Relevant bibliographies by topics / Daigoji (Kyoto, Japan). Samboin

Academic literature on the topic 'Daigoji (Kyoto, Japan). Samboin'

Author: Grafiati
Published: 25 July 2024
Last updated: 26 July 2024

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Books on the topic "Daigoji (Kyoto, Japan). Samboin"

1

Ōhashi, Haruzō. Daigoji. Tōkyō: Shinchōsha, 1992.

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2

Daigoji (Kyoto, Japan). Bunkazai Kenkyūjo, ed. Daigoji shin yōroku. Kyōto-shi: Hōzōkan, 1991.

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Nishi, Yayoi. Daigoji. 8th ed. Tōkyō: Ebisu Kōshō Shuppan, 2018.

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1948-, Nagamura Makoto, ed. Daigoji no rekishi to bunkazai. Tōkyō: Bensei Shuppan, 2011.

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Japan), Daigoji (Kyoto. Daigoji no butsuzō. 8th ed. Tōkyō: Bensei Shuppan, 2018.

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Nagamura, Makoto. Chūsei Daigoji no buppō to inge. Tōkyō: Yoshikawa Kōbunkan, 2020.

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1920-, Nishikawa Shinji, Yamane Yūzō 1919-, and Ariga Yoshitaka 1940-, eds. Daigoji taikan. Tōkyō: Iwanami Shoten, 2001.

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Japan), Daigoji (Kyoto. Daigoji Reihōkan tokubetsuten zuroku, hatsu kōkai, suishō hōgan'iri mokuzō Amida Nyorai zō: Suishōchū no shōuchū. Tōkyō: Bensei Shuppan (Kabu), 2018.

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(Kyoto, Japan) Bunkazai Kenkyūjo Daigoji. Daigoji bunkazai chōsa hyakunenshi: "Daigoji monjo shōgyō" kokuhō shitei e no ayumi. 8th ed. Tōkyō: Bensei Shuppan, 2013.

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Hakubutsukan, Kyūshū Kokuritsu, and Nihon Keizai Shinbunsha, eds. Kyōto, Daigoji: Shingon Mikkyō no uchū = Daigoji temple : a Shingon Esoteric Buddhist universe in Kyoto. [Tokyo]: Nihon Keizai Shinbunsha, 2018.

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Book chapters on the topic "Daigoji (Kyoto, Japan). Samboin"

1

Fowler, Sherry D. "The Six-Syllable Sutra Ritual Mandala and the Six Kannon." In Accounts and Images of Six Kannon in Japan. University of Hawai'i Press, 2016. http://dx.doi.org/10.21313/hawaii/9780824856229.003.0005.

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Images of Six Kannon appear in paintings of the Six-syllable mandala (Rokujikyōhō mandara) made during the thirteenth through the nineteenth century. The mandalas include syllables, which are abbreviated forms of Sanskrit letters, alongside Kannon images in body forms that recall earlier descriptions of Chinese images. As these mandalas served as the central focus of rituals performed to avert calamities, help with safe childbirth, and remove or redirect curses, they also demonstrate how the goals for Six Kannon worship came to emphasize practical, earthly concerns. Even though the Six-syllable sutra rituals were frequently performed, Six-syllable mandalas that depicted Six Kannon images were not the only type of painting used in the ritual. Hence, Six-syllable mandalas that include Six Kannon are scarce. Early surviving examples, such as those from Kyoto National Museum, Daigoji, Yamato Bunkakan, and Museum of Fine Arts Boston, are precious resources that show the development of the imagery and rite.
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