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Journal articles on the topic 'Cultural economy'

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Published: 4 June 2021
Last updated: 20 February 2023

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1

Kneafsey, Moya. "Rural cultural economy." Annals of Tourism Research 28, no. 3 (January 2001): 762–83. http://dx.doi.org/10.1016/s0160-7383(00)00077-3.

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2

Bengsch, Géraldine, and Miren Manias. "Global Cultural Economy." Cultural Trends 28, no. 4 (July 24, 2019): 336–40. http://dx.doi.org/10.1080/09548963.2019.1644800.

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3

Pratt, Andy C. "The Cultural Economy." International Journal of Cultural Studies 7, no. 1 (March 2004): 117–28. http://dx.doi.org/10.1177/1367877904040609.

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4

Heuman, Josh. "Beyond Political Economy versus Cultural Studies? The New “Cultural Economy”." Journal of Communication Inquiry 27, no. 1 (January 2003): 104–8. http://dx.doi.org/10.1177/0196859902238643.

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5

Amin, Ash, and Nigel Thrift. "Cultural-economy and cities." Progress in Human Geography 31, no. 2 (April 2007): 143–61. http://dx.doi.org/10.1177/0309132507075361.

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6

McFall, Liz. "What's changing cultural economy?" Journal of Cultural Economy 8, no. 1 (January 2, 2015): 1–15. http://dx.doi.org/10.1080/17530350.2014.988670.

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7

Babe, Robert E. "Political Economy and Cultural Studies Column: Political Economy, Cultural Studies and Postmodernism." TOPIA: Canadian Journal of Cultural Studies 15 (May 2006): 91–101. http://dx.doi.org/10.3138/topia.15.91.

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8

Ben-Iheanacho, Elizabeth O. "Nigeria’s cultural policy implementation: sustaining cultural diversity through cultural resource management." EJOTMAS: Ekpoma Journal of Theatre and Media Arts 7, no. 1-2 (April 15, 2020): 205–15. http://dx.doi.org/10.4314/ejotmas.v7i1-2.13.

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Nigeria is one of the few African countries with a written cultural policy as well as government established and funded institutions charged with the implementations of this policy. This article interrogates the implementation of the tenets of the policy, given Nigeria’s cultural diversity and the growing demand for tangible, verifiable economic indices of the contributions of the culture sector to both internally generated revenue (IGR) and the gross domestic product (GDP) of the nation. It suggests the need to expand the traditional understanding of cultural resource as land, labour and capital to embrace diverse forms of ‘soft’ cultural capital as assets whose management is critical to individual, community and national economic empowerment. The paper concludes with suggestions on strategies and best practices to enhance Nigeria’s creative economy as integral evidence of continuing implementation of the cultural policy. Keywords: Cultural policy, Cultural resource management, Cultural diversity, Creative economy
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9

Griffiths, Ron, Keith Bassett, and Ian Smith. "Cultural policy and the cultural economy in Bristol." Local Economy: The Journal of the Local Economy Policy Unit 14, no. 3 (November 1999): 257–64. http://dx.doi.org/10.1080/02690949908726496.

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10

Murray, Simone. "Review: Cultural Economy: Cultural Analysis and Commercial Life." Media International Australia 116, no. 1 (August 2005): 119–20. http://dx.doi.org/10.1177/1329878x0511600113.

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11

Ren, Carina, Tom O´Dell, and Adriana Budeanu. "Sustainabilities in the Cultural Economy." Culture Unbound 6, no. 5 (October 1, 2014): 907–11. http://dx.doi.org/10.3384/cu.2000.1525.146907.

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12

Bille, Trine. "Cultural values in political economy." International Journal of Cultural Policy 28, no. 1 (December 22, 2021): 127–30. http://dx.doi.org/10.1080/10286632.2021.2017425.

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13

Banks, Mark. "Moral Economy and Cultural Work." Sociology 40, no. 3 (June 2006): 455–72. http://dx.doi.org/10.1177/0038038506063669.

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14

Gibson, Chris, and Lily Kong. "Cultural economy: a critical review." Progress in Human Geography 29, no. 5 (October 2005): 541–61. http://dx.doi.org/10.1191/0309132505ph567oa.

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15

Henriques, Eduardo Brito, and Joachim Thiel. "The Cultural Economy of Cities." European Urban and Regional Studies 7, no. 3 (July 2000): 253–68. http://dx.doi.org/10.1177/096977640000700305.

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16

Wu, Yonghong, and AXiao Wei. "Cultural Factors in International Economy." Comparative Literature: East & West 6, no. 1 (March 2005): 39–42. http://dx.doi.org/10.1080/25723618.2005.12015333.

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17

Scott, Allen J. "The Cultural Economy of Cities." International Journal of Urban and Regional Research 21, no. 2 (June 1997): 323–39. http://dx.doi.org/10.1111/1468-2427.00075.

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18

Robinson, Kathryn. "Economy as a cultural system." Asia Pacific Journal of Anthropology 1, no. 1 (January 2000): 3–13. http://dx.doi.org/10.1080/14442210010001705810.

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19

Maclean, Kate. "Fashion in Bolivia’s cultural economy." International Journal of Cultural Studies 22, no. 2 (January 25, 2019): 213–28. http://dx.doi.org/10.1177/1367877918821233.

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This article explores the development of Chola Paceña fashions in La Paz, Bolivia. It traces the social and political lineage of the distinctive pollera dress, and its role in traditions that continue to underpin Aymaran social networks and economies, while it is simultaneously becoming a symbol of their consumer power. Bolivian gross domestic product (GDP) has tripled since 2006, and this wealth has accumulated in the vast urban informal markets which are dominated by people of indigenous and mestizo descent. It is predictable that such a rise in consumption power should enable a burgeoning fashion industry. However, the femininities represented by the designs, the models and the designers place in sharp relief gendered and racialized constructions of value, and how the relationship between tradition, culture and economy has been configured in scholarly work on creative labour, which has been predominantly based on the experience of post-industrial cities in the global North.
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20

Gordon, Andrew, and William K. Tabb. "The Postwar Japanese System: Cultural Economy and Economic Transformation." Journal of Japanese Studies 22, no. 2 (1996): 458. http://dx.doi.org/10.2307/132991.

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21

Arase, David, and William K. Tabb. "The Postwar Japanese System: Cultural Economy and Economic Transformation." Political Science Quarterly 112, no. 3 (1997): 510. http://dx.doi.org/10.2307/2657579.

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22

Best, Jacqueline, and Matthew Paterson. "Towards a Cultural Political Economy – Not a Cultural IPE." Millennium: Journal of International Studies 43, no. 2 (November 25, 2014): 738–40. http://dx.doi.org/10.1177/0305829814557063.

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23

McDowell, Linda. "Book Review: Cultural economy: cultural analysis and commercial life." Progress in Human Geography 26, no. 5 (October 2002): 689–91. http://dx.doi.org/10.1177/030913250202600518.

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24

McDowell, Linda. "Book Review: Cultural economy: cultural analysis and commercial life." Progress in Human Geography 27, no. 3 (June 2003): 386–87. http://dx.doi.org/10.1177/030913250302700314.

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25

Woodward, Ian. "Book Review: Cultural Economy: Cultural Analysis and Commercial Life." Journal of Sociology 41, no. 3 (September 2005): 332–33. http://dx.doi.org/10.1177/144078330504100308.

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26

meethan, kevin. "Book Review: Cultural Economy: Cultural Analysis and Commercial Life." Tourist Studies 2, no. 2 (August 2002): 207–8. http://dx.doi.org/10.1177/146879760200200208.

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27

Nieborg, David B., and Thomas Poell. "The platformization of cultural production: Theorizing the contingent cultural commodity." New Media & Society 20, no. 11 (April 25, 2018): 4275–92. http://dx.doi.org/10.1177/1461444818769694.

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This article explores how the political economy of the cultural industries changes through platformization: the penetration of economic and infrastructural extensions of online platforms into the web, affecting the production, distribution, and circulation of cultural content. It pursues this investigation in critical dialogue with current research in business studies, political economy, and software studies. Focusing on the production of news and games, the analysis shows that in economic terms platformization entails the replacement of two-sided market structures with complex multisided platform configurations, dominated by big platform corporations. Cultural content producers have to continuously grapple with seemingly serendipitous changes in platform governance, ranging from content curation to pricing strategies. Simultaneously, these producers are enticed by new platform services and infrastructural changes. In the process, cultural commodities become fundamentally “contingent,” that is increasingly modular in design and continuously reworked and repackaged, informed by datafied user feedback.
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28

Jessop, Bob, and Stijn Oosterlynck. "Cultural political economy: On making the cultural turn without falling into soft economic sociology." Geoforum 39, no. 3 (May 2008): 1155–69. http://dx.doi.org/10.1016/j.geoforum.2006.12.008.

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29

Babe, Robert E. "Commentary: Cultural Studies and Political Economy." TOPIA: Canadian Journal of Cultural Studies 9 (May 2003): 3–13. http://dx.doi.org/10.3138/topia.9.3.

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30

Protasevich, Aleksandr R. "Cultural Mapping in the Digital Economy." Observatory of Culture 19, no. 4 (September 5, 2022): 350–59. http://dx.doi.org/10.25281/2072-3156-2022-19-4-350-359.

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The article discusses issues related to the development and prospects of applying the cultural mapping technology in the Russian Federation. This technology, based on the integration of creative industries and advanced information and communication developments, involves the comprehensive identification, inventory and updating of tangible and intangible cultural resources with their subsequent inclusion in strategic plans for territorial development. The relevance of the article is connected with the need to search for new resources to develop regions, and Russia as a whole, in the conditions of global crises and fluctuations in the conjuncture of traditional commodity markets, the importance of identifying promising areas for the country’s economy transformation during the transition to the post-industrial era. The turn to innovative development that accompanies the processes of socio-cultural modernization in Russia is due not only to the level of development of modern technologies in society. First of all, it is associated with the modernization of the cultural sphere, understood as a broad interdepartmental phenomenon and the basis for positive transformations in the constituent entities of the Russian Federation. The author notes that the further construction of a modern society in the context of the development trends of the world economic and cultural space is impossible in Russian regions without the formation of an infrastructure, the key elements of which are cultural, intellectual and information resources, as well as institutions and advanced sociocultural technologies that ensure their storage, transmission and provision to users.
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31

Sheller, Mimi. "Toward a Carribean cultural political economy." New West Indian Guide / Nieuwe West-Indische Gids 80, no. 1-2 (January 1, 2006): 91–95. http://dx.doi.org/10.1163/22134360-90002490.

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[First paragraph]The Caribbean Postcolonial: Social Equality, Post-Nationalism and Cultural Hybridity. Shalini Puri. New York: Palgrave Macmillan, 2004. ix + 300 pp. (Paper US$ 24.95)Miraculous Weapons: Revolutionary Ideology in Caribbean Culture. Joy A.I. Mahabir. New York: Peter Lang, 2003. ix + 167 pp. (Cloth US$ 58.95)The relation between cultural production and political struggle, and between the aesthetic and the material as expressions of social relations, are absolutely central themes within Caribbean studies in all of its disciplinary and interdisciplinary guises. A key question for the field as a whole is what role it might play in generating new approaches to “cultural political economy,” which is emerging as an effective bridging concept at the intersections of anthropology, sociology, economics, political theory, and literary and cultural studies.
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32

Saxer, Martin. "The Moral Economy of Cultural Identity." Civilisations, no. 61-1 (December 22, 2012): 65–82. http://dx.doi.org/10.4000/civilisations.3143.

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33

GIBSON, CHRIS. "Cultural Economy: Achievements, Divergences, Future Prospects." Geographical Research 50, no. 3 (December 14, 2011): 282–90. http://dx.doi.org/10.1111/j.1745-5871.2011.00738.x.

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34

Abankina, T. "Creative economy: Towards cultural heritage capitalization." Voprosy Ekonomiki, no. 4 (April 20, 2017): 100–116. http://dx.doi.org/10.32609/0042-8736-2017-4-100-116.

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The paper analyzes trends in the development of the creative economy in Russia and estimates the export potential of the Russian creative industries. The author demonstrates that modern concepts of cultural heritage preservation focus on increasing the efficiency of its use and that building creative potential and systematic support of the creative industries are becoming a key task of the strategic development of regions and municipalities in the post-industrial era.
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35

Sayer, Andrew. "For a Critical Cultural Political Economy." Antipode 33, no. 4 (September 2001): 687–708. http://dx.doi.org/10.1111/1467-8330.00206.

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36

Gregson, Nicky. "MATERIAL, LITERARY NARRATIVE AND CULTURAL ECONOMY." Journal of Cultural Economy 2, no. 3 (November 2009): 285–300. http://dx.doi.org/10.1080/17530350903345520.

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37

Su, Xiaobo. "Urban Entrepreneurialism, Cultural Economy, and Tourism." Dialogues in Human Geography 7, no. 2 (July 2017): 225–27. http://dx.doi.org/10.1177/2043820617697293.

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38

Sayer, Andrew. "Cultural Studies and ‘the Economy, Stupid’." Environment and Planning D: Society and Space 12, no. 6 (December 1994): 635–37. http://dx.doi.org/10.1068/d120635.

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39

Entwistle, Joanne. "The Cultural Economy of Fashion Buying." Current Sociology 54, no. 5 (September 2006): 704–24. http://dx.doi.org/10.1177/0011392106066812.

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40

Lofgren, Orvar. "The new economy: a cultural history." Global Networks 3, no. 3 (July 2003): 239–54. http://dx.doi.org/10.1111/1471-0374.00060.

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41

Pratt, Andy C. "Resilience, locality and the cultural economy." City, Culture and Society 6, no. 3 (September 2015): 61–67. http://dx.doi.org/10.1016/j.ccs.2014.11.001.

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42

Currarino, Rosanne. "Toward a History of Cultural Economy." Journal of the Civil War Era 2, no. 4 (2012): 564–85. http://dx.doi.org/10.1353/cwe.2012.0095.

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43

Castree, Noel. "Book Review: The cultural economy reader." cultural geographies 12, no. 1 (January 2005): 113–15. http://dx.doi.org/10.1191/1474474005eu323xx.

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44

Brandellero, Amanda. "Creativity, innovation and the cultural economy." Cultural Trends 20, no. 2 (June 2011): 209–11. http://dx.doi.org/10.1080/09548963.2011.563918.

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45

Lipietz, Alain. "Cultural geography, political economy and ecology." European Planning Studies 7, no. 1 (February 1999): 41–50. http://dx.doi.org/10.1080/09654319908720499.

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46

Sheller, Mimi. "Toward a Carribean cultural political economy." New West Indian Guide / Nieuwe West-Indische Gids 80, no. 1-2 (January 1, 2008): 91–95. http://dx.doi.org/10.1163/13822373-90002490.

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[First paragraph]The Caribbean Postcolonial: Social Equality, Post-Nationalism and Cultural Hybridity. Shalini Puri. New York: Palgrave Macmillan, 2004. ix + 300 pp. (Paper US$ 24.95)Miraculous Weapons: Revolutionary Ideology in Caribbean Culture. Joy A.I. Mahabir. New York: Peter Lang, 2003. ix + 167 pp. (Cloth US$ 58.95)The relation between cultural production and political struggle, and between the aesthetic and the material as expressions of social relations, are absolutely central themes within Caribbean studies in all of its disciplinary and interdisciplinary guises. A key question for the field as a whole is what role it might play in generating new approaches to “cultural political economy,” which is emerging as an effective bridging concept at the intersections of anthropology, sociology, economics, political theory, and literary and cultural studies.
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47

Lorenzen, M., A. J. Scott, and J. Vang. "Editorial: Geography and the Cultural Economy." Journal of Economic Geography 8, no. 5 (July 21, 2008): 589–92. http://dx.doi.org/10.1093/jeg/lbn026.

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48

Jayne, Mark, Chris Gibson, Gordon Waitt, and David Bell. "The Cultural Economy of Small Cities." Geography Compass 4, no. 9 (September 2010): 1408–17. http://dx.doi.org/10.1111/j.1749-8198.2010.00380.x.

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49

Narine, Shaun, Bernd Hamm, and Russell Smandych. "Cultural Imperialism: Essays on the Political Economy of Cultural Domination." International Journal 62, no. 1 (2006): 206. http://dx.doi.org/10.2307/40204260.

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50

Keser, Hilal Yıldırır. "Culture Economy for Economic Development: Assesments on Cultural Heritage in Turkey." European Scientific Journal, ESJ 12, no. 28 (October 31, 2016): 38. http://dx.doi.org/10.19044/esj.2016.v12n28p38.

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Cultural economics can be grouped under four main headings: cultural heritage, arts, media (film, radio, television, music, journalism, and publishing) and creative services (design, advertising, new media, architecture, and software). These cultural goods and services that constitute the cultural economy interact with other industries. This interaction has an impact on the development process by creating added value for the economy through the multiplier effect. The cultural industries that are also referred to as creative industries tend to have a significant economic impact, mainly in terms of providing employment and increasing exports. In contrast, tourism, textiles, jewellery, toys, and many other suppliers ensure the development of these industries by creating indirect economic impacts. In this context, firstly cultural economics and its scope will be discussed, and its relationship with economic development will be explained. Next, referring to examples of tangible and intangible cultural heritage, the impact of cultural economics on the economic development of Turkey will be explored, specifically with regards to the Cappadocia region.
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