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Journal articles on the topic 'Cultural heritage assets'
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1
Pinna, Giovanni. "Heritage and ‘cultural assets’." Museum International 53, no. 2 (April 2001): 62–64. http://dx.doi.org/10.1111/1468-0033.00315.
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Herold, Irene M. H. "Responsible collaborations: Scholarship and cultural heritage assets." College & Research Libraries News 80, no. 2 (February 4, 2019): 109. http://dx.doi.org/10.5860/crln.80.2.109.
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I recently served as a national consultant on collaborations between libraries and museums. There are not that many articles published about collaborations and cultural heritage collections, although I suspect many unreported activities are being done in the field. From the 2009 program my College Libraries Section (CLS) committee developed when I was CLS chair on town/gown relationships (Our Town, Common Ground) with public and academic librarian panelists to a 2016 article, cultural heritage institutions and collaboration has been a focus of mine. My life and work experiences gave me a broad exposure to a wide variety of cultures, cultural norms, and an appreciation and valuing of diversity, equity, and inclusion.
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Chalhoub, Michel Soto. "Cultural heritage in sustainable development." Journal of Cultural Heritage Management and Sustainable Development 8, no. 1 (February 6, 2018): 30–46. http://dx.doi.org/10.1108/jchmsd-06-2017-0040.
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Purpose Preservation of historic structures meets ecological criteria of sustainable development. In Mount Lebanon, the traditional house is a cultural asset built of native stone one-meter thick double-wythe walls. Today, lack of public policies is causing those environmental assets to approach extinction. The paper aims to discuss this issue. Design/methodology/approach The methodology uses multivariate regression on 128 data points. A mathematical model is developed and empirically tested on public attitudes toward restoration. Independent variables represent the need for protectionist policies, X1; contribution of restoration to environmental sustainability, X2; contribution to culture, X3; and financial benefits, X4. Findings It is found that stone houses transfer heat significantly slower than modern construction. There is a statistically significant and positive correlation with X1, X2, and X3, but negative with X4, most likely due to favoring return on investment of multistory buildings over the attractiveness of stone houses. Research limitations/implications As future research implications, the undergirding of urban planning policies need to be revisited. Current policies neither protect heritage, nor offer legal means to restore heritage houses. Practical implications Practical implications include revisions to building laws in Mount Lebanon, as they marginalize old stone structures. Environmental valuation techniques, use value and existence value, are recommended. Social implications Social awareness needs to be built about valuation techniques to account for complex assets that cannot be approximated through short-term real estate market price. Social rather than financial cost-benefit analysis must be performed to quantify environmental assets. Originality/value This research illustrates a pilot restoration project with critical issues faced by heritage stone houses. These assets are underrepresented in building laws which warrants social and environmental activism.
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Belhi, Abdelhak, Abdelaziz Bouras, and Sebti Foufou. "Leveraging Known Data for Missing Label Prediction in Cultural Heritage Context." Applied Sciences 8, no. 10 (September 30, 2018): 1768. http://dx.doi.org/10.3390/app8101768.
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Cultural heritage represents a reliable medium for history and knowledge transfer. Cultural heritage assets are often exhibited in museums and heritage sites all over the world. However, many assets are poorly labeled, which decreases their historical value. If an asset’s history is lost, its historical value is also lost. The classification and annotation of overlooked or incomplete cultural assets increase their historical value and allows the discovery of various types of historical links. In this paper, we tackle the challenge of automatically classifying and annotating cultural heritage assets using their visual features as well as the metadata available at hand. Traditional approaches mainly rely only on image data and machine-learning-based techniques to predict missing labels. Often, visual data are not the only information available at hand. In this paper, we present a novel multimodal classification approach for cultural heritage assets that relies on a multitask neural network where a convolutional neural network (CNN) is designed for visual feature learning and a regular neural network is used for textual feature learning. These networks are merged and trained using a shared loss. The combined networks rely on both image and textual features to achieve better asset classification. Initial tests related to painting assets showed that our approach performs better than traditional CNNs that only rely on images as input.
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Spence, Jaqueline. "Preserving the cultural heritage." Aslib Proceedings 58, no. 6 (November 1, 2006): 513–24. http://dx.doi.org/10.1108/00012530610713597.
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PurposeThe purpose of this research is to assess the Open Archival Information System (OAIS) model from the perspective of small organisations and to offer a tentative methodology for the provision of a standard framework to serve the movement and preservation of digital materials and associated metadata between organisations, maintaining OAIS compliance throughout.Design/methodology/approachStructured analysis of the INGEST function, moving through three scenario‐based transfers of digital materials, using Lavoie's economic models for digital preservation to demonstrate the relevance of the function and sub‐functions.FindingsProvides a conceptual example of how the OAIS model can be used in a multiple transfer context, working through three scenarios for one function of the standard. Describes how the research will be carried forward to complete the analytical framework and test with a real digital deposit.Practical implicationsProvides a means by which small organisations can begin to consider the preservation of their digital assets and assess their position in relation to the OAIS model.Originality/valueThis paper addresses the difficulties of practical implementation of the OAIS model and suggests a way forward for achieving seamless transfer of digital records that can be used by both small donor organisations and larger receiving institutions.
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Romão, Xavier, Esmeralda Paupério, and Nuno Pereira. "Simplified risk assessment of immovable cultural heritage assets." Conservar Património 25 (2017): 23–36. http://dx.doi.org/10.14568/cp2016030.
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Othman, Raja Norashekin Raja, and Amran Hamzah. "Interdependency of Cultural Heritage Assets in the Old Quarter, Melaka Heritage City." Procedia - Social and Behavioral Sciences 105 (December 2013): 577–88. http://dx.doi.org/10.1016/j.sbspro.2013.11.061.
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Juliyanti, Wiwin, and Yohanes K. Wibowo. "Accounting for heritage assets: why and how? (Literature study on cultural heritage in Indonesia)." Jurnal Akuntansi, Keuangan, dan Manajemen 2, no. 1 (December 23, 2020): 1–11. http://dx.doi.org/10.35912/jakman.v2i1.103.
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Purpose: This study aims to provide an overview related to research on heritage assets in Indonesia. This study classifies and reviews articles based on research methods and focused results regarding accounting treatment, is it in accordance with Government Accounting Standards (SAP)? Research Methodology: This research is a literature study which contains theories that are relevant to the research problem. The data collection is taken from secondary data sources, SAP and various scientific articles. Results: The results demonstrate that the treatment in several heritage assets in Indonesia has referred to the prevailing SAP, historical assets are recorded as fixed assets, without valuation using cost or revaluation, the majority has been presented in the financial report based on accounting principles, this means the government accountability requirements for disclosure of heritage assets have been quite achieved. Limitations: Secondary data sources using several articles that are not all published in accredited journals. Contribution: This research has implications for the government to evaluate the function of financial reporting as an accounting tool that facilitates the realization of transparency and accountability. Keywords: Heritage assets, Recognition, Assessment, Measurement, Presentation and disclosure, PSAP No. 07 of 2010 concerning Accounting for Fixed Assets
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Khan, Nadim Akhtar, S. M. Shafi, and Humma Ahangar. "Digitization of Cultural Heritage." Journal of Cases on Information Technology 20, no. 4 (October 2018): 1–16. http://dx.doi.org/10.4018/jcit.2018100101.
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The potential of digital technologies in safeguarding and preserving valuable assets have been established over time, predominantly in preserving our increasingly threatened heritage. Technological advancements in digitization and preservation aspects in the form of more sophisticated digitization gadgets have resulted in the practical implications of many digital preservation initiatives. The article discusses the concept of cultural heritage and need of digital preservation for managing and distributing cultural heritage collections through cooperative endeavors. It highlights the importance of incorporating technological advancements for managing effective and long-term cultural preservation projects. It points out various challenges concerning digital preservation initiatives for cultural heritage including financial, technical, policy guidelines, legal aspects and metadata concerns. The article further discusses some important digital preservation projects for managing Cultural Heritage and lists detailed features under each initiative for addressing various challenges.
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Li, Hasegawa, Nii, and Tanaka. "Fused Transparent Visualization of Point Cloud Data and Background Photographic Image for Tangible Cultural Heritage Assets." ISPRS International Journal of Geo-Information 8, no. 8 (July 31, 2019): 343. http://dx.doi.org/10.3390/ijgi8080343.
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Digital archiving of three-dimensional cultural heritage assets has increased the demand for visualization of large-scale point clouds of cultural heritage assets acquired by laser scanning. We proposed a fused transparent visualization method that visualizes a point cloud of a cultural heritage asset in an environment using a photographic image as the background. We also proposed lightness adjustment and color enhancement methods to deal with the reduced visibility caused by the fused visualization. We applied the proposed method to a laser-scanned point cloud of a high-valued cultural festival float with complex inner and outer structures. Experimental results demonstrate that the proposed method enables high-quality transparent visualization of the cultural asset in its surrounding environment.
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Sevieri, Giacomo, Carmine Galasso, Dina D'Ayala, Richard De Jesus, Andres Oreta, Mary Earl Daryl A. Grio, and Rhodella Ibabao. "A multi-hazard risk prioritisation framework for cultural heritage assets." Natural Hazards and Earth System Sciences 20, no. 5 (May 20, 2020): 1391–414. http://dx.doi.org/10.5194/nhess-20-1391-2020.
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Abstract. Multi-hazard risk assessment of building portfolios is of primary importance in natural-hazard-prone regions, particularly for the prioritisation of disaster risk reduction and resilience-enhancing strategies. In this context, cultural heritage assets require special consideration because of their high vulnerability to natural hazards – due to ageing and types of construction – and their strong links with communities from both an economic and a historical–sociocultural perspective. This paper introduces a multi-hazard risk prioritisation framework specifically developed for cultural heritage assets. The proposed framework relies on a multilevel rapid-visual-survey (RVS) form for the multi-hazard exposure data collection and risk prioritisation of case-study assets. Because of the multilevel architecture of the proposed RVS form, based on three levels of refinement and information, an increasing degree of accuracy can be achieved in the estimation of structural vulnerability and, ultimately, structural risk of the considered assets. At the lowest level of refinement, the collected data are used for the computation of seismic-risk and wind-risk prioritisation indices, specifically calibrated in this study for cultural heritage assets with various structural and non-structural features. The resulting indices are then combined into a unique multi-hazard risk prioritisation index in which the intangible value of cultural heritage assets is also considered. This is achieved by defining a score expressing the cultural significance of the asset. The analytic hierarchy process is extensively used throughout the study to reduce the subjectivity involved in the framework, thus obtaining a simplified yet robust approach which can be adapted to different building typologies. The proposed framework is applied to 25 heritage buildings in Iloilo City, Philippines, for which innovative, non-invasive techniques and tools for improved surveying have also been tested. Thermal and omnidirectional cameras have helped in the collection of structural data, together with drones for the inspection of roofs. Results of the study are presented and critically discussed, highlighting advantages and drawbacks of the use of new technologies in this field.
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Manoudis, P. N., I. Karapanagiotis, A. Tsakalof, I. Zuburtikudis, B. Kolinkeová, and C. Panayiotou. "Superhydrophobic films for the protection of outdoor cultural heritage assets." Applied Physics A 97, no. 2 (April 26, 2009): 351–60. http://dx.doi.org/10.1007/s00339-009-5233-z.
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Talamo, Maurizio, Federica Valentini, Andrea Dimitri, and Ivo Allegrini. "Innovative Technologies for Cultural Heritage. Tattoo Sensors and AI: The New Life of Cultural Assets." Sensors 20, no. 7 (March 30, 2020): 1909. http://dx.doi.org/10.3390/s20071909.
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Conservation and restoration of cultural heritage is something more than a simple process of maintaining the existing. It is an integral part of the improvement of the cultural asset. The social context around the restoration shapes the specific actions. Today, preservation, restoration, enhancement of cultural heritage are increasingly a multidisciplinary science, meeting point of researchers coming from heterogeneous study areas. Data scientists and Information technology (IT) specialists are increasingly important. In this context, networks of a new generation of smart sensors integrated with data mining and artificial intelligence play a crucial role and aim to become the new skin of cultural assets.
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Suprapta, Blasius. "PERAN DAN PARTISIPASI MASYARAKAT DALAM UPAYA PEMANFAATAN CAGAR BUDAYA DI KABUPATEN BONDOWOSO SEBAGAI SUMBER BELAJAR SEJARAH LOKAL DAN ASET UNGGULAN DAERAH." Jurnal Pendidikan Sejarah Indonesia 3, no. 1 (June 30, 2020): 25. http://dx.doi.org/10.17977/um0330v3i1p25-42.
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Bondowoso, as one of the regions of East Java Province, has the potential of cultural heritage from the various era: megalithic, Hindhu-Buddhist, colonial, and the struggle for the defense of Indonesian independence. However, the potential of cultural heritage, which is known to be spread throughout the district (kecamatan) in Bondowoso, has not been utilized as a source of local history instruction or as a vital asset of the region. For this reason, it is necessary to find a solution for modeling the use of cultural heritage as a source of historical learning and study of superior regional assets to foster the participation of local communities based on the preservation of cultural heritage for the welfare of the communities around the cultural heritage. The method used is to adopt the modeling of the use of cultural heritage, namely Malang Kembali event, the colorful village event of Jodipan Village, Malang City, the development of revitalization of the Majapahitan house in Trowulan and the Mount Pawitra adventure event. The results of the study show that the four models are suitable to be applied in Bondowoso to foster the role of the community around cultural heritage for the use of cultural heritage as a source of learning of Local History and superior regional assets in Bondowoso Regency, based on the preservation of cultural heritage.
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Merwe, Clinton David van der. "Tourist guides’ perceptions of cultural heritage tourism in South Africa." Bulletin of Geography. Socio-economic Series 34, no. 34 (December 1, 2016): 117–30. http://dx.doi.org/10.1515/bog-2016-0039.
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Abstract Heritage tourism is a fast growing niche of cultural tourism worldwide. In Africa, several countries, including South Africa, place great emphasis on the growth of heritage tourism because of its potential for local economic development. Cultural and heritage tourism are being advocated as an important niche within the South African economy. This paper explores the perceptions of cultural heritage tourist guides in South Africa towards heritage tourism, it is argued that the country’s National Department of Tourism must improve the poor governance and poor management of South African heritage assets, and enhance the preservation, transformation and segmented marketing of South Africa’s cultural assets (at all levels of government) in order to sustain and grow cultural tourism in the future.
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Bottero, Marta, Chiara D’Alpaos, and Alessia Marello. "An Application of the A’WOT Analysis for the Management of Cultural Heritage Assets: The Case of the Historical Farmhouses in the Aglié Castle (Turin)." Sustainability 12, no. 3 (February 3, 2020): 1071. http://dx.doi.org/10.3390/su12031071.
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In recent years, governments, public institutions, and local communities have devoted growing attention to the identification of promising strategies for the preservation and valorization of cultural heritage assets. Decisions on the management of cultural heritage assets based on multiple, often conflicting, criteria and on the stakes of various, and potentially non-consensual actors and stakeholders. In this context, in which the trade-offs between the preservation of assets historical symbolic values and the adaptation to alternative and economically profitable uses play a key role in investment decisions, multi-criteria analyses provide robust theoretical and methodological frameworks to support decision-makers in the design and implementation of adaptive reuse strategies for cultural heritage and public real estate assets. In this paper, we provide a multi-criteria decision aiding approach for ranking valorization strategies of cultural heritage assets aimed at promoting their restoration and conservation, as well as at creating cultural and economic benefits. In detail, we present a novel application of the A’WOT analysis to support the design and implementation of alternative management strategies of abandoned cultural heritage assets. The paper focuses on the potential reuse and management of four historical farmhouses (Cascina Mandria, Cascina Lavanderia, Cascina Gozzani, and Cascina Ortovalle) located in the Agliè Castle estate, one of the Residences of the Royal House of Savoy, currently listed in the UNESCO World Heritage Sites.
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Kim, Sin-jae. "Cultural Heritage Preservation Policy for Gyeongju's Cultural Assets during the Japanese Colonial Era." DAEGU HISTORICAL REVIEW 143 (May 31, 2021): 221–54. http://dx.doi.org/10.17751/dhr.143.221.
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Nair, Vijayakumar Somasekharan. "Perceptions, Legislation, and Management of Cultural Heritage in Ethiopia." International Journal of Cultural Property 23, no. 1 (February 2016): 99–114. http://dx.doi.org/10.1017/s0940739115000351.
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Abstract:The present article discusses perceptions of cultural heritage and the development of heritage management in Ethiopia against the background of various pieces of legislation. Compared to many colonized countries of sub-Saharan Africa, the enactment of laws for the protection and preservation of cultural heritage is a recent phenomenon in Ethiopia. Even though archaeological research in Ethiopia dates back to the mid-nineteenth century, there have been no formal heritage laws or scientific restoration programs until 1966. However, living heritage, which is economically and spiritually beneficial to the local communities, has been protected and preserved with TMSs in communities such as Yeha, Konso, and Lalibela. Unlike Western management systems that emphasize the authenticity and integrity of physical features, the TMSs of Ethiopia have focused on the ideals and thoughts of the agencies that produce the cultural heritage. It had its own implications, to say, while retaining the ideological aspects, most built heritages in Ethiopia have been subjected to considerable physical interventions. Such physical interventions have disregarded structural authenticity and integrity of the monuments. Due to foreign invasions, continuous civil conflicts, and sporadic famines in the past, attention to cultural heritage and the implementation of heritage legislation has been negligent. However, Ethiopia has witnessed growing interest in the conservation and preservation of its heritage—cultural and natural; tangible and intangible—during the last twenty years. With the support of international collaborators, the Ethiopian government has initiated several measures to protect its heritage assets.
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Titis Wiji Ahyati, Riza Firmansyah, and Devi Roza K. Kausar. "PENILAIAN ASET WARISAN BUDAYA MENGGUNAKAN MARKET APPEAL-ROBUSTICITY MATRIX." Journal of Tourism Destination and Attraction 8, no. 1 (June 30, 2020): 1–10. http://dx.doi.org/10.35814/tourism.v8i1.1411.
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Market Appeal Robusticity Matrix is an effective assessment of cultural heritage assets to evaluate the potential market appeal and management of cultural heritage tourism (robusticity). It is important to determine appropriate policies and frameworks for better planning decisions in the future. This study aims to describe the preservation of cultural heritage at the Puppet Museum and analyze the valuation of cultural heritage assets at the Puppet Museum, Jakarta Old Town using Market Appeal-Robusticity Matrix. The research design used is qualitative analysis of Market Appeal-Robusticity Matrix. The results of this study have described the preservation of cultural heritage in the Museum, protection is done through maintenance and restoration, development is done by adding value to cultural heritage buildings by making it a Puppet Museum and the use of cultural heritage buildings is done by considering the interests of religion, social, culture and society . Preservation has been well implemented and adapted to the regulations of Law number 11 of 2010 concerning Cultural Heritage. Whereas the valuation of cultural heritage assets yields the value of the market attractiveness of the High Puppet Museum with a score of 51 and the resilience value of the building of the Medium Puppet Museum with a score of 40. In this assessment the Puppet Museum is in the "A1" category which means high market attractiveness and moderate resilience.
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Basu, Asmita, and Anupam De. "Heritage Valuation Driving Sustainability of Cultural Capital in Bishnupur in Eastern India." Supplement 9, no. 1 (July 24, 2021): 103–15. http://dx.doi.org/10.37710/plural.v9i1s_7.
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Cultural heritage of a country represents an array of monuments, historic buildings, arts and crafts, indigenous skills and traditions. The emerging threats to the cultural resources by way of decay, loss or destruction, has become a prime concern today. Heritage has become one of the vital components of tourism industry. It is being considered as cultural capital. The process of valuation of this capital is very complex since Heritage is basically a nonmarketed good. Different techniques used for valuating environmental resources which are similar in nature to Heritage, have led to the development of economic valuation models especially for valuation of Heritage as cultural assets. This economic approach has helped to derive the real value of heritage sites by way of consumer’s surplus and consumer’s willingness to pay for the use of cultural heritage assets and sustain sites for future generations.
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de Dato, P., and Y. Hernández Navarro. "EXPERIENCES OF SOCIAL PARTICIPATION IN RECOVERY TO RECONNECT A COMMUNITY TO ITS HERITAGE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 581–86. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-581-2020.
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Abstract. Intervention in private vernacular heritages often causes of the loss of its cultural values in the same way as its abandonment brings it to a condition of irreversible ruin. This reflection is valid for public heritage, but in this sphere the detachment caused by ignorance, forgetfulness and contempt, contrasting with the very idea of heritage, seems to be more serious. This work starts from the reflection on the degradation of certain historical-cultural resources due fundamentally to the lack of maintenance and abandonment, leading to a strategy based on social participation as a key to success in the recovery of heritage in general. The proposal is born from the analysis of the successful intervention experiences of different assets which from the beginning have incorporated the direct and active participation of the respective communities, not only in the enhancement of the assets once they have been intervened, but also in the physical process of the intervention through craftsmanship based on the traditional trades of construction. In both cases presented in this study direct participation has allowed the traditional construction techniques and their associated cultural values to become known, to train the population in techniques to guarantee the maintenance of heritage resources in the future, to recover traditions, ethnographic culture and local history, and finally to rebuild the broken links of attachment to the cultural heritage.
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Malliri, A., K. Siountri, E. Skondras, D. D. Vergados, and C. N. Anagnostopoulos. "THE ENHANCEMENT OF UNDERWATER CULTURAL HERITAGE ASSETS USING AUGMENTED REALITY (AR)." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W10 (April 17, 2019): 119–25. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w10-119-2019.
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<p><strong>Abstract.</strong> Τhe development in the fields of Underwater Cultural Heritage (UCH) management and Maritime Archaeology, yields an interdisciplinary and creative academic framework, such as the Information and Communication Technologies (ICT) sector that has been proved to build intelligent systems and applications. However, the ways to fully make use of these technologies are still being explored, as their potential have not been exploited yet. Underwater archaeological sites, semi (/or fully) submerged settlements, ancient ports and shipwrecks, unlike land sites, are not accessible to public due to their special (sub) marine environment and depth. In this paper, an innovative research idea of using Augmented Reality (AR) for maintaining the memory and the information of underwater archaeological sites, is presented. Although the “artificial” visual documentation cannot replace the authentic values of the underwater tangible heritage, the AR technology can contribute to the protection of the intangible properties and the conquered knowledge of the past of a place. This research work will focus, among other case studies, on the (semi) submerged fortifications and their contiguous contents of the acropolis of Halai in east Lokris, Greece. Hence, along with the climate change that may lead more antiquities covered by water during the following years, the advances in the communication field and the up-coming 5G and cloud technologies will make the idea fully applicable, contributing to the enhancement of the coastal and the underwater archaeological remains.</p>
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Diara, F., and F. Rinaudo. "FROM REALITY TO PARAMETRIC MODELS OF CULTURAL HERITAGE ASSETS FOR HBIM." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (August 22, 2019): 413–19. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-413-2019.
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<p><strong>Abstract.</strong> The ability of managing big amounts of metric information coming from a LiDAR survey and the ability to reproduce high quality 3D models from them are still vivid problems to solve. Is it possible to create detailed models, geometrically and metrically correct, without using a large amount (often redundant) of metric data, such as massive point clouds? Obviously yes, but there are several ways to create a fitting 3D model for a specific research. A good solution is given by NURBS based algorithms that ensure high details of modelling. However, NURBS models can't be used directly on BIM platforms, because they need to be parametrized. In this sense, a parametric model is based on real measurements but each object could be interpreted and approximated based on objective and subjective (critic) view and also based on LODs (levels of detail or development) concerning a particular analysis. This kind of modelling of Cultural Heritage assets, fundamental for HBIM creation, need to be correctly planned especially for classification and definition of its historical features connected to an informative system, because nowadays information and then the semantic dimension are a necessary key points towards documentation analysis.</p> <p>Established this brief introduction, this schematic work will focus on the analysis of FreeCAD open BIM software and Rhinoceros as NURBS 3D modeller for Cultural Heritage is concerned, and whether and how they could integrate their tools for the purpose of managing dynamic high detailed data for the creation of an HBIM platform.</p>
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Petrevska, Biljana, Shaul Krakover, and Noga Collins-Kreiner. "Preserving cultural assets of others: Jewish heritage sites in Macedonian cities." Tourism Geographies 20, no. 3 (October 25, 2017): 549–72. http://dx.doi.org/10.1080/14616688.2017.1387811.
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Pan, Xueming, Martin Schröttner, Sven Havemann, Thomas Schiffer, René Berndt, Martin Hecher, and Dieter W. Fellner. "A Repository Infrastructure for Working with 3D Assets in Cultural Heritage." International Journal of Heritage in the Digital Era 2, no. 1 (March 2013): 143–66. http://dx.doi.org/10.1260/2047-4970.2.1.143.
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Romão, Xavier, Esmeralda Paupério, and Nuno Pereira. "A framework for the simplified risk analysis of cultural heritage assets." Journal of Cultural Heritage 20 (July 2016): 696–708. http://dx.doi.org/10.1016/j.culher.2016.05.007.
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Kudde, E., I. Erdogan, and I. Ilze. "INVENTORY PROJECT FOR THE CULTURAL ASSETS OF ISTANBUL: A MODEL FOR DIGITIZATION OF CULTURAL HERITAGE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W11 (May 4, 2019): 693–97. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w11-693-2019.
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<p><strong>Abstract.</strong> Directorate of Cultural Heritage Preservation of Istanbul Metropolitan Municipality had started an Inventory Project in 2015, for gathering the varying information of historical and cultural assets. Although there had been previous studies conducted by various institutions or local establishments, the absence of accessibility to whole updated database of historical values was a matter of concern, both for government and research studies. For this reason, it was aimed to create and update Istanbul Historical Database. The Directorate assumed the responsibility of creating the database and providing its accessibility through web and publications. It was also aimed to provide accurate information and multimedia, not only for existing but also further projects in respect of cultural heritage and preservation. There have been 41 people from different professions such as architects, restorers, urban planners, archaeologists and art historians being employed in this work. A huge amount of data including old maps, photographs, documents, drawings and projects were brought together and classified according to their contents. Afterwards, all registered values including monuments, civil architectural or urban elements were visited, observed and photographed. Also some buildings or assets were proposed to Preservation Boards to be registered. Furthermore, 74 types of data including location, architectural description, conservation state, materials, problems and bibliography were recorded. Database allows printing 4 types of inventory forms representing current state of the value. Database was integrated with spatial data to produce analytical maps. Database created by the project has been shared via internet and books to lead other projects about cultural heritage.</p>
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Li, Yiping, and Lap Bang Raymond Lo. "Opportunities and Constraints of Heritage Tourism in Hong Kong's Changing Cultural Landscape." Tourism and Hospitality Research 5, no. 4 (August 2005): 322–45. http://dx.doi.org/10.1057/palgrave.thr.6040031.
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This study investigates the opportunities and constraints for heritage tourism development in Hong Kong through a case study. It aims to address the urgent need of heritage conservation against the city's ever-changing cultural landscape. The Market Appeal-Robusticity Matrix is used to assess 19 heritage assets in the Kam Tin area of the New Territories. The results suggest there is an increasing interest from both the government and general public in cultivating the city's heritage resources for tourism. Such an interest offers tremendous opportunities for the industry development. To appreciate the opportunities fully, however, appropriate strategies must be adopted in order to reduce the constraints that appear at two major levels
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Figueiredo, Rui, Esmeralda Paupério, and Xavier Romão. "Understanding the Impacts of the October 2017 Portugal Wildfires on Cultural Heritage." Heritage 4, no. 4 (September 22, 2021): 2580–98. http://dx.doi.org/10.3390/heritage4040146.
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In a changing world where the frequency of natural hazards is increasing, the consequences of disasters on cultural heritage assets are still not well understood. This can be attributed to shortcomings in existing risk management practices and to the fact that disaster consequences in the cultural sector are seldom recorded in a structured manner. On 15 October 2017, an extreme wildfire event took place in Portugal, causing significant human and material losses. However, little information is available about its impacts on cultural heritage. This article describes a study that was carried out to identify cultural heritage assets affected by the event in inland central Portugal, and the types of impacts that they withstood, based on local information collected from a sample of municipalities estimated to have been the most affected. The municipalities were selected based on a geospatial analysis supported by maps of estimated burnt areas and national datasets of cultural heritage. The information provided by the municipalities is comprehensively reported and discussed. Although the consequences of the wildfires on cultural heritage were not particularly severe, relevant direct and indirect damage occurred, and further indirect consequences may arise in the future as a result of the event. Improved knowledge and awareness regarding wildfire risk management for cultural heritage assets, supported by research initiatives such the one presented here, are called for.
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Cvijic, Sinisa, and Jasna Guzijan. "Cultural and historical heritage: An asset for city branding." Spatium, no. 30 (2013): 23–27. http://dx.doi.org/10.2298/spat1330023c.
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Achieving wider recognition is part of the development agenda of contemporary cities, which are all confronted with the need to stand out and compete against one another. City branding reads as and plays an important role in this struggle for recognition. The identity of a city is generated over a long period, as it undergoes historical change, resulting in cultural diversity as the product of a specific environment. This paper discusses the possibility of using the cultural and historical heritage of Trebinje and its identity as an asset to create its city brand. Trebinje is a small city situated in the vicinity of Dubrovnik, a major tourist destination with a rich cultural and historical heritage and an excellent city brand. Dubrovnik may be seen as jeopardising the development of Trebinje?s authentic identity; on the other hand, the strong historical ties between the two cities can actually be used as an asset to develop Trebinje?s city brand. The material and non-material heritage which helped the formation of Trebinje?s identity, is analysed. The Mediterranean region in which it is located, its rich history, authentic architecture and different cultural influences, including the national poet Jovan Ducic, have all helped create Trebinje?s genius loci. The same factors may be used to communicate its new image. After that, the paper outlines models of the possible use of the recognised assets to brand the city and emphasise the importance of the effective presentation of these assets for creating a recognisable city image. It also proposes specific actions and interventions that may contribute to branding the city.
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Alcalá, Concepción Martínez, and Encarnación Moral Pajares. "Tourism and Heritage: A Case Study." Journal of Business and Economics 10, no. 2 (February 20, 2019): 126–43. http://dx.doi.org/10.15341/jbe(2155-7950)/02.10.2019/004.
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Culture-related economic activity accounts for more than 2.4% of Spain’s GDP. Specifically, according to the 2017 Spanish Cultural Statistical Yearbook, cultural tourism was the motivation for 16.8% of total trips within Spain taken by domestic tourists in 2016, and more than 12% of trips by foreign tourists visiting Spain. The valuation of the cultural heritage assets that attract tourists involves using, among other techniques, direct methods that account for potential visitors’ preferences. The aim of this research is twofold: first, to identify the socioeconomic profile of the tourists who visit Jaén; and second, to quantitatively assess, by means of the contingent valuation method, visitors’ willingness to pay for the services offered by a cultural heritage interpretation centre. The results of this case study confirm the tourism potential of the site.
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Ferri, Paolo, Shannon I. L. Sidaway, and Garry D. Carnegie. "The paradox of accounting for cultural heritage: a longitudinal study on the financial reporting of heritage assets of major Australian public cultural institutions (1992–2019)." Accounting, Auditing & Accountability Journal 34, no. 4 (January 20, 2021): 983–1012. http://dx.doi.org/10.1108/aaaj-01-2019-3807.
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PurposeThe monetary valuation of cultural heritage of a selection of 16 major public, not-for-profit Australian cultural institutions is examined over a period of almost three decades (1992–2019) to understand how they have responded to the paradoxical tensions of heritage valuation for financial reporting purposes.Design/methodology/approachAccounting for cultural heritage is an intrinsically paradoxical practice; it involves a conflict of two opposite ways of attributing value: the traditional accounting and the heritage professionals (or curatorial) approaches. In analysing the annual reports and other documentary sources through qualitative content analysis, the study explores how different actors responded to the conceptual and technical contradictions posed by the monetary valuation of “heritage assets”, the accounting phraseology of accounting standards.FindingsFour phases emerge from the analysis undertaken of the empirical material, each characterised by a distinctive nature of the paradox, the institutional responses discerned and the outcomes. Although a persisting heterogeneity in the practice of accounting for cultural heritage is evident, responses by cultural institutions are shown to have minimised, so far, the negative impacts of monetary valuation in terms of commercialisation of deaccessioning decisions and distorted accountability.Originality/valueIn applying the theoretical lens of paradox theory in the context of the financial reporting of heritage, as assets, the study enhances an understanding of the challenges and responses by major public cultural institutions in a country that has led this development globally, providing insights to accounting standard setters arising from the accounting practices observed.
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Nuzzaci, Antonella, and Luisa Revelli. "Digital Archiving and School Cultural Heritage." International Journal of Digital Literacy and Digital Competence 3, no. 2 (April 2012): 38–57. http://dx.doi.org/10.4018/jdldc.2012040103.
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Cultural institutions such as libraries and archives play an important role in the preservation of, and access to, cultural heritage. The digitization of documents of an historical educational nature is essential to ensure the preservation of the collective memory of certain generations for schoolchildren, and its use for educational purposes allows a collective identity to be re-established, suitable for use on increasingly large subject groups. This article examines the benefits of digitizing a specific type of material related to school culture, exercise books, which have played a significant role in the history of the teaching and learning processes. It examines issues related to the conservation of these items and access to them, given their cultural heritage and their impact on the preservation and upkeep of the history of educational institutions. The main aspects and stages of the CoDiSV project, which aims to build a digital library of cultural assets, and educational and historical ones in particular, will then be discussed.
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Faller Tagarro, Helena Amanda. "Tava Guarani: de lugar simbólico a Patrimônio Cultural do MERCOSUL." Caderno de Geografia 29, no. 2 (August 29, 2019): 298–310. http://dx.doi.org/10.5752/p.2318-2962.2019v29n2p298-310.
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O presente artigo traz uma breve discussão acerca do reconhecimento da Tava Guarani como Patrimônio Cultural do MERCOSUL. A Tava está localizada no município de São Miguel das Missões/RS e faz parte do conjunto do Patrimônio Missioneiro. O Patrimônio Missioneiro, por sua vez, é composto por quatro sítios históricos tombados pelo Instituto do Patrimônio Histórico e Artístico Nacional, sendo os quatro também reconhecidos pelo MERCOSUL e um deles reconhecido como Patrimônio Mundial pela UNESCO. Além disso, há também o registro da Tava como Patrimônio Imaterial Brasileiro pelo IPHAN e, mais recentemente, seu reconhecimento como Patrimônio Cultural do MERCOSUL. Assim, a proposta deste estudo é de apresentar a importância da candidatura e, consequentemente, do reconhecimento da Tava para o MERCOSUL, considerando o interesse do bloco de fomentar a integração entre seus Estados-Partes em diferentes áreas, inclusive a cultura. Para isso, consta também um breve apontamento acerca do funcionamento do MERCOSUL Cultural, órgão interno responsável pelos reconhecimentos dos bens culturais. Esse artigo é fruto da pesquisa de mestrado que vem sendo desenvolvido, em que se busca compreender a participação do Brasil, enquanto Estado nacional, no âmbito dos reconhecimentos dos patrimônios em nível internacional.Palavras–chave: Patrimônio, Reconhecimento, MERCOSUL.Abstract The article brings a discussion of the recognition of Tava Guarani as Cultural Heritage of MERCOSUR. Tava is located in the municipality of São Miguel das Missões/RS and is part of the set of Missionary Heritage. The Missionary Heritage, in turn, is composed of four registered historical sites by the National Historical and Artistic Heritage Institute (IPHAN), being all also recognised by MERCOSUR and one of them recognised as World Heritage by UNESCO. Besides, there is also the registration of Tava as Brazilian Intangible Heritage by IPHAN and, more recently, its recognition as a Cultural Heritage of MERCOSUR. Thus, the proposal of this study is to present the importance of the application and, consequently, the recognition of Tava for MERCOSUR, considering the interest of the block to promote the integration among its States Parties in different areas, including culture. In this regard, there is also a brief note about the functioning of MERCOSUR Cultural, an internal entity responsible for the recognition of cultural assets. This article is the result of the master's research that has been developed, which seeks to understand the participation of Brazil, as a national State, in the scope of recognising the heritages at the international level.Keywords: Heritage, Recognition, MERCOSUR.
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Martín-Béjar, Sergio, Juan Claver, Miguel A. Sebastián, and Lorenzo Sevilla. "Graphic Applications of Unmanned Aerial Vehicles (UAVs) in the Study of Industrial Heritage Assets." Applied Sciences 10, no. 24 (December 9, 2020): 8821. http://dx.doi.org/10.3390/app10248821.
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As a typology of cultural heritage, a wide range of singularities must to be taken into account when analysing industrial heritage assets. Graphical resources have been usually employed in heritage assets research. Nowadays, Unmanned Aerial Vehicles (UAVs) offer the possibility to obtain images of complex and difficult access areas that cannot be observed on the ground. Furthermore, aerial images allow to analyse heritage assets as a whole. Therefore, in this work, different photographs and videos has been carried out in the San Joaquin sugar cane factory and in the Aguila aqueduct, located in Nerja (Spain). These images have been used to analyse both assets as a set. Different indirect measurements on the factory chimney and irrigation water pond were taken. A Strengths, Weaknesses, Opportunities, and Threats (SWOT) about the use of UAV graphic applications in heritage assets was developed. Finally, the possibilities of conventional photograph technologies and UAV application were compared. Using UAVs allows more image acquisition possibilities than conventional systems. However, both technologies can be complemented and applied together when analysing heritage assets.
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Fitri, Isnen. "Partisipasi Masyarakat Lokal Medan: Sebuah Tinjauan Atas Kriteria Nasional Pada Proses Penetapan Sebagai Cagar Budaya." Berkala Arkeologi SANGKHAKALA 18, no. 2 (May 15, 2017): 110. http://dx.doi.org/10.24832/sba.v18i2.12.
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Among the important problems encountered in the implementation of cultural heritage preservation in Indonesia nowadays is the establishment of the cultural register in national, province, or regency/city levels. Criteria in article 5 of the Law on Items of Cultural Heritage No.11/2010 are insufficient for the process of assigning historical assets as cultural heritage items. The criteria also seem to merely be a “copy and paste” of the previous law. Meanwhile, at the global level, during the last several decades, many countries have begun to adopt the concept of the important values of heritages, which is depicted in the Burra Charter as a reference to develop criteria in assigning items of cultural heritages. To improve our national criteria in the near future, this study is aimed at evaluating national criteria in article 5 based on opinions of 33 representatives of local communities in Medan, as stakeholders in the preservation of cultural heritages in the city of Medan, by performing interviews and group discussions using Nominal Group Technique or NGT. From the diverse opinions of the 33 participants obtained from the two phases of data collecting process, it is concluded that our national criteria in assigning an item of cultural heritage that were mentioned in article 5 of the Law on Items of Cultural Heritage No.11/2010 are still obscure, difficult to measure, overlapping, and not quite in line with global trend. Most participants disagree that age is used as the main criteria. There are a number of suggestions (inputs) from the participants to improve the sentences in article 5 to form criteria that are easier to measure and independent.
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Kostopoulou, Stella, Paraskevi-Kali Sofianou, and Konstantinos Tsiokanos. "Silk Road Heritage Branding and Polycentric Tourism Development." Sustainability 13, no. 4 (February 9, 2021): 1893. http://dx.doi.org/10.3390/su13041893.
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Cultural heritage, considered as a tool for sustainable tourism development and place branding, makes a destination appealing to visitors; hence, cultural heritage tourism can be a driving force for economic growth in cities and regions. Polycentricity is a useful multi-scalar concept in spatial theory that describes how adjacent urban centers can interact with each other, creating synergies and generating broader spatial networks. Cultural heritage and tourism, perceived as important factors of integration in a polycentric spatial structure, can further promote regional branding strategies. In this paper, a polycentricity index is introduced as a methodological tool for networking cultural heritage destinations, with an application to the Silk Road heritage. Silk Road cultural assets traced on the historical Silk Road routes linking East and West, can serve as tourist attraction poles and as an essential component for branding destinations through networking at various spatial scales. The Region of Eastern Macedonia and Thrace in Northern Greece, endowed with a plethora of Silk Road cultural assets, most of which are still untapped, is used to highlight the proposed methodology. The ultimate objective is the designation of polycentric destination networks based on Silk Road assets, in order to build regional branding opportunities over the Region.
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Hermosilla Pla, J., and S. Mayordomo Maya. "A methodological system for hydraulic heritage assessment: a management tool." Water Supply 17, no. 3 (November 21, 2016): 879–88. http://dx.doi.org/10.2166/ws.2016.186.
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Traditional irrigation systems are spatial units with a remarkable cultural and heritage value, which in turn generate water landscapes. They are part of hydraulic heritage, which includes material, ideational and symbolic assets. However, the assets related to historical irrigation systems and their landscape units have been poorly studied and evaluated. This paper develops a methodological system for the assessment of hydraulic heritage which combines basic and multi-criteria quantitative techniques. The authors conducted an evaluation of water heritage assets and their associated systems for the purpose of establishing a hierarchy for devising appropriate heritage management actions.
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Piñeiro-Naval, Valeriano, and Paulo Serra. "How Do Destinations Frame Cultural Heritage? Content Analysis of Portugal’s Municipal Websites." Sustainability 11, no. 4 (February 13, 2019): 947. http://dx.doi.org/10.3390/su11040947.
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In the current media context, heavily influenced by information and communication technologies, tourism destinations have a need to promote the most outstanding aspects of their cultures to attract the visitors who stimulate their economies. Websites are one of the tools available to carry out this task and they must be designed to communicate the destinations’ heritages persuasively to a worldwide audience. Taking these premises into consideration, the objective of this research is to analyze the cultural heritage content on Portugal’s municipal websites. The specific goals are to classify the most recurrent heritage elements and detect how they frame identity based on the ‘local-global dialectic’. The results show that the heritage discourse is built on the selection of certain aspects—namely, culinary and architectural assets—which are emphasized through the combined use of local and national frames that strengthen the municipalities’ particular values but also the fact that they are integrated into a broader and unified whole: Portugal.
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Riganti, Patrizia. "SMART CITIES AND HERITAGE CONSERVATION: DEVELOPING A SMARTHERITAGE AGENDA FOR SUSTAINABLE INCLUSIVE COMMUNITIES." International Journal of Architectural Research: ArchNet-IJAR 11, no. 3 (November 22, 2017): 16. http://dx.doi.org/10.26687/archnet-ijar.v11i3.1398.
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This paper discusses the potential of current advancements in Information Communication Technologies (ICT) for cultural heritage preservation, valorization and management within contemporary cities. The paper highlights the potential of virtual environments to assess the impacts of heritage policies on urban development. It does so by discussing the implications of virtual globes and crowdsourcing to support the participatory valuation and management of cultural heritage assets. To this purpose, a review of available valuation techniques is here presented together with a discussion on how these techniques might be coupled with ICT tools to promote inclusive governance.
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Raptis, George E., Giannis Kavvetsos, and Christina Katsini. "MuMIA: Multimodal Interactions to Better Understand Art Contexts." Applied Sciences 11, no. 6 (March 17, 2021): 2695. http://dx.doi.org/10.3390/app11062695.
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Cultural heritage is a challenging domain of application for novel interactive technologies, where varying aspects in the way that cultural assets are delivered play a major role in enhancing the visitor experience, either onsite or online. Technology-supported natural human–computer interaction that is based on multimodalities is a key factor in enabling wider and enriched access to cultural heritage assets. In this paper, we present the design and evaluation of an interactive system that aims to support visitors towards a better understanding of art contexts through the use of a multimodal interface, based on visual and audio interactions. The results of the evaluation study shed light on the dimensions of evoking natural interactions within cultural heritage environments, using micro-narratives for self-exploration and understanding of cultural content, and the intersection between human–computer interaction and artificial intelligence within cultural heritage. We expect our findings to provide useful insights for practitioners and researchers of the broad human–computer interaction and cultural heritage communities on designing and evaluating multimodal interfaces to better support visitor experiences.
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Saanane, Charles B. "Cultural Heritage Assets: Rituals, Grinding Hollows and Other Socio-Cultural Practices in Simiyu Region, Tanzania." Natural Resources 07, no. 04 (2016): 214–38. http://dx.doi.org/10.4236/nr.2016.74020.
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Champion, Erik, and Hafizur Rahaman. "3D Digital Heritage Models as Sustainable Scholarly Resources." Sustainability 11, no. 8 (April 24, 2019): 2425. http://dx.doi.org/10.3390/su11082425.
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If virtual heritage is the application of virtual reality to cultural heritage, then one might assume that virtual heritage (and 3D digital heritage in general) successfully communicates the need to preserve the cultural significance of physical artefacts and intangible heritage. However, digital heritage models are seldom seen outside of conference presentations, one-off museum exhibitions, or digital reconstructions used in films and television programs. To understand why, we surveyed 1483 digital heritage papers published in 14 recent proceedings. Only 264 explicitly mentioned 3D models and related assets; 19 contained links, but none of these links worked. This is clearly not sustainable, neither for scholarly activity nor as a way to engage the public in heritage preservation. To encourage more sustainable research practices, 3D models must be actively promoted as scholarly resources. In this paper, we also recommend ways researchers could better sustain these 3D models and assets both as digital cultural artefacts and as tools to help the public explore the vital but often overlooked relationship between built heritage and the natural world.
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Marciniak, Arkadiusz. "The culture and nature assets. The current crossovers and the agenda for the future." Ex Novo: Journal of Archaeology 4 (December 31, 2019): 23–136. http://dx.doi.org/10.32028/exnovo.v4i0.375.
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The paper intends to provide an overview of major crossovers between cultural and natural heritage appearing and executing in political, administrative, economic, societal and academic domains. It discusses complicated processes that have led to overcoming a separation between these two largely distinct domains, which is strikingly embedded in western philosophy. The relevance of such crossovers is examined in the context of challenges imposed by the climate change and major shifts in the understanding of heritage and its role in the society. It concludes by providing some thoughts on the character of the future crossovers between cultural and natural heritage more effectively engaging with the contemporarily emergent issues of social significance.
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Korytnyk, Liliya. "ACCOUNTING SUPPORT FOR THE MANAGEMENT OF CULTURAL HERITAGE OBJECTS." Economic Analysis, no. 30(4) (2020): 125–31. http://dx.doi.org/10.35774/econa2020.04.125.
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Introduction. The subjects of the public sector of cultural heritage, as a group of institutions that store history in objects, play an important role in maintaining and developing national consciousness and identity. However, the financing mechanism and accounting system inherent in domestic practice need to be modernized to optimize the management of cultural heritage sites and popularize the achievements of national and world cultural heritage. Purpose. The purpose of the article is to analyze the management of the use of budgetary funds in the context of the modern concept of preserving and protecting the national heritage and studying the sectoral problems of accounting for cultural heritage objects. Method (methodology). Method of system analysis, methods of causal analysis, tabular method, relative indicators. Results. The key directions have been identified and the volumes of use of budgetary funds have been analyzed to ensure the activities of the subjects of the state sector of cultural heritage. It is determined that the financing mechanism should include budget allocations based on performance and revenues from the provision of paid services. The priority task to improve the system of financing public sector entities (including the cultural sector) should be the introduction of a mechanism for allocating state budget expenditures based on the economic indicator "cost of public services", which will change the use of budget funds from maintenance to financing cost of quality public services. It is established that the urgent issue is the creation of a national standard for accounting of cultural heritage assets and the development of guidelines for it; supplementing the chart of accounts in the public sector with accounts to display information on the availability and movement of objects of national heritage; creation of an automated system of accounting for cultural heritage assets and introduction of new digital technologies to ensure the development of society and the spread of intercultural dialogue.
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Soetjipto, Shania Helena, and Aditya Satyagraha. "Destination Branding Semarang Chinatown as a Cultural Heritage Site." International Conference of Innovation in Media and Visual Design 1, no. 1 (November 25, 2020): 94–108. http://dx.doi.org/10.31937/imdes.v1i1.1123.
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Semarang Chinatown area is one of the historical sites of Ancient Semarang Heritage City where there are cultural relics in store. Consisting of, viz.: architecture, food, stories, and environment that’s prominent with a Chinese family style atmosphere. Ironically, numerous cultural assets contained in the Semarang Chinatown Area are less celebrated unlike Semawis Night Market since people envision the area Semarang Chinatown only has it as its prime and foremost attraction. People's awareness to to other cultural and historical assets is immensely minimal. Therefore, through this Final Project the writer has chosen to fathom this issue and to come up with a solution. By establishing a brand new and fresh visual identity, the author wishes to be able to introduce Semarang Chinatown Area as an integrated cultural historic area to a wider-reaching audience to array a large selection of richness of philosophy, culture, and value that will not only enrich the knowledge of visitors but also to entertain them with some aesthetic pleasure.
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Santos Vieira de Jesus, Diego. "The politics of disdain." International Journal for Innovation Education and Research 7, no. 12 (December 31, 2019): 794–805. http://dx.doi.org/10.31686/ijier.vol7.iss12.2134.
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The aim of the article is to examine the situation of cultural heritage education in Rio de Janeiro. The main argument indicates that the cultural heritage education is neglected in the city. The abandonment of the tangible heritage and the disregard for the intangible heritage are associated to the lack of significant experiences recorded in the citizens’ memories. This situation is linked to the lack of major efforts by the government in cultural heritage education, which creates a scenario where heritage does not appear significantly in the reinterpretations of the past by a vast part of the population to the point of establishing links of affection, essential for the conservation of heritage assets. The abandonment of cultural heritage by the public institutions and the neglect of civil society in relation to the “places of memory” are accentuated in Rio de Janeiro by the pressure of the increased demand for housing spaces and formal and informal commerce, which has particularly accelerated the destruction of tangible heritage, and the action of elites that highlight specific past experiences linked to them and try to impose their specific memory on other social segments, which does not generate the identification between a huge part of the population and the cultural heritage. The solution for the crisis becomes harder with the lack of economic resources to promote cultural heritage initiatives and even preserve cultural assets, the misuse of money devoted to cultural heritage because of corruption schemes and the maintenance of a pragmatic perspective on education that directs efforts for functional activities and lacks the critical view about past political, economic and social issues.
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Sotirova-Valkova, Kalina. "Technological and Legal Aspect in Digitalization of Movable Cultural Assets. Copyright and Intellectual Property Rights." Cultural and Historical Heritage: Preservation, Representation, Digitalization 5, no. 2 (2019): 35–45. http://dx.doi.org/10.26615/issn.2367-8038.2019_2_004.
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The article presents the cycle of digitization of cultural heritage objects (movable cultural values stored in museums and galleries) with its three main stages: preparation, conversion and access. The focus is on the technological aspect, the preparation of the museum team and the standards used. In parallel, the legal framework of digitization is viewed as a serious, nationally specific and rarely presented topic related to copyright and intellectual property over the original and its digital derivative Keywords: digitization, cultural heritage, authorship and copyright, intellectual property rights, standards
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Apollonio, F. I., M. Gaiani, and S. Bertacchi. "MANAGING CULTURAL HERITAGE WITH INTEGRATED SERVICES PLATFORM." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W11 (May 4, 2019): 91–98. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w11-91-2019.
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<p><strong>Abstract.</strong> Cultural Heritage management is a topical issue facing administrators, professionals and scholars involved in documentation, restoration and enhancement of the cultural assets. In the paper, after a general framework on the state of the art in the sector, two recent experiences are reported about Information System and integrated service platform for managing Cultural Heritage that authors contributed to develop with the aim of providing experts of the field with effective and flexible tools: the Information System for the restoration of the Neptune’s Fountain and the SACHER 3D Life Cycle Management for Cultural Heritage service. The paper describes in detail the two case studies and some possible implementation designed but not yet achieved for the latter, and finally presents some starting points for future research.</p>
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Idris, Muhammad Zaffwan, Norsimaa Binti Mustaffa, and Syed Osman Syed Yusoff. "Preservation of Intangible Cultural Heritage Using Advance Digital Technology: Issues and Challenges." Harmonia: Journal of Arts Research and Education 16, no. 1 (December 26, 2016): 1. http://dx.doi.org/10.15294/harmonia.v16i1.6353.
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<p>The emerging concern on intangible heritage in the international arena reflects the fear of cultural homogeneity, diminishing cultural diversity and human creativity. Cultural heritage is a symbol spiritual and intellectual wealth of a civilization, while intangible cultural heritage is associated to tradition and living expressions. There is a need to preserve these fragile assets so they would someday be oblivious in the modern world. Ironically, the potential strategy in preserving the intangible cultural heritage lies in the current advanced digital technology. This paper highlights major issues and challenges in the intangible cultural heritage preservation through technology, with regards to the content and the purpose associated to it.</p>