Relevant bibliographies by topics / Cyborgs History

Academic literature on the topic 'Cyborgs History'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Cyborgs History"

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Bisschoff, Lizelle. "African Cyborgs." Interventions 22, no. 5 (September 19, 2019): 606–23. http://dx.doi.org/10.1080/1369801x.2019.1659155.

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Warwick, Kevin. "Creating practical cyborgs." Creativity, Cognition and Material Culture 22, no. 1 (December 31, 2014): 159–81. http://dx.doi.org/10.1075/pc.22.1.09war.

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In this paper we consider the creative realisation of new beings — namely, cyborgs. These can be brought about in a number of ways, and several versions are discussed. A key feature is merging biological and technological sections into an overall living operational whole. A practical look is taken at how the use of implant and electrode technology can be employed to open up new paths between humans/animals and technology, especially linking the brain directly with external entities. Actual experimentation in each of the different cyborg forms perhaps defines the paper’s contents more than anything else. Considered are RFID implants, magnet implants, deep brain stimulation, Braingate implants and growing biological brains in robot bodies.
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Tatman, Lucy. "I'd Rather be a Sinner than a Cyborg." European Journal of Women's Studies 10, no. 1 (February 2003): 51–64. http://dx.doi.org/10.1177/1350506803010001796.

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Upon which Christian theological metaphors and models is Donna Haraway's understanding of `cyborg' ontologically dependent, and how and why might it matter? This article explores the possibility that Haraway's cyborg is a saviour-figure, made partially in the image of a transcendent God. It suggests that cyborgs do have an origin story, and that their story is inseparably linked to the theological development of Heilsgeschichte, or salvation history, which is itself linked, arguably, to the technological developments of the Industrial Revolution. Taking Haraway at her word, or at least her Christian theological words, reveals a disturbingly indifferent cyborg-God, one perfectly at ease with apocalyptic imagery and feats, but one who does not comprehend that apocalyptic rhetoric was never meant to be taken literally.
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Dartnall, Terry. "We Have Always Been . . . Cyborgs." Metascience 13, no. 2 (July 2004): 139–273. http://dx.doi.org/10.1023/b:mesc.0000040914.15295.0e.

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Hacking, Ian. "Canguilhem amid the cyborgs." Economy and Society 27, no. 2-3 (May 1998): 202–16. http://dx.doi.org/10.1080/03085149800000014.

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Glimp, David. "Moral philosophy for cyborgs." postmedieval: a journal of medieval cultural studies 1, no. 1-2 (March 2010): 72–79. http://dx.doi.org/10.1057/pmed.2010.9.

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Kline, Ronald. "Where are the Cyborgs in Cybernetics?" Social Studies of Science 39, no. 3 (May 22, 2009): 331–62. http://dx.doi.org/10.1177/0306312708101046.

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Malhado, André. "“It’s music, a human thought structure”. La música como tecnología de los cyborgs en el cine cyberpunk Español." Cuadernos de investigación musical, no. 15 (May 11, 2022): 105–18. http://dx.doi.org/10.18239/invesmusic.2022.15.10.

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En este artículo, analizo cómo dos películas españolas de cyberpunk, Eva y Autómata, imaginan cyborgs y representan la música como parte de sus capacidades relacionales con artefactos, entidades y entornos. A través de un análisis interconectado, presento la idea de la ecología musical como una articulación entre las convenciones sonoras del cyberpunk y la música preexistente. Otro tema es el sujeto post-humano, al que denomino ensamblaje música-cyborgs donde los fenómenos sonoros son un agente intrínseco y activo de su construcción. La principal conclusión es que la música es una metáfora de la humanidad y un canal hacia nuevos modos de subjetividad destinados a reconfigurar la producción musical, la escucha, la interpretación y el placer.
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Woody, Andrea. "Simians, Cyborgs, and Women: The Reinvention of Nature. Donna Haraway." Philosophy of Science 62, no. 2 (June 1995): 346–48. http://dx.doi.org/10.1086/289868.

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Morana Alac. "Beyond Human: Living with Robots and Cyborgs (review)." Technology and Culture 50, no. 2 (2009): 468–69. http://dx.doi.org/10.1353/tech.0.0280.

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Dissertations / Theses on the topic "Cyborgs History"

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Famiglietti, Andrew A. "Hackers, Cyborgs, and Wikipedians: The Political Economy and Cultural History of Wikipedia." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300717552.

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Willis, Victoria E. "From Orators to Cyborgs: The Evolution of Delivery, Performativity, and Gender." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_diss/66.

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@font-face { font-family: "Cambria"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; } The purpose of this project is to provide a thorough account of delivery by tracing the history and evolution of delivery from antiquity to the present day in order to expose the spread and transmission of proto-masculine ideologies through delivery. By looking at delivery from an evolutionary perspective, delivery no longer becomes a tool of rhetoric, but the technology of rhetoric, evolving over time in the same way the system of rhetoric itself has evolved. Contemporary scholarship on delivery continues to look at delivery as a tool—as the ink, the paper, the computer screen, the keyboard, the font, the hypertext, the web design, and so forth—of communication. Contemporary scholarship re-works the classical definition of delivery to fit into a contemporary context, and consequently ignores the proto-masculinity embedded into classical delivery and its spread from public speaking to all speaking situations—and the larger consequence of this approach is that proto-masculinity remains embedded and idealized. Focusing specifically on delivery’s history and evolution into a post-human, cyborg technology demonstrates how proto-masculinity has operated within delivery and how proto-masculinity has been spread through delivery instruction. The importance of re-situating delivery within the rhetorical canons affects rhetoric as a whole because it demonstrates that not only is delivery still crucial to rhetoric, and possibly still the most important rhetorical canon, but also because it de-naturalizes the proto-masculine imperatives embedded within delivery and conveyed through delivered language performances.
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Ben-Ezzer, Tirza. "Naming the Virtual: Digital Subjects and The End of History through Hegel and Deleuze (and a maybe few cyborgs)." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1626919557257155.

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Rheeder, Elle-Sandrah. "Pathologies of vision : representations of deviant women and the cyborg body." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1020319.

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This thesis investigates the figure of the cyborg as conceptualised by Donna Haraway in The Cyborg Manifesto (1991). The figure of the cyborg, as a transgressive figure in the late twentieth century within socialist feminist discourse, is problematized with regard to its efficacy as a creature that challenges the constructed nature of gender and contests the boundary between human and machine through its ambiguous nature. Haraway’s notions of the cyborg, which she bases partly on cyborg characters from Science Fiction literature, deny the ocularcentric traditions that have structured gender and the body. Similarly, Haraway does not engage adequately with the figure of the cyborg with regard to situating it historically. This thesis unpacks both the visual and the historical aspects that have structured the cyborg body. By engaging with these concepts, the cyborg emerges as a figure that is identified through visual signifiers of female deviance and pathology. By reading female deviance and pathology on the body of the nineteenth-century hysteric, similarities can be drawn between the hysteric and the cyborg. Through a reading of Alien (1979); Blade Runner (1982); and Star Trek: First Contact (1996) key cyborg texts of the late twentieth century, the figure of the cyborg, and its relation to the deviant pathologised female can be understood when read against the body of the hysteric and how it was visually coded and communicated
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Lupold, Eva Marie. "Literary Laboratories: A Cautious Celebration of the Child-Cyborg from Romanticism to Modernism." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1339976082.

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Torsson, Michael. "Cyborg athletes : A European history of gender, technology and virtue in sports." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-95623.

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This essay takes its start in a discussion on gender, sports and cyborgs by Swedish philosopher Kutte Jönsson in his book Idrottsfilosofiska introduktioner. I argue that he is wrong in arguing for agnosticism as to what sport is. Instead I give an historic account of what sport is and what values is inherent in our modern conception of sport. According to my account there are at least four distinct European traditions of sport. These are the Greek, Roman, Nordic and British traditions and each have their own history and their own set of values. Based on these traditions and what they have in common I suggest the following definition: sport is a public display of mental and physical discipline corresponding to socially relevant values and includes an element of competition. I then discuss how this definition of sports and the many different, and sometimes conflicting, values inherent in our modern conception of sports, effect the line of reasoning suggested by Jönsson. I conclude that they strengthen his position and that gender separation should in sports should be abolished. I have found that one central value within the field of sport, expression of self, is especially important. I also argue that the same arguments pose a strong challenge for arguments against doping and other technological enhancements in sports.
Den här uppsatsen bygger vidare på Kutte Jönssons diskussion om genus, sport och och cyborger i Idrottsfilosofiska introduktioner i vilken han tar ställning för en agnostisk hållning till vad sport är. Jag menar tvärtom att vi har mycket god kunskap om sportens historia och att det går att skapa en definition utifrån vad olika idrottsliga traditioner har gemensamt. I den här uppsatsen tittar jag på de fyra stora idrottsliga traditionerna i Europa. Dessa är den grekiska, romerska, nordiska och den brittiska traditionen. Utifrån vad dessa har gemensamt föreslår jag i uppsatsen följande definition av sport. Sport är ett publikt uppvisande av mental och fysisk disciplin som motsvarar socialt relevanta värden och inkluderar ett element av tävlan. I uppsatsen diskuterar jag sedan hur denna definition och framför allt de många olika, ofta konkurrerande, värden som finns nedärvda i begreppet sport påverkar Jönssons diskussion. Jag kommer fram till att de stärker hans argumentation och att vi bör överge könsseparation inom idrottsvärlden. Av de värden jag har funnit inom de olika idrottstraditionerna är ett särskilt viktigt, nämligen värdet av att atleterna kan uttrycka sig själva genom sitt idrottsutövande. Jag argumenterar även för att samma resonemang utgör en allvarlig utmaning för de som vill att doping och andra tekniska förstärkningar av kroppen ska vara förbjudna i sportsliga sammanhang.
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Proietti, Salvatore. "The cyborg, cyberspace, and North American science fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0021/NQ44558.pdf.

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Sasse, Julie Rae. "Blurred Boundaries: A History of Hybrid Beings and the Work of Patricia Piccinini." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/311191.

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Hybrid beings have been a part of the artistic imagination since art was first made on cave walls and rock faces. Yet their visual makeup and symbolic meanings have changed over time from deities, demons, and oddities of nature to unconscious states of being and the socially and culturally marginalized. This dissertation will examine a history of hybrid beings and the work of Australian artist Patricia Piccinini. Her silicone sculptures, photographs, installations, and videos are hyperrealistic representations of composite beings that appear to have blended rather than fragmented characteristics of human and animal, which sets them apart from their historic precedents. Piccinini suggests that her hybrids are products of genetic engineering, ostensibly created to serve human beings as comforters, nurturers, protectors, and surrogates for humans and endangered species alike. I argue that Piccinini's hybrids shed light on the hubris and commercialism inherent in bioscientific advances, yet they also reveal a kind of societal ambivalence regarding the posthuman era. Her works suggest utopian aspirations for the future while mourning the loss of humanity as it has been known. Examining Piccinini's art through the lens of liminality and the body, I will contextualize her hybrids within cultural and art historical models from ancient Egypt and Greece through the Victorian eras. In particular, I will establish common ground with Mary Shelley's Frankenstein (1818), which served as an early inspiration for Piccinini's images and conceptual aims. I will also highlight hybrid imagery in Dada and Surrealism and feminist art to reveal the similarities and differences in their approaches and intent. Piccinini's works operate within Donna J. Haraway's notion of the cyborg; therefore, I will also analyze her art within that theoretical model. In addition, I will compare and contrast Piccinini's art to early hyprerrealist sculptors and contemporary artists working in this manner. Piccinini's hybrids establish that both humans and animals are social constructs, and that society has a responsibility for the life forms it creates. Ultimately, this project demonstrates that Piccinini's hybrids are not cautionary tales of a dystopian future but representations of the biotechnological sublime.
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Hansen, Jonathan Herbert. "Take a chill pill: a cultural history of Attention Deficit/Hyperactivity Disorder." Diss., University of Iowa, 2014. https://ir.uiowa.edu/etd/2088.

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During the last thirty years, millions of Americans have come into contact with Attention Deficit/Hyperactivity Disorder (ADHD), if not through their own diagnosis or the diagnosis of a friend or family member, then through the perennial and occasionally passionate debate this behavioral disorder has inspired in U.S. popular culture since its inauguration in 1980. The competing claims of this debate are many and varied, and they revolve around a number of subtle distinctions that have emerged from diverse discourses and institutional histories. It is among the aims of this project to excavate and clarify these multiple, often contradictory and disjunctive claims by resituating them within their disparate (indeed, still emerging) rhetorical and historical contexts. The central questions animating this debate tend to advocate for one position or another, within the limitations of a single field and its defining questions, making it nearly impossible to gain a balanced or nuanced understanding of ADHD. Moreover, dominant accounts fail to consider the diagnosis within a wider socio-cultural and historical context. This project therefore analyzes this under-theorized behavioral disorder from a rhetorical and cultural perspective. In doing so, it aims to go further than other critiques or defenses of the diagnosis and its chemical therapies. It does so by bringing discourse analysis to bear on ADHD, thereby illuminating how this assemblage of rhetorics and questions - centered as they are on the Mind/Body continuum - constitute what Michel Foucault refers to as biopower - or a process of social control exercised on and through the technological manipulation of life itself. Considering it from such a perspective will allow us to situate ADHD within modern debates over the definition of consciousness, a debate that is inseparable from the history of technology and the technological systems in which minds and bodies are thoroughly implicated. This dissertation demonstrates that a biopolitics of consciousness structures the emergence of and the debate surrounding ADHD and the administration of stimulant drugs for the purpose of managing attensity.
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Guilet, Anaïs. "Pour une littérature cyborg : l'hybridation médiatique du texte littéraire." Thesis, Poitiers, 2013. http://www.theses.fr/2013POIT5001.

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Notre thèse aborde sous l'angle métaphorique du cyborg, ce pan de la production littéraire contemporaine qui propose des textes dont le statut médiatique procède d'une hybridation spécifique entre l'hypermédia et le livre. Le cyborg permet de créer un parallèle entre la relation qui s'instaure actuellement entre le livre et l'hypermédia et la relation, faite de fantasmes et de craintes, que les hommes entretiennent avec les technologies qu'ils créent. La littérature cyborg ne propose pas des oeuvres au sein desquelles le livre et l'hypermédia s'opposeraient, mais des oeuvres offrant une hybridation médiatique du texte littéraire, fruit d'une rencontre matérielle tensionnelle. Les nouveaux médias doivent être perçus comme un moteur d'évolution plutôt que comme une menace. Il s'agit, en effet, pour la littérature contemporaine et le livre de relever le défi qui leur est posé. Le livre est au coeur de notre problématique. Il importe de le considérer comme un support du texte qui n'est pas neutre et qui possède ses caractéristiques et ses potentialités propres. L'apparition de nouveaux médias offre une occasion de réévaluer le livre dans sa dimension matérielle. Celui-ci n'est plus l'unique support du texte, nos pratiques quotidiennes de lecture, entre livre et écran, le prouvent
Our thesis aims at exploring, through the cyborg metaphor, the part of the contemporary literature which produces texts that are the fruit of a hybridization between books and hypermedia. The cyborg enables us to draw a parallel between the connections that exist today between books and hypermedia, and the relationships - made up of fears and fantasies - that people have with the technologies they create. Cyborg literature does not propose works within which books and hypermedia are opposed, but works born from the reunion of two material supports, thus offering a media hybridization of the literary text. New media have to be appreciated as a motor of evolution rather than as a threat. Indeed, contemporary literary and books have to take up the challenge imposed by new media. The book is at the core of our problematic. We have to consider it as a medium for text, a medium that is not neutral and that holds its own characteristics and potential. New media offer an opportunity to reevaluate the book in its material dimension which is no longer the only medium for text: our daily reading practices, between books and screens, prove it
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Books on the topic "Cyborgs History"

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Cyborgs in Latin America. New York: Palgrave Macmillan, 2010.

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Romantic cyborgs: Authorship and technology in the American Renaissance. Amherst: University of Massachusetts Press, 2002.

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David, Whitt, ed. Sith, slayers, stargates & cyborgs: Modern mythology in the new millennium. New York: P. Lang, 2008.

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Jenny, Wolmark, ed. Cybersexualities: A reader on feminist theory, cyborgs, and cyberspace. Edinburgh: Edinburgh University Press, 1999.

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Broncano, F., and David A. Hernández de la Fuente. De Prometeo a Frankenstein: Autómatas, ciborgs y otras creaciones más que humanas. Madrid]: Evohé, 2012.

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Arcy-nie-ludzkie: Przez science fiction do antropologii cyborgów. Poznań: Wydawn. Nauk. UAM, 2010.

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Guidotti, Francesca. Cyborg e dintorni: Le formule della fantascienza. Bergamo: Bergamo University Press, 2003.

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Robotto manga wa jitsugen suruka: Robotto manga meisaku ansorojī + robotto kaihatsu sai zensen hōkoku. Tōkyō: Jitsugyō no Nihonsha, 2002.

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SF eiga to hyūmaniti: Saibōgu no fu. Tōkyō: Seikyūsha, 2009.

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Heudin, Jean-Claude. Robots & avatars: Le rêve de Pygmalion. Paris: O. Jacob, 2009.

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Book chapters on the topic "Cyborgs History"

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Tuniz, Claudio, and Patrizia Tiberi Vipraio. "Our Deep History: A Short Overview." In From Apes to Cyborgs, 1–10. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36522-6_1.

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Short, Sue. "Body and Soul: A History of Cyborg Theory." In Cyborg Cinema and Contemporary Subjectivity, 34–54. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230513501_3.

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Ning, Huansheng. "Cyborg: A Fusion System of Human and Electronic Machinery." In A Brief History of Cyberspace, 45–54. Boca Raton: Auerbach Publications, 2022. http://dx.doi.org/10.1201/9781003257387-5.

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Kilian, Patrick. "Participant Evolution: Cold War Space Medicine and the Militarization of the Cyborg Self." In Palgrave Studies in the History of Science and Technology, 205–32. London: Palgrave Macmillan UK, 2020. http://dx.doi.org/10.1057/978-1-349-95851-1_8.

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Coeckelbergh, Mark. "Introduction: The Question Concerning Technology and Romanticism." In New Romantic Cyborgs. The MIT Press, 2017. http://dx.doi.org/10.7551/mitpress/9780262035460.003.0001.

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The introduction explains that the main argument and narrative of this book is that technology and romanticism are not in opposition to each other. The literature of the philosophy of technology lacks attention to the relationship between romanticism and technology; conversely, in related fields like cultural studies, sociology, and media studies, there is much literature about this relationship and its history. This book focuses on specific and contemporary technologies and critically examines its own arguments. The book also discusses how to move past romanticism, while acknowledging that the means of analysis are informed by Romanticism. It is comprised of three parts which discuss the traditional opposition between technology and romanticism, the complex relationship between them, and the ways to move beyond romantic and machine thinking.
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Baird, Bruce. "Prologue and Introduction." In A History of Butô, 1–19. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197630273.003.0001.

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This chapter provides a historical framework in which to fit the activities of the ten butô performers featured in the remainder of the book. It starts with an account of the first butô performance in Paris in 1978 and then backs up to cover the activities of Hijikata Tatsumi and his creation of the Hijikata method or generative dance method. This method started with Hijikata’s attempt to understand himself and all the social processes that had formed him. It then blossomed into a way to modify dance steps using surrealist imagery work. The chapter then traces the split of butô into different styles and the expansion of butô around the world. It proposes the thesis that we understand butô in relationship to some of the most important issues of our time, such as the information age, the relationship between humans, technology and new media, and the status of gender and ethnicity. Specifically, it argues that we recognize butô as related to cyborgs, video game speedrunners, and Japanese pop cultural enthusiasts (otaku).
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"Futurologist Predictions on Global World Order of Cyborgs and Robots." In Philosophical Issues of Human Cyborgization and the Necessity of Prolegomena on Cyborg Ethics, 265–86. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-7998-9231-1.ch009.

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This chapter presents some predictions about the global world order of cyborgs and robots made by the futurologists who are concerned with the reshaping and enhancement of man and his reality. In addition to the phenomenological and anthropological-ontological representation of cybernetic beings in scientific history, technologies of scientific work open up new perspectives of technological and biotechnological enhancement and reshaping of human beings and represent the foundation of life in a programmed world. The futurologists' philosophy is anchored in the tomorrow, and the day after tomorrow, so that every step away from today is a step towards the goals of scientific work.
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"Avatars as Bodiless Characters." In Philosophical Issues of Human Cyborgization and the Necessity of Prolegomena on Cyborg Ethics, 130–44. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-7998-9231-1.ch005.

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In this chapter, the author introduces the reader to the importance of virtual reality in human life, avatars, and communicating with digital characters and demonstrates the pervasiveness of technology's penetration into our lives, not only physically, cognitively, and emotionally, but also environmentally. As the created interpreters and representatives of scientific work as the substance subject of scientific history, avatars participate, along with robots, cyborgs, and artificial intelligence, in the desubjectivization, biological denaturalization, and despiritualization of man and death of biological life. The ‘cyborgization' of humans in virtual space extends the landscape of the discussion on cyborgoethics.
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"A Proposal for a General Resolution on Cyborgization." In Philosophical Issues of Human Cyborgization and the Necessity of Prolegomena on Cyborg Ethics, 307–14. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-7998-9231-1.ch011.

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In addition to “Prolegomena for Cyborgoethics,” this chapter builds a strong case for the necessity of cyoborgoethics to help guide moral actions and protocols for preserving the vitality of life within a rapidly changing technologically society. The introduction of an all-encompassing ethical system of cyborgization of human beings is deemed necessary in addition to establishing cyborgoethic principles and rethinking the developmental stages of cybernetic implants that pose the question whether we as cyborgs perceive ourselves as the only authors of our life history and whether we will recognize ourselves as autonomously active persons. It is important to establish ethical and legal responsibility for potential cyborgization of the entire reality of mankind.
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Smith, Carissa Turner. "Neomedievalist Saints and the Embodiment of Hagiographic History." In Cyborg Saints, 26–55. Routledge, 2019. http://dx.doi.org/10.4324/9780429201691-2.

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Reports on the topic "Cyborgs History"

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Nucera, Diana J., and Catalina Vallejo. Media-making Pedagogies for Empowerment & Social Change: An Interview with Diana J. Nucera (AKA Mother Cyborg). Just Tech, Social Science Research Council, February 2022. http://dx.doi.org/10.35650/jt.3022.d.2022.

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" As part of our “What Is Just Tech?” series, we invited several social researchers–scholars, practitioners, artists, and activists—to respond to a simple yet fundamental question: “What is just technology?” This interview was conducted by Just Tech program officer Catalina Vallejo, who spoke with Diana J. Nucera, AKA Mother Cyborg, a multimedia artist, educator, and organizer based in Detroit, Michigan. Nucera (she/her) uses music, performance, DIY publishing, community-organizing tactics, and popular education methods to elevate collective technological consciousness and agency. Her art draws from and includes eleven years of community organizing work in Detroit. In their conversation, Vallejo and Nucera spoke about the history of independent media and the internet, the potential of media-making pedagogies for empowerment and social change, and being optimistic about opportunity in the midst of great challenges."
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