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Relevant bibliographies by topics / Curating architecture

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Academic literature on the topic 'Curating architecture'

Author: Grafiati

Published: 28 June 2021

Last updated: 17 February 2022

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Journal articles on the topic "Curating architecture"

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Bergdoll, Barry. "Curating History." Journal of the Society of Architectural Historians 57, no. 3 (September 1998): 257–366. http://dx.doi.org/10.2307/991345.

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Smith, MacKenzie. "Curating Architectural 3D CAD Models." International Journal of Digital Curation 4, no. 1 (June 29, 2009): 98–106. http://dx.doi.org/10.2218/ijdc.v4i1.81.

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Increasing demand to manage and preserve 3-dimensional models for a variety of physical phenomena (e.g., building and engineering designs, computer games, or scientific visualizations) is creating new challenges for digital archives. Preserving 3D models requires identifying technical formats for the models that can be maintained over time, and the available formats offer different advantages and disadvantages depending on the intended future uses of the models. Additionally, the metadata required to manage 3D models is not yet standardized, and getting intellectual proposal rights for digital models is uncharted territory. The FACADE Project at MIT is investigating these challenges in the architecture, engineering and construction (AEC) industry and has developed recommendations and systems to support digital archives in dealing with digital 3D models and related data. These results can also be generalized to other domains doing 3D modeling.

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Real, Patricio Del, Jennifer Dunlop Fletcher, Ricardo Daza Caicedo, Laura Sepúlveda Henao, Gabriela Silva Correa, Zoë Ryan, Martino Stierli, Giancarlo Latorraca, Shirley Surya, and Pippo Ciorra. "Curating for Whom?" Journal of the Society of Architectural Historians 79, no. 4 (December 1, 2020): 381–92. http://dx.doi.org/10.1525/jsah.2020.79.4.381.

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Real, Patricio Del, Jennifer Dunlop Fletcher, Ricardo Daza Caicedo, Laura Sepúlveda Henao, Gabriela Silva Correa, Zoë Ryan, Martino Stierli, Giancarlo Latorraca, Shirley Surya, and Pippo Ciorra. "Curating for Whom?" Journal of the Society of Architectural Historians 79, no. 4 (December 1, 2020): 381–92. http://dx.doi.org/10.1525/jsah.2020.79.4.381.

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Ruggiero, Amanda Saba, and Luis Michael. "MoMA A&D talks: on curating architecture and design." Risco Revista de Pesquisa em Arquitetura e Urbanismo (Online) 16, no. 1 (July 9, 2018): 103–4. http://dx.doi.org/10.11606/issn.1984-4506.v16i1p103-104.

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Sachs Olsen, Cecilie. "Curating change: Spatial utopian politics and the architecture of degrowth." Transactions of the Institute of British Geographers 46, no. 3 (June 28, 2021): 704–16. http://dx.doi.org/10.1111/tran.12463.

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Pattanayak, Santanu, Subhrajit Nag, and Sparsh Mittal. "CURATING: A multi-objective based pruning technique for CNNs." Journal of Systems Architecture 116 (June 2021): 102031. http://dx.doi.org/10.1016/j.sysarc.2021.102031.

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Lee, Rob. "Curating a Cybersecurity CV that Shines." ITNOW 62, no. 4 (2020): 18–19. http://dx.doi.org/10.1093/itnow/bwaa098.

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Abstract While lockdown has decimated many of our industries, causing redundancies and insolvency for many, Rob Lee MBCS CISSP, explains how the new normal can be an opportunity to upgrade your CV and video interview technique.

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Michelsen, Leslee Katrina. "Curating the ‘Islamic’: The Personal and the Political." International Journal of Islamic Architecture 10, no. 1 (January 1, 2021): 127–36. http://dx.doi.org/10.1386/ijia_00034_1.

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Langmead, Alison, Dan Byers, and Cynthia Morton. "Curatorial Practice as Production of Visual and Spatial Knowledge: Panelists Respond." Contemporaneity: Historical Presence in Visual Culture 4 (August 3, 2015): 158–63. http://dx.doi.org/10.5195/contemp.2015.152.

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Three participants in the panel “Curatorial Practice as Production of Visual and Spatial Knowledge” reflect upon the ideas raised in their discussion about curating, both in their respective fields and as a general practice. The panel was a part of Debating Visual Knowledge, a symposium organized by graduate students in Information Science and History of Art and Architecture at the University of Pittsburgh, October 3–5, 2014. A transcription of the panel is available in this issue.

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Dissertations / Theses on the topic "Curating architecture"

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Bengtsson, Lisa. "Curating Identity : Saga; Act 2." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-171896.

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webb, sarah. "THE EXCHANGE: Curating Authenticity + Interaction." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4247.

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For a physical space to have an emotional impact on those who experience it, we must consider the connection and relationship between objects and experience, and how people make individual connections to insentient places. It is this symbiotic relationship that allows a building or space to attain a “soul”. Through the adaptive re-use of a Richmond, Virginia building, this thesis project explores strategies of staging physical interaction and organic experiences through art and culture in the context of a mixed-use niche hotel.

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Helsel, Sand, and n/a. "A Search For Common Pleasures: CURATING THE CITY." RMIT University. Architecture and Design, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20091216.141950.

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The project-based research questions how professionals working in the built environment can engage a broader range of 'others' (students, client, users) in ways of seeing and acting in a meaningful way. It challenges the role of the expert in architecture and urban design and in particular their use of the masterplan, which is often an oversimplified reductive response, laden with generalisations and the ill-considered overlay of inappropriate models. Design methods are designed to enable us to see afresh and respond accordingly. These are demonstrated in three suites of projects that include urban installations such as Five Walks for the Melbourne International Arts Festival, war memorials, lectures, photographs and teaching practice such as Taipei Operations, a student workshop, architectural exhibition, and book. The design research is situated within an expanded field of cross-disciplinary practice that includes art, landscape architecture, urban design, architecture and geography. Tools are developed to enable us to understand the city at many spatial and temporal scales; observations made at a micro scale reveal systems at a macro scale - a bottom-up approach. The application of the methods explored implies that

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Steierhoffer, Eszter. "The rise of the curator and architecture on display." Thesis, Royal College of Art, 2016. http://researchonline.rca.ac.uk/1815/.

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This thesis constitutes a new approach to contemporary exhibition studies, a field of research that has until now dedicated little attention to connections between exhibitions of contemporary art and those of architecture. The late 1970s saw a 'historical turn' in the architectural discourse, which alluded to the rediscovery of history, after its abandonment by all the Modern masters, and developed in close alignment with architecture’s project of autonomy. This thesis proposes a reading of this period in relation to the formative moment for contemporary curatorial practices that brought art and architecture together in unprecedented ways. It takes its starting point from the coexisting and often contradictory spatial representations of art and architecture that occur in exhibitions, which constitute the inherently paradoxical foundations – and legacy – of today’s curatorial discourse. The timeframe of the late 1970s, which is this study’s primary focus, marks the beginning of the institutionalisation of the architecture exhibition: The opening of the Centre Pompidou in Paris (1977), the founding of ICAM in Helsinki (1979), and the first official International Architecture Biennale in Venice (1980), all of which promoted architecture within the museum. This period also saw the idealism of the social, political and artistic revolutions of 1968 finally dissipate, marking the emergence of a new conservatism. The concurrent postmodernisation of the cultural discourse, together with the post- industrial era’s changing economic climate, prompted a need to redefine the purpose and position of the architectural profession. The resulting new architecture not only developed within the space of art, but also substantially reshaped it, provoking numerous artistic and curatorial responses, which continue to this day. In order to explore and elucidate the connections between the fields of architecture, contemporary art and curatorial practices, the chapters consider the often-overlapping notions of architecture as object, concept, process, media and context through period case studies, including examples of the ‘void shows’ and artist museums, Ungers’ building of the DAM, Friedman’s Street Museum, Frankfurt’s Museumsufer, Matta-Clark’s and Kabakov’s respective practices and Portoghesi’s ‘Strada Novissima’ at the first Venice Biennale of Architecture. Surveying the separate models of architectural displays, drawn from different institutional and disciplinary contexts of the late 1970s and early 1980s, this thesis questions how these different exhibition typologies have expanded the definition of architecture. It also investigates the ways in which contemporary curatorial and art practices have been informed and shaped by architecture, and, how these curatorial representations of architecture adhere to the wider cultural, political and economic contexts. Ultimately, the thesis reconsiders the past as a way to grasp the present, and, through the analysis of the socio-political and economic contexts of the case studies, it builds a critique of the globalised hyper-acceleration of contemporary curatorial production.

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Nolan, Virginia 1975. "Re-curating the city : accessories for a new tourism of New York." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/30235.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2005.
Includes bibliographical references (p. 58-59).
This thesis poses a challenge to normal modes of experiencing and representing the spaces of tourism: that is to say, it proposes new ways of touring space. Although this project was initially conceived as a critique of tourism from a social and political standpoint, the project increasingly turned towards the abstract, as it became more evident that the only way to alter the established paradigms of touring space was to approach these both (tourism and the reception of space) through their two lowest common denominators: namely, the act of walking and the act of seeing. Only if these two acts were somehow re-envisioned could tourism itself be potentially freed up from the well-known "traps" through which it alters, demeans, or destroys the very object of its attraction. This project posits the production of tourism as a sort of curatorship enacted collectively by urban planners, architects, local businesses, local governments, and those who market tourism through books, guides, and maps. Accepting that tourism is necessarily a curated experience to some degree, I began to explore the possibility of devices that altered the accepted ways of walking and seeing the city so that they confounded our very notions of what it means to tour space. These devices take the form of video camera attachments that serve as "portable museums" reframing one's experience of the city though this recorded analog that creates new views, relationships, and erasures of the city's structure.
by Virginia Nolan.
M.Arch.

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Hunter, Simeon. "Analogue Archive : Curating Space for the Craft of Analogue Knowledge, its Evolution, Duration and Effect." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-135748.

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My claim is that analogue knowledge must be enacted and therefore cannot be documented explicitly, the emphasis lies in the process therefore architecture must address it in such a way. The architecture lends itself to knowledge as a carrier, of both a space for it to enact and to embody its processes and output. The process here is associated with craftsmanship, enduring and evolving where the craftsperson works to delay the image; they do not work to a set goal (the image) but only to further their own knowledge and craft, it is essentially a process of trial and error that evolves the ‘thing’ it is creating. Craft does not hold itself to exquisite products, quite the opposite; its focus is not on the thing it has created but the idea itself, the iterative act, that is craft. When coupled with the practice of analogue knowledge a proposition emerges, an architecture that embodies and addresses this knowledge as a practice archive. A space that pertains to the principals explored in theory however introduces a platform for craftspeople to inhabit and enact. A space that is not ephemeral, where analogue knowledge can endure and evolve as a practice. It becomes an archive not as accumulative practice, but as engaged or performative practice, the performance is the carrier of theory and enactment of knowledge.

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Kemp, Gavin. "CURARE : curating and managing big data collections on the cloud." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE1179/document.

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L'émergence de nouvelles plateformes décentralisées pour la création de données, tel que les plateformes mobiles, les capteurs et l'augmentation de la disponibilité d'open data sur le Web, s'ajoute à l'augmentation du nombre de sources de données disponibles et apporte des données massives sans précédent à être explorées. La notion de curation de données qui a émergé se réfère à la maintenance des collections de données, à la préparation et à l'intégration d'ensembles de données (data set), les combinant avec une plateforme analytique. La tâche de curation inclut l'extraction de métadonnées implicites et explicites ; faire la correspondance et l'enrichissement des métadonnées sémantiques afin d'améliorer la qualité des données. La prochaine génération de moteurs de gestion de données devrait promouvoir des techniques avec une nouvelle philosophie pour faire face au déluge des données. Ils devraient aider les utilisateurs à comprendre le contenue des collections de données et à apporter une direction pour explorer les données. Un scientifique peut explorer les collections de données pas à pas, puis s'arrêter quand le contenu et la qualité atteignent des niveaux satisfaisants. Notre travail adopte cette philosophie et la principale contribution est une approche de curation des données et un environnement d'exploration que nous avons appelé CURARE. CURARE est un système à base de services pour curer et explorer des données volumineuses sur les aspects variété et variabilité. CURARE implémente un modèle de collection de données, que nous proposons, visant représenter le contenu structurel des collections des données et les métadonnées statistiques. Le modèle de collection de données est organisé sous le concept de vue et celle-ci est une structure de données qui pourvoit une perspective agrégée du contenu des collections des données et de ses parutions (releases) associées. CURARE pourvoit des outils pour explorer (interroger) des métadonnées et pour extraire des vues en utilisant des méthodes analytiques. Exploiter les données massives requière un nombre considérable de décisions de la part de l'analyste des données pour trouver quelle est la meilleure façon pour stocker, partager et traiter les collections de données afin d'en obtenir le maximum de bénéfice et de connaissances à partir de ces données. Au lieu d'explorer manuellement les collections des données, CURARE fournit de outils intégrés à un environnement pour assister les analystes des données à trouver quelle est la meilleure collection qui peut être utilisée pour accomplir un objectif analytique donné. Nous avons implémenté CURARE et expliqué comment le déployer selon un modèle d'informatique dans les nuages (cloud computing) utilisant des services de science des donnés sur lesquels les services CURARE sont branchés. Nous avons conçu des expériences pour mesurer les coûts de la construction des vues à partir des ensembles des données du Grand Lyon et de Twitter, afin de pourvoir un aperçu de l'intérêt de notre approche et notre environnement de curation de données
The emergence of new platforms for decentralized data creation, such as sensor and mobile platforms and the increasing availability of open data on the Web, is adding to the increase in the number of data sources inside organizations and brings an unprecedented Big Data to be explored. The notion of data curation has emerged to refer to the maintenance of data collections and the preparation and integration of datasets, combining them to perform analytics. Curation tasks include extracting explicit and implicit meta-data; semantic metadata matching and enrichment to add quality to the data. Next generation data management engines should promote techniques with a new philosophy to cope with the deluge of data. They should aid the user in understanding the data collections’ content and provide guidance to explore data. A scientist can stepwise explore into data collections and stop when the content and quality reach a satisfaction point. Our work adopts this philosophy and the main contribution is a data collections’ curation approach and exploration environment named CURARE. CURARE is a service-based system for curating and exploring Big Data. CURARE implements a data collection model that we propose, used for representing their content in terms of structural and statistical meta-data organised under the concept of view. A view is a data structure that provides an aggregated perspective of the content of a data collection and its several associated releases. CURARE provides tools focused on computing and extracting views using data analytics methods and also functions for exploring (querying) meta-data. Exploiting Big Data requires a substantial number of decisions to be performed by data analysts to determine which is the best way to store, share and process data collections to get the maximum benefit and knowledge from them. Instead of manually exploring data collections, CURARE provides tools integrated in an environment for assisting data analysts determining which are the best collections that can be used for achieving an analytics objective. We implemented CURARE and explained how to deploy it on the cloud using data science services on top of which CURARE services are plugged. We have conducted experiments to measure the cost of computing views based on datasets of Grand Lyon and Twitter to provide insight about the interest of our data curation approach and environment

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Foy, Elizabeth. "Spectacle: Framing the Midwestern Art Community." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1283356889.

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Hertelová, Viola. "Elementární architektura / Galerie a muzeum architektury při FA VUT v Brně." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2021. http://www.nusl.cz/ntk/nusl-445382.

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The topic I have chosen for my diploma thesis is the curation of architecture as a possible overlap of teaching architecture towards the general public, but also a tool for connecting academic and municipal institutions. In my work I will examine the possibilities of creating an architecture center within the Faculty of Architecture, BUT. Galleries and museums of architecture, and thus various other associations and groups dealing with architecture, often function as separate institutions. I decided to solve the creation of a similar center, which as such has been missing in the Czech environment for many years, through its placement in academia. In my work I will first focus on the theoretical study of the possibilities of presentation and representation of architecture together with new approaches in the field of exhibition and curation of architecture. Subsequently, I will deal with the possibilities of connecting the activities of the Center of Architecture and the Faculty of Architecture. The aim of the work will be a practical design of the center within the BUT campus, for which I chose a space near Veveří Street in Brno, also known as Academic Square. For me to design the center, it will be important for me to analyze the place and find possibilities for its new concept. Today, the space of the Academic Square is in a state of disrepair and is waiting for an important gesture that can unite the place. Can it be the center of architecture?

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Sawada, Dan. "Recast : an interactive platform for personal media curation and distribution." Thesis, Massachusetts Institute of Technology, 2014. http://hdl.handle.net/1721.1/91423.

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Thesis: S.M., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2014.
78
Cataloged from PDF version of thesis.
Includes bibliographical references (pages 93-97).
This thesis focuses on the design and implementation of Recast, which is an interactive media system that enables users to dynamically aggregate, curate, reconstruct, and distribute visual stories of real-world events, based on various perspectives. Visual media have long been the means for consumptive information acquisition. However, the advancement of technology in the field of communication networks and consumer devices has made visual media a powerful tool for user expression. Given the background, Recast aims to present an intuitive platform for proactive citizens to create visual storyboards that represent the view of the world from their perspective. In order to fulfill the needs, Recast proposes a media analysis platform, as well as a block-based user interface for semi-automating the workflow of video production. As a result of an operation test and a user study, it was verified that Recast is successful in achieving its initial goals.
by Dan Sawada.
S.M.

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Books on the topic "Curating architecture"

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Sarah, Chaplin, and Stara Alexandra 1967-, eds. Curating architecture and the city. New York: Routledge, 2009.

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Chaplin, Sarah. Curating Architecture and the City. Routledge, 2009. http://dx.doi.org/10.4324/9780203876381.

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Belogolovsky, Vladimir. Harry Seidler: The exhibition - organizing, curating, designing, and producing a world tour. 2017.

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Book chapters on the topic "Curating architecture"

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McKellar, Erin. "Consulting and Curating the Modern Interior." In The Routledge Companion to Women in Architecture, 189–200. New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429278891-18.

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Rechert, Klaus, Dragan Espenschied, Isgandar Valizada, Thomas Liebetraut, Nick Russler, and Dirk von Suchodoletz. "An Architecture for Community-Based Curation and Presentation of Complex Digital Objects." In Digital Libraries: Social Media and Community Networks, 103–12. Cham: Springer International Publishing, 2013. http://dx.doi.org/10.1007/978-3-319-03599-4_12.

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Dalkilic, Mehmet M. "An Architecture and Application for Integrating Curation Data at the Residue Level for Proteins." In Lecture Notes in Computer Science, 335–38. Berlin, Heidelberg: Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/11530084_34.

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Holman, Zoe. "A National Museum for a People Without a Land: The Palestinian Museum, Birzeit." In The Art of Minorities, 151–80. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474443760.003.0008.

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This chapter examines the development of the recently-founded museum at Birzeit, the West Bank, by documenting the political, ideological, material and cultural challenges associated with the project of curating a narrative of Palestinian history. Drawing on original interviews with the museum’s founders and managers alongside settler colonial theory, it contextualises the struggle to preserve Palestinian heritage and culture in the face of continuing displacement and Israeli occupation. It considers the museum’s architecture as well as a number of its exhibits and physical and virtual projects to analyse the success with which the project offers an inclusive, nuanced and dynamic archive of Palestinian national history.

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Sabharwal, Arjun. "Information architecture and hypertextuality." In Digital Curation in the Digital Humanities, 69–93. Elsevier, 2015. http://dx.doi.org/10.1016/b978-0-08-100143-1.00004-0.

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Sabharwal, Arjun. "The Transformative Role of Institutional Repositories in Academic Knowledge Management." In Advances in Library and Information Science, 127–55. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-1741-2.ch006.

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Institutional repositories (IRs) play a significant and transformative role in academic knowledge management (KM) focused on sharing, disseminating, reusing, and preserving knowledge. The contents of IRs span faculty research, Open Access (OA) publications, electronic theses and dissertations, graduate research projects, departmental reports, institutional records (with archival finding aids), operational and research data, and digital heritage collections. Academic KM extends KM in the academic environment and focuses on the creation, sharing, dissemination, and preservation of scholarly and operational knowledge. This chapter explores the role of IRs in academic KM through an analysis of knowledge architectures, knowledge activities, and digital curation. The analysis of the Digital Curation Centre's (DCC) content lifecycle model presents KM in the context of lifecycle actions and highlights the relationship of KM, IRs, and digital curation.

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Hitchcock, Louise A., and Aren M. Maeir. "Lost in Translation: Settlement Organization in Postpalatial Crete—A View from the East." In Minoan Architecture and Urbanism. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793625.003.0021.

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This contribution will consider problems and issues related to understanding architecture and urbanism in postpalatial Crete in its larger Mediterranean context, with reference particularly to Philistia but also to Cyprus and mainland Greece (Fig. 13.1). Comparisons with Philistia and Cyprus are relevant because many scholars have argued for a migration to these regions in the form of large scale colonization, and they have attempted to identify Aegean influences and even direct architectural transfers in these regions (as outlined in sections 13.2 and 13.4). This paper takes a more moderate or minimalist position: that any migration to these regions from the Aegean was limited and entangled, taking the form of what Knapp (2008: 266–8, 289, 292, 356; see also Hitchcock and Maeir 2013) has termed a ‘hybridization process’. However, a comparative approach among the Mediterranean regions has value regardless of where one positions oneself on the issue of migration, cross-cultural influence, and/or interconnections (see now Knapp and Manning 2016). The value lies in cross-cultural patterning that may be identified based on common postpalatial changes in social organization, structures, and practices; levels of technology; climate; and geography. It is the search for such patterning that typifies the approach to studying culture in cultural anthropology (e.g. Haviland et al. 2011). The benefit in identifying architectural patterns and differences across IIIC pottery-producing cultures can help to identify both common social practices and regional differences. Furthermore, we will argue that understanding architecture on multiple scales (urbanism, curation, design, and technique) in this era should emphasize IIIC commonalities, rather than past studies that have privileged and over-emphasized continuities with the palatial Bronze Age. While such continuities are interesting and worth drawing attention to, emphasizing them minimizes the significance of the breakdown and diminishing of official architectural styles. In addition, given that the data base for architecture is much smaller than for ceramic studies, a comparative approach can bring new insights gained by using different methods—as in Driessen’s study of complementarity in the different use of similar spaces by males and females as indicated by different types of artefact patterning in each space (see chapter 5).

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Loy, Jennifer, and Tim Schork. "Building Relationships." In Reusable and Sustainable Building Materials in Modern Architecture, 166–87. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-6995-4.ch008.

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This chapter describes how digital immersion, changing social values, and environmental and economic pressures have the potential to create a paradigm shift in relationships between people and their built environment with the growing sustainability imperative. It responds to emerging opportunities provided by digital technologies for the construction, maintenance, and heritage curation of the life of buildings, and draws on aligned changes in thinking apparent in manufacturing, healthcare, business, and education in the 21st century. The ideas that shape this chapter are relevant to architects and educators, but also to scholars and practitioners across disciplines because they provide an innovative approach in responding to the types of changes currently impacting societies worldwide.

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Ryholt, Kim, and Gojko Barjamovic. "Libraries before Alexandria." In Libraries before Alexandria, 1–66. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199655359.003.0001.

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Ancient Egypt and Western Asia had a library tradition many centuries before the advent of the Greek script and the building of the Library of Alexandria. The chapter provides an overview of this tradition from the third millennium BCE onwards. It presents a rich archaeological record of many thousands of texts; the scripts, languages, and different types of manuscripts and writing equipment; the scholarship, acquisition, and curation that went into their creation; the various types of collections and assemblages of texts; literacy, reading, and access; and the architecture, storage, and maintenance of these early collections.

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Marks, Daniel, and Marcus Harbord. "Complications of cirrhosis and portal hypertension." In Emergencies in Gastroenterology and Hepatology, 251–56. Oxford University Press, 2013. http://dx.doi.org/10.1093/med/9780199231362.003.0016.

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Causes and diagnosis of cirrhosis Causes and diagnosis of non-cirrhotic portal hypertension Ascites Spontaneous bacterial peritonitis Hepatorenal syndrome Variceal haemorrhage Hepatic encephalopathy Hepatopulmonary syndromes Hepatocellular carcinoma Cirrhosis occurs following progressive hepatic fibrosis, with architectural distortion of the liver and nodule formation. It is a histological diagnosis. Late-stage cirrhosis is irreversible, at which point only liver transplantation is curative. Early-stage cirrhosis has been shown to improve following treatment and may be asymptomatic....

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Conference papers on the topic "Curating architecture"

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Hennebury, Deirdre. "Curating and exhibiting architecture." In The 10th EAAE/ARCC International Conference. Taylor & Francis Group, 6000 Broken Sound Parkway NW, Suite 300, Boca Raton, FL 33487-2742: CRC Press, 2017. http://dx.doi.org/10.1201/9781315226255-172.

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Sowe, Sulayman K., and Koji Zettsu. "The Architecture and Design of a Community-Based Cloud Platform for Curating Big Data." In 2013 International Conference on Cyber-Enabled Distributed Computing and Knowledge Discovery (CyberC). IEEE, 2013. http://dx.doi.org/10.1109/cyberc.2013.35.

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Gorton, Ian, Rouchen Xu, Yiming Yang, Hanxiao Liu, and Guoqing Zheng. "Experiments in Curation: Towards Machine-Assisted Construction of Software Architecture Knowledge Bases." In 2017 IEEE International Conference on Software Architecture (ICSA). IEEE, 2017. http://dx.doi.org/10.1109/icsa.2017.27.

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Smith, Benjamin J. "Identity Crisis: The Agency of Instagram in Schools of Architecture." In 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.28.

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The focus of this paper addresses themes of neoliberalism, university commercialization and marketing, architecture school identity formation as a representational practice through social media, and the role of image curation and its production in contemporary architecture. This paper emerged after hearing the phrase ‘buyer’s motive,’ which explained what schools needed to consider for attracting students to their programs at a conference by Ruffalo Noel Levtiz on recruitment, marketing, and retention in higher education in the United States. The use of the word, ‘buyer’, instead of ‘student’, or ‘prospective student’, or ‘learner’ seemingly transformed the production of engaged education to its passive consumption.

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Mattam, Xavierlal J., and Ravi Lourdusamy. "A Framework for Knowledgebase Curation using Cognitive Web Architecture." In 2021 International Conference on Computing, Communication, and Intelligent Systems (ICCCIS). IEEE, 2021. http://dx.doi.org/10.1109/icccis51004.2021.9397152.

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Bhat, Manoj, Christof Tinnes, Klym Shumaiev, Andreas Biesdorf, Uwe Hohenstein, and Florian Matthes. "ADeX: A Tool for Automatic Curation of Design Decision Knowledge for Architectural Decision Recommendations." In 2019 IEEE International Conference on Software Architecture Companion (ICSA-C). IEEE, 2019. http://dx.doi.org/10.1109/icsa-c.2019.00035.

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Schmitt, Ulrich, and Grandon Gill. "Entropy, Generativity, and Rugged Fitness Landscapes as the Means to Rationalize a Paradigm Shift in Knowledge Management." In InSITE 2020: Informing Science + IT Education Conferences: Online. Informing Science Institute, 2020. http://dx.doi.org/10.28945/4566.

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Aim/Purpose: While traditional Knowledge Management (KM) continues to neglect the self-interests of knowledge workers as well as generative innovation potentials, it also seems unable to respond to rising complexities, opportunity divides, and entropies. This article follows up on a decentralized KM system-in-progress with a specific focus on how its alternative architecture seeks to address the shortcomings. Background: It follows up on an informing perspective of client clusters and their target-fitness/ends-states by also taking account of contextual and means-related variances. The differing complexities of the resulting scenarios allow for making distinctions regarding the relationships and respective KM needs between mentees/informees and mentors/informants. Methodology: The approach taken is conceptual analysis. Contribution: The analysis advances the understanding of how the envisaged KM system would serve the informing scenarios better compared to the current status quo. Findings: The novel system architecture serves the more constructive interconnection of individual and collaborative spaces by strengthening personal, institution-al, and social digital curation and feedback across disciplinary and professional boundaries. Future Research: The example provided could serve as a model and assessment tool for int-grating design and informing science approaches in the study of IT/KM artefacts.

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Yagui, Marcela Mayumi Mauricio, Luis Fernando Monsores Passos Maia, Jonice Oliveira, and Adriana S. Vivacqua. "Curation of Physical Objects in Botany: Architecture and Development of a Linked Open Data-Based Application." In 2017 IEEE 15th Intl Conf on Dependable, Autonomic and Secure Computing, 15th Intl Conf on Pervasive Intelligence and Computing, 3rd Intl Conf on Big Data Intelligence and Computing and Cyber Science and Technology Congress(DASC/PiCom/DataCom/CyberSciTech). IEEE, 2017. http://dx.doi.org/10.1109/dasc-picom-datacom-cyberscitec.2017.149.

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