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Academic literature on the topic 'Cultural property – australia – congresses'

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Published: 26 July 2024

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Journal articles on the topic "Cultural property – australia – congresses"

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Zhang, Ge, and Wilfred Yang Wang. "‘Property talk’ among Chinese Australians: WeChat and the production of diasporic space." Media International Australia 173, no. 1 (April 1, 2019): 53–65. http://dx.doi.org/10.1177/1329878x19837669.

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This article examines the ways the Australian property market is addressed among Chinese migrants in Australia on and off WeChat, one of the most popular instant messenger apps installed on Smartphones. Specifically, we focus on how migrant media and real estate professionals’ narratives on real estate properties constitute and reproduce a transnational Chinese diasporic space between China and Australia. Although the latest wave of ‘property talk’ is relatively a new concept to the mainstream Australian societies due to the housing price boom since 2012, talking about land and property ownerships has always been integral part of Chinese diasporic culture. Yet, with the advent of digital media technologies, this cultural conversation is increasingly being delivered, processed and experienced through digital platforms such as that of WeChat. Drawing on observations on WeChat and interviews with Chinese media and real estate practitioners in Australia, we conceive that WeChat plays a vital role in forging and reproducing Chinese diasporic spaces in Australia by articulating the intersection of diasporic spatiality and mediasphere. We contend that WeChat’s affordances of the informational, interpersonal and instrumental have aided Chinese migrants and those Chinese real estate practitioners to co-constitute a social space of property talk that enables new social relations to be negotiated and social networks to be established and reinforced across China and Australia.
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Joselit, David. "THE PROPERTY OF KNOWLEDGE." Nordic Journal of Aesthetics 28, no. 57-58 (June 21, 2019): 158–65. http://dx.doi.org/10.7146/nja.v28i57-58.114854.

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We can note three phases in the tradition of the readymade and appropriation since Duchamp’s Bicycle Wheel of 1913. First, they include early enactments in which the readymade posed an onto- logical challenge to artworks through the equation of commodity and art object. Second, practices in which readymades were de- ployed semantically as lexical elements within a sculpture, paint- ing, installation or projection. In a third phase, which most directly encompasses the global, the appropriation of objects, images, and other forms of content challenges sovereignty over the cultural and economic value linked to things that emerge from particular cultural properties ranging from Aboriginal painting in Australia to the ap- propriation of Mao’s cult of personality in 1990s China. This essay considers the most recent phase of the readymade in terms of its century-long history.
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Wright, Nancy E., and A. R. Buck. "Cross-cultural Conflict about Property Rights in Wild Animals in Australia: Law and Cinema." Law, Culture and the Humanities 16, no. 1 (January 11, 2016): 70–81. http://dx.doi.org/10.1177/1743872115625625.

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Pierson v. Post is widely known to both jurists and law students in relation to the question of property rights in wild animals. This article builds on Pierson v. Post and its literature by analyzing the question of ferae naturae in the context of settler and indigenous conflict on the Australian frontier in the nineteenth century. By examining both case law and the cinematic representation of the conflict over property rights on the frontier, it is argued that an understanding of the legal issues relating to ferae naturae is enhanced by an appreciation of the complexity of cross-cultural communication.
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Mulcock, Jane. "Ethnography in Awkward Spaces: An Anthropology of Cultural Borrowing." Practicing Anthropology 23, no. 1 (January 1, 2001): 38–42. http://dx.doi.org/10.17730/praa.23.1.6w23530183757374.

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What does it mean to ‘own’ culture? What happens when one group of people borrow or appropriate the cultural property of another group? Why are some kinds of cultural property more rigorously defended than others? These are a few of the core questions that have informed my research over the past four years. My doctoral project focuses on cultural borrowing in the alternative health and spirituality movement (alias "New Age"1) in Australia. More specifically, I have been exploring the incorporation of indigenous imagery into contemporary, non-institutional forms of spiritual expression. Most of my fieldwork has been conducted ‘at home’ in Perth, Western Australia and has involved a combination of participant observation2, one-on-one interviewing and textual analysis. My intention in this paper, however, is not to provide an account of the project's outcomes, but rather to highlight some of the methodological challenges that I faced during the course of the fieldwork. These experiences have led me to think about the kinds of roles required of anthropologists who choose to explore research questions that involve working with two or more deeply divided communities. Such ‘fieldsites’ may constitute extremely uncomfortable, but potentially rich, settings for the ethnographer. These are the awkward spaces to which I refer.
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Anderson, Jane. "The Making of Indigenous Knowledge in Intellectual Property Law in Australia." International Journal of Cultural Property 12, no. 3 (August 2005): 347–73. http://dx.doi.org/10.1017/s0940739105050174.

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The challenge of how to stop the unauthorized use of Indigenous knowledge has been firmly constituted as a problem to be solved by and managed through the legal domain. In this paper, my questions are directed to the way Indigenous knowledge has been made into a category of intellectual property law and consequently how law has sought to define and manage the boundaries of Indigenous knowledge.
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Wang, Yanlin. "Better Ways to Protect Indigenous Knowledge and Cultures Through Intellectual Property." Lecture Notes in Education Psychology and Public Media 51, no. 1 (April 30, 2024): 52–57. http://dx.doi.org/10.54254/2753-7048/51/20240902.

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Indigenous knowledge can be understood as a network of knowledge, beliefs and traditions that can be preserved and have some commercial value over time. Along with the increasing visibility of indigenous cultures in the global marketplace, there are also significant challenges. These challenges are often related to the physical destruction and utilization of indigenous lands and knowledge. The historical context and uniqueness of indigenous cultures suggest that they require greater attention and special protection under the law. From the current provisions and judgments, some individual authors have been compensated while the rights of the broader indigenous community have not been adequately protected. From an international perspective, the focus of the work of international organizations has expanded to include indigenous peoples' land claims and cultural rights. In addition to various international organizations and related instruments, a number of countries and regions are working to protect the intellectual property rights of indigenous cultures. Australia is a country that is typically faced with the protection of indigenous intellectual property. For Australia, the effective protection of indigenous knowledge remains an issue that needs to be addressed and managed through the legal realm. The positioning of indigenous knowledge in the law is complex and incomplete. Australia has played an important role at the international level, but the actual response within Australia to the international level has been minimal. Australia should therefore recognize and respond to these developments in legislation as soon as possible.
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McLeod, Julie, and Fiona Paisley. "The Modernization of Colonialism and the Educability of the “Native”: Transpacific Knowledge Networks and Education in the Interwar Years." History of Education Quarterly 56, no. 3 (August 2016): 473–502. http://dx.doi.org/10.1111/hoeq.12199.

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This article focuses on a seminar-conference held in Hawaii in 1936 on the “educability” of native peoples. The seminar-conference was convened by New Zealand anthropologist Felix Keesing and Yale education professor Charles Loram and supported by the Carnegie Corporation, among other organizations. Conference delegates-who came from across the Pacific, including the U.S. mainland, Australia, and New Zealand, and from as far as South Africa-joined to discuss the future of colonial education. The residential conference, which lasted several weeks, resulted in published proceedings and the establishment of extensive transpacific networks. One in a series of international congresses on education that took place during the interwar years, the 1936 Hawaii conference offers unique insight into the transnational dialogue among academics, education practitioners, colonial administrators, and, in some cases, Indigenous spokespeople, concerning the modernization of colonialism and new forms of citizenship in the era of progressive education and cultural internationalism.
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Amar, Johari H. N., Lynne Armitage, Daniel O’Hare, and Matthew Moorhead. "Built Heritage Management Systems: Australia and Germany Compared." Athens Journal of Tourism 10, no. 2 (June 1, 2023): 81–98. http://dx.doi.org/10.30958/ajt.10-2-1.

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A recent, unreported, focus group of international heritage practitioners from academia, urban planning, land use management and urban design, found interesting similarities and differences between Australian and German cultural built heritage (CBH) management systems. For validation, a literature review provided a methodological framework and is reported in this paper. Its objective is to confirm the principal themes elicited by the initial work, being: assessment standards, transferable development rights, heritage conservation incentives and private property rights’ management thereby contributing enhanced clarity to the broader relationship between built heritage and stakeholder roles in heritage conservation. This paper is a precursor of more detailed planned empirical, in-country study seeking further insights into stakeholder interests and value systems based on a recent developed analytical approach known as Cultural Heritage Discourse (CHD). It is recognised that this empirical component is a limiting feature of the current research but anticipated as inevitable due to the preliminary stage of enquiry. Keywords: Conservation of built heritage; cultural heritage discourse; heritage management systems; transferable development rights; Germany and Australia
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Malbon, Justin. "The Australia-United States Free Trade Agreement: Trade Trumps Indigenous Interests." Media International Australia 111, no. 1 (May 2004): 34–45. http://dx.doi.org/10.1177/1329878x0411100106.

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This article argues that the Australia–United States Free Trade Agreement (AUSFTA) selectively recognises and affirms international conventions and agreements that promote the narrow economic self-interests of powerful groups. It does this whilst disregarding those international instruments — including the Convention on Biological Diversity and the UNESCO Universal Declaration on Cultural Diversity — that seek to recognise and promote the cultural and intellectual property rights of Indigenous people. Although AUSFTA does make some concessions for Indigenous interests by providing negative exemptions from the chapters dealing with trade in services, government procurement and investment, these concessions are relatively weak in the face of the Agreement's pursuit of free trade. Using the model of Chapter 19, which imposes positive obligations on the United States and Australia to promote environmental interests, it is proposed that future Australian FTAs should enunciate positive obligations for Australia's Indigenous people.
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Bodle, Kerry, Mark Brimble, Scott Weaven, Lorelle Frazer, and Levon Blue. "Critical success factors in managing sustainable indigenous businesses in Australia." Pacific Accounting Review 30, no. 1 (February 5, 2018): 35–51. http://dx.doi.org/10.1108/par-02-2016-0017.

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Purpose The purpose of this paper is to investigate success factors pertinent to the management of Indigenous businesses through the identification of points of intervention at the systemic and structural levels. Through this approach, the economic and social values that First Nations communities attach to intangible Indigenous cultural heritage (ICH) and Indigenous cultural intellectual property (ICIP) may be both recognised and realised as assets. Design/methodology/approach This paper adopts a multidisciplinary approach to address a global issue of economic and social significance to First Nation peoples, their businesses and the Australian Aboriginal communities. The authors adopt a First Nation epistemological standpoint that incorporates theoretical perspectives drawn from a diverse range of fields and theories (Preston, 2013), as well as advocate the use of Indigenist methodology for research with First Nation peoples as it is underpinned by critical race theory. Findings The authors argue conceptually that accounting, accountability and auditing consideration are required to fully identify what is impacting the successful management of Indigenous enterprises. Specifically, in relation to accounting, Elders should be included to assist in valuing the intangible ICH and ICIP assets. Furthermore, the authors emphasise the need to improve the financial and commercial literacy levels of Indigenous entrepreneurs. Practical implications The authors prescribe the use of tools for the accounting treatment of ICH and ICIP as intangible assets within an Australian regulatory environment and define an auditing process and accountability model incorporating cultural, social and environmental measures. A central tenet of this model relates to improving levels of personal and commercial financial literacy in the First Nation participants. Collectively, these factors promote informed participation and decision-making, and may promulgate more sustainable outcomes. Social implications Integrated thinking requires all these factors to be considered in a holistic manner, such that a First Nation enterprise and the wider Aboriginal and Torres Strait Islander people can understand, and make decisions based on, the overall impact it has on all their stakeholders and generally on the society, the environment and the economy. Originality/value This paper contributes to Australia’s strategic research priorities of maximising social and economic participation in society and improving the health and well-being of the Aboriginal and Torres Strait Islander people. The authors address the inability of current Western accounting standards, practices and models to suitably account for communally held and protocol-bound intangible Indigenous cultural heritage and Indigenous cultural intellectual property assets.
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Dissertations / Theses on the topic "Cultural property – australia – congresses"

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Lemoine, April J. Williams Stephen L. "Repatriation of cultural property in museums a balance of values and national agendas /." Waco, Tex. : Baylor University, 2007. http://hdl.handle.net/2104/5073.

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Hogarth, Jane T. "The politics of World Heritage listing in South Australia /." Title page, table of contents and summary only, 1990. http://web4.library.adelaide.edu.au/theses/09ENV/09envH715.pdf.

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Batten, Bronwyn. "From prehistory to history shared perspectives in Australian heritage interpretation /." Thesis, Electronic version, 2005. http://hdl.handle.net/1959.14/445.

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Thesis (Ph.D.)--Macquarie University, Division of Society, Culture, Media and Philosophy, Warawara - Dept. of Indigenous Studies, 2005.
Bibliography: p. 248-265.
Introduction and method -- General issues in heritage interpretation: Monuments and memorials; Museums; Other issues -- Historic site case studies: Parramatta Park and Old Government House; The Meeting Place Precinct - Botany Bay National Park; Myall Creek -- Discussion and conclusions.
It has long been established that in Australia contemporary (post-contact) Aboriginal history has suffered as a result of the colonisation process. Aboriginal history was seen as belonging in the realm of prehistory, rather than in contemporary historical discourses. Attempts have now been made to reinstate indigenous history into local, regional and national historical narratives. The field of heritage interpretation however, still largely relegates Aboriginal heritage to prehistory. This thesis investigates the ways in which Aborigianl history can be incorporated into the interpetation of contemporary or post-contact history at heritage sites. The thesis uses the principle of 'shared history' as outlined by the Council for Aboriginal Reconciliation, as a starting point in these discussions.
Electronic reproduction.
viii, 265 p., bound : ill. ; 30 cm.
Mode of access; World Wide Web.
Also available in print form
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Anderson, Jane Elizabeth Law Faculty of Law UNSW. "The production of indigenous knowledge in intellectual property law." Awarded by:University of New South Wales. School of Law, 2003. http://handle.unsw.edu.au/1959.4/20491.

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The thesis is an exploration of how indigenous knowledge has emerged as a subject within Australian intellectual property law. It uses the context of copyright law to illustrate this development. The work presents an analysis of the political, social and cultural intersections that influence legal possibilities and effect practical expectations of the law in this area. The dilemma of protecting indigenous knowledge resonates with tensions that characterise intellectual property as a whole. The metaphysical dimensions of intellectual property have always been insecure but these difficulties come to the fore with the identification of boundaries and markers that establish property in indigenous subject matter. While intellectual property law is always managing difference, the politics of law are more transparent when managing indigenous concerns. Rather than assume the naturalness of the category of indigenous knowledge within law, this work interrogates the politics of its construction precisely as a ???special??? category. Employing a multidisciplinary methodology, engaging theories of governmental rationality that draws upon the scholarship of Michel Foucault to appreciate strategies of managing and directing knowledge, the thesis considers how the politics of law is infused by cultural, political, bureaucratic and individual factors. Key elements in Australia that have pushed the law to consider expressions of indigenous knowledge in intellectual property can be located in changing political environments, governmental intervention through strategic reports, cultural sensitivity articulated in case law and innovative instances of individual agency. The intersection of these elements reveals a dynamic that exerts influence in the shape the law takes.
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Harrington, Jane Therese. "'Being here': heritage, belonging and place making: a study of community and identity formation at Avebury (England), Magnetic Island (Australia) and Ayutthaya (Thailand)." Thesis, 2004. https://researchonline.jcu.edu.au/71/1/01front.pdf.

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This thesis looks at the way cultural heritage can be more broadly considered to include intangible aspects of our lives. Such intangible heritage encompasses the general values and worldviews of a community and enshrines a community’s character and identity. Through meanings, associations, values and ways of life, people individually and collectively create a meaningful relationship with place. Place and community are mutually constituted through social action and practice and the attribution of meaning in a process of ‘place making’ and of reasserting belonging. It is recognised that communities are fluid categories that can be ‘re-sited’ in relation to new questions or different places and times. Both individual and community identity are a form of production, and consist as a process that is never complete. That is, identity is not only a matter of ‘being’ but also a process of ‘becoming’. By addressing case studies in three World Heritage listed locations – Magnetic Island (Australia), Avebury (England) and Ayutthaya (Thailand) – the thesis considers the dissonance between heritage as defined and practised through hegemonic instruments and discourses (including international organisations, bureaucratic structures and the Academy), and heritage as conceived by contemporary communities as being the aspects of their lived existence that they desire to retain for future generations. Through discussion of emplaced communities and a series of case studies, consideration is given to the hegemonic dominance of sanctioned determinations of heritage that attribute significance and in the process can mute local values and narratives. The thesis challenges the ongoing emphasis on tangible aspects of heritage and reviews the natural/cultural heritage dichotomy, demonstrating that attachments to nature are predicated on experiences, practices and engagements with the environment that are grounded in social and cultural processes. I further explore the way in which the voicing of opinions in a struggle over place can be regulated by prevailing scientific discourses and discursive fields, placing a reliance on arguments about conservation that are ancillary to more specific but less articulatable concerns to do with place and identity. Finally, I illustrate the significance of the lived traditions, rituals, ceremonies, skills and practices of the contemporary communities to a holistic understanding of heritage at both the local and broader levels. I conclude that it is by understanding what it is that communities find important, and how such attachments and values are formed, transmitted and retained to create a ‘sense of place’, that community participation in heritage can be meaningfully achieved. Community assertions of the aspects of their lives that can be considered important to pass on to their children are not enshrined in the monuments, structures and archaeology that heritage professionals are more likely to identify, but in the sense of belonging that arises through the mutual construction of community and place, reinforced through social practices, memories and local narratives.
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Harrington, Jane Therese. "Being here : : heritage, belonging and place making : a study of community and identity formation at Avebury (England), Magnetic Island (Australia) and Ayutthaya (Thailand) /." 2004. http://eprints.jcu.edu.au/71/1/01front.pdf.

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This thesis looks at the way cultural heritage can be more broadly considered to include intangible aspects of our lives. Such intangible heritage encompasses the general values and worldviews of a community and enshrines a community’s character and identity. Through meanings, associations, values and ways of life, people individually and collectively create a meaningful relationship with place. Place and community are mutually constituted through social action and practice and the attribution of meaning in a process of ‘place making’ and of reasserting belonging. It is recognised that communities are fluid categories that can be ‘re-sited’ in relation to new questions or different places and times. Both individual and community identity are a form of production, and consist as a process that is never complete. That is, identity is not only a matter of ‘being’ but also a process of ‘becoming’. By addressing case studies in three World Heritage listed locations – Magnetic Island (Australia), Avebury (England) and Ayutthaya (Thailand) – the thesis considers the dissonance between heritage as defined and practised through hegemonic instruments and discourses (including international organisations, bureaucratic structures and the Academy), and heritage as conceived by contemporary communities as being the aspects of their lived existence that they desire to retain for future generations. Through discussion of emplaced communities and a series of case studies, consideration is given to the hegemonic dominance of sanctioned determinations of heritage that attribute significance and in the process can mute local values and narratives. The thesis challenges the ongoing emphasis on tangible aspects of heritage and reviews the natural/cultural heritage dichotomy, demonstrating that attachments to nature are predicated on experiences, practices and engagements with the environment that are grounded in social and cultural processes. I further explore the way in which the voicing of opinions in a struggle over place can be regulated by prevailing scientific discourses and discursive fields, placing a reliance on arguments about conservation that are ancillary to more specific but less articulatable concerns to do with place and identity. Finally, I illustrate the significance of the lived traditions, rituals, ceremonies, skills and practices of the contemporary communities to a holistic understanding of heritage at both the local and broader levels. I conclude that it is by understanding what it is that communities find important, and how such attachments and values are formed, transmitted and retained to create a ‘sense of place’, that community participation in heritage can be meaningfully achieved. Community assertions of the aspects of their lives that can be considered important to pass on to their children are not enshrined in the monuments, structures and archaeology that heritage professionals are more likely to identify, but in the sense of belonging that arises through the mutual construction of community and place, reinforced through social practices, memories and local narratives.
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Coleman, Elizabeth Burns. "Aboriginal art, identity and appropriation." Phd thesis, 2001. http://hdl.handle.net/1885/149791.

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Mulvaney, Mary. "Relationships with land : managing cultural landscapes in NSW national parks." Master's thesis, 1997. http://hdl.handle.net/1885/145269.

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Mosler, Sharon Ann. "Heritage politics in Adelaide during the Bannon decade." Thesis, 2007. http://hdl.handle.net/2440/57423.

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"This thesis argues that during the decade 1983-93 South Australia’s heritage legislation was not effective in protecting Adelaide’s traditional built character. The Bannon government was committed to growth through major developments during an economic recession, and many of those developments entailed at least the partial demolition of heritage-listed buildings." --p. iv.
Thesis (Ph.D.) -- University of Adelaide, School of History and Politics, 2007
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Mosler, Sharon Ann. "Heritage politics in Adelaide during the Bannon decade." 2007. http://hdl.handle.net/2440/57423.

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Title page, table of contents and abstract only. The complete thesis in print form is available from the University of Adelaide Library.
"This thesis argues that during the decade 1983-93 South Australia’s heritage legislation was not effective in protecting Adelaide’s traditional built character. The Bannon government was committed to growth through major developments during an economic recession, and many of those developments entailed at least the partial demolition of heritage-listed buildings." --p. iv.
http://proxy.library.adelaide.edu.au/login?url= http://library.adelaide.edu.au/cgi-bin/Pwebrecon.cgi?BBID=1277500
Thesis (Ph.D.) -- University of Adelaide, School of History and Politics, 2007
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Books on the topic "Cultural property – australia – congresses"

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Unesco Regional Seminar on the Movable Cultural Property Convention (1986 Brisbane, Qld.). Protection or plunder?: Safeguarding the future of our cultural heritage : papers of the Unesco Regional Seminar on the Movable Cultural Property Convention, Brisbane, Australia, 1986. Canberra: Australian Govt. Pub. Service, 1989.

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Conference, Australia ICOMOS National. 20th century heritage: Our recent cultural legacy : proceedings of the Australia ICOMOS National Conference 2001, 28 November-1 December 2001, Adelaide, the University of Adelaide, Australia. Edited by Jones David S. 1959- and University of Adelaide. School of Architecture, Landscape Architecture & Urban Design. Adelaide, Australia: School of Architecture, Landscape Architecture & Urban Design, the University of Adelaide, 2002.

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Australian Academy of the Humanities (Symposium) (14th 1983 Australian Academy of Science). Who owns the past?: Papers from the annual symposium of the Australian Academy of the Humanities. Melbourne: Oxford University Press, 1986.

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Australian Academy of the Humanities. Symposium. Who owns the past?: Papers from the annual symposium of the Australian Academy of the Humanities. Melbourne: Oxford University Press, 1985.

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Inc Australian Institute for the Conservation of Cultural Materials. AICCM Symposium 2002: Conservation of paper, books and photographic materials 17-19 April 2002, Melbourne, Australia. Melbourne: AICCM, 2002.

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Andorra), Universitat d'Estiu (20th 2003. Patrimoni natural i cultural. Andorra: Govern d'Andorra, Ministeri d'Educació, Cultura, Joventut i Esports, Universitat d'Estiu, 2004.

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Filho, Manuel Ferreira Lima, and Izabela Tamaso. Antropologia e patrimônio cultural: Trajetórias e conceitos. Brasília-DF: ABA Publicações, 2012.

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Brazil) Reunião Brasileira de Antropologia (25th 2006 Goiás. Antropologia e patrimônio cultural: Diálogos e desafios contemporâneos. Blumenau]: Nova Letra, 2007.

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Rachel, Fensham, Eckersall Peter, and Australasian Drama Studies Conference (1997 : Monash University), eds. Disorientations: Cultural praxis in theatre : Asia, Pacific, and Australia. Clayton, Australia: Centre for Drama and Theatre Studies, Monash University, 1999.

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Seminário, Propriedade Intelectual e. Patrimônio Cultural (2004 Belém Brazil). Propriedade intelectual e patrimônio cultural: Proteção do conhecimento e das expressões culturais tradicionais : anais, 13-15 de outubro de 2004, Belém-Pará. [Belém, Brazil]: Museu Paraense Emílio Goeldi, 2005.

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Book chapters on the topic "Cultural property – australia – congresses"

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Fforde, Cressida. "Australia: Indigenous Cultural Property Return." In Encyclopedia of Global Archaeology, 1146–52. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_1275.

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Fforde, Cressida. "Australia: Indigenous Cultural Property Return." In Encyclopedia of Global Archaeology, 620–26. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_1275.

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Cohen, Hart. "Film as Cultural Memory: The Struggle for Repatriation and Restitution of Cultural Property in Central Australia." In Cultural Memories of Nonviolent Struggles, 91–110. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137032720_5.

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Hampson, Jamie, and Sam Challis. "Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation." In Deep-Time Images in the Age of Globalization, 275–88. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-54638-9_19.

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AbstractBoth on and off the rocks, it is clear that many pictographs and petroglyphs are powerful cultural and social ‘tools’ as well as sacred beings. Indeed, in certain regions of many countries, cultural and socio-political identity is shaped, manipulated, and presented through rock paintings and engravings. In this chapter, we focus on re-contextualised and appropriated Indigenous heritage and rock art motifs, in commercial settings, in sports team mascots, and as integral components of political and national symbols—there are illuminating similarities (as well as differences) that span the globe. Case studies include instances where descendants of the original artists have re-imagined and adapted the meanings and uses of motifs, and also where non-Indigenous/non-descendant groups have appropriated rock art imagery—often without consultation with or permission from Traditional Owners and heritage managers. We offer results from fieldwork and study in North America, northern Australia, and southern Africa.
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Tynan, Lauren. "Data Collection Versus Knowledge Theft: Relational Accountability and the Research Ethics of Indigenous Knowledges." In EADI Global Development Series, 139–64. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-30308-1_8.

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AbstractMany opportunities exist for researchers to take knowledge, publish it and become an expert. As a Pairebeenne Trawlwoolway Aboriginal woman of lutruwita/Tasmania, Australia, I converse with the work of other Indigenous scholars to theorise ideas of relational accountability, refusal and Indigenous Data Sovereignty. Reflecting on my own research experiences, I seek to move away from concepts of ‘data collection’ and ‘fieldwork’ by understanding data as knowledge and the field as a place of relations, not a research location to fly in and fly out of. An ethical practice that engages with cultural protocols and relationality decentres the academy as instigator and arbiter of ethical research and brings forth an ethical practice that is held in relationship with those who produce and own the knowledge, both people and Country.Whilst many development researchers already work in collaborative and relational ways with their research communities,this chapter invites us to do more; advocating for stronger research protocols, ongoing relations of accountability, and real engagement with Intellectual Property, copyright and co-authorship.
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van Woudenberg, Nout. "Developments Concerning Immunity from Seizure for Cultural State Property on Loan." In Intersections in International Cultural Heritage Law, 343–63. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198846291.003.0015.

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This chapter examines recent developments supporting a recently emerging rule of customary international law that cultural objects belonging to foreign States and on temporary loan for an exhibition are immune from seizure. It assesses, in particular, the 2004 UN Convention on Jurisdictional Immunities of States and Their Property, a declaration on jurisdictional immunities of State-owned cultural property in the Committee of Legal Advisers on Public International Law of the Council of Europe, a Draft Convention by the International Law Association on immunity from suit and seizure for all cultural property on loan, as well as legal developments in the United States, Europe, and Australia. These developments strengthen the existence of the rule of customary international law on immunity from seizure for cultural State property on loan, though they also confirm certain exceptions to that rule, namely that the rule does not extend to those cultural objects which have been the subject of a serious breach of an obligation arising under a peremptory norm of general international law, or which are already subject to return obligations under international or European law.
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Vaarzon-Morel, Petronella. "Reconfiguring Relational Personhood among Lander Warlpiri." In People and Change in Indigenous Australia. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824867966.003.0005.

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In recent years many Indigenous communities in central Australia have undergone multiple dramatic changes. Responses to the resulting tensions, conflicts and anxiety illuminate local understandings of personhood. Drawing on long term ethnographic fieldwork with Lander Warlpiri/Anmatyerr Willowra (Northern Territory), this paper discusses how relatedness (involving social obligations and reciprocity) among particular categories of persons was understood and maintained during the 1970s, comparing this with the contemporary period, in which considerable conflict between previously united families has occurred. It considers the implications of these differences for notions of personhood, taking into account the altered material conditions in which people live today, changes in practices such as marriage arrangements and ritual, shifting notions of “property”, and embodied relations to land. Local cultural understandings of relational being are explored through analysis of a myth that was publicly performed by a senior male and recorded by young media trainees, with the intent that the younger generation reflect upon what it is to be a person in Warlpiri/Anmatyerr society today.
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Glowczewski, Barbara. "Culture Cult: Ritual Circulation of Inalienable Knowledge and Appropriation of Cultural Knowledge (Central and NW Australia)." In Indigenising Anthropology with Guattari and Deleuze, 257–80. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474450300.003.0009.

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After recalling the international context of the contemporary claims to cultural property, Glowczewski discusses the concept of inalienability which, in central and north western Australia, surrounds the ritual circulation of sacred objects and the cults of which they are a part, including rituals of colonial resistance. Afterwards she examines the elaboration of a culture centre which involved in the 1990’s the representatives of a dozen Aboriginal languages and organisations based in the coastal town of Broome; this initiative reflected an attempt to control the representation given of their cultures and to claim the reappropriation of their objects (in Museums) and knowledge in a process of cultural repatriation and political affirmation. First published in 2002.
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"Supported as they are by these five institutional and cultural factors, the ten general textual factors set out above would seem to encounter no import restrictions to the UK. But there remain four other factors. These constitute apparent points of difference between Australia as represented in Neighbours, and Britain, the importing market. The four features of significant climatic, cultural, and linguistic differences between the two countries put to the test the questions raised earlier: how assimilable are the cross-cultural differences involved? Under what circumstances can such differences be assimilated? First, weather. In the words of Barry Brown, Head of Purchased Programmes at the BBC, “The weather [in Australia] is always hot and the characters are casually dressed. [This] gives the series a freedom and freshness which is new to us” (quoted by Tyrer 1987). Ruth Brown observed that “the cast complain of having to perform in unseasonably thin clothing because the Poms like to think it’s always hot in Oz” (Brown 1989). The production company, Grundy, denies anything of the sort: “We don’t make the show for world consumption, international consumption . . . . What we get back from overseas wouldn’t pay for it” (Fowler 1991). Warm weather can be associated with a casual lifestyle and the singlets and shorts sartorially prominent in Neighbours. Such weather and lifestyle, then, can represent idealized projections for Britons seeking sunny holidays away from grim, grey skies and drear British drabness. The second difference takes off from two aspects of Australian suburbia: higher rates of home-ownership and much lower rates of population density than obtain in the UK. As represented in Neighbours, readily accessible home-ownership can exercise an evident appeal for Britons, especially during the late 1980s property boom, when rapidly rising prices excluded yet more from joining the propertied classes. Moreover, the spacious homes and gardens of Erinsborough are a function of a low population density which enables British viewers to imagine in the Melbourne suburb a comfortable self-distancing from the violent evidence of class and ethnic differences so widespread in a Conservative Britain. Allied to this is the relative affluence enjoyed by the neighbors. A quotation from the 15-year-old Scot, Lucy Janes, brings together differences of weather and suburbia in a comparison of Neighbours with the socially conscious EastEnders: If you turn on a British soap such as EastEnders, you see a pub, dirty houses, dirty streets and the British weather. Neighbours, on the other hand, is set in a clean, bright little street with swimming pools in every garden and SUN. To us Neighbours offers the taste of a world beyond the wet and fog-ridden British Isles. (Janes 1988) A bathetic referential parenthesis: the much-vaunted quarter-acre plot of Australian suburban real estate discourse has in actuality more than its share of loneliness, domestic violence, lack of nearby educational facilities, commercial and social services, and so on. An Australian." In To Be Continued..., 115. Routledge, 2002. http://dx.doi.org/10.4324/9780203131855-17.

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Conference papers on the topic "Cultural property – australia – congresses"

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Raisbeck, Peter. "Reworlding the Archive: Robin Boyd, Gregory Burgess and Indigenous Knowledge in the Architectural Archive.” between Architecture and Engineering." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a3985p56dc.

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In her book Decolonising Solidarity: Dilemmas and Directions for Supporters of Indigenous Struggles, Clare Land suggest how non-Indigenous people might develop new frameworks supporting Indigenous struggles. Land argues research is deeply implicated with processes of colonisation and the appropriation of indigenous knowledge. Given that architectural archives are central to the research of architectural history, how might these archives be decolonised? This paper employs two disparate archives to develop a framework of how architectural archivists might begin to decolonise these archives. Firstly, these archives are the Grounds Romberg and Boyd Archive (GRB) at the State Library of Victoria (SLV). Secondly, the Greg Burgess Archive is now located at Avington, Sidonia in Victoria. The materials from each of these archives will be discussed in relation to two frameworks. These are the Tandanya-Adelaide Declaration endorsed by The Australian Society of Archivists (ASA) and the Indigenous Cultural and Intellectual Property (ICIP) framework developed by Janke (2019). These archival frameworks suggest how interconnected architectural histories and historiographies might be read, reframed and restored. Decolonising architectural archives will require a continuous process of reflection and political engagement with collections and archives. In pursuing these actions, archivists and architectural historians can begin to participate in the indigenous Reworlding of the archive.
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