Academic literature on the topic 'Cunningham'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Cunningham.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Cunningham"
Gillies, Malcolm GW. "Stuart Cunningham: From creative industries to creative economies, and beyond." Media International Australia 182, no. 1 (October 6, 2021): 7–12. http://dx.doi.org/10.1177/1329878x211043893.
Full textCallahan, Daniel M. "The Gay Divorce of Music and Dance: Choreomusicality and the Early Works of Cage-Cunningham." Journal of the American Musicological Society 71, no. 2 (2018): 439–525. http://dx.doi.org/10.1525/jams.2018.71.2.439.
Full textBilston, Sarah. "“YOUR VILE SUBURBS CAN OFFER NOTHING BUT THE DEADNESS OF THE GRAVE”: THE STEREOTYPING OF EARLY VICTORIAN SUBURBIA." Victorian Literature and Culture 41, no. 4 (October 25, 2013): 621–42. http://dx.doi.org/10.1017/s1060150313000144.
Full textShaheen, Ifqut, and M. Ashraf Khan. "An Appreciation of Sir Alexander Cunningham’s Explorations at Taxila in the Light of His Methodological Framework." FWU Journal of Social Sciences 14, no. 4 (December 15, 2020): 140–48. http://dx.doi.org/10.51709/fw127212.
Full textCraig, David. "A Pedagogue's Progress, the Cunningham Turn, and the Birth of Creator Studies." Media International Australia 182, no. 1 (October 13, 2021): 59–66. http://dx.doi.org/10.1177/1329878x211043898.
Full textNoland, Carrie. "The Human Situation on Stage: Merce Cunningham, Theodor Adorno, and the Category of Expression." Dance Research Journal 42, no. 1 (2010): 47–60. http://dx.doi.org/10.1017/s0149767700000826.
Full textO’Hear, Michael M. "Cunningham." Federal Sentencing Reporter 18, no. 4 (April 1, 2006): 260–61. http://dx.doi.org/10.1525/fsr.2006.18.4.260.
Full textLotz, Amanda D. "New Patterns of Flow and Rethinking International Mediascapes: The Influence of Stuart Cunningham on Theories of Television's Travels." Media International Australia 182, no. 1 (October 29, 2021): 48–53. http://dx.doi.org/10.1177/1329878x211043896.
Full textNoland, Carrie. "Ethics, Staged." Performance Philosophy 3, no. 1 (June 25, 2017): 67. http://dx.doi.org/10.21476/pp.2017.31165.
Full textMcKeever, Gerard Lee. "Extreme Attachment." Nineteenth-Century Literature 77, no. 4 (March 1, 2023): 223–52. http://dx.doi.org/10.1525/ncl.2023.77.4.223.
Full textDissertations / Theses on the topic "Cunningham"
Andrade, Sueli Chaves. "Chris Cunningham: autoria em videoclipe." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/5263.
Full textConselho Nacional de Desenvolvimento Científico e Tecnológico
The work from the video artist Chris Cunningham is the main theme of this research. The several audiovisual productions of this director include video installations, advertising and mainly music videos. There are two reasons for the choice of this object. The first one is related to the contemporary themes of Cunningham´s projects such as cyborg and freak bodies in the context of the post-human issue. The second reason is the possibility of placing the British as author in the audiovisual field. The music videos All Is Full Of Love (1999) and Rubber Johnny (2005) are the selected works for analysis of this research. The theoretical references over which this investigation is supported are related to the issues of authorship, post-cinema images and post-human body. Around the authorship discussion this research can be placed on debates proposed by the traditional French journal Cahiers du Cinéma during 1950s and the machine-artist relationship proposed by Vilém Flusser in Towards a Philosophy of Photography. To discuss the music video the selected authors are Arlindo Machado, E. Ann Kaplan and the pop culture experts Andrew Goodwin and Simon Fritch. Besides there are also the theorists Raymond Bellour (1997) who provides a place to the video and Philippe Dubois (2004) who suggests to think of it as a state and not as a product since it´s intimately tied to the device for which it has been designed. The approach to the body theme is based on works from Lucia Santaella, Paula Sibilia and Ieda Tucherman
O trabalho do videomaker Chris Cunningham é o tema principal dessa dissertação. A variedade de produções audiovisuais desse diretor engloba videoinstalações, publicidade e principalmente videoclipes. A escolha desse objeto dá-se por duas razões. A primeira pela contemporaneidade dos temas abordados nos projetos de Cunningham, como a temática dos corpos ciborgue e freak no contexto de discussão do pós-humano. Já a segunda razão é a possibilidade de situar o britânico como autor no campo audiovisual. Os videoclipes All Is Full Of Love (1999) e Rubber Johnny (2005) são as obras selecionadas para estudo analítico nesta pesquisa. As referências teóricas que embasam este trabalho estão ligadas ao tema da autoria, das imagens pós-cinemas e corpo pós-humano. No campo da discussão acerca de autoria, o trabalho situa-se nos debates propostos pelo tradicional periódico francês Cahiers du Cinema na década de 1950 e relação artista-máquina proposta por Vilém Flusser em Filosofia da Caixa Preta. Para se dissertar sobre o videoclipe, os autores selecionados são Arlindo Machado, E. Ann Kaplan e a dupla especialista em cultura pop Andrew Goodwin e Simon Fritch, além do teórico Raymond Bellour (1997), que dá lugar ao vídeo, e Philippe Dubois (2004) que sugere pensá-lo como estado e não como produto, na medida em que está intimamente atrelado ao dispositivo para o qual foi concebido. A abordagem do tema corpo respalda-se em textos das autoras Lúcia Santaella, Paula Sibilia e Ieda Tucherman
Turková, Hana. "Merce Cunningham a jeho technika." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-177744.
Full textStruck, Tracy Joy. "A Revision of Family and Domesticity in Michael Cunningham's A Home at the End of the World, Flesh and Blood, and The Hours." The University of Montana, 2007. http://etd.lib.umt.edu/theses/available/etd-08272007-134317/.
Full textHoneycutt, Michael Wade. "William Cunningham : his life, thought, and controversies." Thesis, University of Edinburgh, 2002. http://hdl.handle.net/1842/17555.
Full textAndrade, Sueli Chaves. "Chris Cunningham: corpo e dejeto no vídeo contemporâneo." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/19734.
Full textMade available in DSpace on 2017-02-22T11:43:54Z (GMT). No. of bitstreams: 1 Sueli Chaves Andrade.pdf: 3112531 bytes, checksum: 7f54bec4f70c3790a30a9b1667d7b223 (MD5) Previous issue date: 2017-02-17
Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq
Chris Cunningham is the main subject in this thesis. Cunningham was one of the most influential and creative music video directors in the 90’s and early 2000’s. Visible throughout his art is the theme of the body and its innards - an important and wide discussion in contemporary culture studies. The hypothesis of this text is that the music video is one of the main audiovisual narratives of postmodern culture from the aspect of new aesthetics and artistic experiments. Cunningham adds original marks to the characteristics that constitute contemporary art, especially the one that has placed the body under interrogation and also the art object as waste. The contemporary art discussion in this thesis is inspired by psychanalysts Jacques-Allan Miller and Gerard Wajcman and the positioning of the object, and a new gaze at it is provided by Didi-Huberman. Concerning the role of the body in this setting, Santaella brings a contribution on it as an art support, besides presenting much of the specific problems of the body in culture. Raymond Bellour, Philippe Dubois and Arlindo Machado with their discussions around film and video allow the insertion of the music video as a language with its own characteristics and history, as the theorists Andrew Goodwin, E. Ann Kaplan and Carol Vernallis point out. The Lacanian theory provides a formal way to analyze and discuss the body from an instinctive perspective that drives the subject in the contemporary world. In order to prove this assertion and the hypothesis of this thesis, three semiotic-psychoanalytic analyses were done on the following works: All is Full of Love (1999), Flex (2000) and Rubber Johnny (2005)
Chris Cunningham é o objeto de investigação desta tese. Trata-se de um autor reconhecido de videoclipes e narrativas audiovisuais contemporâneas das décadas de 1990 e 2000. Seus trabalhos são permeados por uma temática de suma importância e ampla discussão no campo de estudos da cultura contemporânea: o tema do corpo e suas estranhezas. A hipótese que se coloca é a de que o videoclipe é um dos principais formatos narrativos audiovisuais do pós-moderno, sob o aspecto da produção de novas estéticas e experimentações artísticas. Tendo isso em vista, a obra de Cunningham acrescenta marcas originais às características próprias da arte contemporânea, especialmente aquela que vem colocando o corpo sob interrogação e o objeto enquanto dejeto. No que diz respeito aos debates que envolvem a arte contemporânea, há uma escuta daquilo que os psicanalistas Jacques-Allan Miller e Gerard Wajcman têm a dizer sobre o lugar do objeto, bem como sobre uma nova forma de olhá-lo, tal qual propõe Didi-Huberman. A respeito do papel do corpo neste mesmo cenário, Santaella traz uma contribuição sobre o mesmo como suporte da arte, além de apresentar as problemáticas específicas do corpo na cultura. Raymond Bellour, Philippe Dubois e Arlindo Machado aprofundam a discussão sobre cinema e vídeo, o que permite a inserção do videoclipe como uma linguagem com características e história próprias, conforme apontam os teóricos Andrew Goodwin, E. Ann Kaplan e Carol Vernallis. Toma-se, então, a perspectiva psicanalítica de orientação lacaniana para observar o corpo para além de sua função como suporte na arte: o das pulsões que tomam conta do sujeito no universo contemporâneo. De modo a comprovar tal afirmação e a hipótese desta tese, três análises de cunho semiótico-psicanalítico abordam os trabalhos: All is Full of Love (1999), Flex (2000) e Rubber Johnny (2005)
Martins, Laís Rodrigues Alves [UNESP]. "Faces do feminino em As Horas, de Michael Cunningham." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/154863.
Full textApproved for entry into archive by Carolina Lourenco null (carolinalourenco@fclar.unesp.br) on 2018-08-15T16:47:13Z (GMT) No. of bitstreams: 1 martins_lra_me_arafcl.pdf: 1134023 bytes, checksum: 1ca459de6b349748e2af9c54cc0b46d1 (MD5)
Made available in DSpace on 2018-08-15T16:47:13Z (GMT). No. of bitstreams: 1 martins_lra_me_arafcl.pdf: 1134023 bytes, checksum: 1ca459de6b349748e2af9c54cc0b46d1 (MD5) Previous issue date: 2018-06-26
Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
A arte pós-moderna caracteriza-se, segundo a teórica literária canadense Linda Hutcheon, por promover uma revisita e uma revisão crítica de textos e demais manifestações discursivas do passado, e por transpô-los a novos cenários e lhes conferir renovados vieses e nuances. A narrativa As Horas (The Hours, 1998), de autoria do norte-americano Michael Cunningham (1952 --), pode ser tomada como representante dessa estética, posto que se vale, tanto estrutural quanto tematicamente, de Mrs. Dalloway (1925), um dos romances canônicos do modernismo em língua inglesa, e produção de destaque em meio ao opus literário de Virginia Woolf (1882 – 1941), para sua composição. Intenta-se, no presente trabalho, promover uma análise do livro As Horas, objetivando investigar, sobretudo, como se articulam as representações do feminino na supracitada obra; para tanto, recorre-se a teorias e críticas feministas anglo-americanas e a pressupostos teóricos relativos à ficção pós-moderna. Procura-se salientar, ainda, a emergência do espólio crítico-literário woolfiano — enfatizando, principalmente, sua escrita ensaística e suas concepções feministas — na contemporaneidade.
The postmodern art is characterized, accordingly to the Canadian literary theorist Linda Hutcheon, by the revision and critical evaluation of texts and other discursive manifestations of the past, and by their transposition to new scenarios, in which they gain renewed signification. The narrative The Hours (1998), from the North-American writer Michael Cunningham (1952 --), can be seen as a representative of this aesthetic, since it recalls both structurally and thematically the novel Mrs. Dalloway (1925), one of the seminal works of modernism written in English, and prominent production amid the literary opus of Virginia Woolf (1882 - 1941), for its composition. In the present work, we intend to analyze the book The Hours, aiming to investigate, above all, how the representations of the feminine are articulated in the aforementioned work, and, to this end, we depart from Anglo-American feminist theories, as well as critiques and theoretical discussions about postmodern fiction. It is also intended to highlight the emergence of the Woolfian critical-literary collection — emphasizing, mainly, her essayist production and her feminist conceptions — in contemporaneity.
133881/2016-4
Martins, Laís Rodrigues Alves. "Faces do feminino em As Horas, de Michael Cunningham /." Araraquara, 2018. http://hdl.handle.net/11449/154863.
Full textBanca: Aparecido Donizete Rossi
Banca: Maria Aparecida de Oliveira
Banca: Fernanda Aquino Sylvestre
Resumo: A arte pós-moderna caracteriza-se, segundo a teórica literária canadense Linda Hutcheon, por promover uma revisita e uma revisão crítica de textos e demais manifestações discursivas do passado, e por transpô-los a novos cenários e lhes conferir renovados vieses e nuances. A narrativa As Horas (The Hours, 1998), de autoria do norte-americano Michael Cunningham (1952 --), pode ser tomada como representante dessa estética, posto que se vale, tanto estrutural quanto tematicamente, de Mrs. Dalloway (1925), um dos romances canônicos do modernismo em língua inglesa, e produção de destaque em meio ao opus literário de Virginia Woolf (1882 - 1941), para sua composição. Intenta-se, no presente trabalho, promover uma análise do livro As Horas, objetivando investigar, sobretudo, como se articulam as representações do feminino na supracitada obra; para tanto, recorre-se a teorias e críticas feministas anglo-americanas e a pressupostos teóricos relativos à ficção pós-moderna. Procura-se salientar, ainda, a emergência do espólio crítico-literário woolfiano - enfatizando, principalmente, sua escrita ensaística e suas concepções feministas - na contemporaneidade.
Abstract: The postmodern art is characterized, accordingly to the Canadian literary theorist Linda Hutcheon, by the revision and critical evaluation of texts and other discursive manifestations of the past, and by their transposition to new scenarios, in which they gain renewed signification. The narrative The Hours (1998), from the North-American writer Michael Cunningham (1952 --), can be seen as a representative of this aesthetic, since it recalls both structurally and thematically the novel Mrs. Dalloway (1925), one of the seminal works of modernism written in English, and prominent production amid the literary opus of Virginia Woolf (1882 - 1941), for its composition. In the present work, we intend to analyze the book The Hours, aiming to investigate, above all, how the representations of the feminine are articulated in the aforementioned work, and, to this end, we depart from Anglo-American feminist theories, as well as critiques and theoretical discussions about postmodern fiction. It is also intended to highlight the emergence of the Woolfian critical-literary collection - emphasizing, mainly, her essayist production and her feminist conceptions - in contemporaneity.
Mestre
LIMA, Fábio Ferreira de. "Sentidos fluidos: uma abordagem semiótica dos videoclipes de Chris Cunningham." Universidade Federal de Goiás, 2006. http://repositorio.bc.ufg.br/tede/handle/tde/2767.
Full textOs vídeos da cultura de massa são importantes meios para a compreensão de um ambiente cultural contemporâneo, capazes de revelarem significados dos costumes e valores sociais. Dentro dos vários gêneros existentes, o videoclipe é um modelo de grande disseminação na sociedade, contendo uma tipologia irregular. A escolha desses formatos prende-se a fatores propriamente relacionados à investigação de fenômenos sígnicos híbridos de grande visibilidade. Encontra-se numa abordagem do objeto inserida no contexto dos processos contemporâneos de produção de imagens visuais e busca-se nesse objeto, a realização de exames, reconhecimentos das suas signagens videográficas. Então, o propósito da presente dissertação é de, através dos discursos sonoro, textual e imagético, procurar identificar traços do fenômeno de natureza sonoro-visual e as suas marcas sígnicas nos segmentos dos videoclipes cuja estruturação semiótica esteja comprometida com o processo de desconstrução videográfica, a partir do contexto de criação do diretor e videasta Chris Cunningham. As análises incluem os seguintes trabalhos: Come to Daddy, para Aphex Twin; Afrika Shox, para Leftfield e All is Full of Love, para Björk. O referencial teórico-metodológico de pesquisa adotado foi o semiótico, estabelecido por pontos de contato entre as categorias sintáticas, semânticas e pragmáticas desenvolvidas por Charles W. Morris, além de conceitos de Charles S. Pierce. Acrescentam-se aí, os métodos analíticos de Siegfried Maser, estudos de Daniel Bougnoux, Rudolf Arnheim, Arlindo Machado, Raymond Bellour, Jacques Aumont e outros, que sustentam a apreciação realizada. Na decomposição analítica foram levantados os elementos constituintes dos videoclipes, descritos em pormenores, operação que remonta as combinações sintáticas das idéias materializadas nesses signos. A partir da sintaxe são alcançados os aspectos semânticos e posteriormente, estende-se o contexto pragmático. Os estudos foram dispostos também em forma de tabela, contendo gráficos e dados mensurativos, servindo para fixar com exatidão referências das algumas discussões teóricas realizadas. É incluído também um exame da metodologia utilizada, a partir desses resultados e elementos identificados, no resgate dos conceitos semióticos de Charles W. Morris. Por fim, são observadas algumas questões da produção de sentidos, dessas associações em vista à obtenção de objetivos específicos, onde essas atividades possam ser recontextualizadas dentro da cultura visual.
Unrau, Sharon L. "Children's Dance : an exploration through the techniques of Merce Cunningham /." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488194825668023.
Full textDamkjær, Camilla. "The aesthetics of movement : variations on Gilles Deleuze and Merce Cunningham /." Stockholm : Dept. of Musicology and Performance Studies, Stockholms universitet : Stiftelsen för utgivning av teatervetenskapliga studier, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015470188&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Full textBooks on the topic "Cunningham"
Gubernatis, Raphaël de. Cunningham. Arles: B. Coutaz, 1990.
Find full textIndia, Archaeological Survey of, ed. Cunningham report. New Delhi: Archaeological Survey of India, 2000.
Find full textGermano, Celant, Fundació Antoni Tàpies, Fundação de Serralves (Portugal), Castello di Rivoli (Museum : Rivoli, Italy), and Museum Moderner Kunst (Austria), eds. Merce Cunningham. Milano: Charta, 1999.
Find full textCunningham, Earl. Earl Cunningham. New York, NY: Berry-Hill, 2003.
Find full textJames, Klosty, ed. Merce Cunningham. New York: Limelight Editions, 1986.
Find full textGermano, Celant, ed. Merce Cunningham. Milano: Charta, 2000.
Find full textCosgrove, Janet. Cunningham-- Cosgrove. Ocala, Fla. (P.O. Box 6321 Ocala, 32678): J. Cosgrove, 1990.
Find full textCunningham, Francis. Francis Cunningham. Milan, Italy: 5 continents, 2020.
Find full textCunningham, Patrick. Mexico: By Patrick Cunningham ; photographs by Sue Cunningham. Mankato, MN: Cherrytree Books, 2004.
Find full textRichard, Lorenz, ed. Imogen Cunningham: Portraiture. Boston: Little, Brown and Company, 1997.
Find full textBook chapters on the topic "Cunningham"
Osborn, Steven. "Ward Cunningham." In Makers at Work, 177–94. Berkeley, CA: Apress, 2013. http://dx.doi.org/10.1007/978-1-4302-5993-0_14.
Full textLloyd, Brian B. "Daniel J. C. Cunningham." In Frontiers in Arterial Chemoreception, 39–43. Boston, MA: Springer US, 1996. http://dx.doi.org/10.1007/978-1-4615-5891-0_3.
Full textKurer, O. "Cunningham, William (1849–1919)." In The New Palgrave Dictionary of Economics, 2536–37. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_504.
Full textKurer, O. "Cunningham, William (1849–1919)." In The New Palgrave Dictionary of Economics, 1–2. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1057/978-1-349-95121-5_504-1.
Full textKurer, O. "Cunningham, William (1849–1919)." In The New Palgrave Dictionary of Economics, 1–2. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_504-2.
Full textMould, Richard F. "Anecdote on Dr Cunningham." In Mould's Medical Anecdotes, 180. New York: Routledge, 2018. http://dx.doi.org/10.1201/9780203746448-102.
Full textSemmel, Bernard. "William Cunningham: National Economist." In Imperialism and Social Reform, 188–201. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003368908-10.
Full textKontou, Tatiana, Victoria Mills, and Richard Menke. "[H. Cunningham], ‘Horseless Carriages’ [Extract]." In Victorian Material Culture, 114–23. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315400303-28.
Full textRitzenhoff, Karen A. "A maverick on the streets: Bill Cunningham and the documentary process." In Documenting Fashion, edited by Boel Ulfsdotter and Boel Ulfsdotter, 102–21. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474476164.003.0007.
Full text"Cunningham Correction." In Encyclopedia of Microfluidics and Nanofluidics, 514. New York, NY: Springer New York, 2015. http://dx.doi.org/10.1007/978-1-4614-5491-5_200025.
Full textConference papers on the topic "Cunningham"
Singer, Brooke, and Paul Cunningham. "Brooke Singer, Paul Cunningham." In the 29th International Conference. New York, New York, USA: ACM Press, 2002. http://dx.doi.org/10.1145/2931127.2931176.
Full textFrepoli, Cesare, and Katsuhiro Ohkawa. "Void Fraction Predictions in Rod Bundles at Low-Pressure Low-Flow Conditions Based on Cunningham-Yeh Model." In 12th International Conference on Nuclear Engineering. ASMEDC, 2004. http://dx.doi.org/10.1115/icone12-49437.
Full textFarnsworth, J., and P. Slaven. "Application of the Community-Based Watershed Management Planning Process to Preserve Cunningham Lake." In World Environmental and Water Resources Congress 2006. Reston, VA: American Society of Civil Engineers, 2006. http://dx.doi.org/10.1061/40856(200)452.
Full text"Modelling the dynamics of fire whirls." In 25th International Congress on Modelling and Simulation. Modelling and Simulation Society of Australia and New Zealand, 2023. http://dx.doi.org/10.36334/modsim.2023.cunningham.
Full textHasan, Md Mahadi, and Muhammad Usama Islam. "JCVirusNEntamoebaNET (JCENET): A Deep Neural Network for John Cunningham Virus and Entamoeba Parasite Detection." In 2021 International Conference on Information and Communication Technology for Sustainable Development (ICICT4SD). IEEE, 2021. http://dx.doi.org/10.1109/icict4sd50815.2021.9396771.
Full textAbouali, Omid, and Goodarz Ahmadi. "Numerical Modeling of Upstream Nozzle Effect in Supersonic/Hypersonic Impactors for Nano-Particles." In ASME 2005 Fluids Engineering Division Summer Meeting. ASMEDC, 2005. http://dx.doi.org/10.1115/fedsm2005-77433.
Full text"Provenance narratives and visualisation to support understanding and trust." In 23rd International Congress on Modelling and Simulation (MODSIM2019). Modelling and Simulation Society of Australia and New Zealand, 2019. http://dx.doi.org/10.36334/modsim.2019.d1.cunningham.
Full textSantiago, Igor Bessa, Ivna Lacerda Pereira Nobrega, Lucas Silvestre Mendes, Gabriela Joca Martins, Jose Artur Costa D'Almeida, and Milena Sales Pitombeira. "Low seropositive John Cunningham virus (JCV) profile in a Northeast Brazilian Natalizumab MS treated population: differences comparing with global data." In PROCEEDINGS OF THE BCTRIMS 24TH ANNUAL MEETING. Galoa, 2023. http://dx.doi.org/10.17648/bctrims-2023-167471.
Full textAbouali, Omid, and Goodarz Ahmadi. "Bow Shock Effect on Particle Transport and Deposition in a Hypersonic Impactor." In ASME/JSME 2003 4th Joint Fluids Summer Engineering Conference. ASMEDC, 2003. http://dx.doi.org/10.1115/fedsm2003-45072.
Full textElias, Larissa, and Maria Luisa Garrido. "The conception of “fashion-sculpture” in Rei Kawakubo’s costumes for the choreography “Scenario”(1997)." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.118.
Full textReports on the topic "Cunningham"
Plouffe, A. Surficial geology, Cunningham Lake, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1996. http://dx.doi.org/10.4095/207486.
Full textNajafi, Farzaneh, Gamaleldin F. Elsayed, Robin Cao, Eftychios Pnevmatikakis, Peter E. Latham, John P. Cunningham, and Anne K. Churchland. Dataset from "Farzaneh Najafi, Gamaleldin F Elsayed, Robin Cao, Eftychios Pnevmatikakis, Peter E. Latham, John P Cunningham, Anne K Churchland (bioRxiv, 2018); Excitatory and inhibitory subnetworks are equally selective during decision-making and emerge simultaneously during learning.”. Cold Spring Harbor Laboratory, February 2019. http://dx.doi.org/10.14224/1.37693.
Full text