Journal articles on the topic 'Cultural landscapes'

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1

Goetcheus, Cari, Robin Karson, and Ethan Carr. "Designing Living Landscapes: Cultural Landscapes as Landscape Architecture." Landscape Journal 35, no. 2 (February 2016): vi—xv. http://dx.doi.org/10.3368/lj.35.2.vi.

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Jelen, Jakub, Markéta Šantrůčková, and Marek Komárek. "Typology of historical cultural landscapes based on their cultural elements." Geografie 126, no. 3 (2021): 243–61. http://dx.doi.org/10.37040/geografie2021126030243.

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Historical cultural landscapes represent numerous values and meanings that are important for today’s society. These cultural landscapes document the specific development of local communities and may reflect their approaches or attitudes toward the environment. Man-made landscape elements are created for special purposes and represent specific values (historical, cultural, environmental, economic, etc.). The analysis of these landscape elements allows us to find out for what purposes the society decided to use the landscape, respectively what functions the landscape performs and what historical or cultural values it represents. The following text presents a typology of historical cultural landscapes based on a cluster analysis of cultural landscape features. Using this method, a typology of landscapes is created that reflects the functional use and values of landscapes based on the analysis of cultural-historical elements and differentiates the rates and methods of land use by human beings. The output of the cluster analysis is visualized in a dendrogram, based on which seven basic landscape categories were defined and described.
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3

Wu, Yong-qiu, and Hong-wei Xiao. "Preservation and Utilization of Historical Sites: Construction of Urban Linear Culture Landscapes." Open House International 41, no. 3 (September 1, 2016): 86–91. http://dx.doi.org/10.1108/ohi-03-2016-b0015.

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Many historical urban cultural landscapes are suffering the effect of rapid urban economic development. This paper integrally relates historical sites in dispersed and point-shape distributions in cities and proposes strategies and methods for constructing urban linear cultural landscapes. As such, our work aims to form urban cultural landscape communities with an organic and linear distribution. The urban linear cultural landscape is not only an important means for integrally protecting and utilizing historical sites in historical cities but is also a special type of urban cultural landscape. The urban linear cultural landscape’s extensive application can enrich the theory of cultural landscape and protection methods of urban cultural heritage.
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4

Gábor Kerékgyártó. "Cultural landscape on the border: érmellék." Acta Agraria Debreceniensis, no. 49 (November 13, 2012): 197–200. http://dx.doi.org/10.34101/actaagrar/49/2524.

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Cultural landscapes are haunting topic of the european spatial development. Cultural landscapes as cultural heritage determine the local and regional identity. The study shows the role and the significance of the cultural landscape by the help of UNESCO World Heritage Convention, the European Spatial Development Perspective and the European Landscape Convention. The article speaks about how can we maintain and develop cross border landscapes and cultural landscapes and through introducing Érmellék it would like to draw attention to the fact that landscape level planning and development of common landscape politics are one of the main interests of Hungary. That kind of politics play an important role not only in maintaining landscapes but in the regional economic development.
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ADHIKA, I. Made, and I. Dewa Gede Agung Diasana PUTRA. "REINVIGORATING CULTURAL LANDSCAPES FOR PLANNING CULTURAL TOURISM IN BALI." GeoJournal of Tourism and Geosites 33, no. 4 (December 31, 2020): 1462–69. http://dx.doi.org/10.30892/gtg.334spl03-594.

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A cultural landscape, a configuration produced by human actions and cultural structures in a physical setting, has a significant role to play as a vital feature of cultural tourism in Bali. However, this configuration has become the most heavily commoditized elements of the development of tourism. Construction of tourist amenities has exploited the notion of a cultural landscape that has been integrated into cultural practices, the environment and agriculture. This development and planning are a paradoxical phenomenon and a challenge for people to retain the identity of their cultural landscape while also seeking economic benefits from tourism. The struggle between the protection of the identity of the cultural landscape translated and manifested in the context of agriculture and its transformation in the context of designing tourist facilities has shaped the fundamental argument for preservation. Since there are different cultural traditions and practices in many Balinese cultural landscapes, the relationship between tourism and the diversity of cultural areas has become a key objective in the development of tourism and planning tourist facilities. This paper explores the current struggles between the concepts of tourism development and planning, and the conservation of Bali's cultural landscape. The paper argues that the focus of Bali's tourism development is to maintain and reinvigorate the integration of natural landscapes and cultural practices that present a persistent link between the agricultural system and religious practices.
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Mitchell, Don. "Cultural landscapes: just landscapes or landscapes of justice?" Progress in Human Geography 27, no. 6 (December 2003): 787–96. http://dx.doi.org/10.1191/0309132503ph464pr.

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7

Cannady, S. "MANAGING CULTURAL LANDSCAPES." Landscape Journal 31, no. 1-2 (January 1, 2012): 234–36. http://dx.doi.org/10.3368/lj.31.1-2.234.

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8

Norton, William. "Abstract Cultural Landscapes." Journal of Cultural Geography 8, no. 1 (September 1987): 67–80. http://dx.doi.org/10.1080/08873638709478499.

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9

Qin, Bailan. "Managing cultural landscapes." International Journal of Heritage Studies 22, no. 5 (March 4, 2016): 411–13. http://dx.doi.org/10.1080/13527258.2016.1157093.

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10

Belz, Melissa Malouf. "Managing Cultural Landscapes." Journal of Cultural Geography 30, no. 1 (February 2013): 156–58. http://dx.doi.org/10.1080/08873631.2012.750437.

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11

Bartram, Rob. "Studying cultural landscapes." Area 37, no. 4 (December 2005): 464–65. http://dx.doi.org/10.1111/j.1475-4762.2005.655f.x.

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12

Venkatachary, Balaji, and Vishakha Kawathekar. "Understanding the Relationship between Component and Attribute of Cultural Landscapes: Case of Indian Music and Cultural Landscapes." Journal of Heritage Management 3, no. 1 (June 2018): 112–21. http://dx.doi.org/10.1177/2455929618773390.

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The widely recognized definition of ‘Cultural Landscape’ in current practice is borrowed from UNESCO as Combined works of Nature and of Man.1 They are complex entities consisting of multiple layering of built-unbuilt components including intangible cultural aspects. These components are interrelated and interdependent. The landscape evolves together through combined natural and cultural processes. In current discourse and practice of heritage management, value-based assessment is a widely accepted approach. Evaluation of cultural landscapes for its Significance and Value is a complex process that requires an understanding of interwoven layers of components and attributes.2 Systematic understanding of such relationships between components and attributes is still in its infancy. Amongst various such identified intangible agencies, this study chooses to explore music. A study of secondary sources was undertaken. Cultural landscapes nominated as World Heritage Sites and identified Indian sites were systematically examined to understand various components and attributes. Using the indicators from this study and the theoretical framework of sociomusicology, a research design was prepared. Recognizing the historical association of music with the sites on the Kaveri river basin in peninsular India, a reconnaissance study was undertaken for onsite validation. Musical associations were spatially mapped for analysis and the findings are presented. Systematic understanding of the relationships between components of a cultural landscape and intangible cultural traditions is still in its infancy. The undertaken study is an exploratory work that focuses on understanding the relationship between components of a cultural landscape and ‘intangible attributes’, especially music. A study of secondary sources was undertaken in two parts. In the first part, concept of cultural landscape has been explored. Cultural landscapes nominated as World Heritage Sites were systematically examined to understand various components and attributes. The knowledge helped in formation of indicators for evaluation of cultural landscapes. In the second part of the study, selected case studies of Indian cultural landscapes were studies with the developed indicators. Musical traditions existing in these sites were theoretically reduced to basic components and mapped for analysis.
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Caravello, Emanuela. "Preserving cultural landscapes in the face of globalization. The musealization of Sicilian heritage." AIMS Geosciences 9, no. 4 (2023): 697–712. http://dx.doi.org/10.3934/geosci.2023037.

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<abstract> <p>This contribution critically reflects the musealization of landscapes as an effective response to the rapid transformations brought about by globalization. Focusing on the case of Sicilian heritage, we examine how the conservation and representation of traditional landscapes in museums serve as a defensive reaction to the perceived threats of homogenization and cultural loss caused by global processes. This article fits into the debate on cultural landscapes and outlines the protection policies implemented by UNESCO while delving into the role of museum collections. In this specific context of preserving the tangible and intangible components of cultural heritage, the landscape is intertwined with the role of local communities in a changing world. We also explore the concept of authenticity in landscapes and its significance in preserving cultural identities. Through qualitative methodology involving critical analysis of literature and document examination, the research illustrates how the musealization of Sicilian landscapes has aimed to safeguard collective memory and cultural heritage. However, this article also highlights potential risks associated with this process, such as the static representation of dynamic cultures and the selective nature of museum curation. Ultimately, this study advocates for transparent and multifaceted interpretations of cultural landscapes to avoid the creation of artificial myths and to preserve the polysemy of the landscape's meaning. By critically examining the context through significant examples, this paper contributes to a deeper understanding of the role of musealization in conserving and representing cultural landscapes in the face of globalization's challenges.</p> </abstract>
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Oubiña, César Parcero, Felipe Criado Boado, and Manuel Santos Estévez. "Rewriting landscape: Incorporating sacred landscapes into cultural traditions." World Archaeology 30, no. 1 (June 1998): 159–76. http://dx.doi.org/10.1080/00438243.1998.9980403.

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15

Roth, Michael, and Dietwald Gruehn. "Methods and data to describe agricultural landscapes and their cultural values on national level in Germany: confusing coexistence or multilayered complexity?" Tájökológiai Lapok 8, Suppl. 1 (December 30, 2010): 53–66. http://dx.doi.org/10.56617/tl.4049.

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Based on the results of the interdisciplinary, multi-national Eucaland Project and using various landscape definitions to illustrate different mental concepts of (agricultural/cultural) landscapes, this paper shows and compares various descriptive methods for agricultural landscapes and their cultural value using the German case as an example. A broad variety of data used as input for landscape descriptions and resulting from landscape descriptions/classifications ranging from analogue data originating in the first half of the 20th century to up-to-date digital landscape data is analysed. Multiple layers of agricultural landscapes reveal their cultural value. It is demonstrated that the complexity of the subject is not covered by a single method. Finally, the need for an integrative approach to describe agricultural landscapes and their cultural value is discussed against the background of present landscape planning instruments and participatory approaches to landscape management.
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Gilarowski, Jerzy. "Natural and Cultural Landscapes of Equatorial Africa." Miscellanea Geographica 12, no. 1 (December 1, 2006): 155–63. http://dx.doi.org/10.2478/mgrsd-2006-0019.

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Abstract This paper attempts to characterise various cultural landscapes in the area of Equatorial Africa. To achieve this, the contents of various thematic maps and satellite photos representing: areas covered with forests (mostly secondary forests), nature reserves, areas of extensive and intensive agriculture and urban-industrial areas were overlaid with the contents of map of potential vegetation (which represent, to use a simplification, the natural, primeval landscape). The method applied allowed for distinguishing five types of cultural landscape that correspond to five levels of transformation of the primeval landscape. The resulting map shows a mosaic-like structure of landscapes. This structure changes constantly. The surface area of regions with a certain landscape type increases or decreases, or else the regions change their locations. A detailed analysis of socio-economic processes (and the related changes in the natural environment) can constitute a basis for a prediction of cultural landscape transformation. It is the author’s opinion that such prediction could be applied in various planning projects.
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Milan, Selena Bagnara. "Cultural Landscapes: The Future in the Process." Journal of Heritage Management 2, no. 1 (June 2017): 19–31. http://dx.doi.org/10.1177/2455929617726925.

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The cultural dimension of any cultural landscape embodies various aspects associated with the local community that act as a generating force. Conversely, cultural landscapes play a crucial role in people’s quality of life and sense of belonging, their features contributing to the overall landscape perception and character. Therefore, all heritage management and conservation approaches ought to be based on the identification and consideration of this interrelationship and provide a shared vision—within a global context—through the adoption of cross-disciplinary methods of analysing, evaluating and monitoring cultural landscapes in all their dimensions over time. Within the above conceptual framework, this article attempts to present a meaningful contribution for specific challenges and opportunities connected with the management of cultural landscapes reflecting their multifunctional acceptation. Considering that the development of a management plan is part of a higher management process as well as an essential tool for creating agreement among stakeholders and professionals, the article concludes with an outlook on landscape future scenarios, highlighting those forward-looking approaches that are more effective in governing change in such a way that cultural landscapes’ significant functions and values endure, along with supporting cultural and human sustainable development based on a balanced and critical assessment of the community interests.
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Sun, Suxueer, and Naoko Fujita. "Examining Traditional Food Processing Landscapes from the Perspective of Cultural Landscapes: Pickle-Making in Yamagata Prefecture, Japan." Scientific and Social Research 6, no. 2 (February 28, 2024): 124–35. http://dx.doi.org/10.26689/ssr.v6i2.6233.

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The cultural landscapes of living and living industries in Asia are changing and disappearing, and this is currently under-documented and under-discussed in the international publishing field. This study takes pickle-making in Yamagata Prefecture, Japan, as the research subject, clarifies the constituent elements and characteristics of the cultural landscapes of pickle-making in Yamagata, and analyses the formation and change of the local landscapes from the point of view of the food-processing and production activities. The elements of the cultural landscapes of pickle-making in Yamagata Prefecture were classified as follows: landscapes of cultivation sites, landscapes of processing sites, landscapes of sales sites, landscapes of cooking and eating spaces, and landscapes of special festivals. It was found that the cultural landscapes of pickle-making in Yamagata Prefecture can play a role in supporting and maintaining biodiversity and ecological balance within the region and that they are highly recognizable and inherited. The elements of the cultural landscape of pickle-making are rich and diverse, and the carriers of dependence are not fixed. Special celebrations and festivals constitute important intangible elements of food production behavior and become the spiritual connotation of its cultural landscape. The results of this study are useful in supplementing the current system of cultural landscapes in Japan and the gaps in existing research. It is also conducive to enhancing the understanding of Japanese food culture in the international publishing field and the influence of productive cultural landscapes in Japan as well as in Asia.
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Fadaei Nezhad, Somayeh, Parastoo Eshrati, and Dorna Eshrati. "A DEFINITION OF AUTHENTICITY CONCEPT IN CONSERVATION OF CULTURAL LANDSCAPES." International Journal of Architectural Research: ArchNet-IJAR 9, no. 1 (March 18, 2015): 93. http://dx.doi.org/10.26687/archnet-ijar.v9i1.473.

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Cultural landscape can be defined as the result of human interaction with nature over time, which has led to the formation of the many and diverse layers of value. Currently, the UNESCO World Heritage Centre has a unique role among other scientific associations. In recent years, the World Heritage Center has put efforts into developing a framework and measures for evaluation and management of cultural landscapes. Moreover, the concept of authenticity; as the transmitter of values and significance of cultural landscape, is considered as the key component in the process of cultural landscape conservation. A lot of scientific resources have pointed out the importance of authenticity in the process of conserving cultural landscapes. However, the role of authenticity within the domain of conservation of cultural landscapes has received little attention. One of the main reasons can be lack of adaptation between conventional definitions of UNESCO and international documents concerning the authenticity for including the flexible and dynamic structure of cultural landscapes around the world. Therefore, this paper seeks to explore and develop a flexible framework in order to redefine the concept of authenticity in relation to cultural landscapes, which has some overlaps with UNESCO definitions despite its differences. For developing this framework, Iranian-Islamic philosophy of Mollasadra is applied and described with some examples of cultural landscapes in Iran.
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Eliasson, Ingegärd, Susanne Fredholm, Igor Knez, Eva Gustavsson, and Jon Weller. "Cultural Values of Landscapes in the Practical Work of Biosphere Reserves." Land 12, no. 3 (February 28, 2023): 587. http://dx.doi.org/10.3390/land12030587.

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The purpose of this paper is to investigate the role of the landscape’s cultural values in the practical work of biosphere reserves and to identify what opportunities there are to increase awareness and knowledge about these values. The paper draws upon data collected in a Swedish biosphere reserve, including a survey of residents, interviews with public officials involved in cultural heritage management, and an analysis of documents produced by the Biosphere Reserve Association. Residents showed a broad knowledge about the landscape’s cultural values, and they linked immaterial heritage to material objects. The residents’ strong identity and pride in relation to the landscape were confirmed by the officials, who argued that it is the deep layers of history and the cultural diversity of the landscape that make the biosphere reserve attractive. However, concepts related to the landscape’s cultural values were barely touched upon in the documents analysed; the landscape’s cultural values were presented as a background—as an abstract value. The findings reveal several unexplored opportunities and practical implications to increase awareness and knowledge of the landscape’s cultural values. Suggested actions include definition of goals, articulation and use of concepts, inventories of actors, increased collaboration, and use of residents’ knowledge. Cultural values of landscapes are often neglected in the practical work of biosphere reserves, despite the social and cultural dimensions of sustainable development being an important component of UNESCO’s Man and the Biosphere (MAB) Programme. This research indicates several ways of bridging this gap between theory and practice.
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Miętkiewska-Brynda, Joanna, and Jerzy Makowski. "Viticultural landscapes in transition: permanence and change." Miscellanea Geographica 22, no. 2 (June 30, 2018): 63–68. http://dx.doi.org/10.2478/mgrsd-2018-0015.

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Abstract This article concerns the transitions of cultural landscapes, especially of viticultural landscapes. The authors do not aim to present new definition of the term “landscape” but base their study on the existing output of Polish and foreign scholars. The fact that cultural landscapes are in a constant state of flux is stressed, and periods of both development and regression are included. These phenomena are illustrated with reference to the transformations of Poland’s viticultural landscapes, the cultural landscapes of the Palmeral de Elche, and the mouth of the Vistula, as well as the metamorphosis of the landscape of Alto Douro. These examples may be an apt illustration of F. Braudel’s concept of “longue durée”.
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Yang, Weili, Bing Fan, Jingbo Tan, Jing Lin, and Teng Shao. "The Spatial Perception and Spatial Feature of Rural Cultural Landscape in the Context of Rural Tourism." Sustainability 14, no. 7 (April 6, 2022): 4370. http://dx.doi.org/10.3390/su14074370.

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The development of rural tourism in the greater Xi’an area is in full swing, which is an important indicator for the implementation of rural revitalization. However, there are certain realistic challenges such as the lack of rural culture, the destruction of cultural context, and the loss of “rurality” of tourist areas. It is of vital significance to explore, integrate and revive the rural culture by advancing the rural cultural landscape based on the concept of cultural landscape in human geography. The specific categories of the rural cultural landscape were divided into three perspectives of agricultural production, famers’ lifestyle, and countryside ecology. Spatial reflections of various rural cultural landscapes were carried out based on pluralistic new data. The spatial characteristics of cultural landscapes were studied by using kernel density analysis and creating Thiessen polygons analysis and interpolation in ArcGIS spatial analysis, in order to show the spatial patterns of the special rural cultural areas and the cultural landscapes in greater Xi’an. Above all, our study inventoried and mapped the rural cultural landscapes in the context of rural tourism, identified spatial features of rural cultural landscape and rural tourism, and we proposed solutions that promote the cultural quality of rural tourism which are of vital significance in reviving rural culture.
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Ismail, Nor Atiah, and Mohd Yazid Mohd Yunos. "Cross-Cultural Ethnic Identity in Urban Residential Area: An Epistemology." Applied Mechanics and Materials 747 (March 2015): 172–75. http://dx.doi.org/10.4028/www.scientific.net/amm.747.172.

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Aresidential landscape is one expression of the intrinsic and cognitive values of a relationship between humans and their environment. Experiential and phenomenological landscapes are established when people shape their living environment; in turn they are shaped and constructed by this living environment. Landscape alteration is one of the responses to the feelings of “outsideness” during the post-occupancy period. This paper will provide an understanding of the landscape alteration phenomenon in urban residential housing and the landscape values embodied by these altered landscapes.
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Bidegain, Íñigo, César A. López-Santiago, José A. González, Rodrigo Martínez-Sastre, Federica Ravera, and Claudia Cerda. "Social Valuation of Mediterranean Cultural Landscapes: Exploring Landscape Preferences and Ecosystem Services Perceptions through a Visual Approach." Land 9, no. 10 (October 14, 2020): 390. http://dx.doi.org/10.3390/land9100390.

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Mediterranean cultural landscapes have been recognized as multifunctional landscapes that are currently threatened by two opposing trends: rural abandonment and agricultural intensification. Uncovering people’s perceptions of different landscape configurations, and how inhabitants value the contributions of nature to human wellbeing, is essential to understanding current landscape trends. In this study, we analyze the social perception of the cultural landscapes of Sierra Morena (Andalusia, Spain) based on 389 face-to-face visual questionnaires in an attempt to understand individuals’ landscape preferences, the reasons behind those preferences and how those landscapes are perceived as suppliers of ecosystem services by different groups of stakeholders. Four groups of stakeholders were identified that differed in how they perceive and value the cultural landscape. An urban-related group was characterized by their preferences for pine plantations and “green” landscapes, guided mostly by aesthetic criteria. A livestock-related group showed a clear preference for wood–pasture landscapes (dehesas) due to their ability to supply multiple ecosystem services. An environmentally aware group showed preferences for dehesas and Mediterranean forests, mainly guided by ecological criteria. Finally, an olive-related group showed a clear preference for olive grove landscapes as key for the regional economy and their cultural identity. Overall, the local inhabitants of Sierra Morena perceived a higher supply of ecosystem services in moderately disturbed landscapes, such as dehesas and mosaic landscapes, than in highly disturbed ones, such as conventional olive groves and pine plantations, or in less used landscapes, such as the Mediterranean forest. Understanding the differences in valuation/demand for ecosystem services among groups of stakeholders, characterized by their landscape preferences, provides important information with which to identify potential trade-offs and conflicts, thereby providing insights into the improvement of landscape planning and decision making.
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T. Carson, Mike. "Natural-cultural landscape heritage at Ritidian, Guam." Journal of Cultural Heritage Management and Sustainable Development 4, no. 1 (May 13, 2014): 35–56. http://dx.doi.org/10.1108/jchmsd-03-2012-0012.

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Purpose – Landscapes bear potential as heritage resources, unifying natural and cultural history that can be experienced today in special preserved areas. The paper aims to discuss these issues. Design/methodology/approach – Geoarchaeological investigation 2006-2011 explored this potential at the Ritidian Unit of Guam National Wildlife Refuge. Findings – As experienced today, the Ritidian landscape heritage embodies the complex outcomes of a 3,500-year record of ecology and evolution. Research limitations/implications – A long-term perspective of unified natural-cultural history will increase scientific accuracy and enhance visitor experience of landscapes of heritage resources. Practical implications – Sustainable development of landscape heritage can occur most successfully in cases of thorough research in areas of protected and managed ecosystems with reasonable public access. Originality/value – The detailed results in this case may serve as a model example for other studies and programmes developing landscapes as heritage resources.
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Sun, Suxueer, and Naoko Fujita. "Comparing the Cultural Landscapes of Japan and China: An Example of Preserved Food Production in Yamagata Prefecture, Japan, and Sichuan Province, China." Scientific and Social Research 6, no. 3 (March 29, 2024): 111–21. http://dx.doi.org/10.26689/ssr.v6i3.6436.

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This study examines the development of cultural landscape research in Japan and China, focusing on the underrepresentation of studies addressing cultural landscapes associated with food production, which is particularly evident in China. Employing a case study methodology, this research investigates the production of pickles in Sichuan Province, China, and Yamagata Prefecture, Japan. This study elucidates the components and characteristics of cultural landscapes related to pickle production in these regions. It was found that residential and transportation conditions significantly influence the composition and landscape patterns of these cultural landscapes. The integration of food production practices with local dietary systems and community awareness is emphasized in this research. The findings offer insights and serve as a reference for understanding and preserving food production cultural landscapes in other countries and regions.
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Chen, Jiquan, Hogeun Park, Peilei Fan, Li Tian, Zutao Ouyang, and Raffaele Lafortezza. "Cultural Landmarks and Urban Landscapes in Three Contrasting Societies." Sustainability 13, no. 8 (April 13, 2021): 4295. http://dx.doi.org/10.3390/su13084295.

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Cultural heritage sites and landscapes are intuitively connected in urban systems. Based on available databases of cultural landmarks, we selected three pairs of cities that are currently dominated by three contrasting religions (Catholic, Buddhist and emerging culture) to compare the long-term changes in cultural landmarks, to quantify their spatial distribution in the current landscape, and to examine the potential influences these landmarks have on landscapes. The landmark database and landscapes were constructed from archived maps, satellite imagery and the UNESCO heritage sites for Barcelona, Bari, Beijing, Vientiane, Shenzhen, and Ulaanbaatar. Roads in Asian cities are mostly constructed in alignment with the four cardinal directions, forming a checkerboard-type landscape, whereas Bari and Barcelona in Europe have examples of roads radiating from major cultural landmarks. We found clear differences in the number of landmarks and surrounding landscape in these cities, supporting our hypothesis that current urban landscapes have been influenced similarly by cultural landmarks, although substantial differences exist among cities. Negative relationships between the number of cultural landmarks and major cover types were found, except with agricultural lands. Clearly, cultural landmarks need to be treated as “natural features” and considered as reference points in urban planning. Major efforts are needed to construct a global database before an overarching conclusion can be made for global cities.
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Wang, Ke, NOR HASLINA BINTI JA`AFAR, Noraziah Binti Mohammad, and MOHD ISKANDAR BIN ABD MALEK. "To Evaluate the Value of Traditional Village Landscape Elements in Influencing the Huizhou Character of the UNESCO World Heritage Site: A Case Study of Huizhou, Anhui, China." International Journal of Religion 5, no. 11 (July 19, 2024): 4195–212. http://dx.doi.org/10.61707/j2fvyh77.

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Social classes, areas of residence, environmental factors, and customs all influence a society's cultural values. These factors typically work together to help in creating the values of the traditional cultural landscape of any society. The traditional village landscape's significance as a cultural heritage is closely linked to the existence of cultural norms and the cultural environment, which together include all of the cultural values. As a result of this, maintaining these elements is essential to ensuring the permanence of history and culture. To assess the significance of traditional village landscape components in shaping the Huizhou identity of the UNESCO World Heritage Site, a case study of Huizhou, Anhui in China was considered. This research employs a systematic literature review (SLR) methodology to explore the value of the traditional village landscape in influencing Huizhou’s identity. The research also examines the heritage value of the traditional village landscape on the Huizhou identity of the UNESCO World Heritage Site (WHS). The results of the study revealed that traditional village landscape elements have greatly influenced the Huizhou identity of UNESCO’s WHS. The findings also demonstrated that traditional village landscapes have valuable recreational, artistic, production, and ecological purposes. This presents justification for the pressing need for the preservation and protection of traditional village landscapes, which requires prioritizing safeguarding the historical aspects of these settlements as well as the overall traditional settlement space and environment.
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Lennon, Jane L. "Sustaining Australia’s Cultural Landscapes." Landscape Journal 35, no. 2 (February 2016): 271–86. http://dx.doi.org/10.3368/lj.35.2.271.

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Dorato, Elena. "resilience and cultural landscapes." Convergences - Journal of Research and Arts Education 13, no. 25 (August 9, 2021): 13–21. http://dx.doi.org/10.53681/c1514225187514391s.25.6.

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Current climatc, social and fnancial phenomena have triggered deep modifcatons in cultural landscapes, threatening their fragile territories and the communites that live in them. Nevertheless, they also represent a challenge to fnd a renewed link between forms of human actvity and the producton of landscape in order to understand its future evolutons. This paper deals with this feld of investgaton in the context of the Cinque Terre Natonal Park, in Italy, through scenario planning criteria with the goal of rethinking the heritagelisted system of traditonal terraced agriculture systems as an infrastructural element for a resilient territory. Startng from the Universal Soil Loss Equaton (USLE), it identfes the main territorial factors of uncertainty and accordingly suggests possible interventon categories on the wider scale of the so-called slope units, through 2x2 matrixes. Defning a resilient transformaton program for the environmental system of the Cinque Terre Natonal Park over a twenty-year tme frame means considering adaptability as a key aspect in diferent scenarios that might be generated in the near future.
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Belmonte, Juan Antonio. "Book Review: Cultural Landscapes." Journal for the History of Astronomy 50, no. 4 (November 2019): 482–83. http://dx.doi.org/10.1177/0021828619871725.

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32

Francis, Doris. "Cemeteries as cultural landscapes." Mortality 8, no. 2 (May 2003): 222–27. http://dx.doi.org/10.1080/1357627031000087442.

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33

Fowler, Peter. "Cultural Landscapes of Britain." International Journal of Heritage Studies 6, no. 3 (January 2000): 201–12. http://dx.doi.org/10.1080/13527250050148197.

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34

Aplin, Graeme. "World Heritage Cultural Landscapes." International Journal of Heritage Studies 13, no. 6 (November 2007): 427–46. http://dx.doi.org/10.1080/13527250701570515.

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35

Jalla, Daniele. "Cultural Landscapes and Museums." Museum International 69, no. 1-2 (January 2017): 8–17. http://dx.doi.org/10.1111/muse.12146.

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36

Yli-Panula, Eija, Christel Persson, Eila Jeronen, Varpu Eloranta, and Heini-Marja Pakula. "Landscape as Experienced Place and Worth Conserving in the Drawings of Finnish and Swedish Students." Education Sciences 9, no. 2 (April 27, 2019): 93. http://dx.doi.org/10.3390/educsci9020093.

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Children explore their environment through experiences and each experience is meaningful in developing their environmental consciousness and identity. On the basis of the drawn landscape experiences, the present qualitative study set out to find out what landscapes the participating students deemed worth conserving. The data consisted of the drawings of 11- to 16-year-old Finnish (n = 311) and Swedish (n = 246) students. Deductive and inductive content analyses were used to analyse the data. The results showed that all three landscape types; nature, built, and social were presented in the drawings. Nature and built landscapes were the most frequent types, with the proportion of nature landscapes increasing and that of built landscapes decreasing with age. There were gender and cultural preferences: boys drew built landscapes more often than girls; and Finnish students drew summer cottages, a cultural phenomenon typical of Finnish landscapes, which was not found in Swedish drawings. Similarities in Finnish and Swedish data were identified e.g., in forest and water and “cultural landscapes”. Some of the students displayed a more distant, observing role, whereas others adopted an active one in relation to all three landscape types. The results are discussed in connection to the landscape theories and earlier findings of the drawn environments.
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Olivadese, Marianna, and Maria Luisa Dindo. "Cultural Landscapes: Exploring the Imprint of the Roman Empire on Modern Identities." Land 13, no. 5 (April 30, 2024): 605. http://dx.doi.org/10.3390/land13050605.

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This study explores how cultural landscapes serve as dynamic interfaces between human societies and their environments, reflecting intricate interactions shaped by historical and societal changes. Cultural landscapes, embodying both tangible heritage (e.g., architecture, gardens, and urban spaces) and intangible heritage (e.g., traditions and practices), act as living archives that document the evolution of cultural identities and environmental care. Through the lens of historical analysis and case studies, including that of the legacy of the Roman Empire, this research examines the transformative impacts of political, economic, social, and cultural shifts on these landscapes. Methods include a comparative analysis of historical data and contemporary landscape assessments, used to understand how these spaces adapt to and reflect societal changes. The findings highlight the importance of preserving cultural landscapes for their educational and aesthetic value, ecological sustainability, and their role in maintaining historical continuity. The study underscores the need for integrating historical insights into contemporary landscape preservation and urban design to keep these spaces relevant for future generations. This research contributes to our understanding of the deep-seated connection between past civilizations and modern cultural identities through the stewardship of cultural landscapes.
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Plit, Joanna, and Urszula Myga-Piątek. "The Degree of Landscape Openness as a Manifestation of Cultural Metamorphose." Quaestiones Geographicae 33, no. 3 (September 1, 2014): 145–54. http://dx.doi.org/10.2478/quageo-2014-0036.

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Abstract The issues of aesthetic assessment of landscapes has now become important due to the need of rational and balanced cultural landscape management and the implementation of the provisions of the European Landscape Convention. The aim of this article is to show the methodology of the assessment and interpretation of the degree of the current openness of the cultural landscape of Poland as an effect of a historical process. The chronological analysis made it possible to single out stages of opening/enclosing of the landscapes of Poland with reference to crucial natural, historical and cultural factors. The degree of landscape openness may be treated as a synthetic indicator of the natural and cultural environment evolution. When a landscape type is viewed as a result of natural and anthropogenic processes, the analysis of proportions between the surface of natural and cultural elements becomes of prime importance. In the historical times, the process of landscape enclosing was not unidirectional. Four stages of transformation of cultural landscapes in Poland have been distinguished. These stages are characterized by differences of the landscape openness. It can be interpreted as the result of cultural metamorphosis.
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39

Mitchell, Don. "Cultural landscapes: the dialectical landscape – recent landscape research in human geography." Progress in Human Geography 26, no. 3 (June 2002): 381–89. http://dx.doi.org/10.1191/0309132502ph376pr.

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Hasim, Irfan Sabarilah, Indah Widiastuti, and Iwan Sudradjat. "Symbolic interactionism in vernacular cultural landscape research." ARTEKS : Jurnal Teknik Arsitektur 8, no. 1 (April 1, 2023): 135–44. http://dx.doi.org/10.30822/arteks.v8i1.2080.

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Customary and traditional villages, also called vernacular cultural landscapes, are local settlement units whose inhabitants adhere to ancestral beliefs. It is important to conduct research on vernacular cultural landscapes in Indonesia, given the usual and concerning degradation of cultural landscapes. Different places have different cultures and different customary rules and habits. Each has its uniqueness and distinctiveness, so there is no one standardized approach or method that can be adapted to study the vernacular cultural landscape. Different places may require different research approaches or methods; even the same place if studied under a different topic or time frame, may also require a different approach or method. There are research approaches commonly used by the researcher of the vernacular cultural landscape, including phenomenology, narrative study, case study, grounded theory, and ethnography. This article will review one approach that can be an alternative for the researcher of the vernacular cultural landscape, namely Symbolic Interactionism. Symbolic Interactionism is an approach that can be effectively applied to study human groups, community life, and social interactions. Symbolic interactionism is able to reveal the relationships that occur naturally among members of the society, particularly the relationship between intangible symbols, rules, norms, and daily activities, with tangible things such as the formation of space, buildings, circulation, and other physical configurations.
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Marine, Nicolas, Cecilia Arnaiz-Schmitz, Cristina Herrero-Jáuregui, Manuel Rodrigo de la O Cabrera, David Escudero, and María F. Schmitz. "Protected Landscapes in Spain: Reasons for Protection and Sustainability of Conservation Management." Sustainability 12, no. 17 (August 25, 2020): 6913. http://dx.doi.org/10.3390/su12176913.

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Landscape conservation efforts in many European countries focus on cultural landscapes, which are part of the cultural identity of people, have a great heritage significance, improve the living standards of local populations and provide valuable cultural biodiversity. However, despite a wide arrange of protective measures, the management of preserved areas is seldom effective for the protection of cultural landscapes. Through a multi-approach analysis, we characterise the main heritage attributes of 17 Protected Landscapes in Spain and assess their management effectiveness by quantifying the evolution of the spatial pattern inside and outside protected landscapes. Our method has proven useful to quantitatively describe the spatial-temporal patterns of change of the protected and unprotected landscapes studied. We highlight the following results: (i) the concepts of uniqueness and naturalness are not appropriate to preserve cultural landscapes; (ii) the land protection approach currently adopted is not useful for the protection of cultural landscapes, particularly of the most rural ones; (iii) the landscapes studied with greater rural features can be considered as “paper parks”. We recommend that different protection measures focused on the needs and desires of the rural population are taken into account in order to protect cultural landscapes that are shaped by traditional rural activities.
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Łach, Janusz, and Igor Bojko. "Polaniarstwo jako istotny wyróżnik w badaniach nad typologią krajobrazów pasterskich Karpat Zachodnich." Przegląd Wschodnioeuropejski 10, no. 1 (June 30, 2019): 261–74. http://dx.doi.org/10.31648/pw.4519.

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The article is an attempt to use the method of landmark and determinants in research on the typology of pastoral and agricultural landscapes in the area of the Beskids range the Western Carpathians. The paper analyzes the structure and form of economic activities in the mid-forest clearing, allowing to define mountain landscapes. The Beskids landscape due to the varied morphology, terrain cover and the Vlachs cultural element is considered to be particularly valuable in terms of landscape. The definition of the natural and cultural aspects of the Beskids landscapes made it possible to separate, in the type of rural landscapes – the pastoral subtype, the pastoral and agricultural landscape called as the agro-shepherd.
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Pearson, Diane, and Julian Gorman. "Acknowledging Landscape Connection: Using Sense of Place and Cultural and Customary Landscape Management to Enhance Landscape Ecological Theoretical Frameworks." Land 12, no. 4 (March 23, 2023): 729. http://dx.doi.org/10.3390/land12040729.

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Landscapes are important socio-ecological systems. They are widely researched through landscape ecology to aid conservation and environmental management efforts, yet these efforts are not always as successful as they could be in terms of on-the-ground impact. Increasingly when considering conservation, it is being recognized that indigenously managed landscapes have slower rates of biodiversity loss and better environmental outcomes. Local knowledge and connection to the landscape can play a significant part in successfully managing these landscapes. Acknowledging that stewardship of the landscape is more effective when people are a part of the landscape with deep-rooted connection to place is important for understanding the significance of traditional ecological knowledge and the implementation of indigenous-led action. It has also been shown that researchers who have a stronger sense of place and connection to landscapes can also drive initiatives that have better environmental outcomes. This means that human connections to landscapes are important for management strategies, and a better understanding of the human cognition of landscapes is necessary in landscape ecological theoretical frameworks. This review paper explores literature that acknowledges cultural perspectives and cognition of landscapes and how this relates to landscape ecology. It makes recommendations about how landscape ecology can contribute towards better on-the-ground outcomes by embracing more effective mechanisms of collaboration and participation to incorporate local and indigenous knowledge.
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44

Sinamai, Ashton. "Ivhu rinotsamwa: Landscape Memory and Cultural Landscapes in Zimbabwe and Tropical Africa." eTropic: electronic journal of studies in the Tropics 21, no. 1 (March 30, 2022): 51–69. http://dx.doi.org/10.25120/etropic.21.1.2022.3836.

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Perceptions of the various cultural landscapes of tropical Africa continue to be overdetermined by western philosophies. This is, of course, a legacy of colonialism and the neo-colonial global politics that dictate types of knowledge, and direct flows of knowledge. Knowledges of the communities of former colonised countries are seen as ancillary at best, and at worst, irrational. However, such ‘indigenous knowledge’ systems contain information that could transform how we think about cultural landscapes, cultural heritage, and the conception of 'intangible heritage’. In many non-western societies, the landscape shapes culture; rather than human culture shaping the landscape – which is the notion that continues to inform heritage. Such a human-centric experience of landscape and heritage displaces the ability to experience the sensorial landscape. This paper outlines how landscapes are perceived in tropical Africa, with an example from Zimbabwe, and how this perception can be used to enrich mainstream archaeology, anthropology, and cultural heritage studies. Landscapes have a memory of their own, which plays a part in creating the ‘ruins’ we research or visit. Such landscape memory determines the preservation of heritage as well as human memory. The paper thus advocates for the inclusion of ‘indigenous knowledge’ systems in the widening of the theoretical base of archaeology, anthropology, and heritage studies.
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Pastuszka, Anna. "Europe‘s Cultural Landscapes in Travel Literature. An Introduction." Lublin Studies in Modern Languages and Literature 48, no. 1 (April 12, 2024): 1–18. http://dx.doi.org/10.17951/lsmll.2024.48.1.1-18.

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The cultural landscape is understood as the area of human habitation and the result of human activities in a particular space. In literature, it manifests itself as an emotionally charged local landscape, as a sensually and intertextually explored travel destination or as a former historical region (as a lost cultural landscape). The article examines literary topographies and factors that influence the perception and literary representation of the cultural landscape. The existential dimension of the landscape experience is linked with spatial categories, motifs of travelling and movement in different configurations. Finally, on the basis of the contributions collected in the volume, representations of cultural landscapes in travel literature are discussed.
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46

Denysyk, Hryhoriy, Volodymyr Kanskyi, Viktoriia Kanska, Bohdan Denysyk, and Mykhailo Vinnytsia. "Anthropogenic landscapes of Ukraine and their reconstruction." Czasopismo Geograficzne 93, no. 3 (November 8, 2022): 417–33. http://dx.doi.org/10.12657/czageo-93-16.

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The aim of the research was to analyze the structure of Ukraine’s anthropogenic landscape and the directions of its development for the purposes of further reconstruction and rational use. The current state of ten types of anthropogenic landscapes was assessed. In the research based on the maps of natural and contemporary landscapes, use was primarily made of historical and archaeological methods, including historical and genetic sequences. The present landscape of Ukraine can be described as the coexistence of three types of landscapes: natural, natural-anthropogenic and anthropogenic. Anthropogenic landscapes which are definitely dominating nowadays, started to be formed in the late Paleolithic. The classification of ten types of anthropogenic landscapes should be improved and supplemented as the new types of anthropogenic landscapes are created, e.g. garden and park landscapes. Anthropogenic landscapes do not exist in isolation, but interact with one another and with natural landscapes. What is particularly noteworthy is the reconstruction of the anthropogenic landscape of the Forest-Field zone. The restoration of landscapes should begin with the creation of an eco-network. The national ecological network is ineffective because it does not take into account anthropogenic landscape changes. The reconstruction of all types of anthropogenic landscapes must allow for their zonal and regional specificity as well as their cultural importance. The cultural landscape will be the basis of the new structure of the national eco-network and will increase its range.
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Myga-Piątek, Urszula, and Oimahmad Rahmonov. "Winery regions as the oldest cultural landscapes: remnants, signs, and metamorphoses." Miscellanea Geographica 22, no. 2 (June 30, 2018): 69–80. http://dx.doi.org/10.2478/mgrsd-2018-0009.

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Abstract Considering the general typology of landscapes, winery landscapes are a subtype of agricultural landscapes. A winery landscape is an area in which the dominant land use or indigenous vegetation consists of extensive grapevine crops, that is, vineyards and/or areas covered by wild grapevines; where a specific wine culture has evolved, or grapes constitute an important part of the local diet. In this paper, winery landscapes are studied at two levels: typological (as a repeatable, specific type of area with precisely defined characteristic features), and regional (regional areas that are unique and individual). The authors analyze the evolution of winery landscapes over time and describe their natural and historical aspects. A wide range of factors were taken into consideration: historical and political, socio-economic, cultural and religious influences, as well as the natural environmental background. This paper aims to describe the evolution of winery landscapes in Europe and beyond by considering the Mediterranean Basin, Asia Minor, Transcaucasia, and Central Asia.
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Liu, Hong Fang, Qing Zhong Ming, and Fen Lu. "Construction Research by Introducing Sense of Place into Cultural Landscape Design in Ethnic Areas: A Tentative Approach to Intensify Place Identity." Advanced Materials Research 1046 (October 2014): 139–43. http://dx.doi.org/10.4028/www.scientific.net/amr.1046.139.

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Cultural landscape reflects the historical and traditional heritage of a place and has a symbolic significance and function. Place identity is a kind of psychological experience gradually achieved through perception, acceptation and satisfaction with a place and by living for some time in certain environment. The widespread and rapid acceleration of modernization and globalization lead to many places achieving "non-places" characteristics and homogenous landscapes, even in ethnic areas. This construction research attempts to grasp the inner relationship between cultural landscape and place identity in ethnic areas, and introduce the theory of sense of place and some methods that may shape rational cultural landscapes, seek some specific constructing measures to make the cultural landscapes more harmonious with environment, hence to enhance and strengthen place identify of ethnic groups and cultivate the delicate physical culture landscape against the background of emerging globalization.
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49

Thinnakorn, Wirut, and Tanakorn Anurak. "Valuing Cultural Landscape Heritage in Historic Areas: Proposed Assessment Criteria from Thailand." International Journal of Sustainable Development and Planning 17, no. 5 (August 31, 2022): 1543–51. http://dx.doi.org/10.18280/ijsdp.170518.

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A historic area is a valuable cultural heritage site. A historic community’s landscape is no less valuable than the historic buildings. In Thailand, conservation organisations only preserve and value buildings with high archaeological importance. The appreciation of surrounding landscapes is still lacking. This study aimed to establish criteria for valuing cultural landscape in Thailand. The methodology was by reviewing concepts of cultural heritage, historic area, cultural landscape, and evaluation criteria created by UNESCO and Thai organisations so as to build the new criteria. We then proposed the criteria in four areas: aesthetics, history, science and education, and society, which would correspond to current guidelines to cover cultural landscapes comprehensively.
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Ankyiah, Francis, and Appiah Salomey Darkoa. "The Disconnection of Identity and Place in Drawing: Superficial Exploration of Cultural Landscapes." American Journal of Arts and Human Science 3, no. 1 (March 13, 2024): 45–51. http://dx.doi.org/10.54536/ajahs.v3i1.2487.

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This art-based research explores the disconnect between personal identity and sense of place when representing cultural landscapes through superficial drawing practices. Existing solely as visual representations focused on formal qualities of form and colour, drawings of cultural landscapes often fail to deeply engage with the lived experiences, histories, and meanings embedded within those places. Through a series of plein-air drawings created in three distinct cultural landscapes-a rural farming community, an urban park, and a historical heritage site-this research examines how superficial approaches to landscape drawing can distance the artist from genuinely understanding and connecting to the places depicted. Drawings were analysed using contemplative art criticism to evaluate how effectively they conveyed embedded cultural meanings and perspectives beyond mere visual documentation. The findings suggest that without contextual research into the landscapes’ social and cultural significance and reflective practices connecting the artist’s identity and experiences to the place, the drawings became detached representations lacking depth of meaning. This superficial approach resulted in a disconnection between the artist’s sense of identity and place in the depicted landscapes. To more authentically connect representation to meaning, the researcher proposes an alternative model for cultural landscape drawing that emphasizes experience-based practices and reflective inquiry into the intersections between artist, place, and community identities. Such an approach holds potential to bridge divisions between external visualization and internal comprehension of what cultural landscapes signify on deeper levels.
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