Dissertations / Theses on the topic 'D.I.M'
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Eneroth, Joacim. "Punkestetik : Provokation, revolution eller D.I.Y.?" Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-21495.
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Den här uppsatsen undersöker punken och några aspekter av dess visuella identitet. Genom att söka några av dess konsthistoriska rötter finner man att situationism och dadaism ofta nämns som konströrelser med ett uttryck som punken bygger vidare på. Det kan förklaras genom bland annat att Malcom McClaren och Jamie Reid, som låg bakom lanseringen av Sex Pistols, hade en situationistisk bakgrund. Reids arbete med till exempel skivomslag åt Pistols har också lagt grunden för föreställningen om vad punkestetik är. Med analyser av God Save The Queen 1977 och Nowhere Buses 1972 har jag sökt att ge en förklaring till hur de bilderna kan tänkas fungera utifrån en mottagarkontext av frustrerade, arbetslösa ungdomar i slutet av 70-talet. Säkerhetsnålen som en symbol inom punken kan förstås som en kritik av konsumtionssamhället. Den tvetydiga användningen av svastikan på kläder och flygblad är mer svårtolkad, den kan ses utifrån sitt rent provocerande värde eller som att den tillhör en gammal värld och därför är utan betydelse. Från detta har jag följt punkens förgreningar mot en politiskt medveten subkultur där aktivism, anarkistisk teori och D.I.Y.-filosofi är rådande. D.I.Y. (Do It Yourself) är en viktig aspekt av punkens utveckling. Punken påverkar även andra konstnärliga uttryck som syns hos till exempel den samhällskritiske konstnären Banksy. Det går också att se ett kulturhistoriskt intresse för den ursprungliga punken, som nu blivit en del av kulturarvet. Utifrån bland annat den ideologiska förförståelsen som framträder i min undersökning har jag analyserar två verk av den svenska konstnären, och punkmusikern, Ella Tillema. På verket Mitt Hjärta Är En Bomb 2009 har jag lagt en feministisk blick och Den Postapokalyptiska Skapelseberättelsen (Partyt är Över) 2011 har analyserats utifrån en mottagarkontext med förståelse för anarkistisk aktivism, djurrättsfrågor och dess symboler. Punken som subkultur kan förstås som en motkultur och punkestetik som en motestetik. En slutsats som min undersökning leder till är att punkestetik kan ses både som förhållningssätt och som stil, D.I.Y.-aspekten är betydelsefull i båda avseenden. Som förhållningssätt handlar det bland annat om att inte vara en passiv konsument, utan vara delaktig och det blir i sin praktik till en slags samhällskritik. Identitet och tillhörighet är en viktig del av för att förstå punkestetik som stil. Stilen skapas dels utifrån bilder som haft stort genomslag inom subkulturen, till exempel Reids. Dels utifrån en teknisk amatörism, i vissa fall skenbar, som markerar D.I.Y.-praktiken där alla har möjlighet att vara delaktiga. Det är dock min mening att stil och förhållningssätt inte kan särskiljas om man vill förstå vad punkestetik är.
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Flores, Becky. "Critical possibilities: decritique, deracination, and the D.I.S." University of Southern Queensland, Faculty of Arts, 2005. http://eprints.usq.edu.au/archive/00001424/.
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This dissertation presents the theory and practice of Decritique, a critical pedagogy for the first-year college English classroom that offers an alternative to contemporary applications of critical theory. Underscored by a philosophy of language drawn from Husserl's pure phenomenology and Derrida's deconstruction, a key characteristic of the pedagogy is delineation between re-cognition and recognition: the former actively seeking ways to re-position one's own thinking in relation to perceptions of the world; the latter endorsing existing perception. Concepts of "respect" and "tolerance" are questioned in Decritique, positing that they can operate as agents of oppression; instead, students engage in critical interaction and animated introspection that, in turn, opens the possibility of change. Concerned with the theory and practice of a reconceptualized critical pedagogy, the question at the core of Decritique is ways for students to reach a point of cognitive struggle leading to genuine discovery without the pain that can accompany criticism and critical self-reflection acting as a barrier to learning. Chapters One through Three examine what constitutes "the critical"; namely, critical thinking, critical pedagogy, critical literacy, and critical care, Chapter Four discusses a reconceptualization of these criticalities, Chapter Five examines the theory of Decritique, Chapter Six presents a three-semester pilot study comparing Decritique with a pedagogy of "caring" in both face-to-face and online learning environments, and Chapter Seven provides the study’s conclusions. Results indicate that students taught with Decritique consistently produced more writing than those taught with a "caring" approach, demonstrated greater evidence of "critical" reflection on essay revisions, engaged more animatedly in verbal and written discourse, exhibited a strong sense of critical camaraderie, particularly in the face-to-face classroom, and that essays averaged nearly five percent, or half a letter grade, higher. Retention and pass rates were higher in the Decritique classes and students were more likely to be satisfied with their learning experience. Implementation of the pedagogy on a wider, cross-institutional level is recommended in order to investigate the potential of Decritique as an alternative critical pedagogy for the first-year college English classroom, one that promotes reflective critical analysis of discourse with a commitment to the possibilities of praxis.
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Lang, Richard. "Strategická analýza podniku D.I.S., spol. s r.o." Master's thesis, Vysoké učení technické v Brně. Fakulta podnikatelská, 2011. http://www.nusl.cz/ntk/nusl-223039.
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The goal of this thesis was to do a complete strategic analysis of the company D.I.S., spol. s r.o. in order to asses the options of its further developement. The strategic analysis incorporates external and internal analysis of the company including the assesment of risks and the outcomes of financial analysis. The result of this thesis are suggestions and alternative strategies for the company D.I.S., spol. s r.o.
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Rambharose, Tricia Radica. "D.I.T. Cell Phone-A possible future for cell phone interactions." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21067.
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This thesis project identifies an issue of limited interaction options with cell phones and considers it to be a design opening and opportunity, rather than a problem. The design opportunity presented in this work is for shaping of future cell phone interactions by allowing users to design their own cell phones. To explore this provocative yet complex design opportunity a programmatic design research approach is used. The design program in this thesis is referred to as the ‘Design-It-Together cell phone’, or the DIT cell phone, design program and can be described as a design research effort into how users working together to design and make their own cell phones could offer a new set of perspectives and possibilities in shaping future interaction options with cell phones in contrast to an industry lead cell phone design and development process. Furthermore, the motivation for this thesis is not problem-based but rather exploratory, where the intention is not to build an ideal phone but rather to explore the opportunities and challenges faced by the design program, and what that can mean for shaping the future of cell phone interactions. A comprehensive exploration of this design space was done in nine main explorations or nine main experiments. Each experiment was formulated to challenge a perspective of the design program. The results of the explorations generated a repertoire of examples relating to understanding the current situations and predictions for future possibilities for cell phone interactions. Interpretation of the design program was done by analyzing this repertoire of examples from the perspective of n nine specified dimensions of the design program. The dimensions acted as a guide in thinking about possible futures of cell phone interactions within the design space of the program. Interpretation of the design program in this way allowed for comprehensive scenarios to be created of what the future of cell phone interactions could be like, as well as gaps and bigger picture impacts of the design program. The overall results and contribution of this work adhered to what is expected from a programmatic design research approach and is stated here as knowledge generated from explorations and interpretation of the DIT cell phone design program, based on the generated repertoire of examples, which helps shape possible futures for cell phone interactions.
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Boudine, Joël. "Les Finances publiques des collectivités territoriales des D.O.M. et la décentralisation." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37612150w.
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Saltelli, Serena. "Dalla D.I.A. alla S.C.I.A.: nuovi percorsi dei rapporti tra pubblica amministrazione e cittadino." Doctoral thesis, Universita degli studi di Salerno, 2013. http://hdl.handle.net/10556/1860.
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2011 - 2012The troubled history of article 19 of Law 7th August 1990, n. 241 provides the undisputable proof of how impossible is to shape the relationship between Public Administration and Private Sector merely relying on the opposition between authority and freedom and on the required and fundamental supremacy of the former over the latter due to the sacrifice of the private interests over the common and general interest. The transformation of the relationship between public administration and Private Sector has involved the meaningful shift of the administrative function from an "active" power (commanding) to a power of control (ruling first and monitoring after) of the citizen's actions, whose statements are directly linked with administrative effects without the strict need for an official formal act from the Public. [edited by Author]
XI n.s.
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De, Vittorio Giancarlo. "Crack measurements in structural concrete with D.I.C. system and validation of a tensile constitutive law." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amslaurea.unibo.it/2048/.
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Compared with other mature engineering disciplines, fracture mechanics of concrete is still a developing field and very important for structures like bridges subject to dynamic loading. An historical point of view of what done in the field is provided and then the project is presented. The project presents an application of the Digital Image Correlation (DIC) technique for the detection of cracks at the surface of concrete prisms (500mmx100mmx100mm) subject to flexural loading conditions (Four Point Bending test). The technique provide displacement measurements of the region of interest and from this displacement field information about crack mouth opening (CMOD) are obtained and related to the applied load. The evolution of the fracture process is shown through graphs and graphical maps of the displacement at some step of the loading process. The study shows that it is possible with the DIC system to detect the appearance and evolution of cracks, even before the cracks become visually detectable.
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Han, Young-Soo. "La restructuration industrielle et les relations économiques internationales : vers une meilleur D.I.T. entre NPI-PD." Paris 13, 1988. http://www.theses.fr/1988PA131022.
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La restructuration industrielle, un probleme serieux, se motive par un dosage different des origines et se fait par un dosage different du role de l'etat et de la fonction du marche selon pd ou npi. La structure industrielle (production nationale et le commerce exterieur ) des npi s'est approchee de celle des pd avec l'augmentation sensible de leur avantage comparatifs vis-a-vis des pd. Le desequilibre regional des relations economiques internationales n'est pas favorable a une meilleure restructuration respective. On constate l'utilite des cooperations plus diversifiees entre la coree et ses principaux partenaires pour une meilleur restructuration respective et notamment la necessite de la diversification de la "sur-dependance ou exploitation" (usa et japon) pour ameliorer la "sous-exploitation" extreme (la cee). On constate aussi l'utilite potentielle des cooperations a la fois intra- et inter-industrielle dans le processus de leur sofistication industrielle (npi) et de leur ajustement positif (pd et notamment la cee)The industrial restructuration, an important problem, is motivated by the different origines and is made with the different dosage of the role of government and market. We compare the cases of the developed countries (dcs) and the nics. The industrial structure (domestic production and international trade) of the nics became near the level of the dcs with the remarkable augmentation of their comparative advantage vis-a-vis the dcs. The regional disequilibium of the international economic relation was not favorable to the respectively fitted restructuration of the two sides. We feel convinced the crucial utility of the more diversified cooperation between korea and his principal partners. It is quite necessary the transition of the trade structure from the "over-dependancy" (usa and japan) to the diversification in order to improuve the relation korea-cee which is now very "under-exploited". We reconfirm the potential utility of the both intra- and inter- industrial cooperations between the two sides within the process of their "industrial sophis- tication" (nics) and their positive adjustment (dcs and especially cee)
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Han, Young-Soo. "La Restructuration industrielle et les relations économiques internationales vers une meilleure D.I.T. entre NPI-PD /." Grenoble 2 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376142661.
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Tucker, Brian L. "Punk and the Political: The Role of Practices in Subcultural Lives." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1226353162.
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Douibi, Driss. "Réticulation sous micro-ondes (2,45 GHz) des composites D.G.E.B.A.-D.D.M./poudre de cuivre influence du mode d'émission du rayonnement électromagnétique et de la concentration des particules métalliques /." Grenoble 2 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37613347s.
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Djoudou, Mahamane. "L' apport des données topographiques dans les systèmes d'informations géographiques appliquées aux zones humides : le cas des régions lacustres rive gauche du delta intérieur du Niger (D.I.N.) au Mali." Paris 1, 2004. http://www.theses.fr/2004PA010689.
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L'étude porte sur des lacs et leur environnement dans l'hydrosystème deltai͏̈que, à l'aide des outils de la télédétection et du SIG. La région lacustre rive gauche du Delta Intérieur du Niger au Mali présente les caractéristiques physiques d'une plaine très basse. Les déficits pluviométriques persistants ont réduit de manière sensible les superficies inondées et les ressources naturelles disponibles. Après le retrait des eaux d'inondation, les lacs sont les seuls milieux humides qui demeurent en eau et offrent une végétation verte et un stock halieutique, ils deviennent des objets de convoitise pour les différentes activités économiques. Dans le cadre d'un SIG visant à évaluer les risques environnementaux pour la région, l'apport d'un MNT comme base de données altimétriques permet de modéliser plusieurs types d'inondation, et de localiser les zones favorables aux différentes activités économiques. Pour être efficace comme outil d'analyse spatiale, le MNT doit être adapté et rendre compte des variations altimétriques. Il a donc été réalisé par numérisation de fonds topographiques de cartes IGN au 1/200000è. Cet outil d'aide à la gestion et à la prévision se révèle fonctionnel pour rendre compte des relations de 1'homme à son espace dans la région lacustre. Les résultats obtenus donnent des informations pour un aménagement et une gestion dont la prise en compte contribue au mieux-être des populations rurales.
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SUARATO, JEAN-PIERRE. "Essai sur une nosographie sexologique : a propos de la classification proposee en 1980 par l'american psychiatric association (d.s.m. iii) ; la sexologie medicale aux confins de la psychiatrie et de la medecine organique." Aix-Marseille 2, 1989. http://www.theses.fr/1989AIX20124.
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Dienes, Susanna. "Beneath the Surface." ScholarWorks@UNO, 2007. http://scholarworks.uno.edu/td/1058.
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Beneath the Surface is a collection of seven individual literary nonfiction essays. Five of the essays are personal essays, and three come from the author's contribution to UNO's Katrina Narrative Project. The collection represents the author's cumulative body of work upon completion of her MFA in Creative Nonfiction Writing at UNO. Titles include: "Beneath the Surface, " "Hello, Harry, " "My One-Summer Bike, " "Just Like Jazzfest, " In Defense of Sodom, " "'Every Year It's Something, '" and "Revising my Approach. The essays explore themes such as sibling bereavement, Latin American travel, the incomprehensibility of death, experiencing new cultures, online teaching, and hurricane evacuation.
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Kumbier, Alana. "Ephemeral Material: Developing a Critical Archival Practice." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1236198205.
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Gall, Allister Thomas. "Towards a cinema of imperfection : participatory film as research." Thesis, University of Plymouth, 2016. http://hdl.handle.net/10026.1/5222.
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This PhD is a practice as research interrogation of the emancipatory potential of the idea of imperfection. It is framed around the key leading question: ‘How can the generation of imperfect praxis – cultural production in and through social dialogues challenging notions of technical expertise – affirm emancipatory value in a film practice? The thesis documents the development of a participatory film practice, operating in-between d.i.y subcultural activity and practice as research. The film component of the submission engages with the problems involved in representing and authenticating the collective dimension of participatory filmmaking. The emancipatory potential of imperfection has been explored via a broad range of interdisciplinary participatory practices. The core project is Imperfect Cinema, an open-access micro-cinema collective, which navigated the intersection between film and do-it-yourself punk. This interplay between the contested idea of punk and its inherent activism, with the democratic/accessible implications of audio-visual media, is seen as an exemplary site for examining, and dismantling the boundaries between disciplines. In this sense, the nature of the work can be seen as being ‘in-disciplinary’ (Rancière 2008), requiring a mobility and responsiveness to the emergence of contemporary participatory and collaborative processes. The concept of imperfection draws from punk as a set of d.i.y methodological practices and is key to understanding and developing participatory cinema. Imperfection, as a generative conceptual tool, can be described as incorporating and examining methods ‘against methods’ (Feyerabend 1988) in order to acknowledge the uncertainty and fluidity of participatory work. This forms my understanding of what I term imperfect praxis. This praxis requires the emancipatory potential of imperfection to be easily communicable and accessible to different kinds of participants. The emergence of imperfect praxis developed out of collective social spaces where a kind of knowledge can be explored through collaborative and participatory interactions and dialogues, situated and understood through historical, contextual, personal and shared experiences. This thesis consequently represents a ‘moment in time’ in my methodological development, providing me with the structure to identify and disseminate the practice as research.
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Spowage, Neal. "Physical interaction with electronic instruments in devised performance." Thesis, De Montfort University, 2016. http://hdl.handle.net/2086/13237.
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This thesis describes how I took part in a series of collaborations with dancers Danai Pappa and Katie Hall, musician George Williams and video artist Julie Kuzminska. To realise our collaborations, I built electronic sculptural instruments from junk using bricolage, the act of subversion, skip diving and appropriation. From an auto-ethnographic viewpoint, I explored how collaborations began, how relationships developed and how various levels of expertise across different disciplines were negotiated. I examined how the documentation of the performances related to, and could be realised as, video art in their own right. I investigated the themes of work, labour and effort that are used in the process of producing and documenting these works in order to better understand how to ‘create’. I analysed the gender dynamics that existed between my collaborators and myself, which led to the exploration of issues around interaction and intimacy, democratic roles and live art. The resulting works challenged gender stereotypes, the notion of what a musical instrument can be and how sound is produced through action/interaction. I found that reflective time was imperative; serendipity, constant awareness of one’s environment, community and intimate relationships greatly enhanced the success of the collaborations. Instruments became conduits and instigators with shifting implied genders based on their context or creative use. As well as sound being a product of movement, effort and interaction, I realised it was also an artefact of the instruments.
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Lopes, Liliane da Silva. "Análise e melhoria da distribuição da D.I.N." Master's thesis, 2018. http://hdl.handle.net/10773/24338.
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A atividade da D.I.N. está inserida no subsetor da produção de ração animal. Desenvolve e produz a sua própria gama de pré-misturas, alimentos iniciais e especialidades para suínos, aves e gado e comercializa matérias-primas para o fabrico de alimentos para animais.
O objetivo principal deste projeto é melhorar a distribuição para minimizar os custos associados. Para fazer isso, começou-se por definir o problema e conhecer todas as restrições associadas, reunir informações para criar um banco de dados e, finalmente, encontrar oportunidades de melhoria e provar a sua qualidade.
Através da criação de uma heurística adaptada ao problema em questão foi possível reduzir os custos de distribuição em 15%. Tendo também provado que nem sempre o que se acha que faz sentido será a melhor opção.D.I.N.’s activity is inserted in the sub-sector of animal feed manufacture. It develops and produces its own range of premixes, starter foods and specialties for pigs, poultry and cattle and markets raw materials for the manufacture of animal feed. The main objective of this project is to improve the distribution in order to minimize the associated costs. To do this, we started by defining the problem and knowing all the restrictions associated with it, gathering information to create a database, and finally finding opportunities for improvement and proving their quality. Through the creation of a heuristic adapted to the problem in question, it was possible to reduce distribution costs by 15%. Having also proved that not always what you think that makes sense will be the best option.
Mestrado em Engenharia e Gestão Industrial
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Alves, Duarte Gil Gouveia. "Estudo da Prevalência de S.I. Imagiológica numa População Pediátrica com D.I.I." Master's thesis, 2016. https://repositorio-aberto.up.pt/handle/10216/89054.
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Alves, Duarte Gil Gouveia. "Estudo da Prevalência de S.I. Imagiológica numa População Pediátrica com D.I.I." Dissertação, 2016. https://repositorio-aberto.up.pt/handle/10216/89054.
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Caneschi, Francesco. "Arquitetura D.I.Y. e urbanismo tático: uma abordagem leve na transformação da cidade." Master's thesis, 2018. https://hdl.handle.net/10216/117582.
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Como é salientado no início do livro "Tactical Urbanism"1 , "tático" significa:"relativo a ações de pequena escala que servem um propósito maior".Um tipo de urbanismo que procura as soluções dos problemas compequenas intervenções. No mesmo sentido, a Arquitetura DIY procuraincentivar a mudança das atitudes das pessoas num local, com projetosque são muitas vezes pequenos e temporários.Estas duas abordagens desenvolvem-se nos espaços públicos da cidadecom a ajuda dos moradores do local onde se desenvolve o projeto.Por vezes os projetos são construídos diretamente pelos arquitetos e peloshabitantes.A palavra "tático" e a expressão "do it yourself" realçam que a distância entreos cidadãos, o arquiteto e o projeto final é muito mais curta nestas práticasdo que na arquitetura convecional. O projeto, nestas visões da arquitetura,é muitas vezes o produto de um grupo de arquitetos, no qual a equipa énecessária no desenho, na estabelecimento das relações humanas e, porfim, na construção.A arquitetura DIY e o Urbanismo tático são duas práticas em rápida evolução.São adotadas cada vez mais para resolver alguns problemas da cidadecontemporânea na América do Norte e na Europa. Os dois continentes,com as suas contradições, são os limites geográficos desta investigação.De facto a velocidade de transformação da cidade é muito mais rápida doque é a capacidade de intervenção da Arquitetura e do Urbanismo no sentidoclássico. É precisamente pelo aumento desta velocidade da transformaçãoque tais abordagens são mais difundidas.A entidade profissional do arquiteto altera-se perante estas práticas,encontrando-se mais próximo das pessoas e do projeto. Estas duasproblemáticas, a transformação da cidade e esta nova dimensão do"arquiteto", são o objeto de estudo desta dissertação.As it is explained in the beginning of the book "Tactical Urbanism"1 tacticalmeans:"of relating to small-scale actions serving a larger purpose"A kind of urbanism that look for solutions of problems with small interventions.In the same direction the practice of DIY Architecture tries to improve thechange of behavior of the people in a place, with projects that are oftensmall and temporaries.These two approaches's fieldwork is the public space of cities, and aredeveloped with the help of the inhabitants of the place where the projectis located. Sometimes these projects are directly realized by the designersand inhabitants their selves.The word "tactical" and the expression "do it yourself" highlight that thedistance between citizens, architects and the final project is shorter in thesepractices then what usually happens in the orthodox architectural practice.In fact these projects are always and clearly a product of a group of people,where a team is needed in the design, in establishing humans relations, andin the end in the building process.DIY Architecture and Tactical Urbanism are two branches of the field inrapid evolution. They are used more and ore in solving problems of NorthAmerican and Europeans contemporary cities. These two continents, withtheir contradictions, are the geographical borders of this study.The speed of the transformation of cities is faster than the capability ofinterventions of orthodox Architecture and Urbanism. It's because of thisgrowing speed of transformation that these two approaches are becomingmore usual.The operative dimension of the architect changes in these practices, he'scloser to people and to the project. These two practices, the transformationof cities and this new dimension of the "architect" are the main object of thisthesis.
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Caneschi, Francesco. "Arquitetura D.I.Y. e urbanismo tático: uma abordagem leve na transformação da cidade." Dissertação, 2018. https://hdl.handle.net/10216/117582.
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Como é salientado no início do livro "Tactical Urbanism"1 , "tático" significa:"relativo a ações de pequena escala que servem um propósito maior".Um tipo de urbanismo que procura as soluções dos problemas compequenas intervenções. No mesmo sentido, a Arquitetura DIY procuraincentivar a mudança das atitudes das pessoas num local, com projetosque são muitas vezes pequenos e temporários.Estas duas abordagens desenvolvem-se nos espaços públicos da cidadecom a ajuda dos moradores do local onde se desenvolve o projeto.Por vezes os projetos são construídos diretamente pelos arquitetos e peloshabitantes.A palavra "tático" e a expressão "do it yourself" realçam que a distância entreos cidadãos, o arquiteto e o projeto final é muito mais curta nestas práticasdo que na arquitetura convecional. O projeto, nestas visões da arquitetura,é muitas vezes o produto de um grupo de arquitetos, no qual a equipa énecessária no desenho, na estabelecimento das relações humanas e, porfim, na construção.A arquitetura DIY e o Urbanismo tático são duas práticas em rápida evolução.São adotadas cada vez mais para resolver alguns problemas da cidadecontemporânea na América do Norte e na Europa. Os dois continentes,com as suas contradições, são os limites geográficos desta investigação.De facto a velocidade de transformação da cidade é muito mais rápida doque é a capacidade de intervenção da Arquitetura e do Urbanismo no sentidoclássico. É precisamente pelo aumento desta velocidade da transformaçãoque tais abordagens são mais difundidas.A entidade profissional do arquiteto altera-se perante estas práticas,encontrando-se mais próximo das pessoas e do projeto. Estas duasproblemáticas, a transformação da cidade e esta nova dimensão do"arquiteto", são o objeto de estudo desta dissertação.As it is explained in the beginning of the book "Tactical Urbanism"1 tacticalmeans:"of relating to small-scale actions serving a larger purpose"A kind of urbanism that look for solutions of problems with small interventions.In the same direction the practice of DIY Architecture tries to improve thechange of behavior of the people in a place, with projects that are oftensmall and temporaries.These two approaches's fieldwork is the public space of cities, and aredeveloped with the help of the inhabitants of the place where the projectis located. Sometimes these projects are directly realized by the designersand inhabitants their selves.The word "tactical" and the expression "do it yourself" highlight that thedistance between citizens, architects and the final project is shorter in thesepractices then what usually happens in the orthodox architectural practice.In fact these projects are always and clearly a product of a group of people,where a team is needed in the design, in establishing humans relations, andin the end in the building process.DIY Architecture and Tactical Urbanism are two branches of the field inrapid evolution. They are used more and ore in solving problems of NorthAmerican and Europeans contemporary cities. These two continents, withtheir contradictions, are the geographical borders of this study.The speed of the transformation of cities is faster than the capability ofinterventions of orthodox Architecture and Urbanism. It's because of thisgrowing speed of transformation that these two approaches are becomingmore usual.The operative dimension of the architect changes in these practices, he'scloser to people and to the project. These two practices, the transformationof cities and this new dimension of the "architect" are the main object of thisthesis.
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Chiun, Kuo-Li, and 郭立群. "Application of Systematic Method to Design Knowledge Management （D.K.M.）--by Way of Example of Information Platform." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/33895259171275940780.
Full textAbstract:
碩士國立成功大學
工業設計學系碩博士班
92
As the proverb goes that knowledge is power and it communicates that knowledge hold an attribute of permanent and constant essentiality. Franklin said knowledge has investment resources with well-earnings. The master of contemporary management, Peter Douclack, in his book of society of post-capitalism, forethoughtfully indicated that knowledge is an only meaningful one of the economic resources in the future, it will hundred-percent change the existent economic systems and social circumstances, and it form new standard with the competitive advantage of various kinds of enterprises in the near future. The thesis uses Systematic Design Method to analyze and establish a platform for the industrial designers. By sharing and communicating social groups of knowledge with the knowledge, I wish that it can help the industrial designers have more various thinking directions in their design works and emphasize the useful connections both of them. The terminal goal is a global design, in the other words, the design is borderless. In the process of the research, I used the systematic design principle to construct the functional choices which are needed by the social groups of industrial designers and discuss the best of model of them.
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Yang, Shih-Pei, and 楊詩培. "A Study of Exploring the Customer Values in Baking D.I.Y Workshops by the Means-end Chains Theory." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/b8j9e4.
Full textAbstract:
碩士國立勤益科技大學
企業管理系
105
Recently decade, the food and beverage industries have developed rapidly in Taiwan, and the baking manufacturers already grown nearly doubled from 2008 to 2015. The baking D.I.Y (Do it yourself) workshops which let consumers possess the diversified consumption experiences such as learning cooking skill, leisure, enjoying handmade desserts, senses, thinking, acts, and so on, and already became a new and innovative consumption model by following the experience marketing perspective and many on-line cooking shows that were emphasized and promoted in current years. However, investigations about the business model, service processes and the customers’ concerned values of baking workshops in baking industries are rarely explored in domestic or international research papers at present. Hence, this study explores the most important attributes of service and commodity, the resulted interest of consumption, and the customer's perceived value for baking D.I.Y workshops based on the theoretical view of means-end chains theory and adopted the soft laddering technique and the purposively sampling method to conduct interviews of 60 consumers that ever participated the baking D.I.Y workshops within one year. The study analyzed these transcripts of interview through the content analyses method, and in order to confirm the consistency of data classification by calculating the reliability of classification and the internal consistency. In addition, this study also used the implication matrix and the hierarchical value map to show the strength or weakness relationships and explained the theoretical conclusions and practical meaning among the concepts of classification. The study results found consumers gained these mainly consequences or benefits (getting the steps to explain the process, clear classification, problem assistance and resolution, improving food safety, improving the preservation of finished products) and the mainly final values (giving the customer a sense of security, a sense of belonging, being respected), were through the important attributes (all kinds of ingredients, serious staffs, science and technology auxiliary teaching). Finally, the results of this study are expected to as an important managerial reference and assist the baking D.I.Y workshop operators to plan marketing promotion strategies, to improve service processes, or to design related products in the further.
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LEE, SONG-TEN, and 李宋仁. "Organizational Learning, Organizational Competence and Business Models of Industry’s Environmental Change — An example of a D.I.Y. Power Tools Company in Taiwan." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/13072296670584911671.
Full textAbstract:
碩士逢甲大學
經營管理碩士在職專班
96
This case study is based on a single manufacturer in association with the Taiwanese DIY（Do It Yourself；DIY）Power Tools Industry. The findings of this study show that the Taiwanese DIY Power Tools manufactures are facing an industrial and ecological transformation which is gradually transferring from the low added-value of original equipment manufacturing OEM（Original Equipment Manufacturing；OEM）to the high added-value owner brand manufacture OBM（Original Brand Manufacturing；OBM）. In addition, they have tried to integrate the value chain in the industry by shortening the distance from the manufacturers to the end users or consumers. During the transformation process, firms build their core competence through organizational learning within each stage, and through the accumulation of the learning activities and arrangement as to develop the core competence for the next stage. When firms are facing a threat from the turbulence of industrial environment, they sometimes move their model of operation using the renewal process. They often move their production base abroad to prolong the industrial life so they may duplicate their existing model.
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De, Rome Stéphanie. "Le straight edge au Québec : abstinence, musique hardcore et résistance." Thesis, 2020. http://hdl.handle.net/1866/25686.
Full textAbstract:
Ce mémoire porte sur la notion de résistance sous-culturelle chez la sous-culture straight
edge dans le contexte du Québec et s’intéresse à la place et au rôle de la musique hardcore à
travers cette résistance. S’inscrivant dans le domaine de la sociomusicologie, il est le résultat
d’une étude de terrain menée à l’aide d’entretiens auprès de participants à la sous-culture straight
edge québécoise. Il s’intéresse au développement de la culture straight edge dans le contexte du
Québec et à son organisation en marge de l’industrie culturelle mainstream en explorant son
lien et son positionnement par rapport à la scène hardcore québécoise. Cette enquête se penche
sur la perception de l’identité sous-culturelle ainsi que sur la représentation du système de
valeurs straight edge chez les participants à la sous-culture. Il explore également, à travers
l’analyse du discours des participants, leur conception de la société mainstream, des structures
de pouvoir et de l’idéologie dominante afin de comprendre leur conception de la résistance. Le
mémoire s’intéresse ensuite aux caractéristiques esthétiques du genre hardcore straight edge à
travers ses paramètres musicaux et la production et l’utilisation de la voix dans le genre. Il est
finalement démontré que la musique hardcore soutien et appuie la résistance sous-culturelle
straight edge à travers diverses stratégies d’interprétation, compositionnelles et scéniques,
soutenues par les paramètres vocaux et musicaux du genre, les textes des chansons ainsi que le
contexte du concert live.This thesis examines the notion of resistance in the straight edge subculture in the context of Quebec, focusing on the place and role of hardcore music through this resistance. It is part of a sociomusicology field study consisting in interviews with participants in the Quebec straight edge subculture. It is interested in the development of straight edge culture in the context of Quebec and its organization on the margins of the mainstream cultural industry. It also explores the relationship of this subculture with the Quebec hardcore scene. This thesis examines the perception of subcultural identity and the representation of the straight edge value system amongst subcultural participants. It also explores, through the analysis of the participants' discourses, their conception of mainstream society, power structures and dominant ideologies in order to understand their conceptions of resistance. The thesis then looks at the aesthetic characteristics of the straight edge hardcore genre through its musical parameters and the production and use of the voice in this genre. Finally, it is shown that hardcore music supports and sustains straight edge subcultural resistance through various performances, compositional and scenic strategies, supported by the vocal and musical parameters of the genre, lyrics, as well as the context of the live concert.
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Ortlieb, Paulina Elizabeth. "The importance of counter-culture in art and life." Thesis, 2014. http://hdl.handle.net/1828/5881.
Full textAbstract:
Punk rock provided not only a watershed of creativity, innovation and a do-it-yourself spirit to a culture saturated in the mainstream, it physically brought like-minded people together in a community, or rather extended family, which in today’s hyper-d.i.y. culture, is progressively declining. As early as the 1940s, theorists such as Adorno and Horkheimer warned us about alienation in a society increasingly dependent on technology. By looking to punk, and other resilient and robust counter-cultures, perhaps we can find solutions to the pitfalls of the ‘culture industry’ (Adorno, Horkheimer, 1944).
My thesis, consisting of a feature-length documentary film and textual analysis, is a culmination of: ethnographic research into the punk scene in my own community; theoretical research into the sociology, ethnography and subculture theory; and my own subjectivity. My personal findings are presented to offer insight into punk philosophy and to spur discourse, rather than deliver an objective account or didactic reproach.Graduate