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Books on the topic 'Cultures vodoun'

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Published: 6 July 2024

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1

Aguessy, Honorat. Cultures vodoun: Manifestations, migrations, métamorphoses : Afrique, Caraïbes, Amériques. Cotonou, Bénin: Institut de développement et d'échanges endogènes, 1992.

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2

Michel, Claudine, and Patrick Bellegarde-Smith. Vodou in Haitian Life and Culture. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780312376208.

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3

Claudine, Michel, and Bellegarde-Smith Patrick, eds. Vodou in Haitian life and culture: Invisible powers. New York: Palgrave Macmillan, 2006.

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4

Largey, Michael D. Vodou nation: Haitian art music and cultural nationalism. Chicago, IL: University of Chicago Press, 2006.

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5

Largey, Michael D. Vodou nation: Haitian art music and cultural nationalism. Chicago: University of Chicago Press, 2006.

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6

Gbaguidi, Julien K. Interculturalite pour une hermeneutique inculturee de la jarre trouee: (essai sociologique, sociolinguistique et semiotique). Benin: Bibliotheque Nationale, 2018.

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7

Omaïs, Fondation Atef. Culture et tradition au Bénin: Le guèlèdè, le vodun ; suivi de Les femmes dans la santé, l'économie, la culture. [Saint-Maur-des-Fossés]: Sépia, 2011.

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8

Adoukonou, B. Vodun, démocratie et pluralisme religieux: Contribution du Me̳wihwe̳ndo/Sillon Noir, Ouidah 92, retrouvailles Amériques-Afrique, premier Festival des arts et des cultures Vodun, 8 au 18 février 1993. Cotonou: Centre Q.I.C., 1993.

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9

Zinzindohoué, Barthélémy. Le fait religio-culturel Vodún, sans la psychose: Semence d'inculturation chrétienne. Cotonou: Les Éditions IdS, 2016.

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10

Delbeau, Jean-Claude. Société, culture et médecine populaire traditionnelle: Étude sur le terrain d'un cas, Haïti. Port-au-Prince, Haïti: Impr. Deschamps, 1990.

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11

Meudec, Marie. MALADIE, VODOU ET GESTION DES CONFLITS EN HAÏTI - Le cas du Kout Poud. Paris: Editions L'Harmattan, 2007.

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12

1959-, Dijk Rijk van, and Rijksuniversiteit te Leiden Afrika-Studiecentrum, eds. Een schijn van voodoo: Culturele achtergronden van de handel in Nigeriaanse meisjes voor de Nederlandse prostitutie : een verkenning. 2nd ed. Leiden: Afrika-Studiecentrum, 2000.

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13

van, Dijk Rijk, and Rijksuniversiteit te Leiden Afrika-Studiecentrum, eds. Een schijn van voodoo: Culturele achtergronden van de handel in Nigeriaanse meisjes voor de Nederlandse prostitutie : een verkenning. 2nd ed. Leiden: Afrika-Studiecentrum, 2000.

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14

Joint, Gasner. Libération du vaudou dans la dynamique d'inculturation en Haïti. Roma: Pontificia università gregoriana, 1999.

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15

Olmos, Margarite Fernández. Creole religions of the Caribbean: An introduction from Vodou and Santería to Obeah and Espiritismo. New York: New York University Press, 2003.

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16

Hebblethwaite, Benjamin. A Transatlantic History of Haitian Vodou. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496835604.001.0001.

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A Transatlantic History of Haitian Vodou focuses on the influence of the kingdoms of Dahomey, Allada, and Hueda in the emergence of central rites in Haitian Vodou. Connecting four centuries of political, social, and religious history with fieldwork and language documentation, this book analyzes Haitian Vodou’s African origins, transmission to Saint-Domingue, and promulgation through song in contemporary Haiti. The African chapters focus on history, economics and culture in Dahomey, Allada, and Hueda while scrutinizing the role of Europeans in fomenting tensions. The political, military, and slave trading histories of the kingdoms in the Bight of Benin reveal the circumstances of enslavement, including the geographies, ethnicities, languages, and cultures of enslavers and enslaved. The study of the spirits, rituals, and music of the region’s religions sheds light on important sources for Haitian Vodou. Having royal, public, and private expressions, Vodun spirit-based traditions served as cultural systems that supported or contested power and enslavement. At once suppliers and victims of the European slave trade, Aja, Fon, and Yoruba people deeply shaped the emergence of Haiti’s creolized culture. The Haitian chapters focus on Vodou’s Rada Rite (from Allada) and Gede Rite (from Abomey) through the songs of Rasin Figuier’s Vodou Lakay and Rasin Bwa Kayiman’s Guede, rasin compact discs released on Jean Altidor’s Miami label, “Mass Kompa Records.” All the Vodou songs on the discs are analyzed with a method dubbed “Vodou hermeneutics” that harnesses history, religious studies, linguistics, literary criticism, and ethnomusicology in order to advance a scholarly approach to Vodou songs.
17

Anderson, Jeffrey E., ed. The Voodoo Encyclopedia. ABC-CLIO, LLC, 2015. http://dx.doi.org/10.5040/9798216033097.

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This compelling reference work introduces the religions of Voodoo, a onetime faith of the Mississippi River Valley, and Vodou, a Haitian faith with millions of adherents today. Unlike its fictional depiction in zombie films and popular culture, Voodoo is a full-fledged religion with a pantheon of deities, a priesthood, and communities of believers. Drawing from the expertise of contemporary practitioners, this encyclopedia presents the history, culture, and religion of Haitian Vodou and Mississippi Valley Voodoo. Though based primarily in these two regions, the reference looks at Voodoo across several cultures and delves into related religions, including African Vodu, African Diasporic Religions, and magical practices like hoodoo. Through roughly 150 alphabetical entries, the work describes various aspects of Voodoo in Louisiana and Haiti, covering topics such as important places, traditions, rituals, and items used in ceremonies. Contributions from scholars in the field provide a comprehensive overview of the subject from various perspectives and address the deities and ceremonial acts. The book features an extensive collection of primary sources and a selected, general bibliography of print and electronic resources.
18

Charles, Asselin, Celucien L. Joseph, Brandon R. Byrd, Nixon S. Cleophat, and Wiebke Beushausen. Vodou in Haitian Memory: The Idea and Representation of Vodou in Haitian Imagination. Lexington Books/Fortress Academic, 2016.

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19

Brüske, Anne, Celucien L. Joseph, Brandon R. Byrd, Nixon S. Cleophat, and Wiebke Beushausen. Vodou in Haitian Memory: The Idea and Representation of Vodou in Haitian Imagination. Lexington Books/Fortress Academic, 2016.

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20

Vodou in Haitian Life and Culture: Invisible Powers. Palgrave Macmillan, 2006.

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21

Vodou in Haitian Life and Culture: Invisible Powers. Palgrave Macmillan, 2006.

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22

Michel, C., and P. Bellegarde-Smith. Vodou in Haitian Life and Culture: Invisible Powers. Palgrave Macmillan Limited, 2006.

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23

Michel, C., and P. Bellegarde-Smith. Vodou in Haitian Life and Culture: Invisible Powers. Palgrave Macmillan, 2006.

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24

Bellegarde-Smith, Patrick, and Claudine Michel. Vodou in Haitian Life and Culture: Invisible Powers. Palgrave Macmillan, 2010.

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25

Past, Mariana F., and Benjamin Hebblethwaite. Stirring the Pot of Haitian History. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859678.001.0001.

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Stirring the Pot of Haitian History is an original translation of Ti difé boulé sou istoua Ayiti (1977), the first book written by Haitian anthropologist Michel-Rolph Trouillot. Challenging understandings of Haitian history, Trouillot analyzes the pivotal role of self-emancipated revolutionaries in the Haitian Revolution and War of Independence (1791-1804), a generation of people who founded the modern Haitian state and advanced Haiti’s vibrant contemporary cultures. This book confronts the problems of self-serving politicians and the racial mythologizing of historical figures like Jean-Jacques Dessalines, Toussaint Louverture and André Rigaud. The author denounces corruption and racism as hereditary maladies received from the hyper-racist slave society of the French colony of Saint-Domingue. Trouillot also examines the socio-economic and political contradictions and inequalities of Saint-Domingue, traces the unravelling of the colony’s racist economic system after the revolts of 1791, and argues that Haitian Creole language and Haitian Vodou religion provided the bedrock cultural cohesion needed to fuel the resistance, revolt and warfare that led to Haitian independence on January 1, 1804. Trouillot blends Marxist criticism, deep readings in Haitian historiography, anthropological insights, and skilful handling of Haiti's rich oral traditions of storytelling, proverbs and wisdom sayings to provide a sharp and earthy account of Haitian social and political thought rooted in the style and culture of Haitian Creole speakers. Each chapter opens with a line of verse, song or a proverb that pulls readers into a historical oral performance. Haitian oral tradition from popular culture and Vodou religion mingle with explorations of complex social and political realities and historical hypotheses. Although the Haitian Creole majority language still plays second fiddle to French in government and education, Ti difé boulé sou istoua Ayiti is a major contribution in the effort to demonstrate the power of Haitian Creole scholarship. Stirring the Pot of Haitian History holds a preeminent place in the expanding canon of Haitian Creole and Caribbean literature, especially as it shows how historical problems continue to insinuate themselves within the contemporary moment.
26

Lovell, Nadia. Cord Of Blood: Possession and the Making of Voodoo (Anthropology, Culture and Society). Pluto Press, 2002.

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27

Lovell, Nadia. Cord Of Blood: Possession and the Making of Voodoo (Anthropology, Culture and Society). Pluto Press, 2002.

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28

Duffy, Damian. The Hole: Consumer Culture, Volume 1. Front Forty Press, 2008.

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29

Weinel, Jonathan. Ancient Ways. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190671181.003.0003.

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This chapter discusses shamanism, explaining the ethos and mythology of several indigenous societies, and how these belief systems relate to the design of art and music. First, a general overview of shamanism is provided, which outlines the typical role and function of a shaman. An explanation of the shamanic visionary experience, a type of altered state of consciousness, is then provided. Following this, the chapter explores a variety of visual art from indigenous shamanic cultures, including examples from San, Native American, Huichol, Tukano, and Shipibo traditions. The sound and music of shamanic and trance cultures is also discussed, with reference to Vodou, Tukano, Mazatec, Kiowa, and Mayan examples, and relevant field recordings. Through the course of this discussion, the chapter establishes a view of how shamanic art and music invoke a sense of the spirit world, which informs the subsequent discourse of Inner Sound.
30

Government, U. S., U. S. Military, and Department of Defense. Haiti in Perspective - Orientation Guide and Cultural Orientation: Geography, History, Economy, Religion, Customs, Duvalier, Vodou , Aristide, Catholicism, Port-Au-Prince, Windward Passage. Independently Published, 2017.

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31

Accilien, Cécile, and Valérie K. Orlando, eds. Teaching Haiti. University Press of Florida, 2021. http://dx.doi.org/10.5744/florida/9781683402107.001.0001.

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This volume is the first to focus on teaching about Haiti’s complex history and culture from a multidisciplinary perspective. Making broad connections between Haiti and the rest of the Caribbean, contributors provide pedagogical guidance on how to approach the country from different lenses in course curricula. They offer practical suggestions, theories on a wide variety of texts, examples of syllabi, and classroom experiences. Teaching Haiti dispels stereotypes associating Haiti with disaster, poverty, and negative ideas of Vodou, going beyond the simplistic neocolonial, imperialist, and racist descriptions often found in literary and historical accounts. Instructors in diverse subject areas discuss ways of reshaping old narratives through women’s and gender studies, poetry, theater, art, religion, language, politics, history, and popular culture, and they advocate for including Haiti in American studies and Latin American studies courses. Portraying Haiti not as “the poorest nation in the Western Hemisphere” but as a nation with a multifaceted culture that plays an important part on the world’s stage, this volume offers valuable lessons about Haiti’s past and present related to immigration, migration, locality, and globality. The essays remind us that these themes are increasingly relevant in an era in which teachers are often called to address neoliberalist views and practices and isolationist politics.
32

Paravisini-Gebert, Lizabeth, and Margarite Fernandez Olmos. Creole Religions of the Caribbean: An Introduction from Vodou and Santeria to Obeah and Espiritismo (Religion, Race, and Ethnicity). NYU Press, 2003.

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33

Pressley-Sanon, Toni. Istwa across the Water: Haitian History, Memory, and the Cultural Imagination. University Press of Florida, 2017.

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34

Pressley-Sanon, Toni. Istwa Across the Water: Haitian History, Memory, and the Cultural Imagination​. University Press of Florida, 2017.

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35

Mvuyekure, Pierre-Damien. The Dark Heathenism of the American Novelist Ishmael Reed: African Voodoo As American Literary Hoodoo. Edwin Mellen Pr, 2007.

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36

Fandrich, Ina Johanna. The Mysterious Voodoo Queen, Marie Laveaux: A Study of Powerful Female Leadership in Nineteenth Century New Orleans (Studies in African American History and Culture). Routledge, 2005.

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