Relevant bibliographies by topics / Cultural heritage risk

Academic literature on the topic 'Cultural heritage risk'

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Published: 14 March 2023

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Journal articles on the topic "Cultural heritage risk"

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Abd Manaf, Zuraidah, and Aliza Ismail. "Malaysian cultural heritage at risk?" Library Review 59, no. 2 (March 2, 2010): 107–16. http://dx.doi.org/10.1108/00242531011023862.

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Contestabile, Monica. "Cultural world heritage at risk." Nature Climate Change 4, no. 4 (March 26, 2014): 243. http://dx.doi.org/10.1038/nclimate2189.

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Carpenter, Erika Cross, and David J. Alexander. "Intersection of Disaster Resilience and Cultural Heritage Preservation." International Journal of Disaster Response and Emergency Management 5, no. 1 (January 1, 2022): 1–23. http://dx.doi.org/10.4018/ijdrem.313025.

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Global warming is a constant threat to coastal communities and rising sea levels and increased flooding in these areas. Flooding contributes to the damage and loss of historically and culturally significant structures and buildings, which are an important component in strengthening community longevity and resilience. This study examines the ways world heritage cities mitigate disaster risk, specifically flood risk. It uses the city of Savannah, Georgia as a case study to examine how incorporating historic preservation into flood risk planning is a vital part of flood risk resilience. By examining existing flood maps, projected sea level rise risk areas, and subtropical storm flood patterns in relation to the locations of recorded historical and archaeological sites and structures, this study identifies historically significant African American sites and buildings mapped as low-risk for some flood risks, but high risk for other flood risks, which raises the need for more representation and equity in the protection and cultural representation of historically marginalized groups.
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Nedvědová, K., and R. Pergl. "CULTURAL HERITAGE AND FLOODS RISK PREPAREDNESS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5/W2 (July 22, 2013): 449–51. http://dx.doi.org/10.5194/isprsarchives-xl-5-w2-449-2013.

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Liu, Y., and Y. Zhuang. "THE EXPLORATION OF APPLYING OF SPATIAL INFORMATION TECHNOLOGY IN GENERAL PLAN FOR REGIONAL CULTURAL HERITAGE CONSERVATION." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVI-M-1-2021 (August 28, 2021): 415–22. http://dx.doi.org/10.5194/isprs-archives-xlvi-m-1-2021-415-2021.

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Abstract. With the rapid urbanization and the sharp increasing of the amount of official identification cultural heritages, the Chinese government and public are paying more attention to the regional comprehensive preservation, exhibition and utilization of the cultural heritages in recent years. “General Plan for Regional Cultural Heritage Preservation” offers a new systematic conservating solution for the cluster of cultural heritages in an administrative region. For the past few years, lots of new spatial information technologies have been applied in the preservation of cultural heritages, which tremendously improved the level and effectiveness of cultural heritage recording, management, monitoring and exhibition. This article will focus on discussing the methods and applying prospect of the technologies of geographic information system, 3D laser scanning, photogrammetry modeling in general planning for regional cultural heritage preservation and utilization.In recent years, with the continuous development of cultural heritage preservation in China, an increasing number of provinces and cities began to organize General Plans for regional cultural heritage preservation (hereinafter called "General Plan"), through which local governments are able to control the risk and improve the preservation level of cultural heritage (IAH, 2004).This paper will introduce the working framework of the General Plan and the core problems to be solved, and then analyze the application mode and prospect of spatial information technology in the General Plan.
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Accardo, G., E. Giani, and A. Giovagnoli. "The Risk Map of Italian Cultural Heritage." Journal of Architectural Conservation 9, no. 2 (January 2003): 41–57. http://dx.doi.org/10.1080/13556207.2003.10785342.

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Stathopoulou, E. K., A. Georgopoulos, G. Panagiotopoulos, and D. Kaliampakos. "Crowdsourcing Lost Cultural Heritage." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences II-5/W3 (August 12, 2015): 295–300. http://dx.doi.org/10.5194/isprsannals-ii-5-w3-295-2015.

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Cultural Heritage all over the world is at high risk. Natural and human activities endanger the current state of monuments and sites, whereas many of them have already been destroyed especially during the last years. Preventive actions are of utmost importance for the protection of human memory and the prevention of irreplaceable. These actions may be carried out either in situ or virtually. Very often in situ preventive, or protective or restoration actions are difficult or even impossible, as e.g. in cases of earthquakes, fires or war activity. Digital preservation of cultural heritage is a challenging task within photogrammetry and computer vision communities, as efforts are taken to collect digital data, especially of the monuments that are at high risk. Visit to the field and data acquisition is not always feasible. To overcome the missing data problem, crowdsourced imagery is used to create a visual representation of lost cultural heritage objects. Such digital representations may be 2D or 3D and definitely help preserve the memory and history of the lost heritage. Sometimes they also assist studies for their reconstruction. An initiative to collect imagery data from the public and create a visual 3D representation of a recently destroyed stone bridge almost 150 years old is being discussed in this study. To this end, a crowdsourcing platform has been designed and the first images collected have been processed with the use of SfM algorithms.
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Siehr, Kurt G. "Immovable Cultural Heritage at Risk: Past – Present – Future." International Journal of Cultural Property 21, no. 3 (August 2014): 267–79. http://dx.doi.org/10.1017/s094073911400023x.

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Abstract:Immovable cultural heritage is still at risk of being neglected by the state responsible for heritage sites, by urban planning of big cities, and by armed conflicts around the world. Normally, because it is immovable, the international community cannot do very much. It can ban the trade of items that became movable property when detached from buildings or illegally excavated in certain protected sites. In other cases, it is the responsibility of the national state to care for cultural heritage and cultural objects. International conventions may furnish help and advice and provide for monitoring any risk to the cultural heritage of state parties.
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MUSTAFA, Mairna H. "Cultural Heritage: A Tourism Product of Egypt under Risk." Journal of Environmental Management and Tourism 12, no. 1 (February 21, 2021): 243. http://dx.doi.org/10.14505/jemt.v12.1(49).21.

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The heritage of Egypt is known for its richness and diversity; besides the numerous archaeological and historical sites (tangible heritage), different regions in the country are distinguished for their poetry, songs, dances, handicrafts and other forms of intangible heritage. This paper aims at giving an overview of Egyptian cultural heritage forms, then shedding the light on different threats that hinder their sustainability as tourism cultural resources. An exploratory approach was used in gathering information from literature. The significance of this research comes from the fact that few published works discussed the problems facing heritage in Egypt, particularly, intangible heritage. Clearly, human actions and climate change, globalization, political instability, improper tourism development and social change are all contributing to the erosion of an integral part of the Egyptian culture and social identity. General recommendations were given on ways to save this valuable heritage from loss; these mainly relate documentation, protecting cultural properties, raising awareness and behaviour modification.
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Howey, Meghan C. L. "Harnessing Remote Sensing Derived Sea Level Rise Models to Assess Cultural Heritage Vulnerability: A Case Study from the Northwest Atlantic Ocean." Sustainability 12, no. 22 (November 12, 2020): 9429. http://dx.doi.org/10.3390/su12229429.

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Climate change threatens cultural heritage across the globe. Of its varied impacts, sea level rise is critically pressing because of the long relationship between humans and the ocean. Numerous cultural heritage sites lie on the world’s fragile coasts. Identifying cultural heritage sites at risk is an urgent need, but archaeological research programs do not always have the resources available to conduct large-scale cultural heritage vulnerability assessments. Given sea level rise poses myriad pressing issues, entities around the globe are developing sea level rise models for various management purposes (ecology, hydrology, real estate, etc.). These remote sensing-derived sea level rise models can be harnessed by archaeologists to assess cultural heritage site vulnerability. Here, such an analysis is realized for a northwest Atlantic Ocean coastal area experiencing relative sea level rise and with robust cultural heritage, including economically significant maritime heritage tourism. Combining archaeological and historic geospatial databases with LIDAR (Light Detection and Ranging)-derived relative sea level rise models illuminates coastal New Hampshire’s cultural heritage vulnerability. This is informative for risk monitoring, mitigation, and preservation planning, especially for cultural heritage tourism. The analysis also raises the need for discussions around what kind and whose heritage gets priority in planning for future sea level rise impacts.
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Dissertations / Theses on the topic "Cultural heritage risk"

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Rosa, Angela. "Integrating cultural heritage risk management into urban planning. The Ravenna case study." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020.

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As increasingly recognised by scholars, climate change is posing new challenges in the field of risk management and urban planning. The natural and anthropogenic risks that characterise a given territory, see their effects amplified by those of climate change. Even though cultural heritage has passed through decades and centuries, it has never experienced such unexpected and variable events as those forecasted by climate change for the foreseeable future, making it a sensitive element of the living environment. This thesis, whose general context has been defined and provided by the European H2020 SHELTER project, aims at defining guidelines to reduce the gap between disaster risk management and urban planning in the field of cultural heritage in historic areas. To this aim, the current integration of both cultural heritage and protection and prevention measures within planning policies and tools for the case study of Ravenna has been explored, reported and analysed, with a specific focus on the church and archaeological area of Santa Croce. The specific objective is to understand to what extent data risk management, climate change adaptation and heritage site management are currently treated as key interlinked elements. The results obtained have led to the definition of a protocol for integrating climate change and disaster risks management into heritage management which is articulated into six phases. As part of the protocol, an evaluation method of how urban planning tools already in force contribute to the adaptive capacity of Ravenna’ territory in terms of treating and dealing with risk management has been proposed and validated. The proposed guidelines may lead to the improvement of the heritage management plans that heritage site managers applies to cope with risks related and the effects of climate change. Lastly, three punctual design actions for increasing the resilience of the area of Santa Croce have been explored.
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Matiz, Lopez Paula Jimena. "Integrated risk assessment for cultural heritage sites: a holistic support tool for decision-making." Thesis, IMT Alti Studi Lucca, 2016. http://e-theses.imtlucca.it/195/1/Matiz_phdthesis.pdf.

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The majority of the studies related to risk or the risk management of cultural heritage focus on natural hazards and armed conflict. However, cultural heritage sites face new and numerous threats that jeopardize their conservation. Currently, risk assessment focuses on specific cases of potential damage and hazards, and fails to take into account the interdependence between risk factors, causes, and management. This situation is compounded by the fact that the field of cultural heritage does not tend to operate a “culture of assessment” in which decisions are taken in an informed way. For this reason, the aim of this research is to propose an integrated management support tool for the identification and prioritization of risk factors in the conservation of cultural heritage sites. In order to achieve this objective, the research approaches the conception of risk used in the cultural heritage context, and offers a new definition. This research highlights the importance of conservation in terms of the preservation of values. This work adds to the field by explaining how these values can be merged with a “value-oriented approach” in decision-making. In managerial terms, this work also refers to the international standard for risk management and explains how to apply such concepts to the context of cultural heritage. This research constructs a holistic approach and defines the cultural heritage site as a complex system. From this perspective, this study proposes multiple-criteria methods for the realization of an integrated risk assessment for cultural heritage sites, suggesting the application of a rationale behind the Analytic Hierarchy Process (AHP) and the Analytic Network Process (ANP) as tools for the integration of elements in risk management. In this sense, the methodology allows for links of interdependence to be established among the varying potential threats. It also provides support for decision-making in terms of the conservation of cultural heritage sites. Finally, this work concludes by indicating the benefits and challenges found in the use of multiple-criteria methods for the prioritizing of actions in risk management
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CIANTELLI, Chiara. "ENVIRONMENTAL IMPACT ON UNESCO HERITAGE SITES IN PANAMA." Doctoral thesis, Università degli studi di Ferrara, 2017. http://hdl.handle.net/11392/2487994.

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The Panamanian isthmus hosts two sites inscribed on the World Heritage List: the Archaeological site of Panama Viejo (XVI cent.) and the Fortresses of Portobelo and San Lorenzo (XVII-XVIII cent.). In order to support the conservation and valorisation of these places, in 2014 a collaboration work has been started among the Patronages of Panama Viejo and of Portobelo and San Lorenzo, the Italian CNR-ISAC and the Department of Physics and Earth Sciences of the University of Ferrara. Firstly, the project was focused on the characterization of rocks belonging to the masonries, in conjunction with the evaluation of their state of conservation and damage estimation in relation with the environmental impact. Furthermore, potential quarries of raw material supply have been identified and sampled. Therefore, after a survey and sampling campaign, specimens underwent the following analyses: stereomicroscope, PLM, XRPD, SEM-EDX, XRF, MIP and IC, highlighting at Panamá Viejo masonries mainly composed of polygenic breccias, tuffites, basaltic andesites, rhyolites and sporadic rhyodacites, while outcrops of breccias and andesites were identified. Considering Portobelo fortifications, coral limestones and sandstones have been identified as principal construction materials; while basaltic andesite has been observed only at Fuerte de San Fernando, where an outcrop of this material was present. Finally, at Fort San Lorenzo, tuffites and grainstones have been detected in the masonries and possible quarries of both have been found. Concerning the state of conservation, the most diffused deterioration phenomena are due to biological growth, exfoliation and detachment, disintegration, salt encrustations and chromatic alteration. Successively, in order to determine the environmental context, a selection of monitoring stations, recording climate parameters (near-surface air temperature, relative humidity and rainfall amount), have been chosen near the sites among national Panamanian networks. Besides, the same parameters were collected from two climate models, both from historical simulations and future scenarios: EC-Earth, 25 km of resolution, and Arpege 50 km of resolution, and compared with the monitored records. Utilizing environmental data obtained and applying specific damage functions it was possible to assess the deterioration phenomena occurring on heritage materials, as surface recession, cycles of salts transition and biomass accumulation. Considering the first one, it was utilized Lipfert function modified, related to the karst effect. The area of Portobelo and San Lorenzo showed a higher surface recession, especially considering the data extracted from EC-Earth experiment, both for the past and the future situation. In consideration of the salts cycles of dissolution and crystallization, halite has been elected as a priority phase of investigation, since sodium and chloride resulted ones of the most abundant ions in the samples, detected in all sites, also taking into account their proximity to the sea. The past situation (1979-2008) highlighted that the higher frequency of halite transition cycles is recorded during the dry season (November/December to April/ May). In general, Portobelo results the less interested by this phenomenon, while the area near San Lorenzo seems to be the most affected. In order to estimate the biomass accumulation on hard acid stones, the function developed by Gomez-Bolea et al. (2012) was applied. The highest yearly biomass values are recorded at Portobelo, both in the past and future. In conclusion, the obtained results contribute significantly to the formulation of guidelines and development of strategies for current and future preservation of the sites, and represent a fundamental knowledge for further related analysis, in order to increase the awareness of the possible risks connected with the climate change impact on Cultural Heritage.
L'istmo di Panama ospita due siti iscritti alla World Heritage List, ossia il sito Archeologico di Panama Viejo (XVI sec.) e i Fortini di Portobelo e San Lorenzo (XVII-XVIII sec.). Al fine di supportare la conservazione e la valorizzazione di questi luoghi, è stato avviato un lavoro di collaborazione tra i Patronati di Panama Viejo e di Portobelo e San Lorenzo, il CNR-ISAC e il Dipartimento di Fisica e Scienze della Terra dell'Università di Ferrara. In primo luogo il progetto è stato focalizzato sulla caratterizzazione dei materiali lapidei naturali costituenti le murature, compresa la valutazione del loro stato di conservazione e dei fenomeni di degrado dovuti all'impatto ambientale. In aggiunta sono state identificate possibili cave di approvvigionamento dei materiali da costruzione. Pertanto, a seguito di una campagna di campionamento, i frammenti ottenuti sono stati sottoposti ad analisi per mezzo di stereomicroscopio, XRPD, SEM-EDX, XRF, MIP e IC. Queste hanno permesso di identificare brecce poligeniche, tufiti, andesiti basaltiche, rioliti e alcune riodaciti, come materiali impiegati nelle murature dei monumenti di Panamá Viejo; mentre sono stati individuati affioramenti di brecce e andesiti basaltiche. Considerando le fortificazioni di Portobelo, calcari corallini e arenarie sono i principali materiali costituenti le strutture murarie. Andesiti basaltiche sono state rinvenute solo a Fuerte de San Fernando, dove erano presenti anche in affioramento. Infine, presso Forte San Lorenzo, i materiali da costruzione impiegati sono tufiti e grainstone, delle quali sono state individuate anche possibili cave. Prendendo in considerazione lo stato di conservazione, i fenomeni di alterazione più diffusi sono ascrivibili a crescita biologica, esfoliazione e distacchi, disgregazione, incrostazioni saline ed alterazioni cromatiche. Successivamente, al fine di determinare il contesto ambientale, sono state selezionate delle stazioni di monitoraggio, appartenenti alla rete nazionale panamense, situate nei pressi dei siti oggetto di studio, che registrassero parametri climatici quali temperatura dell’aria, umidità relativa e pioggia. Gli stessi parametri sono stati estratti anche da simulazioni storiche e scenari futuri di due modelli climatici: EC-Earth, con risoluzione di 25 km, e Arpege, con risoluzione di 50 km, comparandoli con quelli ottenuti dalle centraline. Utilizzando i dati ambientali in specifiche funzioni di danno, è stato possibile valutare diverse morfologie di degrado come la recessione superficiale, cicli di transizioni saline e accumulo di biomassa. Riguardo alla prima, è stata utilizzata la funzione di Lipfert modificata, relativa all’effetto carsico. Questa ha permesso di rilevare una maggiore recessione nelle aree di Portobelo e San Lorenzo, specialmente considerando i dati di EC-Earth, sia per la situazione passata che futura. Considerando i cicli di dissoluzione e cristallizzazione dei sali, lo studio si è incentrato sulla halite, poiché sodio e cloro sono risultati essere gli ioni più abbondanti nei campioni di tutti i siti, essendo infatti tutte aree costiere marine. In generale, paragonando le condizioni passate e future, Portobelo risulta essere il meno interessato dal fenomeno, mentre l’area in prossimità di San Lorenzo la più soggetta. Al fine di stimare l’accumulo di biomassa su rocce acide, è stata impiegata la funzione messa a punto da Gomez-Bolea et al. (2012), rivelando valori di biomassa più elevati nella costa Nord, specialmente a Portobelo. In conclusione, i risultati ottenuti hanno permesso di contribuire significativamente alla futura formulazione di linee guida e nello sviluppo delle attuali e future strategie di preservazione dei siti, rappresentando una conoscenza fondamentale per studi successivi, al fine di incrementare la consapevolezza dei possibili rischi connessi all’impatto dei cambiamenti climatici sul patrimonio culturale.
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Ravankhah, Mohammad [Verfasser], Michael [Gutachter] Schmidt, Thomas [Gutachter] Will, and Klaus [Gutachter] Reicherter. "Earthquake disaster risk assessment for cultural World Heritage sites: the case of “Bam and its Cultural Landscape” in Iran / Mohammad Ravankhah ; Gutachter: Michael Schmidt, Thomas Will, Klaus Reicherter." Cottbus : BTU Cottbus - Senftenberg, 2020. http://d-nb.info/1219908428/34.

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Balnienė, Aida. "Nykstančių Kauno centro architektūros objektų įvertinimas: medžiaga virtualiam pateikimui." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110615_095116-26858.

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Atliktas tyrimas, kurio pagrindinis tikslas – Senamiesčio ir Naujamiesčio teritorijose esančių blogos ir avarinės būklės architektūros objektų įvertinimas, pagrindinį dėmesį atkreipiant į objektų reikšmingumo lygį, kaitą ir atnaujinimo galimybes. Aptarta bendra paveldosauginė tiriamos teritorijos situacija, teritorijų ribos ir veiklos reglamentavimas jose. Atlikti vizualiniai tyrimai, fotofiksacija, sudarytas nykstančių architektūros objektų sąrašas, objektai suklasifikuoti stilistiniu ir fizinio sunykimo požiūriu. Pristatomas šių objektų išsidėstymas ir architektūrinė sankloda. Sudaryti žemėlapiai: 2011 metais patikslinta 2006 metų blogos būklės Kauno Senamiesčio (20171) ir Naujamiesčio (22149) architektūros objektų sklaida. Išskirtos architektūros objektų nykimo priežastys. Darbas taikomojo pobūdžio. Pateikiamos rekomendacijos nykstančių Kauno centro objektų esamos situacijos pristatymui internetinėje medijoje. Pasiūlytas koncepcinis nykstančio Kauno centro paveldo pateikimo internete modelis. Siekis - demokratizuoti priėjimą prie kultūros vertybių, skatinti aktyvų santykį su jomis.
The primary objective of this study was to evaluate the emergency condition of architectural objects located in the Old town and New town areas of the city. The main emphasis was put on the significance of the objects, their change and reconstruction options. The analysis discusses overall situation of area under heritage protection, the territorial limits and related regulation of activities. The analysis was conducted by multiple ways, i.e. on-site visits, photo shoots, etc. Consequently a list of endangered architectural objects was prepared by classifying them based on stylistic and physical deterioration perspectives. The location and architectural structure of the objects shall be also presented. The following maps where prepared in 2011: a revised version of dissemination of emergency condition architectural objects in Kaunas Old town (20171) and New town (22149) of year 2006. The causes of architectural objects loss were examined as well. It should be noted that the study may be approached as a guideline since recommendations are provided regarding endangered architectural objects located in Kaunas city center and their presentation to the online media. The results of the study suggest a conceptual model of online presentation of endangered architectural objects in Kaunas city center. The goal of the study is to democratize the access to cultural values and promote a strong active relationship with them.
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SUPPA, Martina. "Optimization of survey procedures and application of integrated digital tools for seismic risk mitigation of cultural heritage: The Emilia-Romagna damaged theatres." Doctoral thesis, Università degli studi di Ferrara, 2022. https://hdl.handle.net/11392/2501203.

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Starting from current procedures, standards and tools for seismic damage survey, the research presents an integrated workflow for seismic damage documentation and survey applied to historic theatres in the Emilia-Romagna region damaged by the 2012 earthquake. The 2012 earthquake highlighted the fragility of the cultural heritage and underscored the lack of proactive conservation and management of historic assets. The research starts by analysing Agenzia Regionale per la Ricostruzione della Regione Emilia-Romagna- ARRER’s requests, which had found criticalities in applying the current Mic (Ministero della Cultura) procedures for the damage survey of complex types: the A-DC form for churches and the B-DP form for buildings. Using the two types of forms highlighted the lack of ad hoc tools for complex architectural styles such as castles, cemeteries and theatres, resulting in the loss of quantitative and qualitative information necessary for knowledge, conservation and thus management of the reconstruction process. As a result of these considerations, national and international standards of integrated documentation, existing digital databases for cataloguing and classification of cultural property, and seismic risk management were studied to develop a workflow of integrated procedures for seismic damage survey on the specific assigned case study: Regional Historic Theaters affected by the 2012 earthquake. The research used the holistic and interdisciplinary approach of integrated documentation to develop the integrated procedural workflow to enhance and optimise seismic damage detection operations in the case study. In providing a workflow of integrated procedures for the prevention and mitigation of hazards related to potential states of emergency, both natural and anthropic, the research follows an “extensive” methodological approach to test the survey outside the Emilia crater. The methodological framework led to the critical-comparative analysis, divided into two levels: the first involved studying critical issues in the B-DP form, mainly used in the 2012 theatre survey. The second level covered the techniques - laser scanning, digital photogrammetry - and integrated survey methodologies applied during the in-depth investigations for repair and restoration work. The critical-comparative analysis and morpho-typological study led to the development of an integrated procedural flow to survey damage in historic theatres. It is aimed at systematising and optimising the stages of damage documentation. The workflow consists of three information levels: L1. Screening level for the visual survey; L2 survey level defines the 3D acquisition steps for the geometric-dimensional study by theatres. The BIM L3 Plus level guides implementing the level of knowledge of parametric HBIM models for documentation, management and monitoring of historic theatres.
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Helena, Hiršenberger. "Unapređenje metodologije upravljanja projektima u konzervaciji i restauraciji kulturnog nasleđa." Phd thesis, Univerzitet u Novom Sadu, Fakultet tehničkih nauka u Novom Sadu, 2019. https://www.cris.uns.ac.rs/record.jsf?recordId=110698&source=NDLTD&language=en.

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U okviru disertacije se ispituje mogućnost za unapređenje upravljanja projektima u konzervaciji i restauraciji kulturnog nasleđa. Kvalitativnim istraživačkim metodama ispitivani su rizici i izazovi sa kojima se susreću i kako njima upravljaju ovi izrazito multidisciplinarni i intersektorski projekti saradnje. Kao rezultat istraživanja i originalan naučni doprinos disertacije predložen je set preporuka za unapređenje upravljanja rizicima u projektima u konzervaciji i restuaraciji kulturnog nasleđa.
The dissertation examines the possibility of advancing project management in conservation and restoration of cultural heritage. A survey was conducted in order to examine how increased complexity of cross-disciplinary setting influences project management challenges and risks in heritage conservation. As a research result and the original scientific contribution of the dissertation, a set of recommendations for advancement of project risk management in conservation and restoration of cultural heritage has been proposed.
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Cruz, Fabiana Thomé da. "Produtores, consumidores e valorização de produtos tradicionais : um estudo sobre qualidade de alimentos a partir do caso do queijo serrano dos Campos de Cima da Serra – RS." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/61937.

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O tema da valorização de alimentos tradicionais e artesanais tem recebido redobrada atenção no momento atual, em que, por um lado, há crescente demanda de consumidores por alimentos naturais, artesanais, diferenciados e, por outro lado e ao mesmo tempo, realiza-se discussão significativa no que tange a critérios de produção e avaliação desses produtos que, dadas as especificidades, têm suas características comprometidas se avaliados de acordo com os mesmos critérios que regem a produção industrial de alimentos. É nesse contexto que a presente pesquisa está inserida. Para o desenvolvimento da pesquisa, foi tomado como objeto de estudo o Queijo Serrano, queijo tradicional feito artesanalmente a partir de leite cru nos Campos de Cima da Serra, região nordeste do Rio Grande do Sul. Os dados empíricos foram obtidos a partir de pesquisa etnográfica, que priorizou especialmente produtores e consumidores como interlocutores, mas também técnicos e comerciantes de queijo. A análise dos dados obtidos proporcionou elementos para discutir a relação entre os modos de vida dos produtores e a produção de queijo, para apreender as práticas, significados e lógicas associadas à produção, bem como aos utensílios empregados e ao próprio uso de leite cru para a elaboração do produto. No que diz respeito ao consumo de Queijo Serrano, o estudo discute as percepções de risco dos moradores da região em relação ao produto e, ainda, as relações por meio das quais os queijos são comercializados, costumeiramente fundamentadas na reputação dos produtores e em relações de proximidade. Mudanças em curso na região têm, com maior ou menor intensidade, resultado em alterações nos modos de produção, o que pode até mesmo afetar a manutenção de características que conferem singularidade ao Queijo Serrano. Evidenciando a relevância da legitimação de conhecimentos empregados na produção tradicional de alimentos, este estudo busca contribuir para a valorização e proteção desse tipo de produção, associada não apenas à manutenção da renda como também à salvaguarda dos modos de produzir esses alimentos e dos modos de vida das famílias produtoras.
The debate on the valorisation of traditional and artisanal food has been receiving increased attention recently. While there is growing consumer demand for natural, artisanal and unique foods, simultaneously, there is a significant discussion about the criteria used to assess these products which, given their singularity, can compromise their features if they are evaluated according to the same criteria which regulate industrial food production This research was conducted taking into account this context. For the development of this study, Serrano Cheese was taken as the object of research; this is a handmade traditional cheese made from raw milk and produced in Campos de Cima da Serra, a region located in the northeast area of Rio Grande do Sul, the southernmost state of Brazil. Empirical data were obtained from ethnographic research which prioritised information especially from producers and consumers but also from technicians and cheese sellers. The data analysis provided elements to discuss the relationship between producers’ lifestyles and cheese production; and to capture the practices, meanings and logics associated with the production and with the equipment, the tools and the raw milk employed in the production of the cheese. Regarding the consumption of Serrano Cheese, the study discusses the risk perceptions of local inhabitants in relation to the product, and the channels through which the cheeses are sold, usually based on the reputation of the producers and on close relationships. Changes in progress in the region, to varying degrees, have been resulting in alterations in the production methods, which can even affect the maintenance of those characteristics which make Serrano Cheese unique. By evidencing the significance of the knowledge legitimation employed in traditional food production, this study aims to contribute towards the enhancement and protection of this sort of production, which in turn is associated not only with the income maintenance but also with the safeguarding of the production methods and the lifestyle of producer families.
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Intriligator, Susanne Skubik. "Local heritage as a participatory digital culture : the rise and fall of 'Anglesey: a bridge through time' website." Thesis, Bangor University, 2015. https://research.bangor.ac.uk/portal/en/theses/local-heritage-as-a-participatory-digital-culture-the-rise-and-fall-of-anglesey-a-bridge-through-time-website(9988546d-f131-4425-8013-7b9a2664959b).html.

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This practice-based PhD research project chronicles an attempt to build a participatory digital culture around local heritage, in order to promote tourism to one of the UK’s poorest counties. Funded by a public/private EU scheme, the researcher designed a 25,000 word “virtual museum”, in partnership with local agencies and the local authority. Based on a theoretical framework drawing insights from narrative studies, participatory media theory, current heritage installations, and Critical Heritage Studies, the researcher built a hybrid website: it augments expert-vetted interpretation with “warm,” person-centred narrative and images, incorporating diverse perspectives and participatory social features like photo- sharing, user comments, and social media campaigns -- to be monitored and updated by a dedicated team of volunteers in a model of “distributed co-curation,”to insure ustainability without draining paid staff time. However due to legal concerns over user-generated content, on handover to the local authority for long-term hosting, access to the website’s backend and analytics were disallowed to the researcher and volunteers, rendering updates and complete analysis impossible. The website did not find its audience, and the participatory culture did not materialize. Subsequent literature study reveals documented trends that may have contributed: heritage tourism planning is often hampered by poor collaboration and cooperation, local tourism planning is routinely dominated by informal and irrational “kinship” relationships, and local authorities across Europe struggle with technology adoption, especially with Web 2.0 and participatory media. The project reveals that on the local level, especially in rural or conservative areas, designers of digital media for participatory heritage face significant challenges on issues of technology adoption, polysemic interpretation, multivocal presentation, intangible or “everyday heritage,” authority, and control.
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DI, MAGGIO Fabiola. "L’Archivio S.A.C.S. del Museo Riso di Palermo. Valorizzazione dello Sportello per l’Arte Contemporanea della Sicilia." Doctoral thesis, Università degli Studi di Palermo, 2021. http://hdl.handle.net/10447/522006.

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L’archivio d’arte contemporanea è un dispositivo culturale attivo volto a selezionare, catalogare, divulgare, esporre e promuovere la creatività artistica in divenire. Queste pratiche di salvaguardia e valorizzazione dei beni artistici sono attività necessarie per la gestione e l’elaborazione del patrimonio culturale, come anche per l’interpretazione del presente. La ricerca sul S.A.C.S., lo Sportello per l’Arte Contemporanea della Sicilia del Museo Riso di Palermo, nasce per valorizzare, attraverso l’approccio integrato della museologia e della fenomenologia dell’arte contemporanea, un giovane Archivio d’arte dedicato ai nuovi creativi siciliani. La tesi, strutturata in tre capitoli, comprende: l’analisi dei valori che caratterizzano la ricerca artistica contemporanea per la creazione del futuro patrimonio culturale, strettamente connessi all’istituzione museale, quale luogo ideale di validazione, promozione e patrimonializzazione dell’arte del presente; la storia del Museo Riso e dell’Archivio S.A.C.S.; lo studio comparativo dei più importanti archivi, forum e sportelli d’arte contemporanea nazionali e internazionali; la descrizione del lavoro di salvaguardia e valorizzazione dell’Archivio S.A.C.S., nonché una proposta museografica per realizzare uno specifico spazio espositivo S.A.C.S. secondo la formula allestitiva dell’Archive Room. Alla luce dell’esperienza acquisita durante la ricerca si è evinto che gli archivi d’arte contemporanea, per la loro saggezza profetica nel delineare già adesso i tratti del futuro patrimonio artistico-culturale, si confermano paradigmi critici imprescindibili di conoscenza, comunicazione, accreditamento e incentivazione della cultura visiva non ancora storicizzata. Atti a promuovere beni artistico-culturali, gli archivi d’arte contemporanea sono essi stessi beni culturali, i quali, a loro volta, necessitano di essere costantemente tutelati e valorizzati.
The contemporary art archive is an active cultural device geared to selecting, cataloguing, disclosing, exposing and promoting the artistic creativity in progress. These practices of preservation and enhancement of artistic heritage are necessary activities for the management and elaboration of cultural heritage, as well as for the interpretation of the present. The research on the S.A.C.S., the Sicilian Contemporary Art Front Office of the Riso Museum of Palermo, was created to promote, through the integrated approach of museology and phenomenology of contemporary art, a young art archive dedicated to new Sicilian creative artists. The thesis, structured in three chapters, includes: the analysis of the values that characterize contemporary artistic research for the creation of the future cultural heritage, closely related to the museum institution, as an ideal place of validation, promotion and patrimonialization of the art of the present; the history of Riso Museum and that of S.A.C.S. Archive; the comparative study of the most important national and international contemporary art archives, forums and front offices; the description of the work of safeguarding and enhancing of S.A.C.S. Archive, as well as a museographic proposal to create a S.A.C.S. specific exhibition space according to the exhibition formula of the Archive Room. In the light of the experience gained during the research it has been shown that contemporary art archives, for their prophetic wisdom in outlining already now the features of the future artistic-cultural heritage, confirm themselves as essential critical paradigms of knowledge, communication, accreditation and promotion of visual culture not yet historicized. Aimed at promoting artistic-cultural heritage, contemporary art archives are themselves cultural heritage, which, in turn, need to be constantly safeguarded and valorized.
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Books on the topic "Cultural heritage risk"

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International Centre for the Study of the Preservation and the Restoration of Cultural Property., International Council on Monuments and Sites., World Heritage Committee., and Unesco, eds. Risk preparedness: A management manual for world cultural heritage. Rome: ICCROM, 1998.

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Ian, Russell, ed. Unquiet pasts: Risk society, lived cultural heritage, re-designing reflexivity. Burlington, VT: Ashgate, 2010.

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Russell, Ian, and Stephanie Koerner. Unquiet pasts: Risk society, lived cultural heritage, re-designing reflexivity. Burlington, VT: Ashgate, 2010.

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Cultural heritage at risk: The role of museums in war and conflict. Stockholm: Axel and Margaret Ax:son Johnson Foundation, 2016.

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Delhi, India) National Institute of Disaster Management (New. Risk mitigation framework for urban cultural heritage: Case study of walled city, Ahmedabad. New Delhi: National Institute of Disaster Management (NIDM) in collaboration with Ahmedabad Municipal Corporation, 2015.

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(Organization), Heritage Preservation, and Institute of Museum and Library Services (U.S.), eds. A public trust at risk: The heritage health index report on the state of America's collections. Washington, D.C: Heritage Preservation, 2007.

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Ríos, Silvia de los. Centro histórico de Lima : patrimonio humano y cultural en riesgo: The historic center of Lima : human and cultural heritage at risk. Lima, Perú: CIDAP, 2011.

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Conference "Heritage at risk" (2000 Munich, Germany). Heritage at risk =: Patrimoine en péril = Patrimonio en peligro : ICOMOS world report 2000 on monuments and sites in danger. Edited by Bumbaru Dinu and International Council on Monuments and Sites. München: Saur, 2000.

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International Council on Monuments and Sites, ed. Cultural heritage and natural disasters: Risk preparedness and the limits of prevention = Kulturerbe und Naturkatastrophen : Möglichkeiten und Grenzen der Prävention. [Paris]: ICOMOS, 2008.

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Heritage at risk: World report 2014-2015 on monuments and sites in danger = Patrimoine en péril = Patrimonio en peligro. Charenton-le-Pont: ICOMOS, International Council on Monuments and Sites, 2017.

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Book chapters on the topic "Cultural heritage risk"

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Micali, O., R. Montacutelli, and G. Tarsitani. "Pathogenic Microorganisms and Situations of Risk to Man." In Cultural Heritage and Aerobiology, 31–43. Dordrecht: Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-017-0185-3_2.

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Codarin, Sara. "The Conservation of Cultural Heritage in Conditions of Risk, with 3D Printing on the Architectural Scale." In Digital Cultural Heritage, 239–56. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75826-8_20.

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Sassa, Kyoji. "Landslide Risk Assessment at Cultural Heritage Sites." In Engineering Geology for Society and Territory - Volume 2, 79–103. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-09057-3_6.

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Watt, John, Stefan Doytchinov, Roger-Alexandre Lefèvre, Anda Ionescu, Daniel de la Fuente, Kateřina Kreislová, and Augusto Screpanti. "Stock at Risk." In The Effects of Air Pollution on Cultural Heritage, 147–87. Boston, MA: Springer US, 2009. http://dx.doi.org/10.1007/978-0-387-84893-8_6.

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Arizpe, Lourdes. "Cultural Endowments at Risk in Induced Development." In Culture, Diversity and Heritage: Major Studies, 118–35. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-13811-4_9.

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Hiriart, Carlos Alberto. "The Temple of Santiago Apostle in Nurio (Michoacán, Mexico): Risk Management as a Resilience Tool for the Conservation of Religious Heritage." In Regenerating Cultural Religious Heritage, 179–95. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-3470-4_13.

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Watt, John, E. Andrews, N. Machin, R. Hamilton, S. Beevers, D. Dajnak, X. Guinart, and P. de la Viesca Cosgrove. "Cultural heritage stock at risk from air pollution." In Alliance For Global Sustainability Bookseries, 223–32. Dordrecht: Springer Netherlands, 2007. http://dx.doi.org/10.1007/978-1-4020-6010-6_21.

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Yates, Tim, Miloš Drdácký, Stanislav Pospíšil, and Terje Grøntoft. "Impact and Risk Assessment Risk Assessment and Management Strategies at Local Level." In The Effects of Air Pollution on Cultural Heritage, 215–67. Boston, MA: Springer US, 2009. http://dx.doi.org/10.1007/978-0-387-84893-8_8.

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Yen, Alex Ya-Ning, and Chin-Fang Cheng. "Disaster-Risk Indicators and Their Evaluation, Communication for Traditional Settlement." In Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection, 659–68. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-48496-9_52.

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Kolev, Chavdar. "Conservation, Rehabilitation and Integration of Cultural Heritage." In Critical Thinking in the Sustainable Rehabilitation and Risk Management of the Built Environment, 529–40. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-61118-7_43.

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Conference papers on the topic "Cultural heritage risk"

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GARZIA, FABIO. "NOVEL RISK ASSESSMENT METHODOLOGY FOR CULTURAL HERITAGE SITES." In STREMAH 2021. Southampton UK: WIT Press, 2021. http://dx.doi.org/10.2495/str210131.

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Monteleone, Antonio, Nicole Dore, Annamaria Giovagnoli, and C. Cacace. "VIDEOR: cultural heritage risk assessment and monitoring on the Web." In Fourth International Conference on Remote Sensing and Geoinformation of the Environment, edited by Kyriacos Themistocleous, Diofantos G. Hadjimitsis, Silas Michaelides, and Giorgos Papadavid. SPIE, 2016. http://dx.doi.org/10.1117/12.2242495.

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Anifowose, Titilayo. "Significance of cultural heritage assets in the definition of urban morphology. A case of Egba-Ake in South-West Nigeria." In Post-Oil City Planning for Urban Green Deals Virtual Congress. ISOCARP, 2020. http://dx.doi.org/10.47472/fxzs7229.

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This study defined morphological importance of cultural heritage assets and formation of Egba-Ake town. Cultural heritages include man’s physical imaginative products which can be touched and seen include buildings, crafts, tools, ivory, cowries, paintings, textiles, pestles, mortars, food, wooden objects, tombs & grave goods, temples, dresses, pottery & potsherd pavements, monuments, books and artifacts. Morphology are factors that influence city/community formation which are determined by synthetic and natural determinants. Cultural heritage assets are whatever is valued by people today that was also cherished by former generations. This research explored the importance of cultural heritage assets in relation to urban fabrics formation of Egba-Ake. Qualitative method was adopted in this study, in-depth interviews and personal observation was used for data collection while Nvivo words tree and satellite imagery was used to analyze collected data. Ake’s palace and Itoku market is located at the center around which the Egba-Ake evolved. Ake’s Palace (political and cultural hub of the town) and Itoku market (the economic heritage of the town) was used to preserve various aspects of Egba-Ake cultural heritage. Ela festival (new yam festival) is annually celebrated cultural activity in Egba-Ake. This finding is relevant to policy makers as it allows the support of potential common structures for heritage administration in Egba-Ake. Effect of heritage in EgbaAke morphology is the new palace of Alake (the cultural ruler) of Egba-Ake were renovated and new once built a few years ago with modern architectural designs, furniture and fittings. This has made the Alake’s Palace to meet ‘international standards’. Social amenities and infrastructures like electricity supply, water systems, hospitals, good roads, administrative offices, schools; communication networks, etc. are now a major feature in Egba-Ake town. Further studies will enhance the implementation issues which may arise from the creation of a framework for cultural heritage management, with emphasis on risk management and risk reduction of cultural heritage.
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Limongelli, Maria Pina, Zehra Irem Turksezer, and Pier Francesco Giordano. "Structural Health Monitoring for cultural heritage constructions: a resilience perspective." In IABSE Symposium, Guimarães 2019: Towards a Resilient Built Environment Risk and Asset Management. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/guimaraes.2019.1552.

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<p>Disturbances or disruptive events may induce reductions of functionality of the built environment. For Cultural Heritage (CH) structures, functionalities may range from technical, to economic ones linked to touristic activities, up to intangible functionalities related to the cultural and social value of these constructions. Resilience can be defined as the capability of a system overcome a disturbance with the minimum total loss of functionality over time. Structural Health Monitoring (SHM) may enhance resilience by providing information that can support decision making, aiming to reduce the impact of the disturbances. In this paper, the benefits of SHM systems as means for improving resilience of CH structures are addressed and discussed with specific reference to the three different decision situations; before, during and after events of disturbances. Examples of real applications of SHM for CH structures and its effect on the resilience of the system conclude the paper.</p>
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Pehlivan, Gamze Fahriye. "Conserving / Not Conserving Cultural Heritage by Using." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021134n1.

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Our neglected heritage faces the risk of destruction after a while. To be able to avoid this, our cultural heritage should be dealt with the sustainable conservation approach. Today, use with new or original functions is recommended as a sustainable conservation approach. However, the use of cultural heritage should be dealt with through an approach in a way that conserves, not exploits them. The aim of the study is to explain adverse use of cultural heritage and the use of them by conserving over the examples. In the extent of the study, it is aimed to determine whether function damages the building, not whether the building provides the functional necessities. In this study from different cities three samples, which are being used with new function or original function has been chosen. The values carried by the samples and the effect of the function on these values were determined. The sample whose values are less or not affected has been used preservingly; the sample whose values were adversely affected was considered as not preserved. It is observed that two of three examples were used by conserving and the other one had problems about conservation. According to this, although the use of cultural heritage in its original function or in new function for sustainable conservation is very crucial, it becomes an ethical problem when the use exploits the cultural heritage beyond conservation purpose.
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Morais, Maria José, Maria-Giovanna Masciotta, Luís F. Ramos, Daniel V. Oliveira, Miguel Azenha, Eduardo B. Pereira, Paulo B. Lourenço, Teresa C. Ferreira, and Paula Monteiro. "A proactive approach to the conservation of historic and cultural Heritage: the HeritageCare methodology." In IABSE Symposium, Guimarães 2019: Towards a Resilient Built Environment Risk and Asset Management. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/guimaraes.2019.0064.

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<p>Presently, no systematic policy for the preventive conservation of the built cultural heritage exists in South-West Europe. Current approaches for inspection, diagnosis, monitoring and reactive conservation are normally intermittent, unplanned, expensive and lack methodical strategy. The available financial resources are scarce and are mostly addressed to listed buildings. Besides, owners and stakeholders often reveal reluctance to invest in preventive conservation and maintenance programs. In view of these considerations, and driven by the principle “prevention is better than cure”, the HeritageCare project has developed a system for the preventive conservation and maintenance of the built heritage. The main aim of this paper is to briefly describe the methodology, including its three levels of service, and present the main results of the implementation and validation of the service level 1 on a case study belonging to the Portuguese architectural heritage.</p>
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Abruzzese, Donato, Michele Angelaccio, Romeo Giuliano, Lorenzo Miccoli, and Alessandro Vari. "Monitoring and vibration risk assessment in cultural heritage via Wireless Sensors Network." In 2009 2nd Conference on Human System Interactions (HSI 2009). IEEE, 2009. http://dx.doi.org/10.1109/hsi.2009.5091040.

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Spyrakos, Constantine, Charalampos Saroglou, and Charilaos Maniatakis. "ASSESSMENT OF GEOTECHNICAL AND SEISMIC RISK FOR CULTURAL HERITAGE SITES – THE STABLE PROJECT." In 7th International Conference on Computational Methods in Structural Dynamics and Earthquake Engineering Methods in Structural Dynamics and Earthquake Engineering. Athens: Institute of Structural Analysis and Antiseismic Research School of Civil Engineering National Technical University of Athens (NTUA) Greece, 2019. http://dx.doi.org/10.7712/120119.7190.21288.

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Sarmento, Débora, Margarida Cavaco, and Maria da Conceição Borges de Sousa. "RYŪKYŪ ROUND LACQUERED BOX | CHROMATIC REINTEGRATION METHODOLOGY." In RECH6 - 6th International Meeting on Retouching of Cultural Heritage. València: Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13512.

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An exemplar from the Ryūkyū Islands (Japan), this red lacquer circular box dates from c.1590 and is part of the collection of the National Museum of Ancient Art (MNAA) - Lisbon, Portugal [1-2]. The conservation and restoration intervention carried out at the José de Figueiredo Laboratory (LJF), considering its state of conservation with a high risk of lacquer detachment and consequent loss of a large part of the decorative elements, allowed the study and definition of methodologies, including in the treatment of chromatic reintegration [3]. Its condition, the type of intervention, as well as its subsequent placement on display, motivated the reintegration method chooses and its application, which aimed to improve the reading and decorative understanding of the box. The use of extra-fine quality gouache in the mimetic reintegration executed ensured the necessary compatibility and stability with its constituent materials.
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Cacciotti, R., M. Drdácký, C. Modena, and F. da Porto. "New Integrated Knowledge-Based Approaches to the Protection of Cultural Heritage from Earthquake-Induced Risk." In Second ATC & SEI Conference on Improving the Seismic Performance of Existing Buildings and Other Structures. Reston, VA: American Society of Civil Engineers, 2015. http://dx.doi.org/10.1061/9780784479728.010.

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Reports on the topic "Cultural heritage risk"

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Wescott, Konstance L., Jennifer M. Abplanalp, Jeff Brown, Brian Cantwell, Merrill Dicks, Brian Fredericks, Angie Krall, et al. San Luis Valley - Taos Plateau Landscape-Level Cultural Heritage Values and Risk Assessment. Office of Scientific and Technical Information (OSTI), October 2016. http://dx.doi.org/10.2172/1347580.

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Pfluger, Rainer, and Alexander Rieser, eds. Conservation compatible energy retrofit technologies: Part IV: Documentation and assessment of energy and cost-efficient HVAC-systems and strategies with high conservation compatibility. IEA SHC Task 59, October 2021. http://dx.doi.org/10.18777/ieashc-task59-2021-0007.

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Historic building restoration and renovation requires sensitivity to the cultural heritage, historic value, and sustainability (i.e., building physics, energy efficiency, and comfort) goals of the project. Heat recovery ventilation can contribute to the mentioned goals if ventilation concepts, and airflow distribution is planned and realized in a minimally invasive way. Compared to new buildings, the building physics of historic buildings are more complicated in terms of hygrothermal performance. In particular if internal insulation is applied, the need for dehumidification is needed for robust and risk-free future use, while maintaining the building’s cultural value. As each ventilation system has to be chosen and adapted individually to the specific building, the selection of the appropriate system type is not an easy task.
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Howey, Meghan. Climate Change, Sea-Level Rise, and the Vulnerable Cultural Heritage of Coastal New Hampshire. University of New Hampshire Libraries, 2018. http://dx.doi.org/10.34051/p/2020.330.

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Gattenhof, Sandra, Donna Hancox, Sasha Mackay, Kathryn Kelly, Te Oti Rakena, and Gabriela Baron. Valuing the Arts in Australia and Aotearoa New Zealand. Queensland University of Technology, December 2022. http://dx.doi.org/10.5204/rep.eprints.227800.

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The arts do not exist in vacuum and cannot be valued in abstract ways; their value is how they make people feel, what they can empower people to do and how they interact with place to create legacy. This research presents insights across Australia and Aotearoa New Zealand about the value of arts and culture that may be factored into whole of government decision making to enable creative, vibrant, liveable and inclusive communities and nations. The COVID-19 pandemic has revealed a great deal about our societies, our collective wellbeing, and how urgent the choices we make now are for our futures. There has been a great deal of discussion – formally and informally – about the value of the arts in our lives at this time. Rightly, it has been pointed out that during this profound disruption entertainment has been a lifeline for many, and this argument serves to re-enforce what the public (and governments) already know about audience behaviours and the economic value of the arts and entertainment sectors. Wesley Enoch stated in The Saturday Paper, “[m]etrics for success are already skewing from qualitative to quantitative. In coming years, this will continue unabated, with impact measured by numbers of eyeballs engaged in transitory exposure or mass distraction rather than deep connection, community development and risk” (2020, 7). This disconnect between the impact of arts and culture on individuals and communities, and what is measured, will continue without leadership from the sector that involves more diverse voices and perspectives. In undertaking this research for Australia Council for the Arts and Manatū Taonga Ministry for Culture & Heritage, New Zealand, the agreed aims of this research are expressed as: 1. Significantly advance the understanding and approaches to design, development and implementation of assessment frameworks to gauge the value and impact of arts engagement with a focus on redefining evaluative practices to determine wellbeing, public value and social inclusion resulting from arts engagement in Australia and Aotearoa New Zealand. 2. Develop comprehensive, contemporary, rigorous new language frameworks to account for a multiplicity of understandings related to the value and impact of arts and culture across diverse communities. 3. Conduct sector analysis around understandings of markers of impact and value of arts engagement to identify success factors for broad government, policy, professional practitioner and community engagement. This research develops innovative conceptual understandings that can be used to assess the value and impact of arts and cultural engagement. The discussion shows how interaction with arts and culture creates, supports and extends factors such as public value, wellbeing, and social inclusion. The intersection of previously published research, and interviews with key informants including artists, peak arts organisations, gallery or museum staff, community cultural development organisations, funders and researchers, illuminates the differing perceptions about public value. The report proffers opportunities to develop a new discourse about what the arts contribute, how the contribution can be described, and what opportunities exist to assist the arts sector to communicate outcomes of arts engagement in Australia and Aotearoa New Zealand.
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