Journal articles on the topic 'Curatoren'
To see the other types of publications on this topic, follow the link: Curatoren.
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 journal articles for your research on the topic 'Curatoren.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.
1
Kiselev, Nikolai N. "Educational Potential of Curatorship in a Pedagogical University." Journal of Pedagogical Innovations, no. 3 (October 16, 2022): 25–33. http://dx.doi.org/10.15293/1812-9463.2203.03.
Full textAbstract:
The purpose of the article is to analyze the educational potential of curatorship in a pedagogical university, and to determine the educational resources of the main activities of student groups’ curators. As a result of the theoretical analysis of curatorship as a subject of the educational space of a pedagogical university, various educational possibilities of the curatorʼs position are determined; the pool of roles and qualities in which the curator acts are analyzed. The article also presents the results of a broad study at Novosibirsk State Pedagogical University of the qualitative characteristics of curatorship in general, including its educational potential. The students and curators of academic groups’ relationship, the differences in the positions of an instructor curator and an undergraduate curator, the curator’s educating influence on various aspects of student life were investigated. In addition, the article presents an analysis of the regulations on curatorial activities in various universities in Russia, and the most common curator’s responsibilities are identified.
2
Meesterman, S. A. "De omgangswijze van curatoren met boedelschuldeisers bezien vanuit het verbintenissen- en faillissementsrecht." Maandblad voor Vermogensrecht 32, no. 11 (December 2022): 390–97. http://dx.doi.org/10.5553/mvv/157457672022032011003.
Full text
3
Wyse Jackson, P. N. "Silver Pages: 25 years of the Newsletter of the Geological Curators' Group and The Geological Curator." Geological Curator 7, no. 3 (June 2000): 95–99. http://dx.doi.org/10.55468/gc436.
Full textAbstract:
Soon after its inception in 1974 the Geological Curator's Group established the publication Newsletter of the Geological Curators' Group. In the following years it has undergone several changes not only in style, but also most notably in name to The Geological Curator. This reflected an evolution of an original newsletter-style into a journal-style publication. In 1980 the newsletter Coprolite was first published. The publications of the Geological Curators' Group have aided the development of professionalisation amongst geological curators.
4
Reidla, Jana. "Curators With and Without Collections : A Comparative Study of Changes in the Curator’s Work at National Museums in Finland and in the Baltic States." Journal of Ethnology and Folkloristics 12, no. 2 (December 1, 2018): 115–38. http://dx.doi.org/10.2478/jef-2018-0014.
Full textAbstract:
Abstract Traditionally, the curator’s work has been in close connection with the main functions of the museum - preservation, research, and communication. The changes that have occurred at museums over the past few decades have also influenced the profession of curator. Specialisation has taken place inside the museum, and so the curator’s functions have also changed. This article focuses on the curator’s field of work at national museums in Finland and in the Baltic states. The analysis is mainly based on interviews conducted with curators and other museum professionals at the Estonian National Museum, the Estonian History Museum, the National History Museum of Latvia, the National Museum of Lithuania, and the National Museum of Finland. Emanating from the PRC model provided by the Reinwardt Academy as well as the global changes induced by the new museology, the focus is on the curator’s connection with museum collections. The analysis shows that the curator’s role is not similar in all the museums under discussion; there are regional differences in structure, curatorial duties, and priorities. While at some museums the curator is regarded as a collection keeper who can also do some research, at others they are rather researchers and have only infrequent contact with collections.
5
Kartoningrat, Raden Besse, and Edi Krisharyanto. "Principles of Statutory Duty and Fiduciary Duty in The Responsibility of The Bankruptcy Curator." Media Iuris 6, no. 2 (June 20, 2023): 205–30. http://dx.doi.org/10.20473/mi.v6i2.37738.
Full textAbstract:
AbstractThe curator is a subject of Bankruptcy Law who has complete authority and responsibility for managing and resolving the bankruptcy estate. Curators are required to have integrity and are prohibited from having conflicts of interest with their duties and authorities. The issue raised in this study is the application of the principles of statutory duty and fiduciary duty in the responsibility of the bankruptcy curator. This study aims to identify, understand, and analyze bankruptcy law regarding the curator’s responsibility based on the principles of statutory duty and fiduciary duty. This study employed a normative method by examining the consideration materials to conclude. The results of the analysis in this study indicate that in carrying out the duties of managing and settling, the curator must comply with the principles of statutory duty and fiduciary duty as regulated in Law Number 37 of 2004 on Bankruptcy and Postponement of Debt Payment Obligations and the code of ethics of the curator profession. The curator’s actions that can harm the parties, whether creditors or bankrupt debtors, can be personally accounted for outside the bankruptcy estate by imposing civil, criminal, or administrative sanctions. Keywords: Halal Tourist; Additional Service; Local Economy.
6
Schuppert, Mirjami. "Learning to Say No, the Ethics of Artist-Curator Relationships." Philosophies 6, no. 1 (February 17, 2021): 16. http://dx.doi.org/10.3390/philosophies6010016.
Full textAbstract:
The article suggests that the perceived ethics of curatorial practice are not often in balance with operative ethics, and analyses the problem by focusing on the curator-artist relationship. Contemporary art curators constantly find themselves in a situation where they have to choose between the needs of the few and the many. Counter-hegemony theory is used to examine the curator’s duty toward the many, while the reading of Jacque Derrida’s concept of responsibility toward an individual and Alain Badiou’s ‘singularity of situations’ suggest that the few are to be considered first. In this article, I suggests that curators could learn to say no in order to be able to balance these different demands.
7
Bizeleva, Anna A. "The Role of the Curator in the Professional Self-Determination of First-Year Students of the University in the Humanitarian Areas of Training." Economic Strategies 144, no. 3 (June 25, 2021): 130–33. http://dx.doi.org/10.33917/es-3.177.2021.130-133.
Full textAbstract:
The article reveals the role of university curators in the professional self-determination of first-year students in humanitarian areas of training. The concept of “professional self determination” is being clarified. Possible directions of professional orientation work with students are indicated. The relevance of the topic of obtaining a humanitarian education in society is substantiated, the reasons for the emergence in society of the need for professions of a social and humanitarian orientation are indicated. The works of research scientists studying the areas of professional self-determination are analyzed. The dynamics of personal changes that occur with firstyear students as a result of their professional orientation are analyzed. The meaning and tasks of curatorial work are presented, as well as problems that university curators may face today: possible mistakes of the curator in working with first-year students, namely lack of experience, lack of conscientiousness, incompetence. The main directions of the curator's work with first-year students are revealed. The directions of activity of the university curators in conjunction with the psychological and pedagogical service are proposed. The conditions for the successful implementation of the curator's activities with students in the direction of professional self-determination, such as planning, organization, control, motivation, are noted.
8
Yuhelson, Yuhelson, and Muhamad Adystia Sunggara. "The Curator Responsibility of the Loss of Wealth Bankrupt Limited Company." Proceeding of Community Development 2 (February 21, 2019): 37. http://dx.doi.org/10.30874/comdev.2018.74.
Full textAbstract:
Curators can be personally liable if they make a mistake or negligence outside the provisions of the Bankruptcy Act and PKPU which causes losses to bankrupt assets. If the curator has carried out his duties in accordance with the provisions of the Bankruptcy Act and PKPU, then if a loss arises from bankruptcy, he does not have to be personally liable and the loss will be charged to the bankrupt assets. In connection with the personal responsibility of the curator, in addition to being able to be held accountable civilly it is possible for the curator's actions to be held criminally accountable. In addition, administrative sanctions can also be imposed on the curator. It should be borne in mind that as long as the curator carries out his duties and authorities in accordance with the provisions of the Bankruptcy and PKPU Law, he should not be sued either civilly, criminally or subject to administrative sanctions even if his actions cause losses to bankrupt assets.
9
Reidla, Jana. "Who Is Leading the Project? A Comparative Study of Exhibition Production Practices at National Museums in Finland and the Baltic States." Museum and Society 18, no. 4 (October 30, 2020): 368–85. http://dx.doi.org/10.29311/mas.v18i4.3456.
Full textAbstract:
This paper presents research into exhibition-production practices at five national museums of four Baltic Sea region countries. The focus is the changes wrought by the expansion of exhibition teams, and how researchers in the curatorial role perceive their position, especially in relation to designers and project leaders. The analysis of semi-structured interviews with museum professionals showed exhibition production at museums comprise two models: A) curator-driven, and B) manager-driven. In Model A, the curator’s knowledge of museum collections is dominant. The curator creates the concept, and subsequently leads the exhibition project. The curator is the decision maker. In Model B, the field of communication is dominant. Managers are in charge of the design concept and fulfilling the exhibition. Managers are the decision makers. Curators feel their credibility as experts suffers and their competencies are underexploited, as they no longer have either authorship or leadership responsibilities.
10
Nenastina, T., K. Berezhna, and S. Bugaevskyi. "Curator's work during the adaptation period of students at the Kharkiv National Automobile and Road University." New Collegium 1, no. 110 (March 28, 2023): 59–64. http://dx.doi.org/10.30837/nc.2023.1-2.59.
Full textAbstract:
Due to the transition to the new generation of educational standards and the increase in hours for independent work, there is a need to train a creative, active person who can independently choose his own life path. The educational process in the life of the university is planned and organized along with studies and scientific activities. The curator of the academic group is usually assigned an experimental teacher, since this position includes responsible and thorough work, which should take into account the profile of training of specialists and the specifics of the faculty. Students' problems related to the educational process at the university, interpersonal conflicts and relations in the group, and the question of the student group participation in the public and cultural mass activities of the university are resolved by the curator. The effectiveness of the educational work of the curator of the academic group is largely determined by its planning. Based on the analysis of theoretical studies and the experience of modern pedagogues-practitioners, the roles and functions of the curator in working with the group are defined, the curator's duties are described, and an approximate plan for the work of curators in universities is proposed. The views on the organization of educational work in higher education are presented. The creation of new mechanisms related to the selectivity of some disciplines makes it necessary to carry out additional explanatory and advisory work of curators regarding the formation of individual study plans for applicants. It is shown that the curator uses various forms of educational work in his activities, which contribute to the formation of the personality of the future specialist as a patriot citizen, who cares about the fate of the Ukrainian state, law, and order, education, and culture.
11
Yuliyanto Waisapi, Jefri. "The Role of Curators and Liquidators In Solving Problems Insolvent Limited Liability Company." Eduvest - Journal of Universal Studies 3, no. 2 (February 20, 2023): 477–90. http://dx.doi.org/10.59188/eduvest.v3i2.760.
Full textAbstract:
This study aims to review and analyze the role of curators in insolvency in limited liability companies, as well to review and analyze the role of liquidators in the settlement of assets bankrupt limited liability companies. By using normative legal research methods, which use secondary data based on primary legal sources, secondary legal materials and tertiary legal materials, data collection through literature studies or document studies, as well qualitative analysis. The results showed that the curator's decision in bankruptcy in limited liability company begins in the process of managing and settling bankruptcy assets, starting from the stage management, appointment and appointment qualified curators, settlement bankruptcy assets by the curator, so that from the date bankruptcy statement decision, all executors of the management and settlement of bankruptcy assets are handed over to the curator. After Limited Liability is declared bankrupt, the task of the curator in clearing the assets in Limited Liability is to block assets of a Limited Liability Company. That the role of the liquidator in the settlement assets of a bankrupt limited liability company is that the liquidator has a position in the settlement of the assets of the dissolved company, so that it has the rights, obligations and responsibilities of the liquidator in the settlement of the assets the dissolved limited liability company, the liquidator has responsibility if the liquidation has not ended. The liquidator has a great responsibility from the time dissolution Limited Liability Company to Limited Liability Company legal entity status Limited Liability Company ends
12
Mulyatno, Ahmad Dwi. "Kewenangan Kurator Untuk Mengurus Perseroan Terbatas Pailit." Asas Wa Tandhim: Jurnal Hukum, Pendidikan Dan Sosial Keagamaan 1, no. 2 (July 29, 2022): 155–78. http://dx.doi.org/10.47200/awtjhpsa.v1i2.1280.
Full textAbstract:
The problems in this study are: 1) What is the authority of the curator to manage a limited liability company (PT) in bankruptcy?, 2) What is the curator’s responsibility for managing the bankruptcy estate of a limited liability company (PT) in the event of the curator’s negligence or error in managing a bankruptcy?. This type of research is normative. The technique of collecting legal materials uses literature study. The analytical technique used is qualitative descriptive authority. The results show that: 1) The curator in alimited liability company (PT) bankrupt is the transfer of authority to the curator which previously was the authority of the board of Directors only with regard to the management and or settlement of assets of a limited liability company (PT) bankrupt, the authority possessed by the curator in the bankruptcy of a limited liability company (PT) arises from tasks ordered by law. The use of such authority is immediately followed by their respective responsibilities for the implementation of their authority, while the exercise of authority that is not in accordance with legal provisions and causes losses to the company will result in legal consequences for the curator. 2) The curator’s responsibility for managing the assets of a limited liability company (PT) in bankruptcy consists of the curator’s responsibility in the curator’s capacity and the curator’s personal responsibility. Result in loss of bankruptcy estate. Meanwhile, all losses that arise as a result of negligence or due to the unprofessionalism of the curator are the personal responsibility of the curator and such losses cannot be charged to the bankruptcy estate.
13
Pozharskaya, Elena, Natalya Basina, Oleg Golosnov, Svetlana Popova, and Julia Rybalka. "Digital model of psychophysiological support for university students." BIO Web of Conferences 84 (2024): 04046. http://dx.doi.org/10.1051/bioconf/20248404046.
Full textAbstract:
The paper presents a digital model of psychophysiological support for students, organized at various sites of the university. The digital model of psychophysiological support includes a set of procedures and activities aimed at ensuring the impact and support of health indicators, biological functions of homeostasis, and the psychophysiological well-being of students. Among the components of the digital model is the innovative project “Online Curator”, which contains a step-by-step description of the sequence of pedagogical actions of curators of student groups, which are based on the constantly updated information resource “Electronic methodological library”. Pedagogical actions are carried out by curators based on the results of annual monitoring and identification of risk groups among the students. Typical problems of students identified during testing in 2021 were problems of the emotional and personal sphere; communication problems; intrapersonal problems and difficulties of adaptation. The resource “Electronic methodological library” described in the paper is an original bank of methodological information designed to improve the psychological and pedagogical competence of curators and to directly organize a variety of extracurricular work with students. The inclusion of the curator’s figure in collective and individual activities for the psychological support of students using IS resources allows him to effectively carry out socializing, preventive, regulatory functions, providing effective support for the psychological well-being of students.
14
Barnouw, D. "R. van Doorslaer, J.-Ph. Schreiber, De curatoren van het getto. De vereniging van de joden in België tijdens de nazi-bezetting." BMGN - Low Countries Historical Review 121, no. 3 (January 1, 2006): 572. http://dx.doi.org/10.18352/bmgn-lchr.6512.
Full text
15
Kamińska, Renata. "ORGANIZACJA ‘CURA URBIS’ W RZYMIE W POCZĄTKACH PRYNCYPATU." Zeszyty Prawnicze 13, no. 1 (December 14, 2016): 73. http://dx.doi.org/10.21697/zp.2013.13.1.03.
Full textAbstract:
THE ORGANISATION OF THE ‘CURA URBIS’ IN ROME AT THE BEGINNING OF THE PRINCIPATESummaryWhen Augustus assumed power changes started to be implemented in the Roman public administration. Some of them affected the administration of the city. The cura urbis, which under the Republic had been one of the duties of the aedils and censors, now passed to the powers of the curators, who were liable for most of the business relating to the proper functioning of the City, its order and security. The curatores worked as a collegial body; they were appointed by the princeps and were accountable to him. The most important and characteristic curatorial colleges at the beginning of the principate were the curatores aquarum, the curatores riparum et alvei Tiberis, the curatores aedium sacrarum et operum locorumque publicorum and the curatores viarum.
16
Anam, Khoirul, Lono P. Simatupang, and Suwarno Wisetrotomo. "Different Types of Curators Based on Field of Work and Responsibilities in OHD Museum." Lekesan: Interdisciplinary Journal of Asia Pacific Arts 5, no. 2 (October 28, 2022): 72–81. http://dx.doi.org/10.31091/lekesan.v5i2.1821.
Full textAbstract:
The development of curatorial work practices will be very important for the development of museums, arts, and culture. However, it is undeniable that studies and understanding of the development of curatorial work practices are still not optimal in Indonesia. Awareness of the realm and responsibility of the curator is also sometimes poorly understood by the public and the practitioners of curatorial work practices themselves. This vacancy becomes an obstacle in the development of the profession of independent curator and museum curator. Where the curator profession is no longer seen only as a museum guard or seen only as a writer in an exhibition. The discourse in this study will raise the question of how curatorial work practices at OHD Museum are based on the field of work and responsibilities, which we can see from the different types of curators in an art museum. This study focuses on explaining and understanding the definition of curator and the types of the curator in the development of curatorial studies in an art museum. The results of this study indicate that from the division of In-House Curators and Guest Curators at the OHD Museum, they are distinguished by their field of work and responsibilities. The In-House Curators has responsibilities, among others; acquisition, deaccession, borrowing, conservation, restoration, documentation, and research, where related to the field of collection. Then, look at the Guest Curator with responsibilities, among others; creating a curatorial concept for an exhibition, selecting the collections and artists involved, producing a narrative document (curatorial text), and designing an exhibition.
17
Sidorova, Tatiana V., Bayan T. Tsydypov, and Yulia V. Shibanova. "Personal and Professional Position of the Student Group Curator." Siberian Pedagogical Journal, no. 3 (July 3, 2023): 80–89. http://dx.doi.org/10.15293/1813-4718.2303.08.
Full textAbstract:
The article discusses the concept of the personal and professional position of curators working in the system of secondary vocational education. The mentoring work of a curator requires from the teacher not only psychological and pedagogical knowledge, but also high intellectual, moral-volitional and moral qualities. The authors conducted a research among the curators of the College of the Buryat State University named after D. Banzarov to identify their personal and professional position, to determine its productivity. Analysis of the results showed that the pedagogical position of the curator depends primarily on internal causes rather than on external circumstances. The purpose of this article is to identify the personal and professional position of the curators of the BSU College, determination of its productivity. The main methods of this research are the analysis of scientific literature on the topic, regulatory documentation related to the activities of the curator; empirical methods: questioning and interviewing curators of the Buryat State University college, processing the results. In conclusion, it is concluded that a modern curator must have a number of personal qualities that contribute to an effective educational process and the formation of a student’s personality. As the research showed, the development of a productive personal and professional position of curators can contribute to the improvement of educational activities in the system of secondary vocational education.
18
Aprita, Serlika. "WEWENANG DAN TANGGUNG JAWAB HUKUM KURATOR ATAS KESALAHAN ATAU KELALAIANNYA MENGAKIBATKAN KERUGIAN BAGI DEBITOR DALAM PROSES HUKUM PENGURUSAN DAN PEMBERESAN HARTA PAILIT." Solusi 17, no. 2 (May 1, 2019): 154–74. http://dx.doi.org/10.36546/solusi.v17i2.173.
Full textAbstract:
ABSTRACT
In general, the monetary crisis that hit a country gave an unfavorable influence on the economic life of the country concerned and caused great difficulties in the business community to continue its activities. The ability of the business world to develop its business is very disturbed, even to maintain the continuity of its business activities is also not easy. It was decided that a debtor becomes a bankrupt debtor by the Commercial Court, it will cause legal consequences for the debtor and his assets. In connection with the loss of the right to control and manage the assets of the debtor, the curator has the authority to administer and deposit bankrupt assets. However, in its implementation, the curator has done a lot of mistakes and negligence in carrying out his duties, as found in various case examples, so the debtor must be responsible for errors and omissions. The existence of legal ratios as well as the form and mechanism of curatory legal responsibility has been regulated in Law Number 37 of 2004 based on the theory of legal responsibility and legal protection theory and the opinions of bankruptcy law experts are the main basis for curators to be responsible for their errors or omissions. It is expected that the curator in carrying out his duties to manage and deposit bankrupt debtors' assets can maximally increase the value of bankrupt assets in the interest of creditors.
19
Sukardi, Didi. "THE LEGAL RESPONSIBILITY OF DEBTOR TO PAYMENT CURATORS IN BANKRUPTCY SITUATION." Jurnal Pembaharuan Hukum 8, no. 2 (July 1, 2021): 142. http://dx.doi.org/10.26532/jph.v8i2.15905.
Full textAbstract:
The Law on Bankruptcy and the Obligation to Postpone Debt Payment does not explicitly stipulate that the obligation to pay the Curator's fee is borne by the Applicant, the Debtor or the Applicant and the Debtor jointly. The obligation to pay the curator fee is imposed through the determination of the Court of Judges who decides the bankruptcy case on the Curator's Application based on the details submitted by the Curator after hearing the considerations of the Supervisory Judge. The approach method used is a normative juridical approach the curator fees. according to Act No. 37 of 2004 concerning Bankruptcy and the Obligation to Postpone Debt Payment is not absolute, because the obligation to pay the Curator's fee can be imposed on the Applicant for the Declaration of Bankruptcy, the Bankrupt Debtor, or on the Petitioner for the Declaration of Bankruptcy and the Debtor for Bankruptcy jointly through the Determination of the Panel of Judges who decides the Bankruptcy Application.
20
Титова, Оля Зокировна. "THE SPECIFIC OF CURATOR’S ACTIVITIES IN DEPARTMENTAL INSTITUTIONS OF THE FEDERAL PENITENTIARY SERVICE OF RUSSIA." Vestnik Samarskogo iuridicheskogo instituta, no. 4(45) (November 29, 2021): 92–96. http://dx.doi.org/10.37523/sui.2021.45.4.014.
Full textAbstract:
Автор рассматривает специфику кураторской деятельности в вузе ФСИН России, анализирует понятие «куратор взвода». В статье раскрываются принципы деятельности куратора, его функции и обязанности. Суть воспитательной работы с курсантами вузов ФСИН России заключается в применении конкретных мер со стороны кураторов взводов, сотрудников психологической службы, а также членов ветеранской организации, направленных на развитие личности курсанта в целях тщательного изучения его личных качеств, способностей, индивидуальных особенностей, интересов и потребностей. Кураторская деятельность является важным элементом педагогического воздействия. При соответствующем планировании и правильной организации взаимодействия кураторов взводов и обучающихся возможно преодолеть многие сложности, связанные с образовательным процессом и прочими проблемами, возникающими при обучении в ведомственном вузе. Кураторская деятельность является важной составляющей в профессиональном становлении обучающихся. Взаимодействие куратора взвода и курсантов наиболее эффективно осуществлять с первого курса. Куратор - это тот человек, который помогает первокурсникам пройти адаптацию к новым условиям, настроиться на эффективное выполнение служебных обязанностей, решить жилищно-бытовые вопросы, создать позитивный настрой в коллективе. Куратор также делится собственным опытом и знаниями, приобщает к традициям вуза, помогает формировать морально-нравственные установки обучающихся и гуманное мировоззрение. The author examines the specifics of curator activities in the departmental higher educational institution of the Federal Penitentiary Service of Russia as well as analyzes the concept of «platoon curator». The article reveals the principles of the curator's activities, his functions and responsibilities. The essence of educational work with cadets of higher educational institutions of the Federal Penitentiary Service of Russia is the application of specific measures by the curators of platoons, employees of the psychological service, as well as members of the veteran organization, aimed at developing the personality of the cadet in order to thoroughly study his personal qualities, abilities, individual characteristics, interests and needs. Curatorial activity is an important element of pedagogical influence. With proper planning and proper organization of the interaction between the curators of platoons and students, it is possible to overcome many difficulties associated with the educational process and other problems that arise during training at a departmental university. Curatorial activity is an important component in the professional development of students. The interaction between the platoon supervisor and the cadets is most effective from the first year. A curator is the person who helps freshmen to adapt to new conditions, tune in to effective performance of official duties, solve housing and everyday issues, and create a positive attitude in the team. The curator also shares his own experience and knowledge, introduces to the traditions of the university, helps to form the moral and ethical attitudes of students and a humane worldview.
21
Nikishova, A. V., E. V. Kryvonosova, and S. M. Rybakova. "CURATOR PARTICIPATION IN A STUDENT GROUP FORMATION." Vestnik Orenburgskogo gosudarstvennogo universiteta 230 (2021): 39–45. http://dx.doi.org/10.25198/1814-6457-230-39.
Full textAbstract:
The existence of the supervising institution for many decades does not solve the problem of defining the functions of the student group supervisor, his role in the formation of the team, it remains very urgent. We have investigated the activities of a curator in higher education institutions. In the course of practical research, we found that it is significant to use in the curator's work such key positions as adaptation technologies, reducing the level of anxiety, minimizing material and housing difficulties, and time management. A survey of curators working in student groups of the first and second years revealed a number of problems: 1) the student group is still a completely immature collective, which complicates effective interaction; 2) most freshmen are not ready for new challenges, the requirements of a new schedule, and, ultimately, they find themselves in a situation of overload, which often leads to stressful situations; 3) some students have to experience pressure from parents or teachers in an effort to get good grades, to earn authority in a new student group. A survey of first and second year students showed the shortcomings of the educational process, such as incomplete awareness of students about their rights, responsibilities and opportunities provided by the new student status; the wish of freshmen to receive timely qualified assistance from a curator in their studies and resolving conflict situations, in adaptation, monitoring progress and attendance, communication with parents; insufficient implementation of the organizational function of the curator. The conducted research work gives grounds to conclude that the task of creating a team based on a student group can be solved with the successful implementation of the activities of the institution of supervision as a pedagogical system. The most productive for the learning process consequence of solving the indicated problem is an increase in the degree of trust at the level “curator — student” and, of course, directly in the student environment, which, in turn, leads to an increase in motivation for the learning process and, as a result, a decrease in indicators. for unsuccessful and expelled students.
22
Simanjuntak, Ranto Parulian. "CURATORS ARE VULNERABLE TO BE CRIMINALIZED AND CRIMINATED IN BANKRUPTCY AND PKPU PROCESSES." Global Legal Review 3, no. 2 (October 31, 2023): 141. http://dx.doi.org/10.19166/glr.v3i2.7424.
Full textAbstract:
<p>The Curator is one of the important organs in the debt settlement process between debtors and their creditors through bankruptcy law instruments. Based on Law Number 37 of 2004 concerning Bankruptcy and Postponement of Debt Payment Obligations (PKPU), the Curator is given broad and broad duties and powers in managing and settling the assets of a bankrupt debtor. Because since being declared bankrupt by the court, the debtor has lost his right to manage his business and assets. The duties and authorities to administer the business and assets of the bankrupt debtor rest in the hands of the Curator, who works under the supervision of the Supervisory Judge. In carrying out its duties and authorities, the Curator must adhere to the provisions of the Law and the Professional Code of Ethics, namely being independent, having no conflict of interest and not handling more than 3 (three) Bankruptcy and PKPU cases. If in carrying out its duties and authorities it causes damage to the bankrupt assets, then the Curator must be legally responsible. That means, the Curator does not have the right of immunity or impunity in carrying out his duties and authorities to manage and settle bankruptcy assets in accordance with the provisions of the law. The Curator is not a public official. The Curator may be punished if his actions and decisions in administering and settling the bankrupt assets cause harm to the bankrupt assets. However, Law Number 37 of 2004 concerning Bankruptcy and PKPU does not include criteria for criminal acts and criminal sanctions for Curators. Because of this, Curators are vulnerable to being criminalized and punished.</p><p>The Curator is one of the important organs in the debt settlement process between debtors and their creditors through bankruptcy law instruments. Based on Law Number 37 of 2004 concerning Bankruptcy and Postponement of Debt Payment Obligations (PKPU), the Curator is given broad and broad duties and powers in managing and settling the assets of a bankrupt debtor. Because since being declared bankrupt by the court, the debtor has lost his right to manage his business and assets. The duties and authorities to administer the business and assets of the bankrupt debtor rest in the hands of the Curator, who works under the supervision of the Supervisory Judge. In carrying out its duties and authorities, the Curator must adhere to the provisions of the Law and the Professional Code of Ethics, namely being independent, having no conflict of interest and not handling more than 3 (three) Bankruptcy and PKPU cases. If in carrying out its duties and authorities it causes damage to the bankrupt assets, then the Curator must be legally responsible. That means, the Curator does not have the right of immunity or impunity in carrying out his duties and authorities to manage and settle bankruptcy assets in accordance with the provisions of the law. The Curator is not a public official. The Curator may be punished if his actions and decisions in administering and settling the bankrupt assets cause harm to the bankrupt assets. However, Law Number 37 of 2004 concerning Bankruptcy and PKPU does not include criteria for criminal acts and criminal sanctions for Curators. Because of this, Curators are vulnerable to being criminalized and punished.</p><p><strong><br /></strong></p>
23
Torrens, Hugh S., and John A. Cooper. "George Fleming Richardson (1796-1848) - man of letters, lecturer and geological curator." Geological Curator 4, no. 5 (February 1986): 249–72. http://dx.doi.org/10.55468/gc791.
Full textAbstract:
Seeing the familiar poem The Nautilus and the Ammonite featured in a recent issue of the Geological Curator (Delair 1984) reawakened an idea which has Iain dormant for some time: that we should start a series on forgotten or neglected curators. In my view the single most important cause of the widespread neglect which geological and other natural science collections have suffered in Britain over the years can be put down to a lack of caring curators. Sometimes there was a lack of curators, othertimes they didn't care! The history of curation seems to be an even more neglected subject than the history of collections - a point I tried to make at the Ashmolean Tercentenary Symposium in Oxford in 1983 (Torrens 1985b). So while we try to document the collections perhaps we should also stop to consider the curators who *made it all possible*. This point was made specifically by Edwards (1984) about one of the most remarkable of such curators, ex-railway clerk Thomas Sheppard (1876-1945), the Curator of Hull Museums from 1900 to 1941. What has all this to do with the poem The Nautilus and the Ammonite? Simply that it is not by Ernest Westlake, and was neither written in the 1880s nor hitherto unpublished as claimed by Delair (1984). Instead it is by one of the earliest forgotten curators - George Fleming Richardson (1796-1848).
24
He, Wanrong, Mitchell L. Gordon, Lindsay Popowski, and Michael S. Bernstein. "Cura: Curation at Social Media Scale." Proceedings of the ACM on Human-Computer Interaction 7, CSCW2 (September 28, 2023): 1–33. http://dx.doi.org/10.1145/3610186.
Full textAbstract:
How can online communities execute a focused vision for their space? Curation offers one approach, where community leaders manually select content to share with the community. Curation enables leaders to shape a space that matches their taste, norms, and values, but the practice is often intractable at social media scale: curators cannot realistically sift through hundreds or thousands of submissions daily. In this paper, we contribute algorithmic and interface foundations enabling curation at scale, and manifest these foundations in a system called Cura. Our approach draws on the observation that, while curators' attention is limited, other community members' upvotes are plentiful and informative of curators' likely opinions. We thus contribute a transformer-based curation model that predicts whether each curator will upvote a post based on previous community upvotes. Cura applies this curation model to create a feed of content that it predicts the curator would want in the community. Evaluations demonstrate that the curation model accurately estimates opinions of diverse curators, that changing curators for a community results in clearly recognizable shifts in the community's content, and that, consequently, curation can reduce anti-social behavior by half without extra moderation effort. By sampling different types of curators, Cura lowers the threshold to genres of curated social media ranging from editorial groups to stakeholder roundtables to democracies.
25
Prelikova, Elena A., and Andrey P. Trifonov. "Role of the Curator in the Educational process of University Students." Alma mater. Vestnik Vysshey Shkoly, no. 8 (August 2022): 59–64. http://dx.doi.org/10.20339/am.08-22.059.
Full textAbstract:
The work is devoted to the study of the role of the curator of an academic group in the educational process of students of a higher educational institution. The author’s sociological research was carried out, which made it possible to evaluate the activities of the curator in organizing the interaction of students within the study group, with teachers, structural units of the university. The issues of the curator’s assistance in solving students’ problems are considered. The satisfaction of students with the work of the curator is analyzed.
26
Abdul Jalal, Ahmad Farid, and Rahimin Affandi Abdul Rahim. "PEMAKAIAN TEORI KEMASYARAKATAN IBN KHALDUN DALAM MEMPERKAYA KONSEPSI KURATOR MUSEUM ISLAM." TEMALI : Jurnal Pembangunan Sosial 2, no. 2 (July 3, 2019): 311–53. http://dx.doi.org/10.15575/jt.v2i2.4925.
Full textAbstract:
This article discusses the importance of museum curators for developing civilization. The magnitude of the concept of the museum curator can be derived from the theory of Ibn Khaldun. With literature review, this study found that the theory of Sociology-History theory proposed by Ibn Khaldun could be utilized for the profession of the museum's curator. It's not just about improving the curators in their day-to-day tasks, but also empowering them to make them more critical in handling issues. The application of Ibn Khaldun's theory may be an alternative to the rise of the Malay knowledge system as a nation that must have been excluded from colonialism, including in geopolitical and science (epistemology).
27
Aguiar Castro, João Daniel, Cristiana Landeira, João Rocha da Silva, and Cristina Ribeiro. "Role of Content Analysis in Improving the Curation of Experimental Data." International Journal of Digital Curation 15, no. 1 (August 6, 2020): 14. http://dx.doi.org/10.2218/ijdc.v15i1.705.
Full textAbstract:
As researchers are increasingly seeking tools and specialized support to perform research data management activities, the collaboration with data curators can be fruitful. Yet, establishing a timely collaboration between researchers and data curators, grounded in sound communication, is often demanding. In this paper we propose manual content analysis as an approach to streamline the data curator workflow. With content analysis curators can obtain domain-specific concepts used to describe experimental configurations in scientific publications, to make it easier for researchers to understand the notion of metadata and for the development of metadata tools. We present three case studies from experimental domains, one related to sustainable chemistry, one to photovoltaic generation and another to nanoparticle synthesis. The curator started by performing content analysis in research publications, proceeded to create a metadata template based on the extracted concepts, and then interacted with researchers. The approach was validated by the researchers with a high rate of accepted concepts, 84 per cent. Researchers also provide feedback on how to improve some proposed descriptors. Content analysis has the potential to be a practical, proactive task, which can be extended to multiple experimental domains and bridge the communication gap between curators and researchers.
[This paper is a conference pre-print presented at IDCC 2020 after lightweight peer review.]
28
Al Faridzi, Evans. "Tanggung Jawab Kurator Keperdataan Pegawai Negeri Sipil dalam Pengurusan dan Pemberesan Harta Pailit." Jurist-Diction 5, no. 6 (November 30, 2022): 2173–92. http://dx.doi.org/10.20473/jd.v5i6.40122.
Full textAbstract:
AbstractBankruptcy is one of the instruments in overcoming a situation where the payment of an obligation does not run smoothly. Creditors or even debtors themselves can submit bankruptcy applications to the competent Commercial Court to examine whether they meet the requirements for determining bankruptcy status. If it meets the requirements and no objections are raised by the parties, the curator will proceed with the process of managing and clearing the bankruptcy estate. The curators are divided into state curators, namely Balai Harta Peninggalan (BHP) and private curators. In carrying out its duties as a curator, BHP shall be borne by the Civil Curator Functional Officer. The purpose of this study is to determine the location of the responsibility for the management and settlement of bankruptcy assets carried out by BHP and what sanctions can be imposed if an error occurs. Keywords: Bankruptcy; Curator; Government Employees. AbstrakKepailitan merupakan salah satu instrumen dalam mengatasi terjadinya suatu keadaan pembayaran atas kewajiban yang tidak berjalan dengan lancar. Kreditor atau bahkan debitor sendiri dapat mengajukan permohonan pailit kepada Pengadilan Niaga yang berwenang untuk diperiksa apakah sudah memenuhi persyaratan ditetapkannya status pailit. Jika memenuhi persyaratan dan tidak diajukannya keberatan oleh pihak-pihak maka dilanjutkan dengan proses pengurusan dan pemberesan harta pailit oleh kurator. Kurator terbagi menjadi kurator negeri yaitu Balai Harta Peninggalan (BHP) dan kurator swasta. BHP dalam melaksanakan tugasnya sebagai kurator dibebankan kepada Pejabat Fungsional Kurator Keperdataan. Tujuan penelitian ini untuk mengetahui letak tanggung jawab pengurusan dan pemberesan harta pailit yang dilakukan oleh BHP dan apa saja sanksi yang dapat dikenakan jika terjadi kesalahan. Kata Kunci: Kepailitan; Kurator; Pegawai Negeri Sipil.
29
Ketut Eka Patni, Ni, and I. Wayan Wiryawan. "LEGAL PROTECTION OF THE AUTHORITY OF THE CURATOR IN THE MANAGEMENT AND SETTLEMENT OF BANKRUPT ASSETS." SIBATIK JOURNAL: Jurnal Ilmiah Bidang Sosial, Ekonomi, Budaya, Teknologi, dan Pendidikan 2, no. 6 (May 31, 2023): 1715–28. http://dx.doi.org/10.54443/sibatik.v2i6.926.
Full textAbstract:
This writing aims to determine the legal protection for the curator in exercising the authority to manage and settle bankrupt assets as well as the duties and authority of the curator in managing and controlling the bankrupt debtor's assets. This paper uses the normative juridical law research method by conducting a study and analysing laws and regulations related to the problem under study so that the results of the research above in the provisions of Law Number 37 of 2004 concerning Bankruptcy and Suspension of Obligations for Payment of Debt do not guarantee legal protection for curators in carrying out their duties of managing and dealing with bankruptcy assets. Article 50 of the Criminal Code provides protection for curators who carry out their duties based on statutory regulations.
30
Hariyanto. "Optimization of Bankruptcy Assets in the Form of Non-Fungible Token (NFT) by the Curator Based on Indonesian Bankruptcy Law." International Journal of Science and Society 5, no. 1 (March 24, 2023): 374–88. http://dx.doi.org/10.54783/ijsoc.v5i1.663.
Full textAbstract:
This research is a normative juridical study of non-fungible token (NFT) regarding the position of NFT in relation to positive law in Indonesia, legal certainty for bankrupt assets in the form of NFT and the efforts that can be made by curators in order to optimize bankruptcy assets in the form of NFT. The results of this study indicate that NFT has met the classification of immovable and indivisible movable objects. The provisions of Article 21, Article 98 and 101 Paragraph (1) of the Bankruptcy Law have provided legal certainty to curators and bankrupt creditors that NFT is a bankrupt asset that must be optimized by the curator to pay off the debts of debtors. There are 3 main obstacles by the curator in optimizing bankrupt assets in the form of NFT, in the process of registering NFT as bankrupt assets, the process of determining the best time to sell NFT and the method of selling NFT based on the Bankruptcy Law. Against these obstacles, the Bankruptcy Law and positive law have provided efforts that can be taken by curators in the context of optimizing bankrupt assets.
31
Bradshaw, Elaine Beckley, and Stephen C. Wagner. "A Common Ground: Communication and Alliance between Cataloguer and Curator for Improved Access to Rare Books and Special Collections." College & Research Libraries 61, no. 6 (November 1, 2000): 525–34. http://dx.doi.org/10.5860/crl.61.6.525.
Full textAbstract:
Rare book catalogers and special collections curators can benefit greatly from cooperating on matters concerning cataloging policy and practice. This alliance is necessary for providing full access to special collections in a rapidly changing library environment. The authors examine rare book cataloging from the perspectives of cataloger and curator; discuss the areas where a cataloger–curator alliance can affect cataloging, as well as relevant factors over which the two have little control; and promote a concept of customized cataloging for special collections materials.
32
Romm, Tatyana A. "Class teacher and student group curator: Updating the training strategy and methodology: All-Russian scientific and practical conference." Izvestiya of Saratov University. Educational Acmeology. Developmental Psychology 11, no. 3 (September 22, 2022): 288–89. http://dx.doi.org/10.18500/2304-9790-2022-11-3-288-289.
Full textAbstract:
The article provides information about the upcoming on October 25–27, 2022 All-Russian scientific and practical conference with international participation “Class Teacher and Student Group Curator: Updating the Training Strategy and Methodology”. The purpose of the conference is to determine the specifics and methods of training class teachers and student group curators, to generalize advanced pedagogical experience, scientific and methodological support in the course of training class teachers and student group curators. The conference will be held on the basis of Novosibirsk State Pedagogical University.
33
Slive, Daniel J. "INTERVIEW WITH ROGER E. STODDARD." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 5, no. 2 (September 1, 2004): 127–40. http://dx.doi.org/10.5860/rbm.5.2.234.
Full textAbstract:
Roger E. Stoddard will retire in December 2004 as Curator of Rare Books in the Harvard College Library after four decades of service in the Houghton Library. To commemorate this event, Stoddard curated an exhibition in Spring 2004 titled “RES Gestae: Libri Manent: A Curator’s Choice of Books Purchased for the Houghton Library from 1965 to 2003,” which explored many of the collecting areas he pursued at Harvard. Acquisitions for Historical Collections, a symposium in the curator’s honor, was also held at Harvard in March 2004.1 Born and raised in New England, Stoddard attended Brown University and received his bachelor’s . . .
34
Romanowska-Zadrożna, Maria. "A KNIGHT IN THE SERVICE OF ART. HANNA BENESZ IN MEMORIAM (1947–2019)." Muzealnictwo 62 (March 17, 2021): 13–22. http://dx.doi.org/10.5604/01.3001.0014.8096.
Full textAbstract:
Hanna Benesz graduated from the Institutes: of Art History and of Applied Linguistics at the University of Warsaw. Her whole career launched in 1975 remained inseparably connected with the National Museum in Warsaw, where she worked at the Gallery of European Art curating the Flemish and Dutch collections. She followed all the promotion steps: from assistant to curator. Benesz strongly believed that museum curator’s job was grounded in a perfect knowledge of the collection. Thanks to her research conducted into the paintings amassed in National Museum’s storerooms, she successfully attributed a substantial number of works and identified provenance of many. She studied iconography applying research methods worked out by iconology. Moreover, she focused on the paintings’ technical condition, this occasionally leading to spectacular ‘restorations’, e.g. the identification of a genuine work by Abraham Janssens (ca 1575–1632) the Lamentation of Christ in a forgotten work, previously considered to be a copy. Author and co-author of many exhibitions, she cooperated with museum curators around the world. Her exhibition on Baroque art reached as far as Japan. Benesz’s intention was not only to present the paintings from the National Museum’s collections through a direct contact of visitors with the works, but also in publications, mainly in English and online. As soon as she became curator, together with Maria Kluk she focused on working out the reasoned catalogue Early Netherlandish, Dutch, Flemish and Belgian Paintings 1494–1983 in the Collections of the National Museum in Warsaw and the Palace at Nieborów. Complete Illustrated Summary Catalogue, published in 2016. A year later, the Catalogue was honoured with the main prize in the Sybilla Competition in the category for publications, while the King of the Netherlands awarded Hanna Benesz with the chivalric Order of Orange-Nassau (Oranje-Nassau) of the 5th grade; she was decorated with it by the Ambassador of the Kingdom of the Netherlands during the 20th CODART Congress held at the Warsaw Łazienki Palace. Not only was Hanna Benesz an outstanding museum curator and scholar, but also a trusted friend and a warm empathetic person, sensitive to other people’s misfortunes.
35
Thomas, Lynne M. "The Embedded Curator: Reexamining the Documentation Strategy of Archival Acquisitions in a Web 2.0 Environment." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 13, no. 1 (March 1, 2012): 38–48. http://dx.doi.org/10.5860/rbm.13.1.368.
Full textAbstract:
An embedded curator uses his or her physical and virtual presence within a selected community to document that community while simultaneously serving as a resource to it. While the “embedded curator” term may be relatively new to the profession, the practices that inform its implementation are not. Collection development for special collections, particularly for archival materials, has a robust history of debate about the best methods for encouraging and managing gifts.1 Embedded curators require a pragmatic and flexible written collection development policy that values occasional serendipitous acquisitions, as well as a strategic plan to build ongoing collections that focus on . . .
36
Яцина, Ксенія. "СТРУКТУРНО-ФУНКЦІОНАЛЬНА МОДЕЛЬ ФОРМУВАННЯ ПРОФЕСІЙНО-ЦІННІСНИХ ОРІЄНТАЦІЙ МАЙБУТНІХ АГРОТЕХНІКІВ У КОЛЕДЖІ ЗАСОБАМИ КУРАТОРСЬКОЇ ДІЯЛЬНОСТІ." Professional Pedagogics 2, no. 29 (May 31, 2024): 167–75. http://dx.doi.org/10.32835/2707-3092.2024.29.167-175.
Full textAbstract:
Relevance. Current events in Ukraine and associated socio-economic and psychological transformations stimulate members of society to take responsibility for their own destiny, thereby gradually affirming a fundamentally new system of value orientations in people's consciousness. This underscores the importance of integrating future specialists' professional values with the values of a free democratic society; thus, the process of educational seekers' value self-determination should be viewed as a process of defining and forming a value-oriented system necessary for successful further professional activity in the "human – human", "human – world" system. Objective: To substantiate the structural-functional model of curatorial educational activity as a significant factor in the formation of professional-value orientations in future agritechnicians. Methods: Study and analysis of philosophical, general scientific, methodological, psychological-pedagogical literature, and legal documentation; educational-planning documentation to assess the problem's current state; synthesis of obtained information to determine research directions (refinement of hypothesis, conceptual framework); comparison – for contrasting researchers' approaches to solving the problem of forming professional-value orientations; synthesis – for substantiating the conceptual-categorical apparatus, defining the content of future agritechnicians' professional-value orientations, substantiating the role of the curator in their formation and development; modeling – to create a model of curatorial educational activity. Results and discussion: The source base of the study was examined, its conceptual-categorical apparatus was specified; a theoretical analysis of the educational activity of the curator as a pedagogical problem was conducted; the structural-functional model of curatorial educational activity was substantiated, and the main tasks of the curator's work were formulated. Conclusions: It was demonstrated that forming professional-value orientations in future agritechnicians is a complex process that combines both future specialists' personal perceptions of their profession's values and considerations of the socio-cultural context of their professional training and adaptation; it was determined that forming professional-value orientations in future agritechnicians is a methodologically substantiated educational process, aimed at the professional-personal establishment of educational seekers and mastering by future agritechnicians of the norms and values of their future profession, recognizing themselves as subjects of this profession, and fostering a stable positive attitude towards future professional activity; it was clarified that the curator's influence on student groups is significant in forming professional-value orientations; the main tasks of the curator were formulated (preparing educational seekers to recognize the motivational-value system of the specialist; motivating educational seekers to align their motives and values with professional requirements; teaching future specialists to align personal traits and qualities with the characteristics and requirements of the profession; consulting educational seekers on professional development); the structural-functional model of curatorial educational activity was substantiated, presented in several blocks (normative-target, methodological, organizational-procedural, structural-criterial) and aimed at facilitating the formation of professional-value orientations in future agritechnicians; prospective directions for further research were identified (preparing curators to address problems of educating future specialists and developing a system for evaluating the results of their educational activity).
37
Saija, Ronald. "Perspektif Sanksi Pidana Kurator Menurut Hukum Kepailitan." PAMALI: Pattimura Magister Law Review 1, no. 1 (February 24, 2021): 1. http://dx.doi.org/10.47268/pamali.v1i1.480.
Full textAbstract:
Introduction: Some bankruptcy cases eventually evolve into criminal matters when a bankruptcy curator who is responsible in handling and administering bankruptcy case is positioned as defendant charged for conducting criminal acts.Purposes of the Research: The purpose of writing is to find out and analyze the perspective of curator criminal sanctions according to bankruptcy law.Methods of the Research: Normative juridical research, namely an approach based on legal materials by examining concepts, legal principles and legislation related to this research.Results of the Research: Criminal sanctions for non-independent curators aimed at preventing the curator from committing criminal acts in the course of the execution of the duty and maintenance tasks. Here, the role of criminal law is as a guardian of the norms that exist in the Law on Bankruptcy related to the duties and responsibilities of the curator. In order for a curator or committee before declaring his willingness to accept the duties and responsibilities of the consequences of the bankruptcy verdict or the postponement of the debt obligation obligation (PKPU) really ensure that he will not commit a disgraceful act of.
38
Hartini, Rahayu. "Curator's legal efforts in executing state-owned enterprise assets in bankruptcy." AMCA Journal of Community Development 1, no. 2 (August 23, 2021): 27–30. http://dx.doi.org/10.51773/ajcd.v1i2.65.
Full textAbstract:
The task of the Curator in Bankruptcy is to administer and settle the bankruptcy estate. It is also the curator who must carry out the execution of the bankrupt assets. In practice, it is not easy, and there are several obstacles faced, especially when the debtor in bankruptcy is a Limited Liability Company in the form of a State-Owned Enterprise Persero. Until now, there are no assets of BUMN PT Persero (in bankruptcy) that can be executed. The purpose of this study is to find out how the execution of assets of P.T. Kertas Leces Persero (in bankruptcy) and what the curator’s efforts are about it. Theresearch is juridical empirical. The results of the study show: There are two stages of asset execution— management and settlement of bankrupt assets. However, there are still obstacles, both internal and external, with considerable government intervention. The curator’s efforts to deal with these obstacles are by sending letters to all relevant agencies, taking an inventory of the assets and legal documents belonging to P.T. Kertas Leces Persero, which are needed in the process of executing the bankruptcy assets.
39
Murawska, Agnieszka, Jarosław M. Fraś, Ewa Frąckowiak, and Andrzej Rybicki. "PROFESSION OF A ‘MUSEUM CURATOR’. ON LEGAL CHANGES IN THE CONTEXT OF THE EROSION OF THE ROLE PLAYED BY MUSEUM CURATORS." Muzealnictwo 61 (July 24, 2020): 145–53. http://dx.doi.org/10.5604/01.3001.0014.3323.
Full textAbstract:
Changes in the legislation related to museum curators and museology, introduced with small steps in harmony with the Overton Window concept, are discussed; they are leading away from the letter and spirit of the Act on Museums of 21 Nov 1996 and the traditions of Polish museology based on creating collections of museum objects and working on them in various manners. Regulations and legal opinions on the museum curator profession are presented, pointing to the fact that the initially cohesive definitions and provisions are becoming blurred, to the extent of losing their initial sense, and threatening the identity of this professional group, as well as the identity of museums as heritage-preserving organizations. Furthermore, attempts to extend the concept of museum curator to encompass also the institution’s executives or the entire museum staff undertaken in order to depreciate this professional group and deprive it of the impact on the institution’s management have been signalled. A tendency has been observed to deprive the employees fulfilling the museum’s basic activity, museum curators included, of the influence on shaping state policies with respect to museology, this clearly illustrated by the composition of the Council for Museums and National Memorial Sites. Provisions of the labour legislation as regards professions of public trust museum curators aspire to join have been quoted. Mention has also been made of certain activities they have undertaken to prevent the process of de-professionalising the profession of a museum curator in the museum-related legislation, and to subsequently reverse it. The 2016 Bill on Museum Collections and on Museums prepared by the National Section for Museums and Institutions for the Preservation of Historical Monuments of the Solidarity Trade Union has been presented. The main demands of the Bill have been pointed to: the consolidation of the status of museum collections as the main purpose of the museum’s raison d’être, the status of a museum curator as a profession of public trust, and the shift in museum management from technocratic (New Public Management) to modern, aiming to serve the national heritage and people in harmony with the principles of the New Public Service.
40
Ruggiero, Amanda Saba, and Luis Michal. "MoMA A&D talks: on curating architecture and design (Second part)." Risco Revista de Pesquisa em Arquitetura e Urbanismo (Online) 17, no. 2 (September 17, 2019): 129–30. http://dx.doi.org/10.11606/issn.1984-4506.v17i2p129-130.
Full textAbstract:
During Fall 2016 we had the unique opportunity to participate in the regular internship program of the Museum of Modern Art in New York and assist with ongoing exhibition projects in the Architecture and Design Department (A&D). This Department was established in 1932 as the first curatorial department dedicated to architecture and design and built on an ambitious collection covering major figures and movement of architectural culture from mid-19th century to the present. With looking back on a rich history of influential exhibitions such as Modern Architecture: International Exhibition (1932), Architecture Without Architects (1964/65) or Deconstructivist Architecture (1988) it has been one of the key institutions to push the format of the architecture exhibition and which it keeps doing up to today.
Having this in mind we both came to New York with great respect and honored to gain insights in this institution for a period of three months. The department currently employs around 15 people which made it a really pleasant, intimate place to work with highly passionate and professional individuals full of remarkable expertise and respect for each other. This said and with the department going through some recent (at that moment) personnel changes, most notably the new directorship of Martino Stierli since 2015, as well MoMA reconfiguring and adding gallery spaces set to be open in 2019, we felt it was a very interesting moment for us to talk to our curator colleagues about their personal history and professional ambitions as curators at MoMA as well specific challenges of exhibiting architecture and design.
Being both educated in architecture in different countries (Brazil and Germany) we could gain not only a lot of professional insights but also talk about personal aspects of the curators´ – not always linear – careers. In total we conducted six interviews with all (senior) curators and one curatorial assistant of the Architecture and Design Department, all of whom we asked the same, around ten questions in order to produce a complete “panorama” of the departments staff at that very moment. In the following we would like to share with you the second half with Juliet Kinchin, Martino Stierli and Sean Anderson. The first three interviews with Paola Antonelli, Barry Bergdoll and Michelle Millar Fisher, were published on RISCO v.16 n.1 2018.
From the interviews, Juliet Kinchin had an approach since a student into intellectual debates and design history rather than architectural history, while Martino as a professor, was also engaged doing exhibitions. Sean Anderson struggled being a professor and practicing architect, and curation for him “means also being able to condense ideas and questions”. Since they had different backgrounds before arrive at MoMA, the teaching position and a special love for research is a shared common background for them.
Juliet Kinchin argues that the curator’s activity apart from the responsabilities also means communicate and creating view points and arguments in a spatial and material form, while Martino talk about the work of curating a show as very much about a teamwork. For Sean Anderson also the very strong critical sensibility, is a must have skill for a curator. Sean Anderson’s advice to young curators is to ask questions and to have as many experiences in the world as possible. Juliet Kinchin talks about integrity, that makes the difference in your work, Martino in the same way, reinforce the ideia to love what you do and so you will be successful.
Luis Michal, Amanda Saba Ruggiero
41
Ćirić, Maja. "Izvođenje afilijacije: kustoske prakse i pripadnost na primeru 54. Oktobarskog salona / Performing the Affiliation: Curators and Belonging on the example of the 54th October Art Salon." AM Journal of Art and Media Studies, no. 6 (October 15, 2014): 48–55. http://dx.doi.org/10.25038/am.v0i6.73.
Full textAbstract:
Under the assumption that collective affiliations of curators and alternative political possibilities that they are generating do not produce a change, but preserve the existing hegemony and reinforce the existing relations within the institution of art, this paper aims to examine the relation of the affiliation of particular curators to the type of exhibitions that they are making. The case study that will be examined is the 54. October Art Salon in Belgrade 2013.The aim is to point to the fact that despite the limitless potential that art provides, the affiliation affects the exhibition making, the relation of a curator and the selected artists.
42
Meehitiya, Luanne. "Be A Curator: Developing a new Geological Curators' Group activity to engage the public with geological curation." Geological Curator 10, no. 6 (December 2016): 259–61. http://dx.doi.org/10.55468/gc17.
Full textAbstract:
A new outreach activity developed by the author for GCG is briefly described. The Be A Curator activity is aimed at use in FossilFestivals and similar events, and for loan by curators for local use. The activity is based around a range of labels on a magnetic board and introduces people to the idea of curation.
43
Balatsynova, Alla. "PROBLEM-SOLVING EXPERIENCE WHEN OPENING NOBLE GYMNASIUMS’ BOARDING HOUSES IN THE KYIV EDUCATIONAL DISCTRICT CURATOR’S COUNCIL ACTIVITIES." Theory and practice of social systems management, no. 4 (December 20, 2021): 15–23. http://dx.doi.org/10.20998/2078-7782.2021.4.02.
Full textAbstract:
based on regulatory and archival documents analysis, the article considers the problem-solving experience when opening noble gymnasiums’ boarding schools in the Kiev educational district curator’s council activities. The Council’s position on this issue, the procedure for making and executing its decisions are clarified on the example of opening the second boarding school at the first Kiev gymnasium in 1836. Thoroughly analysing the state of affairs of the already-performing noble boarding school at the first Kiev gymnasium, Kiev educational district curator’s council members came to the conclusion that one more boarding school opening was necessary. They either approved of the staff developed by the educational district curator, and made proposals on sources of its initial arrangement funding.
It is established that the opinion of Kiev educational district curator’s council regarding the second noble boarding school opening at the first Kyiv gymnasium was taken into account by the Ministry of public education when making the final decision.
44
Kozlova, Anna. "EXPERIENCE IN ORGANIZING THE WORK OF A CURATOR OF A STUDY GROUP OF AN EDUCATIONAL ORGANIZATION OF HIGHER EDUCATION OF THE FEDERAL PENITENTIARY SERVICE." Man: crime and punishment 32, no. 2 (July 16, 2024): 296–304. http://dx.doi.org/10.33463/2687-1238.2024.32(1-4).2.296-304.
Full textAbstract:
The article describes the experience of organizing the work of the curator of the training group of the Academy of the Federal Penitentiary Service of Russia. Its relevance lies in the fact that currently the training of qualified, independent, spiritually developed, proactive, highly moral cadets is the main task facing educational institutions of higher education of the Federal Penitentiary Service. One of the tools for the implementation of this task is the organization of high-quality educational work with cadets with the involvement of a curator. The article highlights the basic principles of the organization of the work of the curator of the study group: complexity, consistency, humanism, purposefulness, self-actualization, consistency, social responsibility. The organization and main directions of curatorial work with cadets are considered. In conclusion, the obtained results of the curator's work with the assigned group are described, and appropriate conclusions are drawn.
45
Astiti, Sriti Hesti. "PERTANGGUNGJAWABAN PIDANA KURATOR BERDASARKAN PRINSIP INDEPENDENSI MENURUT HUKUM KEPAILITAN." Yuridika 31, no. 3 (August 24, 2017): 441. http://dx.doi.org/10.20473/ydk.v31i3.4794.
Full textAbstract:
This article aimed to criticize the juridical basis of scope of crime mentioned on Law Number 37 of 2004, focuses on criminal responsibility of a curator based on independence principle of bankruptcy law. Essentially, bankruptcy is a part of civil law. However, some bankruptcy cases eventually evolve into criminal matters when a bankruptcy curator who is responsible in handling and administering bankruptcy case is positioned as defendant charged for conducting criminal acts. As stated on Article 234 Verse 2 of Law Number 37 of 2004, a curator who is proven not independent during bankruptcy court may be charged with criminal law. Criminal sanctions for non-independent curators aimed at preventing the curator from committing criminal acts in the course of the execution of the duty and maintenance tasks. Here, the role of criminal law is as a guardian of the norms that exist in the Law on Bankruptcy related to the duties and responsibilities of the curator. In order for a curator or committee before declaring his willingness to accept the duties and responsibilities of the consequences of the bankruptcy verdict or the postponement of the debt obligation obligation (PKPU) really ensure that he will not commit a disgraceful act of.
46
Collins, Chris. "Conservation Forum." Geological Curator 5, no. 6 (August 1991): 245–46. http://dx.doi.org/10.55468/gc672.
Full textAbstract:
'Conservation Forum' provides that long awaited problem page in the Geological Curator where curators can air those niggling little conservation problems that quietly destroy their geological collections.' Conservation Forum' will document current trends in the field, identify suppliers of materials, highlight new techniques, and discuss Health and Safety issues. If you have a conservation problem (or a new solution!) write to 'Conservation Forum'.
47
Kannike, Anu, and Jana Reidla. "Striving towards Social Relevance: New Curatorial Interpretations of the Soviet Period in Estonian and Latvian Museums." Lithuanian Historical Studies 25, no. 1 (November 30, 2021): 175–211. http://dx.doi.org/10.30965/25386565-02501006.
Full textAbstract:
The main museums in Estonia and Latvia have lately staged new exhibitions that proceed from a contemporary museological approach and reflect the results of historical research. The article compares three cases which present alternative but complementary interpretations of the Soviet period. The authors pay special attention to the application of the biographical method prominent in contemporary cultural research, and the museological method of multivocality. They conclude that in the case of multivocality, effectively addressing different visitor groups is a great challenge to curators. There is a risk that the simplified mediation of contradictory memories and views will leave a gap for visitors with less prior knowledge about the subject of the exhibition. In large exhibition teams, the curator has a crucial role to play in negotiating with team members to prevent the concept from dispersing. In the cases studied, it is possible to observe the curators’ views and detect a similar attempt to interpret complex topics through biographies. The analysis concludes that in the context of contemporary museological approaches, the voice of the curator remains essential, especially when mediating exhibits, for they cannot speak for themselves.
48
Tryandari, Maya. "Legal Protection for Bankruptcy Curators in the Resolution of Bankruptcy Cases." Journal of Law and Legal Reform 2, no. 3 (July 31, 2021): 421–38. http://dx.doi.org/10.15294/jllr.v2i2.46621.
Full textAbstract:
Bankruptcy is a general confiscation of the assets of a bankrupt debtor who is no longer able to pay his debts and is deemed unfit to run his business, then the management and settlement of his assets are carried out by the bankruptcy curator under the supervision of the court supervisory judge. The research method used is using sociological juridical method by analyzing various legal regulations as well as examine behaviors and direct relationships based on an understanding of the law in terms of social phenomena. The focus of this research is limited to the responsibility of the Curator in resolving bankruptcy cases and the protection of the bankruptcy curator in resolving bankruptcy cases. In the field of curator, there is very little supervision. regarding the supervision carried out by the supervisory judge but the supervisory judge does not supervise the performance of the curator in the field but only supervises based on work reports and complaints by one of the parties concerned in bankruptcy cases. more supervision and consists of 3 elements related to bankruptcy, namely the courts, associations and curator education. Legal protection for bankruptcy curators is very much needed because protection is very much needed in a profession, especially the curator profession which leads to the extension of the court in resolving bankruptcy.
49
Bangun, M. Firman, Achmad Fitrian, and Gatut Hendro TW. "Perlindungan Hukum Kreditor Atas Pembagian Hasil Pemberesan Harta Pailit Oleh Kurator." SALAM: Jurnal Sosial dan Budaya Syar-i 9, no. 6 (September 15, 2022): 1769–82. http://dx.doi.org/10.15408/sjsbs.v9i5.27737.
Full textAbstract:
In the Professional Standards for Curators and Administrators issued by the Association of Curators and Administrators of Indonesia (AKPI), a curator is defined as an individual or civil association that possesses the special expertise required to manage and settle bankrupt assets and that has been registered with the Ministry of Justice and Human Rights, as outlined in Articles 69 and 70 of the Bankruptcy Law and its implementing regulations. In this study, the author employs a qualitative descriptive research methodology. The results of this study are to find out what the process and mechanism for the implementation of the distribution of proceeds from the bankruptcy estate by the curator to each creditor against a decision that has permanent legal force (inkracht) and then also discusses the legal protection for creditors against the implementation of the distribution of settlement proceeds. bankrupt assets by the curator if there are objections to the value of the distribution.Keywords: Curator; Creditors; Bankruptcy Assets Abstrak Dalam Standar Profesi Kurator dan Pengurus yang diterbitkan oleh Asosiasi Kurator dan Pengurus Indonesia (AKPI) dijelaskan kurator adalah perseorangan atau persekutuan perdata yang memiliki keahlian khusus sebagaimana diperlukan untuk mengurus dan membereskan harta pailit dan telah terdaftar pada Departemen Kehakiman dan Hak Asasi Manusia, sebagaimana dimaksud dalam Pasal 69 dan 70 Undang-Undang Kepailitan dan peraturan pelaksanaannya. Dalam penelitian ini digunakan metode penelitian kualittatif deskriptif. Hasil penelitian ini adalah untuk mengetahui bahwa seperti apa proses dan mekanisme pelaksanaan pembagian hasil pemberesan harta pailit oleh kurator kepada masing-masing kreditor terhadap putusan yang sudah berkekuatan hukum tetap (inkracht) dan kemudian juga membahas mengenai perlindungan hukum bagi para kreditur terhadap pelaksanaan pembagian hasil pemberesan harta pailit oleh kurator jika terjadi keberatan-keberatan atas nilai pembagian tersebut.Kata Kunci: Kurator; Kreditor; Harta Pailiti
50
Torrens, Hugh. "Uncurated Curators, No. 3. Ronald Frederick Pickford (1920-2010): Bath curator, a Tribute." Geological Curator 9, no. 4 (December 2010): 243–54. http://dx.doi.org/10.55468/gc237.
Full textAbstract:
Ron Pickford (1920-2010) was given GCG 's first ever award in 1985, and then the Geologists' Association's sad first Halstead medal in 1991. He had been responsible (single-handed) for the rescue, and safe-guarding, of the important Museum collections (containing much vital geology - both of types and historical material) at the long-defunct Bath Royal Literary and Scientific Institution, from 1960 until his retirement in 1985. By then the Group, and others, had caused enough of a stir to ensure that the Area Museum Service for the South West had taken over some control, and initiated a series of reports, and then a curator post. But Ron's career was a most unusual one; from very humble and troubled beginnings in Bath, he had been stimulated in the 1930s by these very collections, to take a serious, if both unqualified and unpaid, interest in geology. Then, soon after he was appointed to a post as "cleaner/custodian" in the Victoria Art Gallery and Library service in Bath, he saw the depredations which these collections were now suffering, and decided to try, unasked, to secure their future. As a woodworking craftsman, he could create or restore display cases, and, as a sensible and competent person, he could equally ensure that all possible documentation survived as well. He now deserves to be as carefully curated as the materials he rescued, and this paper is intended to record his life and origins, his service in the Royal Navy in WW2, and to provide a tribute to his memory, and record what lessons we can learn from what he, and his fine sense of humour, achieved in Bath.