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Books on the topic 'Cyborgs History'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Cyborgs in Latin America. New York: Palgrave Macmillan, 2010.

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2

Romantic cyborgs: Authorship and technology in the American Renaissance. Amherst: University of Massachusetts Press, 2002.

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3

David, Whitt, ed. Sith, slayers, stargates & cyborgs: Modern mythology in the new millennium. New York: P. Lang, 2008.

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4

Jenny, Wolmark, ed. Cybersexualities: A reader on feminist theory, cyborgs, and cyberspace. Edinburgh: Edinburgh University Press, 1999.

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5

Broncano, F., and David A. Hernández de la Fuente. De Prometeo a Frankenstein: Autómatas, ciborgs y otras creaciones más que humanas. Madrid]: Evohé, 2012.

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6

Arcy-nie-ludzkie: Przez science fiction do antropologii cyborgów. Poznań: Wydawn. Nauk. UAM, 2010.

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7

Guidotti, Francesca. Cyborg e dintorni: Le formule della fantascienza. Bergamo: Bergamo University Press, 2003.

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8

Robotto manga wa jitsugen suruka: Robotto manga meisaku ansorojī + robotto kaihatsu sai zensen hōkoku. Tōkyō: Jitsugyō no Nihonsha, 2002.

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9

SF eiga to hyūmaniti: Saibōgu no fu. Tōkyō: Seikyūsha, 2009.

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10

Heudin, Jean-Claude. Robots & avatars: Le rêve de Pygmalion. Paris: O. Jacob, 2009.

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11

This monstrous thing. New York, NY: HarperCollins Publishers, 2015.

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12

Koval, Santiago. La condición poshumana: Camino a la integración hombre-máquina en el cine y en la ciencia. Ciudad de Buenos Aires: Editorial Cinema, 2008.

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13

Posthuman metamorphosis: Narrative and systems. New York: Fordham University Press, 2008.

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14

S, Frentz Thomas, ed. Projecting the shadow: The cyborg hero in American film. Chicago: University of Chicago Press, 1995.

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15

Edgar, Slusser George, and Shippey T. A, eds. Fiction 2000: Cyberpunk and the future of narrative. Athens: University of Georgia Press, 1992.

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16

The souls of cyberfolk: Posthumanism as vernacular theory. Minneapolis: University of Minnesota Press, 2005.

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17

Yaszek, Lisa. The self wired: Technology and subjectivity in contemporary narrative. New York: Routledge, 2002.

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18

The self wired: Technology and subjectivity in contemporary narrative. New York: Routledge, 2002.

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19

1946-, McCaffery Larry, ed. Storming the reality studio: A casebook of cyberpunk and postmodern science fiction. Durham: Duke University Press, 1991.

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20

Ferrai, Lucia. La soggettività cyborg: Filosofia e cinema cyberpunk. Trento: Tangram edizioni scientifiche, 2013.

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21

Kreps, David. Cyborgism: Cyborgs, Performance and Society. Lulu.com, 2007.

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22

Sorgner, Stefan Lorenz. We Have Always Been Cyborgs. Policy Press, 2021. http://dx.doi.org/10.1332/policypress/9781529219203.001.0001.

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The concept of transhumanism emerged in the middle of the 20th century and has influenced discussions around artificial intelligence, brain–computer interfaces, genetic technologies and life extension. Despite its enduring influence in the public imagination, a fully developed philosophy of transhumanism has not yet been presented. This book explores the critical issues that link transhumanism with digitalization, gene technologies, and ethics. It examines the history and meaning of transhumanism and asks bold questions about human perfection, cyborgs, genetically enhanced entities, and uploaded minds. Offering insightful reflections on values, norms, and utopia, this will be an important guide for readers interested in contemporary digital culture, gene ethics, and policy making.

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23

Alfred Döblin: Monsters, Cyborgs and Berliners 1900-1933. Taylor & Francis Group, 2021.

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24

Benesch, Klaus. Romantic Cyborgs: Authorship and Technology in the American Renaissance. University of Massachusetts Press, 2009.

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25

Cyborg: The Man-Machine. Thames & Hudson, 2002.

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26

O'Mahony, Marie. Cyborg: The Man-Machine. Tandem Library, 2002.

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27

Muri, Allison. Enlightenment Cyborg: A History of Communications and Control in the Human Machine, 1660-1830. University of Toronto Press, 2016.

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28

The Enlightenment Cyborg: A History of Communications and Control in the Human Machine, 1660-1830. University of Toronto Press, 2007.

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29

Enrico, Livraghi, ed. La carne e il metallo: Visioni, storie, pensiero del cybermondo. Milano: Provincia di Milano, 1999.

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30

Westermann, Bianca. Anthropomorphe Maschinen: Grenzgänge zwischen Biologie und Technik seit dem 18. Jahrhundert. Fink Wilhelm GmbH + Co.KG, 2012.

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31

Lee, Mackenzi. This Monstrous Thing. HarperCollins Publishers, 2015.

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32

This Monstrous Thing. HarperCollins Publishers, 2017.

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33

Cyborg Saints. Taylor & Francis Group, 2019.

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34

Edgar, Slusser George, and Shippey T. A, eds. Fiction 2000: Cyberpunk and the Future of Narrative. Georgia: University of Georgia Press, 1992.

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35

Machine Dreams Economics Becomes a Cyborg Science. Cambridge University Press, 2001.

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36

Mirowski, Philip. Machine Dreams Economics Becomes a Cyborg Science. Cambridge University Press, 2001.

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37

Disch, Lisa, and Mary Hawkesworth, eds. The Oxford Handbook of Feminist Theory. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199328581.001.0001.

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The Oxford Handbook of Feminist Theory provides an overview of the analytical frameworks and theoretical concepts feminist theorists have developed to challenge established knowledge. Leading feminist theorists, from around the globe, provide in-depth explorations of a diverse array of subject areas, capturing a plurality of approaches. The Handbook raises new questions, brings new evidence, and poses significant challenges across the spectrum of academic disciplines, demonstrating the interdisciplinary nature of feminist theory. The chapters offer innovative analyses of the central topics in social and political science (e.g. civilization, development, divisions of labor, economies, institutions, markets, migration, militarization, prisons, policy, politics, representation, the state/nation, the transnational, violence); cultural studies and the humanities (e.g. affect, agency, experience, identity, intersectionality, jurisprudence, narrative, performativity, popular culture, posthumanism, religion, representation, standpoint, temporality, visual culture); and discourses in medicine and science (e.g. cyborgs, health, intersexuality, nature, pregnancy, reproduction, science studies, sex/gender, sexuality, transsexuality) and contemporary critical theory that have been transformed through feminist theorization (e.g. biopolitics, coloniality, diaspora, the microphysics of power, norms/normalization, postcoloniality, race/racialization, subjectivity/subjectivation). The Handbook identifies the limitations of key epistemic assumptions that inform traditional scholarship and shows how theorizing from women’s and men’s lives has profound effects on the conceptualization of central categories, whether the field of analysis is aesthetics, biology, cultural studies, development, economics, film studies, health, history, literature, politics, religion, science studies, sexualities, violence, or war.

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38

A, Weaver John, Anijar Karen, and Daspit Toby, eds. Science fiction curriculum, cyborg teachers, & youth culture(s). New York: P. Lang, 2004.

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39

Children's Literature and the Posthuman: Animal, Environment, Cyborg. Taylor & Francis Group, 2014.

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40

Jaques, Zoe. Children's Literature and the Posthuman: Animal, Environment, Cyborg. Taylor & Francis Group, 2015.

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41

Jaques, Zoe. Children's Literature and the Posthuman: Animal, Environment, Cyborg. Taylor & Francis Group, 2015.

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42

Smith, Carissa Turner. Cyborg Saints: Religion and Posthumanism in Middle Grade and Young Adult Fiction. Taylor & Francis Group, 2019.

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43

Smith, Carissa Turner. Cyborg Saints: Religion and Posthumanism in Middle Grade and Young Adult Fiction. Taylor & Francis Group, 2019.

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44

Smith, Carissa Turner. Cyborg Saints: Religion and Posthumanism in Middle Grade and Young Adult Fiction. Taylor & Francis Group, 2019.

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45

Smith, Carissa Turner. Cyborg Saints: Religion and Posthumanism in Middle Grade and Young Adult Fiction. Taylor & Francis Group, 2019.

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46

(Editor), John A. Weaver, Toby Daspit (Editor), and Karen Anijar (Editor), eds. Science Fiction Curriculum, Cyborg Teachers, and Youth Cultures (Counterpoints (New York, N.Y.), V. 158.). Peter Lang Publishing, 2003.

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