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Relevant bibliographies by topics / Cultural property – Great Britain

Academic literature on the topic 'Cultural property – Great Britain'

Author: Grafiati

Published: 10 March 2023

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Journal articles on the topic "Cultural property – Great Britain"

1

Jupp, Peter J. "The Landed Elite and Political Authority in Britain, ca. 1760–1850." Journal of British Studies 29, no. 1 (January 1990): 53–79. http://dx.doi.org/10.1086/385949.

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Significant change in the relationships between rulers, elites, and political authority is a common feature of the major European states in the last half of the eighteenth and the first half of the nineteenth centuries. In Russia, under Peter III and Catherine II, the nobility was released from the obligation to serve the state as established by Peter the Great and allowed to own property, engage in trade and manufacturing, and participate in local assemblies. In the course of the nineteenth century the hereditary landowning nobility, particularly the wealthiest elements of it, became firmly entrenched in the upper reaches of the bureaucracy without ever being able to dominate it. In Prussia, under Frederick the Great and Frederick William III, noble and gentry landowners were allowed to filter into the ranks, especially the higher ranks, of the bureaucracy; this reversed the embourgeoisement that had occurred under Frederick William I, but not so far as to threaten seriously the bureaucracy's loyalty to the Hohenzollerns or to weaken its reputation for efficiency. Thus the great reforms that followed the defeat by France in 1807 and were designed in part to lay the basis for recovery were executed by a combination of noble and non noble officials, and the latter were especially encouraged in order to ensure that merit rather than birth prevailed as the qualification for state service. In both cases, it could be argued, rulers found it necessary to recruit officials as well as an officer corps from the landed classes when war and territorial aggrandizement expanded the scope of government; they were loath to encourage the idea that landed wealth could automatically bestow political authority.

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Matlock, Daniel. "DR. SMILES AND THE “COUNTERFEIT” GENTLEMEN: SELF-MAKING AND MISAPPLICATION IN MID-NINETEENTH-CENTURY BRITAIN." Victorian Literature and Culture 46, no. 1 (March 2018): 83–94. http://dx.doi.org/10.1017/s106015031700033x.

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On the morning of 15 May 1855, career criminal Edward Agar and his associate, William Pierce, walked away from the London Bridge Station of the South-Eastern Railway Company with over £14,000 in stolen gold. The bullion was the property of the City of London merchants, whose intention had been to ship the bars via train to Dover and then on to Calais by ferry. Security was comprehensive and the success of Agar's en route interception was made possible only through labor-intensive planning and meticulous execution. It was the type of job in which the thief specialized. Even before what would become known as the “Great Bullion Robbery,” Agar's criminal diligence and self-drive had provided him with the monetary resources to establish himself in the wealthy, middle-class suburb of Cambridge Villas, where he enjoyed a reputation as a consummate gentleman. Throughout Agar's planning of the bullion heist, his neighbors remained entirely unaware that his home was headquarters to an extensive criminal ring.

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Wagstaff, J. M. "Colonel Leake and the Classical Topography of Asia Minor." Anatolian Studies 37 (December 1987): 23–35. http://dx.doi.org/10.2307/3642888.

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Almost everyone interested in the classical topography of Asia Minor is acquainted with the name of Leake. To Ramsay (1890, 51) he was “the greatest of modern topographers”. But few will know more than that he was a scholar to be reckoned with when attempting to locate classical sites or reconstruct ancient topographies. This paper outlines his career and his work on Asia Minor.Colonel Leake (Plate II a), as he was generally known during the last 47 years of his life, was born in Bolton Row, off Bolton Street, Piccadilly, on 14 January, 1777. The family name was actually Martin-Leake. It was adopted by William's great-grandfather, Captain Stephen Martin, in 1721 after he had inherited much of the property of his life-long friend, brother-in-law and commander, Sir John Leake (1656–1720), Rear-Admiral of Great Britain (Markham 1895). William's grandfather, after a spell in the Navy Office, became a herald (1727) and finally (1754) Garter King of Arms. Stephen Martin Leake, in fact, was one of the great holders of that office. Not only did he save the College of Arms from foundering, but he also launched it on a major phase of revival. He was a considerable heraldic scholar, as well (Noble 1805, 408–14; Wagner 1967, 380–406). Garter's second son, and William's father, was John Martin Leake (1739–1836).

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Reynolds, Susan. "What Do We Mean by “Anglo-Saxon” and “Anglo-Saxons”?" Journal of British Studies 24, no. 4 (October 1985): 395–414. http://dx.doi.org/10.1086/385844.

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The immediate answer to the question posed in the title is given with characteristic dry clarity by James Murray in that great work of English history the Oxford English Dictionary. Murray's first definition is “English Saxon, Saxon of England: orig. a collective name for the Saxons of Britain as distinct from the ‘Old Saxons’ of the continent. Hence, properly applied to the Saxons (or Wessex, Essex, Middlesex, Sussex, and perhaps Kent), as distinct from the Angles.” After explaining that, “in this Dictionary, the language of England before 1100 is called, as a whole, ‘Old English,’”Murray then goes on to say that the adjective “Anglo-Saxon” is “extended to the entire Old English people and language before the Norman Conquest.” Neither he nor the Supplement mentions explicitly the almost purely chronological use of “Anglo-Saxon” to describe the whole period of English history between 400 and 1066 that is now current, but it is easy to see how this has derived from the usage they expound.What the original edition goes on to do, moreover, is to give an account of a wider use of the word that beautifully encapsulates the beliefs about culture and descent that lie behind it. The expression “Anglo-Saxon,” according to the Oxford English Dictionary, was then—that is, in the late nineteenth century—used “rhetorically for English in its wider or ethnological sense, in order to avoid the later historical restriction of ‘English’ as distinct from Scotch, or the modern political restriction of ‘English’ as opposed to American of the United States; thus applied to (1) all persons of Teutonic descent (or who reckon themselves such) in Britain, whether of English, Scotch, or Irish birth; (2) all of this descent in the world, whether subjects of Great Britain or of the United States.”

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Link, Stefan, and Noam Maggor. "The United States As A Developing Nation: Revisiting The Peculiarities Of American History*." Past & Present 246, no. 1 (December 24, 2019): 269–306. http://dx.doi.org/10.1093/pastj/gtz032.

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Abstract It has recently been suggested that the economic departure of the United States after the Civil War marked a ‘Second Great Divergence’. Compared to the ‘First’, the rise of Britain during the Industrial Revolution, this Second Great Divergence is curiously little understood: because the United States remains the template for modernization narratives, its trajectory is more easily accepted as preordained than interrogated as an unlikely historical outcome. But why should development have been problematic everywhere but the United States? This Viewpoint argues that a robust explanation for the United States's rise is lacking: it can neither be found in an economic history literature focused on factor endowments nor in internalist Americanist historiography, which often reproduces overdetermined accounts of modernization inspired by Max Weber. The most promising avenue of inquiry, we argue, lies in asking how American political institutions configured what should properly be called an American developmental state. Such a perspective opens up a broad comparative research agenda that provincializes the United States from the perspective of development experiences elsewhere.

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Prysiazhniuk, Oleksii. "The First English Ancient Monuments Protection Act." European Historical Studies, no. 16 (2020): 115–25. http://dx.doi.org/10.17721/2524-048x.2020.16.9.

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The advent of the first special antiquity law was preceded by a long stage of studying and organizing knowledge about historical and cultural monuments. The Ancient Monuments Protection Act of 18 August 1882 was the first of its kind by an Act of the United Kingdom of Great Britain and Ireland. The Act lists the first 68 monuments or sites that have been protected by law. The text of Act consists of 11 paragraphs. The analysis of paragraphs 2, 3 and 11 gives us the opportunity to formulate the very concept of a «monument» contained therein, as well as to consider the types of ancient monuments that are distinguished by law. The Ancient Monuments are: houses, buildings and other structures located on the surface of the earth or underground, as well as caves and zones of archaeological sites and location of such houses, buildings and other structures, as well as caves and zones of archaeological sites. All the constituent elements and structures of the monument are considered to be its parts. The location of the monument includes not only the area of land on which it is located, but also the surrounding zones. Deliberate destruction or deterioration of protected monuments entails criminal liability in the form of imprisonment for up to one month and a fine. However, criminal and financial responsibility rests solely with outsiders. The owner of the monument is not punished for any action he may take on his property. Paragraphs of Act for the first time regulate the state registration of monuments. Such registration involves the identification of monuments, surveys and determining their value, inclusion in the list of protected, informing the owner or tenant of the monument about the inclusion of this object in the list etc. The Ancient Monuments Protection Act of 1882 was one of the most important results of a set of socio-political reforms in Victorian England. The brevity of the 1882 Act made it impossible to cover all the ancient monuments, which made it only partly a source of law. Currently, there is no single legislative act in the UK on the protection and use of historical and cultural monuments. After the act of 1882 by the middle of the 20th century were adopted and enforced several laws on various aspects of the protection of monuments. However, the main provisions governing this area of social relations were laid in the late nineteenth century.

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Owens, Alastair. "Property, Power, and the City in Great Britain." Journal of Urban History 30, no. 2 (January 2004): 299–310. http://dx.doi.org/10.1177/0096144203259329.

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Howsam, Leslie. "ACADEMIC DISCIPLINE OR LITERARY GENRE?: THE ESTABLISHMENT OF BOUNDARIES IN HISTORICAL WRITING." Victorian Literature and Culture 32, no. 2 (September 2004): 525–45. http://dx.doi.org/10.1017/s1060150304000646.

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SERIOUS PRACTITIONERS OF THE HISTORICALdiscipline in late nineteenth-century Britain mistrusted their culture's practice of framing the nation's contemporary greatness in terms of former glories. In the view of the new professional historians, it was essential to negotiate a boundary between their own professional work and that of amateurs, with science on one side and literature on the other. The stakes were high. John Robert Seeley thought the writings of men of letters, particularly Macaulay and Carlyle, had “spoiled the public taste,” by being so delightful to read that “to the general public no distinction remains between history and fiction….deprived of any, even the most distant association with science, [history] takes up its place definitively as a department of belles lettres” (“History and Politics” 292). He and others wanted a new generation of students whose work would appear in serious publications which would no more appeal to the general public than Newton'sPrincipia. A scientific training would prepare historians not only to research, write, and teach British history properly, but also to encounter the work of their peers as critical readers and knowledgeable reviewers. The boundary between popular and professional history (or between narrative and scientific approaches to the past) was often invoked by people like Seeley. A sharp dichotomy made for a compelling rhetoric of modernization and improvement. Earlier histories had been written inaccurately though patriotically, by gentlemen of letters for the general reader. Macaulay's essays, for example, had first appeared in theEdinburgh Review, and the great quarterlies continued to publish historical narratives that were unsatisfactory by modern standards. Equally unacceptable was the tradition of introducing children to their nation's past with such romanticized narratives asLittle Arthur's History of England. Maria Callcott was the anonymous author of this much-reprinted and often-maligned work. Now, applying to the discipline the principles of Leopold von Ranke and a newly rigorous approach which resonated with the broader contemporary culture of science, history-writing was to be limited to trained professionals, so that it might be made precise, verifiable, and reliable, even at the expense of narrative appeal. One colleague paraphrased Seeley's views pungently: “To make sure of being judged by competent judges only, we ought to make history so dull and unattractive that the general public will not wish to meddle with it” (Freeman 326).

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Somers, Jeffrey. "Chinese Buddhism in great Britain." Religion Today 8, no. 2 (March 1993): 14–16. http://dx.doi.org/10.1080/13537909308580690.

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Banerji, Sabita. "Ghazals to Bhangra in Great Britain." Popular Music 7, no. 2 (May 1988): 207–13. http://dx.doi.org/10.1017/s0261143000002762.

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The cultural identity of the Indian subcontinent has survived countless onslaughts and displacements often by simply absorbing and Indianising alien elements. The many hybrids in lifestyle, language, food and religion spawned of Britain and India's long, love-hate relationship are a testament to this. And now the process is repeating itself in the new generation of South Asians born and educated in Britain. It is a unique generation, its acceptance or rejection of and by white British society will probably set the pattern for generations to come, and the musical fusion which voices their cultural duality tends towards mutual acceptance.

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Dissertations / Theses on the topic "Cultural property – Great Britain"

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Puchalska-Tych, Bogumila A. "Property in Great Britain and Poland - a comparison : property regime in transformation - the Polish case." Thesis, Lancaster University, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287275.

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Waddell, Brodie Banner. "Poverty, property and profit in English popular culture, 1660-1720." Thesis, University of Warwick, 2009. http://wrap.warwick.ac.uk/3214/.

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This thesis explores popular attitudes towards economic relations in England in the late seventeenth and early eighteenth centuries. It focuses on the economic implications of three of the most important and pervasive themes in the popular culture of this period: religious teachings about God‟s will; analogies based on the „well-ordered household‟; and assertions of communal solidarity. This study thus includes analysis of a range of moralised ideals and beliefs, including Christian stewardship, divine providence, patriarchal power, paternal duty, local community, and collective identity. Although some of these concepts have been discussed in the existing historiography, their impact on the economic culture of the period has largely been neglected or misunderstood. The sources used in this study are primarily printed media created for a very broad audience: broadside ballads, short tracts, chapbooks, pamphlets, sermons, catechisms, etc. These are placed in context by drawing on a variety of less „public‟ sources such as diaries, state papers, magisterial records, and the archives of craft guilds. Together, this diverse collection provides evidence of both moral prescription and social practice. The study demonstrates the vibrancy and diversity of later Stuart „moral economies‟. As a result, it also reveals the inadequacy of many previous historiographical approaches to early modern economic life. Many of these have ignored popular culture in favour of quantifiable metrics or elite ideas, while others have depicted „the moral economy‟ as an ever-receding anachronism. In contrast, this study argues that such beliefs and assumptions continued to serve as the frame through which people viewed food marketing, labour relations, land use, private charity, public poor relief, and many other „worldly‟ concerns. An analysis of later Stuart popular culture can thus contribute significantly to our understanding of economic relations during this period.

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Kozak, Zenobia. "Promoting the past, preserving the future : British university heritage collections and identity marketing." Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/408.

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Collections of tangible heritage and material culture found in university museums present both challenges and opportunities for their parent institutions. The identification and recognition of objects and collections of material ‘heritage’ proves difficult to universities, due to the formation and utilisation of their collections. Although each university possesses a history of varied content, length and significance, the rich heritage collections kept by universities remain undefined and largely unknown. This thesis addresses new and changing roles for university museums and collections, focusing on the issues surrounding heritage. What purpose does an institutional collection of academic heritage serve beyond preserving or representing the history of a university? Using data collected during the field research programme and two case studies (University of St Andrews and University of Liverpool) the thesis explores the definition and role of heritage in the university. Through the exploration of these topics, the thesis provides a new model for university collecting institutions based on the concept of ‘university heritage’ and ‘institutional identity’, encompassing collections ranging from subject-specific departmental teaching collections to commemorative collections of fine art. By utilising these once undefined and underappreciated collections, universities can use the heritage objects and material culture representative of their academic history and traditions as institutional promotion to potential students, staff and funding bodies.

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Yip, Kam-yee, and 葉甘飴. "Area-based conservation and urban regeneration: a case study of Nga Tsin Wai Village redevelopmentproject." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46737996.

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Jenks, Timothy David. "Naval engagements : patriotism, cultural politics, and the Royal Navy 1793 - 1815 /." Oxford [u.a.] : Oxford Univ. Press, 2006. http://www.loc.gov/catdir/toc/ecip0616/2006021302.html.

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Chien, Jui-Jung. "Aesthetics, cultural policies and the Arts Council of Great Britain." Thesis, University of Leeds, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.394439.

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Hughes, Celia P. "The socio-cultural milieux of the left in post-war Britain." Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/49428/.

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This thesis examines the relationship between activist subjectivities and the shaping of Britain’s late sixties extra-parliamentary left cultures. Based on the oral narratives of ninety men and women, it traces the activist trajectory from child to adulthood to understand the social, psychological, and cultural processes informing the political and personal transformation of young adults within the new left cultures that emerged in the wake of Britain’s anti-war movement, the Vietnam Solidarity Campaign (VSC). To this end the study charts the development of the political and cultural shifts on the left over the decade from the early 1960s to the early 1970s. It shows how throughout this period dialogue between inner and outer activist life occurred against a background of ongoing realignment on the left from a fluid, eclectic cultural network around the VSC to a demarcated post- VSC left after 1969, that saw increasing divergence between a non-aligned libertarian New Left on the one hand and a Trotskyist far left milieu on the other. The study seeks to claim a valid space for Britain’s left activist landscape within the political, social and cultural framework of ‘1968’ and British post-war historiography. Privileging individual and collective subjectivities, the thesis examines ways of belonging inside Trotskyist and non-aligned left milieux by situating the respondents, their radical histories and activist cultures within the changing post-war fabric. It shows that investigating individual and collective memories provides deeper understanding of the ‘cognitive maps’ that young men and women created, as they attempted to situate themselves as radical, global beings as well as local, gendered social citizens. As micro-studies the individual stories reveal how the experience of social, emotional and political maturation from child to adult intersected with a specific social and political moment – the formation of a new and distinctive left culture that came to full fruition only in the aftermath of 1968 with the arrival of Women’s Liberation and the new personal politics. Exploring the social and psychological impact of post-war childhood and youth, the study engages with the political and emotional impact of Women’s Liberation on the men and women within the cultural context of the different left milieux. Overall, the thesis questions how, from the mid-1960s to the early 1970s, the variant cultures of the milieux penetrated public and private spaces, and shaped early life experiences of work, political activity, family, and political and personal relations in order to understand how activism shaped social patterns and psychic being.

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White, Natalie Catherine Christina. "Catering for the cultural identities of the deceased in late pre-Roman Iron Age and Roman Britain." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609832.

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Mustafa, Anisa. "Active citizenship, dissent and power : the cultural politics of young adult British Muslims." Thesis, University of Nottingham, 2015. http://eprints.nottingham.ac.uk/30533/.

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We need to stop being afraid and realise that as individuals we have power and that power is the ability to use your own reason and just try and look beyond this. (Saif, 27, male, academic activist) This thesis presents findings from an ESRC-funded doctoral study on the cultural politics of young adult Muslims who participate in political and civic activism within British civil society. Based on ethnographic research in the Midlands area, it offers an empirically informed understanding of how these forms of activism relate to themes of political participation, citizenship, security and governance in Britain today. The thesis argues that the diverse mobilisations examined by the research collectively constitute a social movement to resist the marginalisation and stigmatisation of Muslim identities in a post 9/11 context. The war on terror, in response to the international crisis of militant Islam, has placed Muslim citizenship in many Western liberal democracies under fierce scrutiny, prompting uneasy and hard to resolve questions around issues of security, diversity, cohesion and national identity. In Britain, as in Europe, political and public responses to these questions have precipitated a climate of fear and suspicion around Muslims, rendering their citizenship contingent and precarious and undermining their ability to identify with the nation and participate in its political processes. This thesis reveals how young Muslim activists negotiate these challenges by engaging in a range of activities typical of social movements, not only in terms of distinctive modes of action but also with respect to their transformative social and political visions and imaginaries. Muslim activists engage in cultural politics to demand a more inclusive and post-national notion of citizenship, by seeking to turn negative Muslim differences into positive ones. Participants’ engagement in democratic processes through political repertoires commonly adopted by other progressive social movements challenges the moral panic engendered by the exceptionalism ascribed to Muslim identity politics. This thesis argues that these cultural politics constitute a British Muslim social movement to contest Islamophobia through resistance to two dominant forms of power in contemporary Western societies. Firstly, this movement is a response to the multiple technologies of power articulated by Foucault’s concept of ‘governmentality’, which are difficult to distinguish and confront due to their imperceptible and socially dispersed nature. Secondly, cultural politics is necessitated by direct threats of force that Foucault described as a ‘relationship of violence’ and which are discernible in the rise of the securitisation of citizenship in the wake of 9/11. The nature of resistance from Muslim activists suggests that their cultural politics are not only a strategic but also a less risky political response to both these prevailing forms of power. Foucault’s argument that the nature of power can be deciphered from the forms of resistance it provokes suggests responsive rather than reactive political strategies by young Muslims. The thesis concludes that these cultural politics represent forms of active citizenship premised on a more equal, participatory and radically democratic social contract than nationalist and neoliberal forms of governance presently concede.

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McCall, Vikki. "The 'chalkface' of cultural services : exploring museum workers' perspectives on policy." Thesis, University of Stirling, 2012. http://hdl.handle.net/1893/9798.

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The difficulties faced by services in the cultural sector have been immediate and challenging. Public services that are cultural in nature have faced funding cuts, closures and redundancies. Museum services are low in political importance and unable to provide clear evidence of their policy impact. Despite these challenges, there has been limited evidence about the policy process at ground-level. This thesis builds on theoretical and empirical ideas in social and cultural policy to present museum workers’ perspectives within a cultural theory framework. Following Lipsky’s (1980) work on street-level bureaucrats, this thesis presents an analysis of street-level workers’ roles in delivering social and cultural policy. Museum workers’ perspectives are presented through a series of case studies (drawing on qualitative interviews and observations) from three local-authority museum services in England, Scotland and Wales. The findings showed evidence that top-down cultural and social policies have had an influence on workers actions, but service-level workers’ understandings were central to the policy process. Museum workers actively shaped museum policy through ground-level interactions with visitors and groups. Workers experienced policy in the cultural sector as fragmented, vague and difficult to engage with at the ground-level. Workers mainly viewed policy as meaningless rhetoric. Despite this, those working at ground-level often utilised policy rhetoric effectively to gain funding and manipulate activities towards their own needs and interpretations. Policy evaluation was also fragmented and underdeveloped within the services studied. Workers found themselves under pressure to fulfil policy objectives but were unable to show how they did this. Furthermore, there was a perceived distance from managers and local authority structures. This allowed a space for workers to implement and shape policy towards their own professional and personal ideals. Vague policies and a lack of formal mechanisms for evaluation led to high levels of worker discretion at ground-level. Economic policy expectations were resisted by workers, who tended to have more egalitarian views. Museum workers effectively managed policy expectations through a mixture of discretion and policy manipulation. Delivery at the ground-level was seen as effective – despite, not because of, cultural sector policies.

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Books on the topic "Cultural property – Great Britain"

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Great Britain. Parliament. House of Commons. Culture, Media and Sport Committee. Seventh report: Cultural property: return and illicit trade. London: The Stationery Office, 2000.

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Great Britain. Parliament. House of Commons. Culture, Media and Sport Committee. Seventh report: Cultural property: return and illicit trade. London: The Stationery Office, 2000.

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Bailkin, Jordanna. The culture of property: The crisis of liberalism in modern Britain. Chicago: University of Chicago Press, 2004.

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Great Britain. Parliament. House of Commons. Culture, Media, and Sport Committee. Cultural property: Return and illicit trade. London: Stationery Office, 2000.

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Politics, policy and the discourses of heritage in Britain. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2010.

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Great Britain. Parliament. House of Commons. Culture, Media and Sport Committee. Cultural property: Return and illicit trade minutes of evidence Monday 5 June 2000. London: Stationery office, 2000.

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Great Britain. Parliament. House of Commons. Culture, Media and Sport Committee. Cultural property: Return and illicit trade : minutes of evidence Thursday 13 April 2000. London: Stationery Office, 2000.

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Great Britain. Parliament. House of Commons. Culture, Media and Sport Committee. Cultural property: Return and illicit trade : minutes of evidence Thursday 23 March 2000. London: Stationery Office, 2000.

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Great Britain. Parliament. House of Commons. Culture, Media and Sport Committee. Cultural property: Return and illicit trade : minutes of evidence Tuesday 23 May 2000. London: Stationery Office, 2000.

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Great Britain. Parliament. House of Commons. Culture, Media and Sport Committee. Cultural property: Return and illicit trade : minutes of evidence Tuesday 18 April 2000. London: Stationery Office, 2000.

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Book chapters on the topic "Cultural property – Great Britain"

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Crossley, Mark. "Departures: Creative and Cultural Journeys Across Great Britain." In Contemporary Theatre Education and Creative Learning, 59–129. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-63738-5_3.

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Preston, P. W. "Freedom from ‘Britain’: A Comment on Recent Elite-sponsored Political Cultural Identities." In England after the Great Recession, 82–90. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230355675_4.

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Kaprāns, Mārtiņš. "Latvian Migrants in Great Britain: ‘The Great Departure’, Transnational Identity and Long Distance Belonging." In IMISCOE Research Series, 119–44. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12092-4_6.

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Abstract This chapter explores the transnational aspects of identity and the long distance belonging of Latvian migrants in Great Britain. In particular, it focuses on the discourses and practices of long distance belonging to Latvia. The article is based on a comparative analysis of The Emigrant Communities of Latvia survey data as well as semi-structured interviews with Latvian migrants in Great Britain. The analytical sections are organised so as to discuss the three main analytical contexts of long distance belonging: ethno-cultural, political and social. In the ethno-cultural context, migrants who identify themselves as ethnic Latvians rediscover and strengthen their links to the Latvian cultural space, its traditions and its ways of collective self-understanding. Conversely, the absence of this cultural capital among Russian-speaking migrants from Latvia advances their faster assimilation into British society. The political context of long distance belonging reveals high levels of distrust of the Latvian government and the migrants’ overall disappointment with Latvia’s political elite, as well as political apathy. Nevertheless, Latvian migrants in the United Kingdom are discovering new motivation and fresh opportunities to influence the political reality in Latvia and that has increased participation in Latvian national elections. The social context of long distance belonging, in turn, enables new forms of allegiance towards Latvia. These are manifested in philanthropic initiatives, in participation in various interest groups and in regular interest in what is happening in Latvia. The social context does not put the migrants’ activities into ethno-cultural or political frameworks, but encourages moral responsibility towards the people of Latvia.

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Singer, Alan H. "Great Britain or Judea Nova? National Identity, Property, and the Jewish Naturalization Controversy of 1753." In British Romanticism and the Jews, 19–36. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1007/978-1-137-05574-3_2.

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Perez-Garcia, Manuel. "The “Global History Paradox” in China: Sinocentred Approaches Along the Silk Road." In Palgrave Studies in Comparative Global History, 23–68. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7865-6_2.

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Abstract This chapter presents a synthesis of the diverse academic traditions in China and Europe to implement global history. Supremacy and exceptionalism have characterized the socio-economic and cultural development of European powers, mainly Great Britain, the Netherlands, France, and Germany, on one side, and, on the other side, there is the long-lasting civilization and uniqueness of Chinese culture and history which is present today in the rise of China’s economy.

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Knowles, Gerry. "The language of Great Britain." In A Cultural History of the English Language, 122–38. Routledge, 2014. http://dx.doi.org/10.4324/9781315832517-ch-9.

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"The Great Exhibition as a cultural bridge." In Japan and Britain after 1859, 28–42. Routledge, 2003. http://dx.doi.org/10.4324/9780203221839-6.

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"Framing the Past – Imagery and the Great War." In Cultural Heritage of the Great War in Britain, 57–100. Routledge, 2016. http://dx.doi.org/10.4324/9781315575292-3.

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"Myths of the War – Imagining the Great War." In Cultural Heritage of the Great War in Britain, 129–52. Routledge, 2016. http://dx.doi.org/10.4324/9781315575292-5.

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"Museums, Memorials and Memory – Remembering the Great War." In Cultural Heritage of the Great War in Britain, 153–86. Routledge, 2016. http://dx.doi.org/10.4324/9781315575292-6.

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Conference papers on the topic "Cultural property – Great Britain"

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"Modelling Spatial Patterns in Local Retail Property Markets in Great Britain." In 6th European Real Estate Society Conference: ERES Conference 1999. ERES, 1999. http://dx.doi.org/10.15396/eres1999_162.

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Lytkin, Vladimir. "Cultural And Theatrical Trends Of Post-War Great Britain And The Ussr." In SCTCMG 2019 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.12.04.271.

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Mikaelyan, Maria. "POST-WAR HOUSING IN GREAT BRITAIN: HISTORICAL PREMISES, GOVERNMENTAL POLICIES AND CULTURAL TENDENCIES." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb51/s17.026.

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Horobets, Olena. "EXPORT AND IMPORT CAPACITIES OF BOOK TRADE IN THE U.S. AND GREAT BRITAIN: A COMPARATIVE ANALYSIS." In PUBLIC COMMUNICATION IN SCIENCE: PHILOSOPHICAL, CULTURAL, POLITICAL, ECONOMIC AND IT CONTEXT. European Scientific Platform, 2020. http://dx.doi.org/10.36074/15.05.2020.v1.05.

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Jovanovic, Slobodan. "Climate change and fl ood insurance in Germany, Great Britain and Serbia." In MODERNE TEHNOLOGIJE, NOVI I TRADICIONALNI RIZICI U OSIGURANjU. Association for Insurance Law of Serbia, 2021. http://dx.doi.org/10.46793/xxsav21.006j.

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In this paper, the author analyzes the organization of fl ood risk insurance, the risk which signifi cantly deteriorates due to climate change in Germany, the United Kingdom and Serbia. Th e author used selected studies and works, national legislation, insurance conditions and materials of specialized organizations. Climate change signifi cantly aff ects the frequency and severity of the harmful consequences of fl ood risks, which, due to their catastrophic consequences and territorial exposure, require more effi cient prevention measures and the design of their insurance. Floods are increasingly occurring as a result of heavy rainfall and high winds that simultaneously enhance their harmful potential. Th erefore, insurers cannot ignore the impact of climate change on the conditions for taking risks, determining the insurance premium, excesses and all other aspects related to these risks. From the point of view of risk assessment and selection techniques, the principle of fl ood insurability will certainly be applied in the future. Th erefore, refraining insurers from insuring those risks where the recurrence of fl oods is more frequent than a certain number of years (fi ve or ten years), based on the historical development of claims or classifi cation of zones into the danger class with increased frequency, will certainly pose a problem for policyholders. In Germany, fl ood risk cover is provided similarly to a number of Serbian insurers, ie. as an additional risk to basic property risks. However, the German insurance practice provides an opportunity to insure a number of other natural risks as a supplementary risk in the form of a natural risk package. It should be pointed out that there are also insurers in Serbia, whose policy terms regarding the cover scope more or less coincide with the insurance of named risks in Great Britain. Th ese are insurance conditions that represent an extension of the so-called traditional insurance of named fi re risks, which certainly represents a good step in the direction of modernizing the household insurance conditions in Serbia.

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Kubickova, Dana, and Vladimir Nulicek. "THE PERCEPTION OF THE FINANCIAL REPORTING AND ACCOUNTING PROFESSION IN DIFFERENT CULTURAL ENVIRONMENTS: COMPARISON OF THE CZECH REPUBLIC, THE CHINA REPUBLIC, GREAT BRITAIN AND IRELAND." In 12th annual International Conference of Education, Research and Innovation. IATED, 2019. http://dx.doi.org/10.21125/iceri.2019.2087.

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Rutsinskaya, Irina, and Galina Smirnova. "VISUALIZATION OF EVERYDAY SOCIAL AND CULTURAL PRACTICES: VICTORIAN PAINTING AS A MIRROR OF THE ENGLISH TEA PARTY TRADITION." In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/37.

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"Throughout the second half of the seventeen and the eighteenth centuries, tea remained an expensive exotic drink for Britain that “preserved” its overseas nature. It was only in the Victorian era (1837-1903) that tea became the English national drink. The process attracts the attention of academics from various humanities. Despite an impressive amount of research in the UK, in Russia for a long time (in the Soviet years) the English tradition of tea drinking was considered a philistine curiosity unworthy of academic analysis. Accordingly, the English tea party in Russia has become a leader in the number of stereotypes. The issue became important for academics only at the turn of the twentieth and twenty-first centuries. Currently, we can observe significant growth of interest in this area in Russia and an expansion of research into tea drinking with regard to the history of society, philosophy and culture. Despite this fact, there are still serious lacunas in the research of English tea parties in the Victorian era. One of them is related to the analysis of visualization of this practice in Victorian painting. It is a proven fact that tea parties are one of the most popular topics in English arts of the nineteenth and the twentieth centuries. No other art school in the world referred to the topic so frequently: painting formed the visual image of the English tea party, consolidated, propagandized and spread ideas of the national tea tradition. However, this aspect has been reflected neither in British nor Russian studies. Being descriptive and analytical, the present research refers to the principles of historicism, academic reliability and objectivity, helping to determine the principal trends and social and cultural features and models in Britain during the period. The present research is based on the analysis of more than one hundred genre paintings by British artists of the period. The paintings reflect the process of creating a special “truly English” material and visual context of tea drinking, which displaced all “oriental allusions” from this ceremony, to create a specific entourage and etiquette of tea consumption, and set nationally determined patterns of behavior at the tea table. The analysis shows the presence of English traditions of tea drinking visualization. The canvases of British artists, unlike the Russian ones, never reflect social problems: tea parties take place against the background of either well-furnished interiors or beautiful landscapes, being a visual embodiment of Great Britain as a “paradise of the prosperous bourgeoisie”, manifesting the bourgeois virtues. Special attention is paid to the role of the women in this ritual, the theme of the relationship between mothers and children. A unique English painting theme, which has not been manifested in any other art school in the world, is a children’s tea party. Victorian paintings reflect the processes of democratization of society: representatives of the lower classes appear on canvases. Paintings do not only reflect the norms and ideals that existed in the society, but also provide the set patterns for it."

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Sahnov, A., A. Klyuev, and L. Litvinova. "HISTORICAL LONDON." In Manager of the Year. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2022. http://dx.doi.org/10.34220/my2021_276-280.

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The article is devoted to the capital of the United Kingdom. The description is based on a comparison of information about London in the past and modern London. It helps you to see the history of the capital of the United Kingdom in dynamics, assess the scale of changes and understand the reason for these changes. Modern London plays a significant role in the political, economic and cultural life of the country. Geographically the city, which is now a metropolis, is located on the River Thames in the south-eastern part of the island of Great Britain. All the famous parts of the city – the City, the West End, the East End, Westminster are quite old and historically significant and interesting. The authors trace the history of the city since its foundation, separately considering the informative names of London streets, its historical parts – the Town, many boroughs, the Tower and Hamlet.

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Matúš, Peter, and Matúš Materna. "Approaches of chosen air navigation services providers to UAV integration into air traffic control systems." In Práce a štúdie. University of Zilina, 2021. http://dx.doi.org/10.26552/pas.z.2021.2.26.

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In this article are approaches of Air Navigation Services (ANS) providers in chosen countries to UAV integration into Air Traffic Control Systems identified and described. Firstly we made a synpaper of theoretical information about ANS and UAV. Product of ANS providers has 11 parts. For UAV traffic control and management are important ATC, CNS, AIS, MET, ATFCM and ASM services. The volume of ANS provided depends on UAV operation development in the country, and on the level of integration of UAV into ATC systems. The biggest problem of UAV operation is the risk of collision with piloted aircraft, and potential threat of people and property on the ground. The biggest risk is during UAV operation close to airports, because there are many aircrafts flying in low altitudes (after take-off and on approach to landing). The consequences of collision in this altitudes in the most serious. Because of this, 4 ways to detect and 2 ways to mitigate an unauthorized UAV close to airport are currently in use. Various combinations of UAV detection and mitigation ways create complex airport UAV protection systems. Secondly, we chose 7 countries (Poland, Hungary, Germany, Great Britain, USA, India, and United Arab Emirates), and analysed their approaches to UAV integration. In all of the analysed countries can remote pilots use a mobile application, which allows them to create a flight plan, and receive all the information, necessary for the flight. Differences between these countries are for example if the permission in required for every UAV flight (in Hungary and India yes), if the ANS provider has an opportunity to watch UAV during flight (in Poland, India, and partly in Germany), if the UAV operation without direct visual contact between remote pilot and UAV is allowed (in Poland and Germany), and if are UAV operations included into airspace capacity management systems (in Poland, Hungary, Germany, and Great Britain). UAV integration process in next years will relate to development of communication systems between UAVs, between UAV and ATC, and between UAV and piloted aircraft. The process will also relate to development of technologies to avoid mid-air collisions.

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Sánchez, Mónica. "PROPUESTA DE REUBICACIÓN MEDIANTE RECONSTRUCCIÓN VIRTUAL. CASO DE ESTUDIO: RETABLO MAYOR DE SAN FRANCISCO DE SAN ESTEBAN DE GORMAZ (SORIA)." In ARQUEOLÓGICA 2.0 - 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/arqueologica8.2016.3537.

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This paper briefly shows the skills acquired not only in the field of Conservation-Restoration, but also in Virtual Restoration as applied to Cultrual Heritage. The work under consideration is the Mayor Altarpiece of the old Convent of San Francsico, today Church of San Esteban Protomartir in San Esteban de Gormaz, Soria. Built in 1628 in one of the most important workshops of the Diocese, in 1985 renovation works and refurbishment of the church had uncovered wall paintings in advocation to the founder of the Order behind the wooden reredos, one of the few examples of pictorial altarpieces preserved in Spain that forced the transfer of the wooden altarpiece to a shrine in the same locality where it is currently disassembled.This Cultural Property is a great example of heritage on which to apply the techniques of 3D modeling for virtual restoration and reconstruction of the environment as well, which aims to attempt visual recovery and potential unit without counyerfeiting, as methods of conservation, restoration and dissemination of Cultural Heritage.

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