Relevant bibliographies by topics / Cultural economy

Academic literature on the topic 'Cultural economy'

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Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Cultural economy"

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Kneafsey, Moya. "Rural cultural economy." Annals of Tourism Research 28, no. 3 (January 2001): 762–83. http://dx.doi.org/10.1016/s0160-7383(00)00077-3.

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Bengsch, Géraldine, and Miren Manias. "Global Cultural Economy." Cultural Trends 28, no. 4 (July 24, 2019): 336–40. http://dx.doi.org/10.1080/09548963.2019.1644800.

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Pratt, Andy C. "The Cultural Economy." International Journal of Cultural Studies 7, no. 1 (March 2004): 117–28. http://dx.doi.org/10.1177/1367877904040609.

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Heuman, Josh. "Beyond Political Economy versus Cultural Studies? The New “Cultural Economy”." Journal of Communication Inquiry 27, no. 1 (January 2003): 104–8. http://dx.doi.org/10.1177/0196859902238643.

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Amin, Ash, and Nigel Thrift. "Cultural-economy and cities." Progress in Human Geography 31, no. 2 (April 2007): 143–61. http://dx.doi.org/10.1177/0309132507075361.

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McFall, Liz. "What's changing cultural economy?" Journal of Cultural Economy 8, no. 1 (January 2, 2015): 1–15. http://dx.doi.org/10.1080/17530350.2014.988670.

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Babe, Robert E. "Political Economy and Cultural Studies Column: Political Economy, Cultural Studies and Postmodernism." TOPIA: Canadian Journal of Cultural Studies 15 (May 2006): 91–101. http://dx.doi.org/10.3138/topia.15.91.

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Ben-Iheanacho, Elizabeth O. "Nigeria’s cultural policy implementation: sustaining cultural diversity through cultural resource management." EJOTMAS: Ekpoma Journal of Theatre and Media Arts 7, no. 1-2 (April 15, 2020): 205–15. http://dx.doi.org/10.4314/ejotmas.v7i1-2.13.

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Nigeria is one of the few African countries with a written cultural policy as well as government established and funded institutions charged with the implementations of this policy. This article interrogates the implementation of the tenets of the policy, given Nigeria’s cultural diversity and the growing demand for tangible, verifiable economic indices of the contributions of the culture sector to both internally generated revenue (IGR) and the gross domestic product (GDP) of the nation. It suggests the need to expand the traditional understanding of cultural resource as land, labour and capital to embrace diverse forms of ‘soft’ cultural capital as assets whose management is critical to individual, community and national economic empowerment. The paper concludes with suggestions on strategies and best practices to enhance Nigeria’s creative economy as integral evidence of continuing implementation of the cultural policy. Keywords: Cultural policy, Cultural resource management, Cultural diversity, Creative economy
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Griffiths, Ron, Keith Bassett, and Ian Smith. "Cultural policy and the cultural economy in Bristol." Local Economy: The Journal of the Local Economy Policy Unit 14, no. 3 (November 1999): 257–64. http://dx.doi.org/10.1080/02690949908726496.

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Murray, Simone. "Review: Cultural Economy: Cultural Analysis and Commercial Life." Media International Australia 116, no. 1 (August 2005): 119–20. http://dx.doi.org/10.1177/1329878x0511600113.

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Dissertations / Theses on the topic "Cultural economy"

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Tuite, Alexandra E. "The cultural economy of independent fashion." Thesis, Queensland University of Technology, 2019. https://eprints.qut.edu.au/129093/1/Alexandra_Tuite_Thesis.pdf.

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This research explores independent cultural production in the fashion industry, with a focus on small-scale entrepreneurship. "Independent fashion" is a widely-used term that has been under-examined. Studies of small-scale fashion businesses tend to focus on practioners' processes and practices, taking for granted the notion of their "independence" and looking past it in order to consider other aspects. This project seeks to address this gap in our knowledge of small-scale fashion practice by analysing the way in which independent fashion as a concept is understood, demonstrated and judged by those who identify as participants in the independent fashion sector.
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Saha, Anamik. "The postcolonial cultural economy the politics of British Asian cultural production." Thesis, Goldsmiths College (University of London), 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514380.

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Davies, William. "'Competition and competitiveness : A cultural political economy'." Thesis, University of London, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514202.

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Black, David Edward. "Towards a cultural political economy of exception." Thesis, University of Bristol, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.541601.

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Seror, Avner. "Essays on Political Economy and Cultural Evolution." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH028/document.

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Cette dissertation est composée de trois articles traitant de sujets divers. Le premier développe une théorie sur la transmission de normes culturelles. Le second article traite de l'évolution des doctrines religieuses dans une économie productive. Enfin, le dernier article de cette dissertation est un travail joint avec Thierry Verdier. L'article propose une nouvelle approche des élections impliquant un nombre arbitraire de candidats. Cette problématique de recherche est importante non seulement quant à sa complexité théorique, mais aussi parce qu'elle permet d'étudier relativement simplement la structure des marchés politiques.Le premier article présente une théorie sur le développement de l'enfant et les pratiques parentales. Dans le modèle, un parent cherche à transmettre des normes comportementales à son enfant en lui envoyant des signaux, que l'enfant observe de manière imparfaite. L'enfant peut cependant augmenter la qualité des signaux qu'il reçoit en investissant dans l'acquisition de compétences cognitives.Nous établissons que les styles parentaux autoritaires ou permissifs décroissent l'accumulation de compétences cognitives. De plus, puisque les interactions entre parents et enfants visent à transmettre des normes comportementales, l'enfant développe un capital d'appréciation pour le développement de compétences cognitives.Notre perspective culturelle sur la question du développement cognitif fournit une grille d'interprétation utile pour divers résultats établis dans la littérature empirique sur le développement de l'enfant.Le second article propose une théorie de la prohibition religieuse contre l'usure et l'innovation et ses conséquences sur les activités et les occupations économiques.Comme une interdiction économique provenant de la religion majoritaire est soutenue par un risque d'exclusion sociale de ce groupe culturel, elle a moins d'effets sur les minorités religieuses. Cela implique que seules les minorités religieuses choisissent des activités qui vont à l'encontre de la prohibition à l'équilibre.Dans le dernier article, nous présentons une théorie micro-fondée de la concurrence politique à plusieurs candidats prenant une perspective ``d'organisation industrielle" de la politique. Nous présentons d'abord un modèle de vote aléatoire qui utilise des distributions introduites par le mathématicien français Maurice Fréchet et qui portent son nom. Ces distributions permettent d'exprimer les parts de vote des différents candidats comme des ``contest functions'', ce qui permet d'établir un théorème d'existence et d'unicité d'un équilibre des stratégies politiques dans des élections impliquant un nombre arbitraire de candidats.Le cadre analytique s'avère suffisamment souple pour traiter plusieurs applications sur des thèmes liés à la structure endogène des marchés politiques. Nous montrons en particulier que le degré d'information des électeurs sur les plateformes ainsi que les campagnes médiatiques impliquent un degré de fragmentation politique plus faible
The first chapter of this dissertation presents a theory of child development and parental rearingpractices. In the model, a benevolent parent seeks to transmit cultural norms to her child, whoacquires cognitive skills and develops a capital of appreciation for adopting behaviors that accordwith these norms. Our cultural perspective on the issue of cognitive development provides aninterpretation grid for various results established in the empirical literature. It also permits to identifythe parental characteristics that are conducive to various parenting styles, to child neglect and tochild maltreatment.The second chapter provides a theory of religious prohibition against usury and innovation and itsconsequences on economic activities and occupations. As an economic prohibition from themajority religion is sustained by a threat of social exclusion from that cultural group, it has lesseffects on religious minorities. It then creates an occupational pattern where only the religiousminorities choose activities that transgress the prohibition. By creating resentment against thereligious minorities, this occupational pattern strengthens the diffusion of the majority religion in thepopulation. An economic prohibition is then instigated by the clerics in the majority religion,because it allows them to consolidate their norms and to increase the scope of their control overpopular masses. This work also demonstrates that an economic prohibition lasts longer whenreligious clerics can legitimize secular rulers and when the competition on the religious market isweaker.In the last chapter, we present a microfounded theory of multi-candidate political competition takingan "industrial organization" perspective of politics. The analytical framework is shown to be exibleenough to address several applications on the topics of special interest politics, coalition formationin the legislature in proportional elections, and redistribution under alternative electoral rules
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deWaard, Andrew. "The Museum : textworks, cultural economy, and polytextual dispersion." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/7231.

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The Museum is a theoretical model that aims to render a media-saturated world in which our media have become saturated with media. Corporate conglomeration of the cultural industries has transformed the production and circulation of art; the Museum captures the inter-related complexities of this development in which the notion of a singular text breaks down in the wake of synergistic proliferation. Conceiving of this ‘new society’ requires new conceptions: a model (the Museum), a language (polytextuality), a discipline (cultural economy), and a product (the textwork). Section I establishes the ‘Geography of the Museum’, starting with its chief architect, André Malraux, who designs the neo-aesthetic foundation of the ‘Imaginary Museum’ (Chapter Three). The post-structural blueprints are then drawn up by Mikhail Bakhtin and Julia Kristeva, giving the Museum its polytextual essence (Chapter Four). The Museum is then physically erected by the conglomerated cultural industries, transforming the Imaginary Museum into a material consumer experience (Chapter Five). Section II turns to the ‘Display of the Museum’, cataloguing the different ways in which art manifests itself within the Museum. By way of Roland Barthes, the textwork is theorized, a dialogical designation for the type of networked cultural output that now dominates popular culture (Chapter Seven). Case studies of particularly illuminating textworks are then presented, illustrating the polytextual content of the Museum in a multitude of intersecting forms and mediums. A decisively polytextual museum exhibition, “KRAZY! The Delirious World of Anime + Comics + Video Games + Art”, as well as two films – Children of Men and V for Vendetta – are seen as literal embodiments of the Museum (Chapter Eight). The next textwork is concerned with intermedial structure, and focuses on the Wu-Tang Clan’s interpolation of certain cinematic genres, as well as other mediums (Chapter Nine). The final textwork is General Electric, the world’s largest conglomerate. Transformers and 30 Rock, two very different GE products, both explicitly exhibit corporate synergy through polytextuality (Chapter Ten). Over-arching cultural shifts are demonstrated by the Museum: access over ownership, circulation over distribution, dialogue over delivery, digital social text over authorship, and multiple over singular.
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Kennedy, Adam James. "Branded art : advertising promotion and the cultural economy." Thesis, Kingston University, 2009. http://eprints.kingston.ac.uk/20258/.

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Faulkner, S. "A cultural economy of British art : 1958-1966." Thesis, Manchester Metropolitan University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284879.

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Loomis, Jessa M. "Moveable Feasts: Locating Food Trucks in the Cultural Economy." UKnowledge, 2013. http://uknowledge.uky.edu/geography_etds/12.

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In this thesis, I consider the emergence of a new generation of food trucks and question their popularity, narration and representation. I examine the economic and cultural discourses that have valorized these food trucks, and pay attention to the everyday material and embodied practices that constitute them. This research is situated in Chicago, where proposed changes to the existing mobile food vending ordinance spurred contentious debates about food safety, regulations, rights to the city and livelihoods. I follow the myriad actors involved in the food truck movement to understand the strategies employed to change the mobile food vending ordinance on behalf of these food trucks. As part of this, I raise questions about what interests are prioritized, and what interests are marginalized especially in light of Chicago’s long history of policing Latino street vendors. I conclude by considering what food trucks can elucidate about the city, the changing economy, and the molding of laboring and consuming subjects.
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Nobuoka, Jakob. "Geographies of the Japanese Cultural Economy : Innovation and Creative Consumption." Doctoral thesis, Uppsala universitet, Kulturgeografiska institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-128823.

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What is the role of the consumer in the contemporary cultural economy? Where are culturaleconomy innovations and competitiveness created? This thesis aims to provide tentativeanswers to these questions by focusing on some illustrative examples from the Japanesecultural economy. However, rather than primarily describing firm strategies or industrialdynamics, emphasis is put on the places and practices of users. The thesis is based on a seriesof qualitative studies carried out between 2007 and 2009. In these studies various forms ofinteraction between consumption, innovation and space are highlighted. In the first article,media mix is analyzed. Media mix is the space in which media, images and narrativesinteract: a space where the user contributes to the introduction of new innovation into alreadyexisting concepts, and thereby, plays a crucial role in creating the mix. In the second article,the Akihabara district in Tokyo is analyzed. This is a place where consumers enable hightechnologyand popular culture to merge and where new trends and consumer cultures arecreated. In the third article, the mega event Comiket is analyzed. Comiket is a market foramateur artists involved in Japanese popular culture. It is a space where plagiarism andprovocation by mainstream Japanese popular culture are driving factors for creativity. Thethesis concludes by suggesting that the role of the consumer needs to be further emphasized inresearch on the cultural economy, as many users are active innovators, and create trends andpractices that shape global consumer cultures.
Japansk populärkultur har under de senaste årtiondena blivit väldigt uppskattadöver hela jorden. Manga (japanska serietidningar), anime (Japansk animeradfilm) och framförallt dataspel fascinerar, särskilt bland de yngre generationerna.Men var kommer då dessa kulturella uttryck ifrån och vem skapardem? Denna avhandling utforskar den kulturella ekonomins geografigenom att utifrån ett rumsligt perspektiv studera människor och platser somskapar, tolkar och utvecklar nya trender och produkter. I studien har fokusflyttats från etablerade produktutvecklare, företag och industriella drivkrafteroch tar med hjälp av tre separata artiklar sikte på att beskriva och tolkakopplingar mellan det rumsliga å ena sidan samt lärande och skapande åandra sidan. Avhandlingen har en tolkande ansats och baseras på kvalitativametoder som inspirerats av fenomenologin. Det empiriska materialet byggertill stor del på fältstudier som bedrivits i Japan under åren 2007-2009.Den första artikeln inleds med ett konstaterande av hur produktutvecklingsker inom den japanska leksaks- och spelindustrin. Idag är en vanlig metodför utvecklingen av berättelser att de sprids mellan olika former av medier.En mix av olika medier ger starka varumärken och trogna kunder. Samtidigtvisar studien att användaren är av central betydelse för skapandet av en helhetsupplevelse.Det är inte nödvändigtvis lisensägaren, en författare eller ettspecifikt företag som skapar produkternas konkurrenskraft. Istället är detmedia mixens sammantagna upplevelse som spelar en avgörande betydelseför användarna. Media mix möjliggör även att nya medier och berättelserkan introduceras av såväl företag som andra konsumenter.I den andra artikeln analyseras stadsdelen Akihabara i Tokyo som sedanlänge är känt som ett centrum för konsumtion av prylteknologi och hemelektronikmen som alltmer kommit att präglas av konsumtion av populärkulturi form av dataspel och anime-relaterade produkter. Akihabara är ettexempel på ett rum där kunskap och trender förmedlas och sprids; men ocksåskapas, utvecklas och förfinas. Platsen och dess användare spelar en avgöranderoll i dessa processer och konsumtion och konsumenternas handlingarär en grogrund för kulturella innovationer med konkurrenskraftiga kulturella uttryck. Artikeln ger därmed ett bidrag till diskussionen om innovativa miljöermed ett exempel som ligger långt bort från företagsparker och industriellakluster.Till sist, i en tredje artikel, analyseras Comik Market. Det är en mässa i Tokyoför manga där konstnärer i nära 40 år kunnat utväxla idéer, berättelseroch tekniker. Evenemanget har växt till en enorm happening där välkändastjärnor kan sälja sina varor bredvid helt okända nykomlingar. En viktigdrivkraft för skapandet är plagiat av redan etablerade och populära serier ochgenrer. Ofta är berättelserna provokativa och utmanande. Parallellt med seriernapågår dessutom utvecklandet av en besläktad populärkultur kallad cosplay.Vem som helst kan klä ut sig till sin favoritfigur och visa upp sig fördeltagarna. Skapandet och leken på mässan ger efterverkningar inom denjapanska kulturella ekonomin men avknoppas även utanför Japan. Idag finnsmånga liknande mässor runt om i världen där nya konsumenter och kreatörermöts och skapas. Artikeln är ett exempel på den event-baserade ekonominsom kräver spektakulära händelser för sin överlevnad. Samtidigt är det kreatörernasjälva som skapar och driver mässan trots etablerade mediakonglomeratoch myndigheter.På detta sätt ger avhandlingen uttryck för ett angreppssätt inom samhällsvetenskapendär kulturella och ekonomiska processer samspelar. Rumslighetenses som en avgörande komponent för skapandet av kulturella innovationer.Där masskulturen utvecklas, utvecklas också masskonsumtionen. De rumsom artiklarna belyser har därigenom en indirekt betydelse för den kulturellaindustrins konkurrenskraft. Dessutom, vid sidan av storföretagens mångmiljoninvesteringar och reklamjippon, framträder idag konsumenterna sombetydelsefulla innovatörer inom de kulturella näringarna. En av anledningarbakom detta är att värdet av kulturella produkter styrs av tillfälliga faktorersåsom trender och hajpar. Kunskap odlas och nytänkande frodas i utprägladekonsumtionskulturer och bland fans och kreativa konsumenter finns oftakärnan till många framgångsrika produkter. På detta sätt bidrar avhandlingentill förståelsen av samtidens kulturella ekonomi samt dess koppling till rummetoch konsumenten. Avhandlingen argumenterar därmed att forskningenpå kulturella näringar i högre grad bör uppmärksamma konsumenterna somaktiva kreatörer och värdeskapare.
日本の文化経済に関する地理学的考察：イノベーションと創造的消費に着目して今日、日本のポップカルチャーはますます世界中で親しまれるようになった。マンガやアニメ、特にデジタル・ゲームは若者を中心に人気を集めている。日本文化の世界的展開を前にして、西欧諸国の人々が以下のような関心を抱くことも自然であろう。これらの文化的表現は一体どこで生まれ、また、誰によって制作されているのか。本研究の目的は文化経済の地理的現象について、新たなトレンドや製品を生み出し、解釈し、そして発展させる人々およびその空間について探求することである。もっとも、ここでは、定評のある作家・クリエーターや製品開発者、企業、さらには産業動態といった、一般的に文化経済研究において注目される観点に重きを置いていない。本研究を構成する三つの論考において、特定の空間と商取引や学習、創造性、革新性との関係を描き、検証することを課題としている。その方法として、解釈的アプローチ並びに現象学より着想を得た定性的分析を採用した。分析データについては、主に2007年から2009年の間に日本において行ったフィールドワークより収集したものを用いている。第一論文では、日本の玩具およびゲーム産業における製品開発を題材としている。物語や映像を展開する手段として、それらを様々なメディア形態へと配信していくことが一般的である。メディア媒体の混合を通じて、ブランドを創出し、根強い顧客を確保していく。西欧諸国において人気の高い二つの日本のキャラクターを検証して明らかとなったことは、メディア・ミックスの全体性を作り出す際の製品ユーザーの重要性である。その役割は必ずしも製品競争力に直結するようなライセンス取得者や作家・クリエーター、もしくは特定の企業であるとは限らない。むしろ、連結された体験こそがユーザーにとって重要である。新たな映像や物語が取り込まれるにつれてメディア・ミックスは発展する。その強さを促進する原動力はしばしばユーザーの手中にある。第二論文では東京都秋葉原を分析地域とした。この地域は家電製品やハイテク機器の商店が立ち並ぶ日本有数の電気屋街として知られている。近年では、デジタル・ゲームやマンガに関連した商品など、大衆文化の一大消費拠点でもある。秋葉原が知識やアイディアを交換する空間へと変化した結果、流行ならびに新たな文化的現象が創出され、評価され、そして発展していく場となっている。この過程において、秋葉原という特定の空間とその人々こそが重要であり、消費および消費者の諸活動が文化的イノベーションと競争力のある文化的表現を育てる。従って、本論考は、一般的なビジネスパークや産業クラスターの諸研究とは異なる観点からの、イノベーションおよびクリエイティブ・ミリュー論への貢献と位置づけられよう。第三論文ではコミックマーケットを分析対象としている。コミックマーケットは、参加者達のアイディアや物語、専門的技法といった情報交換の場として40年もの間に進化を遂げてきた。著名な作家・クリエーターにとって、本イベントは新たな読者・愛好家へと作品を広めるような開放的な空間をもつ大規模な催しへと発展した。そこで展示もしくは頒布される同人誌は挑発的であり挑戦的でもある。また、「コスプレ」を代表として、その他の多くの文化的現象も見られる。本イベントにおける創造的活動や遊びは、しばしば日本の文化経済に影響を与えるような新たなトレンドの契機となる。世界中にも消費者とクリエーターが出会い、触れ合うような同様のイベントは少なくない。本稿の事例は、大々的な催しを必要とするような、イベントを基礎とした経済活動の一例である。他方で、関連省庁やメディア・コングロマリットとは異なるような、ボトムアップ型で成功的に発展してきた文化経済の制度的催しの一例ともいえよう。以上のように、本研究では文化と経済過程の関係が相互的かつ互恵的となるような社会科学のアプローチを提示している。特定の場とユーザーは、大衆消費が確立され、大衆文化が発展するような空間において、文化的イノベーションを生み出す上で最も重要な役割を果たしている。従って、これらの空間は文化産業の競争力を間接的に左右している。今日、有力企業による大規模投資や高額な展示方法などに続き、消費者は文化経済の鍵となるイノベーターとして認識されよう。その理由の一つとして、文化的商品の価値が流行や誇張された宣伝のような偶然的要因によって決定される点と無関係ではない。これらはファンと創造的な消費者が有する独特の消費文化の中で開花することが多い。本稿が探求してきた点は、この消費と空間、延いては現代文化経済の理解についてである。文化産業に関する今後の研究は、制作プロセスに関与する積極的な主体として、ますます消費者に着目する必要があろう。
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Books on the topic "Cultural economy"

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Anheier, Helmut K. The cultural economy. Los Angeles: SAGE, 2008.

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1970-, Best Jacqueline, and Paterson Matthew 1967-, eds. Cultural political economy. Milton Park, Abingdon, Oxon: Routledge, 2009.

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De Beukelaer, Christiaan, and Kim-Marie Spence. Global Cultural Economy. Abingdon, Oxon; New York, NY: Routledge, 2019. | Series: Key ideas in media and cultural studies: Routledge, 2018. http://dx.doi.org/10.4324/9781315617800.

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Paul, Du Gay, and Pryke Michael 1955-, eds. Cultural economy: Cultural analysis and commercial life. London: SAGE, 2002.

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Cultural economy compendium: Istanbul 2010. İstanbul: İstanbul Bilgi University Press, 2011.

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Amin, Ash, and Nigel Thrift, eds. The Blackwell Cultural Economy Reader. Oxford, UK: Blackwell Publishing Ltd, 2004. http://dx.doi.org/10.1002/9780470774274.

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Ash, Amin, and Thrift N. J, eds. The Blackwell cultural economy reader. Malden, MA: Blackwell, 2003.

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The postwar Japanese system: Cultural economy and economic transformation. New York: Oxford University Press, 1995.

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Cultural political economy of small cities. New York: Routledge, 2011.

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C, Pratt Andy, and Jeffcutt Paul, eds. Creativity, innovation and the cultural economy. New York: Routledge, 2009.

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Book chapters on the topic "Cultural economy"

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De Beukelaer, Christiaan, and Kim-Marie Spence. "Cultural economy." In Global Cultural Economy, 21–45. Abingdon, Oxon; New York, NY: Routledge, 2019. | Series: Key ideas in media and cultural studies: Routledge, 2018. http://dx.doi.org/10.4324/9781315617800-2.

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Leghissa, Giovanni. "“Cultural Economy” and “Cultural Economics”." In Cultures of Currencies, 150–64. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003265733-10.

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Schou, Jannick, and Morten Hjelholt. "Cultural Political Economy." In Digitalization and Public Sector Transformations, 21–37. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76291-3_2.

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Frey, Bruno S. "Creative Cultural Economy." In Economics of Art and Culture, 49–51. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15748-7_6.

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Shi, Juewei. "Buddhist Economics: A Cultural Alternative." In Creative Economy, 417–36. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-6478-4_23.

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D’Altroy, Terence N. "The Cultural Setting." In Empire and Domestic Economy, 27–53. Boston, MA: Springer US, 2002. http://dx.doi.org/10.1007/0-306-47192-2_2.

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Comunian, Roberta, Lauren England, and Brian J. Hracs. "Cultural intermediaries revisited." In Culture, Creativity and Economy, 109–23. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003197065-9.

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Hall, Sarah. "Cultural Economy of Finance." In The Routledge Handbook of Financial Geography, 84–102. 1 Edition. | New York : Routledge, 2020. | Series: Routledge companions in business, management & marketing: Routledge, 2020. http://dx.doi.org/10.4324/9781351119061-5.

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De Beukelaer, Christiaan, and Kim-Marie Spence. "Introduction." In Global Cultural Economy, 1–20. Abingdon, Oxon; New York, NY: Routledge, 2019. | Series: Key ideas in media and cultural studies: Routledge, 2018. http://dx.doi.org/10.4324/9781315617800-1.

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De Beukelaer, Christiaan, and Kim-Marie Spence. "Inclusion." In Global Cultural Economy, 46–67. Abingdon, Oxon; New York, NY: Routledge, 2019. | Series: Key ideas in media and cultural studies: Routledge, 2018. http://dx.doi.org/10.4324/9781315617800-3.

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Conference papers on the topic "Cultural economy"

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Vasiliev, I. G. "Assessment of the achievement of the goals and priorities of cultural development of the National project "Culture"." In REGIONAL ECONOMY AND TERRITORIAL DEVELOPMENT. INSTITUTE OF PROBLEMS OF REGIONAL ECONOMICS OF THE RUSSIAN ACADEMY OF SCIENCES, 2022. http://dx.doi.org/10.52897/978-5-7310-5861-2-2022-16-1-10-21.

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The article presents an analysis of the achievement of the goals and implementation of priorities for the development of culture of the Russian Federation, provided by the National Project "Culture" as part of the Federal projects "Cultural Environment", "Creative people", "Digitalization of culture", containing an as-sessment of indicators (indicators) of cultural development.
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Vasiliev, I. G. "PUBLIC-PRIVATE PARTNERSHIP IN THE SYSTEM OF FACTORS OF FORMATION OF THE CULTURAL ENVIRONMENT OF THE NATIONAL PROJECT "CULTURE"." In Regional economy and territorial development. INSTITUTE OF PROBLEMS OF REGIONAL ECONOMICS OF THE RUSSIAN ACADEMY OF SCIENCES, 2021. http://dx.doi.org/10.52897/978-5-8088-1636-7-2021-15-1-4-18.

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The results of the study of the possibilities of public-private partnership for the formation of a new cultural environment, modern trends and mechanisms for achieving national goals of cultural development, increasing the social effectiveness of investments in culture are presented.
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Bo, Xiao. "Study on Cultural Heritage Protection of Minority Sports Culture." In 2016 International Conference on Economy, Management and Education Technology. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemet-16.2016.365.

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Usta, Emine Ebru. "The Effect of Culture on Economic Development and Turkey-Russia Economic Relations." In International Conference on Eurasian Economies. Eurasian Economists Association, 2013. http://dx.doi.org/10.36880/c04.00647.

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Globalization is worldwide integration of economical ,cultural,political,religious and social system.The incremental competitive conditions of nowadays make the firms not only analysis the other countries economic or political system but also cultural,religious and social systems. In this respect for globalization world , it is sure that culture and economy get the crucial role at the inter state relations.At the base of turkey and Russia also lays this dialog.For this reason in this study it is aimed that with current parameters tried to explain after diagnosis in general means the effects of culture on economical developments especially after 2001 economic recession- lives important regulation period in which known power transition world economy -Turkey,takes place in the developing countries, with Russia Federation ,important member of ascending market economy.
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Pilyak, Sergei. "DIGITAL TRANSFORMATION OF HERITAGE AND PRESENTATION OF CULTURAL IDENTITY." In MODERN CITY: POWER, GOVERNMENT, ECONOMY. Digital Transformation State and Municipal Administration. Perm National Research Polytechnic University, 2021. http://dx.doi.org/10.15593/65.049-66/2021.27.

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The processes of digitalization of culture, taking place against the back-ground of accelerating globalization, have revealed the special value of cultural and religious identity. Currently, digitalization of heritage is one of the most promising tools for its preservation.
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Shahgiraev, Ismail Uvajsovich. "Economic Security Of Enterprises Amidst Digital Transformation Of Economy." In The International Conference «Social and Cultural Transformations in the Context of Modern Globalism». European Publisher, 2022. http://dx.doi.org/10.15405/epsbs.2022.11.75.

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Gasanov, T. A. "Digital Economy And Breakthrough Technologies As Fundamentals Of Innovative Regional Economy." In SCTCGM 2018 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.03.02.234.

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Li, Yuting, and Jianyao Wang. "Cultural Synergy and Design Innovation." In 2nd International Conference on Management, Economy and Law (ICMEL 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/aebmr.k.210909.004.

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Saiko, D. S., I. E. Medvedkova, E. N. Kovaleva, A. V. Lemeshkin, S. N. Chernyaeva, and I. A. Matytsina. "Educational and Cultural Aspects of Digitalization of Economy." In Russian Conference on Digital Economy and Knowledge Management (RuDEcK 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/aebmr.k.200730.061.

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Lovin, Daniel, Alexandru Capatina, and Denis Brnadeau-Moreau. "Causal Recipes for Cultural Adaptation of Romanian Football Players." In International Conference Risk in Contemporary Economy. Dunarea de Jos University of Galati, Romania Faculty of Economics and Business Administration, 2019. http://dx.doi.org/10.35219/rce2067053254.

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Reports on the topic "Cultural economy"

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Hearn, Greg, Marion McCutcheon, Mark Ryan, and Stuart Cunningham. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Geraldton. Queensland University of Technology, August 2020. http://dx.doi.org/10.5204/rep.eprints.203692.

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Grassroots arts connected to economy through start-up culture Geraldton is a regional centre in Western Australia, with 39,000 people and a stable, diverse economy that includes a working port, mining services, agriculture, and the rock-lobster fishing industry (see Appendix). Tourism, though small, is growing rapidly. The arts and culture ecosystem of Geraldton is notable for three characteristics: - a strong publicly-funded arts and cultural strategy, with clear rationales that integrate social, cultural, and economic objectives - a longstanding, extensive ecosystem of pro-am and volunteer arts and cultural workers - strong local understanding of arts entrepreneurship, innovative business models for artists, and integrated connection with other small businesses and incubators
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Ryan, Mark David, Greg Hearn, Marion McCutcheon, Stuart Cunningham, and Katherine Kirkwood. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Busselton. Queensland University of Technology, January 2021. http://dx.doi.org/10.5204/rep.eprints.207597.

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Located a two-and-a-half hour drive south of Perth, Busselton is one of the largest and fastest growing regional centres in WA, a lifestyle services hub and the gateway to the internationally renowned wine region and popular tourist destination of Margaret River. Promoted by the City of Busselton council as the ‘Events Capital of WA’, Busselton has a strong festival and events economy that fuels local creative and arts production, supported by demographic shifts and population growth that is resulting in more creatives living and working in the city.
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Ozturk, Ibrahim. On the Political Economy of Populism: The Decline of the Turkish Economy under Erdoğan’s Populist-Authoritarian Regime. European Center for Populism Studies (ECPS), February 2022. http://dx.doi.org/10.55271/pp0008.

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Whether it adopts a right- or left-wing ideology or it is embraced as a belief or a set of ideals, and no matter the strategy or tactics, populism, in the final analysis, is a way of seizing power, and differences between the different strands carry significant repercussions. Many diverse economic, political, and cultural factors have been put forward to explain the rise of populism. One leader who has drawn increasing attention on the crest of the most recent wave of populism is Turkey’s incumbent president, Recep Tayyip Erdoğan. After a period of progressive and democratic leadership through to 2007, Erdoğan’s fundamental beliefs and personality surfaced, and the entire process was reversed, with devastating consequences for Turkey. This article argues that Erdoğan’s Islamist–nationalist populism has been one of the primary triggers of Turkey’s current political and economic meltdown. Moreover, his populist rhetoric has weakened Turkey’s already fragile autonomous institutions and paved the way for reform reversals and incoherent economic policy. Taken together, Erdoğanism has brought a woeful deterioration in macroeconomic indicators, including rampant inflation, mounting national debt, massive unemployment, rising poverty, and a profound currency shock.
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Cunningham, Stuart, Marion McCutcheon, Greg Hearn, Mark Ryan, and Christy Collis. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Sunshine Coast. Queensland University of Technology, December 2020. http://dx.doi.org/10.5204/rep.eprints.136822.

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The Sunshine Coast (unless otherwise specified, Sunshine Coast refers to the region which includes both Sunshine Coast and Noosa council areas) is a classic regional hotspot. In many respects, the Sunshine Coast has assets that make it the “Goldilocks” of Queensland hotspots: “the agility of the region and our collaborative nature is facilitated by the fact that we're not too big, not too small - 330,000 people” (Paddenburg, 2019); “We are in that perfect little bubble of just right of about everything” (Erbacher 2019). The Sunshine Coast has one of the fastest-growing economies in Australia. Its population is booming and its local governments are working together to establish world-class communications, transport and health infrastructure, while maintaining the integrity of the region’s much-lauded environment and lifestyle. As a result, the Sunshine Coast Council is regarded as a pioneer on smart city initiatives, while Noosa Shire Council has built a reputation for prioritising sustainable development. The region’s creative economy is growing at a faster rate that of the rest of the economy—in terms of job growth, earnings, incomes and business registrations. These gains, however, are not spread uniformly. Creative Services (that is, the advertising and marketing, architecture and design, and software and digital content sectors) are flourishing, while Cultural Production (music and performing arts, publishing and visual arts) is variable, with visual and performing arts growing while film, television and radio and publishing have low or no growth. The spirit of entrepreneurialism amongst many creatives in the Sunshine Coast was similar to what we witnessed in other hotspots: a spirit of not necessarily relying on institutions, seeking out alternative income sources, and leveraging networks. How public agencies can better harness that energy and entrepreneurialism could be a focus for ongoing strategy. There does seem to be a lower level of arts and culture funding going into the Sunshine Coast from governments than its population base and cultural and creative energy might suggest. Federal and state arts funding programs are under-delivering to the Sunshine Coast.
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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Many festivals keep the city culturally active and are supported by organisations such as Bendigo Bank. The Bendigo Writers Festival, the Bendigo Queer Film Festival, The Bendigo Invention & Innovation Festival, Groovin the Moo and the Bendigo Blues and Roots Music Festival are well established within the community. A regional accelerator and Tech School at La Trobe University are touted as models for other regional Victorian cities. The city has a range of high quality design agencies, while the software and digital content sector is growing with embeddeds working in agriculture and information management systems. Employment in Film, TV and Radio and Visual Arts has remained steady in Bendigo for a decade while the Music and Performing Arts sector grew quite well over the same period.
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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Coffs Harbour. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208028.

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Coffs Harbour on the north coast of NSW is a highway city sandwiched between the Great Dividing Range and the Pacific Ocean. For thousands of years it was the traditional land of the numerous Gumbaynggirr peoples. Tourism now appears to be the major industry, supplanting agriculture and timber getting, while a large service sector has grown up around a sizable retirement community. It is major holiday destination. Located further away from the coast in the midst of a dairy farming community, Bellingen has become a centre of alternative culture which relies heavily on a variety of festivals activated by energetic tree changers and numerous professionals who have relocated from Sydney. Both communities rely on the visitor economy and there have been considerable changes to how local government in this region approach strategic planning for arts and culture. The newly built Coffs Harbour Education Campus (CHEC) is an experiment in encouraging cross pollination between innovative businesses and education and incorporates TAFE NSW, Coffs Harbour Senior College and Southern Cross University as well as the Coffs Harbour Technology Park and Coffs Harbour Innovation Centre all on one site. The 250 seat Jetty Memorial Theatre is the main theatre in Coffs Harbour for local and touring productions while local halls and converted theatres are the mainstay of smaller communities in the region. As peak body Arts Mid North Coast reports, there is a good record of successful arts related events which range across all genres of music, art, sculpture, Aboriginal culture, street art, literature and even busking and opera. These are mainly managed by passionate local volunteers.
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London, Jonathan. Outlier Vietnam and the Problem of Embeddedness: Contributions to the Political Economy of Learning. Research on Improving Systems of Education (RISE), February 2021. http://dx.doi.org/10.35489/bsg-rise-wp_2021/062.

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Recent literature on the political economy of education highlights the role of political settlements, political commitments, and features of public governance in shaping education systems’ development and performance around learning. Vietnam’s experiences provide fertile ground for the critique and further development of this literature including, especially, its efforts to understand how features of accountability relations shape education systems’ performance across time and place. Globally, Vietnam is a contemporary outlier in education, having achieved rapid gains in enrolment and strong learning outcomes at relatively low levels of income. This paper proposes that beyond such felicitous conditions as economic growth and social historical and cultural elements that valorize education, Vietnam’s distinctive combination of Leninist political commitments to education and high levels of societal engagement in the education system often works to enhance accountability within the system in ways that contribute to the system’s coherence around learning; reflecting the sense and reality that Vietnam is a country in which education is a first national priority. Importantly, these alleged elements exist alongside other features that significantly undermine the system’s coherence and performance around learning. These include, among others, the system’s incoherent patterns of decentralization, the commercialization and commodification of schooling and learning, and corresponding patterns of systemic inequality. Taken together, these features of education in Vietnam underscore how the coherence of accountability relations that shape learning outcomes are contingent on the manner in which national and local systems are embedded within their broader social environments while also raising intriguing ideas for efforts to understand the conditions under which education systems’ performance with respect to learning can be promoted, supported, and sustained.
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Guiso, Luigi, Paola Sapienza, and Luigi Zingales. Cultural Biases in Economic Exchange. Cambridge, MA: National Bureau of Economic Research, December 2004. http://dx.doi.org/10.3386/w11005.

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Bergsen, Pepijn, Leah Downey, Max Krahé, Hans Kundnani, Manuela Moschella, and Quinn Slobodian. The economic basis of democracy in Europe: structural economic change, inequality and the depoliticization of economic policymaking. Royal Institute of International Affairs, September 2022. http://dx.doi.org/10.55317/9781784135362.

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- To understand contemporary challenges to European democracy, it is crucial to look beyond the surface of politics and consider the deeper relationship between democracy and the economy. Instead of focusing exclusively on the rise of ‘populism’, it is necessary to acknowledge the multiplicity of threats to European democracy, in particular those arising from the structure of European economies and economic policymaking. - Understanding these weaknesses in the functioning of European democracies is crucial to an effective approach to future economic transformations, in particular the green transition, but also for dealing effectively and equitably with challenges such as higher inflation. It is important that the relevant policy changes and responses are democratically legitimate and do not foster the kind of political backlash that previous economic transformations did. - Over the past 40 years, economic inequality – ranging from income inequality to discrepancies in wealth and economic security – has widened throughout developed economies. In turn, these developments have generated increasing political inequality, as economic policymaking has served the interests of the well-off. - Democratic systems have also been made less responsive to electorates through the ‘depoliticization’ of policymaking, in particular economic policy, as a result of its insulation from national-level democratic scrutiny. The expansion of technocratic modes of governance – notably through independent central banks and EU-level institutions – has in many cases entrenched the policy preferences of specific groups in institutions removed from direct democratic control. - As this depoliticization has to a large extent made democratic contestation over economic policy redundant, politics has increasingly been polarized around ‘cultural’ questions. But such a focus on culture is unlikely to address the inequalities behind the dysfunction of democracies in Europe. - Strengthening European democracy requires a ‘repoliticization’ of economic policymaking, including both fiscal and monetary policymaking. In the specific context of the EU, this would mean opening up more policy space for national decision-makers and parliaments – in particular by giving them a more influential role in fiscal policy, and by making monetary policy more democratic.
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Chung, Jinmyeong, and Jiseon Yoo. Skills for Life: Digital Literacy. Inter-American Development Bank, July 2021. http://dx.doi.org/10.18235/0003368.

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As the global economy and workforce are constantly being diversified with a greater emphasis on technology, 21st Century citizens are required to acquire basic digital literacy competencies. In this brief, we examine the concept of literacy and digital literacy. Then, we review the latest digital literacy studies in the United Nations Educational, Scientific and Cultural Organization (UNESCO), the European Commission, the United Kingdom, and the United States. Lastly, we provide suggestions by comparing digital literacy studies, including ICT studies, in South Korea with international literacy assessment metrics. This brief aims to contribute to developing digital literacy measurements applicable to ICT in education internationally and mitigate the digital divide.
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