Relevant bibliographies by topics / Czechoslovakia – History – 20th century

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Czechoslovakia – History – 20th century'

Author: Grafiati
Published: 10 March 2023

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Journal articles on the topic "Czechoslovakia – History – 20th century"

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Sheshnev, Aleksandr. "Twin-City Relations between Czechoslovak and Lower Volga Cities in the Second Half of the 20th Century and Their Reflection in Urban Toponymy." ISTORIYA 13, no. 4 (114) (2022): 0. http://dx.doi.org/10.18254/s207987840019850-4.

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In post-war Soviet history, an important place was occupied by scientific, technical, socio-cultural and educational practices of interaction between the cities of the Soviet Union and of the Eastern bloc. The special nature of relations was often reinforced by the status of twin cities. This practice has contributed to the strengthening of interaction between officials, residents and various associations at the local and regional levels. The Lower Volga cities such as the Saratov, Balakovo (Saratov region) and Kamyshin (Volgograd region), have developed special stable ties with Czechoslovak cities. During the implementation of such a major energy project of the countries of the Council for Mutual Economic Assistance as the construction of the «Soyuz» gas pipeline, the works in the Lower Volga region was carried out by specialists from Czechoslovakia. A number of industrial and social objects in Kamyshin were built directly with the participation of Czechoslovak scientific and technical specialists. In the urban space, the special nature of relations is reflected in the architectural and cultural heritage; it can be traced in urban toponymy to the present day. After the Velvet Revolution in Czechoslovakia and the collapse of the socialist bloc, ties were severed. Only between the Slovak Trnava and the Russian Balakovo is symbolic on May 9, 2013 signed an agreement on the resumption of cooperation, providing for interaction in the fields of culture, education, sports, tourism, trade and other socio-economic issues.
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Neuberger, Pavel, and Pavel Kic. "A Century of Use of SOLOMIT Thermal Insulation Panels." Energies 14, no. 21 (November 2, 2021): 7197. http://dx.doi.org/10.3390/en14217197.

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This article traces the century-old history of using a thermal and acoustic insulation panel called SOLOMIT. It presents some of Sergei Nicolajewitsch Tchayeff’s patents, on the basis of which production and installation took place. The survey section provides examples of the use of this building component in Australia, Czechoslovakia, France, Germany, the Netherlands, Poland, Russia, the Soviet Union and Spain. It pays attention to applications in the 1950s and 1960s in collectivized agriculture in Czechoslovakia. It also presents the results of measuring the thermal conductivity of a panel sample, which was obtained during the reconstruction of a cottage built in the 1950s and 1960s of the 20th century. Even today, SOLOMIT finds its application all over the world, mainly due to its thermal insulation and acoustic properties and other features, such as low maintenance requirements, attractive appearance and structure and cost-effectiveness.
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Heroldová, Helena. "Tibetan Objects in the Náprstek Museum." Annals of the Náprstek Museum 39, no. 2 (November 1, 2018): 65–78. http://dx.doi.org/10.1515/anpm-2018-0013.

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Abstract The Náprstek Museum of Asian, African and American Cultures acquired two hundred items from Tibet in the 1950s: bronze sculptures, paintings and ritual implements. These items came from private collections confiscated after the Second War World according to the presidential decrees dealing with the post-war state reconstruction. Although the administration of the confiscated properties was meticulous, the transfer of items to the Náprstek Museum interrupted the history of ownership and meant the loss of the historical knowledge of its origin. As the result, the Tibet collection in the Náprstek Museum reveals more about the political and social history of post-war Czechoslovakia than about the perception of Tibetan culture in Czechoslovakia during the first half of the 20th century.
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Voron, Nataliia. "PARTICIPATION OF UKRAINIAN HISTORIANS OF CZECHOSLOVAKIA IN INTERNATIONAL CONGRESSES AND CONVENTIONS (20S – 30S OF THE 20TH CENTURY): INFORMATION AND STATISTICAL ANALYSIS." Naukovì zapiski Nacìonalʹnogo unìversitetu "Ostrozʹka akademìâ". Serìâ Ìstoričnì nauki 1, no. 32 (April 28, 2021): 90–96. http://dx.doi.org/10.25264/2409-6806-2021-32-90-96.

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The paper provides an information and statistical analysis of the participation of Ukrainian émigré historians of Czechoslovakia in international congresses and conventions in the 20s and 30s of the 20th century both on the territory of the country of residence and abroad. According to the author’s estimates, Ukrainian scholars and historians from Czechoslovakia attended more than 25 various scientific congresses and conventions during that period. About nine of them were held in Prague. The issues of history and ethnography were heard at 10 conferences. Ukrainian émigré historians attended congresses of Slavic ethnographers and geographers in Prague, Poland (several cities), Belgrade, Sofia, and international congresses of historians in Warsaw and Zurich. The issue of the history of Ukraine was majorly discussed at the First and the Second Ukrainian Scientific Congress. Ukrainian scientific institutions were most often represented by scientists such as Dmytro Doroshenko and Vadym Shcherbakivskyi. Dmytro Antonovych, a professor of the Ukrainian Free University, the permanent chairman of the Ukrainian Historical and Philological Society was quite an active speaker at international forums. Most often, historians gave reports on the history of Ukraine of the sixteenth-eighteenth centuries, ethnography, folklore studies. The environment of the Ukrainian intelligentsia in Prague and its scientific and cultural life contributed to the preservation and development of the Ukrainian national idea, popularization of the research on the history of Ukraine and the history of Ukrainian culture in the European historical space. Scientists in Czechoslovakia were the representatives of the Ukrainian scientific forces in Europe. The émigré historians presented their interesting research on the history of Ukraine, reminding the European scientific community of the existence of the authentic Ukrainian people with their rich history and traditions, the ancestral desire for freedom and independence.
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Christie, Daniel J. "Discussion of Montiel and Belo: Nonviolent Democratic Transitions Within a Peace Psychology Framework." Journal of Pacific Rim Psychology 2, no. 1 (March 1, 2008): 9–11. http://dx.doi.org/10.1375/prp.2.1.9.

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AbstractIn addition to being the bloodiest century in human history, the 20th century was distinguished by many large-scale nonviolent movements that successfully toppled oppressive regimes, often in the face of overwhelming military power. Notable examples include: India, South Africa, Poland, Czechoslovakia, the Philippines, Chile, and Serbia (cf. Ackerman & DuVall, 2000; Ackerman & Kruegler, 1994; Zunes, Kurtz, & Asher, 1999). Montiel and Belo's research is unique, identifying human cognitions, emotions, and values that accompanied East Timor's nonviolent transition to democracy. The current article places their work within the larger framework of peace psychology
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Havlíček, Marek, Aleš Vyskočil, Martin Caletka, Zbyněk Sviták, Miriam Dzuráková, Hana Skokanová, and Marta Šopáková. "History of Using Hydropower in the Moravice River Basin, Czechia." Water 14, no. 6 (March 15, 2022): 916. http://dx.doi.org/10.3390/w14060916.

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Water-powered facilities (WPFs) have traditionally been a pillar of the economy and social development. Therefore, the state took an interest in having these objects recorded and mapped in relevant maps and registers. This article focuses on identifying and localizing WPFs in the Moravice River basin in the so-called Sudetenland, Czechia, between the years 1763 and 2021. Specifically, the evolution and (dis)continuity of the WPFs are assessed through an analysis of cartographic and archival sources, reflecting the wider socioeconomic and demographic context as explanatory variables. The cartographic sources included old military topographic maps of Austria-Hungary and Czechoslovakia from four periods (the mid-18th century, mid-19th century, end of the 19th century, and mid-20th century) on the one hand and two state water-powered facility registers from 1930 and 1953 on the other. The archival sources included funds from regional and state archives. The results show that the count of WPFs peaked during the 19th century, after which there occurred a steep decline caused by societal and economic changes, namely, the expulsion of the local German population, nationalization in the postwar period, and economic and organizational transformations in the socialist era. Special attention is paid to hydropower plants, whose evolution reflects the outlined economic processes.
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Škoda, Zdeněk. "Art competitions at the Olympic Games 1912-1948 and the Czechoslovak participation." Studia sportiva 14, no. 1 (September 1, 2020): 42–46. http://dx.doi.org/10.5817/sts2020-1-5.

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The article deals with the art competitions that appeared on the program of modern Olympic Games between 1912 and 1948. It reveals the philosophical background of their existence within the Summer Olympics and their relation to the idea of kalokagathia. The article describes the reasons for their origin and how the founder of the modern Olympic movement Pierre de Coubertin succeeded in pushing this idea forward. There were five artistic disciplines: fine arts, music, sculpture, literature, and architecture. I will briefly introduce the history of art competitions in chronological order, show how their popularity gradually increased but I will also reveal the reasons the art competitions were removed from the program of the Olympic Games in the 1950s of the 20th century. Czech and Czechoslovak artists were frequent participants in the competitions. Except for Antwerp 1920 and Amsterdam 1928, they represented Czechoslovakia in large numbers until the time of the first Olympic Games after World War II in London 1948. In total, works by more than 50 Czechoslovak artists were presented and some were remarkably successful. Two composers Josef Suk and Jaroslav Křička and a sculptor Jakub Obrovský were even awarded Olympic medals in the 1930s. We will take a closer look at these achievements and present their works. The article aims to present a lesser known but important place of art competitions in the history of the modern Olympic movement and to recall the achievements of Czech and Czechoslovak artists.
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Zouhar, Jakub. "An Outline of Greek Catholic Monasticism in the Czech Lands and Czechoslovakia throughout the 19th and 20th Century." Konštantínove listy/Constantine's Letters 11, no. 2 (October 31, 2018): 151–67. http://dx.doi.org/10.17846/cl.2018.11.2.151-167.

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Vavroušková, Stanislava. "Ways to understand India: The Czech experience." Acta Orientalia Vilnensia 9, no. 2 (January 1, 2008): 125–32. http://dx.doi.org/10.15388/aov.2008.2.3705.

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Oriental Institute of the Czech Academy of SciencesTo promote and further the understanding of India in the Czech Republic, Czech Indologists (in addition to their academic activities) publish articles, analyses and books on Indian history, culture and politics in the Czech language and deliver lectures intended for the general public. They continue in the tradition of the founders of Czech Indian studies (e.g. Vincenc Lesný, Moritz Winternitz), who were active in the first half of the 20th century. The Indian Association, founded in 1934 and affiliated with the Oriental Institute in Prague, promoted mutual contacts between India and Czechoslovakia and organised visits of prominent Indians (e.g. R. Tagore, J. Nehru, S. Ch. Bose) to Czechoslovakia in the years prior to World War II. The Friends of India Association (founded 1990) offers public lectures and organises exhibitions of Indian art, performances of Indian artists, and occasionally, courses of Indian languages. In close cooperation with the academic community, the association tries to provide unbiased, balanced information on India which is based on academic research, personal experience, and very often, life-long dedication to the country and its people.
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Tharp, Martin. "Repressed Utopias vs. Utopian Repressions: Czech Countercultural Communal Living Arrangements in the ‘Normalization’ Era (1970–1989)." Praktyka Teoretyczna, no. 4(46) (January 12, 2023): 193–219. http://dx.doi.org/10.19195/prt.2022.4.7.

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The present contribution aims to examine this specific historic ‘Second World’ phenomenon — the communal living arrangements attempted by counterculturally minded, predominantly working-class youth in post-1968 Czechoslovakia, often (though not exclusively) in the former German Sudetenland — as an instance of the potentials and limitations associated with an attempt at a ‘mobile commons’ in 20th-century state socialism. Not only is the legacy of the Czech communes (baráky) an insufficiently researched historical topic, but even further, the placement of this phenomenon between its reflection of the American communal-utopian tradition in its 1960s forms, the emerging critique of industrial modernity, the growth of 20th-century ‘civil-society’ concepts, and the ‘Cold War’ mobilities across the Iron Curtain (intellectual-cultural autarky versus forced political emigration) forms a highly fruitful starting point for wider considerations. Examination of the Czech countercultural communal-living attempts within the social framework of the ‘normalization’ order of the 1970s and 1980s — state repression, socialist modernity, anti-public familialism — finds that their character as communities of refuge, rather than as deliberate planned experiments, places them at a particularly unique angle to the utopian vs. antiutopian debates, indeed even calling into question the very premises of this opposition.
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Dissertations / Theses on the topic "Czechoslovakia – History – 20th century"

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Obrtlík, Jan. "Česká sakrální architektura v letech 1900 - 1950 v mezinárodním kontextu." Doctoral thesis, Vysoké učení technické v Brně. Fakulta architektury, 2018. http://www.nusl.cz/ntk/nusl-390289.

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The thesis deals with the history and the interpretation of the development of sacral architecture during the first half of the twentieth century. It interprets the topic in a broad framework, which mentions the historical preconditions of this development and in the most important cases also its international relations. The introductional chapters list all up-to-date publications to the topic and suggest certain means of interpretation of sacral architecture which reflects the natural division of this topic between the disciplines of architectural theory and religion science. The own thesis begins with characteristics of social and religious situation in the Austria-Hungary and its consequences of sacral architectural development. It mentions basic examples of sacral buildings and the measure of their relation to the contemporary architectural development in general. Subsequently it mentions transformational influence of World War I and of declaration of souverain Czechoslovakia, which led to the emergence of new churches with their own architectural ambitions and also to the focus shifting of discipline to new contemporary topics. It follows the parallels with contemporary architectural trends of 1920's and the level of their use in the specific field of religious buildings also in relation to individual churches with their different architectural developments. Further it mentions sacral building development in 1930's with the emphasis in relation to the contemporary social atmosphere and in accent transformation between conservative and progressive religious approach. Than it follows with a review of religious culture transformation during World War II in Protectorate Czech Moravia and shows particularity of unnumerous examples of church buildings and projects from this era. The final part than reflects the evolution of the social role of religion after the War as well as an influence of communist coup in 1948 at potential of sacral architecture. It states the negative influence of both totalitarian regimes on the quality of sacral buildings of following period and on a poor measure of disciplines theoretical knowledge, which among others results in unsufficient primary sources, from which this thesis would likely have taken. Even when this thesis have not and cannot have an ambition of full exploration of the topic, it presents the factography and collecion of interpretations, by means of which the significant gap in the historiography of 20th century Czech sacral architecture can be at least partially bridged.
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Cao, T. Y. "The intellectual history of 20th century field theories." Thesis, University of Cambridge, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.383778.

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Flock, Sarah Sylvie. "Rayonnement de la poétique d'Otomar Krejca en Belgique francophone." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209963.

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La thèse démontre l’impact du théâtre de Krejča sur l’évolution de l’art dramatique belge francophone. Elle scinde l’activité théâtrale de Krejča en Belgique en deux parties, chacune placée sous le sceau d’une réalité politique différente. La première correspond à un moment de détente dans le paysage politique tchécoslovaque et débute avant la création du Divadlo za branou. Assimilée à la seconde avant-garde théâtrale tchèque, elle inaugure aussi la série de succès internationaux de Krejča dans des pays non socialistes. La seconde période survient après la liquidation du Divadlo za branou par les autorités communistes tchécoslovaques et après le départ de Krejča en semi exil. Théâtralement, la Belgique francophone est alors en pleine émulation, qui s’observe notamment dans les propositions artistiques du « Jeune théâtre » (1976-1986).

L’arrivée de Krejča, dans les années 1960, sur la scène du Théâtre National de Belgique s’inscrit dans la dynamique des échanges théâtraux européens et dans une volonté diplomatique de rapprochement entre la Tchécoslovaquie et la Belgique. La thèse insiste sur ces rencontres entre les artistes belges francophones et les artistes internationaux car elles jouent un rôle fondamental, auquel prend part Krejča, dans l’histoire du théâtre belge de langue française. Fort de sa réappropriation de la tradition théâtrale tchèque et des concepts de Stanislavskij, Krejča est l’un des premiers à apporter en Belgique francophone un regard dépassant la dimension représentationnelle de la première lecture du texte et à proposer une alternative au manque laissé par le retard de l’avant-garde théâtrale belge francophone. Sa poétique, principalement influencée par le théâtre atelier d’E.F. Burian, le théâtre poétique de Frejka, le civilisme d’Hilar, les théories préfigurant la sémiologie théâtrale initiée par l’école de Prague et par les développements du « Mchat », rencontre un accueil mitigé parmi les journalistes polygraphes mais ne manque pas d’impressionner certains animateurs de la scène théâtrale belge à l’instar de Janine Patrick ou de Marc Liebens. Aussi trouve-t-elle notamment un prolongement dans le Théâtre du Parvis.

La thèse situe l’apport le plus évident de la poétique krejčaïenne en Belgique francophone dans le traitement dramaturgique, polyphonique et préfigurant le théâtre postdramatique, que le metteur en scène propose. A Louvain-la-Neuve, c’est à nouveau la puissance de la tradition tchèque et la conviction philosophique de Krejča qui impressionnent ses collaborateurs et se déclinent à travers les excroissances théâtrales francophones belges dont la plus manifeste est une expérience théâtrale, toujours en cours aujourd’hui :le théâtre de l’Éveil.

La dissertation délimite d’abord les spécificités de la poétique théâtrale de Krejča, puis, après une analyse des mises en scène de Krejča, elle retrace et détaille les diverses formes sous lesquelles son esthétique se manifeste :transmission d’un héritage théâtral (avant-garde historique tchèque, sémiologie théâtrale développée par l’Ecole de Prague) et littéraire (mise à l’honneur de Schnitzler et de Nestroy), prolongement de la recherche théâtrale jusqu’à l’approche postdramatique (révélation de la dramaticité des pièces de Tchékhov, importation du théâtre musical), regards dramaturgique et philosophique, écriture dramatique (influence sur l’écriture d'auteurs dramatiques, Krejča-personnage dans des pièces d’acteur)…

/ The thesis focuses on Czech theatre from first avant-garde to second avant-garde; mainly it is focusing on Otomar Krejča’s theatre and its relationship with Belgian theatre within the second Czech avant-garde theatre to the end of the Normalization.

Krejča worked an intensive part of his artistic life in Belgium. His Belgian theatrical activity can be divided into two distinct periods. The first one was coinciding with the foundation of his “Theatre Beyond the Gate” (Divadlo za branou) in Prague in 1965 and took place in the Belgian National Theatre in Brussels. Those years were squaring with Czechoslovakian destalinization and were particularly productive in the artistic field. In Brussels Krejča directed four plays: in 1965, Hamlet, in 1966, The Seagull, in 1970, Three Sisters, in 1978, Romeo and Juliet. The first three plays occurred before the Normalization and his departure in specific exile. The last one marked the beginning of his second period in Belgium, closely bound to Louvain-la-Neuve city. The two following Krejča’s productions were first created for the Festival d’Avignon: in 1978, Waiting for Godot and Lorenzaccio in 1979, before being performed at Atelier théâtral Jean Vilar in Louvain-La-Neuve. The three following plays were the last of Krejča’s Belgian works: Three Sisters in 1980, A. Schnitzler’s The Green Cockatoo in 1981 and Dostoevsky’s The Possessed adapted by Krejča himself in 1982.

In Belgium, the reception of his plays was mitigated. Duality between critics can be explained by Krejča’s new regard on plays, by Krejča’s use of dramaturgy. Krejča’s productions in Belgium were innovating because through dramaturgy they paved the way for something new :it was the end of a romantic Hamlet in the Shakespearian tradition and the end of Pitoëff’s aesthetic in Chechov’s productions.

Krejča’s work of art, impregnated by Czech tradition theatre of avant-garde, influenced his Belgian collaborators. Krejča was influenced by leaders in Czech first avant-garde theatre such as Burian, Frejka, theatrical theory of Honzl and Hilar’s theatre conception. When Krejča started to work in Belgium, the country was undergoing a theatrical revolution. At the end of the 1960s, French-speaking Belgium lived at the rhythm of its first avant-garde in staging. According to me, this fact is the main explanation to Krejča’s significance in French-speaking Belgium. Thanks to Krejča’s Belgian productions, a part of the first Czech theatrical avant-garde and the second Czech theatrical avant-garde penetrated in Belgium.

All of Krejča’s concepts (human beings, ethic of responsibility, importance of dramaturgy, personal appropriation of Stanislavski’s approach) slowly instilled French-speaking Belgian theatrical life. Sure an evident mark of continuity of his aesthetic cannot be seen in the long time, nevertheless Krejča’s influence was considerable and briefly materialized in many fields. It is obviously still vivid in the way some actors play, feel and teach theatre.


Doctorat en Langues et lettres
info:eu-repo/semantics/nonPublished

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Baumer, Andreas. "Urban rejuvenation : a contemporary urban topology for the information age." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1137647.

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A changing perception based on the appreciation for information in our era allows a broader idea and different understanding of life as a system driven by the flow of information. Simultaneously, our understanding of 'the' urban was broadened. It enabled us to perceive urban structures as living organisms beyond their physical manifestation and separated from human control. Like species, our cities are great products of evolutionary forces and contain invaluable information worth preserving.When writing about urban spaces, urban is understood as a system which is constituted not so much by built forms and infrastructures, but as a heterogeneous field that is constituted by intervention and lines of forces and action. These lines form the coordinates of an urban topology that is not based on the human body and its movements in space alone, but also on relational acts and events within the urban system. These relational acts can be economic, political, technological or tectonic processes, as well as acts of communication. The urban is therefore quite different from the physically defined spaces of events and movements.The focal point of this paper is to explore the relationship between the spaces of movement, the spaces of events and the relational systemic 'spaces'. It will be attempted to identify fundamental processes behind urban design. Rules are derived from connective principles in complexity theory, systems theory, pattern recognition, and artificial intelligence.
Department of Architecture
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Braun, Ramona. "Laparoscopy as a neo-eugenic practice, 1940s-60s." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708461.

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Ng, Kin-yuen. "Constitutional developments in China and Japan from the mid 19th century to the early 20th century." [Hong Kong : University of Hong Kong], 1992. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13280181.

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Ng, Kin-yuen, and 吳健源. "Constitutional developments in China and Japan from the mid 19th century to the early 20th century." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1992. http://hub.hku.hk/bib/B31950395.

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Arthur, Brid Caitrin. "Envisioning Lhasa: 17-20th century paintings of Tibet's sacred city." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1437525195.

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蕭芬琪 and Fun-kee Siu. "The case of Wang Yiting (1867-1938): a uniquefigure in early twentieth century Chinese art history." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31223357.

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Costello, Paul. "The goals of the world historians : paradigms in world history in twentieth century." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74629.

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Following Nietzsche, Oswald Spengler posed the central problems of the cyclical history of civilization in the twentieth century. Subsequent world historical theorists have attempted to answer Spengler's nihilistic perspective on the destined rise and fall of all cultures by rescuing a progressive movement which transcended the downfall of civilizations. World history since Spengler has been written in pursuit of an answer to the crises of modernism: to the 'Death of God,' the problem of progress, the emergent technological order with its bureaucratic management of society, and the need sensed by the metahistorians for a new 'mythical' grounding to avert the fall of the West. The "Crisis of the West" dominates the perspectives of the world historians. Their goals for the solution of 'modernism,' through the religious transformation of society or political and cultural world unity, are central to their motivation as writers and to the formulation of their paradigms.
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Books on the topic "Czechoslovakia – History – 20th century"

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Jones, North Jacquelyne Y., ed. Czechoslovakian perfume bottles and boudoir accessories. Marietta, Ohio: Antique Publications, 1999.

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Czechoslovakian perfume bottles and boudoir accessories. Marietta, Ohio: Antique Publications, 1990.

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The birth of love: Dus̆an and Voitre Marek, artist brothers in Czechoslovakia and post-war Australia. Norwood, S. Aust: Moon Arrow Press, 2008.

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Bányászová, Katarína. Volný čas objektivem šlechty. Praha: Národní Památkový Ústav, 2016.

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Osvobozující krása malých věci: Uprchlická odysea z Prahy do Cambridge. Brno: Prius, 2002.

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The liberating beauty of little things: Decision, adversity & reckoning in a refugee's journey from Prague to Cambridge. Brighton [England]: Alpha Press, 2000.

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Andreas, Helmedach, and Maier Robert, eds. Zweierlei 1968?: Die Umbruchjahre 1968 und 1989 in deutschen und tschechischen Geschichtsschulbüchern. Göttingen: V&R Unipress, 2008.

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Hívatlan vendégként északi szomszédainknál: (1968). Pápa: Jókai Mór Városi Könyvtár, 2010.

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20th century. London: Dorling Kindersley, 2012.

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20th century fashion. London: Thames & Hudson, 1999.

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Book chapters on the topic "Czechoslovakia – History – 20th century"

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Arzmi, Azmah. "Planning GDR and Czechoslovakia." In European Planning History in the 20th Century, 153–62. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003271666-16.

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Šisler, Vít, Cyril Brom, Jaroslav Cuhra, Kamil Činátl, and Jakub Gemrot. "Stories from the History of Czechoslovakia, A Serious Game for Teaching History of the Czech Lands in the 20th Century – Notes on Design Concepts and Design Process." In Lecture Notes in Computer Science, 67–74. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-33542-6_6.

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Bergmann, Karl-Christian. "Milestones in the 20th Century." In History of Allergy, 27–45. Basel: S. KARGER AG, 2014. http://dx.doi.org/10.1159/000358478.

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Abrams, Jesse. "Late 20th-Century Forest History." In Forest Policy and Governance in the United States, 51–71. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003043669-4.

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Varvoglis, Harry. "Physics of the 20th Century." In History and Evolution of Concepts in Physics, 105–19. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-04292-3_5.

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Welch Guerra, Max. "Interpreting 20th Century European Planning History." In European Planning History in the 20th Century, 268–71. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003271666-28.

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Rao, J. S. "20th Century Graphical and Numerical Methods." In History of Mechanism and Machine Science, 99–114. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-1165-5_11.

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Blaauw, Adriaan. "Earlier 20th Century Developments; World War I." In History of the IAU, 15–53. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-0978-9_2.

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Larkham, Peter J. "History and Heritage." In European Planning History in the 20th Century, 139–52. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003271666-15.

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Roberts, Adam. "The Early 20th Century, 2: The Pulps." In The History of Science Fiction, 253–85. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-56957-8_10.

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Conference papers on the topic "Czechoslovakia – History – 20th century"

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Nenicka, Lubomir. "TRANSFORMATIONS OF EUROPEAN POLITICAL AND ECONOMIC SYSTEM IN THE 20TH CENTURY. THE CASE OF CZECHOSLOVAKIA IN THE YEARS 1938 AND 1945." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s10.086.

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Janata, Tomas. "CZECHOSLOVAKIA WITHIN THE 20TH CENTURY IN MAPS." In 19th SGEM International Multidisciplinary Scientific GeoConference EXPO Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgem2019/2.2/s11.095.

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Romanovska, Alina. "20TH CENTURY HISTORY OF LATVIA IN LITERARY NARRATIVES." In 3rd Arts & Humanities Conference, Barcelona. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/ahc.2018.003.002.

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Szoro, Ilona. "READING CIRCLES IN HUNGARY IN THE 20TH CENTURY." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s10.072.

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Zhou, Dian. "THE HISTORY OF THE RUSSIAN ETCHING OF THE 20th CENTURY." In VI Международная научно-практическая конференция "Искусствознание и педагогика. Диалектика взаимосвязи и взаимодействия". Общество с ограниченной ответственностью «Книжный дом», 2018. http://dx.doi.org/10.25807/pbh.978-5-94777-431-3.134.138.

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Munhanova, Yu A. "HISTORY OF THE MONGOLIAN AGITPROP POSTER OF THE 20TH CENTURY." In Искусство и дизайн: история и практика. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868829_258.

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BARBOSA, Helena. "The signature of Portuguese posters from 17th Century to 20th Century: one history of identities." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-035.

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KURAS, L. V., and B. D. TSYBENOV. "KYAKHTA IN 20th – THE BEGINNING OF 21 CENTURY: HISTORY, PRESENT, PROSPECTS." In Scientific conference, devoted to the 95th anniversary of the Republic of Buryatia. Publishing House of the Buryat Scientific Center of the Siberian Branch of the Russian Academy of Science, 2018. http://dx.doi.org/10.30792/978-5-7925-0521-6-2018-81-84.

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Bosak, Martin. "SLOVAK NATIONAL ACTIVITIES IN AMERICA AT THE BEGINNING OF 20TH CENTURY." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s10.074.

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NECHITA, Constantin. "DECLINE HISTORY OF OAKS IN 20TH CENTURY FOR ROMANIAN EXTRA-CARPATHIAN REGIONS." In 19th SGEM International Multidisciplinary Scientific GeoConference EXPO Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgem2019/3.2/s14.087.

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Reports on the topic "Czechoslovakia – History – 20th century"

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Kempgen, Sebastian. Was Postkarten erzählen können… Otto-Friedrich-Universität, 2021. http://dx.doi.org/10.20378/irb-49498.

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