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Journal articles on the topic 'CURATION'

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Published: 4 June 2021

Last updated: 20 February 2023

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1

Dekker, Annet, and Gaia Tedone. "Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation." Arts 8, no. 3 (July 8, 2019): 86. http://dx.doi.org/10.3390/arts8030086.

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Online curation is shaped and defined not merely by its content, but just as much by the nature of the structure and the systems that are used by curators and artists. It could be argued that this applies to any medium, but as this essay will show, the Web profoundly influences the role of the curator in new ways. In this paper we show how curation on the Web is not merely concerned with presenting art, but that curation functions within a wider ecology of social and technical power relations. This shift is characterized by a collision of different interests driven by economic, cultural, and socio-political agendas, and can be framed as a new space of performativity: signaling a move from curating a set of objects to a conceptual and operational process that puts different constellations of human and machinic agents, objects and practices into relation with one another. This means that a curator needs to take into account a complex interrelated network of dependencies and contexts that are often invisible or incomprehensible to most people. In such a scenario online curation becomes ‘networked co-curation’ and shifts the attention from what is produced to how it is performed under the socio-technical conditions and relations that characterize the current state of the Web.

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Koshoffer, Amy, Amy E. Neeser, Linda Newman, and Lisa R. Johnston. "Giving datasets context: a comparison study of institutional repositories that apply varying degrees of curation." International Journal of Digital Curation 13, no. 1 (December 21, 2018): 15–34. http://dx.doi.org/10.2218/ijdc.v13i1.632.

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This research study compared four academic libraries’ approaches to curating the metadata of dataset submissions in their institutional repositories and classified them in one of four categories: no curation, pre-ingest curation, selective curation, and post-ingest curation. The goal is to understand the impact that curation may have on the quality of user-submitted metadata. The findings were 1) the metadata elements varied greatly between institutions, 2) repositories with more options for authors to contribute metadata did not result in more metadata contributed, 3) pre- or post-ingest curation process could have a measurable impact on the metadata but are difficult to separate from other factors, and 4) datasets submitted to a repository with pre- or post-ingest curation more often included documentation.

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Kondo, Satoshi. "Curation." Journal of the Institute of Image Information and Television Engineers 67, no. 8 (2013): 695–96. http://dx.doi.org/10.3169/itej.67.695.

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Dayer, Carolina. "Curation." Journal of Architectural Education 72, no. 1 (January 2, 2018): 167. http://dx.doi.org/10.1080/10464883.2018.1410674.

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Higgins, Sarah. "Digital curation: the development of a discipline within information science." Journal of Documentation 74, no. 6 (October 8, 2018): 1318–38. http://dx.doi.org/10.1108/jd-02-2018-0024.

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Purpose Digital curation addresses the technical, administrative and financial ecology required to ensure that digital information remains accessible and usable over the long term. The purpose of this paper is to trace digital curation’s disciplinary emergence and examine its position within the information sciences domain in terms of theoretical principles, using a case study of developments in the UK and the USA. Design/methodology/approach Theoretical principles regarding disciplinary development and the identity of information science as a discipline are applied to a case study of the development of digital curation in the UK and the USA to identify the maturity of digital curation and its position in the information science gamut. Findings Digital curation is identified as a mature discipline which is a sub-meta-discipline of information science. As such digital curation has reach across all disciplines and sub-disciplines of information science and has the potential to become the overarching paradigm. Practical implications These findings could influence digital curation’s development from applied discipline to profession within both its educational and professional domains. Originality/value The disciplinary development of digital curation within dominant theoretical models has not hitherto been articulated.

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6

Hudson-Vitale, Cynthia, Hannah Hadley, Jennifer Moore, Lisa Johnston, Wendy Kozlowski, Jake Carlson, Mara Blake, and Joel Herndon. "Extending the Research Data Toolkit: Data Curation Primers." International Journal of Digital Curation 15, no. 1 (August 19, 2020): 14. http://dx.doi.org/10.2218/ijdc.v15i1.713.

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Niche and proprietary data formats used in cutting-edge research and technology have specific curation considerations and challenges. The increased demand for subject liaisons, library archivists, and digital curators to curate this variety of data types created locally at an institution or organization poses difficulties. Subject liaisons possess discipline knowledge and expertise for a given domain or discipline and digital curation experts know how to properly steward data assets generally. Yet, a gap often exists between the expertise available within the organization and local curation needs. While many institutions and organizations have expertise in certain domains and areas, oftentimes the heterogeneous data types received for deposit extend beyond this expertise. Additionally, evolving research methods and new, cutting-edge technology used in research often result in unfamiliar and niche data formats received for deposit. Knowing how to ‘get-started’ in curating these file types and formats can be a particular challenge. To address this need, the data curation community have been developing a new set of tools - data curation primers. These primers are evolving documents that detail a specific subject, disciplinary area or curation task, and that can be used as a reference or jump-start to curating research data. This paper will provide background on the data curation primers and their content detail the process of their development, highlight the data curation primers published to date, emphasize how curators can incorporate these resources into workflows, and show curators how they can get involved and share their own expertise.

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Goble, C., R. Stevens, D. Hull, K. Wolstencroft, and R. Lopez. "Data curation + process curation=data integration + science." Briefings in Bioinformatics 9, no. 6 (July 11, 2008): 506–17. http://dx.doi.org/10.1093/bib/bbn034.

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Tedesco, Delacey. "Curating Political Subjects: Fashion Curation as Affective Methodology." GeoHumanities 7, no. 1 (June 1, 2021): 328–44. http://dx.doi.org/10.1080/2373566x.2021.1907207.

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9

Johnston, Lisa R., Jake Carlson, Cynthia Hudson-Vitale, Heidi Imker, Wendy Kozlowski, Robert Olendorf, Claire Stewart, et al. "Data Curation Network: A Cross-Institutional Staffing Model for Curating Research Data." International Journal of Digital Curation 13, no. 1 (December 26, 2018): 125–40. http://dx.doi.org/10.2218/ijdc.v13i1.616.

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Funders increasingly require that data sets arising from sponsored research must be preserved and shared, and many publishers either require or encourage that data sets accompanying articles are made available through a publicly accessible repository. Additionally, many researchers wish to make their data available regardless of funder requirements both to enhance their impact and also to propel the concept of open science. However, the data curation activities that support these preservation and sharing activities are costly, requiring advanced curation practices, training, specific technical competencies, and relevant subject expertise. Few colleges or universities will be able to hire and sustain all of the data curation expertise locally that its researchers will require, and even those with the means to do more will benefit from a collective approach that will allow them to supplement at peak times, access specialized capacity when infrequently-curated types arise, and stabilize service levels to account for local staff transition, such as during turn-over periods. The Data Curation Network (DCN) provides a solution for partners of all sizes to develop or to supplement local curation expertise with the expertise of a resilient, distributed network, and creates a funding stream to both sustain central services and support expansion of distributed expertise over time. This paper presents our next steps for piloting the DCN, scheduled to launch in the spring of 2018 across nine partner institutions. Our implementation plan is based on planning phase research performed from 2016-2017 that monitored the types, disciplines, frequency, and curation needs of data sets passing through the curation services at the six planning phase institutions. Our DCN implementation plan includes a well-coordinated and tiered staffing model, a technology-agnostic submission workflow, standardized curation procedures, and a sustainability approach that will allow the DCN to prevail beyond the grant-supported implementation phase as a curation-as-service model.

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Alvey, Liz. "Digital Curation." Journal of the Australian Library and Information Association 66, no. 4 (July 27, 2017): 419. http://dx.doi.org/10.1080/24750158.2017.1357243.

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Begley, Jessica. "Digital curation." Australian Academic & Research Libraries 47, no. 4 (October 2016): 326–27. http://dx.doi.org/10.1080/00048623.2016.1262737.

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Schultz, William. "Digital Curation,." Journal of Web Librarianship 11, no. 3-4 (June 28, 2017): 260–61. http://dx.doi.org/10.1080/19322909.2017.1338056.

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Sheffer, Jolie A., and Stefanie Dennis Hunker. "Digital Curation." Pedagogy 19, no. 1 (January 1, 2019): 79–105. http://dx.doi.org/10.1215/15314200-7173771.

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Stewart, James R. "Digital curation." Technical Services Quarterly 34, no. 1 (December 12, 2016): 127–28. http://dx.doi.org/10.1080/07317131.2017.1238241.

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Kennedy, Krista. "Textual Curation." Computers and Composition 40 (June 2016): 175–89. http://dx.doi.org/10.1016/j.compcom.2016.03.005.

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Dale, Stephen. "Content curation." Business Information Review 31, no. 4 (December 2014): 199–205. http://dx.doi.org/10.1177/0266382114564267.

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Mallon, Melissa. "Data Curation." Public Services Quarterly 8, no. 4 (October 2012): 326–37. http://dx.doi.org/10.1080/15228959.2012.730400.

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Yakel, Elizabeth. "Digital curation." OCLC Systems & Services: International digital library perspectives 23, no. 4 (November 6, 2007): 335–40. http://dx.doi.org/10.1108/10650750710831466.

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19

Appleton, Andrea. "Curation Conservation." New England Review 40, no. 3 (2019): 181–83. http://dx.doi.org/10.1353/ner.2019.0104.

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Jacobson, Jenna. "Information curation." Proceedings of the American Society for Information Science and Technology 49, no. 1 (2012): 1–2. http://dx.doi.org/10.1002/meet.14504901269.

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O’Donoghue, Jean, and Jano I. Van Hemert. "Using the DCC Lifecycle Model to Curate a Gene Expression Database: A Case Study." International Journal of Digital Curation 4, no. 3 (December 7, 2009): 57–70. http://dx.doi.org/10.2218/ijdc.v4i3.120.

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Developmental Gene Expression Map (DGEMap) is an EU-funded Design Study, which will accelerate an integrated European approach to gene expression in early human development. As part of this design study, we have had to address the challenges and issues raised by the long-term curation of such a resource. As this project is primarily one of data creators, learning about curation, we have been looking at some of the models and tools that are already available in the digital curation field in order to inform our thinking on how we should proceed with curating DGEMap. This has led us to uncover a wide range of resources for data creators and curators alike. Here we will discuss the future curation of DGEMap as a case study. We believe our experience could be instructive to other projects looking to improve the curation and management of their data.

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Voss, Barbara L. "Curation as research. A case study in orphaned and underreported archaeological collections." Archaeological Dialogues 19, no. 2 (November 26, 2012): 145–69. http://dx.doi.org/10.1017/s1380203812000219.

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AbstractAs archaeologists grapple with the international curation crisis, new attention is being given to the problem of ‘orphaned’ archaeological collections and collections that are underanalysed and underreported. The common rationale for curating such collections is to restore research potential, but such efforts are met with frustration because of the difficulties of re-establishing provenance and quantitative control for artefacts long separated from their original archaeological context. Moreover, most archaeologists view curation as a process that manages, rather than investigates, archaeological collections. To the contrary, this article argues that accessioning, inventory, cataloguing, rehousing and conservation are not simply precursors to research, but rather meaningful generative encounters between scholars and objects. Examples from the curation of the Market Street Chinatown archaeological collection illustrate how the process of curation can generate innovative research undertakings. Because archaeological research on this collection cannot proceed in a typical way, the research developed through the curation process departs from archaeological conventions to bring new perspectives on the social history of the Overseas Chinese diaspora.

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Smets, Annelien, Pieter Ballon, and Nils Walravens. "Mediated by Code: Unpacking Algorithmic Curation of Urban Experiences." Media and Communication 9, no. 4 (November 18, 2021): 250–59. http://dx.doi.org/10.17645/mac.v9i4.4086.

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Amid the widespread diffusion of digital communication technologies, our cities are at a critical juncture as these technologies are entering all aspects of urban life. Data-driven technologies help citizens to navigate the city, find friends, or discover new places. While these technology-mediated activities come in scope of scholarly research, we lack an understanding of the underlying curation mechanisms that select and present the particular information citizens are exposed to. Nevertheless, such an understanding is crucial to deal with the risk of the socio-cultural polarization assumedly reinforced by this kind of algorithmic curation. Drawing upon the vast amount of work on algorithmic curation in online platforms, we construct an analytical lens that is applied to the urban environment to establish an understanding of algorithmic curation of urban experiences. In this way, this article demonstrates that cities could be considered as a new materiality of curational platforms. Our framework outlines the various urban information flows, curation logics, and stakeholders involved. This work contributes to the current state of the art by bridging the gap between online and offline algorithmic curation and by providing a novel conceptual framework to study this timely topic.

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Jain, Neha, Kathleen F. Mittendorf, Marilyn Holt, Michele Lenoue-Newton, Ian Maurer, Clinton Miller, Matthew Stachowiak, et al. "The My Cancer Genome clinical trial data model and trial curation workflow." Journal of the American Medical Informatics Association 27, no. 7 (June 1, 2020): 1057–66. http://dx.doi.org/10.1093/jamia/ocaa066.

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Abstract Objective As clinical trials evolve in complexity, clinical trial data models that can capture relevant trial data in meaningful, structured annotations and computable forms are needed to support accrual. Material and Methods We have developed a clinical trial information model, curation information system, and a standard operating procedure for consistent and accurate annotation of cancer clinical trials. Clinical trial documents are pulled into the curation system from publicly available sources. Using a web-based interface, a curator creates structured assertions related to disease-biomarker eligibility criteria, therapeutic context, and treatment cohorts by leveraging our data model features. These structured assertions are published on the My Cancer Genome (MCG) website. Results To date, over 5000 oncology trials have been manually curated. All trial assertion data are available for public view on the MCG website. Querying our structured knowledge base, we performed a landscape analysis to assess the top diseases, biomarker alterations, and drugs featured across all cancer trials. Discussion Beyond curating commonly captured elements, such as disease and biomarker eligibility criteria, we have expanded our model to support the curation of trial interventions and therapeutic context (ie, neoadjuvant, metastatic, etc.), and the respective biomarker-disease treatment cohorts. To the best of our knowledge, this is the first effort to capture these fields in a structured format. Conclusion This paper makes a significant contribution to the field of biomedical informatics and knowledge dissemination for precision oncology via the MCG website. Key words knowledge representation, My Cancer Genome, precision oncology, knowledge curation, cancer informatics, clinical trial data model

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Lewis, D. N., and T. S. Foster. "Curation and conservation - the poor relations of research?" Geological Curator 6, no. 3 (March 1995): 129–32. http://dx.doi.org/10.55468/gc500.

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Curation is frequently regarded as a dull and unexacting task suitable for those of lesser knowledge, experience, abilities and intellect. Conservation is considered likewise, usually as an adjunct to the duties of a curator. Without good curation and conservation, the efforts of collecting and research can be completely negated by the loss of data and material.

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Wu, Yu, Na Wang, Jessica Kropczynski, and John M. Carroll. "The appropriation of GitHub for curation." PeerJ Computer Science 3 (October 9, 2017): e134. http://dx.doi.org/10.7717/peerj-cs.134.

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GitHub is a widely used online collaborative software development environment. In this paper, we describe curation projects as a new category of GitHub project that collects, evaluates, and preserves resources for software developers. We investigate: (1) what motivates software developers to curate resources; (2) why curation has occurred on GitHub; (3) how curated resources are used by software developers; and (4) how the GitHub platform could better support these practices. We conduct in-depth interviews with 16 software developers, each of whom hosts curation projects on GitHub. Our results suggest that the motivators that inspire software developers to curate resources on GitHub are similar to those that motivate them to participate in the development of open source projects. Convenient tools (e.g., Markdown syntax and Git version control system) and the opportunity to address professional needs of a large number of peers attract developers to engage in curation projects on GitHub. Benefits of curating on GitHub include learning opportunities, support for development work, and professional interaction. However, curation is limited by GitHub’s document structure, format, and a lack of key features, such as search. In light of this, we propose design possibilities to encourage and improve appropriations of GitHub for curation.

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Plumer-Moodie, Hannah, Carlos Quiroz, Katherine A. Miller Wolf, and Yasser Musa. "When Provenience Is Lost: Achievements and Challenges in Preserving the Historical St. John's, Belize, Skeletal Collection." Advances in Archaeological Practice 7, no. 1 (February 2019): 40–46. http://dx.doi.org/10.1017/aap.2018.41.

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AbstractIn small developing countries like Belize, lack of funding for archaeological research and post excavation curation remains one of our greatest challenges to preserving our tangible cultural heritage. The state of curation of human remains and artefact collections at St. John's College in Belize City is a perfect example of what can go wrong in the absence of a properly funded and managed curation program both at the national and the institutional level. This article highlights the rediscovery of a historically significant group of over 70 human remains in the biological collection of Friar Deickman, which had been forgotten in an attic after his death in 2003. We outline the process of, and accomplishments in improving the curation conditions of these individuals while uncovering their importance to Belizean history in the eighteenth through twentieth centuries. Preliminary analysis reveals life histories of slavery and indentured servitude of individuals of African, Maya, European, and possible mixed African and European descent. We emphasize the importance of ethical responsibility in properly curating excavated human remains, and the challenges researchers face when poor curation results in lost provenience. We offer suggestions for scientific analysis in recovering information lost as a result of poor excavation or curation methods.

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Oliveira, Alcinete Maquine Carvalho, Ana Isabel Sousa Rosa, and Rosangela da Silva Gomes. "O contributo do profissional da informação na curadoria digital." Prisma.com 45 (2021): 74–83. http://dx.doi.org/10.21747/16463153/45a6.

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The information professional is gaining more and more space in the current information society. Information and communication technologies appear to facilitate the performance of work in the digital environment. With the increasing amount of information, either digitized or born digital, the care of digital objects has become urgent. Digital curation appears as an alternative in the care of digital objects, ensuring that they have a longer life and can be used. It is believed that activities related to digital curation have required constant updates and other competencies for the information professional. Therefore, we intend to know: what are the information professional's practices that contribute to digital curatorship? General Objective: To identify which types of information professionals perform activities related to digital curatorship. Specific objectives: to highlight the literatures that deal with the information professional in digital curatorship; to verify the necessary competences for the information professional to act as digital curator; to specify the similar and different aspects in the typologies of the information professional. Results: Most digital curators are librarian, archivist or museologist professionals, with master's degrees in the areas of librarianship, records management, archivists or in information science. Few specialize or have master's degrees in digital curation or data curation. Some of the activities that the digital curator performs include the following services: creating metadata; accessing, collecting and manipulating content; discarding; maintaining resources; developing policies and managing data plans and procedures for digital content. Conclusion: Digital curation is important to ensure the long life and integrity of the digital object, so organizations adapt to their reality, life cycle models to work with these digital objects. The specialized training for digital curators is directly linked to the areas of Librarianship and Information Science. This research highlights the type of information professional: the librarian, who most performs activities related to digital curation.

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Dupuis, Chris. "Dance curation as choreographic practice." Dance Articulated 6, no. 1 (June 24, 2020): 89–110. http://dx.doi.org/10.5324/da.v6i1.3640.

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Dance curators (or programmers, as they are often called) have a significant impact on the dance field throughtheir selection processes: elevating certain works, practices, and artists, while effectively excluding others. Through this, they have a considerable hand in shaping what kinds of dance pieces a local audience has access to,effectively writing dance history over time. But their working processes remain poorly understood, and there have been limited attempts to theorize their practice. This article begins with an exploration of the etymology of the term curator and the historical emergence of the curator in both the fine arts and dance. It then goes on to examine the role of the curator as mediator in two common models for dance presentation (the festival and the theater season) and explores two alternative curatorial models (the focus program at Brussels venue Beursschouwburg and the uncurated model of Amsterdam festival Come Together). Finally, it explores the practice of dance curation as a form of choreography itself. It concludes that contextualizing dance curation asa form of choreography could be an effective starting point for theorizing the practice, hopefully paving the way for further study.

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Poole, Alex H. "The conceptual landscape of digital curation." Journal of Documentation 72, no. 5 (September 12, 2016): 961–86. http://dx.doi.org/10.1108/jd-10-2015-0123.

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PurposeThe purpose of this paper is to define and describe digital curation, an emerging field of theory and practice in the information professions that embraces digital preservation, data curation, and management of information assets over their lifecycle. It dissects key issues and debates in the area while arguing that digital curation is a vital strategy for dealing with the so-called data deluge.Design/methodology/approachThis paper explores digital curation’s potential to provide an improved return on investment in data work.FindingsA vital counterweight to the problem of data loss, digital curation also adds value to trusted data assets for current and future use. This paper unpacks data, the research enterprise, the roles and responsibilities of digital curation professionals, the data lifecycle, metadata, sharing and reuse, scholarly communication (cyberscholarship, publication and citation, and rights), infrastructure (archives, centers, libraries, and institutional repositories), and overarching issues (standards, governance and policy, planning and data management plans, risk management, evaluation, and metrics, sustainability, and outreach).Originality/valueA critical discussion that focusses on North America and the UK, this paper synthesizes previous findings and conclusions in the area of digital curation. It has value for digital curation professionals and researchers as well as students in library and information science who may deal with data in the future. This paper helps potential stakeholders understand the intellectual and practical framework and the importance of digital curation in adding value to scholarly (science, social science, and humanities) and other types of data. This paper suggests the need for further empirical research, not only in exploring the actual sharing and reuse practices of various sectors, disciplines, and domains, but also in considering the the data lifecycle, the potential role of archivists, funding and sustainability, outreach and awareness-raising, and metrics.

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Tammaro, Anna Maria, Krystyna K. Matusiak, Frank Andreas Sposito, and Vittore Casarosa. "Data Curator’s Roles and Responsibilities: An International Perspective." Libri 69, no. 2 (May 26, 2019): 89–104. http://dx.doi.org/10.1515/libri-2018-0090.

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Abstract The data-intensive research environment and the movement towards open science create demand for information professionals with knowledge of the research process and skills in managing and curating data. This paper is reporting the findings from a multiyear study entitled “Data curator: who is s/he?” initiated by the Library Theory and Research (LTR) Section of the International Federation of Library Associations (IFLA). The study aimed to identify the roles and responsibilities of data curators around the world and also focused on the terminology used to describe the new professional roles. The following questions were posed: R1: How is data curation defined by practitioners / professional working in the field? R2: What terms are used to describe the roles for professionals in data curation area? R3: What are primary roles and responsibilities of data curators? R4: What are educational qualifications and competencies required of data curators? To answer the research questions, the research team performed a comprehensive literature review and vocabulary analysis and conducted an empirical study using mixed-methods design. The study consisted of three stages: 1. Literature review and vocabulary analysis 2. Content analysis of position announcements 3. Interviews with professionals working in data curation and research data management- Findings confirm the results from previous research about the lack of common terminology and a variability of the position titles. The concept of data lifecycle highlighted the important role of data curators. However this study also found that many positions in practice were held by non library professionals. The findings indicate that data curation is an evolving sociotechnical practice that involves not only technical systems and services structured around research data life cycle but also a range of social activities around community building.

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Sim, Jiaying. "Embodiment, Curation, Exhibition." Screen Bodies 1, no. 1 (March 1, 2016): 87–91. http://dx.doi.org/10.3167/screen.2016.010106.

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As part of the 2014 GENERATION project celebrating the past twenty-five years of contemporary art in Scotland, Douglas Gordon’s exhibition, “Pretty much every film and video work from about 1992 until now,” took centerstage at the Gallery of Modern Art in Glasgow. Gordon contributed to the dialogue with a unique installation showcasing his twenty-two years of artistic endeavors through 101 different-sized old television sets elevated on old plastic beer crates, simultaneously screening 82 video and film works. The screens flickered and lit the dark main gallery as the visual works played on loop—some with sound, some without, some in slow motion. The exhibition included such works as 24 Hour Psycho (1993), Between Darkness and Light (After William Blake) (1997), Play Dead; Real Time (2003), Henry Rebel (2011), Silence, Exile, Deceit: An Industrial Pantomime (2013) and emphasized how Gordon’s collection has grown since its first exhibition from 1999 in Poland and will continue to do so, as he updates the videos and films.

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Caston, Emily. "Conservation and curation." Alphaville: Journal of Film and Screen Media, no. 19 (July 23, 2020): 160–77. http://dx.doi.org/10.33178/alpha.19.14.

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This article identifies and examines the research methods involved in curating a national collection of British music videos for the British Film Institute and British Library in relation to existing scholarship about the role of the curator, the function of canons in the humanities, and the concept of a hierarchy of screen arts. It outlines the process by which a theoretical definition of “landmarks” guided the selection of works alongside a commitment to include a regionally and socially diverse selection of videos to reflect the variations in film style of different music genres. The article also assesses the existing condition of British music video archives: rushes, masters, as well as documents and digital files, and the issues presenting academics and students wishing to study them. It identifies the fact that music video exists in the gaps between two disciplines and industries (popular music studies / the music industry and film and television studies / the screen industries) as an additional challenge to curators of the cultural form, alongside complex matters of licensing and formats.

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Mitchell, David R. "Living Collection Curation." Sibbaldia: the International Journal of Botanic Garden Horticulture, no. 2 (October 31, 2004): 51–59. http://dx.doi.org/10.24823/sibbaldia.2004.102.

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The necessity to redesign and relandscape the interior of the Temperate Palmhouse at the Royal Botanic Garden Edinburgh (RBGE) created the opportunity to undertake a full curatorial survey of the palms and other plants contained in the Palmhouse. This paper gives the background to, and describes the process of, undertaking the survey. It stresses the need for maximum consultation with all interested parties to decide the fate of existing plants and make recommendations for new plantings. The result was a booklet describing the history and development of the Palmhouse, listings of all existing plants with notes on ethnobotanical use, value in teaching or research and final destination and suggestions for new species to meet the new design along with educational and interpretation opportunities. The resultant survey could act as a model for other projects.

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Fletcher, Annie. "Curation: Documenta Discipline." Circa, no. 81 (1997): 43. http://dx.doi.org/10.2307/25563174.

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Grant, Máirín. "Curation: Open Minds." Circa, no. 82 (1997): 18. http://dx.doi.org/10.2307/25563205.

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Saler, Robert. "Canon and Curation." Bulletin for the Study of Religion 44, no. 3 (September 7, 2015): 11–15. http://dx.doi.org/10.1558/bsor.v44i3.24539.

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This paper offers commentary on the relative merits of the RPP in the specific areas of theology, church history, and philosophy. The encyclopedia's treatment of these themes, while largely adequate, raises substantial meta-questions within the discipline about how notions of "canon" function with authority in a time of unprecedented disciplinary fragmentation, particularly within theology itself.

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Brower, Matthew. "Photography, Curation, Affect." Journal of Visual Culture 17, no. 2 (August 2018): 177–97. http://dx.doi.org/10.1177/1470412918782354.

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This article explores the implications of photographic affect for curatorial practice by examining the exhibition Through The Body: Lens-Based Work by Contemporary Chinese Women Artists (Art Museum at University of Toronto, 2014). The author focuses on the curatorial task of situating the work of three of the artists, Chen Zhe, Fan Xi and Chun Hua Catherine Dong that employs affect in related but potentially incompatible ways. Chen’s visceral series The Bearable documents her practices of cutting as an attempt to overcome shame and begin healing. Fan’s portraits of topless Chinese lesbians use affect to assert the human dignity of her subjects and make their presence visible in a culture that erases them. Dong’s photographic and video documentations of her mail-order bride performances use affect to disrupt and complicate the power relations her performances expose. By situating their works in the exhibition, the article investigates the issues raised by photographic affect for curatorial practice.

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Sanderson, Katharine. "Bioinformatics: Curation generation." Nature 470, no. 7333 (February 2011): 295–96. http://dx.doi.org/10.1038/nj7333-295a.

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Chambers, Samuel A. "Editing and curation." Contemporary Political Theory 15, no. 1 (January 13, 2016): 1–15. http://dx.doi.org/10.1057/cpt.2015.69.

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Barnes, Heather L. "Digital Curation Fundamentals." Technical Services Quarterly 37, no. 2 (March 18, 2020): 209–10. http://dx.doi.org/10.1080/07317131.2020.1728141.

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Dolata, Ulrich. "Privatization, curation, commodification." Österreichische Zeitschrift für Soziologie 44, S1 (May 27, 2019): 181–97. http://dx.doi.org/10.1007/s11614-019-00353-4.

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Menking, William. "Curation and Criticism." Journal of Architectural Education 62, no. 3 (February 2009): 24–25. http://dx.doi.org/10.1111/j.1531-314x.2008.00262.x.

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Kreps, Christina. "Introduction: Indigenous Curation." Museum Anthropology 22, no. 1 (March 1998): 3–4. http://dx.doi.org/10.1525/mua.1998.22.1.3.

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Hussie-Taylor, J., and R. Lemon. "Curation as Choreography." Theater 44, no. 2 (January 1, 2014): 99–113. http://dx.doi.org/10.1215/01610775-2409565.

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Park, Sunghee, Jaehyeon Jun, and Heejun Park. "What Factors Affect to Curation Commerce Website Loyalty Intention: The Mediating Effects of Perceived Deception." Quality Innovation Prosperity 21, no. 3 (November 30, 2017): 95. http://dx.doi.org/10.12776/qip.v21i3.984.

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<p><strong>Purpose:</strong> As the importance of information quality has become prominent in the internet commerce, curation techniques are also stands out as well. Therefore, many services on e-commerce applied with curation techniques to satisfy their consumers. However, besides the fact that plenty of advantages from curation commerce, the growth of curation commerce websites have been slowdown. Thus, this paper is to investigate factors influencing curatiaxon commerce websites’ consumer loyalty intentions for enhancing the competitiveness of curation commerce websites.</p><p><strong>Methodology/Approach:</strong> This study sets independent variables regarding provider recommendation and consumer review simultaneously and verifies to see how each factors affect to consumer’s loyalty intention through perceived deception and satisfaction in the curation commerce website. We applied structural equation model to verify the hypothesis and conduted a survey on consumer who had buying expriences in Korean curation commerce website.</p><p><strong>Findings:</strong> The results of this study show what fators significantly affect to loyalty intention. Consumers on curation commerce mostly tend to be affected by other consumers’ review and they only affected by presentation of product among provider recommedations. We conducted an important mediating effect of satisfaction between perceived deception and loyalty intention. Furthermore, because curation commerce is a relatively new concept, this attempt could form the basis for research on cuartion commerce.</p><p><strong>Research Limitation/implication:</strong> This research only collected sample data form curation commerce websites users in Korea and because young consumers onsistute the majority of the respondednts, generalizing the findings to individuals of all ages and nations is difficult.</p><strong>Originality/Value of paper:</strong> This paper is the first study applying product recommendation and consumer review simultaneouly as an independent variable. These attempts enable to reflect more specific and practical behavior of consumers. Effect of satisfaction on loyalty and relationship between deception and loyalty are well documented in the offline and online retail context. This study expands and verifies estabilshed relationship among the variables on the lastest commerce website.

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Villeneuve, Pat, Ann Rowson Love, Peter Aerts, Juliana Forero, and Hye in Kim. "Dimensions of Curation Competing Values Exhibition Model: Toward Intentional Curation." International Journal of the Inclusive Museum 14, no. 2 (2021): 135–47. http://dx.doi.org/10.18848/1835-2014/cgp/v14i02/135-147.

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Candello, Heloisa, Claudio Pinhanez, Michael Muller, and Mairieli Wessel. "Unveiling Practices of Customer Service Content Curators of Conversational Agents." Proceedings of the ACM on Human-Computer Interaction 6, CSCW2 (November 7, 2022): 1–33. http://dx.doi.org/10.1145/3555768.

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Conversational interfaces require two types of curation: data curation by data science workers and content curation by domain experts. Recent years have seen the possibilities for content curators to instruct conversational machines in the customer service domain (i.e., Machine Teaching). The activities of curating specialized data are time-consuming. These activities have a learning curve for the domain expert, and they rely on collaborators beyond the domain experts, including product owners, technology expert curators, management, marketing, and communication employees. However, recent research has looked at making this task easier for domain experts with a lack of knowledge in the Machine Learning system, and few papers have investigated the work practices and collaborations involved in this role. This paper aims to fill this gap, presenting and unveiling practices extracted from eleven semi-structured interviews and four design workshops with experts in Banking, Technical support, Humans Resources, Telecommunications, and Automotive sectors. First, we investigate the articulation work of the content curators and tech curators in training conversational machines. Second, we inspect the curatorial and collaboration strategies they use, which are not afforded by current conversational platforms. Third, we draw the design implications and possibilities to support individual and collaboration curating practices. We reflect on how those practices rely on self and collaboration with others for curation, trust, and data tracking and ownership.

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Radley, J. D. "Reply to Donovan et al., Comment on 'Bioerosion, preparation and curation'." Geological Curator 8, no. 4 (December 2005): 179–80. http://dx.doi.org/10.55468/gc359.

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I welcome Stephen Donovan, Caroline Hensley and David Lewis's positive response to a note recent published in The Geological Curator (Radley & Twitchett 2004), reinforcing the case for the preservation and curation of trace fossils as repositories of palaeobiological and palaeoenvironmental information. With reference to the perceived subservience of bioerosion traces to the body fossils on which they are commonly preserved; this would be hard to deny for their status, often unrecognised, amongst many collections. Hopefully this correspondence, and a forthcoming thematic set of papers in The Geological Curator concerning curation of trace fossils, will go some way to furthering their cause within museums.

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Hswe, Patricia, Michael J. Furlough, Michael J. Giarlo, and Mairéad Martin. "Responding to the Call to Curate: Digital Curation in Practice at Penn State University Libraries." International Journal of Digital Curation 6, no. 2 (July 25, 2011): 195–208. http://dx.doi.org/10.2218/ijdc.v6i2.196.

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This paper describes how the Pennsylvania State (Penn State) University Libraries and the university’s central information technology organization, Information Technology Services, are putting into practice key tenets of digital curation through the newly established Content Stewardship program, a joint strategic initiative to implement stewardship services for the university. First, we provide an account of the planning, preparation, and prototyping that informed the initial year of the program. Second, we report on the hiring of a Digital Collections Curator and a Digital Library Architect and how they are advancing the program by putting digital curation into practice, which includes the work of community building. Finally, we address the organizational context of curation in practice, in particular with respect to the challenges of starting and sustaining a stewardship services program for all of Penn State.

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