Relevant bibliographies by topics / Cultural tourism

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Cultural tourism'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Cultural tourism"

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Ristić, Zoran. "CULTURAL TOURISM AS A UNIQUE FORM OF SUSTAINABLE TOURISM – CULTURAL RESOURCES AS TOURISM OFFER FACTORS." ЗБОРНИК РАДОВА ЕКОНОМСКОГ ФАКУЛТЕТА У ИСТОЧНОМ САРАЈЕВУ 1, no. 17 (May 17, 2019): 63. http://dx.doi.org/10.7251/zrefis1817063r.

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There is a worldwide trend of increasing interest in cultural tourism products, and the World Tourism Organization predicts that the cultural tourism market will be one of the five leading segments of the tourism market in the future. Local culture is an important feature of a tourist destination, and thanks to tourism, it becomes a flywheel of social and economic development. Cultural tourism is focused on cultural attractions and activities as the main reasons for traveling, and the participation of cultural tourism in all tourist movements is increasing. Thus in France, Italy, Spain, the United Kingdom, income from tourists whose primary goal is to get acquainted with cultural goods and cultural achievements exceed 1/3 of total tourism revenues. Starting from the above, this paper focuses on the analysis of the key problems of the development of cultural tourism and the possibilities of enriching tourist destinations with cultural offer through the development of a cultural product, as a way of increasing the value of a comprehensive tourist offer and attracting a large number of tourists. It concludes with a brief analysis of the key issues for this field of cultural policy in the Republic of Serbia and recommendations on how to make a tourist attraction from a cultural resource and to achieve greater satisfaction of the tourists with their stay in a destination.
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ADHIKA, I. Made, and I. Dewa Gede Agung Diasana PUTRA. "REINVIGORATING CULTURAL LANDSCAPES FOR PLANNING CULTURAL TOURISM IN BALI." GeoJournal of Tourism and Geosites 33, no. 4 (December 31, 2020): 1462–69. http://dx.doi.org/10.30892/gtg.334spl03-594.

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A cultural landscape, a configuration produced by human actions and cultural structures in a physical setting, has a significant role to play as a vital feature of cultural tourism in Bali. However, this configuration has become the most heavily commoditized elements of the development of tourism. Construction of tourist amenities has exploited the notion of a cultural landscape that has been integrated into cultural practices, the environment and agriculture. This development and planning are a paradoxical phenomenon and a challenge for people to retain the identity of their cultural landscape while also seeking economic benefits from tourism. The struggle between the protection of the identity of the cultural landscape translated and manifested in the context of agriculture and its transformation in the context of designing tourist facilities has shaped the fundamental argument for preservation. Since there are different cultural traditions and practices in many Balinese cultural landscapes, the relationship between tourism and the diversity of cultural areas has become a key objective in the development of tourism and planning tourist facilities. This paper explores the current struggles between the concepts of tourism development and planning, and the conservation of Bali's cultural landscape. The paper argues that the focus of Bali's tourism development is to maintain and reinvigorate the integration of natural landscapes and cultural practices that present a persistent link between the agricultural system and religious practices.
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ARDELEAN, Simona-Violeta, and Alina BADULESCU. "CONSIDERATIONS ON THE CULTURAL TOURISM MARKET AND CULTURAL TOURIST PROFILE." Annals of the University of Oradea. Economic Sciences 31, no. 31(1) (July 15, 2022): 13–23. http://dx.doi.org/10.47535/1991auoes31(1)001.

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The article proposes a conceptual analysis of the cultural tourism market and the profile of the cultural tourist. The way in which, depending on the different types of motivations, the cultural tourism market can be subdivided into a number of sub-markets or niche markets such as: tangible heritage (tangible), intangible culture (intangible), city breaks, tastings (food and wine), community tourism in which tourism experiences are managed by local communities and religious / spiritual tourism. Cultural tourists are individuals or groups looking for distinct experiences, focusing on visual arts and entertainment, architecture, cooking and crafts, often combining primary motivation with secondary motivation. Cultural tourism is linked to the profile of tourists, and here the generational component seems to be particularly relevant. Identifying and understanding the most appropriate tourist markets and the motivations and needs of tourists in travel experiences is a critical step in attracting tourists to tourist cities with cultural and heritage values. Cultural tourists validate the importance of heritage, arts and culture through experience in these destinations, and income from this type of tourism contributes to the prosperity of the community and local businesses, while supporting activities related to culture, art or local public services. The methodology used includes bibliographic documentation for the analysis, detailing and exemplification of niche markets of cultural tourism, as well as the investigation of the relationship between the availability of cultural goods and the motivation, typology and profile of cultural tourists.
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Ilincic, Marina, and Dobrica Jovicic. "Perspectives of cultural tourism in the modern tourism market." Glasnik Srpskog geografskog drustva 95, no. 1 (2015): 31–50. http://dx.doi.org/10.2298/gsgd1501031l.

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The last decades of the XX century, which the United Nations declared the decade of cultural tourism in the world, have contributed to encouraging people to think about the question of how tourism can contribute to the development of heritage and culture, or how tourism the same may compromise. However, the cultural offer today, is an essential and important part of a modern tourist offer, without which it can no longer be imagined, as cultural tourism is becoming an increasingly important segment of the global tourism market. It had a great share in the expansion of a tourist demand and tourist offer and their profiling, leading to a whole series of specific forms of tourism in its embrace, and today more attention is paid to the industrial heritage, cultural routes, cultural landscapes and similar, as current forms of cultural tourism in the modern tourism market. In fact, theorists of tourism are now faced with a number of new types of tourist movements which have resulted in the creation of various forms of cultural tourism that were not even discussed in the last century, and the fact is that a change in tourist demand brings new habits and new needs that can be implemented only through special forms of tourism.
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Sančanin, Branislav, Goran Perić, and Aleksandra Jevtović. "Tourist valorization of the cultural and historical heritage of the city core of Sremski Karlovci." Megatrend revija 19, no. 3 (2022): 411–26. http://dx.doi.org/10.5937/megrev2203411s.

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The synergistic effects of integration of the culture and tourism sector contribute to cultural tourism being a true catalyst for overall tourism growth and development. The transformation of the authentic cultural and historical heritage of Sremski Karlovci into a tourist attraction is the valorization of the identifi ed cultural and tourist values. The aim of this paper is to valorize the tourism sector and the management sector for cultural goods of the town center of Sremski Karlovci according to the Hilary du Cross Model for the valorization of cultural and tourist values. The results of the analysis of the subindicator, the allocation of M cells (1, 3), confirmed the existence of favorable conditions for further development of cultural tourism, with continued reparation, conservation, restoration and presentation of its cultural-historical heritage. Although thus far there have not been any negative reflections on cultural and historical heritage, the capacity of the space and the natural environment should be subject to a review based on monitoring and the eff ectsof tourism's impact on the preservation of the cultural and natural heritage, as well as on the life of the local community.
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Arkhypova, L. M., Y. S. Korobeinykova, V. I. Hryniuk, S. V. Kachala, and O. V. Pobigun. "Problems of the development of cultural tourism in the Carpathian region: the vision of consumers and service providers." IOP Conference Series: Earth and Environmental Science 1254, no. 1 (October 1, 2023): 012080. http://dx.doi.org/10.1088/1755-1315/1254/1/012080.

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Abstract Tourism development in Ukraine has improved in terms of tourist flows, both as a diversification of tourism demand and tourism products in the last decades. Cultural tourism is a promising direction of tourist activity and occupies a leading position in the modern global tourist management system. The object of research is cultural tourism within the tourist destination of the Ivano-Frankivsk region. Regarding this, the authors revisit the phenomenon of cultural tourism in the country, in order to identify cultural tourism potential through cultural consumption among tourists, applying a special tourism survey. The purpose of this research is to identify the main problems of the development of cultural tourism in the Carpathian region from the point of view of demand and supply of cultural tourism programs based on the results of a comprehensive sociological study on the evaluation of tourist objects and the possibility of their inclusion in the cross-border tourist product “Carpathian Cultural Route”. The results of the survey demonstrated responses from 264 consumers of cultural tourism, which is 2,5% of the number of tourists (general population), and 140 respondents – employees of cultural institutions (objects of cultural tourism), the calculated sample of which was 28% of providers of cultural tourism services. The estimated sample was 28% of cultural tourism service providers. Among the positive aspects of the visit, tourists noted the price policy of institutions acceptable to them, the high level of authenticity and historical and cultural value of objects, the appropriate quality of service, and emotional comfort when visiting cultural and historical objects. According to consumers, the main problems of the development of cultural tourism are the low level of infrastructure support of objects and tourist destinations in general, the limited range of additional services, and limited information about the object. The authors emphasize the importance of developing culturally coherent policies to increase the competitiveness of tourist destinations. The most significant problems of the development of cultural tourism from the point of view of employees of tourist objects of cultural tourism are low level of infrastructure development of cultural tourist objects and tourist destinations in general, insufficient financing of institutions, low level of monetization of objects, low level of tourist and cultural activities in a tourist destination, insufficient advertising of the tourist object, imperfection of state tools for regulating tourist activity within cultural objects, low qualification of employees. Scientific developments on this topic will foster the application of innovative approaches towards the differentiation of cultural tourism objects, which, as a consequence, will help to target potential consumers and improve cultural tourism programs.
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Gregorić, Marina. "Post-Covid transformation of cultural tourism." Croatian Regional Development Journal 3, no. 2 (December 1, 2022): 161–80. http://dx.doi.org/10.2478/crdj-2022-0014.

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Abstract Tourism value of a modern tourist destination depends on managing and organizing social, historical, cultural and natural resources into a unique tourist attraction. Changing trends in cultural tourism and technological development affect the creation of new cultural tourism products and channels of their promotion. Virtual and augmented reality offer new ways of promotion and consumption of cultural tourism services. Destinations adapt to these changes by creating a tourism offer in accordance with sustainable development. Furthermore, tourist destinations needed to adapt to Covid-19 pandemic conditions and therefore started using new trends in virtual and augmented reality. Virtual reality and digital technologies are beneficial in creating and implementing new forms of cultural tourism, especially in the given circumstances of new travel rules and changed tourist expectations, with an emphasis on social distance, preserving the health of tourists and local population and protecting the environment. The aims of this paper are to define the changes in cultural tourism caused by the Covid-19 pandemic and explore the effect of new technologies such as virtual and augmented reality on cultural tourism development. The paper also aims to determine the possibilities for cultural tourism development regarding new trends. Historical method, desk research, analysis and synthesis have been used for the purpose of this paper. Paper contribution is reflected in applying new trends which resulted in changes in tourist behaviour in pandemic conditions, as well as insights into the possibilities of developing different models of cultural tourism consumption in accordance with new technological achievements.
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Su, Rui, and Huifen (Helen) Cai. "From Cultural Governance to Cultural Tourism: Towards an Interpretation Perspective." Tourism Culture & Communication 19, no. 4 (November 27, 2019): 291–302. http://dx.doi.org/10.3727/194341419x15542140077657.

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The debate of "cultural turn" has recently drawn scholars' attentions to the cultural dimension of tourism, particularly how and to what extent cultural symbols and languages make meaning in tourism production and consumption. This requires tourism scholars examining symbolic elements of culture and embedding them in tourism presentations, such as tourist products and service experiences. The authors attempt to address cultural dynamics between symbolism and signification and to illustrate their relationships within tourism through the studies of cultural governance and cultural tourism. Employing a qualitative approach with 85 semistructured interviews and secondary data, a case study of cultural tourism in Nanjing, China illustrates how the tourism and culture sectors selectively signify the tourism image—"A City of Universal Love"—with Nanjing's cultural governance ideology. The interpretation and the marketing of this city tourism image also show several tensions—for example, the cultural sector holds greater power to represent own its interests, but is less successful in promoting interactive heritage experience to the domestic tourism market. This study offers a new insight of cultural dynamics, notably symbolism and signification dynamics influence governance, interpretation, and marketing of city tourism image.
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M. VUKČEVIĆ, Nikola, and Nina VUKČEVIĆ. "CULTURAL TOURISM OF MONTENEGRO." Volume 5, Issue 4 5, no. 4 (November 3, 2020): 527–34. http://dx.doi.org/10.26809/joa.5.037.

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In this paper the proposed approaches to the management of cultural tourism and tourism in general are considered. The first is a review of the historical context of cultural tourism, and, through the collection of the opinions of numerous authors, an overview of the concept itself. Then there was a parallel between broken concepts, culture and tourism, and synergy and networking of these two terms. Furthermore, Montenegro is taken to be the study case, as country which has been recognizable in previous years, as one of the prosperous tourist countries in the region and beyond. Montenegrin cultural tourism and tourism in general were analyzed since the restoration of Montenegrin independence in 2006. The SWOT method was used, the application of which were obtained qualitative results that define the guidelines and suggestions for further development of cultural tourism and tourism in general in Montenegro.
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Mulyana, Gumilar. "THE ROLE OF LOCAL GOVERNMENTS IN DEVELOPING NATURAL AND CULTURAL TOURISM IN SUKABUMI DISTRICT." PAPATUNG: Jurnal Ilmu Administrasi Publik, Pemerintahan dan Politik 4, no. 1 (March 30, 2021): 36–47. http://dx.doi.org/10.54783/japp.v4i1.359.

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Tourism activities are human activities driven by curiosity and enjoying tourist attractions and tourist attractions without knowing administrative boundaries. Therefore, the concept of integrated regional development can overcome and assist organizational differences between districts into a unity of regional planning and development with tourism activities in Sukabumi Regency. In this research, the method used is a qualitative descriptive approach. Sources of data in this study come from primary data and secondary data. The data collection technique used is field research, such as observation, interviews, and library research. The analysis used by the pen is descriptive-qualitative. The research results on tourism's role in developing tourism potential in the Sukabumi Regency are dominant as a facilitator compared to other parts. This role as a facilitator can be seen mainly in the provision of object infrastructure, which is still largely borne by the Tourism Office. Facilities for distributing stimulant fund assistance for people who want to develop a tourism object, promote tourism objects, and facilities provided to third parties such as investors and tourism entrepreneurs to develop their tourism businesses in Sukabumi Regency.
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Dissertations / Theses on the topic "Cultural tourism"

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Alzahrani, Khaled. "Du cultuel au culturel : le tourisme international en Arabie Saoudite." Thesis, Grenoble, 2014. http://www.theses.fr/2014GRENH028.

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Depuis une décennie, on assiste, en Arabie Saoudite, à l'émergence de la problématique d'un développement touristique à partir des activités de pèlerinage. Celui-ci est vu comme l'origine de la venue des étrangers dans le pays; mais aussi comme déclencheur d'une ouverture. Cette approche a d'abord concerné une extension de l'activité autour des sanctuaires ; elle n'a pas envisagé d'autres territoires, d'autres acteurs, d'autres activités. Les acteurs territoriaux entre autres pourraient intervenir en concertation pour valoriser les ressources présentes dans cet espace avec l'accent mis sur celles d'ordre culturel. Il convient en effet de constater un problème d'uniformité des produits offerts à la consommation touristique. Alors que l'exploitation conçue durable de ces ressources permettrait moyennant la réhabilitation des sites et une évolution des habitudes, l'augmentation des flux touristiques, ainsi qu'un effet d'impulsion à l'économie du pays. La pertinence ou l'efficience d'une telle conception est fonction de l'organisation du système touristique, et de la façon dont les acteurs locaux vont réussir l'association d'une part ‘‘produits'' cultuel et culturel, et d'autre part ouverture à l'international. Cette thèse souhaite apporter sa contribution à l'évolution entre une situation de quasi-exclusivité cultuelle et un développement sur une base patrimoniale et culturelle. En nous attachant à une réflexion approfondie sur l'Arabie Saoudite, qui reçoit chaque année des millions de fidèles, nous avons essayé d'établir voire démontrer que, même dans un contexte encore fortement dominé par les activités cultuelles, l'idée du développement d'un tourisme culturel travaillée notamment dans un cadre local et régional, constitue la matière pertinente pour une impulsion de nature politique. En référence aux résultats de cette recherche, le développement du tourisme culturel à partir du cultuel devrait s'appuyer pour le moins deux paramètres essentiels. Dans un premier temps, la valorisation et l'exploitation du stakeholder de connaissances déjà détenues conduirait à une part de redynamisation des politiques publiques, et à se tourner vers l'élaboration d'un système de tourisme favorisant divers partenariats. Dans un second temps, il conviendrait de mobiliser et coordonner les acteurs institutionnels et de terrain ; ce processus touchant donc les secteurs public et privé, s'appuierait sur une meilleure l'harmonisation de la gestion des activités touristiques, et la mutualisation pour partie des compétences
Over the last decade, tourism has been developing in Saudi Arabia through the pilgrimage to Mecca, seen as a lever for attracting foreigners. This has meant that local stakeholders have primarily focused on the extension of the Holy Places without taking into account the diversification of tourism activities, whereas by working collectively they could enhance the interest of the country's cultural resources. In other words, there is a problem of the uniformity of the Saudi tourism offer. However, cultural sites could be rehabilitated by the sustainable exploitation of existing cultural sites, thus increasing tourist flows and boosting the country's economy. The pertinence and effectiveness of such a strategy would depend on the organization of tourism activities and the manner in which local stakeholders manage to blend the religious, the cultural and opening up to the outside. The present thesis endeavours to contribute to the discussion by suggesting new approaches to encouraging tourists to “pray and stay” – to go from pilgrim to cultural sightseer. In this case study of Saudi Arabia, a country that year in and year out hosts millions of pilgrims, the author seeks to show that, even in a context still strongly dominated by religious activities, the idea of developing cultural tourism is an appropriate analytical framework and could also be a powerful means of boosting regional and local policies. It is shown that cultural development based initially on the religious should meet two essential conditions. Firstly, greater recourse to stakeholder knowledge of tourism would lead to more dynamic public policies and promote partnerships. Secondly, triggering such a process would enable stakeholders to be mobilized and actions coordinated at all institutional levels by pooling skills and having public/private services dedicated to tourism activities
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Doody, Maureen E. "Cultural tourism in Newfoundland." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ48383.pdf.

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Doody, Maureen E. (Maureen Elizabeth) Carleton University Dissertation Sociology and Anthropology. "Cultural tourism in Newfoundland." Ottawa, 1999.

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Freitas, Juliana Pereira. "Pirenópolis: Na rota do turismo cultural." Pontifícia Universidade Católica de Goiás, 2005. http://localhost:8080/tede/handle/tede/2289.

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Made available in DSpace on 2016-08-10T10:36:42Z (GMT). No. of bitstreams: 1 JULIANA PEREIRA FREITAS.pdf: 26548996 bytes, checksum: d2309cdb57af91cce049cd36a104a2f4 (MD5) Previous issue date: 2005-08-11
Speaking of tourism is in vogue today, especially that we are experiencing the same state of development, tourism study has several interfaces that can be: culture, heritage and cultural tourism as well as a mode of existing tourism. Tourism a recent phenomenon with multiple interpretations, which cover various sciences such as anthropology, psychology and administration. Cultural tourism, an alternative form of tourism that should be developed in a sustainable manner so as not to exhaust the local, not to rob and not to extinguish the attractions of the place. But it occurs to cultural tourism is necessary that the local population has not only material assets and, yes, intangible assets, which can distinguish between the sites that have similar heritage matters. It should have traditions, values and histories, or that their culture is the cornerstone for the existence and maintenance of cultural tourism site. Make an analysis of tourism resources of Pirenopolis in order to identify them, in order to turn them into tourist products, and thus sustainably use. The analysis uses a resource study of the tourism system, the SWOT analysis and ultimately will be made to the methodology of inventory that will identify the current capabilities and potential of the site so you can use them sustainably.
Falar de turismo hoje está em moda, principalmente que estamos vivenciando o desenvolvimento do mesmo do Estado, estudar o turismo apresenta várias interfaces que podem ser: a cultura, o patrimônio cultural e, também o turismo cultural que uma modalidade de turismo existente. Turismo um fenômeno recente com várias interpretações, por abranger diversas ciências como antropologia, administração e psicologia. O turismo cultural, uma forma alternativa de turismo, que deve ser desenvolvido de maneira sustentável para não esgotar o local, não depredar e não extinguir os atrativos do local. Mas para que ocorra turismo cultural é necessário que a população local tenha não só patrimônios materiais e, sim, patrimônios imateriais, que podem fazer a diferenciação dos locais que possuem patrimônios matérias parecidos. Tem que possuir tradições, valores e folclores, ou seja, a sua cultura que é o diferencial para a existência e manutenção do turismo cultural local. Fazer uma análise dos recursos turísticos de Pirenópolis, a fim de identificá-los, com o intuito de transformálos em produtos turísticos e, consequentemente, utilizar de maneira sustentável. A analise dos recursos utilizará um estudo do sistema turístico, da análise SWOT e, por fim, será feito à metodologia de inventário que identificará os recursos atuais e potencias do local para que se possa utilizá-los de maneira sustentável.
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Wang, Jing. "Modelling the causes and measuring the consequences of cultural tourism : the economic and cultural impacts of cultural tourist attractions." Thesis, University of Nottingham, 2012. http://eprints.nottingham.ac.uk/14564/.

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A complete view of cultural tourism requires perspectives on both its economic aspect and its cultural dimension. This thesis presents the first cultural tourist taxonomy in the literature, which classifies the various types of cultural tourists by using fundamental distinctions based on economic theory. It also explains the necessity of classifying cultural tourists into those six well-defined categories, and why it should only be six. Building on McKercher and du Cros (2002), it models the causes and measures the consequences of cultural tourism, and develops a framework for evaluating the economic and cultural impacts caused by cultural tourist attractions. The method of evaluating the economic impact of cultural tourist attractions is based on the causal chain model, and it has improved the approach used in Femandez-Young and Young (2008) and Young et al (2010), which attributes to an attraction the amount of tourist expenditure at the destination caused by the existence of the attraction. The method of measuring the cultural impact is a new contribution to the literature, as this study provides a way to quantify the complex concept of cultural impact, using the ideas of meta-preferences and preference formation (Sen, 1977; 1983; 2002). This research has succeeded in developing a theoretically-based and practically applicable method for measuring and combining the economic and cultural impacts of cultural attractions. The methods have been applied to two cultural attractions in Nottingham: Nottingham Contemporary and the Galleries of Justice. The collected empirical results have demonstrated the feasibility and practicability of the evaluation method based on the new taxonomy. The combined evaluation method enables policy-makers to evaluate comprehensively the overall impact of each attraction and locate the attraction in the cultural space by taking both economic and cultural impacts into account.
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Bovana, Solomzi Victor. "Cultural villages inherited tradition and "African culture": a case study of Mgwali Cultural Village in the Eastern Cape." Thesis, University of Fort Hare, 2010. http://hdl.handle.net/10353/552.

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A growing number of studies concerning cultural villages have in most instances tended to focus on the cultural village as almost legitimately self-explanatory and have not been particularly concerned with either how a particular history is produced in and through these villages, or with the ways that particular discourses and practices associated with heritage, tourism, community and development intersect in the production of these meanings. As such Mgwali Cultural Village seemed to promise something different in the form of cultural villages. The thesis argues that Mgwali Cultural Village is unique in the history of cultural villages in that it moves away from presenting a cultural village in Africa as tribal and primitive. It does this by opening up spaces for other aspects such as Christianity and resistance politics, story of Tiyo Soga rather than focusing and confining itself only to aspects cultural portraying Africans and traditional. It is imperative that cultural villages ought to be understood within a broader framework and context where its definition and presentation is not trapped into an anthropological paradigm thinking of exploring and discovering something new by tourists which they are not familiar with. However, the thesis also argues that much as Mgwali Cultural Village promised something new from the known through depiction of other aspects, those histories seem to be absent or marginal at the Cultural Village. The only aspects that are fore grounded are traditions and culture thus freezing Mgwali as a village and its people in time as if they have not evolved and its cultures are static and not dynamic. The thesis therefore explores all those contradictions, silences, or absence thereof of other stories and histories.
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Tam, Yuen-yee Chloe. "Cultural tourism Singapore and Hong Kong /." Click to view the E-thesis via HKUTO, 2001. http://sunzi.lib.hku.hk/hkuto/record/B31953256.

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Chu, Bo-ling, and 朱寶玲. "Cultural tourism in Macau and Singapore." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B26813427.

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Tam, Yuen-yee Chloe, and 譚婉儀. "Cultural tourism: Singapore and Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31953256.

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Pandurangadu, Geddam A. "Muncie downtown revitalization through cultural tourism." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1014789.

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The objective of the study is to propose a strategy to revitalize Muncie's downtown through cultural tourism. This is seen as a critical catalyst to help preserve the historical fabric of the downtown.Muncie's downtown, with its historical and cultural assets, has an opportunity to attract the tourism, convention, and conference business which in turn can support hotels, restaurants, specialty shops, and entertainment establishments.In view of above, this creative project attempts to revitalize downtown through linking and promoting cultural tourism facilities like museums, theaters and festivals, convention and conference centers, and specialty shops.A transport loop connecting the tourist anchors like Ball State University, Minnitrista Cultural Center, and downtown of has been proposed. The tourist routes in Muncie and to East Central Indiana have been identified to enable the visitors to visit tourist destinations easily. Signage, and banners have been proposed along major routes to give proper orientation to visitors and also to enhance the image of Muncie.A strategy has been outlined for the preservation historical buildings through adaptive reuse. All these proposals have been incorporated as an urban design strategy.
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Books on the topic "Cultural tourism"

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Raj, R., K. Griffin, and N. Morpeth, eds. Cultural tourism. Wallingford: CABI, 2013. http://dx.doi.org/10.1079/9781845939236.0000.

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du Cros, Hilary, and Bob McKercher. Cultural Tourism. Third edition. | Abingdon, Oxon ; New York, NY : Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429277498.

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National Endowment for the Humanities., ed. Cultural tourism. [Washington, DC] (1100 Pennsylvania Ave., NW, Washington 20506): National Endowment for the Humanities, 1995.

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Emma, Waterton, and Watson Steve, eds. The cultural moment in tourism. New York: Routledge, 2012.

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Mandić, Ante, Rui Alexandre Castanho, and Uglješa Stankov, eds. Cultural Sustainable Tourism. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-10800-6.

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Stankov, Uglješa, Sofia-Natalia Boemi, Sahar Attia, Stella Kostopoulou, and Nabil Mohareb, eds. Cultural Sustainable Tourism. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-10804-5.

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Vujicic, Miroslav D., Azilah Kasim, Stella Kostopoulou, Jorge Chica Olmo, and Mohamed Aslam, eds. Cultural Sustainable Tourism. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-07819-4.

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Brokensha, Peter. Cultural tourism in Australia: A report on cultural tourism. Canberra: Australian Government Publishing Service, 1992.

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Greg, Richards, ed. Cultural tourism in Europe. Wallingford, UK: CAB International, 1996.

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David, Leslie, and Sigala Marianna, eds. International cultural tourism: Management, implications and cases. Oxford: Elsevier Butterworth-Heinemann, 2005.

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Book chapters on the topic "Cultural tourism"

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Ribeiro, Diamantino, Luíz Pinto Machado, and Pedro Henriques. "Tourism Economics—Tourists’ Perception of the Tourist Tax in Oporto." In Cultural Sustainable Tourism, 135–41. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-07819-4_12.

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Deeke, Janina, and Melanie Walter. "Cultural tourism." In The Long Tail of Tourism, 191–99. Wiesbaden: Gabler, 2011. http://dx.doi.org/10.1007/978-3-8349-6231-7_20.

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Frey, Bruno S. "Cultural Tourism." In Economics of Art and Culture, 115–20. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15748-7_14.

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Fang, Wei-Ta. "Cultural Tourism." In Tourism in Emerging Economies, 75–101. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-2463-9_4.

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Yamashita, Shinji. "Cultural tourism." In Encyclopedia of Tourism, 212–14. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-01384-8_45.

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Yamashita, Shinji. "Cultural tourism." In Encyclopedia of Tourism, 1–2. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-01669-6_45-1.

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Yamashita, Shinji. "Cultural Tourism." In Encyclopedia of Tourism, 1–2. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-319-01669-6_45-2.

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Page, Stephen J., and Joanne Connell. "Social and cultural impacts." In Tourism, 375–89. Fifth Edition. | New York: Routledge, 2020. | “Fourth edition: Routledge, 2020. http://dx.doi.org/10.4324/9781003005520-21.

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du Cros, Hilary, and Bob McKercher. "Cultural tourism products." In Cultural Tourism, 183–203. Third edition. | Abingdon, Oxon ; New York, NY : Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429277498-14.

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du Cros, Hilary, and Bob McKercher. "Managing cultural assets." In Cultural Tourism, 57–86. Third edition. | Abingdon, Oxon ; New York, NY : Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429277498-6.

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Conference papers on the topic "Cultural tourism"

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Chiriac, Lilia. "The marketing approach in cultural tourism." In The 5th Economic International Conference “Competitiveness and sustainable development“. Technical University of Moldova, 2023. http://dx.doi.org/10.52326/csd2023.30.

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The multitude of tourist and cultural products and services, as well as the ever-increasing demand for them, requires the application of marketing methods and techniques to promote cultural tourism both nationally and internationally. This enables the tourist offer to be tailored to the needs of the target audience and the strategic objectives of tour operators to be achieved. By developing and implementing marketing strategies in accordance with the specificities of the identified target segments, the development of cultural tourism is made possible.
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Neumann, Hans-Rudolf, Dirk Röder, and Hartmut Röder. "Diverse and rich fortified cultural heritage of the Iberian Peninsula. Basis for culture tourism with the European Culture Route Fortified Monuments FORTE CULTURA®." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11394.

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Fortresses are architectural pearls, cultural sites, event locations, experience places and memorials, mostly situated at breath-taking places on mountains, rivers or in the under-ground. Fortresses are monuments of common European history, they mirror the past into the present, connect cultures and offer deep insights into the historical conflicts. Fortified monuments are part of what makes Europe unique and attractive. This cultural heritage has to be preserved and made accessible for the culture tourism at the same time. The Iberian fortified heritage has big potential for new culture touristic topics and travel routes away from mass tourism. Therefore, cultural routes are a useful instrument. The European Culture Route Fortified Monuments –FORTE CULTURA®– is the European umbrella brand for fortress tourism. It offers useful instruments for international marketing of fortified monuments. The implementation of the attractive architectura militaris of the Iberian Peninsula into the culture route FORTE CULTURA® makes it possible to network this culture asset touristically, make it visible and experienceable on international tourism markets and market it Europe-wide. By implementing a new touristic regional brand “FORTE CULTURA – Iberian Fortified Heritage” the qualified culture tourism will be addressed. This supports a balance between over and under presented monuments and extends the sphere of activity of local actors onto whole Europe.
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Ghosh, Sanjukta. "Pragmatics of Translating Tourism Texts: A Case of Spiritual Tourism in India." In GLOCAL Conference on Asian Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/cala2022.7-6.

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English texts are often deliberately enveloped with mysticism to arouse curiosity of the foreign tourists, whereas the Hindi texts remind the readers about the religious and cultural heritage. The culture-specific terms related to these places have not been translated successfully in the English texts, which provide the readers a half-baked spiritual and cultural view of the places. This paper analyzes and compares the English and Hindi texts describing and promoting two significant religious and spiritual tourist places of Uttar Pradesh, India, viz., Mathura-Vrindavan and Varanasi, by taking data from the website of UP tourism department. I compare the speech act strategies and presuppositions of the texts, and find a significant difference in the strategy taken for persuading the tourists in these two languages as well as in the pragmatic presuppositions associated with the texts.
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DUMITRACHE (SERBANESCU), Ana-Maria, and Oana OPRISAN. "Natural Tourism vs. Cultural Tourism." In 1st International Conference Global Ethics - Key of Sustainability (GEKoS), 15 May 2020, Bucharest, Romania. LUMEN Publishing house, 2020. http://dx.doi.org/10.18662/lumproc/gekos2020/17.

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Mitrică, Bianca, Irena Mocanu, Ines Grigorescu, and Monica Dumitraşcu. "CULTURAL TOURISM IN ROMANIA – A GENERAL OUTLINE OF THE CONCEPTUAL FRAMEWORK." In GEOLINKS International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/geolinks2020/b2/v2/28.

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At the international and national level there is a strong connection between culture and tourism, tourism representing an important factor of the economic development by capitalizing the tourist potential of the cultural elements. Romania has a rich and valuable heritage potential with tourist attractions included on the map of European cultural routes. The challenge for Romania is the weak promotion of the cultural tourism due to the difficulties in developing a better infrastructure for a high accessibility to cultural attractions. The literature offers a wide range of definitions of cultural tourism which emphasize the complexity of this phenomenon. The Romanian literature lacks a thorough documentation on the cultural tourism as a whole, most of studies being concentrated on general approaches i.e. introduction to cultural tourism, analysis of the cultural tourism trends, sustainable development and perspectives, Romanian heritage, promoting strategies. Some papers are concentrated on specific areas of Romania such as Transylvania, with the medieval cities, fortresses and castles, Bucovina, with the painted monasteries and traditional artefacts, Maramureş, with the rural tourism and cultural heritage, as well as Black Sea Coast and Danube Delta. Other papers are related to cultural attractions like museums, orchestra performances, restaurants, hotels in some developed areas, and to traditional or religious rituals, popular art or folklore events in some less developed areas and how they could promote and revive the Romanian tourism or other areas with a low or medium level of capitalization of cultural attractions. Within this broader context, the paper aims to review and discuss the definitions and concepts of cultural tourism in Romania and identify the main types of cultural tourism practiced and addressed by the literature.
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Gicić, Armin. "Translating e-tourism: localization assessment of tourist promotional website of Novi Pazar." In 1st International Scientific Conference on Economy, Management and Information Technologies – ICEMIT 2023. Toplica Academy of Applied Studies, Department of Business Studies Blace, 2023. http://dx.doi.org/10.46793/icemit23.359g.

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In the tourism industry, e-tourism has led to a growing need for the localization of tourist promotional websites to attract domestic and foreign tourists. This study focuses on the website novipazar.travel, which promotes the city of Novi Pazar in Serbia. Using the skopos theory of translation and tourist profiling based on cultural taxonomies and Serbian statistical analysis, this paper assesses the localization quality of tourism materials and analyses how the destination image of novipazar.travel is localized according to the tourist profiles. The findings show that the website shows high level of localization for domestic tourists, which is not the case for foreign tourists. This study contributes to a better understanding of how to tailor Serbian tourism materials to specific tourist profiles, resulting in more effective promotion.
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Lekić, Romana, Branimir Blajić, and Tena Franjić. "INTERPRETATION OF MYTHICAL LANDSCAPE AND HOLY GEOGRAPHY IN CREATIVE CULTURAL TOURISM." In Tourism in Southern and Eastern Europe. University of Rijeka, Faculty of Tourism and Hospitality Management, 2017. http://dx.doi.org/10.20867/tosee.04.1.

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This paper presents a scientific analysis of the topic of interpretation of intangible heritage in tourism – through the myth of the arrival of the Slavs. By planned design, myth becomes a real tourist attraction. Embarking from the postulates of the paper, we try to explain the importance of the local community for the interpretation of the intangible heritage and of establishing a sustainable system of its interpretation. The paper makes an effort to emphasize and prove the exceptional relevance of animation for the shaping and developing of a tourist product. Interdisciplinary features of the paper impose the use of recent sources from a variety of scientific fields and disciplines (archaeology, anthropology, phylology, cultural creative tourism, economy of experience). This entire paper has features of a scientific review which mostly uses desk method and deconstruction analysis aimed at intangible heritage and interpretative capacities in animation, within the economy of experience. The process of interpretation, which includes recognition and shaping or 'packaging', converts the myth into a tourist product. This packaging is not a mere cosmetic process which would help improve the product or simplify it. Interpretation is actually the essence, or the basic content of the product, which is sold in order to enrich the tourist offer by traditional elements which, in a large measure, form base of the national and regional identity. The contribution of this paper is the animation model for the interpretation of intangible heritage in a tourist destination of cultural tourism, which gives guidelines for the interpretation and formulation of intangible heritage for tourist purposes at a more subtle and higher level, outside the hitherto known frame of predictable and familiar processes.This model indicates the way to interpret the myth and to recognize and register its particular parts through the system, in the space, as local, regional and national attraction, which is illustrated by the example of 'holy geography'. A special contribution is in the change of paradigm, where it is shown that a tourist area can be interpreted in a novel, original way, as a spiritual resource for tourists visiting the area, and for the local population.
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"Defining Cultural Tourism." In 4th International Conference on Advances in Agricultural, Biological & Ecological Sciences. International Institute of Chemical, Biological & Environmental Engineering, 2016. http://dx.doi.org/10.15242/iicbe.dir1216411.

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Darulová, Jolana, and Katarína Koštialová. "Múzeá kultúr národnostných menšín ako súčasť špecifických foriem turizmu." In XXIII. mezinárodní kolokvium o regionálních vědách / 23rd International Colloquium on Regional Sciences. Brno: Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9610-2020-47.

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The cultural heritage of a locality, region or country plays a significant role in the domestic tourist industry. Institutions of historic memory, in particular museums are concerned with specialist processing of cultural heritage elements. They register, document, administer and ultimately present these elements. The objective of this study is to characterise the importance of specialised museums of ethnic minority cultures in Slovakia, as cultural heritage intermediaries for specific forms of tourism. The study is based on ethnological field research, with updated semi-standardised interviews and participating observations. The outcome of the study determines two aspects. One of them relates to various forms of the tourist industry, which the museum network in Slovakia also participates in. The other one specifies the researched museums of ethnic minority cultures and their involvement in the development of cultural and ethnic tourism, as well as tourism of compatriots.
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Abd Razak, Nurul Fardila, Abdullah Muhamed Yusoff, Nur Azimah Othman, Derweanna Bah Simpong, and Noriza Ishak. "FACTORS THAT DETERMINE TOURIST’S PURCHASE INTENTION TOWARD KELANTANESE LOCAL CUISINE." In GLOBAL TOURISM CONFERENCE 2021. PENERBIT UMT, 2021. http://dx.doi.org/10.46754/gtc.2021.11.014.

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Local foods are one of the cravings of travelers wanting to experience the joys of domestic tourism. Some of the other reasons tourists visit a place is to experience the lifestyle, and culture. Besides these motivational factors, tourist visit places based on word -of- mouth and their own past experiences. The state of Kelantan, Malaysia is identified as a vibrant tourist destination as it has beautiful natural environs and has a rich and diverse cultural heritage that is easy to promote to tourists. Kelantan is also well known for its local cuisines that can attract the foodies. The uniqueness of the local cuisine also influences tourists to make other purchases. Using the quantitative research approach, this study aims to identify the relationship between food quality, price, and service quality towards the tourists intention to purchase local cuisine in Kelantan. These three independent variables will have a different role in explaining the factors that influence a tourist’s intent to purchase Kelantanese foodstuff.
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Reports on the topic "Cultural tourism"

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Hasyimi, Valid, Santi Novani, and Hossny Azizalrahman. Rethinking cultural tourism in the wake of a pandemic. Edited by Ria Ernunsari and Charis Palmer. Monash University, September 2022. http://dx.doi.org/10.54377/df9f-915d.

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Vena, Anne. Cultural Center Annual Report 2012. Inter-American Development Bank, March 2013. http://dx.doi.org/10.18235/0006015.

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The Cultural Development Program promotes cultural development in Latin America and the Caribbean by financing innovative projects for training to restore artistic traditions, preserve cultural heritage, and educate youth. In 2012, we supported civil society organizations that submitted training programs related to new technologies, creative industries, tourism and natural heritage, among others. Concerts, lectures, films, art exhibitions held at headquarters representing the Bank's member countries cultural heritage
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Martin, Dougal, Cassandra Rogers, and Michele H. Lemay. Sustainable Tourism in Belize. Inter-American Development Bank, December 2014. http://dx.doi.org/10.18235/0009240.

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The health of Belize's economy is closely related to the health of the tourism industry, which was responsible for 40 percent of total exports of goods and services from 2008 to 2012. The tourism industry in Belize is still an emerging sector, and its continued sustainable growth is a critical factor. This technical note discusses the main characteristics of Belize's tourism sector and its importance to the national economy, and identifies the key constraints to the sector's sustainable development and the policies currently being implemented. The note highlights the country's cultural heritage, biodiversity, and ecosystems as forms of natural capital; the threats of natural disasters and climate change; and the opportunities to achieve sustainable tourism. It also presents policy recommendations, taking into account the strategic goals of the National Sustainable Tourism Master Plan 2012-2030 (NSTMP), a strategic framework for sustainable development that guides Belize's tourism sector, as well as the goals toward regional integration in Central America.
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Soler, Santiago. Cluster Sustainable Tourism as a Development Strategy. Inter-American Development Bank, June 2007. http://dx.doi.org/10.18235/0006579.

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The goal of the projects in this cluster is to contribute to the sustainable development of tourism by increasing the competitiveness of locally-ownedSMEsin the sector - Contribution to the conservation of the environment and cultural heritage is a priority. - Innovation, added value or differentiation, financial sustainability, and the potential for replication. -22 Projects in 17 countries - Rainforest Alliance, an active founding member.
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Hearn, Greg, Marion McCutcheon, Mark Ryan, and Stuart Cunningham. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Geraldton. Queensland University of Technology, August 2020. http://dx.doi.org/10.5204/rep.eprints.203692.

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Grassroots arts connected to economy through start-up culture Geraldton is a regional centre in Western Australia, with 39,000 people and a stable, diverse economy that includes a working port, mining services, agriculture, and the rock-lobster fishing industry (see Appendix). Tourism, though small, is growing rapidly. The arts and culture ecosystem of Geraldton is notable for three characteristics: - a strong publicly-funded arts and cultural strategy, with clear rationales that integrate social, cultural, and economic objectives - a longstanding, extensive ecosystem of pro-am and volunteer arts and cultural workers - strong local understanding of arts entrepreneurship, innovative business models for artists, and integrated connection with other small businesses and incubators
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Iakovlev. BASIC CHARACTERISTICS OF ETHNOSOCIAL AND CULTURAL COMPETENCE OF ECONOMISTS IN TOURISM AND HOSPITALITY MANAGEMENT. Federal State Budgetary Educational Establishment of Higher Vocational Education "Povolzhskaya State Academy of Physical Culture, Sports and Tourism" Naberezhnye Chelny, December 2013. http://dx.doi.org/10.14526/36_2013_1.

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Gattenhof, Sandra, Donna Hancox, Helen Klaebe, and Sasha Mackay. The role of the creative arts in regional Australia: A social impact model. Queensland University of Technology, 2023. http://dx.doi.org/10.5204/rep.eprints.238289.

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The findings from this ARC Linkage project The Role of the Creative Arts in Regional Australia: a social impact model (LP180100477) indicate that arts and cultural projects and programs have the potential to be profound drivers of community thriveability including attracting workforce, improving wellbeing, employment and tourism opportunities. These findings emphasise that particularly in regional and remote communities social, cultural and economic outcomes and engagement with art, culture and creativity are often entwined.
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Levochkina, N. A. TOURISM OF THE OMSK REGION: The twentieth century (Thematic bibliographic index of literature) (direction: 43.03.02 "Tourism" (International and domestic tourism), 51.03.04 "Museology and protection of objects of cultural and natural heritage", level - bachelor). Science and Innovation Center Publishing House, September 2016. http://dx.doi.org/10.12731/levochkina.01092016.22121.

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Banerjee, Onil, Hélène Maisonnave, Lulit Mitik Beyene, Martin Henseler, and Mercedes Velasco. The Economic Benefits of Investing in Cultural Tourism: Evidence from the Colonial City of Santo Domingo. Inter-American Development Bank, October 2017. http://dx.doi.org/10.18235/0001267.

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Banerjee, Onil, Martin Cicowiez, and Adela Moreda. Export Diversification Through Public Investment in Cultural Tourism: Insights from a Multi-Regional Model of Bolivia. Inter-American Development Bank, November 2019. http://dx.doi.org/10.18235/0001983.

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