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Academic literature on the topic 'CURATION'

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Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "CURATION"

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Dekker, Annet, and Gaia Tedone. "Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation." Arts 8, no. 3 (July 8, 2019): 86. http://dx.doi.org/10.3390/arts8030086.

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Online curation is shaped and defined not merely by its content, but just as much by the nature of the structure and the systems that are used by curators and artists. It could be argued that this applies to any medium, but as this essay will show, the Web profoundly influences the role of the curator in new ways. In this paper we show how curation on the Web is not merely concerned with presenting art, but that curation functions within a wider ecology of social and technical power relations. This shift is characterized by a collision of different interests driven by economic, cultural, and socio-political agendas, and can be framed as a new space of performativity: signaling a move from curating a set of objects to a conceptual and operational process that puts different constellations of human and machinic agents, objects and practices into relation with one another. This means that a curator needs to take into account a complex interrelated network of dependencies and contexts that are often invisible or incomprehensible to most people. In such a scenario online curation becomes ‘networked co-curation’ and shifts the attention from what is produced to how it is performed under the socio-technical conditions and relations that characterize the current state of the Web.
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Koshoffer, Amy, Amy E. Neeser, Linda Newman, and Lisa R. Johnston. "Giving datasets context: a comparison study of institutional repositories that apply varying degrees of curation." International Journal of Digital Curation 13, no. 1 (December 21, 2018): 15–34. http://dx.doi.org/10.2218/ijdc.v13i1.632.

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This research study compared four academic libraries’ approaches to curating the metadata of dataset submissions in their institutional repositories and classified them in one of four categories: no curation, pre-ingest curation, selective curation, and post-ingest curation. The goal is to understand the impact that curation may have on the quality of user-submitted metadata. The findings were 1) the metadata elements varied greatly between institutions, 2) repositories with more options for authors to contribute metadata did not result in more metadata contributed, 3) pre- or post-ingest curation process could have a measurable impact on the metadata but are difficult to separate from other factors, and 4) datasets submitted to a repository with pre- or post-ingest curation more often included documentation.
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Kondo, Satoshi. "Curation." Journal of the Institute of Image Information and Television Engineers 67, no. 8 (2013): 695–96. http://dx.doi.org/10.3169/itej.67.695.

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Dayer, Carolina. "Curation." Journal of Architectural Education 72, no. 1 (January 2, 2018): 167. http://dx.doi.org/10.1080/10464883.2018.1410674.

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Higgins, Sarah. "Digital curation: the development of a discipline within information science." Journal of Documentation 74, no. 6 (October 8, 2018): 1318–38. http://dx.doi.org/10.1108/jd-02-2018-0024.

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Purpose Digital curation addresses the technical, administrative and financial ecology required to ensure that digital information remains accessible and usable over the long term. The purpose of this paper is to trace digital curation’s disciplinary emergence and examine its position within the information sciences domain in terms of theoretical principles, using a case study of developments in the UK and the USA. Design/methodology/approach Theoretical principles regarding disciplinary development and the identity of information science as a discipline are applied to a case study of the development of digital curation in the UK and the USA to identify the maturity of digital curation and its position in the information science gamut. Findings Digital curation is identified as a mature discipline which is a sub-meta-discipline of information science. As such digital curation has reach across all disciplines and sub-disciplines of information science and has the potential to become the overarching paradigm. Practical implications These findings could influence digital curation’s development from applied discipline to profession within both its educational and professional domains. Originality/value The disciplinary development of digital curation within dominant theoretical models has not hitherto been articulated.
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Hudson-Vitale, Cynthia, Hannah Hadley, Jennifer Moore, Lisa Johnston, Wendy Kozlowski, Jake Carlson, Mara Blake, and Joel Herndon. "Extending the Research Data Toolkit: Data Curation Primers." International Journal of Digital Curation 15, no. 1 (August 19, 2020): 14. http://dx.doi.org/10.2218/ijdc.v15i1.713.

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Niche and proprietary data formats used in cutting-edge research and technology have specific curation considerations and challenges. The increased demand for subject liaisons, library archivists, and digital curators to curate this variety of data types created locally at an institution or organization poses difficulties. Subject liaisons possess discipline knowledge and expertise for a given domain or discipline and digital curation experts know how to properly steward data assets generally. Yet, a gap often exists between the expertise available within the organization and local curation needs. While many institutions and organizations have expertise in certain domains and areas, oftentimes the heterogeneous data types received for deposit extend beyond this expertise. Additionally, evolving research methods and new, cutting-edge technology used in research often result in unfamiliar and niche data formats received for deposit. Knowing how to ‘get-started’ in curating these file types and formats can be a particular challenge. To address this need, the data curation community have been developing a new set of tools - data curation primers. These primers are evolving documents that detail a specific subject, disciplinary area or curation task, and that can be used as a reference or jump-start to curating research data. This paper will provide background on the data curation primers and their content detail the process of their development, highlight the data curation primers published to date, emphasize how curators can incorporate these resources into workflows, and show curators how they can get involved and share their own expertise.
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Goble, C., R. Stevens, D. Hull, K. Wolstencroft, and R. Lopez. "Data curation + process curation=data integration + science." Briefings in Bioinformatics 9, no. 6 (July 11, 2008): 506–17. http://dx.doi.org/10.1093/bib/bbn034.

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Tedesco, Delacey. "Curating Political Subjects: Fashion Curation as Affective Methodology." GeoHumanities 7, no. 1 (June 1, 2021): 328–44. http://dx.doi.org/10.1080/2373566x.2021.1907207.

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Johnston, Lisa R., Jake Carlson, Cynthia Hudson-Vitale, Heidi Imker, Wendy Kozlowski, Robert Olendorf, Claire Stewart, et al. "Data Curation Network: A Cross-Institutional Staffing Model for Curating Research Data." International Journal of Digital Curation 13, no. 1 (December 26, 2018): 125–40. http://dx.doi.org/10.2218/ijdc.v13i1.616.

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Funders increasingly require that data sets arising from sponsored research must be preserved and shared, and many publishers either require or encourage that data sets accompanying articles are made available through a publicly accessible repository. Additionally, many researchers wish to make their data available regardless of funder requirements both to enhance their impact and also to propel the concept of open science. However, the data curation activities that support these preservation and sharing activities are costly, requiring advanced curation practices, training, specific technical competencies, and relevant subject expertise. Few colleges or universities will be able to hire and sustain all of the data curation expertise locally that its researchers will require, and even those with the means to do more will benefit from a collective approach that will allow them to supplement at peak times, access specialized capacity when infrequently-curated types arise, and stabilize service levels to account for local staff transition, such as during turn-over periods. The Data Curation Network (DCN) provides a solution for partners of all sizes to develop or to supplement local curation expertise with the expertise of a resilient, distributed network, and creates a funding stream to both sustain central services and support expansion of distributed expertise over time. This paper presents our next steps for piloting the DCN, scheduled to launch in the spring of 2018 across nine partner institutions. Our implementation plan is based on planning phase research performed from 2016-2017 that monitored the types, disciplines, frequency, and curation needs of data sets passing through the curation services at the six planning phase institutions. Our DCN implementation plan includes a well-coordinated and tiered staffing model, a technology-agnostic submission workflow, standardized curation procedures, and a sustainability approach that will allow the DCN to prevail beyond the grant-supported implementation phase as a curation-as-service model.
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Alvey, Liz. "Digital Curation." Journal of the Australian Library and Information Association 66, no. 4 (July 27, 2017): 419. http://dx.doi.org/10.1080/24750158.2017.1357243.

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Dissertations / Theses on the topic "CURATION"

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Sepko, Delaina. "Curating music curation." Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6357/.

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National cultural heritage institutions are charged with representative preservation of their countries’ cultural materials and the ways their staff undertake preservation activities impact to whom and how these materials are representative. Music is hailed as an integral part of a nation’s cultural heritage, but while aspects of its preservation are individually understood, their combined treatment in cultural institutions — music curation — and its ability to alter concepts of national identity are not. Consequently, we must ask how does music curation influence notions of national identity? By answering this question, this thesis seeks to contribute to our understanding of the ways that national cultural heritage institutions shape and promote a sense of national community. Since its beginning in 1800, the Library of Congress in Washington, D.C. has adopted several roles: a congressional resource; a copyright repository; a research centre; a hub for and leader in the library community; and cultural heritage institution. These combine to make the Library of Congress the de facto national library of the United States. However, these roles are not inherently congruent and in some instances undermine each other. Additionally, music has not always been easily integrated into its mission and its collections. Functioning as a national library, the Library of Congress potentially performs significant roles in the preservation and presentation of music, activities that make it an appropriate case study for investigating how music curation affects notions of national identity. Therefore, this work is structured in the following way: first, it offers an historical overview of the Library of Congress’ three music related departments — the Music Division, the American Folklife Center and the Recorded Sound component of the Motion Picture, Broadcast and Recorded Sound Division — to illuminate political, cultural and aesthetic forces that shaped their developments and their approaches to music curation. Second, it presents Howard Becker’s art world as the analytical framework by which this thesis critically engages narrative and identity theories. Third, employing the Library of Congress as a case study, it then investigates eight music curation narratives and juxtaposes them against its image as a cultural heritage institution. Narratives, gathered during semi-structured interviews and presented as interpretive stories, provide a focused insight into the tensions between staff and institution as well as institution and projected notions of national identity. In the context of music curation, this thesis’ conclusions illustrate a gap between the Library of Congress’ iconic image and its actual image, one that is perpetuated by its focus on research.
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Vier, Riley Todd. "Machines of curation." Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6322.

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Machines of Curation is an attempt to confront the ever-growing landscape of technology I observe and live inside of daily. This work is specifically concerned with my interest in how we interact with and alter our surrounding environments through technology. The constant tether we have to our devices is becoming more reminiscent of a parasite and host, rather than of a device and user. It informs how we are to look at things, speak with those we love, pay for things, and receive news; just to name a few. I seek to co-opt these methods to urge the viewer to ask their own questions and make their own decisions on how they feel technology is shaping them in ways they may be unaware of. Graphic design holds a unique vernacular to our digital universe as one of the primary mediums that helps organize and create it. The overall goal of this work is that a consistent irony can be established through the work that helps the viewer experiencing it question their views of technology.
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O'Neill, Rebecca. "The rise of the citizen curator : participation as curation on the web." Thesis, University of Hull, 2017. http://hydra.hull.ac.uk/resources/hull:16449.

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From jazz clubs to cheese plates, the term curation has become a signifier of the growing need to organise and prioritise the seemingly endless possibilities of the digital sphere. The issue addressed here is in the associated meanings of the word curation and what it means to be a curator by examining the experience of the curatorial within a discrete context: the Irish curatorial landscape. The word curation comes from the Latin curare, to care for, and has long been associated with the professional duties of those selected as custodians for objects and knowledge deemed to be important to communities, nations, countries or even the world. However, as objects move from being purely physical to the digital, and knowledge changes from being transmitted through similarly physical media to digital formats that can be set free on the Web, what it means to curate has also changed. Curators are no longer necessarily identified as employed within museums or galleries; the word is now also applied to those who engage with and aid in the management and presentation of digital assets online. Curators have emerged in the online space much like their forerunners, bloggers or citizen journalists. We are now seeing the rise of citizen curators on the Web, which has not created these individually motivated curators, but has made their curatorial activities visible. Citizen journalists no longer need to have a printing press or publishing house to communicate with their audience; similarly, citizen curators do not need a private cabinet of curiosities or a job in a museum to allow them to curate or exhibit to an audience. The aims of this research are threefold: to examine the current terminology related to curation by those who identify as curators or engage in curation in Ireland; to define what it means to be a curator or a citizen curator within the Irish context; and to investigate the changing nature of exhibition spaces contained in the Irish context in light of the Web and digital spaces. The study will take the form of an autoethnography, exploiting my unique position within the museum and open knowledge community in Ireland to examine current understandings of curation and the phenomenon of the citizen curator. The focus will be on my work within Wikimedia Community Ireland (WCI), a branch of the Wikimedia Foundation which promotes the use of Wikipedia in Ireland in education, culture, and open knowledge. As an autoethnographer, I can act as an intermediary, part way between those working in cultural organisations and the public involved in knowledge building projects. The study will look at how those engaged in curation articulate the work they do by means of interviews and participant observation. These sources will allow for the development of a spectrum of curatorial practice. The spectrum will arise from the participants’ (both citizen curators and those working in Irish cultural institutions) own understanding and definitions of curation and what it means to curate. In placing these definitions of curation within a spectrum that takes in broader understandings of curatorial practice, the newer forms of digital curation, and a picture of how the citizen curator relates to these methods, will emerge. The disruptive effect which the digital, and in particular the concept of the Long Tail, has brought to bear upon understanding of the assembling, storing, and using of collections will be examined. It will answer many of the issues surrounding the discipline-specific definitions of curation and the curator while informing their relationship with each other. By drawing out curation into a spectrum, what unfolds is the movement of curation from a traditional and closed system of learnt practices, to one which is formed around more open and accessible conventions of curation. In identifying the citizen curator, their role in the larger curatorial debate can be acknowledged and better incorporated into the multitude of online curated projects. This hinges on the emergence of the Do It With Others ethos which pervades both online and offline creative communities, and it redefines curation from a solitary practice, to one which is demarcated by its participatory nature.
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Stiller, Juliane. "From curation to collaboration." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät I, 2014. http://dx.doi.org/10.18452/16944.

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Die Digitalisierung von kulturellen Gütern und der darausfolgende Online-Zugang zu ihnen hat dazu geführt, dass Gedächtnisinstitutionen wie Museen, Bibliotheken und Archive, neue Instrumente für Nutzer bereitstellen können mit denen das kulturelle Erbe erlebbar gemacht werden kann. Diese Dissertation beschreibt Interaktionen in kulturellen Informationssystemen und verbindet diese mit Zugangsmöglichkeiten zu digitalen Materialien. Basierend auf Fallstudien und dem Ansatz, Theorien aus empirischen Daten zu gewinnen (Grounded Theory), wurde ein theoretischer Rahmen entwickelt, mit dem man Interaktionen beschreiben und analysieren kann. Dieser Bewertungsrahmen für Interaktionen bietet einen ganzheitlichen Ansatz um Interaktionen und deren Zusammenspiel mit dem Informationszugang zu bestimmen. Dieser Zusammenhang hilft Gedächtnisinstitutionen zu verstehen, wie Entscheidungen im Design ihrer Informationsarchitektur den Umgang von Nutzern mit den präsentierten digitalen Artefakten beeinflussen. Der theoretische Rahmen wurde anschließend herangezogen um 72 kulturelle Informationssysteme in einer Inhaltsanalyse eingehender zu studieren. Die Systeme wurden nach ihren Charakteristika in verschiedenen Gruppen - Museen, Bibliotheken, Archive, Aggregatoren, Kollektionen und Gemeinschaften - eingeordnet, zwischen welchen Unterschiede und Gemeinsamkeiten aufgedeckt wurden, die es erlauben Zugang und Interaktionen in jedem einzelnen System besser zu verstehen. Weiterhin wurde der theoretische Rahmen für eine tiefergehende Bewertung eines Systems aus jeder Gruppe genutzt um Empfehlungen für ein effektives Systemdesign zu erarbeiten. Dabei wurde besonderes Augenmerk auf den Einfluss von Interaktionen auf die verschiedenen Zugangsformen gelegt, mit dem Ziel, zweckgerichtete Interaktionen in Systemen anzubieten. Die Dissertation leistet einen wichtigen Beitrag um nachhaltige Interaktionen in Informationssystemen des kulturellen Bereiches zu verstehen, zu bewerten und zu implementieren.
Through digitization of cultural heritage and online access to it, memory institutions such as museums, libraries and archives can provide new instruments for engaging users with cultural heritage. The thesis describes interactions in cultural heritage information systems and links them to access points of the digital material. Based on use cases and a grounded theory approach for data analysis, a framework for interactions was developed. This framework offers a holistic approach to understand interactions and their interplay with information access. The interrelatedness allows stakeholders in cultural heritage institutions to understand that each decision in the information design influences how users access and interact with digital material. The framework was then used in a content analysis of 72 cultural heritage systems that were clustered according to their characteristics. The outcomes reveal shortcomings and pinned down peculiarities between the groups Museums, Libraries, Archives, Aggregators, Collections and Communities. In a next step, the framework was applied as a tool for evaluation to help shape effective system design that guides the implementation of purposeful interactions. For that, one system per cultural heritage group was chosen as a use case for the evaluation. The results are recommendations for a more effective system design that acknowledges the impact of interactions on the access modes. This dissertation promotes a new perspective on interactions and derives strategies for effective system design.
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Pellissier-Tanon, Thomas. "Knowledge base curation using constraints." Electronic Thesis or Diss., Institut polytechnique de Paris, 2020. http://www.theses.fr/2020IPPAT025.

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Les bases de connaissances sont des ensembles de faits, souvent sur des sujets encyclopédiques.Elles sont souvent utilisées pour la reconnaissance d'entités nommées, la recherche structurée, la réponse automatique à des questions, etc. Ces bases de connaissances doivent être maintenues, ce qui est une tâche cruciale mais coûteuse. Le sujet de cette thèse est la maintenance automatique de bases de connaissances à l'aide de contraintes. La première contribution de cette thèse est à propos de la découverte automatique de contraintes. Elle améliore les approches classiques d'apprentissage de règles en utilisant des méta-informations de complétude des données. Elle montre que que ces informations permettent d'améliorer de manière significative la qualité des règles trouvées. La seconde contribution est la création d'une base de connaissance, YAGO 4, qui assure le respect d'une série de contraintes en supprimant les faits qui n'y correspondent pas. La troisième contribution est une méthode pour corriger automatiquement les violations de contraintes.Cette méthode utilise l'historique des modifications de la base de connaissance afin de proposer des corrections, ceci à partir de la manière avec laquelle les utilisateurs de la base de connaissance ont déjà corrigé des violations similaires
Knowledge bases are huge collections of primarily encyclopedic facts.They are widely used in entity recognition, structured search, question answering, and other tasks.These knowledge bases have to be curated, and this is a crucial but costly task.In this thesis, we are concerned with curating knowledge bases automatically using constraints.Our first contribution aims at discovering constraints automatically. We improve standard rule mining approaches by using (in-)completeness meta-information. We show that this information can increase the quality of the learned rules significantly. Our second contribution is the creation of a knowledge base, YAGO 4, where we statically enforce a set of constraints by removing the facts that do not comply with them. Our last contribution is a method to correct constraint violations automatically.Our method uses the edit history of the knowledge base to see how users corrected violations in the past, in order to propose corrections for the present
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Sanghi, Gaurav Ashokkumar Kazic Toni Marie. "Automating database curation with workflow technology." Diss., Columbia, Mo. : University of Missouri--Columbia, 2005. http://hdl.handle.net/10355/6251.

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The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed February 12, 2010). Thesis advisor: Dr. Toni Kazic. Includes bibliographical references.
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Nehl, Marthe. "Urban Curation - An explorative study on understandings, roles and functions of curating practices in urban contexts." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22356.

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Curating practices appear in various fields as a common practice of immaterial labour today. To ‘curate’ is an active verb that suggests ‘doing’ something. Seldom if ever are the implications of curating critically discussed outside the arts, and this provides a reason for this thesis to investigate. What does ‘to curate’ mean, imply or suggest in the urban context? How are urban curatorial practices legitimized and where can they contribute to urban planning? Embedded in contemporary urban challenges and the “state of crisis” often referred to, this paper introduces curating as an emerging cultural practice into this field. A vital part of the discussion this thesis opens up, is where art can become part of urban planning. Noting that the relationship between arts and urban environments is ambivalent, since the arts’ symbolic power is recognized within international competition of cities, it is about the margin between the field of arts and urban development. By laying a groundwork of contemporary curatorial understandings in the arts, the paper gives an overview on the existing notions and practices of ‘urban curation’ and highlights that there are strong positions but no existing definition as such. A look into urban planning theory pinpoints the crucial role of economic growth and its implications for the organization of urban developments under the term neoliberalism, a condition in which festivals replace urban development policies and culture becomes a structuring element. The occurrence of projects as organizational structure dominates and challenges long term developments. This constitutes the framework in which the paper discusses three very different project examples from Hamburg, Liverpool and Vienna for closer analysis. Between preservation and management, arranging and staging curating can alternatively be understood as an epistemology producing new knowledge. By cross-referencing between the arts, where the critical discussion on curating is held, and urban planning and architecture, where curatorial practice is applied, the paper suggests strengthening the critical discourse on the relevance and use of cultural practices in urban studies.
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Higgins, Sarah. "Digital curation : contributions towards defining the discipline." Thesis, Aberystwyth University, 2018. http://hdl.handle.net/2160/54e5dddc-4904-441e-9664-810474f25d78.

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This work defines and evaluates the original contributions to the discipline of digital curation that the author has made through ten years of her career for the purposes of gaining a PhD by Published Works. It presents ten published papers, three of which are co-authored, and a narrative concerning the contributions made by these. This narrative explains the professional and academic contexts in which the papers were authored and the impact they have made. The work describes the progressive contributions to both the professional and academic development of the discipline through: an historical analysis of its origins, analysis of the conceptual space it inhabits, theoretical modelling of this conceptual space to enable practical implementations, and the development of higher education curricula. The work reflects on the disciplinary significance of these contributions and suggests next-steps for the author’s research.
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Becker, Brian J. "Semantic Assistance for Data Utilization and Curation." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1686.

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We propose that most data stores for large organizations are ill-designed for the future, due to limited searchability of the databases. The study of the Semantic Web has been an emerging technology since first proposed by Berners-Lee. New vocabularies have emerged, such as FOAF, Dublin Core, and PROV-O ontologies. These vocabularies, combined, can relate people, places, things, and events. Technologies developed for the Semantic Web, namely the standardized vocabularies for expressing metadata, will make data easier to utilize. We gathered use cases for various data sources, from human resources to big enterprise. Most of our use cases reflect real-world data. We developed a software package for transforming data into these semantic vocabularies, and developed a method of querying via graphical constructs. The development and testing proved itself to be useful. We conclude that data can be preserved or revived through the use of the metadata techniques for the Semantic Web.
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Zhong, Changtao. "Social curation of content : measurements and models." Thesis, King's College London (University of London), 2017. https://kclpure.kcl.ac.uk/portal/en/theses/social-curation-of-content(5509fd3d-bdfc-4f96-88b4-859b24cd33bf).html.

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Social curation is a new trend which has emerged following on the heels of the information glut created by user-generated content revolution. Rather than create new content, social curation allows users to categorise content created by others, and thereby creating and resharing their personal taxonomies of the Web. In this dissertation, we collect a large dataset from Pinterest, arguably the most popular image curation service, and seek to understand the trend on three levels: content, friends and crowds. We first take an empirical look at social curation by mining its content usage. Our data reveals that curation tends to focus on niche items that may not rank highly in popularity and search rankings. Yet, curated items exhibit their own skewed popularity, although most users, or curators, act for personal reasons. At the same time, it also shows that curators with consistent activity and diversity of interests show more social value in attracting followers. This drives us to explore the role of social networks on social curation. We find that social users are more active and are more likely to return soon in Pinterest, indicating a bonding effect enabled by social networks. Then we divide the social network into two subgraphs, according to whether they are created natively or copied from some other established social networks (e.g., Facebook) via a social bootstrapping method. It shows that, when users just join the service, copied network can promote more social interaction, as it initiates a stronger and denser social structure than native network. However, social networks are not critical for information seeking, as a non-trivial number of users’ content are curated from strangers with high interest matching. In fact, this trend also holds for social interaction: Users tend to wean from copied friends to interact more with interest-based native friends over a long-term view. Finally, we understand social curation as a distributed computation process, and examine the relationship between curators and crowds. We show that despite being categorised by individual actions, there is generally a global agreement in implicitly assigning content into a coarse-grained global taxonomy of categories, and furthermore, users tend to specialise in a handful of categories. By exploiting these characteristics, and augmenting with image-related features drawn from a state-of-the-art deep convolutional neural network, we develop a cascade of predictors that together automate a large fraction of curation actions with an end-to-end accuracy of 0.69 (Accuracy@5 of 0.75).
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Books on the topic "CURATION"

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Walker, Annette K. The preparation and curation of insects. Wellington: SIPC, 1988.

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Flores, Patrick D. Past peripheral: Curation in Southeast Asia. Singapore: NUS Museum, 2008.

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Ferguson, Lesley M. Archaeological documentary archives: Preparation, curation and storage. Manchester: Institute of Field Archaeologists, 1997.

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Group, Primary Research. International survey of academic library data curation practices. New York: Primary Research Group, 2013.

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Curation. Little, Brown Book Group Limited, 2016.

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Bhaskar, Michael. Curation. Little, Brown Book Group Limited, 2016.

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Digital Curation. American Library Association, 2016.

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Harvey, Ross, and Gillian Oliver. Digital Curation. Neal-Schuman Publishers, 2016.

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Conomos, John, Brad Buckley, and Dana Arnold. Companion to Curation. Wiley & Sons, Incorporated, John, 2019.

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Conomos, John, Brad Buckley, and Dana Arnold. Companion to Curation. Wiley & Sons, Limited, John, 2019.

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Book chapters on the topic "CURATION"

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Leonelli, Sabina. "Curation." In Encyclopedia of Systems Biology, 509. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4419-9863-7_1067.

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Litman, Michael. "Curation." In Share This Too, 89–96. Hoboken, NJ, USA: John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781119207993.ch10.

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Jane, Greg. "Digital Curation." In Encyclopedia of Database Systems, 1–2. New York, NY: Springer New York, 2016. http://dx.doi.org/10.1007/978-1-4899-7993-3_879-2.

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Janée, Greg. "Digital Curation." In Encyclopedia of Database Systems, 1–2. New York, NY: Springer New York, 2017. http://dx.doi.org/10.1007/978-1-4899-7993-3_879-3.

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Marcou, Gilles, and Alexandre Varnek. "Data Curation." In Tutorials in Chemoinformatics, 1–36. Chichester, UK: John Wiley & Sons, Ltd, 2017. http://dx.doi.org/10.1002/9781119161110.ch1.

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Janée, Greg. "Digital Curation." In Encyclopedia of Database Systems, 816–17. Boston, MA: Springer US, 2009. http://dx.doi.org/10.1007/978-0-387-39940-9_879.

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Nuss, Kathryn E. "Content Curation." In Social Media for Medical Professionals, 121–44. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14439-5_7.

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Ophrat, Hadas. "Urban Curation." In Art Intervention in the City, 57–66. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003289579-8.

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Lichty, Patrick. "Reconfiguring curation." In Curating Art, 415–29. London: Routledge, 2021. http://dx.doi.org/10.4324/9781315686943-59.

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Janée, Greg. "Digital Curation." In Encyclopedia of Database Systems, 1077–78. New York, NY: Springer New York, 2018. http://dx.doi.org/10.1007/978-1-4614-8265-9_879.

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Conference papers on the topic "CURATION"

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Wolff, Annika, and Paul Mulholland. "Curation, curation, curation." In the 3rd Narrative and Hypertext Workshop. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2462216.2462217.

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Lupfer, Nic. "Multiscale Curation." In DIS '18: Designing Interactive Systems Conference 2018. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3197391.3205380.

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Williams, Duncan, and Ian Daly. "Neuro-curation." In AM '21: Audio Mostly 2021. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3478384.3478428.

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Wang, Yanchao, and Rajshekhar Sunderraman. "PDB Data Curation." In Conference Proceedings. Annual International Conference of the IEEE Engineering in Medicine and Biology Society. IEEE, 2006. http://dx.doi.org/10.1109/iembs.2006.259891.

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Lupfer, Nic, Andruid Kerne, Rhema Linder, Hannah Fowler, Vijay Rajanna, Matthew Carrasco, and Alyssa Valdez. "Multiscale Design Curation." In C&C '19: Creativity and Cognition. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3325480.3325483.

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Lupfer, Nic. "Collaborative Design Curation." In C&C '19: Creativity and Cognition. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3325480.3326562.

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Zhao, Xuan, and Siân E. Lindley. "Curation through use." In CHI '14: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2556288.2557291.

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Abe, Akinori. "Curation in Chance Discovery." In 2010 IEEE International Conference on Data Mining Workshops (ICDMW). IEEE, 2010. http://dx.doi.org/10.1109/icdmw.2010.42.

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Abe, Akinori. "Data Mining Considering Curation." In 2014 IEEE/WIC/ACM International Joint Conferences on Web Intelligence (WI) and Intelligent Agent Technologies (IAT). IEEE, 2014. http://dx.doi.org/10.1109/wi-iat.2014.123.

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Corujo, Luís, Carlos Guardado da Silva, and Jorge Revez. "Digital curation and costs." In TEEM'16: 4th International Conference on Technological Ecosystems for Enhancing Multiculturality. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/3012430.3012529.

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Reports on the topic "CURATION"

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McKittrick, Susan. Eqentia Content Curation Platform. Boston, MA: Patricia Seybold Group, February 2011. http://dx.doi.org/10.1571/pr02-24-11cc.

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Lisa, Johnston. The DCN Curation Workflow. University of Tennessee, Knoxville Libraries, 2021. http://dx.doi.org/10.7290/bw893st4dk.

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Thomas, Charles, and Rachel Frick. Data Curation Profiles Symposium Panel on Opportunities in the Data Curation Landscape. Purdue University, September 2012. http://dx.doi.org/10.5703/1288284315052.

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Thirifays, Alex. D3.3 Curation Costs Exchange Framework. Collaboration to Clarify the Costs of Curation, October 2014. http://dx.doi.org/10.7207/4c-3.3.

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Ham, Michael. (U) Data Curation and Standards. Office of Scientific and Technical Information (OSTI), September 2020. http://dx.doi.org/10.2172/1663162.

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Banning, Jeffery, James Follum, and Eric Andersen. FOA 1861 Data Curation Overview. Office of Scientific and Technical Information (OSTI), November 2021. http://dx.doi.org/10.2172/1860940.

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Carlson, Jake. Data Curation Profiles Symposium Panel on Digital Curation Profiles (DCP) Workshop - What We Learned. Purdue University, September 2012. http://dx.doi.org/10.5703/1288284315051.

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McKittrick, Susan. Content Curation Evaluation Framework, Version 1. Boston, MA: Patricia Seybold Group, January 2011. http://dx.doi.org/10.1571/fw01-13-11cc.

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McKittrick, Susan. Content Curation Evaluation Framework, Version 3. Boston, MA: Patricia Seybold Group, September 2011. http://dx.doi.org/10.1571/fw09-08-11cc.

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McKittrick, Susan. ConnectedN’s Content Curation for Social Media Engagement. Boston, MA: Patricia Seybold Group, March 2011. http://dx.doi.org/10.1571/pr03-17-11cc.

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