Journal articles on the topic 'Cultural heritage'
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Van, Vu Hong. "THE BUDDHISM CULTURAL HERITAGE IN THE CULTURAL LIFE OF VIETNAMESE PEOPLE." Humanities & Social Sciences Reviews 8, no. 3 (June 14, 2020): 811–23. http://dx.doi.org/10.18510/hssr.2020.8386.
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Purpose: This research focuses on analyzing how did Buddhism creates heritages, how did that the Buddhism heritage becomes the cultural heritage of the Vietnamese people, how have Buddhist heritage is involved in cultural life, and the contribution of Buddhist cultural heritage to Vietnamese culture. The value of Buddhism’s cultural heritage in the current life of the Vietnamese people.
Methodology: It was a qualitative study and data were collected by observation, in-depth interviews; each interview took between 15 – 25 minutes. I have also studied many ancient documents that have valuable, records on the history of Buddhism in Vietnam; the epitaphs are kept in pagodas, temples, communal houses; the books of the history of Vietnam; documents of famous authors studying culture and religion.
Main Finding: The results of this study showed, in history and the present, Buddhism holds an important position in the cultural life of Vietnamese people. Today, along with the development of the country, these legacies continue to contribute to the cultural activities of the people through many pagoda festivals and many religious activities, becoming an inseparable part of the cultural life of most Vietnamese people.
Implications/Applications: This research can be used as teaching material in universities; in research institutes on religion and culture. It can also serve as a reference for tour guides in the process of introducing visitors to the cultural heritage of Buddhism in Vietnam.
Novelty/Originality: This research explores ways to create the cultural heritages of Buddhism, how Buddhism’s cultural heritages become Vietnamese cultural heritages.
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Craith, Máiréad Nic. "Intangible Cultural Heritages." Anthropological Journal of European Cultures 17, no. 1 (March 1, 2008): 54–73. http://dx.doi.org/10.3167/ajec.2008.01701004.
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Heritage has traditionally been associated with material objects, but recent conventions have emphasized the significance of intangible culture heritage. This article advocates a holistic approach towards the concept and considers key challenges for Europe's heritage at the beginning of the twenty-first century. Reflecting on the notion of 'European', it considers the question of how one defines European heritage and which European heritage is to be protected. It explores links between national and European conceptions of identity and heritage and queries issues of ownership, language and representation. A number of ethical issues are raised - such as the role of women in the transmission of heritage and the implications of information technology for copywriting traditional practices. The author also asks how one ensures that the process of globalisation facilitates rather than eliminates local cultural heritages? How does one enhance the local so that it becomes glocal and not obsolete?
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Mazzaggio, Greta, and Neri Binazzi. "Valorizzare il patrimonio immateriale: un’esperienza di digitalizzazione del dialetto." DILEF. Rivista digitale del Dipartimento di Lettere e Filosofia, no. 3 (January 4, 2024): 1–19. http://dx.doi.org/10.35948/dilef/2024.4348.
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In un contesto in cui la cultura e il patrimonio culturale rivestono un'importanza fondamentale per la continuità storica e l'identità nazionale, la digitalizzazione emerge come un mezzo essenziale per la loro preservazione e promozione. Questo articolo sottolinea l'importanza della preservazione del patrimonio culturale immateriale legato alle lingue soffermandosi sul progetto di digitalizzazione delle trascrizioni delle interviste sul campo che hanno costituito la documentazione di riferimento di Manzini e Savoia (2005). Tale lavoro è previsto dal programma "Cultural Heritage Active Innovation for Sustainable Society," finanziato dal PNRR promosso dal Ministero dell'Università e della Ricerca e dall'Unione Europea e finalizzato alla gestione sostenibile delle risorse culturali e alla promozione della diversità e ricchezza linguistica, elementi cruciali per il futuro della cultura italiana. Il progetto di digitalizzazione è parte integrante dell’attività dello Spoke 2 (Creativity and Intangible Cultural Heritage) incardinato nel Dipartimento di Lettere e Filosofia dell’Università di Firenze, e previsto dal Partenariato Esteso PE5 Cultura umanistica e patrimonio culturale come laboratori di innovazione creatività promosso dall’Ateneo fiorentino. In a context where cultural heritage plays a fundamental role in a nation's identity and historical continuity, digitalization emerges as an essential means to preserve and promote this heritage. The present article underscores the importance of preserving intangible cultural heritage related to languages, focusing on the digitization project of field interview transcriptions that constituted the reference documentation of Manzini and Savoia (2005). This work is part of the "Cultural Heritage Active Innovation for Sustainable Society" program, funded by the PNRR promoted by the Ministry of University and Research and the European Union. The program aims at the sustainable management of cultural resources and the promotion of diversity and linguistic richness, crucial elements for the future of Italian culture. The digitization project is an integral part of the activities of Spoke 2 (Creativity and Intangible Cultural Heritage) within the Dipartimento di Lettere e Filosofia at the University of Florence, that is provided by PE5 Humanistic culture and cultural heritage as laboratories of innovation creativity promoted by the University of Florence.
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Karl, Barbara. "Cultural Heritage." Textile History 50, no. 2 (July 3, 2019): 218–24. http://dx.doi.org/10.1080/00404969.2019.1653639.
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Çalışkan, Uğur. "Cultural heritage." Journal of Heritage Tourism 15, no. 2 (July 8, 2019): 236–37. http://dx.doi.org/10.1080/1743873x.2019.1637057.
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Vandeput, Lutgarde, and Veli Köse. "Cultural heritage." Heritage Turkey 2 (December 1, 2012): 33–35. http://dx.doi.org/10.18866/biaa2015.048.
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Mancini, Marina. "CULTURAL HERITAGE." Italian Yearbook of International Law Online 26, no. 1 (October 11, 2017): 624–29. http://dx.doi.org/10.1163/22116133-90000192a.
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Vigneron, Sophie. "International cultural heritage law (cultural heritage law and policy)." International Journal of Heritage Studies 23, no. 3 (September 9, 2016): 288–89. http://dx.doi.org/10.1080/13527258.2016.1232302.
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Wang, Xin Wen, Ke Cheng Liu, and Tao You. "Tentative Proposal on System Construction of the Urban Cultural Heritage in Xi'an." Advanced Materials Research 368-373 (October 2011): 1693–96. http://dx.doi.org/10.4028/www.scientific.net/amr.368-373.1693.
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Cultural heritage serves as memory of history, authentic historical memory is certainly integral. The system of urban cultural heritage is a sequential combination of urban cultural heritages, and this is a new idea of heritage selection. this paper is to discuss the method of system construction of urban cultural heritage in Xi'an.
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Absor, Nur Fajar, Wahyudin, Yusuf Budi Prasetya Santosa, and Nur Ramadhani Abdillah. "Identifikasi Cagar Budaya di Kota Depok sebagai Upaya dalam Membangun Kesadaran Sejarah Masyarakat." Santhet: (Jurnal Sejarah, Pendidikan, dan Humaniora) 6, no. 2 (October 24, 2022): 146–57. http://dx.doi.org/10.36526/santhet.v6i2.2122.
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Within the scope of urban history there are 4 periods, namely prehistoric, traditional, colonial, and modern. One of the cities that has historical heritage, either in the form of buildings or building structures is Depok City. Depok during the colonial period was an area of Gementee Bestuur which was given the freedom to manage its own territory. Therefore, in Depok City there are many relics of the colonial period identified as cultural heritage, but not all Depok people know that Depok has a long history of cultural heritage in its area. Meanwhile, the objectives of this study are (1) to identify the cultural heritage in Depok City; and (2) to analyze efforts to build public historical awareness through the identification of cultural heritage in Depok City. The research method used in this research is descriptive qualitative. The results of this study found that there are 21 cultural heritages in Depok City. To raise awareness of history in the Depok community through the identification of cultural heritage, it can be done by (1) incorporating the introduction of the cultural heritage of the City of Depok into the local content; (2) conduct socialization on various cultural heritages in Depok City; (3) make routine 'Depok Heritage Festival' activities; and (4) inserting a list of identified cultural heritages into the depok.go.id website.
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Liu, Y., and Y. Zhuang. "THE EXPLORATION OF APPLYING OF SPATIAL INFORMATION TECHNOLOGY IN GENERAL PLAN FOR REGIONAL CULTURAL HERITAGE CONSERVATION." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVI-M-1-2021 (August 28, 2021): 415–22. http://dx.doi.org/10.5194/isprs-archives-xlvi-m-1-2021-415-2021.
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Abstract. With the rapid urbanization and the sharp increasing of the amount of official identification cultural heritages, the Chinese government and public are paying more attention to the regional comprehensive preservation, exhibition and utilization of the cultural heritages in recent years. “General Plan for Regional Cultural Heritage Preservation” offers a new systematic conservating solution for the cluster of cultural heritages in an administrative region. For the past few years, lots of new spatial information technologies have been applied in the preservation of cultural heritages, which tremendously improved the level and effectiveness of cultural heritage recording, management, monitoring and exhibition. This article will focus on discussing the methods and applying prospect of the technologies of geographic information system, 3D laser scanning, photogrammetry modeling in general planning for regional cultural heritage preservation and utilization.In recent years, with the continuous development of cultural heritage preservation in China, an increasing number of provinces and cities began to organize General Plans for regional cultural heritage preservation (hereinafter called "General Plan"), through which local governments are able to control the risk and improve the preservation level of cultural heritage (IAH, 2004).This paper will introduce the working framework of the General Plan and the core problems to be solved, and then analyze the application mode and prospect of spatial information technology in the General Plan.
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Liu, Eileen Shuyue. "Incomplete Representation of Cultural Heritages in Scenic Spot: Shanghai Tianzifang ---- The Neglection of Intangible Cultural Heritages." Communications in Humanities Research 31, no. 1 (May 17, 2024): 62–69. http://dx.doi.org/10.54254/2753-7064/31/20231881.
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This paper focused on understanding the lack of intangible cultural heritage in heritage tourism attractions in Shanghai. There was already past literature illustrated the significance of intangible cultural heritage and the problem of not giving enough attention to those heritages. This research, different from past literatures, aimed to understand this problem on a smaller scale. The research is based on Shanghai, China, specifically. The case study on Tianzifang was made aiming to reveal defects in the scenic spot.A survey will then be released to investigate Shanghainese. This survey could directly understand which heritage site and element respondents mainly values. Indirectly the survey also implied the amount of attention respondents pay to intangible cultural heritage. This paper is not committed to providing tourists with the best plan to travel to Shanghai. Instead, based on Shanghai, this paper attempted to sort out hidden problems in Shanghai heritage tourism attractions. At last, this paper will propose an imagination of tourism attraction that provides more substantial cultural experiences to tourists to vigorously promote local heritage.
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Reguant-Aleix, Joan, M. Rosaria Arbore, Anna Bach-Faig, and Lluís Serra-Majem. "Mediterranean Heritage: an intangible cultural heritage." Public Health Nutrition 12, no. 9A (September 2009): 1591–94. http://dx.doi.org/10.1017/s1368980009990413.
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Hakala, Ulla, Sonja Lätti, and Birgitta Sandberg. "Operationalising brand heritage and cultural heritage." Journal of Product & Brand Management 20, no. 6 (September 20, 2011): 447–56. http://dx.doi.org/10.1108/10610421111166595.
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Kim, Su Kab. "Implications for the Improvement of Korea's Cultural Heritage Legislation through the Study of the Federal Cultural Heritage Legislation in Germany." LAW RESEARCH INSTITUTE CHUNGBUK NATIONAL UNIVERSITY 34, no. 2 (December 31, 2023): 1–47. http://dx.doi.org/10.34267/cblj.2023.34.2.1.
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With the enactment of ʻthe Basic Law on National Heritageʼ in Korea, The ʻCultural Property Protection Actʼ will be renamed ʻthe Act on the Preservation and Utilization of Cultural Heritageʼ(acronym: the Cultural Heritage Act) from May 17, 2024. The Cultural Heritage Act shall serve as the basic law related to the cultural heritage legislation. The Cultural Heritage Act includes such as contents; the establishment and promotion of the protection of cultural heritage as defined in the Basic Law on National Heritage, the creation of a foundation for cultural heritage protection, and the nationally designated cultural heritage, general movable cultural heritage, and municipal-designated cultural heritage. In the Basic Law on National Heritage, cultural heritage refers only to tangible cultural heritage and intangible cultural heritage is separately classified as intangible cultural heritage. But both tangible and intangible cultural heritage should be considered as the subject of the cultural heritage legislation. Korea had a representative comprehensive cultural property protection legal system in the past, but government recently divided the Intangible Cultural Property Act, the Buried Cultural Property Act, and the Cultural Property Repair Act from the previous Cultural Property Protection Act. Furthermore, Matters related to the preservation and management of natural monuments and scenic spots will be stipulated in newly enacted the “Act on the Preservation and Utilization of Natural Heritage” (acronym: Natural Heritage Act). Although the laws was divided from previous Cultural Property Protection Act, the jurisdiction of the Cultural Heritage Administration remains the same. In order for an effective cultural heritage policy to be activated under the changed legal environment, it is necessary to analyze and examine international agreements related to the globalization of cultural heritage and related legal systems of major countries. And these analysis and examination will be contributed to make legislative and policy improvements to the issues that have been problematic domestically. In this regard, this paper aims to draw implications by examining the German cultural heritage legal system which the federal and state cooperate while maintaining a dual system. In Germany, the protection and management of domestic cultural heritage is protected by the State(Land) in the form of monument protection laws, and the federal government operates the cultural property protection law, which aims to prevent cultural property from being lost by controlling the export, import, and distribution of cultural property. I think it will be a great reference for improving legislation for the globalization of cultural heritage in Korea. In particular, the regulations related to the return of cultural properties illegally leaked abroad and the international exchange of cultural properties are worth referring to. Germany's Cultural Property Protection Act as a federal law has detailed regulations that control the export, import, and distribution of cultural properties, so I think it will be a great reference for improving legislation to globalize Korea's cultural heritage. In particular, regulations related to the return of illegally leaked cultural properties overseas, the guarantee of return of international loans, and the international exchange of cultural properties are worth referencing in Korea's legislative improvement.
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Prott, Lyndel V., and Patrick J. O'Keefe. "‘Cultural Heritage’ or ‘Cultural Property’?" International Journal of Cultural Property 1, no. 2 (July 1992): 307–20. http://dx.doi.org/10.1017/s094073919200033x.
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Beljanski-Ristic, Ljubica, Masa Vukanovic, and Aleksandar Krel. "Cultural participation and cultural heritage." Kultura, no. 146 (2015): 297–313. http://dx.doi.org/10.5937/kultura1546297b.
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Izuno, Kazuyuki, and Takeyuki Okubo. "Special Issue on Protecting Cultural Heritage and Historic Cities from Disasters." Journal of Disaster Research 6, no. 1 (February 1, 2011): 3. http://dx.doi.org/10.20965/jdr.2011.p0003.
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Natural disasters have damaged or destroyed many invaluable cultural heritages. How to mitigate these losses, however, is difficult question. If we cannot save human lives, of course we cannot save cultural heritages from disasters. This requires more sophisticated countermeasures than conventional disaster reduction methodologies. This special issue of JDR provides many examples of such mitigation in historical cities which have expanded with cultural heritages as nuclei. Cultural heritage disaster mitigation lies somewhere between the fields of cultural preservation and the disaster mitigation engineering. The first two review papers focus on the importance of protecting cultural heritage from natural disasters and the history of this issue from the viewpoints of both engineering and humanities. Twelve papers discuss engineering problems and the planning of cultural heritages preservation, cover issues such as the seismic performance of traditional wooden structures, the vulnerability of historical masonry structures, disaster reduction in slope failures around cultural heritages, disaster risk analysis at historical cities, fire prevention in historical cities, and urban planning taking cultural heritage into consideration. This issue closes with a tutorial paper showing the techniques and basics of cultural heritage disaster mitigation. It serves as a practical handbook on mitigating disasters surrounding cultural heritages and historical cities. We expect contributors to this field to increase in the near future due to the importance and urgency of cultural heritage disaster mitigation. We thank the authors for their earnest contributions and the reviewers for their invaluable advice on improving the quality of this special issue of JDR.
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Portalés, Cristina, João Rodrigues, Alexandra Rodrigues Gonçalves, Ester Alba, and Jorge Sebastián. "Digital Cultural Heritage." Multimodal Technologies and Interaction 2, no. 3 (September 11, 2018): 58. http://dx.doi.org/10.3390/mti2030058.
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Rabinovich, Daniel. "Cultural Heritage Chemistry." Chemistry International 40, no. 2 (April 1, 2018): 58–59. http://dx.doi.org/10.1515/ci-2018-0234.
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Abstract The tools of analytical chemistry, and the expertise and enthusiasm of many of its practitioners, have had a profound influence in the field of cultural heritage [1, 2]. Analytical techniques, especially those involving non-destructive methods of examination, have played a key role in the characterization, restoration, and preservation of an incredible range of works of art and cultural heritage, including ceramics, textiles, paintings, books, drawings, sculptures, jewelry, and a myriad of artifacts made of glass, wood, or metal. In addition, modern analytical instrumentation has been successfully applied to study the techniques used to produce heritage materials, to verify the authorship or estimate the date of pieces of art, and to detect reproductions and forgeries.
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Baker, Kevin, and Steven Verstockt. "Cultural Heritage Routing." Journal on Computing and Cultural Heritage 10, no. 4 (October 26, 2017): 1–20. http://dx.doi.org/10.1145/3040200.
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Williams, Stephen. "Cultural heritage shared." Nature 415, no. 6869 (January 2002): 259. http://dx.doi.org/10.1038/415259c.
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Aaltonen, Satu, Aleksej Heinze, Giuseppe Ielpa, and Dorella De Tommaso. "Enterprise Cultural Heritage." International Journal of Entrepreneurship and Innovation 16, no. 2 (May 2015): 73–83. http://dx.doi.org/10.5367/ijei.2015.0178.
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Remaining in business and growing is a challenge for small and medium-sized enterprises (SMEs) in the food sector. The focus of this paper is the internal innovation avenue for SMEs that have been trading for decades and have developed the asset of enterprise cultural heritage (ECH). The authors examine ECH as a source of sustainable competitive advantage, using the value, rarity, imitability and organization (VRIO) framework and evaluating the practical potential of ECH to create sustainable competitive advantage through case studies of two international companies. The authors argue that companies that are only partially able to fulfil each of the VRIO criteria can still claim sustainable competitive advantage, as demonstrated by the case studies. Moreover, it is suggested that ECH is one of the key areas for innovation from within a firm and should be used in developing sustainable competitive advantage.
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Bergamasco, Massimo, Perla Gianni Falvo, and Giovanni Valeri Manera. "Perceiving Cultural Heritage." Studies in Digital Heritage 2, no. 1 (September 28, 2018): II—V. http://dx.doi.org/10.14434/sdh.v2i1.27979.
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Over the years, we have undertaken research projects in the field of cultural heritage perception, trying to analyze the response of the human cognitive system when immersed in Virtual Reality, Augmented Reality or other multimedia supports. Our goal has been to study how to improve design exhibition, utilizing these technologies in museums and cultural heritage sites and to study alternative ways to promote human development through deeper contact with art.
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Ezeh, P. J. "Cultural Heritage protection." Anthropology Today 24, no. 2 (April 2008): 26. http://dx.doi.org/10.1111/j.1467-8322.2008.00575.x.
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Enges, Pasi Alfred. "Dreaming Cultural Heritage." Ethnologia Fennica 50, no. 1 (June 8, 2023): 192–95. http://dx.doi.org/10.23991/ef.v50i1.128725.
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Rusdi, Zyad, Carlene Lim, and Ery Dewayani. "INTANGIBLE CULTURAL HERITAGE WEBSITE PROGRAM." International Journal of Application on Sciences, Technology and Engineering 1, no. 3 (August 31, 2023): 855–65. http://dx.doi.org/10.24912/ijaste.v1.i3.855-865.
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The Indonesian nation has a long history of diverse cultural journeys. A number of intangible cultural heritages need to be preserved which refers to the 2003 UNESCO Convention. One of the best solutions for preserving intangible cultural heritage is to use information technology, namely websites. It is very appropriate to use a website to preserve intangible cultural heritage, which means introducing and promoting intangible cultural heritage to the wider community, especially the younger generation. The creation of the Intangible Cultural Heritage Website Program aims to help BPNB (Cultural Value Preservation Center) in the DKI Jakarta, Lampung, West Java and Banten areas. BPNB has a function to preserve and promote the acculturation of cultural heritage values to the wider community. The previous research is already conducted and the result was the user interface design of the website. The user interface design was seen as suitable already by BPNB. The next stage was to develop the database using MySQL and the website using PHP. Waterfall model was used to develop the website. User Acceptance Test have been carried out and the results are the website was successfully installed at BPNB Bandung, the users also says that the website is really helpful to document the intangible cultural heritage and also to socialize to the public. The users already seen the website and accepts the website fully. There was feedback from user which is to create the Android version of the website so it can be accessed more easily.
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Nightingale, Eithne. "Children, childhood and cultural heritage (key issues in cultural heritage)." International Journal of Heritage Studies 23, no. 1 (August 8, 2016): 79–81. http://dx.doi.org/10.1080/13527258.2016.1218914.
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Guangyu, Ding. "Cultural Heritage Rights and Rights Related to Cultural Heritage: A Review of the Cultural Heritage Rights System." Santander Art and Culture Law Review 9, no. 2 (December 13, 2023): 167–90. http://dx.doi.org/10.4467/2450050xsnr.23.027.18647.
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Previous decades have witnessed the widespread use of human rights discourses in explaining cultural heritage issues. The content of the cultural heritage right (a term used interchangeably with “right to cultural heritage” in this text), and the relationship between cultural heritage and human rights are diversely demonstrated in international cultural heritage instruments and previous studies. Some of them may overlap or even contradict each other, causing confusion about the relevant concepts. This article aims to answer the twin question: What is the relationship between the “right to cultural heritage” and “rights related to cultural heritage”, which together comprise the cultural heritage rights system? The main feature of cultural heritage is its spiritual significance, which constitutes the basis of the human right to cultural heritage. The core content of the right to cultural heritage is the right to enjoy the intangible value of; meaning of; and interests inherent in cultural heritage. The holder of the right to cultural heritage is “everyone” – a concept so vague that it results in the intractable tension between the right and the rights of states, communities, individuals, Indigenous peoples, humanity as a whole, and so on. “Rights related to cultural heritage”, which are not cultural heritage rights per se, include public participation rights, the right to education, ownership rights, the rights to a livelihood, development, human dignity, equality, and other basic human rights. Some of them may promote the right to cultural heritage, while some may conflict with or limit the same right.
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Hasibuan, Rizki Ananda, and Saefur Rochmat. "Ulos as Batak Cultural Wisdom Towards World Heritage." Budapest International Research and Critics in Linguistics and Education (BirLE) Journal 4, no. 2 (April 22, 2021): 853–64. http://dx.doi.org/10.33258/birle.v4i2.1865.
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Ulos as one of Indonesia's intangible cultural heritages is the fruit of thought and the result of high quality art as an ancestral heritage that must be preserved. The sacred value of ulos is a picture of the inner world of the Batak people. Each ulos has a meaning and purpose between the giver and recipient of ulos. The stipulation of ulos as an intangible cultural heritage of Indonesia is a new hope to move towards a world heritage. The purpose of writing this article is to describe ulos as a Batak cultural identity that has been established as an intangible cultural heritage of Indonesia accompanied by efforts to become a world heritage, in addition to increasing literacy about Ulos. The method used in this paper is descriptive method, by describing the existing phenomena and collecting literature study data. Under the auspices of UNESCO as the world organization that houses cultural heritage, every country is obliged to report and propose new cultural heritage to become world heritage on a regular basis. With this step, Ulos under the auspices of the Aceh BPNB (Cultural Value Conservation Center) continues to strive and strive to be registered in accordance with the requirements of a cultural heritage to become a world heritage.
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Kim, Minha, and Kyungeon Lee. "Exploring the Direction of Cultural Heritage Education in Schools for the Enjoyment of Culture." National Gugak Center 47 (April 30, 2023): 119–55. http://dx.doi.org/10.29028/jngc.2023.47.119.
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This study aims to propose the direction of teaching cultural heritages at the music class in schools following the perspective that cultural heritage education should lead to ‘cultural enjoyment’. In this study, the definition of cultural enjoyment that can be applied in school education is considered as ‘the intellectual, emotional, practical process and its results that an individual actively seeks to understand and experience culture,’ and three attributes of ‘activity, positive sentiment, and participation’ are presented as those of cultural enjoyment.
As a result of analyzing the current status and problems of cultural heritage education in schools, the following problems were identified: ‘curriculum standards centered on research and presentation,’ ‘curriculum standards limited to appreciation and value recognition,’ ‘textbook contents biased towards data presentation and information delivery,’ and ‘inadequate provision of musical experiences for learning cultural heritages.’ To solve such problems and increase the possibility of achieving the goal of 'enjoying culture' in school education, we propose three aspects in cultural heritage education: establishing goals for cultural heritage education that promote the development of 'subjectivity in creating'; setting up a content framework for cultural heritage education centered on 'enjoyment'; and enhancing the ability to enjoy culture based on participatory cultural heritage learning.
The significance of this study is to raise the need for cultural heritage education in schools to move in the direction of enhancing learners' ability to enjoy culture, and to discuss the direction for this. To solve the problems raised in this study, it is important to achieve social consensus on cultural heritage, revise national education curricula, develop music textbooks, and cooperate with institutions related to cultural heritage education
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Al Barroh, Intan Maulida. "MODEL DESA WARISAN BUDAYA: PENDEKATAN BARU DALAM KONSERVASI WARISAN BUDAYA PEDESAAN." Berkala Arkeologi 38, no. 1 (June 29, 2018): 79–96. http://dx.doi.org/10.30883/jba.v38i1.247.
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Rural cultural heritages have great potential to develop, thus they need to be conserved. Conservation Village Model is a community program in forest conservation area that is combined and implemented in cultural heritage field and be called Cultural Heritage Village Model. This research contributes to the development of conceptual framework for cultural heritage conservation with the community engagement basis in the rural area. This research is literature research that focuses on the concept and framework of Cultural Heritage Village Model. The research stage began from collecting literatures. Analysis method used in this research is a qualitative method. This article will integrate data about Conservation Village Model and cultural heritage conservation. The result of this research is the emergence of Cultural Heritage Village Model concept including its vision and mission, basic principles, village model criteria, activity stages, activity focus, and Cultural Heritage Village Model succeed criteria.
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Van Londen, Heleen, Marjo Schlaman, and Arkadiusz Marciniak. "Heritage Management. The Natural and Cultural Divide." Ex Novo: Journal of Archaeology 4 (December 31, 2019): 3–12. http://dx.doi.org/10.32028/exnovo.v4i0.366.
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In 2005, David Lowenthal commented on the dissimilar approaches to natural and cultural heritage and how these differences impact the protection and management of these heritages. His analysis touches on the western European perceptions of nature and culture that go back to the Age of Enlightenment. In his article, the motivation for safeguarding heritage stands out, as nature conservationists emphasize the long-term economic or ecological benefits, while cultural heritage managers point towards cultural or aesthetic benefits (Lowenthal 2005: 87). Others have made similar statements, some eight years later, calling the divide between the domains a fundamental error (Renes 2013; Harrison 2013).
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Vu Hoang, Khoa. "The benefits of preserving and promoting cultural heritage values for the sustainable development of the country." E3S Web of Conferences 234 (2021): 00076. http://dx.doi.org/10.1051/e3sconf/202123400076.
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Cultural and natural heritages are considered invaluable resources, creating a unique tourist attraction for each country. However, knowing how to use this heritage for sustainable tourism development, while preserving and promoting the heritage value for future generations is not a simple task. This article focuses on the values of cultural heritage and the importance of maintaining and promoting it while integrating with the environment for the development of society. It discusses the current state of cultural heritage preservation and promotion in Vietnam, showing examples of development with disregard to the heritage and the environment, why it is necessary to have sustainable development in active culture conservation, as well as the relationship between the preservation, promotion of the cultural heritage and the socio-economic development and the environment. A perspective on the cultural heritage value in sustainable development is also given. Through the reading of supporting materials and the comparison of survey data, it is clear that the preservation of cultural values not only contribute directly to the socio-economic development of a country similar to Vietnam, but also to help create new values in later generations. Therefore, it is concluded that a sustainable approach to the conservation of cultural heritages is very important for the future handling of such irreplaceable resources.
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Caron, Guillaume, Olga Regina Pereira Bellon, and Ilan Shimshoni. "Computer Vision and Robotics for Cultural Heritage: Theory and Applications." Journal of Imaging 9, no. 1 (December 30, 2022): 9. http://dx.doi.org/10.3390/jimaging9010009.
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Computer vision and robotics are more and more involved in cultural heritage. From the data acquisition to heritage interpretation, the various tasks of the latter wide spectrum must face specificities of tangible and intangible heritages. [...]
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Gabriel, Godfrey M. "A History of Management of the Intangible Cultural Heritage Resources within the Sukuma: A Case of Magu District from 1860s to 2020s." International Journal of Research and Innovation in Social Science VII, no. XI (2023): 828–54. http://dx.doi.org/10.47772/ijriss.2023.7011064.
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This paper discusses on a history of management of the intangible cultural heritage resources within the Sukuma people in Magu district, Mwanza region, from 1860s to 2020s. In particular, the paper traced on the management of the intangible cultural heritage practices among the Sukuma people in Magu district during the pre-colonial period from 1860s-1880s. The qualitative and quantitative methods were used where data both primary and secondary sources were collected through oral interviews and Archive documents from the Tanzania National Archives (TNA) and the Sukuma Research Committee Archives, libraries, digital and internet sources. The paper applied the theory of Historical materialism that underscores historical changes corresponding with the change in material value. The findings indicate that Sukuma people still practice their traditional cultural heritages. Dances and songs, traditional religious beliefs, norms and values and oral narratives are among the intangible cultural heritages which are practiced by Sukuma people in Magu district from pre-colonial era. The presence of traditional chiefs, museum centre, ritual practice areas, traditional norms and values and dances and songs cultural heritage practices are the methods used by Sukuma people to manage their intangible cultural heritages resources. The process of management of the cultural heritage resources should not neglect the intangible cultural heritage resources, thus it is through the intangible cultural aspects one can reveal the facts on the tangible cultural aspects.
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Li, Yiping. "Heritage Tourism: The Contradictions between Conservation and Change." Tourism and Hospitality Research 4, no. 3 (March 2003): 247–61. http://dx.doi.org/10.1177/146735840300400305.
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Singapore and Hong Kong are two geographically small economic powerhouses in Asia. In recent years both cities have been attempting to develop their tourism economies by communicating their unique cultural heritages to global tourists. While heritage culture-based tourism practice may help conserve a destination's cultural heritage, its development accelerates the change of the local society; and in the process the authenticity of the cultural heritage of the destination may be lost. This paper presents a comparative analysis of the efforts adopted by Singapore and Hong Kong to communicate their cultural heritages through the tourism developments. It focuses on three questions: (1) Do the inherent contradictions between conservation and change associated with tourism development constitute threats or resources for heritage tourism development? (2) What are the major issues in the process of portraying the past in the present for heritage tourism development? (3) What implications may be drawn, by studying these issues, for the tourism industries in their planning, conservation and promotion efforts to develop heritage tourism?
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Rozinda, Ellen Icha, Zulfa Putri Hardiyati, and Santy Paulla Dewi. "Pengembangan WBTB (Warisan Budaya Tak Benda) di Kota Semarang." Jurnal Riptek 16, no. 2 (December 2, 2022): 125–36. http://dx.doi.org/10.35475/riptek.v16i2.155.
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The development of an inclusive city in Semarang City can be supported by the development of tourism based on Intangible Cultural Heritage. Therefore, this study aims to find out what intangible cultural heritages that exist in the city of Semarang. Which of them have the potential to be developed, and analyze the prioritized development strategies. This research method is quantitative with the stages of identification of the intangible cultural heritages, determining the priority of intangible cultural heritage 1 and intangible cultural heritage 2, and determining the strategy for the development of them. The results of the study showed that the largest percentage of types of intangible cultural heritages was traditional knowledge with a value of 42%. The types of intangible cultural heritages with the smallest percentage are manuscripts, customs, and traditional sports with a value of 1%, respectively. After going through twice prioritization of the intangible cultural heritages, three of it were selected with the greatest potential for development: Warak Ngendog in Central Semarang District, Wayang Orang Ngesti Pandowo in Candisari District, and Haul KRT Sumodiningrat in South Semarang District. The SWOT strategy analysis shows that the three selected intangible cultural heritages need to be developed by improving the quality of their cultural tourism by empowering the community, providing outreach to the community to maintain cultural tourism supporting facilities and infrastructure, building tourism supporting infrastructure, and increasing stakeholder cooperation. The results of this research can contribute to help Semarang City become an inclusive city supported by Intangible Cultural Heritage-based tourism development.
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Julkowska, Violetta. "CULTURAL HERITAGE AS THE HERITAGE OF MEMORY." Historia@Teoria 1, no. 1 (April 1, 2016): 7. http://dx.doi.org/10.14746/ht.2016.1.1.01.
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Thekkum Kara, Gireesh Kumar. "Developing a sustainable cultural heritage information system." Library Hi Tech News 38, no. 6 (October 11, 2021): 17–20. http://dx.doi.org/10.1108/lhtn-08-2021-0053.
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Purpose The purpose of this paper is to emphasize the need for developing an Indian cultural heritage information system (CHIS) where the cultural heritages can efficiently document, manage and preserve and integrate with a searchable user interface mechanism. Further, the study scopes out the feasibility of developing single-window comprehensive national CHIS for all the cultural heritage properties of India enlisted in the United Nations Educational, Scientific and Cultural Organization (UNESCO’s) World Heritage list. Design/methodology/approach Conservation efforts and their sustenance require the support of a knowledge base cum digital archiving and information retrieval tool. The present study identifies the basic requirements, strategies and the execution of designing a reliable information system for cultural heritage inheritances to safeguard them to facilitate access to the current and future resilient communities. Approach on issues and challenges associated while developing such an information system has also been addressed with possible recommendations. Findings In India, even though regional level conservation efforts are occurring, no comprehensive information system, which gives the whole perspective of the item or environment of heritage site, has been developed for the heritage sites recognized by UNESCO in its World Heritage list from India. Developing such a comprehensive digital archive for cultural heritage helps to showcase its assets and ensures its visibility globally without hampering the physical form. Application Information and Communication Technology and digital technologies can extensively be used coupled with mechanisms such as mobile devices, digital systems and content visualization techniques to support the efficient and effective management in a systemized way. Research limitations/implications As a pilot study, this paper examined the cultural heritage properties incorporated in the UNESCO World list. There are many lesser-known and unprotected cultural heritages in different parts of the country having artistic value and the unique characteristics, and the possibility of building the similar kind of information system for them with innovative technological solutions are not covered under this study. Practical implications Access to such an exclusive digital archive in a single-window platform would greatly support administrators, tourist departments, culture departments, development administration and conservation activists. The digital version of cultural inheritances created under the cultural heritage of India must have relevance to different subject fields such as history, archeology, manuscript logy, art, administration, knowledge management, computer science and library science. Also, it ensures that the resources remain accessible to the public without any restrictions provided with a comprehensive recapitulation. Originality/value To the authors’ best knowledge, no such comprehensive system envisages or is practiced in the country. Developing such a system with technological and data infrastructure also helps to understand the value, support the activities related to cultural heritage and bring the local community to support and initiate such heritage conservation activities.
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Bukhari, Madhan Anis, and Ramazan. "Identification of Cultural Heritage Buildings in Langsa City." Talenta Conference Series: Local Wisdom, Social, and Arts (LWSA) 3, no. 4 (December 4, 2020): 16–19. http://dx.doi.org/10.32734/lwsa.v3i4.1123.
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Cultural heritage objects are evidence of historical relics/ archaeological inherited from the ancestors which are useful in social life. This heritage needs to be preserved and maintained to increase historical awarenessof the community. Langsa is one of the areas which have a lot of historical heritage. Therefore, the community can be a pioneer in maintaining historical relics, especially those who live around the heritages, so that it will indirectly increase their historical awareness. To achieve that, it is required to trace these historical relics. The purpose of this research is to determine the historical relics identified as cultural heritage in Langsa. The method of this research is the historical method with stages namely the heuristicstage, the source criticismstage, the interpretationstage and historiographystage.
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F, T. Erdenetsogt, Z. Ninjbadgar H, and Jeong Soo Lee. "A study of changes in the legal system of preservation of cultural heritage of Mongolia: On the demonstration of the period of the Communist social system (1924~1991)." Korean Association for Mongolian Studies 75 (November 30, 2023): 153–79. http://dx.doi.org/10.17292/kams.2023.75.153.
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One of the advantages of Mongolia’s implementation of a comprehensive policy on cultural heritage preservation and protection since 1921 is the establishment of legal regulations.
The first legal act related to preservation and protection of cultural heritage is “Regulations on Preservation of Antiquities” was approved on September 5, 1924 with 10 articles, which covered the jurisdiction of ownership of cultural heritage, items included in cultural heritage, their study, preservation, protection, regulations on use, control, and responsibility are included.
After that, on November 13, 1941, in connection with the current situation, the previous 1924 rule was added and approved as a same name “Rule for the Preservation of Antiquities” with 10 articles. Provisions relating to ownership, preservation, protection, use, and control are included in this 1941 regulation, similar to the previous regulation approved in 1924. However, with this regulation, for the first time, cultural heritages were ranked, along with a list of cultural heritage to be protected by the state.
On October 12, 1970, 30 years after the adoption of the 1941 regulation, the “Law on the Protection of Cultural heritages of the People’s Republic of Mongolia” consisting of 4 chapters and 20 articles was approved for the first time. The law regulates the definition, ownership, classification and scope of cultural heritages, monitoring of research, collection, preservation, and use activities, as well as responsibilities for violators of the law. However, the list of monuments to be protected by the state and the level of cultural heritage included in the previous rules are not included.
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Kim, Jae-Hak. "Stakeholder perceptions of cultural heritage utilization - Focusing on cultural heritage yahaeng -." International Journal of Tourism and Hospitality Research 33, no. 1 (January 31, 2019): 51–66. http://dx.doi.org/10.21298/ijthr.2019.1.33.1.51.
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Zhao, Zhi Qing, and Li Tao. "Study on Intangible Cultural Heritage Protection of the Architectural Cultural Heritage." Applied Mechanics and Materials 638-640 (September 2014): 2312–15. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2312.
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In the current context of globalization and regional characteristics of urban and rural culture general lacking, due to the long history and has the heavy connotation, the historical cultural heritage reflected the rich local culture and traditional cultural imprint. According to the definition, the content and relationship of material cultural heritage and intangible cultural heritage, this paper intensively study the non-material cultural heritage factors loaded by buildings architecture cultural heritage, and presented the problems and coping methods during the course of the Intangible Cultural Heritage Protection.
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Dombrowski, Quinn, Anna Kijas, and Sebastian Majstorovic. "DIGITAL CULTURAL HERITAGE UNDER ATTACK: SAVING UKRAINIAN CULTURAL HERITAGE ONLINE (SUCHO)." Text and Image: Essential Problems in Art History, no. 1 (2022): 6–12. http://dx.doi.org/10.17721/2519-4801.2022.1.01.
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Cultural heritage is at the heart of Russia’s war on Ukraine, still underway five months after the invasion on February 24, 2022. Statements from the Kremlin indicate that the fundamental goal of Putin’s regime is to undermine and eliminate the distinct and distinctive Ukrainian national identity, culture, and language – three concepts that are manifested through cultural heritage. During a war with such an agenda, internationally recognized frameworks such as the 1954 Hague Convention can be subverted, turning the blue shield symbol meant to protect cultural property into a target. While practices codified by the Hague Convention provide both opportunities and challenges for physical cultural heritage in this war, the biggest challenge for preserving digital cultural heritage is the lack of precedent. Saving Ukrainian Cultural Heritage Online (SUCHO, sucho.org) began on March 1, 2022, as an emergency response effort organized by three digital humanities practitioners, and quickly grew to over 1,300 volunteers. In this brief essay, the three co-founders – Anna Kijas, Sebastian Majstorovic, and Quinn Dombrowski – reflect on the first five months of SUCHO, the differences between physical and digital cultural heritage, the urgency of preserving digital cultural heritage during a war, and the importance of these materials for the future of art history.
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Krismayani, Ika, Jumino, and Joko Wasisto. "Selected Webliographies on Indonesian Cultural Heritages." E3S Web of Conferences 317 (2021): 05008. http://dx.doi.org/10.1051/e3sconf/202131705008.
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Indonesia is a country rich in cultural heritage. The diverse cultural heritages demand promotion through various media, such as the web, aimed primarily at the younger generation. This paper aims to present various links and descriptions of web-shaped information sources that participate in promoting the cultural heritage of the Nusantara. The method used is a qualitative descriptive method by searching websites through a search engine using predetermined keywords. The results showed that various websites were found to provide information and promote cultural heritage to the broader community. Dissemination was not only carried out to the Indonesian people but also to the international community. This can be seen from two things, namely the nature of web pages that can be accessed globally and the existence of websites using bilingual, namely Indonesian and English.
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Zhai, L. "Cultural Consumption of the Overseas Chinese Garden in the Process of Cross-cultural Communication." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5/W7 (August 13, 2015): 483–89. http://dx.doi.org/10.5194/isprsarchives-xl-5-w7-483-2015.
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When referring to the tangible cultural heritage, people tend to concern more about the conservation and research of the entity of the tangible heritage than the cross-cultural communication of the cultural heritage which is also one of the most important components of the preservation of the cultural heritage. As an exotic new born of the cultural heritage, the entity born from the cross-cultural communication inherits the properties of the cultural heritage on the one hand, and on the other hand generates diversities as a result of the differences based on social, cultural and environment. And the business model is one of the most important reasons for the production of diversities. There’s no doubt that a good form of business model makes great significance to the cross-cultural communication. Therefore, the study of the business model of cultural heritage in the process of cross-cultural communication will not only contributes to the deeper understanding towards the phenomenon of the cultural heritage’s cross-cultural communication, but also leads to the introspection to the tangible cultural heritage itself. In this way, a new kind of conservative notion could take form, and the goal of protecting cultural heritage could be achieved. Thus the Chinese Garden is a typical representation of the cultural heritage which makes great sense in the cross-cultural communication. <br><br> As a kind of tangible cultural heritage, the Chinese gardens are well preserved in different regions in China. While the spirits of the Chinese garden carry forward through the construction of the Chinese gardens abroad during the cross-cultural communication. As a new kind of form of the cross-cultural communication of the cultural heritage, on the one hand, the Chinese gardens overseas built ever since China's Reform and Opening express creatively of the materialist and the spirituality of the traditional Chinese Garden, and on the other hand, those Chinese gardens overseas face all kinds of tough issued such as investment, business model and management. The exploration of the reasons for these tough issues makes a great sense of the study towards the cross-cultural communication and preservation of the cultural heritage. <br><br> In this paper, the development of the whole overseas gardens and the cultural consumption of the Chinese gardens in Europe is generalized, then two typical cases are selected from those two categories mentioned above. By way of field study and interviews, it shows different strategies towards cultural consumption and provides constructive advice for the survival and development of overseas Chinese gardens.
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Zhang, He, Yutong Wang, Yu Qi, Siwei Chen, and Zhengkai Zhang. "Assessment of Yellow River Region Cultural Heritage Value and Corridor Construction across Urban Scales: A Case Study in Shaanxi, China." Sustainability 16, no. 3 (January 24, 2024): 1004. http://dx.doi.org/10.3390/su16031004.
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Heritage corridors play a pivotal role in preserving linear cultural heritage, especially in economically underdeveloped regions like the Yellow River area. These corridors not only serve as a primary method for safeguarding cultural heritage, but also act as catalysts for enhancing regional economic vitality. The widespread distribution of cultural heritage in the Yellow River region emphasizes the need for targeted protection and utilization at the regional level. To facilitate graded protection and the utilization of regional cultural heritage, this study introduces a method for constructing graded heritage corridors based on the comprehensive value of cultural heritage, thereby establishing a framework for comprehensive assessments. Through leveraging multi-source data, this study assesses cultural heritage’s comprehensive value by integrating the service capacity of heritage sites. Subsequently, this study constructs graded heritage corridors using the minimum cumulative resistance model. The findings reveal a concentrated distribution of cultural heritage in Shaanxi within the Yellow River region, where 19.8% of the sites in the economically and ecologically thriving southern regions were rated as high value (fourth or fifth grades). Finally, this study identifies distinct corridor themes by integrating regional cultural characteristics, thereby forming a cultural heritage region network that propels the overall protection and utilization in the area. The proposed cultural heritage assessment framework and corridor construction method are also applicable to various linear heritage types dispersed across diverse regions.
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Nair, Vijayakumar Somasekharan. "Perceptions, Legislation, and Management of Cultural Heritage in Ethiopia." International Journal of Cultural Property 23, no. 1 (February 2016): 99–114. http://dx.doi.org/10.1017/s0940739115000351.
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Abstract:The present article discusses perceptions of cultural heritage and the development of heritage management in Ethiopia against the background of various pieces of legislation. Compared to many colonized countries of sub-Saharan Africa, the enactment of laws for the protection and preservation of cultural heritage is a recent phenomenon in Ethiopia. Even though archaeological research in Ethiopia dates back to the mid-nineteenth century, there have been no formal heritage laws or scientific restoration programs until 1966. However, living heritage, which is economically and spiritually beneficial to the local communities, has been protected and preserved with TMSs in communities such as Yeha, Konso, and Lalibela. Unlike Western management systems that emphasize the authenticity and integrity of physical features, the TMSs of Ethiopia have focused on the ideals and thoughts of the agencies that produce the cultural heritage. It had its own implications, to say, while retaining the ideological aspects, most built heritages in Ethiopia have been subjected to considerable physical interventions. Such physical interventions have disregarded structural authenticity and integrity of the monuments. Due to foreign invasions, continuous civil conflicts, and sporadic famines in the past, attention to cultural heritage and the implementation of heritage legislation has been negligent. However, Ethiopia has witnessed growing interest in the conservation and preservation of its heritage—cultural and natural; tangible and intangible—during the last twenty years. With the support of international collaborators, the Ethiopian government has initiated several measures to protect its heritage assets.
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Wi, Sang-hee, and Hyoung-Ki Ahn. "A Study on the Direction of Digital Heritage in the Post-Covid Era." Academic Association of Global Cultural Contents 56 (August 31, 2023): 57–79. http://dx.doi.org/10.32611/jgcc.2023.8.56.57.
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Since the covid-19 pandemic, the environment for enjoying cultural heritage has changed dramatically. As a response to this, the development and distribution of digital heritage contents has become important. This study is a study on the direction of digital heritage content in the post-corona era. To this end, the changes in the form of viewing cultural heritage and the introduction of digital heritage after covid19 were reviewed, and the changes in digital heritage contents in the post-covid era were analyzed. Changes in cultural policies for the dissemination of digital heritage and the active introduction and utilization of digital technology have played a significant role in the dissemination of cultural heritage. However, one-time exhibition contents, temporary fads of specific contents or technologies, lack of the roadmap, and lack of storytelling and business model bring about the weakening of Digital Heritage's competitiveness. In order to overcome this, it is necessary to develop a platform that can share basic data for storytelling that understands the intrinsic value of cultural heritage, development of digital heritage contents for the underprivileged, and production of cultural heritage contents. This will help develop and spread the digital heritage field. High-quality digital heritage can inspire the selection of materials for other cultural contents such as movies, dramas, animations, and games, and can greatly help popularize cultural heritage, develop related industries, and nurture professional human resources.