creativity and flow in dance improvisation practice." Thesis, University of Plymouth, 2018. http://hdl.handle.net/10026.1/11608.
Full textLavelle, Lise. "Amerta movement of Java 1986 - 1997 : an Asian movement improvisation /." Lund : Centre for Languages and Literature, Lund Univ, 2006. http://www.loc.gov/catdir/toc/fy0701/2006402578.html.
Full textWoods, Pamela G. "Site as source and resource for sounding dance improvisation." Thesis, University of Exeter, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.288376.
Full textJolivet, Adèle. "Danse improvisée et processus de création : étude des dynamiques de personnalisation chez des danseurs." Thesis, Toulouse 2, 2018. http://www.theses.fr/2018TOU20087.
Full textThe present study aims to analyse personalization processes in the trajectories of 23 improvisational dancers. Improvised dance refers to intersubjective sharing (Bigé, 2015) and listening state (Guisgand, 2006): the development of this listening is studied here. Through its dimensions of uncertainty (Azaïs, Bachir-Loopuyt & Saint-Germier, 2010) and quest for freedom (Kintzler, 2006), improvisation combines with a personalization practice in reference to the theorizations of this process (Malrieu, 1979, 1994, 1995; Baubion-Broye, Dupuy & Prêteur, 2013). Semi-structured interviews were conducted. Two types of results analysis were used: thematic and through conceptualizing categories (Paillé & Mucchielli, 2012). These results highlight tensions, meaning activities and psychological reorganizations. Becoming aware of formatting, these dancers critically analyse their practises, in order not to repeat learned movements neither improvise without precise goal. The rejection of standard movements leads them to stand out through a personalizing process of creation. Some of them doubt about their ability or the ability of others to communicate, to interconnect. Those of them who are concerned with the lack of communication are trying to bring closer to others through danced improvisation : they cooperate. Cooperation makes them improve their listening and create spontaneously makes them centered on their bodies, which tends to consolidate their self-awareness. Creating their own movements and going beyond what they have learned feeds their need for overtaking and freedom.Through these processes of self-awareness and singularization, they personalize and build themselves
Carlozzo, Abby. "A STUDY OF DANCE IMPROVISATION IN AFRICANIST AND POST-MODERN CONTEXTS AS EXPERIENCED BY PHILADELPHIA-BASED ARTISTS." Master's thesis, Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/393830.
Full textM.A.
This thesis examines the philosophical and aesthetic characteristics of dance improvisation in two enormous contexts: Africanist dance forms and the diverse genres that this term encompasses, and postmodern dance practices that grew out of the work of the Judson Dance Theater in the sixties. The impetus for this study grew out of previous research in Ouagadougou, Burkina Faso in West Africa where I collaborated with a Burkinabe dancer to uncover how our histories influence our approach to movement-making. I soon realized that we possessed different understandings of dance improvisation, and I endeavor to unpack those differences in this study. I seek to evidence the range of understandings of dance improvisation that exist in the United States by including the voices of six Philadelphia-based artists who I have interviewed for the purpose of this research. Although I initially contacted Olivier Tarpaga, Zakiya Cornish, and Cachet Ivey for their work with African dance genres, and Esther Baker-Tarpaga, Marion Ramirez, and Molly Shanahan for their work with postmodern practices of improvisation, the amount of overlap between the two contexts soon became apparent. In exposing the diverse practices of improvisation, I hope to spark a conversation about what constitutes dance improvisation in the United States.
Temple University--Theses
Schrock, Madeline Rose. "Visual Media, Dance, and Academia: Comparing Video Production with the Choreographic Process and Dance Improvisation." Ohio University Honors Tutorial College / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1306695898.
Full textBooks on the topic "Dance improvisation"
Dance improvisations. Pittsburgh, Pa: University of Pittsburgh Press, 1987.
Find full textDavid, Spurgeon. Dance moves: From improvisation to dance. Sydney: Harcourt Brace Jovanovich, 1991.
Find full textDance and the specific image: Improvisation. Pittsburgh: University of Pittsburgh Press, 1994.
Find full textBlom, Lynne Anne. The moment of movement: Dance improvisation. London: Dance Books, 2000.
Find full textTarin, Chaplin L., ed. The moment of movement: Dance improvisation. Pittsburgh, Pa: University of Pittsburgh Press, 1988.
Find full textCooper, Albright Ann, and Gere David, eds. Taken by surprise: A dance improvisation reader. Middletown, Conn: Wesleyan University Press, 2003.
Find full textSharing the dance: Contact improvisation and American culture. Madison, Wis: University of Wisconsin Press, 1990.
Find full textDance improvisations: Warm-ups, games and choreographic tasks. Champaign, IL: Human Kinetics, 2011.
Find full textComposing while dancing: An improviser's companion. Madison, Wis: The University of Wisconsin Press, 2011.
Find full textTufnell, Miranda. Body space image: Notes towards improvisation and performance. London: Virago, 1990.
Find full textBook chapters on the topic "Dance improvisation"
Midgelow, Vida L. "Improvisation Practices and Dramaturgical Consciousness: A Workshop." In Dance Dramaturgy, 106–23. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137373229_6.
Full textWait, Nalina. "Dewey and the Pre-History of Western Improvisation." In Improvised Dance, 39–63. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003369011-2.
Full textMullis, Eric. "Dance Improvisation as Experimental Inquiry." In The Routledge Handbook of Philosophy and Improvisation in the Arts, 475–87. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003179443-38.
Full textSilva, João da. "Risk-taking and group dance improvisation *." In Contemporary Choreography, 138–49. Second edition. | Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315563596-12.
Full textBenjamin, Adam. "Talking Heads: Finding Voice in Dance Improvisation." In Making an EntranceDancing Out The Message Behind Inclusive Practice, 147–51. 2nd ed. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003015291-23.
Full textDuffin, Ross W. "Ensemble Improvisation in the Fifteenth‑Century Mensural Dance Repertoire." In Instruments, Ensembles, and Repertory, 1300-1600, 195–233. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.bceec-eb.1.100640.
Full textMidgelow, Vida L. "A New Kind of Learning: Somatics, Dance Improvisation and Transdisciplinarity." In Transdisciplinary Higher Education, 121–35. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56185-1_9.
Full textTorrents, C., J. Coterón, A. Ric, and R. Hristovski. "Emerging Dance Movements Under Ecological Constraints in Contact Improvisation Dancers with Different Background." In First Complex Systems Digital Campus World E-Conference 2015, 133–39. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-45901-1_13.
Full textNativ, Yael (yali). "Embodied Social Dimensions in the Creative Process: Improvisation, Ethics and Gender in Choreography Classes in Israeli High-School Dance Programs." In Creative Context, 51–61. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-3056-2_4.
Full textCienki, Alan, and Michael O’Connor. "Researching embodied metaphor production through improvisational dance practice." In Metaphor in Language, Cognition, and Communication, 63–76. Amsterdam: John Benjamins Publishing Company, 2022. http://dx.doi.org/10.1075/milcc.9.03cie.
Full textConference papers on the topic "Dance improvisation"
Berman, Alexander, and Valencia James. "Towards a Live Dance Improvisation between an Avatar and a Human Dancer." In the 2014 International Workshop. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2617995.2618026.
Full textWallace, Benedikte, Charles P. Martin, Jim Tørresen, and Kristian Nymoen. "Learning Embodied Sound-Motion Mappings: Evaluating AI-Generated Dance Improvisation." In C&C '21: Creativity and Cognition. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3450741.3465245.
Full textFrançoise, Jules, Sarah Fdili Alaoui, and Yves Candau. "CO/DA: Live-Coding Movement-Sound Interactions for Dance Improvisation." In CHI '22: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3491102.3501916.
Full textLong, Duri, Lucas Liu, Swar Gujrania, Cassandra Naomi, and Brian Magerko. "Visualizing Improvisation in LuminAI, an AI Partner for Co-Creative Dance." In MOCO '20: 7th International Conference on Movement and Computing. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3401956.3404258.
Full textLi, Chen. "The Study of Musical and Dance Improvisation Teaching in Higher Normal University." In 2015 International Conference on Management, Education, Information and Control. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/meici-15.2015.234.
Full textMeador, W. Scott, Eric M. Kurt, and Kevin R. O'Neal. "Virtual performance and collaboration with improvisational dance." In the SIGGRAPH 2003 conference. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/965400.965531.
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