Academic literature on the topic 'Dais (architecture)'
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Journal articles on the topic "Dais (architecture)"
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Feng, Wenfeng, Xin Zhang, Qiushuang Song, and Guoying Sun. "The Incoherence of Deep Isotropic Neural Networks Increases Their Performance in Image Classification." Electronics 11, no. 21 (November 4, 2022): 3603. http://dx.doi.org/10.3390/electronics11213603.
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Although neural-network architectures are critical for their performance, how the structural characteristics of a neural network affect its performance has still not been fully explored. Here, we map architectures of neural networks to directed acyclic graphs (DAGs), and find that incoherence, a structural characteristic to measure the order of DAGs, is a good indicator for the performance of corresponding neural networks. Therefore, we propose a deep isotropic neural-network architecture by folding a chain of the same blocks and then connecting the blocks with skip connections at different distances. Our model, named FoldNet, has two distinguishing features compared with traditional residual neural networks. First, the distances between block pairs connected by skip connections increase from always equal to one to specially selected different values, which lead to more incoherent graphs and let the neural network explore larger receptive fields and, thus, enhance its multi-scale representation ability. Second, the number of direct paths increases from one to multiple, which leads to a larger proportion of shorter paths and, thus, improves the direct propagation of information throughout the entire network. Image-classification results on CIFAR-10 and Tiny ImageNet benchmarks suggested that our new network architecture performs better than traditional residual neural networks. FoldNet with 25.4M parameters can achieve 72.67% top-1 accuracy on the Tiny ImageNet after 100 epochs, which is competitive compared with the-state-of-art results on the Tiny ImageNet.
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Kalpakis, K., and Y. Yesha. "Scheduling tree dags on parallel architectures." Algorithmica 15, no. 4 (April 1996): 373–96. http://dx.doi.org/10.1007/bf01961545.
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Zhang, Tunhou, Hsin-Pai Cheng, Zhenwen Li, Feng Yan, Chengyu Huang, Hai Li, and Yiran Chen. "AutoShrink: A Topology-Aware NAS for Discovering Efficient Neural Architecture." Proceedings of the AAAI Conference on Artificial Intelligence 34, no. 04 (April 3, 2020): 6829–36. http://dx.doi.org/10.1609/aaai.v34i04.6163.
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Resource is an important constraint when deploying Deep Neural Networks (DNNs) on mobile and edge devices. Existing works commonly adopt the cell-based search approach, which limits the flexibility of network patterns in learned cell structures. Moreover, due to the topology-agnostic nature of existing works, including both cell-based and node-based approaches, the search process is time consuming and the performance of found architecture may be sub-optimal. To address these problems, we propose AutoShrink, a topology-aware Neural Architecture Search (NAS) for searching efficient building blocks of neural architectures. Our method is node-based and thus can learn flexible network patterns in cell structures within a topological search space. Directed Acyclic Graphs (DAGs) are used to abstract DNN architectures and progressively optimize the cell structure through edge shrinking. As the search space intrinsically reduces as the edges are progressively shrunk, AutoShrink explores more flexible search space with even less search time. We evaluate AutoShrink on image classification and language tasks by crafting ShrinkCNN and ShrinkRNN models. ShrinkCNN is able to achieve up to 48% parameter reduction and save 34% Multiply-Accumulates (MACs) on ImageNet-1K with comparable accuracy of state-of-the-art (SOTA) models. Specifically, both ShrinkCNN and ShrinkRNN are crafted within 1.5 GPU hours, which is 7.2× and 6.7× faster than the crafting time of SOTA CNN and RNN models, respectively.
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Psomakelis, Evangelos, Anastasios Nikolakopoulos, Achilleas Marinakis, Alexandros Psychas, Vrettos Moulos, Theodora Varvarigou, and Andreas Christou. "A Scalable and Semantic Data as a Service Marketplace for Enhancing Cloud-Based Applications." Future Internet 12, no. 5 (April 25, 2020): 77. http://dx.doi.org/10.3390/fi12050077.
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Data handling and provisioning play a dominant role in the structure of modern cloud–fog-based architectures. Without a strict, fast, and deterministic method of exchanging data we cannot be sure about the performance and efficiency of transactions and applications. In the present work we propose an architecture for a Data as a Service (DaaS) Marketplace, hosted exclusively in a cloud environment. The architecture includes a storage management engine that ensures the Quality of Service (QoS) requirements, a monitoring component that enables real time decisions about the resources used, and a resolution engine that provides semantic data discovery and ranking based on user queries. We show that the proposed system outperforms the classic ElasticSearch queries in data discovery use cases, providing more accurate results. Furthermore, the semantic enhancement of the process adds extra results which extend the user query with a more abstract definition to each notion. Finally, we show that the real-time scaling, provided by the data storage manager component, limits QoS requirements by decreasing the latency of the read and write data requests.
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Dhami, Ujas, and Nisarg Shah. "Effectuating Blockchain Network Compromise by Orchestrating a Daisy - Chain Architecture." International Journal of Science and Research (IJSR) 11, no. 6 (June 5, 2022): 1655–59. http://dx.doi.org/10.21275/sr22626213703.
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Özdemir Işık, Buket, and Çağla Sayitoğlu Taş. "Mimarlık Eğitiminde Peyzaj Tasarımı / Landscape Design in Architctural Education." Journal of History Culture and Art Research 7, no. 2 (July 2, 2018): 390. http://dx.doi.org/10.7596/taksad.v7i2.1489.
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<p><strong>Abstract</strong></p><p>Collaboration among the professional disciplines has an important impact on the success of education and training. It is known that the architectural profession interacts with different professional disciplines at national and international universities that provide architectural education. These professions should be included in architectural education programs, especially because architecture is related to different disciplines such as civil engineering, interior architecture, landscape architecture, urban and regional planning. In this respect, design students studying in the field of architecture need to acquire interdisciplinary vocational education in order to develop their imagination, ability of thinking and to realize what they thinked.</p><p>In this context, a survey was conducted with 61 students from the 4th grade students who took the Landscape Design course in the Architecture Department of Avrasya University, which provides architectural education. The students who attended the lessons were asked for their opinions about whether the lessons contributing their professional quality or not. Survey questions were analyzed by SPSS Statistics 24 analysis program. The students who participated in the survey stated that the course was especially helpful when designing the site plan, determining the site elevations and building entry-exit points. In addition, students stated that they would like to take the landscape design course in 2nd grade instead of taking in the 4th grade.</p><p> <strong>Öz</strong></p><p>Mesleki disiplinler arasındaki ortak çalışmalar, eğitim öğretimin başarısı üzerinde önemli bir etkiye sahiptir. Mimarlık eğitimi veren ulusal ve uluslararası üniversitelerde de mimarlık mesleğinin farklı meslek disiplinleri ile etkileşim içerisinde olduğu bilinmektedir. Özellikle Mimarlığın, İnşaat Mühendisliği, İç Mimarlık, Peyzaj Mimarlığı, Şehir Bölge Planlama gibi farklı disiplinler ile ilişkili olmasından dolayı, bu disiplinlere dair mesleki bilgiler eğitim programlarında yer almalıdır. Bu açıdan mimarlık alanında eğitim öğretim gören tasarım öğrencilerinin, düşünme, düşünüleni görme ve hayata geçirme adına hayal güçlerini geliştirmek için disiplinler arası mesleki eğitimi almaları gerekmektedir.</p><p>Bu bağlamda, bu çalışmada mimarlık eğitimi veren Avrasya Üniversitesi Mimarlık Bölümü, Peyzaj Tasarım dersini alan 4. Sınıf öğrencilerinden 61 kişi ile bir anket çalışması yapılmıştır. Dersi alan öğrencilerden ders kapsamında görüşleri istenmiş ve almış oldukları dersin, mesleki eğitimlerine katkısı olup olmadığı sorgulanmıştır. Anket soruları SPSS Statistics 24 analiz programı ile analiz edilmiştir. Ankete katılan öğrenciler dersin özellikle; vaziyet planı tasarlarken, arazi kotlarını ve bina giriş-çıkış noktalarını belirlerken yardımcı olduğunu ifade etmişlerdir. Ayrıca öğrenciler ankete vermiş oldukları cevaplarında 4. sınıfta almış oldukları Peyzaj Tasarım dersinin, eğitim öğretim yılları içerisinde 2. sınıfta almak istediklerini belirtmişlerdir.</p>
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Odagiri, Kazuya, Rihito Yaegashi, Masaharu Tadauchi, and Naohiro Ishii. "Secure DACS Scheme." Journal of Network and Computer Applications 31, no. 4 (November 2008): 851–61. http://dx.doi.org/10.1016/j.jnca.2007.04.002.
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RISSET, TANGUY, and YVES ROBERT. "SYNTHESIS OF PROCESSOR ARRAYS FOR THE ALGEBRAIC PATH PROBLEM: UNIFYING OLD RESULTS AND DERIVING NEW ARCHITECTURES." Parallel Processing Letters 01, no. 01 (September 1991): 19–28. http://dx.doi.org/10.1142/s0129626491000173.
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In this paper, we derive array processors which are synthesized from uniform but non-local DAGs. We introduce limited broadcast facilities that can be adjusted to cope with current integration constraints. Our target problem is the Algebraic Path Problem, whose implementation on systolic architectures has been studied by numerous authors. We show how to compare, to classify and to improve several proposed architectures.
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전웅찬, 민대홍, and Seung Ryul Jeong. "A Study on the Effects for IT Innovation, IT Dependency and Enterprise Architecture Usage on IT-Business Alignment." Management & Information Systems Review 32, no. 2 (June 2013): 359–79. http://dx.doi.org/10.29214/damis.2013.32.2.016.
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Zhou, Meng, Yao Zhang, Xu Qiao, Weiqiang Tan, and Longxiang Yang. "Analysis and Optimization for Downlink Cell-Free Massive MIMO System with Mixed DACs." Sensors 21, no. 8 (April 8, 2021): 2624. http://dx.doi.org/10.3390/s21082624.
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This paper concentrates on the rate analysis and optimization for a downlink cell-free massive multi-input multi-output (MIMO) system with mixed digital-to-analog converters (DACs), where some of the access points (APs) use perfect-resolution DACs, while the others exploit low-resolution DACs to reduce hardware cost and power consumption. By using the additive quantization noise model (AQNM) and conjugate beamforming receiver, a tight closed-form rate expression is derived based on the standard minimum mean square error (MMSE) channel estimate technique. With the derived result, the effects of the number of APs, the downlink transmitted power, the number of DAC bits, and the proportion of the perfect DACs in the mixed-DAC architecture are conducted. We find that the achievable sum rate can be improved by increasing the proportion of the perfect DACs and deploying more APs. Besides, when the DAC resolution arrives at 5-bit, the system performance will invariably approach the case of perfect DACs, which indicates that we can use 5-bit DACs to substitute the perfect DACs. Thus, it can greatly reduce system hardware cost and power consumption. Finally, the weighted max–min power allocation scheme is proposed to guarantee that the users with high priority have a higher rate, while the others are served with the same rate. The simulation results prove the proposed scheme can be effectively solved by the bisection algorithm.
Dissertations / Theses on the topic "Dais (architecture)"
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Rouille, Christelle. "Le dais. Lexiques, symboles et représentations, XVe et XXe-XXIe siècles." Electronic Thesis or Diss., Université Paris sciences et lettres, 2021. http://www.theses.fr/2021UPSLP057.
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Si le dais médiéval subsiste jusqu'à la fin des monarchies européennes, l'engouement pour celui-ci s'est rapidement estompé avec la chute de ces dernières, menant à l'oubli de l'objet et de son nom. Il est ainsi frappant d'observer à quel point le dais - d'apparat, liturgique et d'architecture - est un objet totalement méconnu aujourd'hui. S'il se révèle que nous le connaissons vaguement pour l'avoir aperçu lors de visites touristiques dans des châteaux ou sur les façades des cathédrales gothiques, nous ne savons plus à quoi le mot dais se réfère. Mais la structure du dais a-t-elle réellement disparu de notre monde contemporain ? Si nous nous plaçons dans une lignée warburgienne et que nous pensons à un temps qui sans cesse renaît, alors nous pouvons émettre l'hypothèse selon laquelle la structure du dais a pu survivre dans l'art contemporain. Pourquoi et de quelles manières le concept et la forme du dais persistent dans l'art contemporain occidental alors qu'ils apparaissent aujourd'hui confus et dépassés, sinon inconnus pour le plus grand nombre ? Les termes de persistance et de survivance font appel à une forme d'inconscient culturel collectif qui voudrait que les artistes réemploient des formes déjà observées, mais dont ils ne cherchent pas à reproduire volontairement les traits. La stratégie de cette étude est de sélectionner des œuvres du XVe siècle et des œuvres des années soixante à nos jours, françaises, flamandes et italiennes, afin de mener l'enquête sur les possibles ressemblances entre les nouvelles et anciennes formes du dais. Le souci est de définir précisément les éléments qui peuvent être considérés comme des réminiscences de l'ancienne forme du dais, ce que nous appelons les « manières de dais ». Il est ainsi nécessaire de comprendre ce qu'est un dais et les enjeux auxquels il est relié, du point de vue des lexiques, des symboles et des représentationsIf the medieval canopy of state remains until the end of the European monarchies, the enthusiasm for it faded rapidly after their collapse, leading to the loss of the object and its name. It is thus stunning to realize how the canopy of state and its twins, the liturgical canopy and the gothic canopy, are nowadays totally unknown and unexploited structures. If we vaguely know the canopy for having encountered it during a touristic visit of a castle or on the facade of Gothic cathedrals, we do not know any more what the word canopy [dais in French] refers to. Has the canopy disappeared from our contemporary world? If we adopt an anthropological viewpoint and think, after Aby Warburg, of a time which is always reborn, then we can imagine that the structure of the medieval canopy may have survived in contemporary art. Why and how do the notion and the shape of the canopy persist in Western contemporary art while today they seem confused and outdated? The words persistence and survival have to do with the collective unconscious, which implies that the artists reuse some forms that already appeared in the past without looking for reproducing them consciously, deliberately. The strategy of this study is to select French, Flemish and Italian artworks of the 15th century and from 1960 to nowadays in order to investigate the possible similarity between the new and the ancient forms of the canopy. The goal is to define rigorously what the reminiscences of the shape of the old canopy are, which we call “manners of canopy” [“manières de dais”]. It is thus needed to know exactly what a canopy is and what concerns are related to it in terms of lexicons, symbols and representations
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Dehan, Philippe. "« Pertinence d’une approche globale de la qualité architecturale dans l’optique de la construction d’un jugement critique raisonné »." Thesis, Paris Est, 2016. http://www.theses.fr/2016PESC1176/document.
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Cherchant à répondre aux questions :1- Une définition unifiée de la qualité architecturale peut-elle encore exister ou doit-elle être modulée en fonction des programmes et des observateurs ?2.La qualité architecturale est-elle intemporelle ou varie-t-elle dans le temps, en fonction de valeurs de références ?3.La décomposition de la qualité architecturale en un corpus d’indicateurs permettant d’étayer le jugement permet-il de réduire voire de supprimer la « boîte noire » de la qualité, en particulier de sa valeur d’art habituellement réservée aux initiés ?Ma thèse sur travaux s'appuie sur mes trois livres publiés antérieurement ("Jean Ginsberg", "L'Habitat des personnes âgées" et "Qualité architecturale et innovation") et sur mon expérience d'enseignant et de constructeur pour explorer la pertinence des approches qualitatives en interrogeant aussi l’actualité du triptyque vitruvien, les théories anciennes, les doctrines et pratiques contemporainesSeeking to answer the questions:1- A unified definition of architectural quality can it still exist or should it be modulated according programs and observers?2.Is architectural quality timeless or does it vary over time, depending on reference values?3.Does the decomposition of architectural quality in a set of indicators to substantiate the judgment allows to reduce or even eliminate the "black box" of quality, especially its art value usually reserved for specialists ?My thesis is based on my previously published three books ( "Jean Ginsberg", "The Habitat of the elderly" and "Architectural quality and innovation") and my teaching experience and builder to explore the relevance of qualitative approaches also exploring lhe actuality of Vitruvian triptych, old theories, contemporary doctrines and practices
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Raulet, Mickaël. "Optimisations Mémoire dans la méthodologie « Adéquation Algorithme Architecture » pour Code Embarqué sur Architectures Parallèles." Phd thesis, INSA de Rennes, 2006. http://tel.archives-ouvertes.fr/tel-00124276.
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Dans le domaine de l'électronique embarquée, les applications de communications numériques et de traitement d'images imposent des contraintes de temps très fortes tout en admettant une limitation en ressources et performances des unités de traitement. La restriction quant à la mémoire utilisable peut être préjudiciable pour des domaines tels que le codage vidéo. Une solution pour atteindre les objectifs d'implantation temps-réel peut passer par une distribution sur une architecture matérielle parallèle. Cette problématique constitue le cadre de ces travaux. Plus précisément, il s'agit de développer un processus de prototypage rapide dédié aux architectures parallèles à base de plusieurs processeurs de traitement numérique du signal de dernière génération (FPGA, DSP). L'aspect optimisation du point de vue de la mémoire allouée est abordé ici de manière plus précise.La chaîne de prototypage a été élaborée autour de SynDEx, outil développé à l'INRIA basé sur la méthodologie AAA. Cette dernière vise à améliorer l'implantation d'un algorithme sur une architecture multi-processeurs en déterminant une distribution et ordonnancement optimaux. SynDEx réalise la phase d'adéquation proprement dite, et génère un exécutif indépendant de la cible. Nous avons dans un premier temps contribué à l'automatisation du processus sur cible multi-processeurs, en rajoutant d'une couche fonctionnelle, et en développant de nouveaux noyaux spécifiques pour des processeurs de traitement numérique du signal.
Dans un contexte embarqué, nos préoccupations se sont ensuite penchées sur la minimisation de la mémoire pour le code généré. C'est un problème encore très ouvert pour des architectures multi-composants. La solution trouvée, grâce aux algorithmes de coloriage de graphe, aboutit à une amélioration significative des résultats d'implantation distribuée. Le portage vers des plates-formes multi-composants est aujourd'hui automatique, notamment en intégrant directement dans l'outil SynDEx l'optimisation mémoire.
Une autre partie importante de ces travaux a concerné le développement et l'intégration, à travers notre processus de prototypage, d'applications conséquentes dans les domaines du traitement des images (MPEG-4, LAR) et celui des télécommunications (MC-CDMA, UMTS). Les résultats obtenus valident l'ensemble du processus proposé, et démontrent son adaptation à des systèmes globalement orientés traitement de l'information. Le mémoire se conclut en ouvrant sur de nouvelles perspectives, en s'intéressant notamment à des systèmes multi-couches réunissant des couches « transport » de télécommunication numériques et des couches « services » de traitement des images.
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Faure, Anne. "Architecture/arts visuels : une expérimentation de la perception visuelle, par la vidéo numérique, considérée comme instrument de la pensée architecturale." Paris 1, 2010. http://portaildocumentaire.citechaillot.fr/pdfjs/web/viewer.html?file=/Infodoc/ged/viewPortalPublished.ashx?eid%3DIFD_FICJOINT_0000302.
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L'architecture contemporaine occidentale fait, dans certains cas, appel aux arts visuels. Cette relation qui peut être fusionnelle permet des hybridations qui transforment notre regard sur l' architecture. Le croisement des disciplines devient alors un outil de perception qui permet à l'individu regardeur de devenir un acteur de l' espace. La saisie et l' analyse de cette production conceptuelle a nécessité un travail d' expérimentation et de manipulation par la vidéo numérique. L'image animée, aidée des propriétés du numérique, permet de lire et de penser le bâtiment de manières multiples. La vidéo représente un outil au service d'une nouvelle connaissance visuelle de l' architecture, qui libère le regard porté sur l' objet pour le voir autrement. Ce travail a donné lieu à la conception de vidéos numériques qui ont permis la restitution d'une pensée critique de l'architecture et la création de nouveaux objets issus de ces architectures.
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Laurent-Brière, Chantal. "Victor Hugo, architecture et roman mêlés : dela représentation architecturale dans l'oeuvre romanesque de Victor Hugo." Aix-Marseille 1, 2003. http://www.theses.fr/2003AIX10090.
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L'œuvre de Victor Hugo témoigne du goût de son auteur pour l'art architectural. Les travaux de Jean Mallion ont montré l'importance des références, tous genres confondus, et analysé l'étroite imbrication entre l'écriture et l'engagement de Hugo en matière de préservation des monuments historiques. Inspirée par les recherches de Philippe Hamon, qui associent littérature et architecture au XIXe siècle dans leur commune aptitude à produire de la narrativité, notre réflexion choisit de limiter le corpus établi par Jean Mallion pour se concentrer sur la représentation romanesque de l'architecture. Avec Notre-Dame de Paris, nous étudions tout d'abord le moment où l'architecture devient matière romanesque. L'auteur bâtit avec des mots et les romans engagent un dialogue avec le savoir architectural que traduit la présence d'une toponymie et d'un lexique spécialisé, garants d'une capacité à construire l'illusion du référent. Nous approfondissons ensuite l'observation des liens entre les éléments constitutifs du genre romanesque et la description, mode majoritaire d'une mise en texte de l'art de bâtir. Le roman accorde à l'architecture une place visible dans sa propre construction et un rôle dans les notions clefs de sa poétique que sont le temps, l'espace et le système des personnages. Représentée, l'architecture est aussi représentative. Ainsi sa valeur symbolique sert-elle l'ambition du roman de mettre en scène l'Histoire, la Société et le Progrès. Le roman hugolien a pour constante d'exhiber le travail de création de son auteur. L'architecture, comme autre expression artistique, comme autre écriture, offre une médiation à cette spécularité. Nous nous intéressons à ce dispositif réflexif qui recentre l'œuvre sur elle-même et en fait un modèle absolu de l'acte créateur. Enfin, nous considérons que la maison d'exil de Victor Hugo, Hauteville House, livre architectural portant signature, appartient à l'œuvre et apparaît comme un trait d'union entre écrire et construire.
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Guennoun, Mohammed Karim. "Architectures dynamiques dans le contexte des applications à base de composants et orientées services." Toulouse 3, 2006. http://www.theses.fr/2006TOU30236.
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L'adaptabilité des applications logicielles peut être séparée en deux catégories. La première concerne l'adaptation comportementale appelée aussi adaptation algorithmique. Cette adaptation traite la redéfinition du comportement de l'application et de ses composants et implique, par exemple, l'introduction d'une nouvelle méthode dans l'interface d'un composant ou le changement du protocole d'orchestration qui coordonne un ensemble de services. Nos travaux, que nous classons dans une deuxième catégorie, traitent l'adaptation structurelle et considèrent une reconfiguration au niveau architectural. Ce type de reconfiguration traite l'organisation de l'architecture et consiste, par exemple, à remplacer un composant défaillant par un autre composant qui possède les mêmes fonctionnalités ou rediriger un client d'un service qui ne respecte pas le contrat de QdS vers un service susceptible d'offrir de meilleures garanties. Dans ce mémoire, nous définissons un méta-modèle relatif à la description et la gestion automatique des architectures dynamiques. Les instances des architectures sont décrites par des graphes étendus où les composants (ou les services) sont représentés par des n\oe uds, et les interdépendances (e. G. Les connexions, les relations de contrôle. . . Etc) sont décrites par des arcs. Les styles architecturaux sont spécifiés par des grammaires de graphes étendues. Le méta-modèle admet des descriptions en considérant différents niveaux d'abstraction et offre des mécanismes pour raffiner ou abstraire les descriptions selon des points de vues spécifiques. Il permet, aussi, de décrire le protocole de gestion de l'architecture et de caractériser les propriétés architecturales à préserver pour chaque niveau architectural considéré. Nous avons développé un algorithme de recherche d'homomorphismes de graphes et un algorithme de transformation de graphes pour les grammaires de graphes étendus définis pour notre méta-modèle. L'analyse de complexité des algorithmes ainsi que les résultats expérimentaux obtenus ont permis de conclure à leur efficacité. Une deuxième version des deux algorithmes a été définie profitant de la spécificité du contexte de la transformation de graphes. L'analyse de complexité de ces nouvelles versions donne des résultats encore plus performants pour le passage à l'échelle. .Adaptability for software applications can be separated into two categories. First relates to the behavioral adaptation also called algorithmic adaptation. This adaptation addresses the redefinition of the behavior of the application and its components and implies, for example, adding a new method into the interface of a component or updating the orchestration protocol that coordinates a set of services. Second category, in which we can classify our work, relates to the structural adaptation and implies a reconfiguration at the architectural level. This kind of reconfiguration deals with the organization of the architecture and involve, for instance, the substitution of a failing component by another with same functionalities or the redirection for a customer of a service which does not respect the QoS contract towards a service likely to offer better guarantees. In this thesis, we specify a meta-model relating to the description and the automatic management of dynamic architectures. Architecture instances are described by extended graphs where components (or services) are represented by vertices, and interdependencies (e. G. Connections, relations of control. . . Etc) are described by edges. The architectural styles are specified by extended graph grammars. The meta-model considers descriptions by admitting various abstraction levels and offers mechanisms to either abstract or refine descriptions according to specific points of view. It, also, makes it possible to describe architecture management protocols and to characterize the architectural properties to be preserved for each considered architectural level. We developed an algorithm for graph homomorphisms building and an algorithm for graph transformation in the context of extended graph grammars defined for our meta-model. .
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Fourcade, Anne-Marie. "L'architecture monumentale à l'époque nationale-socialiste : la tentative d'un retour aux formes fondamentales dans l'architecture d'Etat." Thesis, Paris 1, 2013. http://www.theses.fr/2013PA010658/document.
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L'architecture officielle nationale-socialiste adopte dès 1934, par sa monumentalité, une allure qui la distingue en tant que telle de tout ce qui s'est fait auparavant. L'analyse des caractéristiques et des sources de cette architecture est le thème principal de cette thèse. P. L. Troost dessine les premiers édifices du Parti à Munich; Ernst Sagebiel est l'architecte de l'aéroport de Tempelhof et du ministère de Göring à Berlin; Hans Reissinger imagine à Bayreuth un édifice à l'enveloppe composite pour l'association des enseignants du Reich; Ludwig et F. Ruff dessinent un hall gigantesque destiné aux congrès du parti à Nuremberg. Leurs œuvres présentent des formes de monumentalité très éloignées de la seule référence à un néoclassicisme simplifié. Leurs édifices, marqués par une grande exigence de représentation, répondent néanmoins, avec beaucoup d'efficacité pour certains d'entre eux, à la fonction à laquelle ils sont destinés. L'étude de ces édifices s'attache à observer l'évolution des esquisses et des maquettes dans le sens d'une monumentalité toujours plus grande, l'effet recherché l'emportant sur toute autre considération. Une iconographie sculptée à la gloire Reich et du Parti, en ses emblèmes et ses bas-reliefs, complète cette mise en scène. La notion de tectonique germanique privilégiée par les historiens de ce régime pour exprimer l'essence de l'architecture dans sa recherche de formes originelles est soigneusement examinée. Les racines dont elle se prévaut font appel à une Allemagne mythique entièrement recréée et berceau de l'univers. L'examen des édifices retenus est donc tout d'abord une analyse architecturale, complétée par la prise en compte de l'important appareil éditorial qui en a assuré la présentation officielle pendant le Reich. En contrepoint, il a été tenu compte des nombreuses publications que cette architecture a suscitées en Allemagne depuis les années 1970As early as 1934, the official National-Socialist architecture takes a stand which sets it apart from ail things past, bringing out the very peculiar monumentality of the period. Analyzing the characteristics and the sources of this state architecture during the early years of the Third Reich, constitutes the main theme of the present thesis. P.L. Troost, who designed the first buildings of the Party in Munich, Ernst Sagebiel, author of the Tempelhof Airport and Göring's Ministry in Berlin, Hans Reissinger who designed a building with a composite envelop meant for the Reich teachers' Association in Bayreuth, and finally Ludwig and F. Ruff who designed a gigantic hall to accommodate the Party's conventions in Nuremberg, are the architects who se works are being reviewed. Their buildings present monumental forms which are quite remote from simplistic neo-classical references. These works are marked by great representational demands and yet, in some cases, they also respond to functionality in a highly efficient way. This study of the chosen buildings attempts to observe, from the moment of conception through the evolution of sketches and models, an ever-increasing monumentality: the establishment of a mode of composition favoring organizing symmetries of plans and elevations and the final embellishment of the facades with added-on elements, the reached-for effect being always more important than any other consideration. A sculptured iconography glorifying the regime and the Reich, with its signs, symbols and freezes, completes this setting. The concept of a German tectonic, so privileged by historians of the regime, expressing the essence of this official architecture in its search for original forms, is therefore examined in detail, revealing the roots it refers to: at its center is a newly-recreated mythical Germany as cradle of the universe. The analysis of the chosen buildings is thus first architectural, then completed by examining the editorial apparatus which has ensured its official presentation during the Third Reich. On the other hand, the numerous publications spurred by this architecture in Germany since the 1970's, have also been taken into account
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Mira, Pascale. "Penser l'architecture environnementale, des idées aux formes et des formes aux idées : dans quel processus de néomorphisation sommes-nous ?" Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20147/document.
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L’architecture change parce que le monde change. L’impact des enjeux environnementaux sur la pensée de l’architecture, sur les idées et sur les formes architecturales est le sujet de cette recherche. Le secteur du bâtiment est aujourd’hui considéré comme un levier important pour résoudre la crise environnementale. Cependant, des décalages s’affirment entre des impératifs urgents et règlementaires d’atteindre des objectifs quantitatifs précis, et la nécessité pour l’architecture d’être pensée en lien avec une nouvelle culture environnementale. Transition énergétique. Transition environnementale. Transition architecturale ? Dans quel processus de néomorphisation sommes-nous ? Ce travail de recherche concerne la période de transition engagée à la fin des années 1990 et dont les scénarios se construisent à horizon 2050. L’objectif est de définir des concepts et des outils, pour caractériser de façon ouverte et pluridisciplinaire la transition architecturale vers une architecture environnementale et fournir matière à penser. Les concepts de néomorphisme architectural et de Potentiel Néomorphique (PN) sont créés, pour répondre au contexte d’une transition en cours. Par analogie avec le néologisme désignant un mot nouveau qui renouvelle et enrichit le langage, le néomorphisme architectural désigne une forme nouvelle. Il est de la même façon issu d’un processus morphologique créatif, expérimental, riche et complexe, propre aux périodes de transition. Les Potentiels Néomorphiques de l’architecture environnementale qui en découlent, désignent les nouvelles idées à l’origine des nouvelles formes architecturales. La spécificité de ce travail de recherche repose sur une approche originale de la pensée de l’architecture, des idées aux formes et des formes aux idées, et sur la création d’espaces analogiques. Les espaces analogiques sont constitués à partir de la confrontation de trois corpus : un corpus d’idées (les PN), un corpus de formes architecturales manifestes et un corpus de formes artistiques subversives. Ils sont conçus pour nourrir le débat, questionner la notion de justesse et pour stimuler la pensée de l’architecture, la soustraire au prêt-à-penser et permettre l’impensé. Ces éléments théoriques sont réinvestis dans la réalisation de la maquette d’un thésaurus. Le « Thésaurus de l’architecture environnementale, des idées aux formes et des formes aux idées » est un outil de veille et de connaissance. Il permet de découvrir, s’approprier et penser l’architecture environnementale à travers un nouveau cadre descriptif et des espaces analogiques. Proposé sur le principe d’un outil collaboratif en ligne, il invite à une approche pluriculturelle de l’architecture et permet le partage d’un savoir vivant et réactif. La maquette du Thésaurus de l’architecture environnementale ouvre la voie à des prolongements pédagogiques orientés sur l’identification de nouvelles références. Son ambition est de contribuer à la construction d’une histoire contemporaine des idées et des formes de l’architecture environnementaleArchitecture is changing because the world is changing.The impact of environmental issues on the way of thinking architecture, and also on architectural ideas and architectural forms, is the subject of this research.The building sector is now considered as an important tool in order to solve the environmental crisis. However, discrepancies are increasing between, on the one hand, urgent and regulatory requirements to achieve specific quantitative targets and, on the other, the need for architecture to be thought of in connection with a new environmental culture.Energy transition. Environmental transition. Architectural transition?How to define this neomorphisation process.This research concerns the transition period that started in the late 1990s and where the scenarios are projected up to the 2050s. The objective is to define concepts and tools, to characterize the architectural transition towards an environmental architecture, in an open and multidisciplinary manner, and to provide food for thought.The concepts of “architectural neomorphism” and “Neomorphic Potential” (PN) are created, in response to the context of a transition in progress. By analogy with the neologism which designates a new word that renews and enriches language, architectural neomorphism indicates a new form. In the same way, it results from a morphological process, creative, experimental, rich and complex, specific to transition periods. The resulting “Neomorphic Potentials” of environmental architecture describe the ideas which are behind the new architectural forms.The specific quality of this research work is based on an original approach to architectural thought, from ideas to forms and from forms to ideas, and on the creation of “analogical spaces”. They are composed as a result of the confrontation of three corpora : a corpus of ideas (PN), a corpus of manifest architectural forms and a corpus of subversive artistic forms. They are designed to active debate, to question the concept of accuracy and to stimulate our thinking about architecture, to escape standard ways of thinking and to promote outside-the-box thinking.These theoretical elements are reinvested in making a model of a thesaurus.The "Thesaurus of environmental architecture, from ideas to forms and from forms to ideas" is both a monitoring tool and a resource centre. It gives the opportunity to discover, to take on board and to think environmental architecture through a new descriptive framework using analogical spaces. Offered on the principle of an online collaborative tool, it calls for a multicultural approach to architecture so that knowledge can be shared in a lively, interactive way.The model of the Thesaurus of environmental architecture opens up the way for new teaching methods directed towards the identification of new references. Its ambition is to contribute to a contemporary history of ideas and forms of environmental architecture
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Spiechowicz, Pauline. "« Ut Architectura poesïs » : la description architecturale dans le Roland furieux de Ludovico Ariosto (1532)." Paris, EPHE, 2013. http://www.theses.fr/2013EPHE4026.
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La thèse enquête les relations entre l’architecture et la littérature, et spécifiquement de quelle manière la littérature décrit et représente l’art de bâtir. Après avoir dressé la liste des similitudes et des points de contact entre les deux disciplines, il s’avère nécessaire l’analyse rhétorique des moyens dont se sert la poésie pour parler d’architecture. Passant en revue les termes d’ekphrasis, de descriptio, d’enargeia, d’évidence descriptive, d’hypotypose, d’amplification et de digression, le profond ancrage de l’édification dans l’art poétique devient manifeste. L’architecture est formalisée par les Progymnasmata à travers l’exercice descriptif de la Topothesia, à savoir la description des lieux imaginaires. À partir du constat d’une matrice commune entre les deux disciplines, notre étude se focalise sur l’analyse de la description architecturale dans le Roland furieux de Ludovico Ariosto. Nous nous penchons spécialement sur l’ultime rédaction du poème, advenue à Ferrare en 1532. Ici, les constructions architecturales apparaissent en grand nombre. L’ekphrasis exhibe d’un côté la volonté d’élaboration fantaisiste des édifices de la Renaissance. De l’autre coté, l’édification représente le fruit original de l’imagination du poète. Par le biais de l’architecture, le Roland furieux montre sa profonde liaison avec la cour de la famille des Este, pour qui beaucoup de descriptions sont dédiées. De plus, l’architecture s’étale dans le texte en tant que mise en abyme du récit, métaphore qui joue en tant que miroir de l’histoire du Roland furieuxThis dissertation investigates the relationships between architecture and literature. Its aim is to understand in which way literature describes and represents architecture. After an examination of the similitude between these two disciplines, an analysis is made on the rhetoric of the architectural description. The manners of the “ut architectura poesis” are represented by the concepts ekphrasis, descriptio, enargeia, evidentia, amplificatio and digressio. Architectural description was formalised in poetry through the Progymnasmata, ancient Greek rhetoric exercises for the orator. Here, the representation of imaginary places is called Topothesia. Once the link between the two arts is explained, the dissertation focalises on the analysis of the architectural description in the Orlando furioso (the “Orlando enraged”) by Ludovico Ariosto. We consider especially the last redaction of the manuscript which took place in Ferrara in 1532. In the poem appear many architectural buildings. Few of them emulate the architectural mania of the Renaissance nor the typical buildings of the period. Others represent the original fantasy of the poet. Through architecture, the Orlando furioso reveals a deep relation with the court of Ferrara and the Este’s family. Many architectural descriptions are dedicated to the court and work in praise of their power. Moreover, and on a deeper level, architecture operates as a mise en abyme of the story, a metaphor which plays like a mirror with the plot of the Orlando furioso
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Duchene, Fabien. "L'architecture dans la machine. Le jeu vidéo, d'une représentation architecturale à une représentation architecturée." Thesis, université Paris-Saclay, 2020. http://www.theses.fr/2020UPASD002.
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Le jeu vidéo simule la complexité informationnelle du réel. Il est soumis dans cette tache aux limites de calcul de la machine numérique. Inconsciemment, et au gré de l'évolution de la machine, le jeu vidéo réécrit une histoire de la représentation de l'architecture en cherchant son optimum : la figure du projet architectural la plus efficace pour afficher l'information qui fabrique sa jouabilité. Les figures générées par les deux disciplines nous permettent de démontrer que le jeu vidéo restitue une forme d’habitabilité dans le projet de l’architecte. Il se définit avant tout comme une représentation bi-dimensionnelle architecturée. La maquette BIM qui intègre les données physiques de la matière est la seule figure du projet architectural qui n'a pas encore été exploitée par le jeu vidéo. Nous entreprendrons dans la partie expérimentale de cette étude la réalisation d’un jeu éprouvant nos hypothèses : RUCKBALL. Nous essaierons de comprendre quelles sont les modalités du projet architectural dans cet environnement sans corps. Nous observerons les limites actuelles de la simulation du réel dans ce domaine. Enfin nous formulerons en conclusion une prospective sur l’avenir de ces deux disciplinesVideo games simulate the informational complexity of reality. In this task, it is subject to the calculation limits of the digital machine. Unconsciously, and as the machine evolves, the video game rewrites a history of architectural representation by seeking its optimum: the most effective architectural design figure to display the information that makes it playable. The figures generated by the two disciplines allow us to demonstrate that video games restore a form of habitability in the architect's project. It is defined above all as an architectured two-dimensional representation. The BIM model that integrates the physical data of the material is the only figure in the architectural project that has not yet been exploited by video games. In the experimental part of this study, we will undertake the realization of a game that tests our hypotheses: RUCKBALL. We will try to understand the modalities of the architectural project in this bodyless environment. We will observe the current limitations of reality simulation in this field. Finally, we will conclude by formulating a prospective study on the future of these two disciplines
Books on the topic "Dais (architecture)"
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Kıbrıs sokaklarında: Mimariye, yaşama ve çevreye dair. Lefkoşa, Kıbrıs: Işık Kitabevi Yayınları, 1999.
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Ağaoğlu, Mert, and Ayşe Baylan. Osmanlı sanatı'na dair denemeler. Kadıköy, İstanbul: Cinius Yayınları, 2018.
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Park, Yorkshire Sculpture, ed. Home: Architecture of memory. West Bretton, W. Yorks: Yorkshire Sculpture Park, 2012.
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Sav, Murat. Cihangir Camii ve restorasyon sürecine dair 2015-2018. Ankara: Vakıflar Genel Müdürlüğü, 2021.
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Pierre, Hyppolite, Denis Sophie E, and Société française des architectes, eds. Architecture, littérature et espaces. Limoges: PULIM. Presses universitaires de Limoges, 2006.
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Museo Nacional Centro de Arte Reina Sofía, ed. Drifts and derivations: Experiences, journeys and morphologies. Madrid: MNCARS, 2010.
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Statens råd för byggnadsforskning (Sweden), ed. Knowledge based systems in architecture. Stockholm: Swedish Council for Building Research, 1991.
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Trompe-l'oeil, painted architecture. New York: Skira/Rizzoli, 1986.
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A, Barreneche Raul, and L'Italien Marc, eds. EHDD: Building beyond the Bay. New York, N.Y: Edizioni Press, 2002.
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Harold, Linton, ed. Color in architectural illustration. New York, N.Y: Van Nostrand Reinhold, 1989.
Find full textBook chapters on the topic "Dais (architecture)"
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Patera, Ioanna. "Les offrandes durables dans l’espace sacrificiel." In Architecturer l'invisible, 83–96. Turnhout: Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.behe-eb.4.00125.
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Koch Piettre, Renée. "Un serment gravé dans une cuve." In Architecturer l'invisible, 361–90. Turnhout: Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.behe-eb.4.00135.
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Rice, Sarah A. "Keepers of Structure: In Conversation with Nathaniel Davis." In Advances in Information Architecture, 211–20. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-63205-2_19.
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Halleux, Robert, and Anne Catherine Bernès. "Formules d’architectes dans les receptaires et les manuscrits d’arpentage de l’Antiquité et du haut Moyen Age." In Entre Mécanique et Architecture / Between Mechanics and Architecture, 49–68. Basel: Birkhäuser Basel, 1995. http://dx.doi.org/10.1007/978-3-0348-9072-4_4.
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Grave, Patricia Radelet-de. "Le « de curvatura fornicis» de Jacob Bernoulli ou l’introduction des infiniment petits dans le calcul des voûtes." In Entre Mécanique et Architecture / Between Mechanics and Architecture, 141–64. Basel: Birkhäuser Basel, 1995. http://dx.doi.org/10.1007/978-3-0348-9072-4_9.
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Reveyron, Nicolas. "« L’objet architectural comme source première ». Approche méthodologique de l’analyse architecturale dans un contexte régional." In Regards croisés sur le monument médiéval, 81–92. Turnhout, Belgium: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.csm-eb.5.116248.
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Guli, A., L. Bellanca, S. Bertolino, A. Cammalleri, L. Crimi, M. Lo Iacono, M. L. Pino, and F. Schilleci. "Les Economies D’energie dans le Centre Historique de Palerme." In 1989 2nd European Conference on Architecture, 39–41. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-017-0556-1_12.
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Kurrer, Karl-Eugen. "Comment la théorie de l’élasticité s’est imposée à l’analyse de la structure portante des voûtes dans les pays germanophones de 1860 a 1900." In Entre Mécanique et Architecture / Between Mechanics and Architecture, 331–48. Basel: Birkhäuser Basel, 1995. http://dx.doi.org/10.1007/978-3-0348-9072-4_19.
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Wang, Zhaoyang, Qingqi Pei, Xuefeng Liui, Lichuan Ma, Huizhong Li, and Shui Yu. "DAPS: A Decentralized Anonymous Payment Scheme with Supervision." In Algorithms and Architectures for Parallel Processing, 537–50. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-38961-1_46.
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Ma, Ruhui, Jian Li, Liwei Lin, and Haibing Guan. "DaSS: Dynamic Time Slice Scheduler for Virtual Machine Monitor." In Algorithms and Architectures for Parallel Processing, 77–90. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-27119-4_6.
Full textConference papers on the topic "Dais (architecture)"
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Oazen, Eduardo Valente, Lionel Nelson Macauley, Otávio Borges Sertã, and Christopher Tsi Fen Siu. "Daisy Chain and Manifold-Based Subsea Architectures for Brazilian Pre-Salt." In Offshore Technology Conference. OTC, 2021. http://dx.doi.org/10.4043/31175-ms.
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Abstract Brazilian Pre-salts fields lie in approximately 2200 m w.d. in a challenging environment and are often characterized by highly corrosive produced fluids that pushed to the extreme the application of the most advanced material technology and engineering. Nevertheless, Lula, Sapinhoá, Mero and Búzios are definitively world-class prospects with production rates that may exceed 30.000 barrels per day per well. The development scheme of the Pre-salt fields followed the experience and the track record of the large number of deepwater fields that were previously developed in Brazil, in the post-salt regions, and is based on satellite wells tied to the floating production platform by means of dedicated production and service risers (i.e. each well has dedicated production and service lines). This satellite configuration offers the advantage to be simple, straightforward and resilient to field layout changes even during the project execution phase. However, the continuous pressure to which the Oil & Gas industry is exposed in order to increase profitability, reduce cost and, more recently, green house gas emission is encouraging Operators to evaluate different field architectures that are more traditionally implemented in other deepwater provinces outside Brazil and that the recent technology and construction asset developments made suitable also for a potential application in the Pre-salt fields. Moreover, those field architectures that are normally based on commingling of wells production are also prone to provide a faster production ramp-up and a reduced time to break even. This paper presents a description of possible Daisy Chain and Manifold-Based subsea architectures that are suitable to be applied to Brazilian pre-salt fields. The pros and cons of these alternative subsea layouts are explored. Additionally, cost and schedule analyses are presented to show the benefits of such architecture regarding CAPEX and ramp-up compared to satellite architecture, considering the "Brazilian pre-salt" scenario. Finally, a generic proposal for subsea architecture is presented for pre-salt developments jointly with practical solutions for typical operation demands related to flow assurance issues like, for instance, wax and hydrate management.
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Labbé, Mickaël. "« L’espace indicible »: conceptions et textualités." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.470.
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Résumé: La notion d’« espace indicible » occupe sans conteste une position centrale dans la théorie architecturale de Le Corbusier après 1945. Loin d’être un simple mot-valise ou un signifiant vide de sens, le concept d’espace indicible vise à penser le sommet de l’expérience esthétique et spirituelle dont est passible l’architecture, cela tant pour rendre compte de l’émotion plastique ressentie face aux chefs-d’œuvre du passé que pour décrire la qualité de l’expérience que l’architecte cherche à produire par ses propres œuvres. Ainsi, dans l’œuvre de Le Corbusier, l’expression « l’espace indicible » désigne non seulement un concept, mais également un ensemble textuel dans lequel la notion est thématisée et au travers duquel elle se constitue progressivement. L’objectif de cet article est double : d’une part, proposer une description des déterminations principales du contenu donné par Le Corbusier à la notion d’« espace indicible » ; d’autre part, à partir de l’examen des archives, faire le point sur les textes dans lesquels ce concept se formule. Abstract: The concept of “ineffable space” unquestionably occupies a central place in Le Corbusier's architectural theory after 1945. Far from being a portmanteau or a signifier devoid of meaning, the concept of ineffable space is aimed at conceiving the height of aesthetic and spiritual experience rendered possible by architecture. This is as much to realise plastic emotion felt in front of masterpiece from the past as to describe the experiential quality that the architect seeks to produce in his/her own work. Thus, in Le Corbusier’s oeuvre, the expression “ineffable space” not only denotes a concept but also a textual whole in which the concept is thematised and through which it is progressively constituted. The aim of this article is two-fold. On the one hand, I propose a description of the principle determinants of the content that Le Corbusier assigns to the concept of “ineffable space”, and on the other hand, analysing the archives, I wish to take stock of the texts in which this concept is formulated. Mots-clés: Le Corbusier; espace indicible; théorie architecturale. Keywords: Le Corbusier; ineffable space; architectural theory. DOI: http://dx.doi.org/10.4995/LC2015.2015.470
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Tej, Mohamed Lafif, and Stefan Holban. "Determining neural network architecture using data mining techniques." In 2018 International Conference on Development and Application Systems (DAS). IEEE, 2018. http://dx.doi.org/10.1109/daas.2018.8396089.
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Tej, Mohamed Lafif, and Stefan Holban. "Determining optimal neural network architecture using regression methods." In 2018 International Conference on Development and Application Systems (DAS). IEEE, 2018. http://dx.doi.org/10.1109/daas.2018.8396093.
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Cabodi, G., P. Camurati, S. F. Finocchiaro, C. Loiacono, F. Savarese, and D. Vendraminetto. "Secure embedded architectures: Taint properties verification." In 2016 International Conference on Development and Application Systems (DAS). IEEE, 2016. http://dx.doi.org/10.1109/daas.2016.7492565.
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Zyrianoff, Ivan, Fabrizio Borelli, Alexandre Heideker, Gabriela Biondi, and Carlos Kamienski. "Compreendendo o Desempenho de Gerenciadores de Contexto para Internet das Coisas." In IX Simpósio Brasileiro de Computação Ubíqua e Pervasiva. Sociedade Brasileira de Computação - SBC, 2017. http://dx.doi.org/10.5753/sbcup.2017.3311.
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Context-Aware Management Systems have been proposed in the last years to perform automatic decision making for the Internet of Things. Although scalability is an indispensable feature for those systems, there are no comprehensive results reporting their performance. This paper shows results of a performance analysis study of different context-aware architectures and introduces the SenSE platform for generating sensor synthetic data. Results show that different architectural choices impact system scalability and that automatic real time decision-making is feasible in an environment composed of dozens of thousands of sensors that continuously transmit data.
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Roma, Chiara. "Possibles liens avec le monde Antique. La suggestion des ruines dans les œuvres de Le Corbusier: de l'architecture Romaine au bâtiment de la Haute-Cour de Justice de Chandigarh." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.728.
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Résumé: La recherche s'intéresse à la formation de Le Corbusier et à sa capacité d'abstraction au travers des mémoires, images liées à la connaissance du monde antique; un approfondissement qui traite le lien entre les œuvres du Maître et l'étude de l'architecture romaine, soulignant ainsi deux clés de lecture: une liée à l'archétype des modèles classiques, et une seconde liée aux ruines et à son paysage archéologique. Si la première laisse apparaitre clairement la composante rationnelle, volonté de poursuivre une architecture universelle, dans laquelle s'affirme l'utilisation de la raison que seuls les archétypes peuvent enseigner; la seconde tente de délimiter la relation entre le pouvoir évocateur de la ruine et les suggestions personnelles de l'architecte. Parcourant les phases de sa formation, la recherche se concentre sur les connaissances que le jeune Jeanneret acquiert durant son séjour allemand (1910-1911), première phase d'étude de l'architecture romaine qui alimente un intérêt destiné à se développer grâce à l'expérience du Voyage d'Orient et à l'approfondissement de certaines sources, tels que les vues de Piranesi. Cet approfondissement se retrouve dans de nombreux dessins et réflexions contenus dans les carnets 4 et 5 rédigés durant le séjour romain. Ces expériences représenteront une source d'inspiration pour sa production architecturale et théorique, présuppositions qui semblent apparaitre dans certaines œuvres de l'architecte y compris la Haute Cour de Justice de Chandigarh en 1952. Abstract: The research focuses on Le Corbusier educational process and on his ability to abstract, through his memories, the images related to the knowledge of the Ancient World; a study that addresses the clear connection between the works of Le Corbusier and his knowledge of Roman architecture, outlining two interpretations: the first one linked to the archetype of classic models, and the second one to ruins and archaeological landscape. The first interpretation clearly illustrates the rational perspective, the will to pursue an universal architecture distinguished by use of reason, that only archetypes can teach, whereas the second interpretation attempts to outline the relationship between the evocative influence of the ruin and the personal suggestions of the architect. Retracing the steps of his educational process, the research investigates the knowledge acquired by the young Jeanneret during his German stay (1910-1911). This is the first phase of the study of Roman architecture, that inspires him an interest that will be pursued later through the experience of the Voyage d 'Orient and the study of some sources, such as Piranesi's views. This learning is reflected in numerous drawings and reflections contained in Carnet 4 and in Carnet 5, elaborated during his stay in Rome. These experiences will be a source of inspiration for his architectural production and theoretical assumptions, and they seem to be reflected in some works of the architect, as the Chandigarh Haute Cour of 1952. Mots-clés: ruines; architecture Romaine; Villa Adriana; Haute Cour. Keywords: ruins; Roman architecture; Villa Adriana; Haute Cour. DOI: http://dx.doi.org/10.4995/LC2015.2015.728
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Reis, Almir Francisco. "Ensino de projeto arquitetônico e configuração urbana: reflexões a partir da prática de atelier." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Facultad de Arquitectura. Universidad de la República, 2015. http://dx.doi.org/10.5821/siiu.6179.
Full textAbstract:
Este trabalho apresenta algumas questões recorrentes no atelier de Projeto Arquitetônico e, a partir delas, discute questões de caráter mais amplo acerca da relação entre arquitetura e cidade e do processo de formação do profissional arquiteto. A abordagem trabalhada centra-se no expressivo papel da arquitetura na definição do espaço urbano, considerado aqui uma das variáveis fundamentais do processo de projetação. As questões elencadas decorrem da prática didática no ensino, bem como de reflexões de alcance mais amplo. A partir daí o trabalho aprofunda o entendimento de que, para uma efetiva vivência das diferentes dimensões do projeto arquitetônico, torna-se fundamental a conciliação de conteúdos urbanísticos e arquitetônicos no atelier, bem como a consideração das distintas escalas de intervenção e análise. Contextualizando a discussão, o trabalho detalha a experiência que temos tido com o ensino no Curso de Arquitetura e Urbanismo da Universidade Federal de Santa Catarina, pano de fundo da reflexão realizada. This paper presents some recurring issues in Architectural Design and, from them, discusses general aspects of the relationship between architecture, city and the formation process of the professional architect as a whole. The approach focuses on the significant role of architecture in the definition of urban space, considered here as one of the key variables of the design process. The listed issues arise from the teaching practice in higher education, as well as wider theoretical and methodological aspects. From there, the work deepens the understanding that, for an effective experience of the different dimensions of architectural design, is essential to conciliate urban and architectural contents in the design studio, as well as to consider different scales of intervention and analysis. Contextualizing the discussion, the work details the experience we have had with teaching in the Course of Architecture and Urban Planning of the Federal University of Santa Catarina, background of developed reflection.
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Tanase, Cristian Andy. "An approach of MPRA technique over ARM cache architecture." In 2016 International Conference on Development and Application Systems (DAS). IEEE, 2016. http://dx.doi.org/10.1109/daas.2016.7492553.
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Rault, Tifenn, Abdelmadjid Bouabdallah, Yacine Challal, and Frederic Marin. "Energy-efficient architecture for wearable sensor networks." In 2014 Wireless Days (WD). IEEE, 2014. http://dx.doi.org/10.1109/wd.2014.7020803.
Full textReports on the topic "Dais (architecture)"
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LaBonte, Don, Etan Pressman, Nurit Firon, and Arthur Villordon. Molecular and Anatomical Characterization of Sweetpotato Storage Root Formation. United States Department of Agriculture, December 2011. http://dx.doi.org/10.32747/2011.7592648.bard.
Full textAbstract:
Original objectives: Anatomical study of storage root initiation and formation. Induction of storage root formation. Isolation and characterization of genes involved in storage root formation. During the normal course of storage root development. Following stress-induced storage root formation. Background:Sweetpotato is a high value vegetable crop in Israel and the U.S. and acreage is expanding in both countries and the research herein represents an important backstop to improving quality, consistency, and yield. This research has two broad objectives, both relating to sweetpotato storage root formation. The first objective is to understand storage root inductive conditions and describe the anatomical and physiological stages of storage root development. Sweetpotato is propagated through vine cuttings. These vine cuttings form adventitious roots, from pre-formed primordiae, at each node underground and it is these small adventitious roots which serve as initials for storage and fibrous (non-storage) “feeder” roots. What perplexes producers is the tremendous variability in storage roots produced from plant to plant. The marketable root number may vary from none to five per plant. What has intrigued us is the dearth of research on sweetpotato during the early growth period which we hypothesize has a tremendous impact on ultimate consistency and yield. The second objective is to identify genes that change the root physiology towards either a fleshy storage root or a fibrous “feeder” root. Understanding which genes affect the ultimate outcome is central to our research. Major conclusions: For objective one, we have determined that the majority of adventitious roots that are initiated within 5-7 days after transplanting possess the anatomical features associated with storage root initiation and account for 86 % of storage root count at 65 days after transplanting. These data underscore the importance of optimizing the growing environment during the critical storage root initiation period. Water deprivation during this phenological stage led to substantial reduction in storage root number and yield as determined through growth chamber, greenhouse, and field experiments. Morphological characterization of adventitious roots showed adjustments in root system architecture, expressed as lateral root count and density, in response to water deprivation. For objective two, we generated a transcriptome of storage and lignified (non-storage) adventitious roots. This transcriptome database consists of 55,296 contigs and contains data as regards to differential expression between initiating and lignified adventitious roots. The molecular data provide evidence that a key regulatory mechanism in storage root initiation involves the switch between lignin biosynthesis and cell division and starch accumulation. We extended this research to identify genes upregulated in adventitious roots under drought stress. A subset of these genes was expressed in salt stressed plants.