Books on the topic 'Culturall history'

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1

Akus, Chude. Idemili: Cultural history. Owerri: Center for Igbo Civilization and History, 1991.

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2

Etpison, Mandy T. Palau: Cultural history. Koror: Tkel Corp., 2004.

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3

Sito Arquitetura: Edifícios culturais : Centro Cultural Usiminas. São Paulo, SP: C4, 2006.

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4

Melendez, Adilson. Sito Arquitetura: Edifícios culturais : Centro Cultural Usiminas. São Paulo, SP: C4, 2006.

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5

What is cultural history? 2nd ed. Cambridge, U.K: Polity Press, 2008.

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6

Lima: A cultural history. New York: Oxford University Press, 2005.

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7

Impotence: A cultural history. Chicago, IL: University of Chicago Press, 2007.

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8

Arthur, Cotterell, and Arthur Cotterell. China: A cultural history. New York: New American Library, 1988.

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9

Siberia: A cultural history. Oxford: Oxford University Press, 2010.

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10

Garrett, Martin. Provence: A cultural history. Oxford: Signal, 2006.

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11

Institute, Bosnian, ed. Bosnia: A cultural history. London: Saqi Books in association with the Bosnian Institute (London), 2001.

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12

1976-, Sathyanathan Vikram, ed. Thanjavur: A cultural history. New Delhi: Niyogi Books, 2010.

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13

Tokyo: A cultural history. Oxford: Oxford University Press, 2009.

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14

Marien, Mary Warner. Photography: A cultural history. 3rd ed. Upper Saddle River, NJ: Pearson Prentice Hall, 2011.

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15

Burke, Peter. What is cultural history ? Cambridge, U.K: Polity Press, 2004.

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16

What is cultural history? Cambridge, U.K: Polity Press, 2004.

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17

Cultural history of Karnataka. Mysore: Mysore Book House, 2012.

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18

Insomnia: A cultural history. London: Reaktion, 2008.

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19

G, Ashplant T., and Smyth Gerry 1961-, eds. Explorations in cultural history. London ; Sterling Va: Pluto Press, 2001.

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20

1937-, Prance Ghillean T., ed. Cultural history of plants. New York: Routledge, 2004.

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21

M, Mohsin K., Ahmed Sharif Uddin, Asiatic Society of Bangladesh, and Cultural Survey of Bangladesh Project., eds. Cultural history. Dhaka: Asiatic Society of Bangladesh, 2007.

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22

Arcangeli, Alessandro. Cultural History. Routledge, 2013. http://dx.doi.org/10.4324/9780203789247.

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23

Hunt, Lynn. New Cultural History. University of California Press, 1989.

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24

1926-, Goldberg S. L., Smith F. B. 1932-, and Australian Academy of the Humanities., eds. Australian cultural history. Cambridge: Cambridge University Press, 1988.

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25

New Cultural History. University of California Press, 1989.

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26

Highmore, Ben. Practicing Cultural History. Taylor & Francis Group, 2020.

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27

Highmore, Ben. Practicing Cultural History. Taylor & Francis Group, 2020.

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28

Mengler, Judith, and Kristina Müller-Bongard, eds. Doing Cultural History. transcript-Verlag, 2018. http://dx.doi.org/10.14361/9783839445358.

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29

Bender, Thomas. Intellectual & Cultural History. Amer Historical Assn, 1997.

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30

Tennis: Cultural History. Continuum International Publishing Group, 1998.

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31

American Cultural History. Oxford University Press, Incorporated, 2018.

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32

Mengler, Judith, and Kristina Müller-Bongard, eds. Doing Cultural History. transcript Verlag, 2018. http://dx.doi.org/10.1515/9783839445358.

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33

Anderson, Greg. Beyond Cultural History. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190886646.003.0006.

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Part One concludes by suggesting that the ultimate source of all these analytical problems is our standard modern template of social being. And the ultimate problem with this historicist model is that it imposes modern, dualist metaphysical conditions upon all non-modern realities, thereby authorizing us to align those realities with our own modern ontological commitments, fundamentally altering their contents in the process. The net result is a practice that homogenizes the past’s many different ways of being human by translating them all into the same peculiarly modern terms. Moreover, there is no obvious alternative practice available. Even the more theoretically informed forms of current historical practice, like mainstream cultural history, discursive history, and the “new materialist history,” likewise oblige us to re-engineer realities at the ontological level, since they too remain committed to a peculiarly modern metaphysical dualism. To produce histories that are more ethically defensible, more philosophically robust, and more historically meaningful, we need to take an ontological turn in our practice. As a number of influential anthropologists have recently proposed, we need to employ a more “recursive” mode of analysis, one that can make sense of each non-modern world on its own ontological terms, in its own original metaphysical conjuncture, as a more or less autonomous world unto itself. In Parts Two and Three, the book will consolidate the anthropologists’ case for this move in a number of ways.
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34

1926-, Goldberg S. L., Smith F. B. 1932-, and Australian Academy of the Humanities., eds. Australian cultural history. Melbourne: Published in association with the Australian Academy of the Humanities (by) Cambridge University Press, 1989.

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35

Peter, Rietbergen. Europe: Cultural History. Taylor & Francis Group, 1998.

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36

Minden, Michael. Cultural History of German Literature (Cultural History of Literature). Polity Pr, 2006.

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37

Cultural History of German Literature (Cultural History of Literature). Polity Pr, 2008.

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38

Green, Anna. Cultural History (Theory and History). Palgrave Macmillan, 2008.

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39

Cultural History (Theory and History). Palgrave Macmillan, 2008.

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40

Collini, Stefan. Literary History as Cultural History. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198800170.003.0008.

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This chapter begins with the observation that a number of literary critics in this period express the hope that a new form of ‘cultural history’ would provide the basis for an evaluative assessment of the direction of social change. They look to those trained as critics, not to historians, for such an approach, one that tries to identify the ‘quality of living’ in evidence in various periods. The chapter shows how such work played an important part in a wider public’s understanding of history in the years between the 1940s and the 1970s, with the Pelican Guide to English Literature providing a notable illustration. The chapter suggests that the reception of Williams’s unconventional book, The Long Revolution, in 1961 can be seen to mark the end of the style of work considered in the previous chapters.
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41

Woodfield, Richard. Art History as Cultural History. Routledge, 2014. http://dx.doi.org/10.4324/9781315078571.

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42

Rome: A Cultural History (Cultural Histories). Interlink, 2007.

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43

Calcutta: A Cultural History (Cultural Histories). Interlink Pub Group Inc, 2008.

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44

Weatherly, Myra. Exploring Cultural History - Living in 1920s America (Exploring Cultural History). Greenhaven Press, 2005.

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45

Nesbitt, Mark R. Exploring Cultural History - Living in Renaissance Italy (Exploring Cultural History). Greenhaven Press, 2005.

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46

Exploring Cultural History - Living in Ancient Egypt (Exploring Cultural History). Greenhaven Press, 2003.

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47

Sage, Victor. Cultural History of Europeam Gothic Literature (Cultural History of Literature). Polity Pr, 2008.

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48

Sage, Victor. Cultural History of Europeam Gothic Literature (Cultural History of Literature). Polity Pr, 2009.

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49

Parque Cultural de Molinos (Parques culturales de Aragon). Gobierno de Aragon, 1992.

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50

Burke, Peter. What Is Cultural History? Polity Press, 2013.

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